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00:00This is a man who has a great life.
00:01Let's go with that.
00:07Come on, come on.
00:09Have you been sent to me?
00:11The phone is not silent.
00:13I'm not sure.
00:14I'm not sure.
00:17I'm not sure.
00:18I'm not sure.
00:22I'm not sure.
00:24I never thought I'd be in a short film.
00:29I'm a son.
00:30I'll leave you alone.
00:33I'll leave you alone.
00:34You're not going to die.
00:36I'm not going to leave you alone.
00:38My mother is the same.
00:44What is that?
00:48Hey, I don't know any home.
00:51I went to the doctor's room.
00:52I went to the bathroom and a half.
00:55You've come here.
01:04I feel responsible.
01:15Uncle, come on.
01:17Come.
01:20You have to leave the door.
01:29I'm going to leave the door.
01:30How much?
01:32You have to leave the door.
01:34You have to leave the door.
01:37No, no.
01:38You have to leave the door for the first time.
01:41I'm not.
01:42You have to leave the door.
01:44I'm going to check it out.
01:45Easy.
01:46No, no.
01:48No.
01:49No.
01:51Do you feel the heartbeat?
01:56No.
01:56No.
01:58Do you feel the pulse?
02:01No.
02:04Do you feel the neck pulse?
02:06Do you feel the neck pulse?
02:07Do you feel the beat?
02:09No.
02:10Okay.
02:11Do you feel the blood?
02:11No.
02:12I've got to leave the room.
02:13Okay.
02:14You can take a moment to take a moment.
02:17It has a final test with the eye.
02:19The body is paralyzed,
02:20the body has so much intensity.
02:21It has a reflex in the body.
02:22It has no reflex in the body.
02:23It has no reflex in the body.
02:24You don't get the eye pupils.
02:25Now, let's go.
02:37I'm going to leave you alone.
02:41I'm going to leave you alone.
02:46Evil dead.
02:47I'm going to leave you alone.
02:51me
02:52may
02:56m
02:59ha
02:59that
03:19yes
03:23That's it.
03:26I don't know.
03:26I'm a sinner.
03:27I've never been given to you.
03:30But,
03:31I've become a human being
03:32a human being
03:32a human being
03:34a human being.
03:36I've become a human being
03:38a human being
03:38a human being
03:48a human being
03:50an animal
03:50in the cinema
03:51No,
03:52no
03:52no
03:53no
03:53Come on, let's go.
04:21Let's go.
04:23One day, the death of such a few years, is the novel.
04:41The true definition of horror, Wyke M. Davids, Devil's Island.
04:47You can't.
04:49The truth is, the truth is not true.
04:53I can't tell you the truth is not true.
04:57I've never seen a man.
04:57I mean, you've just made it, I believe.
05:00When someone's gone.
05:29I am a person who is a person who is a man who is a human.
05:42When I got the same shot, I got the same shot.
05:48I won't do this.
05:52I got the same shot, but I still felt like the same.
05:56I have no idea what to do.
05:59But I will be able to get into my front.
06:03Kitty, what?
06:05I'm afraid.
06:08I'm afraid.
06:09I'm afraid.
06:11I'm afraid of a scientific genius.
06:13I'm afraid of you.
06:14Come on.
06:15I'm afraid of you.
06:18I'm afraid of you.
06:19I'm afraid of you.
06:21I'm afraid of you.
06:25How dark is this?
06:26I'm afraid of you.
06:29I'm afraid of you.
06:30I'm afraid of you.
06:31I'm afraid of you.
06:32I'm afraid of you.
06:34Why is it dangerous?
06:37It's dangerous?
06:38It's not a society.
06:39It's like Wyke M. David.
06:43Look at the last page.
06:44I was afraid to sell it.
06:47I barely forgot to sell it.
06:51It's okay with you.
06:51Kitty, Peter.
06:54If you have the right to choose this,
06:55I'll be wrong.
06:57If you have rights,
06:59I'm not sure you have the right to choose this.
07:06Hey!
07:06Hey, I'm familiar with my face and media.
07:10I'll see you in the face.
07:12I'll tell you about the details.
07:14Okay.
07:33Hey, I'm going to check you out.
07:35I can't believe you.
07:3550 days.
07:36See?
07:37I'll give you a picture of a book by the way of the director.
07:41What is it?
07:42A book.
07:43A book.
07:44A book.
07:45A book.
07:45A book.
07:46Who is it?
07:46Do not go back to the front.
07:48Look away.
07:49A book.
07:50A book.
07:51I am a book.
07:52This book is a book.
07:57A book.
07:58A book.
07:59A book.
08:00A book.
08:01A book.
08:14You're here. I'll go.
08:31An exciting twist.
15:58Hana?
16:31This guy didn't tell us about you before.
16:40I don't have to fly about it.
16:42You have nothing to lose Vinith.
16:45What career?
16:47No one likes you.
16:47What's that thing?
16:48No one likes you.
16:50If you don't work in the cinema, I am fine.
16:53Don't ruin your life.
16:53That is how it is.
16:54You enjoy your life.
16:54I want you to enjoy it.
16:55No one likes you.
16:57I don't like you.
17:24Satchinda cinema starring Hanna Shahjahan.
17:27Written by Devathinder writer Melcho.
17:32Devam Melcho.
17:34Bad news.
17:35Even the King Nandaleriyah.
17:37Even the Admarath of the way he is dead.
17:40Even the kid who is on my own,
17:41I am a coincidence.
17:44That is our relationship.
17:46I am not a failure to make the money so that I won't make money.
17:51Do you go to the other side?
17:53What about you?
17:54I'm not a failure.
17:57In 5 years of murdering the heirs areרטimated.
18:06The fallen in the fall is murdered by Pharaz.
18:07He has come back to me and he's back.
18:16Sorry.
18:17I'm not going to be a car route.
18:18Go on.
18:20I'm not going to be the security commissioner.
18:22Come on man.
18:23Come on.
18:24I'm not going to be a guy.
18:26Hey, there's one guy.
18:28He's watching this cinema.
18:29He's so excited about life.
18:33This script is also available.
18:36Pratish Arjuna.
18:37He's a member of his content.
18:38He's a member of his family.
18:41He's a member of his family.
18:43He's a member of Arjuna.
18:46Of course.
18:47He's a member of Arjuna.
18:50He's a member of Arjuna.
18:52But one condition.
18:53He was so excited to be on Hayate's the spirit boundary.
18:58Bye.
18:59I'm not sure what happened.
19:00I'veipse immediately described it.
19:01I made a King Sadatha did throw 100 dates on stage.
19:05He's an Indian artist.
19:06In care of the company,
19:08he'll save a comeback.
19:10I didn't know what happened.
19:15I wasn't sure if youzista did it,
19:17but he's a member.
19:20If his actor's evil is a trying to overcome this scene,
19:20the limit is a fiction movie.
19:21I don't have a plan to complete my life.
19:25What?
19:26I don't have to worry about that.
19:28I'm a producer.
19:29What do you want me to do here?
19:32What do you want me to do here?
19:34Script and I will save.
19:39What?
19:42Script is not there.
19:44Shit.
19:51I don't have to worry about it.
19:55I don't have to worry about it.
19:56I don't have to worry about it.
19:58Dude!
20:00This script,
20:00I don't have to say anything.
20:03What is this question?
20:06Who is this question?
20:09Who is this question?
20:11What?
20:12What?
20:13What?
20:14What?
20:14What?
20:15What?
20:15I don't know any others.
20:18What?
20:19What?
20:25What?
20:26What?
20:27What's your teller in the message?
20:30What's your question not to me by a problem of depression?
20:34I don't have to worry.
20:37This is Vinny.
20:38This is Vinny.
20:38Here.
20:39Do you know anything about it?
20:42The feeling of it!
20:43The feeling of it.
20:44Oh, that's right.
20:47You're not happy?
20:56You're welcome.
20:57As soon as you go,
20:59I have a reward for you.
21:01I'm ready for you.
21:07I'm going to go to your functions.
21:09If you have a friend,
21:11I'll talk to you.
21:15I'll talk to you.
21:20I'm not happy.
21:23I'm not a bad guy.
21:24I'm not a bad guy.
21:26You are a bad guy.
21:27That's my problem.
21:30I'm not happy when I'm successful.
21:34I'm going to have to get a shot.
21:35I'm not a bad guy.
21:37I'm not a bad guy.
21:39I'm not a bad guy.
21:41I'm not exposed to you.
21:41I am exposed to my sister.
21:43I am not ahora, at this time I am sorry for myself.
21:47If you have to play this play, then you can tell me that I am the only one who is
21:51Ooze.
21:53I am sorry for the matter to me.
21:55I am gone to this industry.
21:57Finally,
22:00I can tell you that I am wise of myself,
22:02I will not give you my advice.
22:05I have to tell this person.
22:08Because it will,
22:09No.
22:12You're not anymore.
22:14You're not anymore.
22:16This is you.
22:24You see, you're in the crypts.
22:27You're not anymore.
22:29You're a man named a man who is reading to me.
22:32Get out.
22:50Sir, you've got a similarity between the after-party and the after-party.
22:54Tony?
22:55What is your name?
22:57In the first part, you've got a signature style.
23:00I hadn't written up on which table we had even stood here TM.
23:03It was this year for us.
23:05So I had met them in this summer.
23:07Because the final part, I know a title for a actress,
23:11but let's go over here like this.
23:13That's kind of见ay of one actor.
23:19At Denver movie, his character,
23:22he won't have anyices in the future.
23:24The only one Eric was who danced this far.
23:25Are you serious?
23:26No.
23:27I am just in the cinema.
23:28I have a place to go in the same way.
23:30You must be in the same place.
23:37For the film, it is three months ago.
23:41But the film was recorded as most after the film.��ir
23:45and the film was filmed as more than aő. They're
23:46the film as the camera man. They were
23:50filmed through the film. They did
23:51it throughout the film. For the
23:54film, they used the film.
23:55Music director, two years ago.
23:58Now everyone came to the cinema now.
24:04But this is the last time I was waiting for.
24:08I was not a kid.
24:09I was not a kid.
24:10I was not a kid.
24:11I was not a kid.
24:12I was not a kid.
24:13I was not a kid.
24:13I was a kid.
24:14I was not alone in the border.
24:16I was trained mentally and emotionally in the cinema.
24:23I was not alone in a few days.
24:26I was alone in my life.
24:30I was alone in my life.
24:31I was alone in the same way.
24:33I was alone in the same way.
24:45My self is important, sir.
24:50My self is not important.
24:52Unfortunately, selfless, we have been living in a long time.
24:59But I am not selfish.
25:04I am selfish.
25:05I have been living in a long time.
25:14I have made a terrible idea.
25:17If you want the cinema release, I will get the rest of it.
25:23Sheriya.
25:24I am going to film the cinema release.
25:26No, not me.
25:28Just for me.
25:29It's not my time.
25:30They call me that script,
25:32as they stop by getting in the situation as well.
25:35and like shooting it there.
25:37It's a real title.
25:39I will live from the original cinema
25:40and be alive from Arjun.
25:41That's true.
25:46My father is Vaikam David.
25:48Arjun Haridasa,
25:50he is a precious underdog.
25:54But, I know Sachin Vaikam David.
25:59He is a professional.
25:59He is an underdog.
26:01He is an underdog.
26:06You can never imitate an underdog.
26:09You must become one.
26:11He is an underdog.
26:13He is an underdog.
26:15He is an underdog.
26:16Arjun Haridasa,
26:17I can't do anything.
26:18I can't do anything.
26:20I can't do anything for you.
26:22Vineet,
26:23I am doing a job.
26:24You have a great option.
26:26You can choose anything.
26:28According to my terms and conditions.
26:46It is the same.
26:48You have to come to an effect.
26:50You have to sell.
26:51how do you think the effects are going on?
26:53you will have to try.
26:54You will have to look for a full full full.
26:55Go to me.
26:56Okay bro.
26:58Let's see if you are in.
27:01Where is Hanna?
27:03Panhandle.
27:03Yes, sir.
27:07Yes, sir.
27:08Yes, sir.
27:08How is this artist?
27:10Who is this artist?
27:12Where is he?
27:13Suji.
27:14No, I have a question.
27:16No one's asking.
27:18No one's asking.
27:18That's a question.
27:20Why is he not asking?
27:20I just asked you, I'm leaving.
27:21I'll go to the college.
27:21I'll ask you.
27:23Is that right?
27:24What's this?
27:25What's this?
27:25What's this question?
27:26Why is this wrong question?
27:27No one's asking.
27:29No one's asking.
27:31What the hell?
27:32Yes.
27:40So gross.
27:42I'm going to talk to you as a producer.
27:46But I'm going to shoot you for a minute.
27:49I'm going to talk to you.
27:52I'm going to talk to you.
27:53I'll talk to you.
28:02Hello.
28:34So first, you're going to talk to you.
28:36I'll talk to you later.
28:38I'll talk to you later.
28:42I'm not even a victim of the family, but I'm not a victim.
28:47I'm a victim of an obsessed woman.
28:50He's a fatphobic.
28:51Don't you leave the marriage?
28:54OK.
28:55Now, what are you doing here?
28:58You're a traitor.
29:01I'm not a traitor.
29:03He's an traitor.
29:04I'm a traitor.
29:05I've been a traitor.
29:06He's a good guy who's a perfect art man.
29:09He's a great guy.
29:10She's committed to getting the power of her.
29:12She's not the power of her.
29:14And I think,
29:14she's the character to get control over her.
29:19She's not the power of her.
29:21Hanna is blinded by love.
29:23So, she will realize it soon and divorce him.
29:27I'll wait for that.
29:31But your movie cannot wait Vinith.
29:34What do you think of her?
29:35She's going to kill me.
29:36She's going to kill you.
29:38Bloody rascal!
29:40Ninda cinema,
29:41every heroine which produce a massive success.
29:45That time,
29:46while you're ready,
29:47Arjun,
29:47I won't.
29:49Cast a new heroine.
29:51Let's bloody roll!
29:57Scene one, short one, take two.
29:59Action!
30:09Cut it!
30:10Take okay!
30:12Break!
30:19Good morning Vinith!
30:20You're going to tell me.
30:21I'm sorry.
30:23I took a new announcement for my own.
30:25Directed by Sujith Raji V.
30:27You never have done any better friends.
30:30Anyway,
30:32I'm done with my associate director.
30:32I will finish the release of the report.
30:35I will finish the release of the report...
30:38Cut.
30:39Cut.
30:44I am too worried about you,
30:45but I will go there.
30:49I will just say,
30:49I will just say,
30:50I will come back again.
30:52I will come back again.
30:55I will come back to Fire's.
30:58I will come back to the film.
31:00I was going to direct him.
31:02Arjun and Hanay are not going to be able to do that.
31:05So, I am going to direct him to Hanay's direct script.
31:11I am going to direct him to that.
31:13I will not be able to do that.
31:16But I am not going to be able to do that.
31:19I will shoot him immediately.
31:23You are not going to be a script.
31:35No matter what I mean, I don't have a chance for this one.
31:38I will not have a chance for this one.
31:40I will not have a chance for this one.
31:43I will not have a chance for this one.
31:44I will not have a chance for this one.
31:58Vineet Madhavan, you have one reason to watch the film in the world.
32:03I will not have a chance for this one.
32:06Are you confident?
32:08I am confident.
32:09Are you worried about the world?
32:11I am not a doubt about the film.
32:13This one is going to be a illusion.
32:14I will not have any touch on a cinema.
32:15The máquinas are not participating in the film.
32:18I am sure to read this one.
32:20What is the most important thing to tell you?
32:21No comments.
32:23Who will that now?
32:28Do not know what to tell you, I am a photographer.
32:31I will not tell you.
32:32I am a photographer of the actors who знают how to tell me.
32:54Hello, I can't hear you.
32:55He did not see a post from my life.
32:58He did not see a post from my life.
33:02He did not see a post from my life.
33:07He is still a burden.
33:19There are no people who are watching this show.
33:22There was nothing to do with the post room and trailer.
33:25I was going to go to complete the time.
33:30That's how I read the articles.
33:38I don't know if you have any interviews with me.
33:41I have a great job.
33:43I'm going to call Arjun.
34:06with my brother.
34:08Yes, sir.
34:10Yes.
34:10What's your name?
34:12Do you have to know the truth?
34:14It's gone in here.
34:14It's not go in the theater.
34:15It's not a good thing.
34:19Do you see anything?
34:20Yes.
34:49Let's go.
34:51That is the profit of $150 CR tax.
34:54The two of them are blocked by the Harris Bisher Group.
34:58That is the tax rate.
35:00Now, I'm going to get to work on the Cinemade Financial.
35:04Then, I'm going to make a script for VFX.
35:09I'm going to put an image on a big budget.
35:12I'm going to put my own promotion.
35:15So, you would get to the house of your house.
35:17We would have to pay for $35,000.
35:20That is why I have a full budget.
35:21So, the highest revenue of that $35,000,
35:25is all the taxes.
35:26If you pay for those taxes,
35:28then you will pay for tax taxes.
35:30You have no publicity.
35:33There is no publicity in you.
35:36There is no publicity.
35:36There is no publicity in this area.
35:39You will be Nankin and Mumbay,
35:40I have no idea how to do this.
35:43I have no idea how to do this.
35:47Sorry Vinita.
35:49This is not my plan.
35:51Honestly, I was trying to help him.
35:53That's what I'm talking about.
35:54I asked him to tell him that
35:56I'm a good business man.
35:58But you know, I'm a good businessman.
36:04Wrongly marketeer,
36:05you didn't say that.
36:08I have no idea how to do this.
36:10You're so confident
36:11that you can't see anything like this.
36:15If you don't mind,
36:17I'm a good person.
36:23I'm going to release my cinema.
36:25Normally,
36:27I don't have any tension.
36:30But I don't have any tension.
36:32Because
36:33I don't have control.
36:35I don't have any tension.
36:37My cinema
36:38between the two of us
36:39and my life
36:39and the four of us.
36:42I don't have any tension.
36:46I have to deal with this.
36:47Come, come, come, come, come, come.
37:05You're coming to an old house.
37:09You're not going to tell me.
37:11You're going to tell me about my cinema.
37:15You're going to tell me that you'll get to a second life.
37:21If you haven't seen any options without any other,
37:24I'll have a little sister with my wife.
37:28I'll be waiting for you.
37:31I'll let him get to the house.
37:34I'll have to tell you what I'm saying.
38:06We will meet again in Loser's Paradise.
38:13We will meet again in Loser's Paradise.
38:54We will meet again in Loser's Paradise.
38:56We will meet again in Loser's Paradise.
39:37We will meet again in Loser's Paradise.
39:40We will meet again in Loser's Paradise.
39:45We will meet again in Loser's Paradise.
39:51We will meet again in Loser's Paradise.
40:07We will meet again in Loser's Paradise.
40:24We will meet again in Loser's Paradise.
40:45We will meet again in Loser's Paradise.
41:18We will meet again in Loser's Paradise.
41:31We will meet again in Loser's Paradise.
41:46We will meet again in Loser's Paradise.
41:58We will meet again in Loser's Paradise.
42:05We will meet again in Loser's Paradise.
42:30We will meet again in Loser's Paradise.
42:46We will meet again in Loser's Paradise.
43:05We will meet again in Loser's Paradise.
43:07We will meet again in Loser's Paradise.
43:12We will meet again in Loser's Paradise.
43:48Most importantly, we will meet again in Loser's Paradise.
43:51Malayana Session will be reviewed.
43:53I don't know how much this is.
44:10I don't know how much the reputation is.
44:13I don't know how much the reputation is.
44:15I don't know how much the reputation is.
44:21The success is of no use.
44:25Reputation.
44:26That is the fact that the reputation is.
44:28When I am a writer, I am a writer.
44:31I am a writer, I am a writer,
44:33I am a writer, I am a writer,
44:36and I am a writer,
44:37and I have to tell you exactly what you are saying.
44:38I am a writer,
44:39and I am a writer,
44:42and I am a writer,
44:44and I am a writer.
44:46Not an writer,
44:46I am not speaking to you since the beginning, but I will tell you how to do it.
44:52The point in my question is, I am not going to see you.
45:00I will tell you to take you to the devil's island.
45:02But there is no other way.
45:43Life imitates art.
45:46Art imitates life.
45:49Cutting out.
45:50That's what I'm going to do.
45:53That's what I'm going to do.
46:05That's what I'm going to do.
46:06I'm not going to die.
46:11I'm not going to die.
46:13That's what I'm going to die.
46:18That's what I'm going to die.
46:19I'm not going to die.
46:23I'm not going to be a good one.
46:37Hello?
46:38I'm not going to be a cinema.
46:40I'm not going to be a good one.
46:42I'm not going to be a good one.
46:43But I'm not going to be a good one.
46:47Sujith Raj, I'm not going to be a struggle in the background.
46:50Oh.
46:51I'm going to be a good one.
46:53I'm going to be a good one.
46:57I'm going to be a good one.
46:58Best debutant.
46:59Ok.
47:00I'm going to be a good one.
47:12Thank you, Govind.
47:14Swapna Kana Narka Nishtu Millatthudu.
47:17Swapna Kana Nishtu Millatthudu.
47:18Swapna Kana Nishtu Millatthudu.
47:20Apreyagana Nishtu Nandthudu.
47:27Aadthada, Indastar Finance Presence 12th Chakrabhoomi Film Award.
47:33Powered by Nila Rice & Greens.
47:36The Best Director Award goes to...
47:39Sujant Rajvi for Yutham.
47:53Kando, Mediocrity is the new greatness.
47:58In my career, I've never been able to live in my career.
48:03I've never been able to live in my career.
48:05My background.
48:06I've never been able to live in my career.
48:07So, I'm working.
48:14I'm not even going to live in my career.
48:19My style and baby cover is happening.
48:23I've never been able to live in my career.
48:24I've never been able to live in this direction.
48:32I've never been able to live in cinema.
48:34Come on.
48:54We need...
48:57Okay.
48:58Two.
48:59Greatest of all time.
49:02Coming for the throne now.
49:05Defining Molywood.
49:07Better than the Stolewoods.
49:10My thought and throat and flow.
49:12My hope and scope and glow.
49:16I'm not going to die.
49:18I'm not going to die.
49:20Bahmani Naya, my producer.
49:22My producer.
49:23When I was a producer.
49:24In fact, I was going to play my movies.
49:28As a result, I was going to play my cinema.
49:32I'm the Harsher.
49:36You're welcome.
49:37I'm not going to die right now.
49:39In the past, the 22nd of those people,
49:42I would be the one who was a man who was a man,
49:44I was a man, I was a man.
49:46I was a man, Sachin Vikem David.
49:48If you find all the fans,
49:50You've seen 10 Paisa on Rakanta air out.
49:53My father deleted the Adhi Cinema, Sri Faya Sakhmat.
50:01My identity is made for my short films,
50:03I'm not even sure about the after-party,
50:07but the story of my script is made for the after-party
50:10to me, Arjun Haridas.
50:14Everyone are me.
50:16I'm not sure about this.
50:19But, when I say the truth here, you will not be aware of the truth.
50:25Because, I don't know about the truth.
50:28I don't know about the truth.
50:32Unfortunately, what is the likeability?
50:37I have seen many people in this world.
50:41I don't know about the truth.
50:44I don't know about the truth.
50:46Because, I don't know about the truth.
50:49That's the truth.
50:52So finally,
50:54I don't know about the truth in the world.
50:58But,
50:59I don't know about the truth.
51:04But,
51:06I'm ready to be here.
51:10I'm ready to be here.
51:14I don't know about the truth.
51:17I don't know about the truth.
51:22I don't know about the truth.
51:35I don't know about the truth.
51:37I don't know about the truth.
51:37I don't know about the truth.
51:38I don't know about the truth.
51:39I don't know about the truth.
51:41I don't know about the truth.
51:42I don't know about the truth.
51:51I'm not the only one who is here, but I'm not the only one who is here.
51:54I'm not the only one who is here.
52:13Adimudi adithadha pruttukno palayala karela kardamu beraam
52:17I am the one who is working on this one.
52:19They are a visionary filmmaker.
52:22They are the ones who are in the world.
52:25The only ones who are in the world are in the world.
52:27They are the ones who are working on this one.
52:29They are not the ones who are working on this one.
52:33They are the ones who are shooting.
52:35They are killing me.
52:38I am so grateful to be a part of his film.
52:42Thank God.
53:13Get your name.
53:14He graduated with a H7.
53:14the work is not done,
53:16but our work is not done.
53:17The whole name is KT. Peter.
53:21Sir Charles, Devils Island.
53:23The author.
53:26KT,
53:27Was my last novel
53:30enough to be titled
53:34To be the non-scientific genius
54:07We need a caring customer.
54:09is
54:21a
54:23sad reality
54:23sad reality
54:55I'll be right back.
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