HOST : HSY
GUEST : Faran Tahir , Adnan siddiqui
PAKISTAN’S BIGGEST REALITY SERIES SUPER DIVA
The 12 super-talented divas, are all set to enter the plush ‘Villa of Dreams’, an amalgamation of ‘fashion and reality’.
Host: Hassan Sheheryar Yasin (HSY)
Stylist: Tabesh Khoja
Contestants:
Sonia Chaudhry,
Nehlofer Irani,
Syed Misha Khan,
Noor Hira,
Rakeeba Khan,
Rameen Faiz,
Sheeza Malik,
Shanzey Mansha,
Noor Fatima,
Romaisa Tariq,
Maham Mirza,
Esha Malik.
Watch Super Diva Every Mon to Thur at 10 pm only on ARY Digital.
#superdiva #Fashionshow #HSY #hassanshehreyaryasin
#arydigital #superdiva #RadianceAndAllure #SoniaChaudhry #NehloferIrani #SyedMishaKhan #NoorHira #RakeebaKhan #RameenFaiz #SheezaMalik #ShanzeyMansha #NoorFatima #RomaisaTariq #MahamMirza #eshamalik #arysuperdiva
"Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt
GUEST : Faran Tahir , Adnan siddiqui
PAKISTAN’S BIGGEST REALITY SERIES SUPER DIVA
The 12 super-talented divas, are all set to enter the plush ‘Villa of Dreams’, an amalgamation of ‘fashion and reality’.
Host: Hassan Sheheryar Yasin (HSY)
Stylist: Tabesh Khoja
Contestants:
Sonia Chaudhry,
Nehlofer Irani,
Syed Misha Khan,
Noor Hira,
Rakeeba Khan,
Rameen Faiz,
Sheeza Malik,
Shanzey Mansha,
Noor Fatima,
Romaisa Tariq,
Maham Mirza,
Esha Malik.
Watch Super Diva Every Mon to Thur at 10 pm only on ARY Digital.
#superdiva #Fashionshow #HSY #hassanshehreyaryasin
#arydigital #superdiva #RadianceAndAllure #SoniaChaudhry #NehloferIrani #SyedMishaKhan #NoorHira #RakeebaKhan #RameenFaiz #SheezaMalik #ShanzeyMansha #NoorFatima #RomaisaTariq #MahamMirza #eshamalik #arysuperdiva
"Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt
Category
🎥
Short filmTranscript
00:23This is the first place that has been a very difficult place.
00:27This is such a place that has been a very difficult place.
00:29It's my bed print.
00:30It's a very bad thing.
00:34It's a bad thing.
00:35Don't change it. Please don't keep my bed print.
00:40I didn't keep it.
00:41I keep it there.
00:44I kept it.
00:46I'll put my bag with it.
00:47My bag broke.
00:49Now I'll connect it today.
00:51Because if it's completely broke, then what will I do?
00:55I'll put my bag with it.
00:57Oh, God.
01:00It's all about emotions and expressions.
01:06The message of the whole generation is to us.
01:08At least we have to play, smile, not hide.
01:16Let's go.
01:18Let's go first.
01:20Time will be.
01:21Let's go first.
01:27I came in the morning because I was fighting in the morning.
01:30I told you to change my room.
01:34Where can I send my room?
01:37No, I didn't say that.
01:39I don't want to change my room.
01:42No, I don't want to change my room.
01:45My mother says that if the beginning of the day starts,
01:49it's not good for me.
01:51Okay?
01:52What you want to do,
01:54after the dance,
01:55do you want to go to the end or go to the middle of the day?
01:57Look, you're in the room,
01:58I don't want to change my room.
02:00Let me tell you,
02:02I don't want to change my room.
02:03The camera is watching me.
02:06My mother is coming.
02:08They always say that I have a fight for me.
02:11I swear.
02:12Now, what are the issues?
02:13No, I don't want to change my room.
02:15No.
02:16I don't want to change my room.
02:18I'm saying that I am going to go to the end.
02:20No.
02:21I'll tell you.
02:21There will be issues coming.
02:23There will be issues in the room.
02:26Ask me from that.
02:27Okay?
02:30I have no idea.
02:32I will tell you about it,
02:32please tell me about that.
02:34If you have a cold front and you have no room for a bed,
02:38if you have a cold front and you have no room for a bed,
02:41then they start the cold front.
02:43I tell you about that you are very healthy ...
02:45The hygiene is not easy,
02:48but the safe and the safe.
02:49They just sleep and sleep.
02:51The safe and the safe.
02:54When I tell you about that,
02:56it feels bad for them.
02:57Now tell me, you're going to clean it up and clean it up.
03:01I'll do it alone.
03:02I'll tell you one thing,
03:05I'm not going to look with Maham and Sonia today.
03:07That's why I decided to...
03:08You said that I didn't talk about it.
03:10I'm talking about it myself.
03:11You have to give it to me.
03:13You have cameras, you have to give it to me.
03:15But you don't have to give it to me.
03:16Yes, I'm fine.
03:18But the thing is that you keep the truth in your life.
03:22I always say that I'm talking about it.
03:25I think that the people who are eating,
03:28they don't want to do it.
03:31Don't do it, Maham.
03:33I will say that.
03:34I'll say that.
03:35I want to give it to you.
03:37Take your name.
03:39Take your name.
03:41We will fight.
03:43We will fight against you.
03:46No one wants to do it.
03:48Why do you want to do it?
03:49No, man.
03:51Don't go to hell.
03:56What's happening, brother?
03:58This is for God.
04:01I mean, it's so fake.
04:03I mean, you know, at night,
04:04we're going to start with the camera,
04:06we're going to start with the camera.
04:09Camera, action.
04:10Oh, it's starting.
04:12I can't eat anything.
04:15What's happening?
04:17We've got a lot of people here.
04:18We've got a lot of people here.
04:20We've got a lot of people here.
04:21We've got a lot better.
04:22If it's good enough,
04:24then you'll see it.
04:26The camera doesn't come to mind.
04:29There's a lot of people here.
04:31Why do you want to do it?
04:34Why do you want to do it?
04:35Why do you want to do it?
04:37Why do you want to do it?
04:39Girl, watch me.
04:41You can do it.
04:43I said,
04:44this is a mess,
04:47I just want to do it.
04:48So we should do it good.
04:50I need to talk about the world, but I'm talking about the same thing.
04:54I can't do it.
04:55Yeah, I can't do it.
04:58Hey, brother, who is this?
05:00I'm so excited to work on this task.
05:02This person has so much of a bad image from my first gym.
05:06But this is the fear.
05:07No one can do this or not.
05:10It's the same thing.
05:11It's the same thing.
05:11It's the same thing.
05:12It's the same thing.
05:13It's the same thing.
05:14My goals for me are leaving me for my first gym?
05:16Mr. did you tell me in my room?
05:18I didn't have a shop.
05:21Bro, you're always getting the shop.
05:22Who's going to be a bed?
05:23Who's going to be a bed?
05:25I told myself,
05:28I told myself.
05:29and Sonia both tell me their own variety.
05:32The way I stand here is the camera,
05:34Baby, we're talking about it.
05:35No.
05:35The place is coming from my phone.
05:38I told myself,
05:39you're leaving the bag.
05:42I told myself,
05:42I told him that he didn't do it for your years and you don't believe it.
05:47I don't believe it.
05:51I don't believe it.
05:52Because I love it.
05:53He gave me my best friend and I gave him the first time.
05:57He got his eyes.
05:58He got his eyes.
05:59He got his eyes.
06:02I'm not that guy.
06:05What do you think about it?
06:07What do you think about it?
06:09What do you think about it?
06:11God forgive me.
06:14I don't know.
06:15I don't know.
06:17Just do this.
06:18Then you see.
06:19Look, I'm nice with everyone.
06:21I've never said anything.
06:23You've told me about it.
06:25You've told me about it.
06:25You've told me about it.
06:26You've told me about it.
06:28You've told me about it.
06:33You've told me about it.
06:39You've told me about it.
06:39I'm not a big girl.
06:40I'm not a good girl.
06:42I'm a bad girl.
06:44I'm not afraid of him.
06:45I'm afraid of him.
06:45I'm afraid of him.
06:46This is your fight.
06:47I told you something.
06:47I told you something.
06:48So I said, you can't shut yourself.
06:50You'll tell me that you'll be broken.
06:53I'm afraid you'll lose your heart.
06:55You'll lose your mood.
06:55And you'll lose your mood.
06:56You'll fall on the next side of the night.
06:57That will also be a negative.
06:58That's right.
07:00I said, I'm 20 years old.
07:01You are stupid.
07:04Truth.
07:07You talk about your own stories.
07:09You have two boys.
07:10You get me out of the way for three years.
07:14I thought that I would agree
07:19because of my own girl.
07:23Today, I will act on my own day.
07:25I will act on challenges like that.
07:26I will stop her body.
07:27I will close my eyes.
07:28I won't do anything.
07:30I will do something.
07:33My tongue is broken.
07:35My tongue is broken.
07:37Why don't you come here?
07:38Go there.
07:39Your tongue is broken.
07:42Your tongue will be broken.
07:45Your tongue will be clean.
07:49My tongue will be broken.
07:50My tongue will be broken.
07:52My tongue will be broken.
07:53Then it will come.
07:54It's fine.
07:55The tongue will be broken.
07:58Additionally, it's completely broken.
07:59Yes, the tongue is broken.
08:04The tongue is broken.
08:09It's frankly a real name.
08:11The tongue is broken.
08:12The tongue is exposed to the other.
08:14The tongue is seen on the other.
08:16The tongue is broken.
08:17But if all of a person has caught it,
08:20it doesn't mean
08:21you are the same way you are the same way.
08:22right
08:23okay
08:24okay
08:25okay
08:26i'm
08:34I'm
08:38I'm
08:39I'm
08:40I'm
08:40I'm
08:40I'm
08:51I'm
08:52She told me how to prepare her, she told me that I am the queen, I am the queen, and
09:01I don't know how to get her together.
09:04She told me how to get her together, she told me that I don't want to do my mind, don't
09:11do my mind.
09:11I don't want to give her footage. I don't want to give her footage.
09:17I don't know how to get her together.
09:20Okay, relax.
09:21Why don't you tell me how to get her together?
09:23She told me that you don't want to put her on your account and you will come.
09:27They come.
09:29This is not your house.
09:32So chill.
09:33She doesn't understand why she doesn't get her. Why?
09:38Why does it go on to me?
09:40It doesn't go on to me.
09:42It doesn't go on to me.
09:44Also, she can't sit with her.
09:47She brings her feet to her two ropes.
09:51Before she raises the leg to keep her legs.
09:53Cut.
09:57Without being put in front of her ears.
09:59emotional strength at all.
10:00Our keys never do every night.ifications.
10:02And she makes the way down and starts again.
10:05The brain is now��..
10:07.. Ideas people listen to her and they can sleep.
10:10What happened?
10:11Do you want to say what happened?
10:13I'm talking to someone and she was like a person?
10:18No.
10:19She's talking to her and she's talking to her
10:20She's talking to her and she's talking to her.
10:24And she's talking to her.
10:25This is not my own style, why is she talking to her?
10:31So, I don't want anyone in any space.
10:33What do you mean by your career?
10:36If you are so dumb, you also want to be content.
10:40If you are so talented, why do you criticize yourself?
10:44That's what I mean by my mother.
10:47Oh, that's a bad energy.
10:51I perform tasks like this.
10:53I say it's my strength.
10:55I live with such negative energy.
10:58I will also win three tasks.
11:03Wow!
11:04There is a blessing for me.
11:06Alhamdulillah.
11:07I pray for prayer.
11:09I pray for prayer.
11:10I pray for prayer.
11:10I pray for prayer.
11:11No!
11:14This is the devil.
11:16It comes to the scene.
11:18I pray for prayer.
11:21I pray for prayer.
11:23I pray for prayer.
11:26Why?
11:27You are doing your washroom.
11:30You are doing your washroom.
11:32You're doing your washroom, right?
11:33You're doing it, right?
11:34Why do you do it?
11:35This is about the end.
11:38I'm not sure.
11:40Do you want to eat us?
11:42No.
11:43I don't eat us.
11:44I don't eat us.
11:44Because we don't eat we.
11:45I don't eat.
11:51What do you eat?
11:53Where is it?
11:55I can't believe that.
11:59I can't believe that.
12:02I can't believe that.
12:03In the absence of his nature,
12:05you will have to tell the person who's gone.
12:07A private man.
12:09You can't say anything.
12:12No. This is something very wrong.
12:14Yes.
12:16No. Sonia,
12:17you are all right.
12:18You will have to tell the person who's gone.
12:23I can't go to the bathroom.
12:26I'm not going to go outside.
12:27I don't know what to do.
12:28This is the first time it starts.
12:32We don't give up on a chair.
12:33This person has such a negative energy.
12:36Why is it not your fault?
12:37You have to sit on your own place.
12:40I don't understand the truth of these people.
12:43My fault is not my fault.
12:45I will do it.
12:45I will sit on my fault.
12:47I am not going to sit on my fault.
12:48Your fault feels better.
12:50I don't like the wrong thing.
12:52I'm not going to say wrong, I don't know.
12:55I'm not talking about my point of view.
12:57I don't understand the wrong thing.
13:01I have no concern for myself.
13:02I'm not saying the wrong thing.
13:04I'm not saying the wrong thing if I don't get hurt.
13:09I don't care.
13:13I am not saying the wrong thing.
13:14I didn't say the wrong thing.
13:15She was walking, she was walking, she was walking and she was walking.
13:16How did you say that?
13:18What difference is that?
13:20I am very sorry.
13:21If you say that, we have to understand that she was walking and she was walking.
13:25I don't have to worry about two.
13:28I don't know why I am good.
13:31Everyone knows why I am good.
13:32Why do you want to strengthen me?
13:34I don't do it.
13:35You know, I have to eat 4 days.
13:37What is this?
13:40Hear my voice.
13:42My mouth is very out.
13:43Just stop and leave here.
13:46No, I don't kill the girl.
13:47If you kill the girl, you will tease me.
13:48Please come here.
13:50Please come here.
13:50Please come here.
13:53I am sitting.
13:54You are a good person.
13:55Don't hurt your mask.
13:57I'm not saying I am good.
13:59Don't hurt your face.
14:00Don't hurt your face.
14:02You will not have to do anything.
14:05I will not do anything.
14:06I can't wait.
14:08Please give.
14:09First, I will sit.
14:10Then you will go.
14:10Okay, I will stop.
14:14I will stop.
14:14I will stop.
14:17My stomach is bad.
14:19Please tell me.
14:21Who is wrong?
14:22Who is wrong?
14:24I will forgive.
14:25No, I will forgive.
14:26I will forgive.
14:28Give me.
14:30I will not get rid of my stomach.
14:32I am going to eat.
14:34I am going to eat.
14:35Why are you doing it?
14:38Why are you doing it?
14:39I am going to stop knowing in the Slack.
14:41I will take my hand.
14:45What's wrong?
14:46Themäßig?
14:46Those two children are a lot.
14:47Very hurt.
14:48Girls, none of them go.
14:49You are not very hurt.
14:49Best friend.
14:50What happened?
14:51Nothing happens.
14:52Don't ruin it for them.
14:54If you come here with trauma,
14:56What will you do?
14:57Então infection of the disease becomes natural.
14:59That Park goesbombd.
15:00It's so funny that I have to say that I have to say that it's because of the fact that
15:05it's so dangerous.
15:06I didn't give a name. It's a disease.
15:09Now, I can't complain.
15:12I said, I'm going to go to the hospital.
15:13So, I'm going to go to the hospital.
15:16What's the problem?
15:17No, he didn't come to the hospital.
15:19He did the hospital.
15:21He did the hospital.
15:22I did the hospital.
15:25Which night?
15:26It was 3 o'clock.
15:27But yesterday, the hospital was with the hospital.
15:29Yes, you did it.
15:30What happened to the hospital?
15:32No, he took my clothes.
15:34Who did I?
15:36I didn't take that.
15:37What happened to the hospital?
15:38The hospital is clean.
15:39But it was done for him.
15:42He took 2 t-shirts and the room was clean.
15:44He took the clothes and the bathroom was clean.
15:46He was a bad guy.
15:48But this is not my fault.
15:49I don't understand the difference between the two.
15:52He said that he did the hospital.
15:54I said, he did the hospital.
15:55Don't be humble, don't be hyper.
15:56Of course.
15:56He did not do anything.
15:57He did not do anything.
15:59What happens to me in the hospital?
16:01Did he sleep at the hospital?
16:04He survived.
16:04But he did not talk to them.
16:05He did not talk too much.
16:05I didn't do anything.
16:06That's her reaction.
16:06He was just sitting behind me and saying,
16:08no, no.
16:10No, I didn't say anything.
16:23He didn't say anything.
16:25I didn't talk about it all the season.
16:26I just told him that he said,
16:29you'll be quiet, you're quiet.
16:30I didn't say anything.
16:33But I didn't say anything.
16:35I was saying,
16:36I made a good actor.
16:37I made a good actor.
16:40The man can tell himself how good he is.
16:43Yes, I said,
16:44I didn't say anything.
16:47Today we're going to play this script.
16:50I'm going to play a good actor.
16:52I have seen this girl in jealousy but now I am going to remember my line and look at her
16:58and learn a special secret. Honestly, my partner is Rwessa and Shan. They are so sweet.
17:07I like the vibe that I matched with these two girls. They are very good. They both are very good.
17:13The actresses are very good. They have taught me the script and told them who they are.
17:18They are very good. I like the script that I wrote for myself.
17:26This is so naturally me that when we look at her, they are very good.
17:33They are also sharing with me. Now I feel like the script will not be me.
17:42Camera please. Attention meeting. Camera please.
17:46Camera is not my right clinical eye.
17:48No one has told me. I never gave anyone to him.
17:59Sonia.
18:00I don't like this.
18:01And no one will do it with me
18:03I've been around and out till now, I've never been around, so I don't have to walk for a walk
18:07Please, do I make my makeup, come do I make my makeup
18:10if I stand I'll have to pressurize me and close with you
18:14I'll bring up the message to me
18:16First time, client
18:19Give me your attention to camera
18:21But I need my attention to camera
18:23I'll talk about my limits
18:26This is for all
18:27I'm going to sit down please, I don't want to take care of my makeup, I'm going to take care
18:31of myself.
18:32Best friend?
18:34Best friend?
18:36Best friend?
18:38Everyone is up on me.
18:40Everyone.
18:41They are coming together.
18:43Look at this.
18:46I really don't care.
18:48Just gang up and attack me.
18:52I'm going to go alone.
18:54I'm going to go alone.
18:56I'm not going to go alone.
18:58I'm going to go alone.
19:00No friendship at all.
19:03Don't talk about friendship because you don't know what is actually friendship.
19:09I'm going to go alone.
19:11I'm very happy to get here.
19:13On camera, let me show you.
19:16No one is my friend from now to the end.
19:20Don't expect anything from her.
19:23I'm going to ask you something.
19:27If we have something that happens, then we will increase.
19:29Hello.
19:30Come on.
19:32Make a fair ride.
19:35Please don't buy it.
19:39Please don't buy it.
19:40Please don't buy it.
19:49It's like a stick.
19:52It's like a stick.
19:54You're coming.
20:06You're coming.
20:11I really like you.
20:14I'm coming.
20:15judges say. On my extreme right is the legendary Adnan Siddiqui. And then with me is the king of
20:21cinema, Mr. Nadeem Baik, director extraordinaire. And of course, the incomparable Farhan Tahir.
20:26Farhan, before you start the scene, I'll tell you about the judging. We have five stars, five being
20:33the highest, one being the lowest. And Farhan will let us know what we're looking for. What is it that
20:38we need to see? What is it that we need to notice? Farhan? First thing, I'm very excited because
20:49they have done a beautiful job. They have done a wonderful job at this. And I'm really
20:53excited to see what is it that we're looking out for. I know that you've given some exercise
20:58to do, expressions, dialogue, delivery. What do you teach them about the area of expertise
21:04that you have taught us to see marking? Yes. One thing that I've done a lot of explaining
21:11is how to invest in the moment. Because acting doesn't happen wrong. It's acting to invest
21:18in the moment. And in that moment, it's true. So we have to see how clearly and how effectively
21:26they can give us that level of performance. So I think that's what I'm looking for in this
21:34performance. Are you guys ready? Yeah, yeah. And Mr. Shahid, your next film star?
21:39Looking forward. Looking forward to it as well. Yes. So, without further ado, at Super Diva,
21:44we have Maham, Fatma, and Shaza.
22:08We have Maham, Fatma, and Shaza.
22:10mobile watching.
22:13I am water now.
22:27Sogo, what's the case about Trema Sherman?
22:27Tamu, Miami. What happened? You're suffering. What is the case about that?
22:35Do not say anything about it.
22:36How could I beorgt?
22:37Aleja Come, ما Éle Deau?
22:39Come on .
22:39I wish not to take you.DI
22:43How many times have I told you that don't get frustrated?
22:49If you have a wedding, it's a tension.
22:53Then I will never get married.
22:57That's it.
22:59Mommy!
23:01Hello.
23:04Look at this dress. It's so beautiful.
23:07Please, please, please.
23:08Please, please, please, please.
23:09How many are you?
23:12Let me show you.
23:14Oh, wow.
23:15How many are you?
23:17Please, please, please, please.
23:21I'll take you.
23:23I'm going to get my salary.
23:24Just wait.
23:26Yes.
23:28I'll tell you to my friends.
23:29You're going to take me a dress.
23:31Yes, yes.
23:40You're going to take this dress.
23:43It's not gone.
24:01Make this time.
24:04I mean?
24:13Ami?
24:15A-Api?
24:16Huh?
24:18A-Api?
24:19What happened?
24:21Api?
24:22Ami?
24:23What happened to me?
24:24What happened to me?
24:26Look at me.
24:31Ami?
24:33Ami?
24:41Ami...
24:42Ami-Api, Ami...
24:42Ami...Badak throw my medicine right?
24:45Ami's are you filtration?
24:46Ami's okay.
24:47Let's-You get out.
24:50Ami's out, help me.
24:51I am home�e.
24:53Api, what happened to me!
24:56Ami basically someone...
25:00My permission will come from you...
25:02My permission will come from me.
25:05I'll be happy, baby. I'll be happy, I'll be happy, I'll be happy.
25:09Daddy...
25:09You can make food for me.
25:21Daddy...
25:23Daddy...
25:24Daddy...
25:25Look, you can't let me leave you.
25:29Daddy...
25:30Daddy...
25:31I'll be happy with you.
25:33Don't do this.
25:37I'll show you everything.
25:38Mommy, please...
25:39Don't leave us alone.
25:41After leaving, you're alone.
25:45Daddy...
25:46You can't leave us alone.
25:48Mommy, come on.
25:51Mommy, I'll be happy with you.
25:57Mommy...
26:00Mommy...
26:01Mommy...
26:02Mommy...
26:02Mommy...
26:03You can trust me.
26:04I'll do a lot of work.
26:06I'll be happy with you.
26:08Mommy...
26:08I'll be happy with you.
26:09I'll be happy with you.
26:12Mommy...
26:12Please, get away.
26:13Mommy, don't leave us alone.
26:20Mommy...
26:21Mommy...
26:22Mommy...
26:24Mommy...
26:27Mommy...
26:29Mommy...
26:30Mommy...
26:32Mommy...
26:33Mommy...
26:35Mommy...
26:36Well done.
26:36I want to start with Farhan.
26:38Farhan, take us through.
26:40Look, the thing was good.
26:43The physicality in the character was different.
26:47Okay, now you're playing the mother, but I could see the mother there.
26:51It's not that you have a lot of dialogues.
26:54But it's how you commit to the role.
26:55So, I could see that each one had their distinct way of communicating this story.
27:01So, merely, I think that was the biggest winner in the scene.
27:04Absolutely.
27:06I'll tell you about it.
27:08I want to start with Fatma.
27:10Fatma, overall it was a really solid performance.
27:13I didn't think that you were acting first acting.
27:15That was a great advantage to you.
27:17So, congratulations.
27:18Good job.
27:20Mom...
27:21The biggest thing I liked was a commitment to the role.
27:24You've always committed to the role because you were acting first acting.
27:27You're a beautiful model.
27:29You want to go back into beautiful things.
27:31You didn't commit to beauty.
27:33You committed to the character.
27:34Which I really liked.
27:36And the other thing I liked was that you saw a shock.
27:39And the shock,
27:41for many characters, many actors, it's difficult for many characters.
27:44Especially when you're doing the camera,
27:45you can show shock with an eye expression or a slight jolt.
27:48Just on your body behind it,
27:50to show that you're not committing to your mother.
27:53It was very good.
27:54I didn't think that you're not the one that you were portrayed.
27:59And I thought that was very good.
28:00But plus, your voice control was also very good.
28:03Shiza, I think in the beginning,
28:05there were a little hiccups on you.
28:07You felt a little made-believe.
28:09And when you're in the scene, you're much stronger.
28:12So, that is my take.
28:14Nadeem.
28:21You make people believe in that.
28:25You are a young girl, Fatima.
28:27And you played a mother.
28:28You didn't have a dialogue.
28:30But I could see a mother in your body language.
28:33In the actions that you were doing.
28:35After a few seconds in the scene,
28:37I forgot that these are some new actors who are performing.
28:42I started believing in this story that you all three were telling.
28:46The best part about this specific portion was,
28:51The collective energy,
28:54And what you were in the scene,
29:00Whatever the scene was telling you,
29:02Whatever emotion that each one of you was portraying,
29:05Was good.
29:06In any place,
29:07I didn't feel like someone is just going out of the character.
29:11So, Fatima, you've done a great job.
29:14You didn't have a dialogue.
29:16I could see that.
29:17But you still made me believe in the character that you were playing.
29:22Maham, you had the strongest part.
29:25And you delivered it really well.
29:28Cooking without the props and miming the scene is difficult.
29:32And I'm sure that you were doing a lot of other things in this show.
29:38And this is just one part.
29:39But you've done a good job.
29:43Shiza, your body language was good.
29:48And your dialogue delivery is good.
29:51You made me believe in the pain that you went through.
29:55So, great job.
29:57Well done.
29:59I'm probably not here to emphasize that.
30:03So, we have the
30:04lines that are away from us.
30:07and it's very difficult to find the lines that you don't have to be able to do it.
30:13So you were there. Spot on.
30:15It was good.
30:17It was good to have started.
30:18It was good to have started.
30:19It was good to have started.
30:21It was good to have thought that you were going to be able to do it.
30:24What could you feel like?
30:26It was good to have done.
30:28Well done.
30:30It was transformed.
30:32It was a transaction.
30:33It was good to have a transaction.
30:35It was good to have you ever get into it.
30:38But you had to have a transaction.
30:40Your character had to be able to do it.
30:44It was good to have you.
30:46You had to have a dialogue and deliver my own stories.
30:47You had to have a line.
30:50But with a line a lot of work.
30:54One actor has been a big role.
30:57One actor has been a big role.
30:59can be used and can be used to be a lot of lines.
31:03So, you have been doing this.
31:07You have been very good.
31:09I think the chemistry was very good.
31:12You have been doing a rehearsal.
31:17Well done.
31:18You were getting tired but you were getting rid of it.
31:21That's the big thing to be getting rid of the scene.
31:24Well done all of you.
31:25Thank you sir. Thank you so much.
31:27Um, Adnan.
31:29Okay.
31:29Please take your numbers.
31:30Okay, sure.
31:32Maham.
31:33It was very good.
31:343.30.
31:35Well done.
31:37Fatima,
31:402.30.
31:41This way Shiza is also 2.30.
31:43And your team score is 8.30.
31:46Excellent.
31:47Thank you Adnan.
31:47Thank you so much.
31:49Nadeem, if you can tell us your scores.
31:53So, Maham, you are 4.
31:56Fatima, you have done a good character of that old lady.
32:01Yes.
32:024.
32:03Shiza, 3.
32:05Thank you so much.
32:06Paran.
32:06For me, I would say, Maham, you were 4.
32:11Fatima, you were 4.
32:13Shiza, you were 3.
32:15And the total score of this scene is 11.
32:21Maham, great performance, great presence.
32:25And your delivery was also very strong.
32:27Especially when you were 4.
32:29I gave you 4.
32:31Fatima, the lines were low.
32:33But the way you delivered every single part of the emotion.
32:37That was very, very powerful.
32:39I gave you 4 marks.
32:41Shiza, your performance was very slow.
32:45But it ended on a very strong note.
32:47And you have great potential.
32:48I gave you 3.
32:49Well done ladies.
32:50Thank you so much.
32:51Now we are about to go into the second performance.
32:54Just with our characters who are playing.
32:56Romesa, Shanze and Misha.
33:05I am MAY.
33:21I have worked this way.
33:24I have worked this way.
33:25Take this time with your permission.
33:27PREPARUTA
33:27Ainha
33:30So I will just give up in his heart and soul.
33:36The reward is such that it is not a reward.
33:42To change the reward, you need to know your mind.
33:50Where did you come from from your heart?
33:54You have to go to the heart's path?
33:57No.
33:58If you have to go to the heart's path,
34:01you have to raise your hand.
34:04Yes.
34:07Yes.
34:08You have to be a burden on this husband.
34:12Don't be afraid of those steps
34:14that you can keep your love.
34:17The one that you see the love of love
34:22is the other one above the path,
34:24the flowers can become the razzle.
34:27What do you think to those razzle?
34:32Your love can be only done by these razzle.
34:36You are both less than can only be a razzle.
34:43Do you think that your razzle is your own?
34:47It's not possible
34:48No, because Hassan Sharia is mine.
35:18In that, I wanted a growth, the ability to grab our attention, which I think you could have done better,
35:26but overall, very good.
35:27Thank you so much.
35:28Misha, your feelings, your facial expressions, which we can see from here, they were very strong.
35:36Dialogue delivery, because at the beginning, I thought you were a little nervous.
35:40Your nervous tension was better, and you made the end very strong, which was very good.
35:46And I think you did a lot of acting, and I'm very impressed by it.
35:52Romessa, you stole the show.
35:55From your first line delivery to the last line delivery, there was a lot of strength, acting was very strong,
36:02presence was very strong, voice delivery was the most strong.
36:06And a transition was also good.
36:08From when she becomes a different kind of a character, we saw that everything changed.
36:15Overall, I thought this was a great production.
36:17Well written, well written, and well executed.
36:20Thank you, sir.
36:20So I'll start with Misha.
36:24Misha, as he said, your first dialogue when you come and you sit on that takht, I think to start,
36:32you needed a little more kick to it, a little more energy to it, to get my attention.
36:39Which you lost a little bit, but you picked it up later.
36:44The part where you two said, both of you said a same line together, that was a good coordination.
36:53And people missed that, but you pulled it off really well.
36:59Shanze, you were good in your body language.
37:02You were very comfortable in playing this character, and your delivery was good also.
37:12Rumaysa, you are gifted.
37:14You have a good voice.
37:17You have a good smile.
37:19And you are confident.
37:22And you delivered it really, really well.
37:26Thank you, sir.
37:57Mashallah, the flow of your dialogue was very good.
38:01I've been doing a smile on your mind, so you can use it more and use it.
38:06And I'm watching you in the future, you are coming to acting.
38:10Thank you so much.
38:12Thank you so much.
38:12Thank you, sir.
38:13Rumaysa, your score is 4.
38:16You are very lucky.
38:17Then Shanze, your score is 4.
38:19And Misha, your score is 3.
38:21If I score a team, it's 12.
38:25I think Rumaysa is someone that at the top.
38:30She is 4.5.
38:32Thank you, sir.
38:33Shanze, 3.5.
38:35And Misha, 3.
39:02Misha, great performance.
39:04Misha, I've given you a perfect score of 5.
39:10Rumaysa, 4.
39:11Thank you, sir.
39:13Shanze, 3.
39:14Thank you so much.
39:15Misha, 4.
39:17Thank you so much.
39:1811 score is your score.
39:20Thank you so much.
39:21Well, congratulations.
39:22And I'm going to tell you, Hasan Shah, you are all.
39:25Thank you so much.
39:25Thank you so much, sir.
39:38I don't think it's the first time I set.
39:42Of course.
39:44It's a lot of beauty today.
39:46I know, it's a beauty and then I am.
39:48That's you.
39:52Rameen.
39:53One second.
39:57Rameen.
39:58I have to talk very much.
39:59Excuse me.
40:00You don't see me doing my job here.
40:03I have to talk too much.
40:04What happened to your junior model?
40:06You have to wait for your turn at least.
40:08Who is the junior and who is the senior?
40:11Okay, I think I'm done.
40:12Give me a second, ladies.
40:13I need some.
40:16Rameen, you saw her attitude?
40:17Because of you, we get so many projects.
40:20And we are best friends.
40:21Who is this friend?
40:23I have asked it on the flag.
40:25And I will take it down too.
40:26And that's why.
40:28I told you, right?
40:29That I will give you the next project.
40:31It's all undercover.
40:33Really?
40:34Yes.
40:35I'm so excited.
40:38Excuse me.
40:39What do you think?
40:40You will take my place.
40:42And you will help me to take my place.
40:44I'm here because it's my hard work.
40:47And if I signed my next big project,
40:50I don't need you.
40:51Don't forget.
40:52That project has been made for me.
40:54What are you saying?
40:55That's what you heard.
40:57What do you mean?
40:58We're friends, Rameen.
40:59We're working on this project for 6 months.
41:01We're working on this project.
41:02Modeling is a matter of fact.
41:03You don't have enough friends.
41:05I can't deal with this unprofessionalism.
41:07Don't do this in my work space.
41:09Excuse me, please.
41:10Listen to me, at least.
41:12Rakeeba, we're friends.
41:14You will find any other work.
41:16Why are you doing my job?
41:19You remember, right?
41:20You were doing everything from me.
41:22Now your time is gone.
41:24My time is.
41:25I'm going to shine.
41:27Huh?
41:31My job.
41:32No one can do it.
41:36My job.
41:42Well done, Rakeeba.
41:44Well done, Hira.
41:45Well done, Rameen.
41:45Farhan.
41:47I think you guys did a really good job, Rakeeba.
41:49I think in the beginning, you were a little nervous.
41:52I felt a little nervous that you had some issues with
41:54where to keep my hand.
41:56But then you picked it up.
41:58Yeah.
41:58And in reality, acting is the same thing.
42:00If you're working on stage,
42:02sometimes you forget some things.
42:04But it's not what you forget.
42:06It's the grace with which you cover it up.
42:08Yeah.
42:09And I think you did that very well.
42:11You, I think, brought a very, very strong character.
42:16And I could see that there is an attitude in this girl.
42:18Okay.
42:19And I could see the vulnerability at the end of it.
42:22So I thought it was very well done.
42:24It was very well done.
42:24Thank you so much.
42:25Yes.
42:25Adnan.
42:26I love the presence.
42:28Your presence is very strong.
42:31Rameen is very strong.
42:34Your body language is very strong.
42:36I was looking for confidence in a model.
42:40The way you stand up.
42:45All the best.
42:47It was a good drama, this part that you guys wrote.
42:53I wish that you could write a little more about the same situation.
42:58But nonetheless.
43:00Rakeeba, it doesn't matter.
43:02You forget.
43:04But coming back is important.
43:07Hira, you were very good.
43:10Just a little, one thing that I would like to say that in the initial part when you were sitting
43:16and Rameen was doing your makeup, that part you did really well.
43:21Thank you so much.
43:22The heart breaking part could have been a little, little better.
43:46And Rakeeba, you have great presence.
43:50Your presence.
43:50You did a very good way.
43:53The way I did it.
43:53The character that you could probably model.
43:56I was also a car character.
43:58It was very easy.
43:59It was easy.
44:00It didn't give away.
44:02I didn't do it.
44:03It was very good.
44:04But what I felt like.
44:05Because you have a strength in your voice.
44:07I would deliver a little bit more.
44:10And just a snide way that you could put down.
44:13It could be snide.
44:15Overall, it was great.
44:16The most favorite part that I felt like was your beginning.
44:20To give one expression three months.
44:23Like in fashion, one can become three commitments.
44:27One can become three commitments.
44:29One can become three commitments.
44:30One can become three commitments.
44:31One can become three commitments.
44:33That was the smartest.
44:34And for that, I gave you guys very hard marks.
44:36Well done.
44:38Rakeeba, you are two.
44:41And Hira, you are three.
44:44Well done.
44:44I have a great feeling.
44:45I gave you a lot of body language.
44:47So Rameen is also three.
44:50And you have a score of eight.
44:53Rakeeba, you are three.
44:55Hira, you are four.
44:57Rameen, you are four.
44:59Like Rakeeba, you are three.
45:02Hira, you are four.
45:05And Rameen, you are five.
45:07Rakeeba, you are three.
45:10Hira, I have to give you a 4. Rameen, I have to give you a 4. Thank you.
45:17Thank you. Thank you.
46:09My child will be with her mother.
46:13I want to ask her question, what is it?
46:20Why do you think the last woman is so bad?
46:24When I can't have a child, I can't have a better life.
46:28I want to ask you that my child will be with all the money and the benefits of her child.
46:34So that she can give her good advice and give her good advice.
46:40And we leave this whole decision to you.
46:47Yes, sir.
46:48So, very well done.
46:50I think again, courtroom scenes are very difficult to do.
46:54But I will say, Sonia, there is a stillness about you, which I really like.
46:59Stillness is strength.
47:01And I could see that stillness in you, and I really appreciate that.
47:05Aisha, I think your emotional connection to the character and to the scene was palpable.
47:10I could feel that your child is holding you.
47:14So that was nicely done.
47:18Niloufar, I think you have a really wonderful voice.
47:21Yes, sir.
47:21And I see that you have some theatre training.
47:24Yes, sir.
47:25I was looking for you.
47:26I was looking for you.
47:27I'll just say that one or two places, which we talked about earlier,
47:31the pacing and picking up the cues is important.
47:34Yes, sir.
47:35Because in the courtroom drama, the tension will go down.
47:41So we need to make sure that we picked up the cues.
47:46Yes, sir.
47:47Amen.
47:47Yes, sir.
47:48I have a really good.
47:49I will start with you.
47:51So now, if you guys are character, you can choose your character.
47:56So please feel your expression to your character.
48:01Then it's just me, I feel like you can do it with your work, there will be a work
48:05to work for your work.
48:06In fact, there won't be an assignment, so that it will help not.
48:09I will take a course, so that it will help.
48:16Because when we make a drama.
48:18It's very impressive.
48:20and the people of Pakistan are in the world of Urdu.
48:24So, that's how I like you.
48:27I also liked that.
48:28I liked that.
48:29I liked that one thing I felt like coordination was full of coordination.
48:35It was strong.
48:38I liked your voice.
48:40I could use it in a better way.
48:43But I liked that.
48:44I didn't feel bad at all.
48:46As Adnan said,
48:47the coordination could have been a little better.
48:51How?
48:52You could have looked at that character that one is defending.
48:57Or, you know, you're talking to.
48:59Nilofar tried moving from her place,
49:02which was interesting for me to see.
49:07Otherwise, Nilofar, your confidence was remarkable.
49:11Your voice is really good.
49:12Your energy is really good.
49:14Sonia.
49:18Somehow, you were talking softly.
49:22But you were more convincing for me.
49:25I wanted to listen to what you're saying.
49:29Somehow, your delivery,
49:31what you were saying.
49:33There was a thing that you were saying with conviction.
49:36So, I wanted to believe in what you were saying.
49:39So, well done.
49:41Great job.
49:43The emotions that you showed, Isha,
49:46they were really good.
49:47And you didn't shy away from how you look.
49:51You didn't shy away from how you would sound.
49:56So, that confidence was great.
50:00So, you all three of you have done a good job.
50:03I wish you could just play a little more with your foot.
50:08You know, the footwork or you could just move around.
50:12That would have been more entertaining.
50:14But, well done.
50:27You've activated people, and that's for me, a super diva.
50:31Neelohfer, well done.
50:55that you have performed less but there are certain things that one is doing better than the other
51:00still. Niloufar, a three. Sonia, I think you were very good. Your performance deserved a solid four. Isha, well done.
51:12You got a four. And Niloufar, four. Sonia, four. And Isha, five. Total score, 13.
51:25And we're very lucky to have the best team in television during this show. But with that, I want to
51:31take this opportunity to thank Farhan Tahir.
51:34who have started in two days, literally in two days, in three days in total, when you start to the
51:40time of performance, just,
51:43I was given the 12 contestants, but I'm not seeing the 12 contestants. And the growth is amazing.
51:49So the credit goes to them, because you can say anything to anyone.
51:54But you being a mentor, that's also very important. The way, I'm sure, the way you have given them the
52:00confidence that can be seen.
52:01I will also take this class. And I will also be in Nadeem's next film. Thank you so much.
52:07Thank you. Sir, thank you so much. All of you, sir, thank you.
52:10So boys, before I go, I want to thank you, Adnan. Thank you. I know that you were busy.
52:14And now, your time is very good. You have to run away. But you have earned the time. Thank you
52:18very much for your friends.
52:20Nadeem, thank you. He's calculating something.
52:23And Nadeem, thank you for coming. Pleasure, pleasure.
52:25It's a pleasure to have you. And Farhan, I can't thank you enough. What a joy it is.
52:30But I'll ask you, I'm going to ask you a question.
52:32Like you know, our Super Diva competition, it's a competition of the all-rounder. Can she do everything?
52:37Is it our next start to become a start? And for the start to become a start, I'll have to
52:41do everything.
52:41So I'll add a little on the spot, Adnan.
52:43Adnan, if you all have any performances, there are any performances that you can see, if you can see, if
52:51you can see, if you can see, then who are?
52:52Okay, now, I was in this team, I was in Romessa, Romessa, Shanzeh, and Misha.
53:02In these three, there is a good opportunity.
53:05Okay.
53:05And I want to work with them. I want to take my production. If I don't do it, then I
53:11want to work with them with them.
53:15Fantastic.
53:16These three?
53:17These three.
53:17Fantastic.
53:18Nadeem, you have made such films, which I also want to be able to do, if you create your next
53:25film, what is your possible next star? And if it is, then who is it?
53:31I think Romessa is someone that I would like to cast her in my film or a drama or anything
53:39that I'm producing or directing.
53:41It will be, you know, she is someone that who has potential. But at the same time, Hira, I believe
53:48that Hira is also someone that who can be an actor.
53:52And she has that confidence and conviction that an actor needs.
53:59And lastly, Farhan, you have worked with everyone. You have trained everyone.
54:04There is a requirement, obviously, of a star. But there is a requirement of a star that can cross international
54:10boundaries.
54:11It can cross Hollywood to Hollywood.
54:16And if you do find someone like that, who is she?
54:20There is good potential in all of them.
54:23Romessa, I think, has a wonderful potential of transitioning and quick transition so that it is seamless.
54:32So, there is that. I think Rameen can do really well and partly because she has an exposure to that
54:42part.
54:42Control of her language.
54:43Control of her language.
54:45There is a stillness which I really like.
54:48She does.
54:53You know, at some point when the other girl was walking and she just said this and then she kept
54:59doing what she was doing.
55:01That was really well.
55:02She would do really well there.
55:04So, with your permission, the great host and the acting coach,
55:11Because of all of you, you have succeeded.
55:15Seriously.
55:16So, Nadeem, I think there is only one who we have given.
55:21Yes, absolutely.
55:21It is very obvious with the numbers that we all have given her.
55:25And numbers have all been totaled and they have been tallyed by our team as well and I think we
55:29have a clear winner.
55:30Why is she a winner?
55:32It is just that one moment when she believed in what she was saying.
55:37It is just that one moment when she was talking to us, talking to the audience and she believed in
55:43it and I could see that.
55:45I think Rumaysa is the winner of this.
55:47Absolutely.
55:48Congratulations, Rumaysa.
55:49Congratulations.
55:50Well done.
55:52Thank you so much, guys.
55:54Thank you so much.
55:54My pleasure.
55:55Thank you so much.
55:57Inshallah.
55:58Inshallah.
56:00Okay.
56:00Siyan Nadeem, that was great fun.
56:02Yeah.
56:02Good fun.
56:27This week, they have all surprised us.
56:29The acting competition was unbelievable.
56:31Farhan Saab has done it and done it, but the way the girls have learned their training and their performances,
56:37it was unbelievable.
56:39Stay right here because Super Diva is just about to blow you away.
56:43Right here on A.R.Y.
56:44See you tomorrow.
56:45See you tomorrow.
56:45See you tomorrow.
56:46See you tomorrow.
56:46See you tomorrow.
56:46See you tomorrow.
56:47See you tomorrow.
56:47See you tomorrow.
56:47See you tomorrow.
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