00:00Were there any filmmakers you've worked with that you took particular cues from when developing your own tone?
00:05No.
00:08Truly.
00:09I mean, I tonally and stylistically speaking, this book, I felt like I could see it seared into the insides
00:15of my eyelids for so many years.
00:17So no, I mean, like, of course, I've worked with directors that have, like, made me want to also do
00:22the job.
00:23They're my favorite exchanges with directors are always emotional and inarticulate.
00:28They're scene partners, they're actors, just as much as actors are directors.
00:32I mean, like, she led the charge and her whole soul, body, mind is the movie.
00:37Her skin is our palette.
00:38I've never worked like that.
00:39I've never worked for someone who put me on a path like that.
00:42It's always been different.
00:43I think every movie set, there is not a standardized approach.
00:48You must, like, sort of break and bespoke process in order to make something new.
00:54And I totally understand the question, but in complete, full, honest candor, the answer is no.
01:00This was, like, its own film.
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