00:00I was thinking that I was going to action and direction.
00:03There are major injuries and well-trained locals.
00:06And especially in Hollywood shows.
00:07I was the Indian female lead of that international stunt show.
00:12And I got married.
00:13Yes.
00:14Groundwork.
00:15You eat chocolate.
00:18You eat everything.
00:20You eat everything.
00:20So I was going to eat the cowl,
00:23push ups, side push ups,
00:26competitions and martial arts.
00:28So, I was thinking that
00:29I was going to eat the cowl,
00:3118 years ago.
00:32Yes!
00:36Yes!
00:38Yes!
00:41Hello, Mitra.
00:42Mitra, you are going to film the trailer.
00:45You have to film the trailer.
00:46You have to film the action sequence.
00:48But, today I am going to film the action sequence.
00:51I am going to film the action direction.
00:55I am going to film the camera.
00:57I am going to film the camera.
01:02I am going to film the camera.
01:09So, there are a few social stories and how I tell them to film.
01:12So, you can introduce the action director.
01:16What did you think about it?
01:18I have a lot of questions.
01:21We don't have a lot of friends, but I am a family martial artist.
01:25My father is a martial artist.
01:27I am a black belt.
01:30I have a lot of black belts.
01:31I have a lot of people who play the groundwork.
01:37I have a lot of chocolate.
01:39I have a lot of money.
01:42I have a lot of money.
01:44I have a lot of money.
01:45I have a lot of money.
01:47I have a lot of money.
01:50I have a lot of money.
01:52I have a lot of money.
01:54I have an award that I am a family member.
01:58I have a lead actor for an international stunt show.
02:03I have to say that a lot of actors can do live stunts.
02:07I have to do live fights.
02:09I was very excited to do a live show.
02:11Because I was not a special person.
02:18I was the Indian female lead of that international stunt show.
02:25I was the Indian female lead of that international stunt show.
02:25And I was the female lead of that international stunt show.
02:25And my husband got it.
02:26Yes.
02:27So I was the only thing I had to do.
02:29I was the only thing I had to do with the show.
02:31I was really the appreciation of YouTube videos.
02:35People started liking it.
02:37And in the viral video, there was a film of South, who was a superstar.
02:42So, to be honest, I thought that I was doing action direction.
02:48But I was doing my work, I was doing a lot of work and people loved it.
02:53So, there was a film of it.
02:56I was doing a prank, but I didn't have a prank in the film.
03:00And I thought that I was a female action director.
03:04And I felt so good about it.
03:06I felt so good about it, and I was just going on, I thought that I was doing art films.
03:13But Shaila, in Marathi's reality show, there's a lot of friends.
03:18It's called HALLA BOLA, HALLA BOLA, HALLA BOLA, HALLA BOLA, HALLA BOLA, HALLA BOLA, HALLA BOLA, HALLA BOLA, HALLA BOLA,
03:28HALLA BOLA BOLA.
03:36So, there are many actions in the world that we have to do with the work of the film.
03:41So, if you're not doing the work, you're not doing the work of the film.
03:44So, I think that's the way that you have to do the work.
03:50So, you're not doing the work of the film.
04:00There is a lot of budget in the cinema.
04:03You can shoot your job and you have to go to safety,
04:10equipment, fighters and locations are easily available.
04:14So the action can be easy and hold.
04:18You can use a lot of safety and precautions.
04:21But in the raw locations, we shoot your job.
04:26We have a great location where we don't have safety equipment.
04:32We don't have any other equipment.
04:36We don't have any equipment in the cinema.
04:39We have a lot of body doubles in cinema.
04:42We have a lot of equipment.
04:46We have a lot of equipment.
04:48We don't have any force in production.
04:50We don't have a barrier to the camera.
04:55That matters it matters it matter.
04:57In our situation, we want to shoot a lot of equipment.
05:03We all have to do it.
05:04Everyone doesn't know how to surrender.
05:07No doubt in the jungle.
05:08There are no tights and bruises.
05:11Everyone sees a lot of buildings.
05:13At least I am telling them to make the whole house.
05:15I am telling them to make the whole house.
05:17I mean, it's a very personal action.
05:19To be honest, we estamos talking about the whole house.
05:23I think that I have a benefit from the personal level, so I think that you are going to have
05:27a solution because Rahul is one of the leads, so he is acting as one of the leads.
05:34Rahul is a very versatile artist, so I don't have a budget and a lot of limitations.
05:41I think that I think that I will be able to think about this, but Rahul is a big help.
05:53Rahul is a great help, so I think that I will just think of it and execute it.
06:00I think that I will also be able to think about it, and I will also be able to think
06:03about it.
06:04I think it's a good thing for this film.
06:07I have a question for you.
06:10Let's talk about Marathi film.
06:11In Marathi film, do you have any action director of the film?
06:18Marathi cinema is very important.
06:20Firstly, Mahesh Manzrekar, for sure.
06:22Sanjay Zadha, Praveen Tarade, of course.
06:25Because of the film.
06:26The film is very important.
06:30I think it's a good thing for the film.
06:35I think the list is a big one.
06:37But, I would like to start with these four.
06:40But the film is Indra,
06:41Do you believe that the artist is not a person?
06:48I think that what I can do is you do.
06:50Do you believe that it's a person?
06:52I am a sequence.
06:53There is a sequence where I would like to say that I have two different tunes.
06:58There are two different tunes in the MADS, but there are two different tunes.
07:01There is a sequence where I prepared the actors to figure out how to do the role, how to do
07:10the fall.
07:10But there is also basic knowledge.
07:12So, Surya has to apply, so I try a role and I have to try a little side and I
07:17feel like I have to do a small thing.
07:19And I feel like I have to do a little bit.
07:23I can convince that I can do the negative, but I can do it.
07:27I can say that I can do it and I can do it.
07:29I don't want to do anything like that.
07:31I don't want to do anything like that.
07:34I don't want to pace the major difficulties.
07:38I don't want to give you comfort, but I'm ready.
07:40So definitely, being a non-action background,
07:45being a non-sporty background,
07:47it definitely is a very important thing.
07:50You have the opportunity to work on the Maharashtra.
07:54You have the opportunity to work on the Shetra.
07:58How do you motivate yourself?
08:00How do you do it?
08:02Or do you have the action life?
08:05I'm happy to see you as a female director.
08:09I feel that I feel that I have experience.
08:14In my daily life, being a female action director,
08:20You will not imagine, but it's not easy at all to stay in this situation, stay in this particular responsibility.
08:30You don't accept it as much as you can.
08:35And sometimes we don't have self-doubt.
08:39We try to do something better.
08:41You have to be well prepared and make sure that as a performer, you have the experience rather than only
08:49direction.
08:50We have the experience of Hollywood shows and martial arts.
08:54It's very easy to do.
08:57But if you have on-field experience, it's very easy.
09:00On-the-spot decisions change, safety majors, etc.
09:03You have to be well prepared.
09:05I think that's the best way to do it.
09:07I think that's the best way to do it.
09:09It's a great level of sports.
09:13It's a great way to do it.
09:14But until you have three people, you have to be well prepared.
09:18You have to be self-doubt.
09:20You have to be well prepared.
09:22And you have to do it.
09:24And we will be able to do it.
09:27If you have my understanding of the truth,
09:29There is also one question from a person.
09:32And in that direction,
09:36you are in your sort and you have the meaning of potential whatsoever.
09:39But problems really?
09:40Today, Swatala has become a problem.
09:44What should you do with Swatala?
09:47What should you do with Swatala?
09:49In August, there is a lot of practical.
09:51There is a lot of the generation.
09:53There is a lot of the lifestyle.
09:56There is a lot of creative skills.
10:00There is a lot of choices.
10:02There is a lot of people.
10:05There is a lot of martial arts class.
10:07There is a lot of people.
10:09It is a very good thing.
10:10But it is not a lot of practical.
10:13The second question is that
10:15I do with Maharashtra Police.
10:17I do with women's safety.
10:20So, I invite Maharashtra Police from the state.
10:23I invite them to the state.
10:25My motto is that I have developed a syllabus.
10:28Unfortunately, in India, there are many rape cases.
10:32There are many acid attacks.
10:35We don't have a lot of emotional situations.
10:38We don't have any level of safety.
10:39We have to test our situation.
10:40We have to test our situation.
10:41And we have to make some questions.
10:45For example, we need to learn more and more of the time.
10:47But we need to learn what is necessary.
10:52We need to be safe and enjoy ourselves.
10:53But we do not want to live our everyday lives.
10:56We need to be aware that we do not only have to be aware.
11:32Thank you very much.
11:35But it's a very sad thing that you do a lot of entertainment programs.
11:42You show the stage on the X, Y, Z.
11:46There are also pictures of women's safety and awareness.
11:50There are people who put this initiative.
11:55There are people who put this effort.
11:59Why can't they organize these programs?
12:03That is really important.
12:07I am an action director.
12:13What should we do as an action director in this industry?
12:20I think that I don't know about every set of networks.
12:26Because of course, I have a short film in this industry.
12:30So, I think that whatever you learn, I don't have a shell.
12:36I think that there are some films in Hollywood.
12:41I think that there are some films in Hollywood.
12:42That's why I have a lot of experience in the future.
12:47So, when people work in Hollywood, there are different things in India.
12:52So, I think that there is a process behind this.
12:57But there is a lot of experience in Fast and Furious.
13:00There is a lot of experience in Fast and Furious.
13:02There is a lot of experience in Fast and Furious.
13:16I think that it's really such a thingтАж
13:17especially when I was talking to Marathi cinema.
13:19I would love to do Marathi cinema.
13:21This is such a power-packed action cinema.
13:24But it cannot be a reference in part.
13:27The people need to draw a reference to Marathi cinema.
13:31So, that's a thing.
13:33I think that's a problem.
13:37But as your choreographer and action director, you signed two Kama settings, so you can take priority?
13:44Yes, it's a great deal.
13:45If you come to Indra Jalanava in the cinema, I would like to approach the actor.
13:50And I would like to say, if you don't do the action direction in the cinema,
13:54I wouldn't do the action direction in the cinema.
13:56And I would prefer to do the action director.
13:58I would like to do the film on board, so I would like to do the actor.
14:02I would like to do the female lead workshop.
14:05But I would like to do the action direction.
14:10So any time, if you have the action direction, I would like to do the acting.
14:15I would like to do the film as a negative lead.
14:20I would like to do the film as a complete action cinema.
14:25And I would like to do the action-packed movie as a lead.
14:30But I would like to do the film as a Hindi cinema.
14:34That's for sure.
14:35Superb!
14:36You can be very proud of that.
14:38You could be very proud of it.
14:40I'm proud of that film as a person.
14:41You're proud of it.
14:46You're proud of it.
14:49And you're proud of it.
14:51You're proud of it.
14:51I'm proud of it.
14:52What's your thoughts and how you should change your thoughts?
14:54I don't know anything to add your thoughts.
14:56So don't forget to comment on what you've said before.
14:57I don't want to film anything like that and I don't want to film anything like that.
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