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Pune, Maharashtra: National Award-winning writer-director Yogesh Deshpande opened up about his journey, challenges and responsibilities after receiving the Best Screenplay award at the 72nd National Film Awards. In an exclusive interview, he spoke about writing the biopic of legendary musician Sudhir Phadke (Babuji), the extensive three-year research behind the film and maintaining authenticity while portraying such an iconic personality. He also shared how his family and Babuji’s legacy inspired him, discussed his upcoming projects and offered valuable advice to aspiring writers and filmmakers to focus on research, character development and meaningful storytelling.

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Transcript
00:00Sir, what do you think about this award?
00:04In fact, this award is a very big award.
00:10In my opinion, if you have any efforts, study or write a film,
00:19then you can get this award.
00:23You can get this award, you can get this award, you can get this award,
00:27and you can get this award.
00:33So, you can get this award.
00:37I think it's a big, big achievement to have such kind of honor and recognition.
00:44Sir, what do you think about this award?
00:45What do you think about this award?
00:48First of all, Babu ji, Sudhir, there is a lot of interest.
00:54On the level of India, there is a lot of interest in India,
00:56but on the level of the country, they have done their work.
01:00They have a lot of interest in Sangeet Kshetra.
01:02There is a lot of interest in Sangeet Kshetra.
01:04Lata Mangeshkarjee, Asha Bosley,
01:10the book of India's show.
01:14And we all know about this.
01:17The story of Manajit Rao,
01:18you're a very much in the background of the runties.
01:19And the people you like,
01:21they are very close to the heart,
01:23so they can explain.
01:25What about the name of the story is of my character?
01:29It was a very difficult work.
01:31They were also very big and very big.
01:35When I said to myself, I said to myself,
01:39but tell me what they are doing.
01:41People are so wanting to call.
01:44It doesn't make any mistake,
01:46or statement to make a mistake.
01:50Because in my personal life,
01:52I had a strong struggle.
01:53I had a very big journey.
01:58So, when you write a character, when you write a film, it is very important that people are showing a
02:08cinematic freedom of the film.
02:11It doesn't seem like that.
02:14Authenticity is going to be checked.
02:16For three years, I was researching.
02:18I was researching.
02:18I was also talking to my family.
02:22Frequently, I was talking about this.
02:24I'm doing this.
02:25I'm doing this.
02:26I'm doing this.
02:26Technically, you don't have any references.
02:29You don't have any references.
02:29You check this.
02:31So, you don't have a documentary.
02:34You have a cinematic experience.
02:37Babuji's music is also good.
02:40The music is good.
02:42The songs are also good.
02:43Almost 26 songs are there in the film.
02:45And the original voices in their voices,
02:48Lada Ji and Aksha Ji's voices,
02:51We have used the songs that we have used.
02:56And people are reading.
02:59Marathi's audience is a very popular audience.
03:02And their age group is a targeted audience.
03:06It's around 35 to 55 and above.
03:10So, Babuji's music is a very popular audience.
03:16I have created a book i.e.
03:17It meant they must play a movie.
03:18There are no other causes.
03:19They must know my voice,
03:20And people say,
03:21Let us bring a different style.
03:23We have been different.
03:24We are different.
03:25And we have different images.
03:27We are different.
03:30We have different images.
03:36This is the same.
03:39What has happened to me?
03:41It doesn't matter.
03:42I used to be a holistic film.
04:10Thank you very much.
04:22Thank you very much.
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