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EL RENACER DE LUNA | CAPÍTULO 20
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00:08I am here to request a necessary divorce due to domestic violence.
00:11Here are the documents. I hope nothing is missing.
00:14Let's see.
00:19We're not the same anymore. You used to treat me well, you treated me with respect.
00:23He's a good man now.
00:24But Javi was born. Do you think you can hurt me and hit me and talk like there's no one around?
00:27And tie me down in the lousy business you have?
00:30Already!
00:31Be quiet!
00:35Yes, Francisco, now we're talking.
00:37That's it, I've had enough of you.
00:41I'm going to file for divorce against you today.
00:43No, no, no, no, no, you're not going to ask for anything, no, no.
00:48No, you and I are going to be together for life.
00:50We have business.
00:52You don't want your children visiting you in jail, do you?
00:55Well, if they go.
00:56It's like, so they know who you really are.
01:01Don't underestimate me.
01:04Because if I go to jail, you're going with me.
01:07You have no proof against me.
01:10The police are going to investigate.
01:12And you're going to have to tell him who you're covering for and who...
01:15And who owns it?
01:17Or the owner of all those businesses you're running.
01:21No, I'm not afraid of you, okay?
01:23I am the one who will one day stop being afraid of you.
01:30And I'm going to leave your side with my children.
01:38And I arrive in Seville, Francisco.
01:43Mrs. Maya, if you would like us to stop so you can recover.
01:47Forward.
01:48No.
01:48No, don't worry.
01:50We will continue.
01:51Already.
01:52No more beatings, no more violence, no more fear, no more...
01:55Nothing, um...
01:57I have a question: do I need to ask that gentleman to sign something?
02:00No, nothing.
02:01And even less so if it is a case of domestic violence.
02:04Don't worry.
02:06You won't have to face him.
02:08The court will notify her directly.
02:12Oh, that's great.
02:14Thank you.
02:18And Jaime has already dropped out of school.
02:20To make matters worse.
02:22She's really facing a difficult situation.
02:24Erika's arrival with her son complicated everything.
02:27And I know Jaime won't shirk his responsibility.
02:30Saul.
02:30How are you?
02:31Hello.
02:32Hello.
02:33I'd like to introduce you to Rodrigo.
02:34Hello.
02:35Salma.
02:35Nice to meet you.
02:35And well, you already know Saul.
02:37Saul?
02:39Salmi, do you know where I can get some water?
02:41We're going to rehearse and I forgot my water.
02:43Yes, obviously.
02:44Yes, thanks.
02:45See you later.
02:45I'll see you in a bit.
02:46Yes my love.
02:49Saul.
02:50I found out about your parents.
02:52I wanted to tell you that I'm very sorry.
02:58I also heard that you were left with nothing.
03:01Tell me.
03:02How do you manage now without money?
03:04Well, working.
03:06Like we all have to do when our parents aren't around to help us.
03:11Clear.
03:12You didn't say the same thing when your parents were alive.
03:15But you're doing very well, Saul.
03:17You're doing very well.
03:18You're going to be a big, strong, self-made man.
03:24Hey, you have no idea how happy I was to see Lula.
03:29We took some time alone a little while ago and...
03:31And wow.
03:33I have no doubt that he loves me, Saul.
03:36He showed it to me like never before.
03:40That's why we're getting married.
03:47In accordance with the new National Code of Civil and Family Procedures,
03:51Your case will be handled administratively by the civil registry.
03:55Do they have children?
03:56Yes, we have two.
03:58We have one of 25 and one of 12.
04:01Okay, an agreement regarding the minor needs to be reached.
04:06Regarding his pension, custody and cohabitation.
04:10Clear.
04:11No, I am now fully prepared to reach an agreement with Mr. Francisco Cadena.
04:16Are you married under a community property regime?
04:19No.
04:20That will speed up the process.
04:23Starting today, her husband will have a deadline to respond to the lawsuit.
04:27Okay.
04:28Okay I understand.
04:30Mrs. Mistral, what you are doing is very brave.
04:35Tell me, when was the last time your husband used verbal and physical violence against you?
04:49Hey, that little school isn't bad at all, Saul.
04:52Nothing like the moon in Los Angeles, but it's a different story there.
04:57Muciarte is a great school.
04:59High quality, with great teachers.
05:01Many talented people have come out of here.
05:04Yes, he knows.
05:06What do you mean by that?
05:08Nothing, Saul, look.
05:09I'd better tell you how much fun my fiancée and I had.
05:14It's that the moon in intimacy grows, transforms, becomes another woman.
05:20Look, I don't know how it is in your town, but in mine, if you talk about a woman like that, you'll get beaten up.
05:24in all five.
05:26Oh, please, Saul.
05:28I already knew that in Monterrey they were very religious, but we're talking between men.
05:32No no.
05:32This isn't about crossing yourself, you idiot.
05:35Luna is my friend and I will not allow you or anyone else to talk about her like that.
05:39What do you think?
05:40How do I see?
05:41I see that your little throne isn't enough for me, so why don't I lower it?
05:44Me neither, what should I do?
05:46What's going on between you and my friend?
05:48Lower what?
05:57Were you really going to get married?
06:00I feel like we're too young to be thinking about that.
06:03Look, Rodrigo already knows that I'm not going to give up my career when we get married.
06:07And now the main thing is to help my parents.
06:12Luna, I don't know you very well, but you don't trust anyone else anymore,
06:17unless you're very sure that's what you want.
06:20Look what's happening to Jaime.
06:22I mean, I wish her the best and I want her to be happy, but...
06:25But in his situation, who knows?
06:27Do you understand me?
06:28No, yes.
06:32Mom, what are you doing here?
06:34Let's go outside, we need to talk.
06:38Here I come.
06:44I don't know who you are or what neighborhood you're from, but if you're going to jump us,
06:49Go to him.
06:50Look, bro, I'm not from any neighborhood.
06:53And if that were the case, I have no problem with it.
06:57And so you understand, I don't need your money.
07:00Don't touch me, don't touch me.
07:01Do not touch me.
07:01Don't touch me, what...
07:01Already!
07:02Hey?
07:02What are you going to do?
07:03Let's calm them all down.
07:07Mael, he is Luna's boyfriend.
07:11Well, who would have thought it?
07:14He's your partner, Saul.
07:15I'm not anyone's partner, you idiot.
07:17Don't touch me, or I'll break your face.
07:19Okay, dude!
07:19Already!
07:20Don't touch me again, okay?
07:21Already!
07:22We can't fight at school, Mael.
07:24Listen, they're going to kick us out.
07:26Exact.
07:26Listen, child.
07:27And you shut up too.
07:29Don't let your career as a future powerhouse singer end.
07:32I already told you to shut up!
07:34Hey?
07:35You've finally come to speak to me.
07:37Enough.
07:38That's enough for both of them.
07:40Listen.
07:41You should tone it down too.
07:44You'd better wait for her outside.
07:48Mom, mom.
07:49I don't understand why you're so angry with me.
07:51Saul is just a friend.
07:53We're rehearsing for my event.
07:55You told me you were coming to Mexico City to accompany your dad to the doctor.
07:59Not that you were going to be hiding with that guy, otherwise I would never have let you come.
08:04I'm not seeing myself in hiding.
08:06Rodrigo knows perfectly well that I'm rehearsing with him.
08:08Do you know what bothers me the most?
08:10That you are so inconsiderate with Rodrigo.
08:12The one who loves you, who takes care of you, who protects you.
08:16And you're looking for the first opportunity to meet with the specimen.
08:20Mom, if there were something between Saul and me, then...
08:24Mom, please.
08:24Don't play innocent.
08:26I saw how you looked at the party.
08:28And I saw how you saw him.
08:32Could you deceive Rodrigo?
08:34Not me.
08:35I haven't been unfaithful to Rodrigo, Mom.
08:37The only way that boy can go to the event is if you set a date for your wedding.
08:42with Rodrigo.
08:44And give it a place.
08:46Otherwise, he won't set foot on my property.
08:54Do you really think so?
08:55Why would I get my hands dirty fighting with people like that?
09:00What's up, crazy people?
09:01Listen, Alfredcita, this.
09:05Do you think I'm going to fight with people like you?
09:08Don't take it out, princess.
09:10Let's see if he's so good at dealing with injuries.
09:13Poor.
09:14Don't touch it.
09:16You're a disgrace to your family, aren't you?
09:18Oh, you'll be the pride of your family.
09:20Is that your backpack?
09:24Pathetic!
09:25I don't want to see you in this squad again, okay?
09:28Evil.
09:29Don't worry.
09:31It's worth it.
09:32No, I really disliked that idiot.
09:34I swear, the next time I see him I'm going to punch him in the face.
09:38How could she not be in love with a guy like that?
09:41She's not even that pretty.
09:42I understand, but remember that we can't fight again.
09:45They can kick us out!
09:54Tara seems to really like intrigue, doesn't she?
09:57Imagine saying that your mezcal master went to see his lover.
10:01Instead of going to buy the fertilizers...
10:04Tara is very good at her job.
10:07Yes, I'm not saying no, but...
10:10I'm almost certain they know very well who Federico's lover is.
10:14And why does the Federico issue matter so much to you?
10:18Small town, big hell, my friend.
10:20Believe me.
10:23I suspect Federico's lover is from around here.
10:27And yes, I know all the women in the area very well.
10:33I'd love to know who it is.
10:35Not you, right?
10:38No?
10:59No?
11:00Just thinking about you makes me believe in love again.
11:06Today my life is just as I always dreamed it would be.
11:16Because you gave me a world full of colors.
11:23Because you gave me a world full of colors.
11:25Because you calmed all my fears with your kisses.
11:28Because you gave me.
11:33Because you gave me a world full of colors.
11:39Because you gave me a world full of colors.
11:58Because you gave me a world full of colors.
11:59Because you gave me a world full of colors.
12:01And I don't need anything.
12:07You gave me a world full of colors.
12:09Because you gave me a world full of colors.
12:10And I don't need anything.
12:34friend, but promise me you'll never open it, just like you won't read the diary.
12:41Only the right people should do it. But Manuel, how am I supposed to know what to do?
12:46What if I don't know what it says? Understand that you shouldn't open it, Leonardo, if Dalila finds out.
12:52If you have these documents, not only will they take them away, they will also try to terminate your access to them.
12:58With your life. You would witness the truth; she cannot allow anyone to know her story.
13:06I want you to be killed, Leo.
13:11Sure, have some water, don't worry. I promise I won't read the newspaper or open anything.
13:24he
13:24I'll be fine until the right person comes along. Leonardo, my friend, please, I'm begging you,
13:31Help me, I want to get my bolero corner back, don't let it turn into a brothel
13:38Death. Don't worry, Manuel, I'll take care of your legacy, but how?
13:44Will I know who I should give the diary and the envelope to? She'll arrive one day.
13:48like a moon peeking out over the black night, pleading for mercy.
14:05My granddaughter Clementina, you should give it to her.
14:11I have no reason to be here. Please help me.
14:19Don't leave me here, Boco. Bring me back when I wake up, please.
14:33Is everything okay with your mom?
14:36Not really. My mom thinks I'm not giving my fiancé his due and that's wrong.
14:42She should talk to Saul, because she thinks he has feelings for me.
14:48Well, but they're supposed to just be rehearsing a pause from the event, right?
14:52Yes, of course. There's nothing more between us, I think.
14:58Oh, I don't think I liked that one.
15:02My mom is right.
15:04I'm going to set the date for my wedding with Rodrigo so there's absolutely no doubt that I
15:09wanna
15:09marry him and that there is nothing between Saul and her.
15:13Moon!
15:15What are you doing here?
15:17Did you come to rehearse with Saul?
15:19Uh, yes.
15:21I love it.
15:22How cool.
15:24Hello, Salmis.
15:26How are you? Are you feeling well?
15:29Yes, Paul.
15:30Did you just get a touch-up?
15:32Yeah.
15:33I love it.
15:35What's up, Ro? Is everything okay?
15:38Everything's fine, everything's fine.
15:40Saul is a mother hen.
15:42But.
15:43And his friend Mael?
15:45It's awesome.
15:47Also.
15:49Also.
16:12Sometimes I feel like my heart doesn't cry.
16:18Sometimes I want to run away from all my memories.
16:26Sometimes I ask for time to sustain my life.
16:37I appreciate the good intentions, but time does not heal betrayals.
16:46The suffering has not left my soul.
16:50You can't imagine how you'd hit me right here in my chest.
16:57You sing amazingly.
17:00I am also a musician and I am composing something new.
17:03Check out my profile.
17:04Would you like to collaborate?
17:05Sometimes I just think I have no other way out.
17:12I walked away and thought that being alone I wouldn't miss you.
17:19I walked away and we thought that what we had wouldn't end.
17:25These hints of nostalgia are stealing my hope.
17:37Don Leo.
17:39Yeah.
17:42They're looking for him in the living room.
17:45Who?
17:46I don't know.
17:47I think they are the parents of some of the boys.
17:50Here I go.
17:55Hey, Rob.
17:56I would like us to set a wedding date already.
18:01That?
18:03Yes, yes, my love.
18:05Clear.
18:06Tell me when you want to get married.
18:09Well, in six months.
18:12And why don't we meet in three?
18:15I can't wait for it.
18:18Well.
18:20I have to go.
18:21I need to make some calls from Torres' house.
18:24I'll pick you up in a little while.
18:26Thank you.
18:26I love you.
18:27I love you.
18:32I love you.
18:32I love you.
18:39I love your ability to handle men.
18:43As?
18:45I don't know how you do it.
18:47In other words, Rodrigo arrived, furious, and left.
18:49Silk.
18:52Thank you.
18:53I have no skill in handling men.
18:56Well, I have to go now.
18:58I'm going to talk to Saul.
19:02Bye.
19:08How's my new, crazy best friend doing?
19:14I knew that so much beauty from you couldn't be true.
19:18You're fighting alone, huh, Vicente.
19:21What are you taking about?
19:23Isn't Luna not interested in Saul?
19:27Obviously I already know that Saul isn't interested, I mean...
19:30Oh, the lunatic thing was a joke.
19:36But I'm fine, I'm here.
19:40Still standing barefoot and unbroken.
19:44I'm fine, I'm happy.
19:47Because I know this will make me stronger.
19:50I'm fine, here without you.
19:54Even though it sometimes hurts to think of you.
20:10Hello, Saul.
20:11I've already listened to your songs and they're amazing.
20:14Of course I would like to collaborate.
20:17Look, this is something new I'm doing.
20:30I need a new love, someone who will truly love me.
20:35I need just one kiss to fall in love.
20:40Let me lose myself in his gaze, let him embrace me with his soul.
20:45Let a life decide to accompany me.
20:50I need someone who didn't sigh.
20:55You sing beautifully, girl.
20:59Because I know this will make me stronger.
21:03I'm fine, here without you.
21:06Even though it sometimes hurts to think of you.
21:09I'm fine, it's because of me.
21:13Because today I choose myself forever.
21:16I will not stop loving myself.
21:21Don Leo, good afternoon.
21:24How are you?
21:25Good afternoon.
21:29Sorry for the delay.
21:32You are the employees of Ligia's parents.
21:37TRUE?
21:38That's right, Don Leo.
21:41We just came to give Miss Ligia some money.
21:45No, old man.
21:47Enough of deceiving Don Leo.
21:50She needs to know the truth.
21:54We don't work for Ligia's parents, Mr. Leo.
21:58We are Ligia's parents.
22:08Schedule the surgery for tomorrow.
22:10The patient cannot wait any longer.
22:13Well, I have to go.
22:14Thank you.
22:16AND?
22:17How did it go?
22:19What happened?
22:22I divorced Francisco Cadena.
22:30I am a free woman.
22:33I'm so happy for you.
22:35Because you deserve to be happy.
22:38And let me tell you something, I think this is the perfect moment to...
22:41To stop telling lies and to...
22:43To live well.
22:46What are you taking about?
22:50I made a mistake when I came into Pancho's life.
22:54And I've gotten into a lot of trouble.
22:56Am...
22:58I am a front man for someone I don't know.
23:02in many of its businesses.
23:10Oh, I have so many things to tell you.
23:13And I don't know what you'll think of me when you find out, but...
23:16But whatever you're going to think of me, all the better.
23:19At once.
23:20Wow, I would be incapable of...
23:22Don't tell me...
23:23Don't tell me anything.
23:24No...
23:24Don't promise me anything right now.
23:26I want to tell you everything, but...
23:29But first I need...
23:30I need to go home and talk to Javi.
23:32Because I don't want Pancho putting ideas in her head in bed.
23:34And that he doesn't start manipulating.
23:35Yes, yes, of course, of course.
23:36And I want you to tell me, not to judge you.
23:40Otherwise, because I want to tell you everything too.
23:44We both have a path already laid out and...
23:47To be together is...
23:50It's important to know how we got here.
23:54Thank you.
23:55And thank you for being here, for coming to this place and...
23:57And for helping me take this step, Joaquín Ruy.
24:01What thing?
24:04And I promise you that I won't...
24:06I'm not going to back down.
24:12Come on.
24:13Please.
24:28I am a woman who keeps her word.
24:30And that he knows how to do business.
24:34I haven't accepted your proposal yet.
24:38This will help you make up your mind.
24:42That's five million.
24:45But I'll double it to ten.
24:48This is just a preview.
24:50What are you saying?
24:56Daniela, Andrés has the original will.
25:00No.
25:01He gave it to someone else.
25:04And I'm going to have it delivered to you.
25:05And when you have it in your hands, you destroy it.
25:09Start with something.
25:17One, two, three, four, five, six, seven, eight.
25:22One, two, three, four, five, six, seven, eight.
25:26Two, three, four, five, six.
25:29I'm fine, I'm here.
25:33Still standing barefoot and unbroken.
25:36I'm fine, I'm happy.
25:39Saul.
25:40Because I know you will love more strongly.
25:43I'm fine here without you.
25:46Even though it sometimes hurts to think of you.
25:49I'm fine, it's because of me.
25:52Because today I choose myself forever.
25:56It was a very wise decision to bring her cousin back.
26:00It's really bad.
26:02But we're going to help her.
26:03I hope so, doctor.
26:05Because in his last crisis he attacked me with scissors.
26:09He threw me down the stairs.
26:12And the best thing is for it to stay here.
26:16And although it sounds very sad, if there is no hope,
26:20that he never comes out again.
26:21No, no, don't leave me here, please, Dalila, I beg you.
26:25I beg you, I know I had a crisis and I felt very ill,
26:28But it's over now, it's over, doctor.
26:30It's over now, the memories are killing me with pain.
26:34Please don't leave me here, forgive me.
26:37I promise you I'm going to change and behave very well.
26:41Please.
26:52If you think I'm going to kiss you, you're very wrong.
26:57I never thought that.
26:59Hey, let me go already, okay?
27:02Can't.
27:03Because?
27:05You're the one grabbing me.
27:07Ah.
27:12So...
27:12Shall we take a break?
27:16Yeah.
27:27Dalila, I was going to call you, but...
27:28Andrew.
27:29Oh, I don't know any other name to call me.
27:31Don't answer him.
27:32Yes my love?
27:34Dalila, Felix is going to help us.
27:37Did you ask him to lend you money?
27:38Yeah.
27:41I left the awakening as a guarantee.
27:44As?
27:44Did you leave it as collateral with the mezcal distillery?
27:47Yes, but don't worry because nothing is going to happen.
27:50The next harvest is going to be a huge success, I'm sure.
27:54I knew you'd figure it out.
27:57Felix has turned out to be a very good friend.
27:59He has always shown it to you.
28:02I'm so glad you're supporting me in this.
28:06Hey, by the way...
28:08Federico is in Mexico, haven't you seen him?
28:10No not at all.
28:11I didn't even know I was here.
28:14He didn't talk to you last night.
28:17No, Andrés.
28:18I haven't spoken to Federico.
28:22I suspect that Federico's lover...
28:23...he's from around here.
28:38Can I help you?
28:39I hope so, doctor.
28:43Nice to meet you.
28:45Excuse me for coming in like that, but there was nobody outside.
28:49Sit down.
28:50Yeah.
28:54Tell me, what do you need?
28:56Are you dropping off a family member?
28:59No.
29:00Quite the opposite, doctor.
29:03I've come to take Clementina Mondragón away.
29:07Your stay...
29:09...it's due to a...
29:11...misunderstanding.
29:16I was signaling, Dalila, but you didn't pay any attention to me.
29:19Don't talk to me in that tone.
29:20Okay, listen to me.
29:21Andrés called me last night.
29:22And I told him I was in Mexico.
29:24And that we had also talked about it at the ranch.
29:27Oh, whatever, what does it matter?
29:28Let it explode and die of rage.
29:32Well, it matters to me, Dalila.
29:34And I'll tell you right now.
29:36We'll leave it at that.
29:37Because I don't want to continue.
29:42The patient presents with a picture of nervous crisis and psychosis.
29:46All triggered by a trauma.
29:48That revives every time their own memories are lost.
29:51When this happens, she loses all sense of the present.
29:55And it becomes unstable and unpredictable.
29:58And how much did Dalila pay you, doctor?
30:02I don't know what you're talking about.
30:14And that's enough to remove it, doctor.
30:24Do you want to leave me to win over my daughter?
30:27Now that you know she's the heir?
30:30Boco told me so.
30:32Well, your friendship with Boco is driving you crazy.
30:35I'm not doing it for Luna.
30:37Why do you always distrust me?
30:39I've asked you for something.
30:41You gave me money.
30:43No, right?
30:45Listen to me, thing.
30:47If Andrés finds out we're lovers,
30:50You won't be able to get him to change his will.
30:52and you can share the inheritance with your daughter.
30:55Dalila.
30:56Come, listen to me.
31:00Ever since you started doubting me,
31:02We are making mistakes,
31:05like the call that Andrés just made.
31:08I told him I was in Mexico
31:10And you told him that you hadn't seen me.
31:14Let's see.
31:16Felix is going to be left with the awakening.
31:19Andrés gave it to him as collateral.
31:20I have everything under control.
31:23We cannot fail.
31:25Andrés has to die.
31:27Already.
31:33I'm not tired,
31:34But if you can't anymore...
31:36Not everything is a competition,
31:39Miss song thief.
31:40I mean,
31:41that thing about you stealing my song
31:43It's from the week before last.
31:45Just get over it, right?
31:50Hey, what do you think?
31:57I'd like to show you something.
32:05I want to show you this song
32:08which I love
32:11and wanted to see
32:12Yes, I can sing it at your event.
32:14And what is the song about?
32:20It's about a morilla
32:25who doesn't want to know anything
32:27about love
32:30because she says she was injured.
32:36But he knows a kid
32:40who tells her that he will give her all the time she needs
32:44because he loves her.
32:51And true love
32:54It includes everything.
32:58And most importantly
33:02knows how to wait.
33:06I'm excited.
33:08Is it new?
33:09No.
33:10There's been plenty of time.
33:12But I would like you to hear it.
33:15Maybe we can sing it together.
33:20Don't underestimate me, Federico.
33:23I have everything under control,
33:24every detail.
33:26And if Andrés distrusts us
33:27because we gave him different information,
33:29Well, let him sue us.
33:31But he's not going to do it.
33:33because he is more interested
33:34in the Moon and in the awakening
33:35that we.
33:38Look at me.
33:41We need Andrés to suffer
33:43of a very strong impression.
33:45And you're going to help me with that.
33:50He almost died last night.
33:52but not.
33:53No, because he needs something.
33:55something stronger.
33:57What are you talking about?
34:00that we're both going to cause it.
34:02You and I.
34:04Provoke in what way?
34:08that will find us
34:10together.
34:12Together.
34:15Very close together.
34:20It's best if we leave.
34:21If Ligia finds out
34:23that we are here,
34:24He's going to be very angry.
34:25No.
34:27It's not possible to always be there.
34:29at the mercy of what Ligia says,
34:33hiding from us,
34:34making us pretend to be their employees.
34:37So, Ligia,
34:40She's not a millionaire.
34:41We are humble people.
34:43We have a produce store in Culiacán.
34:46But, well,
34:47as?
34:48I spoke on the phone myself.
34:51with Ligia's parents,
34:52When did she arrive here?
34:54Well, they even told me
34:56that they couldn't come
34:57for business,
34:58because of his travels
35:00around the world.
35:01He asked some friends
35:03that they pretended
35:04for us.
35:05When we found out,
35:08He told us it was necessary,
35:10because here in the city
35:12They only respected
35:13to people with money.
35:17We're leaving now.
35:19We only came to visit
35:21to a relative
35:21and while I'm at it, let him
35:23some money for Ligia.
35:24He's going to need it one way or another.
35:27Please, Mr. Leo,
35:28Don't tell Ligia
35:30that we were here.
35:33So, Ligia,
35:35He started studying
35:36in the race
35:37just out of vanity
35:41to make themselves known
35:45sorry
35:46and be ashamed
35:49of you.
35:54Your song is beautiful.
35:58So,
35:59we are going to interpret
36:02six songs
36:04and we can close
36:06with this one you finish
36:06of playing.
36:07Alright,
36:08I like to use it to close.
36:13What do I have or what?
36:15Why are you looking at me?
36:17Nothing.
36:18I was just thinking
36:19I like you
36:21And that makes me happy.
36:24having met
36:24in the village.
36:25that arose from it
36:27all of this.
36:29Well,
36:30if I had never seen
36:31your singing video
36:32and that when we write to each other
36:34by sight
36:35we both agreed
36:36to be friends,
36:37none of this would exist.
36:39and that to the song
36:40that we write
36:41It looked very similar.
36:44We were destined
36:45to meet.
36:47You and I.
36:59No, Dalila.
37:01Andrés cannot
37:02to know about us.
37:03Your husband
37:04He has a gun.
37:05and before I die
37:06from an impression
37:07is capable
37:07to download us
37:08all the bullets
37:09and the dead
37:10Here we go
37:10to be us.
37:11You're scared.
37:13That's what it's all about.
37:14It is about
37:15common sense,
37:16Dalila.
37:17Andrés is not stupid.
37:18At the moment
37:19He must be dying
37:20jealousy and uncertainty
37:21because he knows
37:21that we contradicted each other.
37:23Leave everything
37:24in my hands.
37:25Don't be afraid.
37:27And if,
37:27Andrés has a gun
37:28but
37:30That's exactly it.
37:30will drag him
37:32to their doom.
37:35My love,
37:36I don't want anything to happen to you.
37:38I am capable
37:39to give my life for you.
37:41I don't mind
37:42being far away from you
37:42one or two weeks
37:43or whatever
37:44But I don't want to.
37:44that Andrés
37:45to hurt you.
37:46Then leave
37:46I'll take care of it.
37:48You don't have
37:49Why get dirty?
37:49the hands.
37:50I wouldn't allow it.
37:53Do you know why?
37:55Because I am for you
37:56I am capable
37:57to do
37:57You can't even imagine.
38:03Just do
38:03what I told you.
38:06No.
38:08No.
38:15Now go.
38:17Later
38:18you come,
38:18please.
38:29Please,
38:30My God,
38:32Don't abandon me
38:33in this place.
38:35I beg you
38:36that you take me out
38:36from here.
38:38I ask you,
38:40Mister,
38:40with all my heart.
38:41I ask you,
38:44God.
38:45Do not go out.
38:46Tangerine.
38:48Bit?
38:51Get me out of here.
38:54Let's go.
39:00Come on,
39:00come on.
39:04Mrs. Galila,
39:05her cousin Clementine
39:07It's worse.
39:08than we imagined.
39:09It's dangerous
39:10for herself
39:10and for the others.
39:11I know, doctor.
39:12That's why we admitted her.
39:13in that psychiatric hospital.
39:15No,
39:15He doesn't understand me.
39:16lady.
39:17Let me explain.
39:18Her cousin
39:21escaped
39:22from the sanatorium.
39:24It just can't be,
39:25Boco.
39:27You helped him escape,
39:28unfortunate.
39:33I ask you again
39:34that he doesn't tell her
39:35nothing to Ligia.
39:36It's best to leave
39:37Things are as they are.
39:39Victorio,
39:40Gabriel.
39:41How are you,
39:43Mrs. Gabriela,
39:44Mr. Victorio?
39:45Back here again?
39:47Ligia,
39:48Don't call them
39:49by their names.
39:50They are your parents.
39:52No,
39:53No,
39:53it isn't true.
39:54Let's see,
39:55don't walk anymore
39:56telling lies
39:56and get out.
40:01When they see
40:01to my parents,
40:02I'm going to tell you
40:02They should be fired.
40:03pair of dead
40:04from hunger.
40:05Ligia,
40:06How dare you?
40:07talk to them like that?
40:09It's a huge sin.
40:11It is knowing
40:12to your parents.
40:14I want them to leave
40:15right here, right now.
40:17And you,
40:18Don't get involved
40:20in matters that don't concern him.
40:22I told him,
40:23Don Leo.
40:25Now he won't want to
40:25to know nothing
40:26of us.
40:28We can no longer
40:29do nothing.
40:31Not you.
40:34But I do.
40:43Mommy,
40:44the driver
40:45from my dad
40:45He came for me
40:46to school.
40:47We'll be waiting for you.
40:47at the restaurant
40:48for lunch.
40:55after speaking
40:56with my children,
40:57I swear
40:58I'm leaving
40:58to sit with you
40:59to tell you
40:59how he got there
41:00Pancho to my life.
41:01Alright.
41:03Me too
41:04I'm going to tell you
41:04of my life
41:05and why
41:07my daughter
41:07He walked away from me.
41:09And that hurts you,
41:10clear.
41:11I miss her
41:12a lot.
41:14I wish I were
41:15part of his life,
41:16but
41:18It won't let me in.
41:20He only looks for me
41:21so that he can send it
41:22money to solve
41:23his life
41:23in the United States.
41:27I think that
41:28That's the question.
41:29of time.
41:29Probably
41:30It lacks
41:31matures to Jariya.
41:33I
41:35tried
41:36connect with her,
41:37ask him
41:37their things.
41:39I have proposed
41:41visit it
41:41many times,
41:42but
41:42hangs up on me
41:43the call,
41:45I don't want to talk.
41:50My daughter
41:51He doesn't want to see me
41:52and
41:53That hurts me.
41:58Well,
41:58here I am,
41:59I
41:59for what
42:00you need me.
42:01Always.
42:04It's better
42:04that I leave,
42:05but anything
42:06You have my number
42:07And you have me.
42:08to warn
42:08if Pancho
42:09He becomes aggressive.
42:10Clear.
42:11Yeah?
42:11Yeah.
42:13Thank you.
42:13Bye.
42:14I'm going now.
42:15Bye.
42:25I offer you
42:26apologies,
42:26Mrs. Andrés.
42:27Last night I went to talk
42:28with you,
42:29but I found
42:29with Mrs. Dalina
42:30and I warned him.
42:32No,
42:33not at all.
42:34Not even
42:34I knew he was here.
42:35No, Andrés.
42:37I haven't spoken
42:38with Federico.
42:41I suspect
42:42that the lover
42:42by Federico
42:43He's from around here.
42:51They contradicted each other.
42:54They contradicted each other.
42:55That means...
42:59No,
43:00No,
43:01please.
43:03No,
43:04please,
43:04cannot be repeated
43:05the story.
43:06This cannot
43:06to go through it again.
43:13I'm fine,
43:15I'm here.
43:17Still standing barefoot
43:18and without breaking down.
43:20I'm fine,
43:22I'm happy.
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