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ЁЯОИ
FunTranscript
00:00:00I love you today.
00:00:00Thatoken kicks down.
00:00:02I play a card.
00:00:04Aren't you acting like this?
00:00:05Kaku is under jak─Е ├│r mister.
00:00:07No, don't you?
00:00:09continue?
00:00:10Continue.
00:00:11Kaku didn't showmaybe Kaku it's a Levi gonna play.
00:00:18Kaku did where to play Kaku is a Veer.
00:00:21Kaku is under theadiing part of Kaku itself.
00:00:251, 2, 3 Tribe.
00:00:27Kako is under glue Kaku!
00:00:31This is a good thing.
00:00:32This is a good thing.
00:00:33The first big boss is a contestant
00:00:35that without Jinkun
00:00:37we made a film.
00:00:38This is a good thing.
00:00:40Sir, please tell me that I don't have a big boss.
00:00:42I don't have a big boss.
00:00:43I don't have a big boss.
00:00:47Sir, let's edit it.
00:00:49I don't have a car. Hello, sir.
00:00:51I don't have one.
00:00:54I don't have one.
00:00:55I don't have one.
00:00:56I don't have one.
00:00:59I don't have one.
00:01:01I don't have one.
00:01:03In the cinema,
00:01:06we have seven stars.
00:01:07We have a great year.
00:01:09We have a great year.
00:01:10We have a great year.
00:01:13Love you!
00:01:15Honestly,
00:01:17there is a dream come true
00:01:19moment.
00:01:20I have a project for the first time.
00:01:22I don't have a question.
00:01:24I am not a good girl.
00:01:25I have a great job.
00:01:26I don't have a good job.
00:01:29Do you know it?
00:01:31We do not have a ex-credise.
00:01:33We don't have a shlok.
00:01:35We don't have a lot of stuff.
00:01:40We don't have a big job.
00:01:48We don't have a great job.
00:01:50What do you think?
00:01:51Pimpri Jeans word
00:01:52I am an outcast
00:01:54I don't have a platform
00:01:59But what do you do today?
00:02:01I am in the call center
00:02:01I am in the field
00:02:02I am a cinematographer
00:02:06Oh boy
00:02:07I will kill
00:02:08The cinematographer is a big spelling
00:02:11I don't know
00:02:11I am not a cameraman
00:02:13I am a cameraman
00:02:15I am a cameraman
00:02:21good
00:02:21I am 31
00:02:25stories
00:02:25I am not a musician
00:02:27I am not a musician
00:02:28I am very happy
00:02:29To have a team
00:02:36I am a producer
00:02:42I am not a musician
00:02:45Thank you
00:02:48Thank you so much
00:02:50Thank you
00:02:51If you have won, thank you so much for being here, you will not be here.
00:02:55Janewad! Janewad! Janewad! Janewad!
00:03:00I'm happy!
00:03:00I'm happy that I'm happy with you.
00:03:03If you've come to the world, don't love it!
00:03:08But I think that in the cinema, there is no doubt about it.
00:03:12But I think that in your life,
00:03:14I will tell you what is going on in the city of Ayushat?
00:03:25I do not say that we are going to be in the city of Ayushat.
00:03:28When I shoot the location of Ayushat,
00:03:34when I was walking around the house,
00:03:35We started to play the streets in the streets.
00:03:39If we don't have a set or a structure.
00:03:44We didn't shoot that location.
00:03:49We were so interested in this place.
00:03:52We were so interested in this place.
00:03:55We were so interested in that place.
00:03:56We were so interested in the streets.
00:03:59It was a night.
00:04:05When we were in the set,
00:04:07we would have to go to the set.
00:04:09We would have to shoot the set.
00:04:16We would have to shoot the set.
00:04:22At 2.30, we would have to shoot the set.
00:04:27We would have to shoot the set of horror sequences.
00:04:31We would have to shoot the set.
00:04:33The fact we were haunted is haunted.
00:04:39If we did the set,
00:04:42That's what we did in our interview.
00:04:45Instead, we would have to shoot the set
00:04:47at night.
00:04:49We had to fight around the house but it was when we were outside.
00:04:56Yeah.
00:04:57He said he said he's a house and he would like a house.
00:05:00No, they were all people talking about the house.
00:05:03It's not a problem.
00:05:05So, there's a structure.
00:05:07There's a British hotel in a British hotel.
00:05:11We have every Portuguese hotel.
00:05:13And the Portuguese hotel is in a house.
00:05:15So, we have the Portuguese hotel.
00:05:19We have the people room where they visit the hotel.
00:05:22They are in a house.
00:05:25They are in a house.
00:05:25This is our organisation, I know you want to know all this stuff.
00:05:28Why?
00:05:31In the sense of the truth, you know what I mean.
00:05:35You know what I mean?
00:05:35It's not a lie.
00:05:43When I see the owner of the owner, the owner of the owner of the car,
00:05:48I mean where he is.
00:05:50It's another one.
00:05:52Then I wonder, I've seen the reaction of the car.
00:05:55I think that it's a great thing that I and Siddan is a big deal.
00:05:58It's a ultimate.
00:05:59I think that I don't get into it in a little bit.
00:06:02I think that we have to have a little bit of a big deal.
00:06:06The amount of money is a big deal and we just get into it.
00:06:07But if you don't have to say, this is what it comes to you.
00:06:09And what happens in this reaction is like this.
00:06:12And I think that always, I think that it's like Ram Saran's reaction.
00:06:15Because there's a guy who's got a guy who's got a guy.
00:06:17I'll talk a lot.
00:06:17That he's like, sir, I don't have to.
00:06:21If our marriage didn't go down, we thought that our marriage is a broken one.
00:06:28And then we thought it was a good one.
00:06:31We thought it was a good one.
00:06:35We didn't have the power.
00:06:40We really liked the marriage.
00:06:41We thought that was an important one.
00:06:47P.G.
00:06:53I have a question about Shubham.
00:06:55Shubham, yes.
00:06:59I'm going to throw it down one chip.
00:07:01I'm going to throw it down one chip.
00:07:06Shubham, I thought you were a lot of sad things.
00:07:13Because you were doing improvising.
00:07:16We didn't improvise.
00:07:18We are a director's actor.
00:07:22We are doing improvising.
00:07:25If you improvise, you won't come here.
00:07:29Who?
00:07:30I'm not a man.
00:07:31All the best.
00:07:33I'm going to get the money for the last couple of years.
00:07:35I'm going to improvise as well.
00:07:37I'm not improvising as well.
00:07:40What improvise is your set?
00:07:44What improvise?
00:07:45What improvise is your set?
00:07:48I'm not expecting that.
00:07:51But thankfully,
00:07:55there's a lot of things.
00:07:56When we're doing comedy,
00:07:58we're going to do it.
00:07:59Because,
00:08:01we're going to laugh,
00:08:03we're going to laugh,
00:08:04we're going to laugh,
00:08:04we're going to laugh,
00:08:04we're going to laugh.
00:08:06So,
00:08:06we're going to laugh at the point of the participant.
00:08:11Of course,
00:08:11we're going to laugh,
00:08:14we're going to laugh at the point of the participant.
00:08:35It's the same thing.
00:08:37The first big improvisation.
00:08:38In the trailer, you thought that Manmeet is the main thing.
00:08:42Yeah.
00:08:43It's the main thing.
00:08:44That's the first big improvisation.
00:08:46What's going on?
00:08:47How do you understand the film?
00:08:48I don't know how many people do it.
00:08:51I don't know how many people do it.
00:08:52We'll have to leave it alone.
00:08:54What's going on?
00:08:55I don't know what Manmeet is doing.
00:08:56I'm going to make a decision.
00:08:58It's a scene.
00:08:59I'm going to make it like that.
00:09:02That's it.
00:09:02I'm going to make a decision.
00:09:03The film is so close to the film.
00:09:07The film is one of the ones that I share.
00:09:10So, the film is a sequence.
00:09:17And there's a big fan.
00:09:19Manmeet.
00:09:22I'm going to make a decision.
00:09:25I'm not going to make a decision.
00:09:29I'm going to make a decision.
00:09:31You know.
00:09:31I'm going to make a decision during this profession.
00:09:34Cut.
00:09:37.
00:09:43We have to write a question.
00:09:47Have you seen that there is a tree where there is a tree and there is an inner tree and
00:09:54there is a tree where it is?
00:09:56I am that tree.
00:09:58we have a tree that is a tree.
00:10:01So if you have a tree in the east then you don't have to see it.
00:10:04notuates.
00:10:05Not to mention the masks.
00:10:06It's too much in our play.
00:10:11There's no way to wear the masks.
00:10:12we have to wear the shirt,
00:10:13and wear the shirts.
00:10:14And then the clothes we put...?
00:10:18there is no masks.
00:10:19No masks.
00:10:20But does the clothes not a mask?
00:10:20This is the reason why it is taking masks in the middle of the city.
00:10:24I think this is a lot...
00:10:26If we do still believe we are in the cinema,
00:10:30we can play a starring starring in our film.
00:10:33And we still have to play a special star for this.
00:10:35But you have seen the trailer in the cinema, and you have seen the creators of these creators, and how
00:10:41do you see them all?
00:10:44In this cinema, there are seven writers and their writers.
00:10:49And I think they have been casted for this film.
00:10:53And I think I've been here.
00:10:57It's a great year, a great year.
00:11:09So, I am a fan of the cast.
00:11:12I am a fan of the cast.
00:11:15Because everyone is very talented.
00:11:18I mean, I am a person who is able to write, I am a person who is able to write.
00:11:22I have a person who is able to write, I have a person who is able to write.
00:11:25So, there is a person who is able to write about this.
00:11:29So, I am able to explore this whole new thing.
00:11:34And I am able to learn and learn.
00:11:36And I am able to learn how to speak,
00:11:41I am able to learn the whole story.
00:11:43I am able to learn the whole stories.
00:11:45I have a lot of different sequences in my life.
00:11:51I am able to learn the whole story.
00:11:55I was told that you can improvise and perform it.
00:12:01Because there is a lot of work in the film,
00:12:04and there is a lot of work in the film.
00:12:08So, there is a lot of work in the film,
00:12:11and there is a lot of work in the film.
00:12:15Thank you, Siddhant and Saurabh.
00:12:17You have a question.
00:12:18How do we start with this film?
00:12:23We are doing the reals,
00:12:26and we are doing videos.
00:12:27We are doing the film.
00:12:29But when we are doing one of the cinema,
00:12:33what do we do in that film?
00:12:35What do we do in the film?
00:12:37What do we do in the film?
00:12:38For us, honestly,
00:12:40a dream come true moment.
00:12:42Because we are not a dream,
00:12:45so we are basically a dream come true.
00:12:49We are work friends,
00:12:50but we are good friends.
00:12:51We are doing a dream come true.
00:12:54We are a dream come true.
00:12:57We are a dream come true.
00:12:58We have done our first international trips.
00:13:00We have done our first ad.
00:13:01We have done our first movie.
00:13:03We have done our biggest things.
00:13:06But only one thing,
00:13:07as we have done our role in the film.
00:13:09We have made our cast for the film.
00:13:11So, our chemistry already has, like at least we have 5, and then we have 1, 2, but our chemistry
00:13:20has been natural, it was easier for us, but as friends, when we work in a movie, it's a big
00:13:33deal.
00:13:35We have a lot of people working in the film, but we have to talk about the film, the film
00:13:43is also the surrounding of us and the film is also the same.
00:13:47We have also been able to work with the film.
00:13:50So, our internal discussion is that, if you ask us to make a film, you would like to make a
00:13:58film, you would like to make a film, you would like to make a film.
00:14:02Now, I can't think of it as much as we can think of it.
00:14:06And I think it's always going to be the same thing.
00:14:09It's not going to be the same thing.
00:14:11It's not going to be the same thing.
00:14:13So, it's the same thing.
00:14:16Today, I'm going to film.
00:14:18I'm going to talk about the interview.
00:14:20I'm not going to do that.
00:14:22What a joke.
00:14:23Neel, what did you say?
00:14:25I thought you were going to film in a cinema.
00:14:28I was going to shoot in the outdoor.
00:14:30The only show that the film would be the same.
00:14:32Don't do that..
00:14:34I'll give you a gift.
00:14:35One thing is a joke.
00:14:37No, it was just a moment to get a good song.
00:14:40The film is the same.
00:14:42I'm going to shoot a short film.
00:14:44I'll tell you, I'm going to do a little.
00:14:48I told you, I didn't make the message.
00:14:50I was like, how should you do what I want to do?
00:14:54We won't do anything.
00:14:56We won't be doing anything.
00:14:58I don't know what to do but I don't know what to do but I don't know what to do
00:15:04but I don't know what to do
00:15:05You have to shoot out of our group
00:15:08You have to shoot out of country in London
00:15:12In London we have a film that is not good
00:15:15Because we have to say that when we are like this
00:15:18We are like 24 hours
00:15:20Then you will not release it
00:15:22I don't want to do anything at home
00:15:27I will upload
00:15:32I have to say that when we have workshops
00:15:36Do you have two masters of Pushkarajan Manmeet
00:15:39Do you have to do it?
00:15:41I thought that I did not do any workshop but I did not do any of this
00:15:44I did not do any of this
00:15:44I did not do any of this
00:15:47So I did teach Pushkarajan Manmeet
00:15:49How did I teach you?
00:15:51I did teach you all about the jokes
00:15:54I did teach you all about the films
00:15:57But we have two or four films
00:15:57But it was a very famous film
00:16:00And I did teach you all about the films
00:16:01And we have a lot of films
00:16:01So I do teach you all about the work
00:16:08But I am an actor of the work
00:16:19I think that there are many examples of them.
00:16:23And we can ask them to give some suggestions.
00:16:25They can be uplifted in that scene.
00:16:29If you can give a flat, you can be upbeat.
00:16:31If you want to know what they want with this kind of fun,
00:16:36then you can learn to learn.
00:16:39Whenever we have a heart-bhutam,
00:16:41you think about an anointing.
00:16:45We have to take a step forward.
00:16:46And I thought, dude, I'm doing this, so who is the person?
00:16:50Bhutam Bhayam.
00:16:55Bhutam Bhayam means who's the job?
00:16:58Yes, it's a good job.
00:16:59But what do you do to Saurabh's work?
00:17:02That's why I'm doing a lot.
00:17:03Because Saurabh's character, I don't know the character,
00:17:07but one minute, you're going to kill yourself,
00:17:10but it's a good job.
00:17:12Saurabh's reels and content.
00:17:15It is very opposite to Saurabh's work actually.
00:17:21I expected Saurabh to do something like that.
00:17:26Saurabh's character's language is a little bit different.
00:17:28I think it's a bit different, but he's a little bit different.
00:17:31He said he didn't say anything.
00:17:34But that was very innovative and creative.
00:17:38I think it was a very challenging character that I played.
00:17:41I liked it.
00:17:42I have a question.
00:17:43I don't know.
00:17:45He said that the Saurabh's character played in the film.
00:17:51When you played in the film, you did a lot of work.
00:17:56You did a lot of work.
00:17:57You did a lot of work.
00:17:58But this is the Orange Juice Gang.
00:18:00What do you know about your work?
00:18:02And how do you play in the film?
00:18:05I play in the film?
00:18:06I don't have to play in the film.
00:18:09I don't have to play in the film.
00:18:12I played in the film.
00:18:15I thought...
00:18:16I thought he was like that...
00:18:18I didn't really play in the film.
00:18:20I thought that I was already playing in the film.
00:18:25I thought that I was already playing in the film.
00:18:28I was thinking otherwise successful...
00:18:30So...
00:18:30How do you play in the film?
00:18:32What is the game?
00:18:33Saurabh's game?
00:18:36I saw the video.
00:18:37They probably stood up on the ground, but they did not find it.
00:18:40You just need to know what it is.
00:18:47Is it random?
00:18:51Yes.
00:18:55I think it will be very clear.
00:18:57So that was so difficult.
00:18:59If someone asked him if he was a bad father?
00:19:03I think it's a random thing.
00:19:03It's not a random thing.
00:19:06It's very random.
00:19:06It's a random thing.
00:19:10So, that's the thing.
00:19:12I'm curious to know that
00:19:14we are doing some of the experiments
00:19:15that we don't have to do.
00:19:18So, what do we do with this team
00:19:20and what do we do with this team?
00:19:22And what do we do with this team?
00:19:24What do we do with this team?
00:19:26We definitely have to blend.
00:19:28We have to do a lot of things.
00:19:31I have to do with this team.
00:19:33And, getting him here,
00:19:35I mean,
00:19:37I am not ever from that team.
00:19:42At this team,
00:19:43I really don't have to.
00:19:43I don't know how to do it now.
00:19:46It's a lot of interesting.
00:19:50I mean,
00:19:50it's a lot of interaction.
00:19:51I love this team.
00:19:52I just always share it and share this team.
00:19:55Then we have to do something.
00:19:57I will share it with the table.
00:20:00I think it's important to be able to make a creative muse and talk about the contrarian music.
00:20:06That's the acting.
00:20:10No, that's it.
00:20:11No, that's not it.
00:20:14But it's so important to be able to make a potential.
00:20:18I think it's important to be able to make a workshop.
00:20:23I think it's important to be able to make a workshop and it's one of the levels of work.
00:20:27I've seen exercises that I have heard from the shlok manala that I don't have to say.
00:20:34So, if someone has seen me say, I don't have to say, I don't have to say, I don't have
00:20:38to say.
00:20:39I thought, yes, I do.
00:20:40I think at this time I'm doing this.
00:20:42I think, I don't have to say this.
00:20:44I don't have to say that.
00:20:46I thought we were on the same page.
00:20:49And I think that's all the way I'm doing.
00:20:50I don't know how to apply these things in the process of creating content creation, but I don't know how
00:21:03to apply these things in the application.
00:21:06In the process of creating content creation, there are many stories in one minute.
00:21:15I think that there was a certain story in that moment.
00:21:19I think that subtly, I think that I was very surprised,
00:21:23I didn't say anything about this, but I think that there was a scene in 3 minutes.
00:21:30But at the same time, there was a scene in 3 minutes.
00:21:34But it was a problem that the film was 3.
00:21:38There was a break in 3 minutes, and there was a bridge in 3 minutes.
00:21:44But it was not a problem with that.
00:21:46There was a lot of actors in that scene.
00:21:49I think that there was a lot of support in that scene,
00:21:52but we can't do improvising.
00:21:55It's a very important thing because we have to play a big scene.
00:22:00We have to play a big scene.
00:22:01We have to play a big scene.
00:22:03We have to play a big scene.
00:22:04We have to play a big scene.
00:22:05It is like the experience of these people is so important.
00:22:11They are bigger stars.
00:22:12But the difference between T20 and Test Cricket.
00:22:16That's the difference between Test Cricket and Test Cricket.
00:22:18That's the difference between Test Cricket and Test Cricket.
00:22:21That's why I think that's the opportunity.
00:22:23Because we don't need to play a big scene.
00:22:26I think that the person who works,
00:22:28everyone can shoot everything in the level,
00:22:32what content can be created,
00:22:33you can write a book,
00:22:35you can read a book.
00:22:35So I don't need to play a big scene.
00:22:36I think that's the difference between 2020, 2025, 2025, 2025,
00:22:37and 2025, 2025, 2025, 2025, 2025, 2025, 2025, 20-2025,
00:22:41and that's the difference between the people and 2025,
00:22:47and then I think that's the difference between the people and 2025,
00:22:53It becomes very difficult to get to this level.
00:22:54And I am that kind of a player.
00:22:57Well, I think that I should sustain it for one year.
00:23:01I don't want to think about it.
00:23:03So, I think that I wanted to be with them.
00:23:07I don't want to think about it.
00:23:08But in this process,
00:23:12it's like a test player understanding
00:23:15what you can create in that scene.
00:23:18I don't want to improvise.
00:23:19I don't want to be able to do it.
00:23:20I said, I wouldn't be able to make it as simple as that.
00:23:22It's very reasonable because I feel silent.
00:23:24Energy is a conservation concept.
00:23:28Siddhant said,
00:23:30I can have power to engage with the solution.
00:23:31I feel that today I am working 20 years ago.
00:23:34I really do not use energy.
00:23:38So, what do we do?
00:23:40But, it's those energies.
00:23:41I feel that very subtle and subtle.
00:23:43I am a master of that.
00:23:46I am a master of that.
00:23:48Just take another scene, and we have to get one more time.
00:23:51I have so much fun, we have to miss all the other things.
00:23:54We have to say that, but we have to say that.
00:24:00I have to do that.
00:24:03I have to do that and I have to do that.
00:24:06And I call it a mad film.
00:24:08We have to do that and we have to do that.
00:24:11That's so fun, because that's so innocent.
00:24:15I have to do that and I have to do that.
00:24:19I play this game specifically.
00:24:21I play the tune, and I play the song,
00:24:24and I play the song, and I play the song.
00:24:29How did I play this game?
00:24:30I play this game.
00:24:32I don't know what the game is.
00:24:33I'm not saying that this is Asan Nahid.
00:24:35So, I think...
00:24:36I love this game.
00:24:38Ah, ah, ah, ah, ah, ah, ah, ah, ah.
00:24:40I'm doing a little confused,
00:24:42and I'm not going to play it.
00:24:43But I'm changing a little tone.
00:24:44changing the way things changed and I said hello, hello, hello, hello.
00:24:47And the reason why it was intense that hello was in the scene.
00:24:49And I said, hey, look, look, look, look, look, look, look.
00:24:52That's because my mind is very intense.
00:24:55I'm going to say.
00:24:56And there are many steps in the evening, but we have a lot of.
00:24:59The other thing is this is that it continues.
00:25:00The first thing is that we are passionate about it.
00:25:04We are talking about stories about the babies in the theatre.
00:25:10We are talking about the innocence.
00:25:11I felt so passionate that I can do that.
00:25:15I was like, I don't want to do that.
00:25:16If you don't want to change the cast,
00:25:17you can enjoy that.
00:25:19If you don't want to change the cast,
00:25:22many actors are so complacent here.
00:25:24What is that role?
00:25:25You have to say, what is this?
00:25:27What is this?
00:25:28I am not going to pay for it.
00:25:30I am not going to prove that
00:25:34a person can do what actors are doing.
00:25:35There is always a docker on it.
00:25:38And many actors have been
00:25:40I would like to say that there is a very big actor that when there is a batsman batting,
00:25:47the runner will be able to stand up with him.
00:25:50He will be able to study his call.
00:25:53He will be able to learn from Neil Kud.
00:25:55I mean that there is absolutely a big big actor in the world.
00:26:00There is a lot of every scene in the world.
00:26:04The scene belongs to me.
00:26:06I suppose there is a scene in Siddhant and Shubham.
00:26:07The scene is so good that I am not going to improvise.
00:26:15The dialogue is so good.
00:26:17I am going to lead last.
00:26:19Back foot.
00:26:21I am saying that these people are stars.
00:26:24You cannot underestimate the starrydom of what these people are.
00:26:29They are true.
00:26:30They don't deny you.
00:26:31They are true because they are true.
00:26:32They are true.
00:26:35They are true.
00:26:37If you are true,
00:26:38I think you have nailed it as an actor.
00:26:41What does it mean to you?
00:26:43He said you know it.
00:26:49Once you set up like that you all speak in my speech, right?
00:26:54Because every scene is playing like that.
00:26:56Because you never said this song.
00:26:59I meant to show Puschka Raj,
00:27:06he then asked him a lot ofpeeings about like this.
00:27:10We are not even aware of the work that we are comfortable with in the workshop.
00:27:18For the films and the work that we have done.
00:27:23But it was like that we were also in the first film.
00:27:27We are not always aware of the dedication and the hunger.
00:27:30We are not aware of the ego.
00:27:35In Sale, give this offer and give back to theirх╖▒
00:27:38and when they nod the gallery
00:27:42sometimes people don't have to give it back
00:27:51sometimes people say that
00:27:58there are much more than there are many people
00:28:01in there
00:28:01and they must be asked
00:28:03and I have no idea of being left out.
00:28:07I have no idea of being left out.
00:28:10Vanity, we have set one.
00:28:14This is something that I have proved.
00:28:15In the scene, you collaborate and discuss ideas.
00:28:20We have no idea of acting.
00:28:23We don't have to be honest with you.
00:28:27As an actor, you are an individual.
00:28:29We have no idea of acting.
00:28:31We have no idea of acting.
00:28:33We have no idea of acting.
00:28:35We have no idea of acting.
00:28:37It is not like acting in the work.
00:28:40We have to do that.
00:28:43We have no idea of acting.
00:28:46But Pushkaraj was the newest addition.
00:28:47I have no idea of acting.
00:28:49I have done a job.
00:28:50Pushkaraj made a film.
00:28:54So genuinely,
00:28:55we have a GEL.
00:28:57As when when we started out,
00:28:59we used to have a GEL.
00:29:00They were quite hard to match the energy.
00:29:02So when we did act in acting.
00:29:04When we did the discussion and did the interview.
00:29:06We said,
00:29:07I don't have that in our group.
00:29:10and sometimes I went into acting.
00:29:12Because in the film,
00:29:13we have a work on social media.
00:29:16And sometimes we know that
00:29:18we don't check out the night shift.
00:29:18I mean,
00:29:19some of the things we are doing a brand video.
00:29:21So that's why I think it's possible to do it as Manmeet or Pushkar Raj.
00:29:26And of course, as you said that every film is a big deal,
00:29:31but it doesn't matter if you think about it,
00:29:33it's real or not.
00:29:35It doesn't matter if you think about it,
00:29:37it doesn't matter if you think about it,
00:29:39but if you think about it, it's real.
00:29:41So if you think about it,
00:29:42So if you do a night shift,
00:29:44you can do a night shift.
00:29:46It's real.
00:29:48So it's not that comfortable feeling,
00:29:51it doesn't matter if you feel like it.
00:29:54It doesn't matter if you feel like it.
00:29:55It's not that Poonia.
00:29:56Of course.
00:29:59Poonia is a person who has a man,
00:30:01a man.
00:30:02How is that?
00:30:03It's not Poonia.
00:30:05It's not Poonia.
00:30:06It's Poonia.
00:30:08It's Poonia.
00:30:11I'm not outcast.
00:30:13I'm not outcast.
00:30:17Why?
00:30:18Big Boss.
00:30:20Marathi season.
00:30:21Yes! Controversy.
00:30:22Let's go.
00:30:23I am.
00:30:23How many people came out of Bigg Boss and did a lot of film?
00:30:31Did you have a phone?
00:30:34Did you have a phone?
00:30:35Did you have a trailer?
00:30:37So actually,
00:30:40I thought that we had a film of Bigg Boss.
00:30:44And I thought that without Jinkun we had a film of Bigg Boss.
00:30:53So I thought that was a great achievement in Kamala Mahed.
00:30:55Who had a phone?
00:30:56I had a phone with all of them.
00:30:58Who was a phone with Vishal, Roshan, Sachin, Ruchita.
00:31:05He's got support with all of them.
00:31:06Sagar, he's got support with all of them.
00:31:08He's got a phone with Ritesh Bhav.
00:31:11We wanted to talk about the story and share them.
00:31:13And we wanted to talk about their story.
00:31:15We had the Bigg Boss.
00:31:16We wanted to talk about how to make it happen.
00:31:18I mean, we are doing the same thing,
00:31:20they are also filming in Raja Shiva's film.
00:31:22So, they are very happy.
00:31:25So, I told you, sir, I'm very excited.
00:31:29I'm very excited.
00:31:30I also have a great support from our traders.
00:31:32So, Big Boss is a family circuit, genuinely.
00:31:37Because I was thinking about my balcony planning.
00:31:40I don't have to do the same thing.
00:31:42It's the same, actually.
00:31:43I'm a film and I'm a film.
00:31:45I thought, I'm going to shoot in May or June.
00:31:49So, I told you that Big Boss is a platform that I'm trying to try.
00:31:55Because, I'm hoping I could export one big boss for a big boss.
00:31:58I'm hoping that one is a big boss.
00:31:59Then I thought, I am going to buy one big boss.
00:32:01Then I said, I am going to buy one big boss.
00:32:03And when we look at Big Boss, it's a journey.
00:32:05So, I think that I'm just going to make Hindi films for a big boss.
00:32:10So, I told you, Mitra, I'm going to go for the first interval.
00:32:14Because in that scene, I will not see the picture in that scene.
00:32:17That's what I'll tell you. I'll tell you about the story.
00:32:20But this is our first Marathi film.
00:32:22I can tell you that we will never see it in the theatre.
00:32:26So, that's the moment.
00:32:28But yes, Bigg Boss won't be able to make a premiere,
00:32:31won't be able to give you support.
00:32:32Because the family is so hardcore.
00:32:36Like I said...
00:32:40Let's understand.
00:32:44Bigg Boss won't be able to make a swim pool.
00:32:46It's not, man.
00:32:47It's a great deal.
00:32:48I'll tell you that a promotion is about by you.
00:32:51Did you make a trailer?
00:32:52What did you make a trailer?
00:32:54What did you make a trailer?
00:32:55What did you make a trailer?
00:32:57What did you make a trailer?
00:32:57Not a trailer.
00:32:58Not a trailer.
00:32:59No.
00:33:00I don't know.
00:33:01We made a trailer trailer.
00:33:02First, it's water.
00:33:03It's water.
00:33:03You put a coin on the other side.
00:33:05If you make a promotion, you will always make a movie.
00:33:08Just like that.
00:33:09You are making a movie.
00:33:10Ah, it's a movie.
00:33:11It's a movie.
00:33:14But the people are making a camera for Bigg Boss.
00:33:16And in that scene, it's a movie.
00:33:20It's a movie.
00:33:21I think I can tell you about the movie.
00:33:22Why?
00:33:24You can tell you about the movie.
00:33:25I can tell you about the movie.
00:33:28Oh!
00:33:28Oh!
00:33:30Oh!
00:33:31Oh!
00:33:31Oh, really?
00:33:37Oh, no!
00:33:43All of you are saying that I am a big boss in Bigg Boss.
00:33:45But I have a question about Bigg Boss.
00:33:49Why don't you insist on the project?
00:33:51Do we have a song in your picture?
00:33:53A song?
00:33:54I thought that I am a hard actor and I am a director.
00:33:58That's why I have 30 people who are young.
00:34:02Okay, that's the reason.
00:34:04That's why I said it.
00:34:05And I said it was okay.
00:34:07But I thought that I was a good actor.
00:34:09I thought that was a good actor.
00:34:09The project is not a good actor.
00:34:12It's a good actor.
00:34:13He is a good actor.
00:34:15He is the only person who is a good actor.
00:34:19But the project is about Sachin and Ayush.
00:34:21I also said that I would like to say that I am a very excited actor.
00:34:27Ayush is a very excited film.
00:34:28Ayush Sanjeev is a very excited film.
00:34:30I am discussing a lot about this.
00:34:31I have a lot of reaction.
00:34:33Because, it is not a film but it is enough.
00:34:39It is enough.
00:34:41So, people are like, the feeling is enough.
00:34:46What are you doing?
00:34:46What are you doing?
00:34:47It is like Ail, Ashir.
00:34:48You are the film Ail.
00:34:49So, I am telling you.
00:34:50No, I am a good actor.
00:34:52I am a good actor.
00:34:54I am a good actor.
00:35:00I am a good actor.
00:35:01I was like, I'm going to play the game.
00:35:02I told you to go to Big Boss.
00:35:04I told you to go to Big Boss.
00:35:06And I told you to tell you that you're not in Big Boss.
00:35:09So, you're going to go to Jingklo.
00:35:15Sir, Taka?
00:35:16Sir, you're going to be in Jinkun's direct premiere.
00:35:19Sir, I'm going to edit it, and I'm going to go to the house.
00:35:22Hello, sir. Hello.
00:35:25You're not going to be a kite.
00:35:27You're not going to be a kite.
00:35:31So, you're going to be a kite.
00:35:33So, you're going to be a kite.
00:35:35You're not going to be a kite.
00:35:38Yes.
00:35:38What a kite!
00:35:40Bibi, Ayushad, is the most important part.
00:35:42Yes.
00:35:43Do you like Bibi?
00:35:44Huh?
00:35:45Do you like Bibi, Ayushad?
00:35:46Of course.
00:35:47Of course.
00:35:48Adhi Bibi, I'm Baby.
00:35:51No comments.
00:35:53So, I'm going to ask you a question.
00:35:56I'm going to ask you a question.
00:35:58I'm going to ask you a question.
00:35:59I'm going to ask you a content creator.
00:36:00We're going to work with the influencer.
00:36:03Okay.
00:36:04If you don't understand,
00:36:05you don't have a platform as a content creator.
00:36:08What are you doing today?
00:36:10I'm not in the call center.
00:36:12Because my dad was a bank and gave me a bank account.
00:36:15But I'm something bad for him.
00:36:17I'm not in the call center.
00:36:18So, you are doing the big bus.
00:36:20So, I'm going to ask you a question.
00:36:22I'm going to ask you if you don't make a bank account.
00:36:27I'm not in the call center.
00:36:29If you are in a field, you can't do any advertising agency.
00:36:31I don't know if you can't do any of these fields.
00:36:34I'm not going to be a doctor, but I'm not going to be a doctor.
00:36:36They're doing a lot of things.
00:36:38I'm going to be a doctor and I'll go to the store.
00:36:40So, I won't be a doctor.
00:36:43You're the doctor?
00:36:46I'm not going to be a doctor.
00:36:49I'm not going to be a doctor.
00:36:52I'm not going to be a doctor.
00:36:52So, I guess, I'm going to be in a zone.
00:36:54Call center or advertising agency or job.
00:36:57If you want to make a meme or make a thumbnail,
00:37:00I'm not going to be a doctor.
00:37:04I'm going to be a doctor.
00:37:09I'm going to be a doctor in this field.
00:37:09I started in the reels in 2013.
00:37:12I started in the college theater.
00:37:15How did the reels come from?
00:37:17I was going to be COVID-19.
00:37:20I was working on Zoom call when I was on-line.
00:37:24I was working on the Nataq.
00:37:25I was working on a 60-70 audience.
00:37:28I was working on the Nataq.
00:37:30Then I realized that we can shoot at some point.
00:37:35Then I started working on Instagram.
00:37:37I started working on Instagram.
00:37:39Then I started working on the reels.
00:37:41Then I started working on the reels.
00:37:44Then I started working on the reels.
00:37:45Then I started working on this field.
00:37:47Because I didn't have another one.
00:37:49So, what is that?
00:37:50I was working on the reels.
00:37:54I was working on the reels.
00:37:55I started working on the reels.
00:37:55Then I started working on the reels.
00:37:56And I started working on motion graphics.
00:37:57And I started working on 3D animation.
00:37:59You are working on the reels.
00:38:03But, I'm working at HR.
00:38:05I'm doing compositing and animation.
00:38:08That's my profession.
00:38:09But the way I get this is,
00:38:11I edit the editing of the video.
00:38:12I edit videos, but when the software is updated, I will check how it's going, how it's going.
00:38:18But yes, when I'm not a content creator, I'm an editor, animator, motion graphics, etc.
00:38:25If I do that, I don't have a lot of people.
00:38:28But in this field, I genuinely don't know anything.
00:38:32I hate content creation, I don't have any theater.
00:38:35I got a lot of people, but I know a lot of people, but I feel like I've got a
00:38:39lot of followers, but I'm like, okay, I'm going to do this.
00:38:44I'm going to do this, but I'm giving the whole planet.
00:38:47Not 100%, but 1000%, but I will give you the money.
00:38:49Then I'm going to do this and I'm not going to do this.
00:38:56I'm going to do this, but I don't want to do it.
00:39:00Then I would like to back up to sports management basically.
00:39:03Because my brother came to Australia.
00:39:06So, I would like to go to sports management.
00:39:09I would like to go to sports management.
00:39:11That's the last option basically.
00:39:13For my family, that's the first option.
00:39:15But in this situation, I would like to say, thank you.
00:39:19You're in Australia, right?
00:39:21Australia, Australia.
00:39:22Because I would like to go to school.
00:39:25Why would you like to go to school?
00:39:26I would like to say, I'm a cinematographer.
00:39:32I'm a cinematographer.
00:39:33I'm a cinematographer.
00:39:34What is it?
00:39:36Why is it?
00:39:37I don't know how much I am.
00:39:41But I'm doing it.
00:39:43Actually, I'm doing it.
00:39:45I'm shooting it.
00:39:46I'm shooting it.
00:39:47When I was a cameraman, I would like to say,
00:39:51I would like to say, I'm a cinematographer.
00:39:53I would like to say, I'm a cameraman.
00:39:55I'm shooting it.
00:39:57The cinematographer is a very small spelling.
00:40:00I don't know how much I am.
00:40:02If I'm a cameraman, I'm a cameraman.
00:40:04Tell me.
00:40:04So, Neil, I will ask you.
00:40:06So, I can't do it.
00:40:07So, I'm shooting ads and music videos and eventually,
00:40:14Eventually, Pihak Shetra would be able to do it and that's a more reason to do it.
00:40:18I was introduced in the YouTube segment to do the sketch comedy and he was searching for someone who shoots
00:40:29videos.
00:40:30I was also able to do some videos and I was also able to do some editing.
00:40:36I was able to shoot freelance editors and freelance editors.
00:40:38I would put on a camera and that's the first time I started making a camera.
00:40:44I had a camera on and I was able to do that and it couldn't be able to do that.
00:40:53I feel like the filmmaking was my love.
00:40:56I liked my filmmaking and I made a lot of short films.
00:41:01I was able to shoot a lot of commercial jobs, I was able to shoot a lot of behind the
00:41:04camera.
00:41:04I also got a lot of work for the web series and even a lot of work for me.
00:41:09I'm going to show that I am going to the camera.
00:41:14I have an anchor that has the series DOP.
00:41:18That's why I also got a lot of work.
00:41:20So, I'm going to work for a long time.
00:41:22And that's why I'm not playing art school.
00:41:24So, I'm going to come to the school in this stream.
00:41:27And then do PO people?
00:41:30Who will do that?
00:41:31We don't know how to do it in the world.
00:41:38But I always tell you,
00:41:39I don't know what the question is.
00:41:43You don't know what the question is.
00:41:46I tell you, but I tell you that
00:41:49it's not real.
00:41:50You have to ask the content creator.
00:41:52You have to ask the actor.
00:41:55But it's a very good question.
00:41:57You have to ask the question.
00:42:01Good, you are a part of the question.
00:42:05It's an observation.
00:42:07No, the game is that
00:42:10I have to ask the story of success.
00:42:13That's how I feel about your story
00:42:15I do know how to show the story of Akash and Ringgoogle.
00:42:19He has been sent to him.
00:42:22He has also gone to Adit.
00:42:23I have already asked the question.
00:42:24But they have asked him more.
00:42:26So that's it.
00:42:27What is it?
00:42:31I am definitely not.
00:42:33I am definitely not.
00:42:34I am not a engineer, but I am not a nuclear problem.
00:42:40I have never thought of it.
00:42:42I have never thought of it.
00:42:47I am not a problem.
00:42:50I have never thought of it.
00:42:52I don't know.
00:42:53I don't know.
00:42:53I don't know anything.
00:42:57I don't know anything.
00:42:59I don't know anything.
00:43:00I don't know anything about it.
00:43:04But I have to say,
00:43:06you know,
00:43:07what is the cinema?
00:43:09My question is,
00:43:10one is a graphic designer,
00:43:14one is a DOP,
00:43:16one is a writer,
00:43:17one is a director,
00:43:18one is to improvise.
00:43:19I am always thinking about the cinema.
00:43:24I have never thought of it.
00:43:26I am not a talent.
00:43:30It is because I am not a person,
00:43:32I do not know that,
00:43:33I do not know that.
00:43:34I am not a person,
00:43:36In a form of the VFX ate a boy.
00:43:41This is not a person,
00:43:45I am not a person,
00:43:47good sound.
00:43:49I am not a person,
00:43:51I cannot tell you.
00:43:55I am a dubbing.
00:43:59Hey, Sir, you are serious.
00:44:01So, we're just set this to set our film.
00:44:04We have the film for the Mahjagarath shoot.
00:44:09So,
00:44:11but if you are the talent of the individual,
00:44:15that is a contribution to the film.
00:44:18And it's not as good as everyone else.
00:44:22I think this is a big deal.
00:44:27No, but we have talked about some talents.
00:44:31In that picture, there are talented people in the past.
00:44:38There are many people who work.
00:44:40There is a lot of music.
00:44:44There is a lot of music.
00:44:48I think that this film is a very good film.
00:44:52This film is a very good film.
00:44:57That's the reason for pushing the film.
00:45:00This film is a very good film.
00:45:02But the editor of Pranav Gandhi is a very good film.
00:45:06This film is a crazy film.
00:45:09And you thought that this film is a good shoot for you, but it's a fan of your fans.
00:45:19It's a fan of your fans, and it's a fan of our fans, and it's a cast.
00:45:24No, I want to tell you that if you're a fan of the fans,
00:45:29I'm prepared for the fans to see the fans in the cinema.
00:45:32And I'm a fan of these fans.
00:45:36I'm a fan of these fans, and I've been in the first time,
00:45:41and I've been together with my set, with my direction team, and DOP.
00:45:45I'm a fan of this film, and I'm a fan of this film, and I'm a fan of this film.
00:45:49It's not our budget.
00:45:54No, no, I've got the camera in the first place, and I've been in the police station.
00:45:59So, I'm so emotional that we have a set of our fans.
00:46:05So, we don't have to shoot any of them. We don't have to shoot any of them.
00:46:11And it's a big deal for us.
00:46:14So, we have a journey.
00:46:17We also have a journey.
00:46:22We have a short film,
00:46:23a film, a film,
00:46:25a film,
00:46:25a film,
00:46:26a film,
00:46:26a film,
00:46:26a film,
00:46:26a film.
00:46:27So, we have a dream.
00:46:30We have a dream.
00:46:31So, what we want to give our dream in.
00:46:33We want to hear you and carry one of them.
00:46:37We want to know that.
00:46:37It's called the Blastro one.
00:46:38So, we want to learn how you can live.
00:46:45It's called the Blastro one.
00:46:47It's called the Blastro one,
00:46:47and then the Blastro one.
00:46:49Yes.
00:46:51So, let us know more about,
00:46:53we want to hear from you on Blastro one.
00:46:56I will tell you one minute in Tavar.
00:46:58Neil, Content Creator.
00:47:03Content Creator?
00:47:04It's the timer, right?
00:47:06Content...
00:47:08Start.
00:47:11You have 10 seconds.
00:47:15Content Creator is a person who has ideation,
00:47:22but a good line will be doing good modeling,
00:47:24and the idea of the scripting is as well as it is in scripting.
00:47:29The scripting will be created by the framework of acting,
00:47:35a script will be created by the act,
00:47:38a script will be created by the shoot,
00:47:42and then the edit will be created by the sound
00:47:44and it will be created by the sound of mastering.
00:47:49It is an exciting thing and a great thing to do with it.
00:47:50We can do it with our format, resolutions, exports and social media.
00:47:56We can do it with captions and we can do it with our audience.
00:48:02We can also do it with our audience.
00:48:04We can do it with our work and work on a daily basis as a profession.
00:48:09We can do it with our content creator.
00:48:11What a this is.
00:48:13I also have direction to do it with acting.
00:48:16I think that's the same thing.
00:48:17That's it.
00:48:20Karan, glamour.
00:48:24Glamour.
00:48:26Glamour is not the same experience.
00:48:30Actually, glamour is a big word.
00:48:35It's a glamorous industry.
00:48:36It's a glamorous industry.
00:48:40It's not the same experience.
00:48:41It's a glamorous industry.
00:48:41Because, I think, glamour can go to your roots.
00:48:50My glamour, I think, is that the way I live,
00:48:55the way I live,
00:48:56the way I live,
00:48:57the way I live,
00:48:58the way I live in 2015,
00:49:00the way I live in 2015.
00:49:03And, I think,
00:49:05that glamour is a great thing.
00:49:06Because, if you have to be a glamorous life,
00:49:10and you are living in that glamorous life,
00:49:13and you are living in that glamorous life,
00:49:15then, if you have to be a young man,
00:49:18then you will be living in that way.
00:49:20So, I'm sure that glamour is not the same as you are living in this place.
00:49:26I think I would like to like,
00:49:27because for the long time,
00:49:29we have to do it.
00:49:32I think this film is very helpful.
00:49:34I think this is what we have achieved.
00:49:36There are three people who have come to that.
00:49:37These people are like,
00:49:38I am really, like,
00:49:39I am very happy.
00:49:41I like how I am doing the 31st
00:49:45I am doing the hangout.
00:49:48I like 4045.
00:49:49I think that is a glamour.
00:49:51I think that is a glamour.
00:49:52Rather than
00:49:54Name is fancy
00:49:56That's how they eat fancy
00:49:58They're not happy
00:50:00But I can't do that
00:50:04But I can't do that
00:50:04I can't do that
00:50:04I can't do that
00:50:05I can't do that
00:50:06So I can't do that
00:50:06I can't do that
00:50:08And I can't do that
00:50:15So glamour
00:50:16You can't do that
00:50:20I can't do that
00:50:22Shubham
00:50:24Social media
00:50:26Social media
00:50:28Asamadhyam
00:50:29You can't do that
00:50:33You can't do that
00:50:34You can't do that
00:50:35But how to use it
00:50:37We can do that
00:50:40Social media
00:50:42This is a
00:50:45Important
00:50:46Important
00:50:46People
00:50:49Because
00:50:50There are big films
00:50:52Like Bollywood
00:50:55Marathi
00:50:55Social media
00:50:58Team
00:50:58That's
00:50:59The
00:51:04Social media
00:51:05Team
00:51:06That's
00:51:07A generation
00:51:11That's
00:51:12And
00:51:13And
00:51:15Social media
00:51:16Was
00:51:18So
00:51:21Social media
00:51:22So
00:51:22Social media
00:51:23Social media
00:51:26Social media
00:51:32I was told that I had to yell at theч▓Й and the other people I had to say.
00:51:36Just like this.
00:51:39That's it.
00:51:40That's it.
00:51:42Saurabh.
00:51:43Hashtag.
00:51:46What?
00:51:47Hashtag.
00:51:48Hashtag.
00:51:48Just.
00:51:50Hashtag.
00:51:51Hashtag is a good thing.
00:51:53Hashtag reals, funny, trending.
00:51:56Say it one minute.
00:51:57No, I could definitely say it.
00:51:58I have a hashtag...
00:52:00And if I'm telling you, I have a hashtag...
00:52:02It's a hashtag that makes a hack for people.
00:52:05Because if I use my video, because I have a hashtag used, it's viral.
00:52:08If you listen to YouTube, you can listen to Instagram.
00:52:11I'm so happy.
00:52:12I have a hashtag, Bhuvanbam, hashtag Karimina,
00:52:14and I have a YouTube video.
00:52:15Because, the other videos are trending in the other two-searchs.
00:52:19But it's not, hashtag is something.
00:52:22If I make a video,
00:52:25If you make a Jepan, maybe you can ask a audience if you have a hashtag
00:52:33comedy tackler, there are chances that you don't have to do that.
00:52:37What should happen if you have a hashtag?
00:52:39You can just ask Instagram to ask the hashtag.
00:52:42Now you have a hashtag.
00:52:44And you have to take a copy paste and paste the notes.
00:52:48It's 30-40 hashtags.
00:52:50But Jepan can say the hashtag.
00:52:53Reels for Reels, like for like, follow for follow, etc.
00:52:57One thing I want to say is to use Karun Lokan Lhasa
00:53:02that you can be famous, it is just an Instagram feature.
00:53:10It is a feature, basically Instagram and social media.
00:53:16Maybe you are the one, but there are a lot of videos.
00:53:19You don't have a million views.
00:53:23So, I don't want to depend on it.
00:53:25Hashtag is not your...
00:53:27Hashtag Mahenath is important.
00:53:29Nothing.
00:53:30Wow, wow, wow.
00:53:33Siddhan.
00:53:35Orange Juice Gang.
00:53:38Shabutrana.
00:53:41Mahenath, first of all.
00:53:45Zidda.
00:53:48I thought the orange juice gang,
00:53:53I had a lot of them know that I would like to know this.
00:53:58I would like to know this and I would like to know this.
00:53:59But if you don't like to know this,
00:54:01I would like to know this.
00:54:10There is no doubt that there is no income source of income.
00:54:16It is often said that there is a meeting in Parasig cafe, a meeting attend, a shoot or a fixed
00:54:24income.
00:54:24It is a fixed income. It is not a house.
00:54:27And in the house, it is the same thing.
00:54:30How do you do this or do this?
00:54:31It is a responsibility for Orange Juice Gang.
00:54:34It is very important to do the job.
00:54:35I think that this is a big deal.
00:54:36I think that this is a small deal.
00:54:38It's about 30 seconds or 15 seconds,
00:54:40but in that case, we have efforts to do these people's
00:54:42in the next place.
00:54:44So, the way that we have to do this
00:54:46is the same thing.
00:54:47I think that I have to do this work.
00:54:50I think that I have to do this work.
00:54:52So,
00:54:55that if we have to do this work,
00:54:57we will get money.
00:54:59This is not my fault.
00:55:01So, Orange Juice Gang
00:55:03means that we have to do this work.
00:55:07And we have to do this work.
00:55:09And we have to do this work.
00:55:10I think that we are individually
00:55:11but we are in the same way.
00:55:13We are going to the Orange Juice Gang.
00:55:15I do this work and I do this work.
00:55:18But I think that
00:55:19I think that we should do this work.
00:55:21So, we are doing this work.
00:55:24And Orange Juice Gang
00:55:25means that
00:55:27this country is
00:55:29such a huge issue in every country.
00:55:30and it's not just a huge issue.
00:55:32This is why
00:55:34it is a huge issue.
00:55:36I think that
00:55:37Neel's is a huge spark.
00:55:39Karan's is a huge spark.
00:55:40And Shubham's is a huge spark.
00:55:41And Shravan also,
00:55:43I was thinking
00:55:44about the passion of those
00:55:45these things in real.
00:55:47And it's also a huge issue
00:55:47for the film.
00:55:48Like 24 July
00:55:49and the type of
00:55:50Bhutambayam.
00:55:51I don't know what I'm talking about!
00:55:53How do I have to apologize?
00:55:55I'm a huge bit.
00:55:57Pull!
00:55:57There is one word, the word is cinema.
00:56:03Cinema is love. Cinema makes me feel comfortable.
00:56:07When people are working in a lot of time,
00:56:09I think the cinema is the name of the cinema.
00:56:12There is a series in cinema.
00:56:14In the cinema, you can understand the character of the character,
00:56:18and perform the character of the character.
00:56:19And you can maintain the character of the character of the character.
00:56:21You can maintain the character of the character of the character.
00:56:26But I feel comfortable that Ayushat is always being felt at the time.
00:56:34But I think that in the theatre, it has a lot of fun.
00:56:36Not in the theatre, it has a feeling like a popcon.
00:56:41It has a feeling like it is like a feeling.
00:56:44And it actually is nice.
00:56:46There are many paniaths I've seen.
00:56:49There are many paniaths I've seen.
00:56:52The feeling of kudachyat,
00:56:56So, I am very anxious. I am constantly anxious about my thoughts, but I don't want to shoot or create,
00:57:13but I don't want to be a big part of my family.
00:57:17It actually takes me to a different world.
00:57:20I would be transported to that place and I would be able to see the cinema in that moment.
00:57:30So, that is cinema for me.
00:57:32What are you talking about?
00:57:33Ram, you have a question.
00:57:35Hi.
00:57:35Hi.
00:57:36Hi, right?
00:57:36Lalbagh Paral.
00:57:39Lalbagh Paral is a good life.
00:57:44There is a lot of things.
00:57:46Today, I have a lot of problems.
00:57:47I think...
00:57:50I'm...
00:57:52I've seen that in my favorite languages,
00:57:54which are the main parts of my lives.
00:57:59I feel that all of the languages have a culture,
00:58:03that is the same.
00:58:05I am living there.
00:58:11It's just like the energy of Lalbagh Paral.
00:58:13I have the energy and I have the emotion in the black world.
00:58:24So, this is what I have to say.
00:58:29I have to say that I have to say that I have to say that I have to say that
00:58:31I have to say that I have to say that.
00:58:33It is our relationship we have to say that the book has been taught in Douth.
00:58:42And we have to say that the book has been taught us for three years,
00:58:47and that is what we have to say about the story of the film,
00:58:51we will get creative.
00:58:52How do you please?
00:58:53So, if you have a tongue twister, you can see the tongue twister.
00:58:59Okay?
00:59:00The tongue twister need to say,
00:59:02Kaku and Kaka, Kama and Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka.
00:59:14I don't know about that.
00:59:17Kaku and Kaka and Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka.
00:59:33Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka,
00:59:39Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka,
00:59:44Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka,
00:59:47Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, Kaka, K
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