- hace 6 días
La Condesa de Palma va a un convento en busca de su sobrina Mercedes, pero se entera de que la joven se fue a la sierra con los bandoleros. Don Mariano, usurero de Carmona, va a donar a la iglesia del pueblo una imagen de "La Dolorosa". Curro Jiménez planea con sus hombres dar un buen golpe.
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00:28Thank you!
00:48Thank you!
01:14Thank you!
01:38What do you wish, my daughter?
01:42Where did that voice come from?
01:44Sit down.
01:44If there's one thing I've always found detestable, it's talking without looking at each other.
01:51But anyway, since I've come here of my own free will, braving the hell of the Andalusian roads, I
01:58I will submit to your convent tricks.
02:00Have you endured the hardships of the journey to come and spend your last days in the peace and solitude of
02:06our house?
02:07If there is anything, Reverend Mother, that is not in my plans, for what you so inopportunely call my last days,
02:14It is to lock myself up within the four walls of your convent.
02:17What's more, I've come to take my niece away.
02:20May I ask, ma'am, who is your niece?
02:23I haven't introduced myself yet.
02:25I am the Countess of Palma.
02:28The Countess of Palma?
02:29Yes, the terrible, the eccentric Countess of Palma.
02:33Isn't that what you've heard about me?
02:36Those kinds of comments don't get through these bars, Countess.
02:40I hope they never come out for them when you get to know me better.
02:43I've come to take my niece Mercedes from Colmenar.
02:47Give the appropriate orders immediately.
02:51Your niece, Countess, is not in the convent.
02:54Do you mean it's out?
02:56No, I mean he's never been inside it.
02:59It just can't be.
03:00Upon the death of his uncle, Don Pedro de Colmenar,
03:03That girl should automatically enter your convent,
03:06while I, her only living relative,
03:09I didn't decide to become interested in her.
03:12Do you want to say what went wrong?
03:15The girl.
03:16We were waiting for her with open arms,
03:18But he went somewhere else.
03:21Somewhere else?
03:22Yeah.
03:23Speak clearly.
03:24I'm made of catastrophes.
03:26Where is my niece?
03:28Has she become a nun in another congregation?
03:31Rumors are circulating that he has gone to live in the mountains.
03:35Like a hermit?
03:37In the company of bandits.
03:40Bandits?
03:42Those are the words that come out through your bars,
03:45Mother Superior.
03:52The mountain air is making her more beautiful every day.
03:54It will be the heat of the fire.
03:56What do you say, carob tree?
03:58The food gets worse every day.
04:00The poor thing does what she can.
04:01It doesn't give them the cure that would take care of those things.
04:03But not at the expense of our stomachs.
04:07Let's see if you like it today.
04:15It tastes like nothing.
04:21It's delicious.
04:23With a pinch of salt it would be perfect.
04:26Disgusting.
04:30I'll help you.
04:32You go to your place.
04:33A little patience.
04:34The girl is learning.
04:36Yes, to poison us.
04:40Why don't you want me to teach you how to cook?
04:42The nuns could have taught me that.
04:45You already know what I want to learn.
04:51Very good.
04:52Curro isn't going to like it.
04:54It doesn't hurt anyone.
04:55The gunpowder is running out.
04:56Yes, gunpowder runs out.
04:58Goes.
05:18I've asked you for shooting lessons.
05:20Little girl.
05:21Girl, what are you doing?
05:22This woman is crazy.
05:23Drop the gun.
05:24Don't play with that.
05:26That's what you deserve.
05:27That I would blow you all up.
05:30Friar, it's your turn.
05:31Me.
05:33Come.
05:33Come now and teach me.
05:35Yes, you.
05:39Come on.
05:47Come on, don't beat around the bush.
05:49Yes, yes.
05:50But first you must get used to feeling your arm free.
05:55He was born with good aim, in addition to everything else.
05:58With teachers like you, he's not going to learn much.
06:00You were trying to charm her, and the other one was acting like a friar.
06:03Why don't you teach him?
06:05I understand now.
06:12Now leave me alone.
06:13Look, where am I pointing?
06:20My shirt.
06:22Damn it, look what she's done.
06:41What are you doing?
06:43Have you all gone mad?
06:46Don't scold them.
06:47I forced them to teach me how to shoot.
06:49You are not the one to force my men.
06:54Prepare me something to eat, I'm hungry.
06:55Can I help you?
06:57Leave her alone.
06:58I need to talk to you.
06:59It's important.
07:01Speaks.
07:01Wait.
07:02And what about me?
07:03I didn't come with you to the mountains to cook, sew, and wash clothes.
07:09I didn't tell you to come.
07:11But I can tell you to leave.
07:13I have nowhere to go, I already told you, I work.
07:16Unless it's that convent or with some eccentric aunt I don't even know.
07:19I want to stay with you, Curro.
07:22I told you to cook for me.
07:26Come on.
07:36Do you remember Manolito?
07:38Manolito the knife-wielder?
07:39Manolito from Algeciras?
07:40Our Manolito?
07:41Our Manolito.
07:43He proposes a very lucrative business deal.
07:46Do you remember those beautiful figures he used to make with just any old piece of wood?
07:50Yeah.
07:51Good.
07:52He is now in Seville, as an apprentice to a sculptor.
07:55And he wants to stop making virgins and saints to go back to his old ways.
07:58It's not that.
07:59But it was there that the business opportunity arose, and he remembered his old friends.
08:07We need to take advantage of this situation.
08:09It's a good opportunity.
08:11Don Mariano, the usurer of Écija, the one who has sucked the blood of all the farmers of the Aljarafe region,
08:16He has commissioned Manolito's teacher to make a saint to donate to a chapel in his village.
08:21That scoundrel.
08:22So that God may forgive his sins.
08:24And he is now in Seville, under the pretext of seeing the image and giving it his approval.
08:29Pretext?
08:31That's what Manolito thinks.
08:33Which is nothing more than a pretext.
08:34A way of hiding the real reason for his stay in Seville.
08:38The inheritance of a bachelor who returned from the Americas,
08:40that the damned usurer has robbed some unsuspecting young heirs of Écija.
08:4612,000 ounces of gold brought from the Atrian Indies,
08:50where she has kept them hidden until now.
08:52The gold is in Seville.
08:54And they will somehow take him to Écija.
08:56He has only referred to it in the sculptor's workshop
08:59and to boast that Curro Jiménez and his men have never robbed him.
09:04That must have hurt Manolito's pride.
09:07An old profession is not easily forgotten.
09:11A marvel.
09:13A true marvel, Don Mariano.
09:15Please congratulate the master sculptor.
09:17To him for the inspiration with which he carved it.
09:20To you, for which you were moved to order it.
09:23Oh, a modest proof of my devotions.
09:26What a shame to have to keep it locked in a drawer and that all of Seville can't see it.
09:31I'm talking about Seville, the whole of Andalusia.
09:33Thus, its contemplation could stir up the piety of the people.
09:37She will revive it when it has been consecrated in that holy hermitage.
09:40Unfortunately, as I've already told you, I have to return to Écija tomorrow.
09:45guarding the transfer of something no less delicate than your image, Father Juan.
09:50I will wait for you at my house.
09:52Did you say my image?
09:54It's yours now until you get to Écija.
09:56When will your work be finished, teacher?
09:59In three days.
10:00Only the final touches of illustrious color are missing.
10:03I'll say goodbye then.
10:04Don Mariano, it would be advisable to pay the teacher's fees.
10:07Ah, yes, of course.
10:09We had agreed on 1,800 escudos.
10:132,500 for the total work.
10:162,500.
10:19Are you sure?
10:20This wonder is priceless, Don Mariano.
10:23For those who don't have to pay for it.
10:25That's what we had agreed with the teacher.
10:32There you have it.
10:33Good.
10:33I will return the day after tomorrow to finalize the details and date of the transfer.
10:36Good morning, teacher.
10:37Good morning.
10:38Good morning.
10:462,500 escudos.
10:47He's really taken advantage of the loan shark, hasn't he, teacher?
10:50Like him, he has interests in his victims.
10:52He wants to be forgiven for his villainous deeds,
10:55donating the image to be venerated by the very same people he has strangled with his loans.
10:59Then let her pay for it.
11:01And what about that gold he has come to Seville to look for?
11:03That's not our problem.
11:04I only care about what comes out of my workshop.
11:15Rele, tell the girl not to wait for us tonight.
11:17Is he sleeping?
11:19I'll have to wake her up.
11:20Should I go?
11:21Well.
11:22There's no need.
11:24I'm awake.
11:26But what are you doing here?
11:27Where do you think you are?
11:30Curro.
11:30Alright.
11:34You'd be better off with your aunt.
11:38You say that this horrible stew is called oxtail.
11:42As a name, it's not very encouraging, to say the least.
11:45Bring me the bull's horn.
11:46Perhaps it's more edible.
11:49Innkeeper.
11:50Countess.
11:51Can you tell me what's in this little claw?
11:54Wine, Countess.
11:56From the harvest of...
11:56Came.
11:57Do you know what we call it in Madrid?
11:59Cyanide.
12:01Countess, a man of very bad character has arrived.
12:03What do you want?
12:05Their food isn't very good either.
12:06I've been taking it for five days.
12:08Just let it go without further comment.
12:12Could be.
12:13The Countess of Palma?
12:15I hate useless questions.
12:17Sit down.
12:18It is a great honor for me.
12:20Don't get your hopes up.
12:22You are here because I have concluded that you are the only wrongdoer.
12:26who is roaming free in Ecija.
12:29You have a very unpleasant nickname.
12:31Isn't that right?
12:32They call me the Pincers.
12:33There must be a reason, Mr. Tenazas.
12:37Be brief.
12:38I have a great-niece who has had the annoying idea of going to the mountains with the bandits.
12:44The one who went into the mountains with Curro Jiménez.
12:47You say he took to the mountains?
12:49I prefer to ignore the exact meaning of that curious turn of phrase.
12:54Well then, Mr. Tenazas.
12:56I intend to get my niece back as soon as possible.
13:00That is, now.
13:03Already.
13:04naturally fear for her.
13:06First and foremost, I fear for myself.
13:08I am not used to living in complete barbarism.
13:11This is the anzica, my lord.
13:15What you are proposing is very dangerous and will require a lot of expenses.
13:19But I am indeed the most suitable man to carry it out.
13:25I don't think I suggested anything to him.
13:28But she doesn't want him to kidnap her niece.
13:31You are deaf, Mr. Tenazas.
13:33And unimaginative.
13:35What I want is for him to lead me to the presence of this Curro Jiménez.
13:38To their mountain hideouts.
13:41If I knew his exact address, I wouldn't need his services.
13:45But it will be a very uncomfortable journey, Countess.
13:48It won't be worse than what passes for a bed in this inn.
13:52And a very dangerous undertaking.
13:54I know it will require a lot of expenses.
13:55I was deeply frightened, unpleasant.
13:58But don't worry.
14:00I will reward him as if he were not leaving.
14:03I'll see what I can do.
14:05Just one thing.
14:06Take me to the presence of that bandit.
14:30Manolito, what a joy, man!
14:35What's up?
14:37Hello.
14:39Manolito.
14:39And this one?
14:40It's a new one.
14:41He looks like a child.
14:43Handsome, huh?
14:53Hello.
14:58Don Mariano Lusurero left Seville this morning without any escort.
15:01I don't understand why you're running in a dangerous army.
15:03He didn't go anywhere specific these days.
15:05None.
15:06I think I was able to spy on him freely.
15:08But the master wanted to stay and work alone on the image and gave me two days off.
15:13And nothing in these two days?
15:15Nothing.
15:15And the gold?
15:17Apparently, they carry it with them in a very heavy trunk that the secretary watches over day and night.
15:23There is no time to lose.
15:25We will have to seize the leadership along the way.
15:27Come on.
15:27I'm staying.
15:29It's better if they don't see us together.
15:31If everything goes well, send me the money in Seville.
15:35Alright.
15:37You stay here and keep Manolito company.
15:39When we return, we will take you near the convent.
15:50And what are you going to do in a convent?
15:53Giving shooting lessons to the novices.
15:57And how did you find out about that rich man's gold?
15:59Rumors that spread through the port.
16:01And why did your teacher decide to work only those two days?
16:07Artist's whims.
16:08Do you always have them?
16:09Do you like asking a lot of questions?
16:15If I've seen myself as a woman, will you take me with you to Seville?
16:17Hey?
16:18Hey?
16:20Hey?
16:33Hey?
17:43You won't find what you're looking for
17:45At this time it is already out of reach, arriving in Madrid
17:48I'm sorry
17:58I don't think he sent the gold to Madrid
18:00Avaricious people have only one lair, and this one is in Écija.
18:02Yeah
18:04Let's go!
18:09They haven't found anything.
18:11Come on, let's go
18:11Yes, quickly
18:13Outsmarting Curro Jiménez through sheer cunning is a source of pride that few can boast of.
18:18I would like to remind you that the idea of how to transport the gold was my suggestion.
18:22Good heavens, Ponce! How meticulous!
18:25How mean!
18:26Mean?
18:27Am I stingy?
18:29Okay, let's go
18:57I can get to the convent on my own.
18:59The bandits won't attack me
19:01I'll leave you the weapon
19:03Bye
19:05Thank goodness
19:05That girl has brought us bad luck.
19:08Superstitions
19:09He told me to sit down!
19:10Be quiet!
19:13The carob tree is right.
19:16It's better that he's gone
19:28It doesn't seem like we were alone.
19:30But surrounded by ghosts
19:31They are all saints
19:33Thank goodness
19:34This
19:35He looks like he's going to attack us and arrest us.
19:37For unlawful theft
19:38We have not come to beg
19:39But to investigate
19:41That's it.
19:43This cloak
19:44Why did your teacher choose an image dressed and with a cloak?
19:47Don't know
19:47He made the decision when he wanted to be alone to find inspiration.
19:50Or to make a treasure chest out of the Virgin Mary
19:53What did you say?
19:57There won't just be a hidden catch here.
19:58But locked away gold
20:01This cloak seems to conceal something within its folds
20:04Let's see from this side
20:07Look
20:08Like a shutter
20:10We're missing the key.
20:11Curro will get it.
20:13For now, we know where the gold is.
20:25Look Curro
20:26There is a car next to the camp
20:28Careful
20:29It could be a trap.
20:43Subtar
20:44He wanted
20:44He wanted
20:47Qu94
20:48Quis
20:48Quile
20:50Qu går
20:50He wanted
20:52Quilo
20:53He wanted
20:55Quilo
20:58Quis
20:59He wanted
21:00He wanted
21:02He wanted
21:04Quijo
21:12What are you doing here?
21:15If you would be so kind as to remove that harmful device,
21:19I would answer your question.
21:21Mr. Tenazas, you may leave.
21:23Mr. Tenazas, you may leave.
21:54Are you the Countess of Palma?
21:56And you, Curro Jiménez, this shortens the introductions.
22:02Where is my niece?
22:03I would like to meet her, although I am not very inclined to be infused with family affection.
22:10Well, you'll have to retrace your steps, Countess.
22:14I have a feeling this insolent handwriting belongs to my niece, Mr. Jimenez.
22:20When did he write this letter?
22:23This morning.
22:24May I know the exact reasons that led my relative to leave your company, Mr. Jimenez?
22:33It is clear that he feels better in the company of the good nuns.
22:36That this girl preferred an adventurous life to the peace of convent life seemed to me a sign of excessive
22:44independence.
22:46But for her to go back to the nuns after having lived with the mandola players, that seems very alarming to me.
22:54I'll have to do something for that girl.
22:58Leave.
23:05Mr. Tenazas, let's go.
23:21A piece of advice.
23:23You used very primitive firearms.
23:25I recommend the discovery of a Scottish clergyman who has perfected an injection system based on explosive properties.
23:33of potassium chlorate with the mercury fulminate.
23:38Nice to meet you, Mr. Jiménez.
23:42Countess.
24:00Take that, you rascal!
24:02I won't teach you how to get in!
24:05Take!
24:06Take!
24:10Leave that boy alone!
24:12These people need to be taught a lesson.
24:14I caught him stealing my olive.
24:15It must have been because of hunger.
24:16Leave him alone, you bastard!
24:17Women shouldn't get involved in these things.
24:20If I had a gun...
24:21I have this one.
24:22Get out of here.
24:23Let go, you crooked, you scoundrel!
24:26What are you doing, you beast?
24:28Show me what things we women should put him in!
24:30Get out of here!
24:32I would order my car to reach me with the guns.
24:37The poor thing is hungry.
24:39Look at the face she has.
24:40I've always heard that pain makes you beautiful.
24:43This child must be an exception.
24:46Go to the car, boy!
24:48Mr. Pelazas!
24:50Open the basket of provisions for the child!
24:53Can I take her somewhere?
24:55Thank you, I have my horse.
24:57He's not comparing me to him, is he?
24:59But I admit that it is an answer.
25:02Goodbye, then.
25:03I'm taking that child away to get him out of that scoundrel's reach.
25:10Bye bye.
25:11Goodbye and thank you.
25:22An independent and energetic character.
25:24She's not one of those silly girls who go back to the convent.
25:27What did you say, Countess?
25:28Nothing, nothing.
25:30Let's go, Mr. Tenazas.
25:34Why have you returned from the convent?
25:36Because I told myself that misers never give anything away, much less expensive images, unless they're the bed of the
25:41death.
25:42Well, what else?
25:43And I thought that the Virgin also goes to Ecija without danger of being jumped over along the way.
25:47I see where you're headed.
25:49The image isn't just a pretext to hide the gold, as Manolito said, but the gold goes
25:53inside it.
25:54Exact.
25:55Doesn't it strike you as odd that Manolito's teacher dismissed him for two whole days to work alone?
26:00In those two days he was able to build the secret box and fill it with the usurer's coins.
26:04It's possible.
26:06She speaks as if she had seen it.
26:08As if he had touched it with his own hands.
26:10It's just an idea, but I think it's worth investigating.
26:12We have nothing to lose by trying.
26:14You will come with us.
26:17Think about it carefully, Curro.
26:18If the Virgin Mary carries it inside, we'll have to empty it.
26:20I don't want to condemn myself.
26:22We will do it with the utmost care.
26:24We can give alms to the hermitage as a form of reparation.
26:27That's much more than a loan shark would do.
26:29Okay, we'll give alms.
26:31But without overdoing it.
26:34Where did you get that fan?
26:38From a lady we recently jumped over.
26:40Let's go now, the Virgin has to be leaving Seville.
26:44That's right, very good.
26:45Careful, Pepe, don't fall.
26:47Let go now!
26:48Come on.
26:48Goes.
26:50Now the rope.
26:53Tie her up.
26:54What kind of wood did you make it out of that makes it weigh so much?
26:56Made from a wood that was sent to my teacher from the Indies.
26:59If it were worth what it weighs...
27:00It's worth it.
27:02What I don't understand is why they don't send that daughter away in a box.
27:04A thought from that clergyman.
27:07Don Mariano would not like the image to be damaged on the trip.
27:11But who's talking about harm?
27:13Exaltation!
27:15Glory!
27:20Mr. Pincers!
27:22Lady?
27:25That damned bandit with his swagger, his caresses, and his smiles...
27:29...she has charmed me like a maid.
27:31My nephew hasn't even peeked his nose into the convent.
27:34You can't trust an outlaw, Countess.
27:36I already told him.
27:37And why should I believe you, Mr. Tenazas?
27:40If I believe what you've told me, I couldn't believe you because you're an outlaw.
27:45And it would be a contradiction to believe.
27:47This is mentally confusing me.
27:49I feel like I'm chasing my own tail.
27:51Please help me get up.
27:57I propose again that you kidnap your niece.
28:00You pay me and I'll put it in your hands.
28:02I trust in my effectiveness.
28:03I don't trust you at all.
28:05But I have no other choice but to try.
28:08What will your fees be?
28:10Ten thousand escudos.
28:12I've never paid so much for anything...
28:14...as uninspiring as a niece.
28:17I accept!
28:18Under way!
28:42Good morning, father!
28:44Good morning, brothers!
28:45Among the vultures, Reverend, the elderly cannot leave because they are sick.
28:50They too want to celebrate the passing of Our Lady.
28:53It is a plea from the elderly and their families.
28:57Please, Reverend, give them that joy.
29:01So be it.
29:02This pious ladder will be pleasing to the Virgin.
29:05Carter.
29:07Forward.
29:28It's been a celebration for them, Father.
29:30Yes, for me.
29:32What a moving devotion.
29:33And the gratitude of those family members.
29:35They have insisted on carrying the Virgin on their shoulders to the next inn.
29:42No!
29:45No!
29:46No!
29:48No!
29:57No!
30:01No!
30:18Now you can rest a little from this hard day.
30:21How can you describe a day so full of profound satisfaction as difficult?
30:25Look at those men, brother.
30:27Do you think they have felt the weight they have been carrying?
30:31Yes, Father.
30:34One more little effort, my brothers.
30:37In the very center of the courtyard, facing west, so that it can be bathed in the last rays of the sun.
30:52Above.
30:58Above.
31:16Look at those three brothers, absorbed in devotion before the image.
31:22How merciful.
31:25My children, you have come from very far away.
31:29From Jaén, father, from Jaén.
31:30My brothers and I are on our way to Cadiz, to embark for the Indies.
31:34And we have been very fortunate to encounter the Virgin Mary.
31:36God willed it.
31:38Yes, father.
31:44Sir, listen, sir.
31:46We have accommodated you and your siblings in room number seven.
31:49Do you have something to order?
31:50Nothing, thank you.
32:03Donkey!
32:19Donkey!
32:21Come on.
32:21What should I do?
32:23Don't be beasts.
32:24Keep that and wait for me here.
32:26Come on, girl.
32:27Are you taking her?
32:28Yeah.
32:30Take a lamp.
32:31It's getting dark.
32:32Take care of yourself.
32:35Give it to me.
33:13Where do we begin?
33:16The trap, if there is one, may be at the base or on the back.
33:19Instead, I would look for her where she could be better hidden.
33:23What made you so cunning?
33:24Having neither father nor mother.
33:27Look at these folds.
33:28Something strange is going on here.
33:30Bring the light closer.
33:46A key is needed, which the usurer will have.
33:49You will have to seize it.
33:51There is no time to lose.
33:53The gold has to be ours tonight, no matter what.
33:55You won't kill the priest to take the image.
33:57Stay calm.
33:58It weighs too much.
34:00We'll force the box open when no one is looking.
34:02With the utmost care.
34:04Who's there?
34:05Who is it?
34:06Who is standing next to the Virgin Mary?
34:08The brothers of Jaén, Father Juan.
34:10What are you doing there?
34:13My little brother wanted to put a candle next to the Virgin so that it wouldn't be in the dark.
34:19Marvelous.
34:20Congratulate him on his happy inspiration.
34:24We will surround the Virgin of Velas like an altar.
34:27Innkeeper.
34:28Candles.
34:28Candles.
34:36The candles are not an obstacle, on the contrary.
34:39We wouldn't have been able to perform the operation in the dark.
34:42The problem is Father Juan, who is constantly focused on the image.
34:48There is only one solution.
34:49And for that I'm counting on you, Friar Ben.
34:52What should I do?
34:55Tell me.
34:58The bishop will come especially from Cordoba.
35:01It will be an unforgettable day for Father Hermenegildo.
35:06That man has carried out a quiet and admirable task throughout his life.
35:11The hermitage, do you know?
35:15People in the region are very poor.
35:18Don Hermenegildo has always looked after them, with his very limited resources.
35:27Some say that Don Mariano should have donated money instead of a work of art to the chapel.
35:33But those are the unbelievers, brother Manuel.
35:38The sorrowful one will bring incalculable benefits to the hermitage and its devotees.
35:50The candles are half burned out.
35:52Oh, you're hurting me!
35:54By now Father Juan must have collapsed from his chair.
35:58Go help the friar and come back.
35:59Yes, boss.
36:04And who will help me?
36:07You could have stayed at the camp.
36:08Yeah.
36:09Prepare the tools.
36:10Go.
36:13Where are you, brother Manuel?
36:16Listen to me, don't get distracted.
36:19My God.
36:21I think I've made him drink too much.
36:30I think I've made him drink too much wine.
36:33The poor thing won't be used to it.
36:36What do we do with it?
36:37Don't worry, leave it on me.
36:39Go and rest for a few hours, father.
36:40Think about tomorrow.
36:42You're right, I'll go to bed.
36:44God bless you, my son.
36:45May God go to bed, father.
36:49What did the brother say?
36:51I don't know, he must be drunk.
36:53God speaks through the mouths of the innocent.
36:55What did he say?
36:55I didn't understand, don't worry.
36:57But he did say something.
36:59No, I would take care of him.
37:00Remember, we are all brothers and sisters.
37:01Good evening, Father.
37:02Rest well.
37:04Goodbye, father.
37:08What have you done, you wretch?
37:10Do you realize?
37:11Have you been tempted to expose everything?
37:13Come on, wake up.
37:35It's because in the convent...
37:36What happened to him?
37:38You see.
37:39Like a Cuba.
37:41And the priest?
37:42Father Juan has retired to his room to rest.
37:45Fresh as a rose.
37:47And there have been so many like this idiot.
37:52Shut up already.
37:53The clergy is very well prepared.
37:55There was a nun in the convent...
37:56You shut up.
37:57Leave the friar inside with the carob tree.
37:59And you go down to the patio to keep watch.
38:01While we work on the image.
38:03OK?
38:04OK.
38:05Come on, friar, get up.
38:07Come on.
38:32Space, make some noise.
38:33Good night.
38:34Look who's here.
38:36The brothers from Jaén.
38:38It couldn't have been anyone else.
38:40Come, my children.
38:42Come closer.
38:43I thought you had retired to rest.
38:46In a moment of weakness.
38:48But Brother Manuel saved me.
38:50Don't go to bed, Father Juan.
38:52He said those words in his sleep.
38:55Come, my children.
38:57Join those of us who are keeping watch in the silence of the night.
39:13What's happening?
39:14Tell me what you see.
39:17To Curro and the girl.
39:20They are kneeling.
39:21Praying in front of the Virgin.
39:24Hey?
39:28A miracle.
39:30And now the student comes along and starts praying too?
39:34You're drunk.
39:34Oh, oh, oh.
39:57Curse.
39:58It was very clear that it would come boxed.
40:01That was the idea of that fanatical clergyman.
40:04Calm down, the image is two steps from here with the gold
40:06Nobody suspected anything during the trip
40:07Tell my servant to prepare everything
40:10I urgently need to spin that ring
40:13I approve of his decision to take her to the same hermitage
40:16The house of a lender, even if he is the donor
40:19It is not a pleasant dwelling place for our lady
40:21Congratulations, Father Juan
40:23To be honest, I'm not sure the idea was mine.
40:26Yours and yours alone, Reverend
40:28Good morning, Father Juan
40:30Good morning, Mr. Mariano
40:31We have had a glorious journey
40:33And at noon, the ceremony
40:35The bishop has already arrived in the village, goodbye
40:37Don't you personally take care of getting the image taken down?
40:39No, we didn't lower it.
40:40We continued with her to the hermitage
40:42Are you sure of their pious approval?
40:44By no means
40:46I only entrusted him with transporting it from Seville to my house
40:49And I will personally take her to the hermitage
40:51My obligations to you, Don Mariano
40:54They end where the ones I have with me begin.
40:56I must put all my effort into getting her to her destination
40:59And so I will.
41:00Don't protest
41:01God will reward him
41:02You're exposing yourself
41:04We'll go to the hermitage later.
41:31And now, I've finally got my hands on it.
41:33Calm down, ma'am
41:42It was his niece's doing.
41:44I did not detain her
41:45I didn't lie to him the other day.
41:46It was she who decided
41:47Do not enter the convent and return to the mountains
41:50How much money do you intend to withdraw?
41:52Not a single shield
41:53I must think that my niece has forced her way into his life.
41:56And it has become a nuisance for you
41:59More or less
42:01The mountains are no place for a young lady
42:03You're not a man for her.
42:05You're not a man for her.
42:30I don't think so.
42:32I promise you won't be bored for a minute with me.
42:34I'm sure of that.
42:36And when do you think the transfer can take place, Mr. Jiménez?
42:42At midday
42:42In the chapel where they are taking the image to consecrate it
42:46Go to the ceremony
42:47Mercedes will be waiting there.
42:51Goodbye Countess
42:58As a nephew, he would have been interesting.
43:01What a pity
43:03Did you say something, ma'am?
43:04Nothing, nothing
43:05Under way
43:07Let it be known
43:09Mr. Pincers
43:14What a face.
43:15The very picture of failure
43:18There have been some setbacks, but everything will be alright.
43:20Her niece was found dressed as a man
43:23And in the company of Curro Jiménez
43:25He goes on a pilgrimage following a virgin
43:27But I promise you that tonight at the latest
43:29I brought him...
43:30Mr. Pincers
43:31These will be the last words you will hear from my lips
43:34Leave my niece alone
43:36Or else
43:37I will report the guards for attempted kidnapping.
43:41Under way
43:49The faithful are arriving
43:50I'm going to go to the sacristy and take a look.
43:52Wait, we mustn't move until Curro arrives
43:54Those are your orders.
43:56And why isn't he here yet? It's time.
43:57I saw him get into a woman's car
43:59A woman?
44:00Pretty?
44:01I didn't see his face
44:02Lots of hats, that's for sure.
44:04Look, here he comes
44:17The usurer is arriving at the hermitage
44:19Has the Virgin Mary entered yet?
44:20Yeah
44:20Good
44:21The time has come, we can't waste any more time
44:23You already know the plan
44:24Any questions?
44:24One only
44:25And if the plan fails
44:26I mean, if we can't peacefully acquire the gold...
44:29The loot has to be ours, no matter what.
44:32So now you know
44:33If we have no other choice, we will take advantage of the confusion and commotion at the end of the ceremony.
44:37But how?
44:37Shut up!
44:38Have the weapons ready
44:39Are you saying you're prepared to draw your weapons?
44:41That's not what was agreed.
44:42You promised me
44:43Shut up! Enough playing around.
44:45You'll be there to see it.
44:47But Curro
44:48The friar and you
44:50You steal the Virgin's box
44:51Or the entire Virgin Mary if necessary
44:53The student and I will cover your withdrawal
44:55Walking
44:56And you wasted that little time with a woman?
44:59Don't imagine that I've wasted a single minute
45:01I'm a fool
45:02I shouldn't interfere in your life
45:04My life is not just mine
45:05But also of my men
45:07Am I not that?
45:08One of your men?
45:11You have been, and a good one at that.
45:13If we take the gold, we'll owe it to you.
45:15But that's another matter.
45:17That woman I've been with
45:19The one with the fan
45:20Yes, the one with the fan
45:21He takes her to the mountains.
45:23I've wanted to tell you this for a while.
45:25I imagine that will bother you
45:27Having to add the salt and pepper to her food as she tells you to.
45:30You want it, don't you?
45:33Yeah
45:34I'm sorry
45:47You have to take it as it is or leave it.
45:50Don't worry
45:51If we keep the gold, it will be thanks to you.
45:53Focus on that and forget everything else
46:11Go cool off at the river
46:12And return for the ceremony
46:14Very good
46:14Yes, father
46:16I leave her in your hands, Father Hermenegildo
46:18I'm going to find the bishop
46:20Thank you for bringing her back safe and sound.
46:23Thank you for entrusting it to me
46:29Oh
46:32Little Virgin
46:51The time has come
46:52You hold the key
46:53It's burning my hand
46:55I'm burning with the desire to spin the ring.
46:58May God shower you with blessings, Don Mariano.
47:01And forgive him all his sins
47:03And there can't be just a few of them.
47:04It's only right that you remind me of them, Father Hermenegildo.
47:07And for those same sins
47:08I have a favor to ask of you.
47:10Tell me
47:11Will it be something honest?
47:13Don Mariano wishes to withdraw to the Virgin
47:15And pray for their salvation
47:16Alone, Father
47:17Do you understand?
47:18It is the human respect of an old sinner
47:19For God's sake, how could I deny it?
47:22Make a good constriction, my son
47:24The sins of usury
47:25They test God's mercy
47:28Yeah
47:30Father, you have a very beautiful chapel
47:32I would like you to show it to me.
47:33Please, would you mind?
47:35Should we take a walk around the area?
47:37No, no, no, no
48:07Come here
48:09Give me
48:11Enough
48:18What's happening?
48:21The key turns perfectly.
48:23But the door doesn't open
48:24It must be a mechanism
48:25Like the one in safes
48:26At my uncle's house
48:28There was a piece of furniture with a secret drawer.
48:29The key wasn't enough
48:30A molding had to be moved
48:34No hands, now?
48:35Will you shut up?
48:35If there is a way to steal the gold from the Virgin
48:38Without harming him
48:38Perhaps there is another one
48:39To tear out your secret
48:40Without doing it to you
48:42But if necessary
48:43Cover his mouth
48:45No, no, no
48:48Just a moment, Father
48:49It's been too long.
48:51At the age of Don Mariano
48:53Those emotional states
48:54They can affect the heart
48:56Even though it's hard
48:57Wait, Father
48:58Squeeze a little harder, carob tree
49:04Yes, yes, let it go
49:06The sins of Don Mariano
49:08There have been many
49:09And his contrition
49:10It necessarily has to be long.
49:12A car
49:14Oh
49:17Could it be the bishop?
49:19Yeah
49:21From milencia
49:23You've won, you scoundrels
49:27I confess
49:29You have to turn the key twice.
49:31And then simply rotate gently.
49:33Don Mariano!
49:34The bishop!
49:35What is this?
49:37Cover that up, quick, friar
49:40Stay still, don't move
49:41Come in, Your Eminence
49:44The image has received so much praise.
49:47I understand your enthusiasm.
49:48Father Hermenegild
49:49The brothers from Jaén
49:52Some devout followers
49:54How are you here?
49:56We decided to deviate from our route
49:58We'll go to Cadiz later
49:59And if necessary
50:00We will swim to the ship bound for the Indies
50:02All for the sake of the Miraculous Virgin
50:05Magnificent
50:06Who better than you?
50:07To carry the image to the altar?
50:09With the help of your vigorous friend
50:12Yeah
50:14You are right, Father Hermenegild
50:16The face is exquisitely carved.
50:18And its polychromy is perfect
50:20It looks like an image straight out of a workshop.
50:23From one of our glorious sculptors of the 16th century
50:29But even in our Lord, Jesus Christ
50:31May you live in the reign of humanity
50:33Holy Spirit, God
50:34Per omnia, secula, secula, a
50:42Amen
50:43Holy Spirit
51:06Until now, we have been separated from the cradles for all this time.
51:38Thank you!
51:47Thank you!
52:04Thank you!
52:06Mercedes de Colmenar
52:08I'm talking to you
52:10You confuse me
52:11I am the youngest of the brothers
52:12You are Mercedes from Colmenar
52:14And I'm your aunt
52:15The Countess of Palma
52:19The defender of ugly children
52:21What a surprise!
52:23Good start
52:24I've come to take you with me.
52:26Even if I have to do it crawling
52:28But I prefer to cultivate persuasion.
52:31I suppose you had a wonderful time
52:33With that charming rogue
52:35I don't...
52:36Don't interrupt me
52:37You have a whole tomorrow ahead of you.
52:40A tomorrow that I promise you will be very busy
52:42But you are strong
52:44You are of my race and you will withstand it
52:47And once a year
52:49If melancholy strikes you
52:51We could consider a holiday in the mountains
52:55Can you say something?
52:57I won't interrupt now.
52:59How annoying!
53:00You inherited that from your father's side of the family!
53:02And from the maternal line
53:04Independence of character
53:06What's that?
53:07A compliment or a warning?
53:11A decision
53:12I'm going with you.
53:21Dear brothers
53:24You may file in an orderly fashion to the altar
53:26To kiss the Virgin's hand
53:28Donor first
53:38Thank you!
53:41Thank you!
53:44Thank you!
53:46Thank you!
53:53Thank you!
54:22God has forgiven us
54:24God has forgiven us
54:24Get out of there!
54:27That?
54:30Take!
54:31Take!
54:32It's all yours!
54:34Grab it!
54:41It's our gold
54:43a miracle
54:44Yes, a miracle
55:17It's a miracle, Bishop.
55:20Let's not rush things, Father Juan
55:22For the moment, a fantastic handout
55:43Let's not rush
56:31Let's not rush
56:34Let's not rush
56:50Let's not rush
56:54Let's not rush
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