00:00You looked incredible as Shao Kahn.
00:02What was that like for you?
00:05Horrible.
00:08But the thing is, what a lot of people wouldn't have understood
00:12through watching the film was the prosthetics
00:14and the level of prosthetics underneath the helmet was insane.
00:18Like three and a half, four hours just to get the face and the body on.
00:23And then maybe an hour in wardrobe
00:26and then obviously going to film throughout the day.
00:29Just the general problems that occur, being in Australia,
00:34in a film set with all the lights and the heat and so on.
00:37Then you're wearing prosthetics.
00:38Then obviously the amount of fight sequences that Shao has in this film
00:43and intense fight sequences, you know,
00:46that created so many problems and so much headache, to be honest.
00:52But never throughout the whole sequences and the whole filming of it
00:57did I ever feel that that was enough, I was done, I didn't want to carry on.
01:02It was so exciting, so well-rehearsed, such a good, solid story
01:06and such an incredible character to play that even on those days
01:11where you are exhausted, dehydrated and physically beaten,
01:17I still turned up with a smile on my face and excited to do it.
01:20So it was tough.
01:21It was hard, but extremely rewarding now we get to see the final product.
01:24it's itís very huge on the deed by thebox and so on our inside andunder.
01:24the great special�ier personnel Cristian,
01:24we're going to have a manifest element here in the δine building police
01:25and whatever the potential of this project that doesn't work.
01:25and fundamentally theitudinal cord box,
01:25It's very well,
