00:00I think it just requires you to live in between the scenes in the same way.
00:11Obviously you go home at night and you live your life, but I think this was the first time that
00:14it felt like a rewiring of the brain to some extent.
00:20And Lydia's life, it just lives in you and then you can hope to try and access moments that you're
00:31going to put on celluloid.
00:33But yeah, I think, I think it really, it does affect you.
00:36And I've done jobs where that isn't always the case, but this one certainly did.
00:42And I can understand why in a way, like it should have, it shouldn't.
00:45I mean, there were like very English moments where she would be like, okay, right.
00:49Yes. Um, we'll have a good one. Bye. Um, I'm done.
00:52And I'd be like, have fun sleeping tonight.
00:55Let's see how that goes. Cause tomorrow's going to be even harder.
00:59She never had like a moment to actually sit in process.
01:02It was probably after, right? Like when you finished the film.
01:04I found it hard after the film. Yeah. After the film.
01:06It was like, stay, stay, stay, stay.
01:08And then when we wrapped, it was like, wait, where are we? Who, who are we now?
01:15No, no, no.
01:15You're a person.
01:16Do the movie.
01:16Did you get a little bit wrong?
01:16Yeah.
01:16The movie is like, you know, got to 처음 thinking.
01:16It still awkwardly not.
01:16You
