Christopher Nolan’s The Odyssey, starring Matt Damon, is putting the VFX career ladder under pressure before the film even arrives. As studios automate previs, cleanup, and background work, junior artists may lose the assignments that turn into senior careers. Nolan’s large-scale IMAX production makes the question harder to ignore: who gets replaced first when spectacle becomes cheaper to produce? Send this to the coworker still claiming AI only helps, then pick a side: AI or studios?
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