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El renacer de Luna Capitulo 21 MAGAZINESPAIN
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00:22History cannot repeat itself.
00:25This cannot happen again.
00:39Ligia, my dear, open the door.
00:45I need to talk to you.
00:46It's important.
00:49Ligia?
01:02Excuse me, Don Leo, those gentlemen came to tell their story of being poor.
01:06No, no, no.
01:07It's not those gentlemen, Ligia.
01:10They are your parents.
01:12And you should be proud of them.
01:14I just came to pick up some books I forgot.
01:17But I see her at night.
01:21Ligia, Ligia, daughter, there's nothing wrong with having parents who sell fruit and vegetables.
01:32The important thing is that you want to get ahead, to be someone important, but ignoring them like that isn't right.
01:39Don Leo, you never had children, did you?
01:47What a pity.
01:49Because it would have been cool if he had given them his advice.
01:54Because I don't need them.
01:59It's difficult to leave your family to pursue your dreams.
02:05And even more so when they're not around.
02:08That they will never see what you so desperately wanted.
02:12I only know that I'm lucky that my parents support me in what I want, but...
02:17I know that deep down my mom doesn't like that I dedicate myself to music.
02:22Why is it such a difficult career?
02:25Why does everyone say we're going to fail and starve as musicians?
02:31Because our families prefer that we study a business career.
02:36Something that will get us a job immediately.
02:43Thank you.
02:45If you hadn't studied music, what other career would you have pursued?
02:51Administration, of course.
02:53And you?
02:56I never imagined being anything other than a singer.
03:01But now that my dad has left me the glassblowing factory,
03:06I would like to learn everything about her.
03:10That sounds great to me.
03:12What if you and I do business in the future?
03:23Don't get involved.
03:24Because my dreams lie elsewhere, and my parents' dreams don't end there.
03:29Perhaps you don't understand, because you've never been a father.
03:33But I am not his daughter.
03:35And you don't know what it means to be poor.
03:39I've been poor too, Ligia.
03:42And even though I don't have my own children,
03:46I can understand why you want to become famous and have money.
03:51It's much more than that.
03:52It goes beyond fame.
03:54What I want is power.
03:57To manage people.
03:59To make my own decisions.
04:02I want my own production company, my own school, my own...
04:07You know?
04:09Well, that's fine.
04:12If that makes you happy, then protect your dreams, fight for them.
04:16But don't go over your parents' heads.
04:20Life is both hard and wise.
04:23And sooner or later he'll put you in your place, Ligia.
04:28Whether you like it or not.
04:31That will never happen to me, Don Leo.
04:34You don't know how strong I am.
04:36No matter how strong you are, when life deals you a low blow, you hit the ground.
04:42That's when the people who gave you life, whom you so vehemently reject,
04:47They are the only ones who lend you a hand.
04:51Just remember that success is only worthwhile if we share it with the people we love most.
05:07Take care, Ligia.
05:09Because you can fall into the hands of people who can get you into trouble.
05:15I'm telling you this because I love you.
05:19Please stay away from that person.
05:24Please.
05:30Answer, Boco.
05:36Answer, damn it.
05:40How could you betray me like that?
05:47I have to thank you, Boco.
05:50For rescuing me.
05:52But Dalila, by now she must know that I am not in the sanatorium.
05:57He won't take long to find me.
05:59Dalila will never hurt you again.
06:03I'd like to believe that.
06:06But as soon as he finds me, he's going to hit me again.
06:10And you too.
06:14How did he know I was there?
06:18How did he manage to get me out?
06:20I just had to talk to the psychiatrist.
06:22I told him you're okay.
06:25And you don't have to be hospitalized.
06:28Dalila will not allow it.
06:32I have to go.
06:36Can you go home?
06:38No.
06:41I have to find Leonardo.
06:58Come in.
06:59Don Leo is busy, but he'll see me in a moment.
07:02Who did he announce, sorry?
07:03Pancho Cadena, please.
07:05I'm going to sort some things out with him, but he already knows what it's about, okay?
07:09So you're my evil namesake.
07:12Excuse me?
07:14Did you see it?
07:15What happened?
07:15No, it seems to me that it's all just a story, because the Franciscans and the Franciscans
07:20We're really good people.
07:22Would you like a coffee?
07:23No, thanks.
07:23A little tea?
07:24Oh, a little chocolate with a little bread roll with a little bread roll.
07:27No, no, Panchita.
07:28Hey, even though we have the same name, I don't know, I'm not like you're trying to be like me, okay?
07:31I'm not some kind of equal, you know?
07:33Yes, yes, that's true, yes.
07:35I forgot to mention, she's a very snobby cat.
07:37He respects Panchito, listen to me.
07:39Who do you think you are to talk to her like that, huh?
07:41Apologize to the ear, go on.
07:42Ah, of course, yes.
07:45A perfect match, not the garbage man with the cat.
07:49Gata, her grandmother, the oldest in her house, imagine that, huh?
07:53Despite how ugly I look, Calendario is a hardworking and honest man, right, Francisco?
07:59Oh, oh, oh, I don't talk to the servants, please, I want to talk to Leo.
08:02Nobody treats me that way, much less gives me orders in my own house.
08:05Because, just so you know, I work here, but this is my home, Francisco.
08:10Now I know why you're so wicked, Panchito.
08:13Yes, Francisca.
08:15Fran Limantour.
08:16That's my name.
08:18And before you mention it, wash your mouth out with plenty of soap, okay?
08:23Let's go, my love.
08:24Let's go, my love.
08:30Hello, hello, Oli.
08:33What happened?
08:35Where are you going in such a hurry?
08:38Take it and be, Pancho.
08:41Hello.
08:43What are you doing here?
08:45I hope it's not because of one of my friends, okay?
08:48Man, what do you think?
08:50What do you think?
08:59I won.
09:03Hey Saul, are we going to put together the call-up or not?
09:06I'm in, I don't know about the others?
09:08Obvious.
09:09Oh, what call for applications?
09:10It's a competition where the winner appears on TV and...
09:14It sounds awesome.
09:16And are you going to enter?
09:17For your chicken?
09:19Luna, an opportunity like this shouldn't be wasted, right?
09:22Oh, how great!
09:23And I'm sure you're going to win, too.
09:26What's the name of your band?
09:28The terror of silence.
09:31No, not that.
09:33We're just now figuring out if we've formed the band properly.
09:36Obviously, I want to succeed as a solo artist.
09:38But I think it's not a bad idea to start as a group with beginners, I know.
09:41Oh, calm down.
09:43Hey, why don't you join us?
09:45You sing really well.
09:46Luna does not belong to the school.
09:48Oh, but that's not a requirement.
09:50Fair.
09:50Come on, Luna, say yes.
09:52Cheer up.
09:54Look, we'll support you here and we can choose the songs.
09:58We could even sing the ones we've already played.
10:00Yeah.
10:01And if you want, we can also practice at my dad's restaurant.
10:05And that's how we get our experience.
10:06We can also practice at the factory that my dad left me.
10:09AND!
10:11What do you think, Luna?
10:12No, man, huh?
10:13Pierro or what?
10:14From here?
10:15To stardom, boys.
10:19Yeah?
10:22If the heiress Clementina Mondragón Méndez dies,
10:28All of his assets will be transferred to the charity.
10:32designated in Annex A of this will.
10:37Come, Tzuá, come, Tzuá.
10:44Damn.
10:46Where is the original?
10:49Did he leave it behind after death?
10:57I can't kill you, cousin.
11:00But you'll never know what our grandfather left you as an inheritance.
11:10Just looking at you makes my heart race.
11:17Just thinking about you makes me believe in love again.
11:24Today, my life is just as I always dreamed it would be.
11:34Because you gave me a world full of colors.
11:40Because you calmed all my fears with your kisses.
11:47Because you calmed my storms.
11:52You gave me back the stars, while you were here.
12:00Because you, you give me your body and soul when we're together.
12:06Because you are determined to take care of me every second.
12:35I would love to be part of your band, guys, seriously.
12:38But I couldn't fulfill that request because it requires a lot of rehearsal.
12:42And I don't have time.
12:44I have to go back to my family and take care of things at the mezcal distillery.
12:48Don't insist anymore.
12:49Luna cannot.
12:51Besides, by the time this happens, she'll already be a married woman.
12:55Oh, but that's no obstacle either, right, Yesenia?
12:59Is the situation very difficult on your farm?
13:01Yeah.
13:02The truth is, it's worse than I imagined.
13:05An entire production was lost.
13:07Tara, Yesenia's twin sister, works with us and she was on vacation when all this happened.
13:13So he couldn't do anything to prevent it.
13:16No, well, that's a bad plan, Luna. I'm sorry.
13:19Yeah.
13:20That's why I have to be there.
13:22I'm just now getting familiar with the management of the mezcal distillery.
13:26If you need anything, you can count on us.
13:29Thank you very much, Alma.
13:30Exact.
13:30Thank you.
13:31Whatever you need, I'm so glad we found each other. You're never alone.
13:37Thank you.
13:40How are you, friends?
13:43Hungry for success, my dear Tapatío, favorite son of beautiful Guadalajara.
13:48Dude, you're going to be our star keyboardist. We're going to enter a battle of the bands.
13:54No, forget it, Mael.
13:56Saul already knows, but I have to tell you that I've dropped out of school.
14:06That?
14:07That?
14:07What? Seriously? He wants to think about you?
14:12Are you okay? Did something happen?
14:16No, well, it happened that I have a son and I have to fulfill my obligations to him.
14:24My parents are telling me to go live with the child's mother, and well, yes.
14:32What happened? How's everything going, Gala?
14:37Has Mrs. Dalila Mondragón returned?
14:41If he comes back, please let me know.
14:44Tell me who you're looking for.
14:46Hello, I'm Clementina Mondragón. I'm looking for Mr. Leonardo Ochoa.
14:52Oh, just a moment, I won't be long, okay?
14:54Thank you.
15:00Hello good.
15:02I heard that you are Clementina Mondragón?
15:04Yeah.
15:05Really?
15:06And do you know Delilah?
15:08Yes, of course, she's my cousin.
15:10Where do you know her from?
15:12She sold me the floor bar; I saw it many years ago.
15:17Are you the owner of that place now?
15:19Yes, yes, yes.
15:21And do you talk to my cousin often?
15:23No, well, I know her, but I haven't met her personally, have I?
15:28I haven't seen her since she sold me the place.
15:33And you?
15:34What, what are you doing here?
15:35Do you know Don Leo?
15:38But, Jaime, they haven't done the paternity test yet.
15:43Yes, but I already have an appointment for next week.
15:45And if it's my son, guys, well, too bad, I have to take responsibility.
15:48Well yes.
15:49I think I understand you, Jaime.
15:51Sometimes doing the right thing is the hardest thing.
15:55Especially if there are mixed feelings.
15:58I don't know if your opinion is the most accurate, because you barely knew Jaime.
16:03You're right, I barely know him.
16:06But I can understand how it feels when you discover a reality that changed your life.
16:17Sabina.
16:20Sabina.
16:26Sabina.
16:34Leonardo, sorry, I fell asleep.
16:38What's wrong? What's the matter?
16:47Only pain and shame in my heart.
16:53I want to leave it all behind.
16:58Also, to plant seeds at my grandfather's house and lose myself from the world.
17:05Don't say that, Leonardo.
17:07Everything's going to be alright, you'll see.
17:10It's going to be okay.
17:13I'm sure everything will be alright.
17:16Also, look around you.
17:19You have a group of friends who adore you.
17:22Yeah.
17:22As Doña Meche says, friends are the family you choose, right?
17:30Count on us, okay?
17:32Thank you.
17:35You don't know what it means to hear all this, guys.
17:40And I know I barely know you guys, but I'm also so grateful to have found you.
17:47It's very easy to focus on everything that is lost, with the problems.
17:52But it's important to see the good that comes from all of them.
17:56Thank you for being so nice to me.
18:01We understand how difficult your situation is, but think about the band, okay?
18:05Let's see if we can find a way for you to participate with us.
18:09And if you want to continue your career, you can join Museart.
18:13Here you can get your certification validated and finish what you're missing.
18:18Oh, studying here would be so cool.
18:22Yes, yes, yes.
18:25That place belonged to my grandfather, Manuel Montragón.
18:30Music was played there, especially boleros, before that restaurant.
18:36Well, it was something he always wanted to put there since I was a little girl.
18:40Well, I guess after he died, Dalila sold it.
18:45But he had no right.
18:48Why not?
18:49Because it's part of my heritage.
18:51My grandfather had decided it that way, so...
18:56I'm sorry that happened to you, Mrs. Clemencia.
19:01Well, then...
19:02Son, I think I'm going to leave now, okay?
19:04This gentleman is not coming.
19:06Just to know...
19:06Tangerine.
19:08Ah, Clementina.
19:10Excuse me, where are you going?
19:12To my restaurant.
19:14Can I go with you?
19:16I met him many years ago, but since I live confined to the ranch, can I?
19:20Excuse me, ma'am.
19:21My boss is not indisposed and I don't think he can receive her today, I'm sorry.
19:25Alright.
19:26Why are you still here?
19:27The boss won't take you in 100 years.
19:31Old woman.
19:33Thank you.
19:34Bare hill where they took you down, old stumbling block.
19:36What's wrong with you?
19:43I don't even know what her name is, either.
19:44I'm not going to change my name.
19:47I'm here outside my grandfather's house.
19:49Whose grandfather?
19:50I'm not in the mood.
19:51Your cousin Clemencia.
19:54Tangerine.
19:54Yeah.
19:55He is here at Leonardo Ochoa's house.
19:57That damned Boco took her there.
19:58And what are you doing there?
20:00No, I came to sort out some personal matters.
20:03Did she talk to him?
20:04No, no, no.
20:05He left us both waiting.
20:06But your cousin wants to go see the restaurant.
20:09I'll see you there.
20:14Damn crazy woman, I'm fed up with you.
20:16I've put up with you for too long, but you'll see what happens to you.
20:26My grandfather Manuel told me that one day we're going to go to Mexico and he's going to play boleros.
20:34more beautiful.
20:36How are you?
20:36Do you like the idea?
20:38Yes, I'm going to ask my grandfather if he'll take me too.
20:42Let's go with him.
20:43No, I'm going to tell him.
20:48I told you I'm going to tell him.
20:52Your place, grandpa.
20:55You saw the bar you made and that...
20:59Dani sold it.
21:03Why did you run away from the senate?
21:05Boco helped you, right?
21:07It was you.
21:08You stole this place from my grandfather.
21:11Forgive me, are you okay?
21:13Forgive me.
21:14Crazy!
21:15You left and I'm taking you to a hospital to get you treated.
21:18But I'm not sick, I'm fine.
21:20Be quiet!
21:21I told them not to do what you did.
21:23No.
21:23I thank Mr. Francisco for calling me to tell me how bad you are.
21:27I'm not okay.
21:28All I want is to be there.
21:29Just a moment here and then we'll be off.
21:31Give it to her, please!
21:32Give it to her, please!
21:32Give it to her!
21:34Don't you dare hit him.
21:53Whatever you need, we're so glad we found you.
21:57You are never alone.
22:01What's happening to me?
22:04That?
22:05I can't stop thinking about him.
22:09Saul.
22:11No!
22:13No!
22:14Control yourself, Luna.
22:15Control yourself.
22:17This can't be happening to you.
22:19I'm falling in love with Saul.
22:27Moon.
22:35Saul.
22:42Let me go.
22:43Who do you think you are?
22:44Someone who does not tolerate violence.
22:46And I'm not going to let you hit him.
22:48Hey, what's up?
22:48Okay, okay, what's wrong, woman?
22:49What's happening?
22:50Where is the child?
22:51Where is the child?
22:52Where is?
22:53Javier, take a look.
22:54Alright.
22:55I'm sorry, I shouldn't have caused this problem.
22:57This is my fault.
22:58The thing is, this place belonged to my grandfather.
23:00and I just wanted to see the restaurant.
23:03Are you OK?
23:03Sorry.
23:04Yeah.
23:04Don't worry.
23:05Well, you're safe here.
23:07I'm not going to let anyone hit you.
23:09Are you OK?
23:10No, yes.
23:13Do you want something, water?
23:15He forgot your notebook.
23:18where you are pointing the entire element.
23:22Thank you.
23:27Why am I like this?
23:30I had never felt this before.
23:42I feel like you're looking at me differently.
23:47Hello?
23:48My love.
23:49Yeah.
23:50Yes, Rodrigo.
23:52I'm on the other side of the park.
23:53You're coming?
23:54Yes, I see you there.
23:55Yes, I see you there.
23:57I'll see you there.
24:04I have to go.
24:06But I'll see you at the ranch.
24:09Yeah.
24:10Thanks for everything.
24:16I had a great time today.
24:19I had a great time with you too.
24:22See you tomorrow.
24:23Because?
24:25Bye.
24:27Bye.
24:29You, my confidant.
24:32You, my love forever.
24:36Just you.
24:41Just you.
24:50Because?
24:53Why won't you let me see anything about Clementina?
25:03Come in, Macaria.
25:09Why did you take so long?
25:13Because I stayed looking for the land of Pantheon that you asked me for.
25:17I don't sell that anymore.
25:19Pure blessed land of the church.
25:23Yes, yes, yes.
25:26Come in, have a seat.
25:28What I need most are the Syrians.
25:40Ashore.
25:46You shouldn't have been treated with those forces.
25:49You are carrying a very large, black shadow.
25:52You're going to have a bad time.
25:55Because?
25:58You're bad.
26:00I am healthy.
26:01I have money.
26:04And a beautiful woman whom I had my eye on.
26:19Are you worried about the lady?
26:22I didn't get to see much, but I really liked that you defended her.
26:27Hey, what if I invited her to have lunch with us?
26:30Yes, invite her.
26:32She looks very sad eating alone.
26:33Yes, I'll be right back, okay?
26:40How's it going?
26:41Is he/she feeling better now?
26:42Yeah.
26:43Excellent.
26:44Thank you so much for defending me.
26:48Would you like to join my son and me for lunch?
26:52Yeah?
26:54No, I wouldn't want to bother you.
26:57I'm only going to be here for a little while and then I'll leave.
26:59As I told you, I just wanted to see the restaurant, that's all.
27:03I am Mayan.
27:06Tangerine.
27:07Nice to meet you, Clementina.
27:09So, what do you say?
27:10Come on?
27:11Well, yes.
27:13Quito, yes.
27:14I'll help you.
27:15Okay, thanks.
27:16Come.
27:20Hello.
27:21It's Javi, Clementina and Clementina Javi.
27:24Nice to meet you.
27:26Do you want something to eat?
27:28I'll give it to you.
27:37If Don Andrés or Doña Dalila see you doing these things,
27:40Are they going to be angry, Teo?
27:42I'm just looking after the house.
27:45You can see all the bad energy they're sending to this family.
27:56All of this that I'm going to put in the corners of the estate
27:59and in the bedroom of the girl Lona.
28:01We have to protect ourselves, Odilon.
28:04You're right.
28:05But I also think we should have a mass said.
28:07and sprinkle holy water.
28:09Right?
28:10Because I know Boco put a spell on us.
28:13And I'm sure of it.
28:15I'm sure it had something to do with the death of my poor Lupita.
28:18There, Chichi.
28:25I knew you before the shadows surrounded you, Boco.
28:30And I'm surprised that you're in love.
28:35You know I don't like to talk about my private life.
28:39Or what do you want?
28:41Should I tie your tongue with cat guts?
28:43Jesus.
28:44No, Boco.
28:45Please forgive me.
28:47Shh.
28:48Already.
28:48Please.
28:51Be prepared.
28:52TRUE?
28:53Yeah.
28:58That's it, Ben.
29:08Dalila.
29:09Finally you answer, Boco.
29:11Why did you take Clementina out of the psychiatric hospital?
29:13That wasn't the plan.
29:15Because if we kept her locked up, I couldn't see her as often.
29:18That wasn't the plan.
29:19You and I need to talk.
29:21You know I can't stand being betrayed.
29:23Me neither, Dalila.
29:26And freeing Clementina is a small proof that you don't mess with me.
29:33I cannot kill you because of the protection your ancestors provide.
29:39But that's going to end sooner than you think.
29:45Boco, you've distanced yourself from everything.
29:47Even from your brother, Pancho.
29:49Don't talk about things that don't concern you.
29:53Your brother is not your private life.
29:56We all knew he was jealous of you.
29:58Because you were the one born with powers, not him.
30:02But there was a time when they got along very well.
30:07You should look for it.
30:12Yeah.
30:14The family.
30:17Always the most important thing.
30:22Even to our world.
30:25Right, Macaria?
30:35Boco will pay for this.
30:36And you know she's going to pay for this.
30:38You won't be able to go against him.
30:41Every day it becomes more powerful without you even realizing it.
30:43Yes you're right.
30:46Now he says and does things he didn't do before.
30:49I never, ever knew what his weak point was so I could defeat him.
30:54Their weak point?
30:56Ah, let's not talk about him anymore.
30:57Please, let's not talk about him.
30:59Yes, that's fine, something else.
31:01That woman who got involved is...
31:03Oh.
31:05She's your front.
31:08I saw her at Sebastián Castillejos's office.
31:12I couldn't talk to her.
31:14I was almost running.
31:16But he introduced her to me as his great love.
31:20Do you know anything about that?
31:21No, man, nothing.
31:22That can't be.
31:24No, no, no.
31:25He has a conflict in which he fantasizes about married women.
31:34I think your wife is cheating on you.
31:38And you don't even realize it.
31:40No, it's not like that.
31:41She doesn't deceive me.
31:43He's not fooling me.
31:44Spot.
31:46Then show him who's the man.
31:48The male of the class.
31:54You are the same as everyone else.
31:57Machito de portería.
31:59He can't stand it when his wife cheats on him.
32:14I'm going to take my cousin.
32:15It's clear that it's not right.
32:17Yes, no, no.
32:17It's very bad.
32:18Take it with you.
32:25Lamentina, let's go.
32:28And you're not going to get involved again?
32:31Or do I care?
32:34It's when I see someone using violence to subdue another person,
32:39I can't handle that.
32:41Right, Francisco?
32:44That?
32:45Let's go.
32:48Goodbye, Javi.
32:50See you.
32:50See you.
32:52Thank you, Noya.
32:53Oh, Bernardo.
32:53It's a pleasure to meet you.
32:54Equal.
32:55I hope we meet again.
32:59That's how it's going to be.
32:59Take care of yourself.
33:02God takes care of them, He protects them.
33:06I liked him.
33:08But?
33:08Linda.
33:09Okay, can we talk alone?
33:12No.
33:13We are eating.
33:15But what I have to tell you is important.
33:18Well, and it's more important that you respect this moment.
33:21When we finish eating, I'll look for you and we'll talk.
33:24And that explains to me where you know that lady from.
33:27The Lilac.
33:28Yeah.
33:29Eat well.
33:30I love you.
33:30Me too.
33:31Advantage.
33:32Eat.
33:33Eat, eat.
33:34Yeah.
33:34Yeah.
33:41With the entire budget, the mixer has kept me busy all day.
33:46Look, it's the most tedious part of my job, but I have to do it to keep the field in good condition and
33:50produce.
33:52And what did you do?
33:57I was rehearsing with Saul all day.
34:02The singer I told you about who will be accompanying me at the event.
34:05Clear.
34:08Hey, have you thought about resuming your music studies?
34:12Because your family says that's your dream.
34:15And if you want to learn everything about mezcal making, would you put that aside?
34:22Sorry.
34:23I forgot that you're getting married to Rodrigo soon.
34:28Luna, I'm nobody to give you advice.
34:34But I think you're jumping to conclusions.
34:40Because?
34:42Because time passes and waits for no one.
34:46Before you know it, that dream you had is gone.
34:50And there's nothing left.
34:56For the reunions.
34:59For the reunions.
35:02A week full of them.
35:07There is no doubt that life begins after 50.
35:12You look exactly the same.
35:14Just like the last time I saw you.
35:17It's incredible.
35:19Thank you so much.
35:21You haven't changed either.
35:24I was very happy to resume my friendship with your husband.
35:30Andrés has become a man
35:33sickly,
35:35dark.
35:37It is no longer even a shadow of what it used to be.
35:40I saw him down, but
35:43not to the degree
35:45Regarding what you mentioned.
35:47Did you tell him you'd have dinner with me?
35:49We're not teenagers anymore, we don't need to be giving warnings.
35:53But if I knew,
35:55I wouldn't have any problem with that.
35:59Luna is now a grown woman.
36:01It looks like it's on its way
36:03to become a great singer.
36:05Was.
36:07With the problems of waking up,
36:09The poor woman has given up on her dream
36:11because of his father's mistakes.
36:16Okay, but that's enough.
36:17Let's change the subject.
36:19Why don't you tell me about that woman?
36:20What has captivated you so much?
36:22Maya?
36:23Is called?
36:27Wow...
36:28It's special.
36:32But she is a married woman.
36:36Look me in the eyes
36:37And tell me that doesn't bother you.
36:40I suppose I respect marriage.
36:42But there are cases where divorce
36:44It's the only option
36:45to move on with life.
36:47I completely agree with that.
36:50But anyway,
36:51one has to know
36:52who he/she associates with.
36:54What does he know?
36:55That one from that woman?
36:56From his past.
36:58Because the truth is,
36:59I wouldn't like it
36:59that would hurt you.
37:01Now that I see you
37:02so excited.
37:11Thank you very much
37:13your advice.
37:14But I have to keep going
37:15with my mezcal distillery plan
37:17before anything else.
37:21Yes it's true
37:21that I'm going to marry Rodrigo,
37:23But that's going to be
37:24in three months.
37:28Te un.
37:29Don't lose sight of it
37:30your dreams.
37:32You are a very brave boy
37:33and self-assured.
37:35But I think
37:35that love is something else.
37:40And are you in love?
37:43Yeah.
37:44But that love is impossible.
37:48He's a sweetheart
37:49that I know that little by little
37:51I'm going to have.
37:53It's as if the music
37:54could be touched.
37:57The music, Luna,
37:58It's a world
37:59for sensitive souls.
38:01Those who wish
38:02leave something valuable
38:03They are the hearts
38:04of the person who listens to them.
38:06That's why you don't give up
38:07your dreams.
38:08I mean, you could
38:09continue studying here
38:10in Mexico City.
38:17I appreciate your concern,
38:18but
38:19Maya's present
38:20That's enough for me to know her.
38:23Well,
38:23I promise you
38:24that I'm not going to do anymore
38:25no comment
38:26in this regard.
38:28But seriously
38:30I'm very worried.
38:31May you be happy.
38:36As you know,
38:40I loved you
38:41in the past
38:42and it broke me
38:43the heart
38:44in ceasing to go.
38:49How are things going?
38:50with the mezcal distillery?
38:52Andrés told me
38:53something,
38:53I was very worried.
38:56Good,
38:57Don't worry.
38:59Which
39:00I'm really worried.
39:02me now
39:02the thing is
39:03Andrew
39:04He changed his will.
39:06He left her
39:07all our canvas.
39:08He told you.
39:11He didn't tell me
39:12nothing about that.
39:13Talk later
39:14about his health,
39:15Luna's career
39:16and nothing more.
39:18So,
39:19Didn't he give it to you?
39:20To you, the will?
39:22Because if there was
39:23made,
39:23I think that
39:24would have committed
39:25a serious mistake.
39:26I wouldn't have
39:27Why leave you?
39:28that responsibility
39:29to you.
39:31Why not
39:32Are you talking to him?
39:34Why not
39:35He leaves it.
39:35the notary
39:36of the State?
39:37I think that
39:38That's something.
39:40that it's his turn
39:40decide your husband.
39:42Lament
39:43not being able to
39:43to say more,
39:44But I don't know.
39:45because
39:45I changed my will.
39:47Are you worried?
39:48Will something happen?
39:49No,
39:51not at all.
39:52Oh well,
39:53already,
39:54Let's change the subject.
39:55Why not
39:56Are you coming to the house?
39:57To the event
39:58that it's going to be Luna
39:58It's going to be amazing
39:59and we would love to
40:01that you would join us.
40:24research report
40:25Amaya Mistral Álvarez,
40:27requested by
40:28Felix Torres.
40:30The lady
40:30Amaya Mistral
40:31comes from the City
40:32from Mexico,
40:33She is married
40:34with Pancho Cadena,
40:35with whom he has
40:35a son,
40:35blah, blah, blah,
40:36That doesn't interest me.
40:39that his eldest son,
40:42Ismael Cadena Mistral,
40:44does not match
40:45with the beginning
40:45of their relationship
40:45with Pancho Cadena,
40:47but if
40:47over time
40:48where he lived
40:49in Puebla.
40:52Therefore, it is concluded
40:54that Mael
40:55He is not a son
40:56from Pancho,
40:57but of a relationship
40:58that maintained
40:59some time ago.
41:06Then Mael
41:07He could be my son.
41:14Why did you hide it from me?
41:16Maya?
41:17Because?
41:18Because?
41:28Can I accompany you?
41:29Miss Luna?
41:30Clear,
41:31welcome.
41:33Well, everything is ready now.
41:34for tomorrow's event.
41:38It will be a special day.
41:40Yeah,
41:41I know that everything
41:41It's going to be alright.
41:44And what does it say,
41:45Mr. Federico?
41:47A little race?
41:49As you say,
41:50Miss artist.
41:52Don't regret it later.
41:54because I leave her
41:54biting dust.
41:56No,
41:57not even in my dreams,
41:57Sir.
42:11Are you finished?
42:12to confuse
42:12to my daughter?
42:14Treating
42:15How to make her fall in love with you?
42:16I don't know what about.
42:17He's talking to me,
42:18lady.
42:18But you have nothing.
42:19What to do in life
42:20of my daughter,
42:21filthy little rancher.
42:22Mister,
42:23You don't have to
42:23disrespect me
42:24Because I...
42:25You are insignificant,
42:25Saul.
42:26Don't you realize?
42:27Another time
42:28I would have,
42:29I don't know,
42:30accepted as my son-in-law
42:31because they had told me
42:33that you were from a
42:34of the families
42:34richest in Monterrey,
42:36but today
42:37You're a nobody.
42:39So I don't love you
42:40near my daughter
42:41And you're not going either.
42:42to go to their event.
42:43You don't have
42:43the right
42:44driving
42:44the decisions
42:45of her daughter
42:45nor his life
42:46because I remember him
42:47that Luna is no longer a child.
42:49She hired me
42:49to sing
42:50And that's what I'm going to do.
42:51I'm not walking around
42:51with fires
42:53and I get rid of it
42:54always from what bothers me.
42:56So if you don't want to
42:57accompany your parents
42:58in the sky,
42:59you're not going to put
43:00one foot on my estate.
43:11With you the world disappears
43:15With you, the seconds add up
43:18Because you
43:20and girl.
43:21If you don't want to, find
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