Saltar al reproductorSaltar al contenido principal
  • hace 1 semana
Curro Jiménez comete un asalto en el que conoce a 'El Algarrobo', del cual se hace amigo. Otro día traba amistad con un joven y pícaro estudiante. También se incorpora al grupo un jardinero de un convento de monjas. Con ellos, Curro Jiménez forma su banda.

Categoría

📺
TV
Transcripción
05:23Nobody. That's strange. I thought you were coming this way. Would you like a drink? Yes, thank you.
06:03Is he chasing someone? The mill is quite secluded and could be a good place to...
06:07Hide. Only my friends have a place here, and my friends don't hide. Excuse me, I don't know.
06:18I bothered you. Why are you looking for him? The law is looking for him. Are you the law? No. Then what do you gain?
06:34With this? That's my business.
06:50Do you want dinner? Yes. I don't feel like it, I'm going to sleep.
07:44Wants?
07:48Thank you. It's late and I have to go. Sorry for any inconvenience.
08:07We'll meet again.
08:15No.
08:19No.
08:23No.
08:31No.
08:35No.
08:35No.
08:37No.
08:40No.
08:41No.
08:45No.
08:48No.
08:49No.
08:51No.
08:52No.
08:54No.
08:55No.
08:55No.
08:56No.
08:58No.
08:59No.
08:59No.
08:59No.
09:00No.
09:00No.
09:01No.
09:03No.
09:23Thank you.
09:56Mister?
10:24Wine, bring wine.
10:45Mister?
11:05What birds can see the olive-green bird singing?
11:17What birds can see the olive-green bird singing?
11:24Run and tell him not to sing, that his singing is a sign of disrepute.
11:32Run and tell him not to sing, that his singing is a sign of disrepute.
11:47I don't want lanterns, what I want are your men,
11:57that does not slander my soul as it usually does.
12:02I'm not so much into the night and day thing,
12:11I need all the centuries because of how much I love you,
12:16my little center.
12:18I need the whole centuries because of how much I love you, my little one.
12:28What are you doing, fruit!
12:31Let go!
12:35Let me!
12:41Let go!
12:41Let go!
13:05Let go!
13:06Hit me!
13:08Hit me!
13:09Where are you taking me?
13:11Where to!
13:24Good morning.
13:27Where am I?
13:32At the Royal Palace.
13:36If it's because of your looks, you'll be in hell.
13:38Look up and find out.
13:43How many days have you been here?
13:45I've lost count.
13:47And how many more will you be?
13:48For the rest of my life.
13:50Well then, there won't be many.
13:51I am 50 years old.
13:53To jail!
13:54The problem is that here they don't even let you shave, or change your shirt.
13:58Of course! Not even perfume, Mr. Marquis.
14:04Is there no way out of here?
14:06Look at those bars.
14:10You're skinny. You can pass for them.
14:13Don't joke about that.
14:15If I help you, you'll pass.
14:17You're an ass.
14:18Well.
14:31Wait for me.
14:33Come on, old man, the guards are coming.
14:36Wait for me.
14:36Come on.
14:38Don't leave me alone.
14:41Wait for me.
14:43But, man, let him talk.
14:46My legs are failing me, from lack of use.
14:48Wait.
14:49Don't leave me alone.
14:50No, run.
15:09And have they lost their way?
15:11You're the one who needs to get distracted, can't you hear me? Don't follow me, I'm done.
15:15follow me more
15:16Dude, you're annoying
15:29But man, not again
15:31What are you going to let go of? Are you going to break your legs?
15:34I'm not as old as you, goodbye, you jerk.
15:37Jesus, you leave me
15:47May God be with you
15:49Go to hell!
16:31Go to hell!
16:32Go to hell!
16:32Get out! Get out of there!
16:38Apollo!
16:40Inside! To port!
16:53The man arrived.
16:57Come on, man, come on, down!
16:59Did I hear? What is it you want?
17:05Money!
17:23The raffle?
17:25Here you go!
17:28Come on!
17:35Give that money back!
17:39Return it!
17:41Come on!
17:52Mister?
17:55The region is infested with crooks, your honor.
17:58Always ready to cause displeasure to distinguished travelers.
18:02It was lucky that I happened to be there.
18:04Providential, sir.
18:06And it was very generous of him to have defended us.
18:09Oh!
18:10Good people must help each other against these thugs.
18:16Look at that!
18:18Look at that!
18:19Very fierce, but it trembles.
18:21Outrageous!
18:22Outrageous!
18:23And judging by his eyes, he doesn't seem very awake.
18:26Don't doubt it.
18:28They don't even know how to do their job.
18:31This idiot...
18:32Pig!
18:33Still!
18:34He was content with just a few reales and this two-carat diamond.
18:43Stay still!
18:52Teach the puppy, dear?
18:55No.
18:56Why don't you want the gentleman to know how witty your husband is?
19:00Give them your moment, please.
19:04Thank you.
19:06It's heavy, isn't it?
19:08It's because she has a secret in her tummy.
19:11You don't say.
19:15Oh!
19:16That's outrageous!
19:18How wonderful!
19:20Hand up high, you.
19:26You know what?
19:27I feel bad giving it back.
19:30Have one made for yourself to store your valuables.
19:33Other?
19:34So that?
19:36If this one works for me.
19:38Oh well!
19:40Wow!
19:44Remember that, Your Honor.
19:46The region is infested with crooks.
19:48And fools.
19:58Ha ha!
20:00Bruzo!
20:02Bruzo!
20:04Bruzo!
20:05Bruzo!
20:08Bruzo!
20:09Bruzo!
20:10How are you doing?
20:11How are you doing?
20:12How are you doing?
20:13Fuck it!
20:31Again!
20:59Bruzo!
21:00Bruzo!
21:14Oh, my mother!
21:32Oh, my mother!
22:01Oh, my mother!
22:31Oh, my mother!
22:39Oh, my mother!
22:39Oh, my mother!
22:56But what have you come to this town to do?
22:58Time to rest.
23:00I have already learned everything I needed to learn about liquid bodies.
23:10Oh, my mother!
23:49Hey, don't do them to me.
24:08No, don't do them with me.
24:18Go away, my friend Merino, and hide.
24:27In honor of the officers.
24:54Don't move, don't move.
24:59Don't move, don't move, don't move.
25:24Don't move, don't move.
25:27Don't move, don't move.
25:29Don't give up.
25:50Don't move, don't move.
26:01Don't move, don't move.
26:16Don't move, don't move.
26:24Don't move, don't move, don't move.
27:18Everyone down!
27:24Please come down.
27:39Men to one side.
27:44And the women by the side of the road.
27:48Ma'am, please.
27:50Yes, yes, yes, yes.
27:55The bag.
28:00Give them to me!
28:02Move aside.
28:05Here, boy.
28:07You.
28:15Curro, the ugly one is getting away!
28:16Grab it, don't run out!
28:26Where are you going?
28:27Oh! Oh!
28:31This old woman runs, doesn't she?
28:34Stone eye! Oh! Oh!
28:38I'm always the one who has to run.
28:40Do you want to stop?
28:47I'm going to break your ribs.
28:51Pity, good man.
28:52I am a weak woman.
28:55That's enough!
29:00Don't do anything to me.
29:01Through the Blessed Virgin Mary.
29:03You don't have any sisters.
29:05And mother.
29:07But what illusions are you getting yourself into?
29:09With that sweet face that God gave you.
29:11Come on!
29:14Go on.
29:22Go ahead and get on, gentlemen.
29:25Come on, come on.
29:29Work! Work!
29:30Curro! Look what the old woman is carrying! Ounces of gold!
29:32The old woman has a lot of money!
29:34Let me go! Oh my God! How lucky I am!
29:36Curro! Curro! Look! Look, Curro!
29:39He carried many honors!
29:40How lucky I am, Curro!
29:43Oh my goodness! How lucky I am!
29:47Three, five, six, five, seven...
29:53Undress her!
29:58But, but, what about my honor and my modesty, sir?
30:02Bandit.
30:07He's a guy!
30:09He's a guy!
30:14He's a guy!
30:17He's a guy!
30:23Curro, Jiménez.
30:26They protect him a lot because of this whole patriotism thing.
30:29And you, it seems, don't have to chase after any reward.
30:34Money is never enough.
30:35And it's always nice to be able to share it with friends.
30:40That's true.
30:42They're offering a lot of money for his head.
30:44What makes you think I know where he is?
30:47You will hear many things in this tavern.
30:50And you'll know about all their movements.
30:53A woman that beautiful won't find it difficult to get a man to open his mouth.
31:29Don't know.
31:32Don't know.
31:35And wheat?
31:36And wheat?
31:37We don't know exactly.
31:38The wheat is there and it gets ground.
31:41His uterine refuges will not avail him.
31:43Or he's going to count the sacks with a soldier and tomorrow we'll come and pick them up.
31:49On whose behalf are you speaking to me?
31:51Colonel Seru.
31:53In his name, his entire wheat storehouse is hereby confiscated for the troops of his majestic emperor.
31:59and flour.
32:01How much will I be paid for it?
32:04France does a lot for you.
32:06Yeah.
32:07More than we asked for, we have to admit.
32:10Giddy-up! Giddy-up!
32:40What are you doing here?
32:42And you?
32:45Who are you?
32:47Who are you?
32:49If we keep asking the same questions, we won't get anywhere.
32:52That's what I say.
32:54What were you hiding in that hole?
32:57Leaving this scapular so that a boyfriend I have knows that I want to see him.
33:05Come with me. I'll take you to where your boyfriend is.
33:13I've never seen you with him. Are you sure we're talking about the same person?
33:17Sure.
33:37Are you doing okay?
33:38Yeah.
33:39Do you see it? We're almost there.
33:44So first thing tomorrow, huh?
33:46I think that if we take all the sacks out of the mill during the night...
33:50Sure. And what will your father tell them tomorrow?
33:54Well, we'll come here with you.
33:57That's what you'd want, right?
34:00Your father is a miller.
34:03You were a boatman too.
34:06Yeah.
34:08And if I had continued to be that way, perhaps I would have a daughter like you.
34:12Like me? I'm 13 years old.
34:14Well, smaller.
34:19But enough with the imagining.
34:21Student, prepare the horses.
34:23Student?
34:25He says he was.
34:34Work?
34:34Work?
34:37Work?
34:39The man from the other night was looking for you again.
34:42That's right, Curro.
34:44He also asked about you at the tavern.
34:46It's clear he's determined to find you.
34:49You will find me.
35:05Need.
35:06A bit of a disaster.
35:07Ah, yes.
35:14No no.
35:16No.
35:26No no.
35:26No no.
35:29Open the door
35:35I warn you that I will file a complaint with whoever is responsible.
35:49Raise your hands
35:53Quiet, French
35:58Open the door
36:06Open the door
36:22You, turn it down there
36:26Leave the bags in the car
36:32Come on, prey
36:59To you first
37:02Come on, you still have a long way to go.
37:10Abón
37:17Abón, Abón
37:20But you want to love
37:28Alguerro, above
37:29Pay, pay, pay, pay, pay
37:43Pay, pay, pay, pay, pay, pay
37:52Pay, pay, pay, pay, pay, pay
38:14Pay, pay, pay, pay, pay, pay
38:27Pay, pay, pay, pay, pay
38:51Pay, pay, pay, pay, pay, pay
39:05Abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon,
39:20abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon
39:20abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon, abon
39:21abón, abón, abón, abón, abón, abón, abón, abón, abón, abón, abón, abón, abón, abón, ab
39:27Caraceli, where have they taken you?
39:29To the monastery.
39:31They've gotten involved there too.
39:33Yeah.
40:18What are you doing here?
40:21I already told you that we would meet again.
40:25My husband is not here.
40:28I know.
40:33Please leave.
40:35Why did you hide that man?
40:38Everything would have been easier now instead.
40:42What do you want to do?
40:49Don't shout.
40:51If you wake the little one up.
40:53Will it be bad for her?
40:56Please.
40:58Please.
41:00Now he'll be the one to come looking for me.
41:02I'm sure.
41:03Leave me alone.
41:05Leave me alone.
41:08Please.
41:10Maria.
41:11Maria.
41:16Maria.
41:34Maria.
41:36Maria.
41:36Maria.
41:48Maria.
42:18Thank you!
42:47Music
43:03I'm going to kill you!
43:29Thank you!
43:58Music
44:29Music
45:17Music
45:26Music
45:45Thank you!
46:01Thank you!
46:13Well, goodbye.
46:36Forgive me, Father.
46:40My name is Curro Jiménez.
46:43I've come to ask you a favor.
46:45What is it about?
46:47You will see, in your convent,
46:50the French captain
46:51has arrested a friend of mine,
46:53Juan Galindo,
46:54And I want to free him.
46:57My children,
47:00Today,
47:02I have been able to notice
47:03in one of you
47:05signs of impatience
47:07and very little charity
47:09towards our
47:10guests.
47:12And although in good conscience,
47:14I cannot condemn them.
47:16Because God knows,
47:18God knows.
47:19The times I've been on the edge
47:22of my patience
47:23and my Christian resignation.
47:25That's why I'm coming back
47:26to make the exercise more expensive for you
47:29of a cardinal virtue
47:30which receives little publicity.
47:32Prudence.
47:34Now it's my turn.
47:36Hey?
47:36It's my turn.
47:38Ah, yes.
47:39Brother Leggo
47:40wants to tell you something new.
47:42From our convent in Guadix,
47:45that it has been closed
47:46and scattered and persecuted
47:48their religious,
47:50They will arrive in two or three days
47:53three of our brothers.
47:56No, don't make us happy.
47:58If they arrive dead.
47:59Stiff.
48:00Clear.
48:00So that we may watch over them
48:01and bury them in our house.
48:05Who's at the table?
48:05The moth!
48:06Who is in the dawn room?
48:08Ajolfe conmá!
48:09Ajolfe!
48:29Damned in this skin!
48:33Pílera and Son, Pílera and Son, Pílera and Son, Pílera and Son, Pílera and Son, Pílera and Son, Pílera and Son
48:42They are, Spirit, Holy God, Holy Trinity, Holy God, Holy Mary, Saint of Israel, Saint Viralvoquín, Saint Pichai, Saint Gabriel, Saint
49:01Rafael,
49:03...men before angels and angels...
49:06...men formerly angels...
49:06...men before angels and angels...
49:09...care, silence.
49:15Close.
49:37Wake him up.
49:40Grab.
49:58It must be there.
49:59Come on.
50:24There is an arsenal.
50:26There is no arsenal.
50:48Silence, Juan. We're here now. Relax.
50:58Hail Mary, full of grace, the Lord is with thee; come, for thou art within the will of the Lord.
51:03And blessed is the fruit of your womb, Jesus.
51:22Did he get screwed, bro?
51:27Or she prefers to eat it whole.
51:38Enjoy your meal, yes.
52:18He screwed me over, I'm pissed.
52:39Fuck!
53:01Hail Mary, full of grace, the Lord is with thee; blessed art thou among women, and
53:07Blessed is the fruit of your womb, Jesus.
53:10Hail Mary, full of grace, the Lord is with thee; blessed art thou among women.
53:26Now!
53:41Now!
53:56Now!
53:58Now!
53:58Now!
54:07Now!
54:16Now!
54:19Now!
54:24Now!
54:37Now!
54:50Now!
54:52Now!
55:04Now!
55:34Now!
55:41Now!
55:48Now!
55:48For!
55:49Stop, Red, stop!
56:06Oh well
56:48Thank you!
57:05Thank you!
57:24Thank you!
Comentarios

Recomendada