00:03Gaudi is relevant and I think Miró is relevant. Their curiosity, willingness to experiment,
00:11their radical visionary mentality is still becoming such an inspiration for contemporary artists.
00:33We were starting to plan the first year of exhibitions here on the second floor so we went to Fundación
00:40Miró and we had a conversation with them and we were just trying what could we do together, what is
00:46the impact of Casabatlló into Miró's work and they said well we have done an exhibition exactly about this and
00:54it was very much about the photographs of Gómez documenting the work of Miró and
00:59then in dialogue with the architecture of Gaudi. You could see a direct connection between Gaudi's work and this building
01:09in particular into the work of Miró its understanding as Miró moved away from painting and he started looking at
01:17more 3D more elements it was to Gaudi's work that he started to look at and started to look at
01:24his shapes and inspired by nature to create sculptures bronzes
01:29he also did a series of etchings but the thing that was most exciting is that I didn't know much
01:35about Joaquín Gómez and then I started looking at the photographs and the importance of the work that he did
01:43of documenting Casabatlló and also Gaudi's work across Barcelona.
01:59We commissioned Tomorrow's Bureau not only to create the digital pieces but also the set design and the audio soundscapes
02:07that is present throughout the whole exhibition to really create an environment where we can appreciate and we can explore
02:13this connection in a different way.
02:16So we have originals, so we have the etchings from Miró, we have the bronzes but then they're in dialogue
02:23with high-res scans done from the original pieces of Furnace from Miró and then deconstructed.
02:30And is looking at these objects very much like an archaeologist would and using the latest techniques that we have
02:38these days with technology of just being able to see these objects in a different way.
02:42The same thing happens with the photographs is taking those photographs in this archive that took place mainly in the
02:4940s and then creating this living database using artificial intelligence to create another digital piece that takes that knowledge and
02:57takes it one step further.
02:59And is looking at these objects with the techniques that we have in 2026.
03:02Thanks.
05:52Right now I'm gonna make some small, small highlights like this is shining so everything will be more realistic and
06:01more round.
06:02The sun is gonna bounce so this sharp line here gonna be even more sharp and the eyelids I'm gonna
06:10work a little bit on.
06:15They give you a wall or a canvas so you can express yourself, you can do your art and give
06:22your culture to others and take culture from others.
08:07And you're welcome.
08:12that they don't have the opportunity to go to concerts because they are perhaps only on a day here.
08:45CirISA
08:48Si, si, si, e per quello sono proprio akamposti, de culture, alla fine, che permettono ecco...
08:55Lasciano ed aprono delle porte al mondo del cinema, a grandi pubblici,
09:01magari ad oggi non si andrebbero ad infilare dentro di un cinema chiuso d'estate,
09:06stiamo all'aperto, è bello.
09:32Tell me what you remember.
09:37A wife?
09:42A son.
09:46No, no.
09:50We want no more.
09:57Help me go home.
10:00Christopher Nolan, as a filmmaker, has taken this text that is so well known.
10:05I mean, it is taught in so many schools.
10:08So many people have a vision of it in their head that's lived there for years and years.
10:13It's been handed down generation to generation.
10:16And Chris has created something that's totally new.
10:18When I saw the film, I realized I didn't actually know the Odyssey.
10:22Or I thought that I knew the Odyssey, but Chris has created a new way into it.
10:26I think that's a remarkable achievement.
10:31What would he do?
10:32He came back here to find all these suitors in his house.
10:37You're pining for a daddy.
10:39You didn't even know.
10:41Like some sniffling bastard.
10:44The movie has so much scale.
10:46There are times where it feels like you're on this kind of action-adventure rollercoaster.
10:50But he doesn't sacrifice any of the heart and the intimacy between our characters, between you and Matt.
10:56Between Matt and I, who are two characters who have never really met before.
10:59But throughout the film, there's this real sense of connection between the two of us.
11:04I need everyone in this party dead.
11:08I can still save them.
11:13You're a man who needs to control his fate.
11:17But you cannot control this.
11:20That world is gone.
11:25No one could stand between me and home.
11:31Now you're the gods.
11:34Keep us free!
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