FULL MOVIES ENGLISH SUB 2026
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Follow our Channel group to get the latest movie updates
#drama #cdrama #romantic
#drama #cdrama #romantic #love #movie #shortdrama
Category
π₯
Short filmTranscript
00:00:25I missed you.
00:00:28I missed you, too.
00:00:34You okay?
00:00:37Yeah, why?
00:00:39Not you.
00:00:49Good night.
00:00:54I'm sleeping now.
00:00:56I'm awake.
00:00:57Mm-mm.
00:01:02This guy, you know, get the concept of difference between time zones and countries?
00:01:08He's here.
00:01:15I only paint those women that are particularly special to me.
00:01:19It's intimate or sexual, yes, but it's more than that.
00:01:25It's an exact moment of ultimate connection.
00:01:28It's captured forever in paint.
00:01:33Oh, boy.
00:01:35Are we done here?
00:01:37Diana, we're not doing personal questions.
00:01:39It seems like the personal is a process.
00:01:42Oh.
00:01:43Shit's pointed.
00:01:46Look, Brooke, he's brilliant.
00:01:48But as your friend I'm calling it, the other critics will tear this apart.
00:01:54Did you keep your day job at Sotheby's?
00:01:59Picasso, Klimt, Lucy, and Freud, they were all called pornographers.
00:02:02Look, I know what I believe in, and if the critics don't understand us, then they're wrong.
00:02:13Hi, can I look at a few?
00:02:14Awesome.
00:02:15This is still for the cover, right?
00:02:17so um you're the husband yeah hi owen short welcome she's badass right i like that yeah i
00:02:27like the tiger shots as well if you want to can you go back to the title honey we don't
00:02:31want to be
00:02:32late oh see when women get absorbed in me i can't talk to them
00:02:49to brooke's amazing new gallery and the successful opening cheers oh and to me getting to retire early
00:02:55and fill my life's purpose as a trophy let's not jinx it hey if that's what you want then you
00:03:00should do a news story on it feel good holiday feast days before christmas it's local news no
00:03:05no no no owen has already done so much oh come on isn't going broke and betting the farm would
00:03:09all good husbands do hey brooke is living her dream and dreams are with the risk okay when's
00:03:14our next vacation that's my joke oh yeah i was thinking paris but just me and brooke so sorry
00:03:19guys paris in the winter texas pictures if your thumbs don't freeze off you know i've always wanted
00:03:24to do christmas in paris hello i can't even think of a vacation until this gallery opens friday well i
00:03:31mean we should plan it soon before things get too complicated what does that mean just you know
00:03:38whatever life owen complicated are you guys pregnant no because that would be like a shitty way to tell
00:03:45us no the doctor says that we could take the pressure off it may happen naturally what we don't have
00:03:52to
00:03:52talk about this is that the rooting hunk can be i left my phone at home no it's um brooke's
00:04:03new irish
00:04:04artist harim hatterson okay his name is anscar doyle he was a street artist in dublin until a few
00:04:09years ago but it hasn't broken here yet wait until you see the art hot
00:04:19this guy he's always texting at 3am with a crisis what's the crisis he can't find his paintbrush no
00:04:24he's just an artist they don't sleep actually i learned from his interview that this is an artist
00:04:28who's not sleeping in a lot of married women's beds that's not what he was saying actually that's
00:04:34kind of exactly what he was saying well as the two divorce attorneys at the table i would just like
00:04:38to say that men like anscar are very good for our business absolutely quarter business when you've been
00:04:43doing what we've been doing for long enough you just conclude that everybody cheats the wives are
00:04:47just better at not getting caught yeah i mean i've been hiring so many private investigators i could teach
00:04:51course if you want to go i'll be right back
00:05:12where'd this come from
00:05:22i'm gonna make it up to you oh i'm so sorry i've been so busy and so bitchy you've been
00:05:35so great
00:05:39okay listen i wasn't kidding about what i said at dinner about paris
00:05:43if you play your cards right you open the gallery on friday then we drink champagne all night to
00:05:47celebrate we get in the air on saturday on our way to paris france where we spend christmas
00:05:54next week french kissing a little menage a do now wait now how about this place to let it happen
00:06:06naturally no right it sounds heavily but i can't go then we don't even have any christmas plans to
00:06:17break and look around we haven't even had time to decorate i know but i have so much to do
00:06:22after
00:06:22friday night i mean that's when the real selling starts and i've got more press lined
00:06:26for anscar too and you know i can't leave him alone he needs me
00:06:32you know what i mean let me earn the vacation with sales that way we can relax and we can
00:06:37enjoy it
00:06:46i'm sorry yeah yeah you're right okay i'm gonna go take the trash out of my work
00:06:53all right
00:06:54so
00:06:58so
00:07:07so
00:07:13so
00:07:20so
00:07:27so
00:07:32so
00:07:41so
00:07:42so
00:07:42so
00:07:42that one of the new producers
00:08:13yeah thanks
00:08:19my opening is in four days and these light fixtures were custom ordered three months ago
00:08:33i gotta replace the pipe that goes down to the basement it's gonna cost about three grand what
00:08:39hang on just tell them to bring me the lights himself thank you
00:08:43why were you talking to amanda geisler i was just thanking her for lunch and interested me okay
00:08:47well she has a gallery full of artists who showed potential ten years ago she should be
00:08:50taking them out to lunch wow i think we're jealous i think we have a contract
00:08:57like you'll be able to pay for a contract you know i'm not a contract you know we're going to
00:08:59be able to pay
00:08:59to be able to pay him soon enough told you have news
00:09:08you may fall in love with me when i tell you that good huh i haven't you have who
00:09:15the customer the big one we need damien light
00:09:23damien light is here no he's in paris he's shooting his next movie there but he saw one
00:09:28of my pieces in the marae and he likes it he wants to see more because people want us to
00:09:32be there for
00:09:32dinner the day after tomorrow wait where the hotel in the marae oh the marae in paris yeah look you
00:09:42can
00:09:42leave tomorrow still make it back in time for the opening you should really answer my texts do you
00:09:47see this gallery i can't go oh i need you there i'm no good at the business i hate that
00:09:54shite
00:09:56if this is real this could be huge for us oh you think i'm making it up to steal away
00:10:04with you
00:10:11i'm going either way i'll try to make it back from the opening on friday night
00:10:14oh very funny oh you need to check in with the husband first
00:10:20um are you more afraid to leave this mess to leave your husband alone what you let me leave
00:10:29without you
00:10:34oh god i know i mean i have to go you have to go it's paris it's work right it's
00:10:40work oh god
00:10:43what do i tell owen in person's good um run in bring a coffee and just tell him you have
00:10:48the
00:10:48business opportunity of a lifetime right right just be direct right downplay the fact that you're
00:10:53going to be in a paris hotel with the world's sexiest man alive
00:10:58okay get out of here go talk to your husband before i have to represent you
00:11:07hope i'm not interrupting hey i thought you could use this brooke
00:11:13hey that's so sweet of you uh this is uh kim one of our new producers hi hi
00:11:21are you sarah natalia new intern hi hi what are you doing here well you know what's going
00:11:30on everybody okay well i uh i have a situation with anscorp what now it's a long story um but
00:11:39it's actually amazing damien light is interested in buying a few of his paintings that's big news
00:11:46i know i know i know and i would send him a loan tomorrow but things could get
00:11:50you know he's not a people person and and making the sale could be huge for us it could
00:11:54really make all this hard work pay off this this is amazing yeah so i'll be back from paris
00:11:58in like two days yay
00:12:02what's that i said yay
00:12:06you're going to paris
00:12:10yeah damien's filming there
00:12:13you're telling me that you want to go to paris with ansgar the myth of fidelity guy tomorrow
00:12:21after you told me that we can't go on saturday i know i know but it's business
00:12:26and i would say come with me but it's gonna be all meetings and then i have to fly right
00:12:30back for the opening friday and
00:12:32owen
00:12:34owen please don't be that way
00:12:39so does this mean i'm definitely free on saturday since we're not going to paris
00:12:44well yeah i yeah
00:12:47hey kim is that shoot for the new yorkers christmas in las vegas still available for saturday
00:12:52i was going to give it to jim but it's yours if you can do it now
00:13:01yes i am available let's book that thank you for the coffee i gotta get back to work
00:13:08natalia see if you can book owen's flight with seats near us
00:13:12vegas baby
00:13:19this has been owen shore with the news you can use have a great one everybody
00:13:43ι£ seattle
00:13:57ΧͺΧΧΧ
00:13:58ΧͺΧΧΧ
00:15:32Owen, I feel bad we keep missing each other.
00:15:35I'm not sure if you're getting my texts.
00:15:37My flight is tonight.
00:15:40So when you get a break, please call me.
00:15:42Okay.
00:15:44Okay.
00:16:17Hey.
00:16:18Hey.
00:16:20That assignment was late last night.
00:16:23What was the story?
00:16:25Yeah.
00:16:26I didn't want to wake you.
00:16:28I'm trying to get these two new producers to put me on hard news stories instead of these dopey features.
00:16:36Kim's the one you're going to Vegas with.
00:16:49Mark, I'm sorry about yesterday.
00:16:54I just wanted our first time in Paris to be together.
00:16:57And Christmas there, away from all this stress, it just seemed like exactly what the doctor ordered.
00:17:08I'm sorry I got so upset.
00:17:13I'm sorry too.
00:17:16It's just such a huge break.
00:17:18I wouldn't be going otherwise.
00:17:22Come here.
00:17:23Oh.
00:17:24Hmm.
00:17:27You know, I can't help.
00:17:30I want you to be happy.
00:17:33Even if I don't trust that guy.
00:17:35Hey.
00:17:36You only have to trust me.
00:17:39And seriously, I look forward to a getaway of just us without the pressure of trying.
00:17:44I really, really, really do.
00:17:47Well, you know, we don't have to.
00:17:49Get away.
00:17:50Start trying without trying.
00:17:53I can't.
00:17:55I have to pack.
00:17:55My car's coming in an hour.
00:18:06In case there's a gym I can work out in.
00:18:11Alone.
00:18:20I need you to be understanding here.
00:18:28So, no standoff sex?
00:18:30I wish I'd just let it go.
00:18:31Cause I don't have to be even more worried about it.
00:18:33Come on.
00:18:34You guys have been together since high school.
00:18:36No way Brooke would cheat on me.
00:18:38As long as I wonder, she'll stop being interested in me.
00:18:41Are we on the Goop podcast right now?
00:18:43Am I Gwyneth?
00:18:45Another greyhound, huh?
00:18:46Wait.
00:18:47Hold on.
00:18:47Are you trying to get me in trouble?
00:18:48You said just one.
00:18:50No, I'm sorry.
00:18:50Cancel that, please.
00:18:51We gotta go.
00:18:52Fuck that needy orphan artist.
00:18:55If I want to get drunk to forget him, I'm gonna drink.
00:18:57Okay.
00:18:58Are you forgetting the last time you got drunk?
00:19:00You tried to find a home for every homeless guy in New York.
00:19:02I don't remember that.
00:19:02Yeah, exactly.
00:19:03Come on.
00:19:04Let's go.
00:19:05But come on.
00:19:06There's one more.
00:19:06No, I gotta go.
00:19:08I'm pretty sure Eleanor put a tracking app on my phone.
00:19:11Hi there.
00:19:14Wait a minute.
00:19:16I know who you are.
00:19:18You're Owen Shore.
00:19:20It's possible.
00:19:21You're pretty good.
00:19:22You're being pretty great.
00:19:24My friend's gonna die when she gets here.
00:19:25We're studying journalism at Columbia.
00:19:28Hmm, nice.
00:19:29You said in an interview once that it's a reporter's job to expose without shaming.
00:19:34Wow, I'm good.
00:19:36I used it in a media ethics paper on microaggression.
00:19:39I'm flattered.
00:19:40I refuted it.
00:19:41Shame is a useful tool.
00:19:43Maybe you're too nice.
00:19:44I do love your reporting.
00:19:46I was actually just saying how refreshing it is that your stories are funny.
00:19:50They're not supposed to be funny.
00:19:52You did that one about the guy who marries dogs at a chapel.
00:19:56Ah, yes.
00:19:56That was a fine moment in broadcast journalism.
00:20:01Are you guys together?
00:20:02You mean together?
00:20:04No.
00:20:04But he has been hitting on me all night.
00:20:06I can't help myself.
00:20:07My wife's out of town.
00:20:09You gotta get a window.
00:20:11I don't know.
00:20:18I think your choices are superb.
00:20:19And if you want the smaller one, the owner number three, to give us a Christmas gift as well.
00:20:24Right.
00:20:25So that is five paintings in all and, um, $152,000.
00:20:32Plus, we have your permission to use Damien's name confidentially with the list of collectors that you've approved.
00:20:36All right.
00:20:37Of course.
00:20:38To Damien Light.
00:20:40Please tell him how grateful we are for his patronage.
00:20:43Well, on behalf of Mr. Light, we are proud to be the first to champion the work of Ansgar Doyle.
00:20:49SautΓ©.
00:20:56Enjoy the moment.
00:20:58Paris is a wonderful place to celebrate this time of year.
00:21:02We will.
00:21:04SautΓ©.
00:21:07You're not leaving, are you?
00:21:08My friend has to meet you.
00:21:10Yeah.
00:21:10No, I gotta get going, too.
00:21:11Well, that's a shame.
00:21:13Maybe I could get an autograph before you go?
00:21:16Yeah.
00:21:20Okay.
00:21:20Two.
00:21:21Amy's fine.
00:21:23Two.
00:21:24Amy fine.
00:21:26I guess that's better for TV and Chicago, you know?
00:21:29Wait.
00:21:30Um, could you take a picture of us?
00:21:32Is that okay, Mr. Shore?
00:21:34Of course.
00:21:35Yes.
00:21:42Nice to see you smile.
00:21:43Oh, my God.
00:21:44That's my new profile pic right there.
00:21:46Okay.
00:21:47Uh, we gotta go.
00:21:47Uber's here.
00:21:48Nice to meet you.
00:21:49Wait.
00:21:49You can't leave.
00:21:51You have to stay and meet Brianna.
00:21:52Please?
00:21:54I don't know.
00:21:56You don't know?
00:21:58I mean, I could probably finish the calamari.
00:22:01Hmm.
00:22:02Uh, you probably have to go because of that thing you were telling me about.
00:22:06Remember?
00:22:07Why don't you both stay?
00:22:08Sorry.
00:22:09Do you mind me asking how old you are?
00:22:10How old are you?
00:22:12Okay.
00:22:12I'm out.
00:22:13I'm kidding.
00:22:14I'm gonna wait for Brianna.
00:22:17I knew I had a fan club.
00:22:20Dude.
00:22:24Okay, if he brings up the forgotten homeless crisis, cut him off.
00:22:31So they have my favorite martini here.
00:22:34Have you ever had a monkey martini?
00:22:36Okay.
00:22:38One monkey while we wait for your friend.
00:22:39And then I gotta get home.
00:22:41I thought you said your wife was out of town.
00:22:42Hmm.
00:22:52I'll be back.
00:22:52Ladies room.
00:22:53Okay.
00:22:55Order us two monkeys.
00:22:56I really wanna ask your advice on where to send my room.
00:23:03Two monkey martinis then?
00:23:08I'll show the check and go home.
00:23:18Oh.
00:23:21Oh, listen.
00:23:22You were amazing.
00:23:24My dam.
00:23:25The way you told my life story.
00:23:27You made it way more romantic than that.
00:23:29Okay.
00:23:29You know what?
00:23:30It's completely believable that you lived in the Shire.
00:23:32Hobbits aren't Irish, okay?
00:23:34What are they?
00:23:35I don't know.
00:23:36They're from Middle Earth or something.
00:23:40Oh, look, I hope that you know that you deserve all of this.
00:23:44And the respect even more than the money.
00:23:46They see how special you are.
00:23:51You trusted me with your work, and I love your work so much.
00:23:55Do you know what that means to me?
00:24:00God.
00:24:02I mean, I was just in auction house a wage slave with a normal job six months ago now, I
00:24:07guess.
00:24:09Look, I can feel it.
00:24:12Just be here.
00:24:15Right here.
00:24:17Yes, girl, we should go.
00:24:21Before we go back to our rooms, let's just have one more drink.
00:24:29I'm seriously trying to reach you.
00:24:38Okay, I guess we're done here.
00:24:43I'm sorry.
00:24:44I, um, yeah, yeah, that was phenomenal.
00:24:50Was it?
00:24:55Look, um, I love my wife.
00:25:02Okay.
00:25:10Shit.
00:25:12Shit.
00:25:20Look, I've never done this before, so I don't really know how to...
00:25:26Shit.
00:25:27You get rid of me?
00:25:29Uh, no.
00:25:30I mean, like, you know, wrap this up.
00:25:32Pretty sure you just did.
00:25:48I hope you don't think that I'm playing games with you, okay?
00:25:51I'm not that kind of guy.
00:25:52Well, maybe I'm the one playing games.
00:25:58I hope not.
00:26:00I mean, I could use someone to help my real good into the right hands when I get my Masters
00:26:05in June.
00:26:07You serious?
00:26:09You're right.
00:26:10We really can't see each other again.
00:26:13No, we can't.
00:26:15We should agree on that.
00:26:25I'm sorry you wouldn't be cutting your stay with this shirt.
00:26:27I hope you found the accommodation satisfactory.
00:26:29Yes, just a change of plans.
00:26:31They call me that old Santa.
00:26:34I make my run.
00:26:36Listen, here.
00:26:38I ain't like old Saint Nick.
00:26:41He don't come but once a year.
00:26:45No!
00:26:47I ain't like old Saint Nick.
00:26:50He don't come but once a year.
00:26:52I missed you.
00:26:55I missed you.
00:26:56I missed you too.
00:26:56I made gold!
00:27:00Thanks, man.
00:27:01So, if you have any work, I want you to hang it at the centerpiece of the show.
00:27:08I would have to rearrange this entire installation to add this.
00:27:11I worked hard to finish it today.
00:27:14And trust me.
00:27:15It's worth it.
00:27:19What's it called?
00:27:21Brooke.
00:27:24And how about Dreams in Paris?
00:27:29That's even worse.
00:27:38Can you spend some time with me?
00:27:41I'll go, what can you say?
00:27:44Okay, we'll take it.
00:27:46Fantastic! Cheers!
00:27:52Cheers!
00:28:24I heard he paints from his imagination.
00:28:27I heard he paints from his experience.
00:28:32Where is Brock?
00:28:33Let's hang her before we go.
00:28:34Uh, yeah.
00:28:35I haven't seen her in a while.
00:28:37I don't think he's very good.
00:28:38Really?
00:28:40I think they're so sensual and immediate.
00:28:42And we just bought $10,000 worth of sensual and immediate.
00:28:49There they are!
00:28:52Bravo!
00:28:54Bravo!
00:28:55What the hell?
00:28:56They're talking.
00:28:57How much did you drink?
00:28:58Please, please.
00:28:58I want to go talk to the artiste.
00:29:03Hey.
00:29:05Your beautiful art will hang on my walls.
00:29:07And every time I see it, I will think of you and your great time.
00:29:11All right.
00:29:12Well, thank you so much.
00:29:14That means...
00:29:14That means so much to me.
00:29:15It really does.
00:29:17What was all the whispering about?
00:29:19Ah, some things are private.
00:29:22What about that?
00:29:24We spoke to someone at New Museum.
00:29:26They love Anne Scara's work.
00:29:28And they're interested in one of the large pieces.
00:29:31Really?
00:29:32Which one?
00:29:33The new one.
00:29:34New Museum.
00:29:35Adam, go buy another one right now.
00:29:37Brooke is an expert at making things happen.
00:29:41Oh.
00:29:45Now, if you'll excuse me.
00:29:51Hello there.
00:29:53Hi.
00:29:55You would like you to check.
00:30:00I have to get a check for the caterer.
00:30:03I will come with.
00:30:04I want to hear more about Paris.
00:30:16Oh, my God.
00:30:18What?
00:30:18That woman.
00:30:21Who is she?
00:30:22No one.
00:30:24Why does she look so familiar?
00:30:26I have a serious problem right now.
00:30:29Is that the girl from the bar?
00:30:33Why would she show up here?
00:30:35She probably just knows the artist.
00:30:37No, no.
00:30:37I think she's looking for me.
00:30:39Why?
00:30:40Because I didn't give her my number.
00:30:41Okay, look.
00:30:42Look, we have to get our story straight.
00:30:44Our story?
00:30:45What the hell happened?
00:30:46Look, you have to back me up on this.
00:30:49Oh, my God.
00:30:50Are you stupid?
00:30:51You're the one who left me at a bar with a woman who was clearly coming onto me.
00:30:54That's our story?
00:30:55You know I can't get drunk anymore.
00:30:57All right, look.
00:30:58Listen to me.
00:30:59We've never seen her.
00:31:00Bad idea.
00:31:01Okay, just save me at the bar and then we should have a cap.
00:31:03I can't.
00:31:04I can't.
00:31:04I can't.
00:31:04You took a fucking picture with her asshole.
00:31:07Hey.
00:31:08I'm about ready to close up.
00:31:09Yeah, let's close it up.
00:31:10Yeah.
00:31:14Who's that?
00:31:16Who?
00:31:17That woman.
00:31:19Do you know her?
00:31:20Is it possible that...
00:31:21I don't know her.
00:31:23Maybe you've met her.
00:31:25I haven't?
00:31:26Yeah, he meets a lot of people.
00:31:27Yeah, I thought she looked familiar.
00:31:29We have like a bunch of new interns at the station.
00:31:32Yeah, she looks like she would be an intern.
00:31:34Let's ask her if that's how you know her.
00:31:36I've never seen her before.
00:31:38Look, this lovely lady was just saying how much she liked my newest painting.
00:31:42It's all in the new museum once.
00:31:44Would you like to buy it too?
00:31:46If only I could.
00:31:47This is your gallery, yes?
00:31:48Yes, yes, hi.
00:31:50For Gatwick.
00:31:51Amy, hi.
00:31:52This is my husband, Nolan.
00:31:54We've met, right?
00:31:57I don't think so, hi.
00:31:58Oh, um, you must look like someone.
00:32:02I must be confused.
00:32:05Gramercy's Wednesday?
00:32:06Oh.
00:32:07Uh, were you there?
00:32:09I thought so.
00:32:13Oh, probably off the television.
00:32:15I hear you're incredible with dogs.
00:32:18Dog weddings and a chapel.
00:32:20Right.
00:32:21Oh, that's why you're going to Vegas, is it?
00:32:30Well, it's late.
00:32:32Uh, should we all get going?
00:32:39Just us then.
00:32:40All right.
00:32:41All right.
00:32:41I will see you.
00:32:41I will call you.
00:32:42Thank you for everything.
00:32:47I'm going to be locking up in a few minutes.
00:32:49Oh, okay.
00:32:50Um, I read your profile in Art News.
00:32:53I'm so happy to have met you.
00:32:54Oh, it is an honor, truly.
00:32:57You know, I'd like to buy art someday.
00:32:59I could use some pointers.
00:33:01Oh, I'm going to get going, okay?
00:33:02No, please wait.
00:33:03I'm almost done here.
00:33:03I'll be waiting outside.
00:33:04I would love to give you some pointers.
00:33:07You know, I should really probably get going.
00:33:09No, no, no.
00:33:10You just got here.
00:33:12You want to close up?
00:33:13I can come back in another day.
00:33:16I'll give you a quick tour.
00:33:19Oh, okay.
00:33:24It would be wise to say your goodbyes to your paying customers.
00:33:27And I love that you're always thinking about pleasing the customers.
00:33:32Which affords me the luxury.
00:33:34Thinking about the art.
00:33:55Thanks for the ride.
00:33:57Oh.
00:33:58This way you live?
00:34:00No.
00:34:01I just have to drop something off.
00:34:03I need to wait, though.
00:34:03That's okay.
00:34:04I'll wait.
00:34:33I'm
00:34:38What do you want?
00:34:44Is she home?
00:34:46No.
00:34:47She's not.
00:34:49Please, let me in.
00:34:50I need to tell you something.
00:34:53Come on.
00:35:02For fuck's sake.
00:35:08I never talked to her about us.
00:35:11That's not why I went to the gallery, I promise.
00:35:13What?
00:35:14Okay, look.
00:35:16You have no idea of the whole story here.
00:35:19What are you talking about?
00:35:22You don't even understand.
00:35:24I actually met your wife a few days ago.
00:35:36Men like Oscar are very good for our business.
00:35:38Absolutely.
00:35:39Court of business.
00:35:40When you've been doing what we've been doing for long enough,
00:35:42you just conclude that everybody cheats.
00:35:44The wives are just better at not getting caught.
00:35:46Yeah, I mean, I've been hiring so many private investigators,
00:35:48I could teach a course at Quantico.
00:35:49I'll be right back.
00:36:02Yep.
00:36:06Are you okay?
00:36:07Owen's been giving me shit about Ansgar texting all the time,
00:36:10but he gets up and texts in the middle of the night, too.
00:36:12Owen is a news guy.
00:36:13The news never sleeps.
00:36:15He's been acting weird lately.
00:36:17Do you think he's messing around?
00:36:20No.
00:36:20I think you're just letting the stress at the opening get to you.
00:36:23Put your phone away.
00:36:24Pay your man a little attention.
00:36:26It's all he wants right now.
00:36:34Right.
00:36:34Right.
00:36:35Just be direct.
00:36:35Right.
00:36:36Downplay the fact that you're going to be in a Paris hotel
00:36:38with the World Soxies being alive.
00:36:41Okay.
00:36:42Get out of here.
00:36:42Go talk to your husband before I have to represent you.
00:36:50What?
00:36:52Owen told me who he was texting late at night.
00:36:54He says it's one of the new producers named Sarah.
00:36:56And?
00:36:58And I stole his iPad.
00:37:00That is a complete violation of privacy and trust.
00:37:03Do you have his password?
00:37:04Yeah, you do.
00:37:05I'm just trying to figure out if I have a reason to worry.
00:37:07Okay.
00:37:08Well, this iPad is marital property,
00:37:09so legally I see nothing wrong with what's happening here.
00:37:11Okay, first, I want to say in my defense
00:37:13that I did not want to snoop,
00:37:14but I just saw his messages come in.
00:37:16And he's been acting weird.
00:37:17He's been staying no later than usual.
00:37:19And he says it's just work assignments,
00:37:20but I don't know where he really is
00:37:21or what he's really doing with her.
00:37:23So many men use the working lady excuse.
00:37:25You want to have a child with this man.
00:37:27I know, but this is all one we're talking about.
00:37:29So many years of nothing but good.
00:37:31I'm not worried at all.
00:37:39Honestly, I don't think he's really cheating,
00:37:41but it just makes me wonder if he would cheat.
00:37:43It's the sliver of doubt that's killing me.
00:37:48God, I hate this about myself.
00:37:53Okay.
00:37:54There's a few ways we can do this.
00:37:56I'm listening.
00:37:57I always tell my clients,
00:37:58if you want to prove that your husband's cheating,
00:38:00you should hire a PI to tail him.
00:38:02But if you want to know for sure
00:38:04that your husband wouldn't cheat,
00:38:06you hire a decoy.
00:38:09What's that?
00:38:10I use them all the time.
00:38:11A decoy's going to flirt with him,
00:38:12give him an opening, and see what he does.
00:38:14And if the husband takes the bait,
00:38:16does the decoy go all the way?
00:38:17No, no, no, no, no.
00:38:18They have a professional code of ethics.
00:38:20Like hitmen.
00:38:21Damn.
00:38:23That's dark.
00:38:24I don't think I need to know that badly.
00:38:25You don't.
00:38:26Owen is the sweetest guy ever,
00:38:28and you're lucky he puts up with you.
00:38:29I know.
00:38:32But, if you do find your insecurities
00:38:34keeping you up at night,
00:38:36call this agency.
00:38:37They're open 24 hours.
00:38:39I won't call.
00:38:39You shouldn't.
00:38:40But if you do,
00:38:42get my volume discount.
00:39:29I won't call this agency.
00:39:53I won't call this agency.
00:40:26I won't call this agency.
00:41:00When you get a break, please call me.
00:41:02Bye.
00:41:12Right here is fine.
00:41:54Are you Brooke?
00:41:55I am.
00:41:57Are you the one there Sunday?
00:41:59Yes, Amy. I'm the operative.
00:42:01Operative? Sounds official.
00:42:03It's just a job that's paying for grad school.
00:42:06Speaking of payments...
00:42:09Yes, I take half now and then the other half when I bring you the video from the video guy
00:42:13across the room and the audio from my phone.
00:42:18Okay.
00:42:19Has he been unfaithful before?
00:42:22I don't think so. I don't know.
00:42:24Do you have kids?
00:42:26No.
00:42:27Not yet.
00:42:29Great.
00:42:31And I'll just need to see a picture. They said you didn't attach one.
00:42:39I'd rather not send this.
00:42:45You know, I'm not sure you're his type.
00:42:49Um...
00:42:49Yeah, maybe.
00:42:50Um, it's hard to tell.
00:42:51I-I'm more attractive when I go out.
00:42:57Um, maybe there's a perfume he likes, or...
00:42:59I'm not gonna tell you what kind of perfume he likes.
00:43:01You're wearing Chanel. My mom has that perfume.
00:43:08Look, I-I know this is probably really strange for you.
00:43:11And you don't know me at all.
00:43:14But...
00:43:15Honestly, you have nothing to worry about with me.
00:43:18I have a boyfriend who I'm very much in love with.
00:43:24This gig is just really good money.
00:43:32Uh, this is my number.
00:43:33I already have you saved into my phone as Brianna.
00:43:35And if you decide at any point that you don't want to go through with this,
00:43:39just send me the message, sorry, have to bail.
00:43:42Okay.
00:43:43And you'll respond, so I know you got it.
00:43:46Yeah.
00:43:47I'm like a normal person who texts.
00:43:51Glad to have met you.
00:43:53You know, I didn't think I'd get any more jobs left after the holidays.
00:43:57It's a slow time of year.
00:44:03Just be here.
00:44:06Right here.
00:44:08Let's go.
00:44:08We should go.
00:44:12Before we go back to our rooms,
00:44:15let's just have one more drink.
00:44:20Owen.
00:44:22What?
00:44:23I-I just have to send a message and cancel something really quick.
00:44:28Then I gotta go.
00:44:29I thought you said your wife was out of town.
00:44:35I'll be right back.
00:44:36Maybe soon.
00:44:37Okay.
00:44:38Orders two monkeys.
00:44:40I really want your advice on where I should send my deal.
00:44:47Two monkey martini, sir?
00:44:49You know, I should probably have a check.
00:44:50You know, I should probably have a check.
00:44:52Yeah.
00:45:11Look, relax.
00:45:12Hey.
00:45:14Look at where we are.
00:45:18I mean, is there anything better than this?
00:45:24You're right.
00:45:26I'll get now.
00:45:30Uh-huh.
00:45:31Okay.
00:45:54Here we go.
00:46:03I'm back.
00:46:06I feel.
00:46:12Now, do you think they'll actually pay us?
00:46:15They better.
00:46:15Or I'll break their legs.
00:46:17Oh, is that what gallery owners do?
00:46:19That is what gallery owners do.
00:46:21That is why I got into this business, for the danger.
00:46:24Oh, wow.
00:46:24Okay.
00:46:25Back up.
00:46:28Let me ask you.
00:46:30Amanda Geisler is pursuing you heavily, and her gallery is established.
00:46:34So, why did you go with me?
00:46:38You were more beautiful.
00:46:40Really?
00:46:42And I didn't want to share.
00:46:45Ah, the real reason.
00:46:47Oh, you were willing to go all in on me for a solo show.
00:46:52And I appreciate that commitment to risk.
00:46:56The feeling's mutual.
00:46:59And you are more beautiful.
00:47:10So, have you always loved artists?
00:47:13I love art more than I love artists.
00:47:15Come on, you're like me.
00:47:16Well, you're the exception.
00:47:20So, why did you choose me?
00:47:25Your work was the most beautiful.
00:47:31You know, when I look at you, I see colors.
00:47:38Really?
00:47:40I found out there's something different about my brain.
00:47:44When I see colors, I hear music.
00:47:47And when I hear music, I see colors.
00:47:50That's called synesthesia.
00:47:51Yeah.
00:47:52Yeah.
00:47:53I look up at the sky, and I see blocks of color moving, and I hear music.
00:48:00And everything about us is color, the music.
00:48:10My brain.
00:48:16I love that.
00:48:25You know, there's something in my room I want to show you.
00:48:32Would you like to see it?
00:48:38Sorry.
00:48:42Everything okay?
00:48:43I'm just waiting on a message.
00:48:46Um, I don't have any bars here.
00:48:48I think I have to go find some reception.
00:48:53Look, your husband's probably working late.
00:48:56Can you just be here?
00:49:00I can't.
00:49:01I might have made a huge mistake at home.
00:49:04Excuse me, I have to get a hold of Owen.
00:49:07I think we should just say goodnight now, I think.
00:49:09I'm sorry.
00:49:19Come on, come on, come on.
00:49:22God, come on.
00:49:23Come on, come on, come on, come on.
00:49:49You sure you just don't want to help me with my reel to get my foot in the door?
00:49:57You want to answer that?
00:49:59I should.
00:50:00You should.
00:50:06Hey.
00:50:08Hi.
00:50:09Hi.
00:50:10Finally, you answered.
00:50:12Yeah, everything okay?
00:50:13Yeah.
00:50:15Did I wake you?
00:50:16what time is it that it's after 7 a.m. I tried to text and call you last night
00:50:24yeah they just came through now how'd it go great five no it is did you end up
00:50:46at Gramercy bar oh and did you go to Gramercy last night I got yeah I got a
00:50:58quick drink and then I came home I'll see you tonight oh yeah well mission
00:51:10accomplished you know I have so much work to do I have to get back
00:51:16all right well you probably get to bed I'm sure it's late there yeah I bet
00:51:33you're okay are we yes yes I love you
00:51:44love you too
00:52:09hey sit down
00:52:13where are you going I have to go home now but our tickets are for tonight
00:52:20you understand why I have to get back
00:52:24well Brooke if you have feelings for me if there are feelings here then let's not judge it
00:52:33let's not resist it like I can't stop thinking about you
00:52:44you worked so hard to get here
00:52:49I'm yours
00:52:52I'm sorry I have to go
00:53:05I'll find a place for it but you can't call it Brooke
00:53:09and how about dreams in Paris that's even worse
00:53:25hi there oh hi you're early
00:53:45this what was that the artist that just left yes
00:54:02okay so what do you have for me
00:54:06all right uh I have to tell you something
00:54:10I let something happen that I shouldn't have
00:54:15okay
00:54:19my phone died
00:54:22died
00:54:23yeah I have too many apps or something um
00:54:27I don't know what's wrong with my battery it's a it's a new phone
00:54:31too so I didn't get any audio
00:54:34what about video video guy didn't show
00:54:38yeah
00:54:40I know it looks really bad um
00:54:46nothing happened
00:54:47he was completely faithful to you
00:54:49he passed
00:54:53can I get you coffee water yeah I have to be somewhere so
00:54:57what you must have a little time to tell me what happened
00:55:01please sit
00:55:04um okay
00:55:08yeah I uh
00:55:11I got to the bar
00:55:15so no send off set
00:55:17I spotted your husband
00:55:18uh
00:55:19okay wait hang on you're forgetting the last time you got drunk you tried to find a house for every
00:55:23homeless guy in York City
00:55:24I don't remember that
00:55:25yeah exactly come on let's go
00:55:28come on there's one more
00:55:29that's when I noticed my phone was dead
00:55:32no I gotta go
00:55:34I'm pretty sure Eleanor put a tracking app on my phone
00:55:37hi there
00:55:40he's getting ready to leave with his friend
00:55:41so I sold him by asking a question about journalism
00:55:46let me ask you a question
00:55:47okay
00:55:47do you and your wife have a top five list for a hall pass
00:55:51what like a list of celebrities that we give each other permission to sleep with
00:55:56that's the opportunity or ever present itself
00:55:58exactly
00:55:59no no what
00:56:00Brooke would never go for such a thing
00:56:02what?
00:56:03ever
00:56:05why who's on yours?
00:56:07well I got my boyfriend to agree to a list
00:56:09but it's um
00:56:12it's kind of eclectic
00:56:14no judgment
00:56:19okay come on just tell me who's number one on the list
00:56:23well it's not number one I'm afraid to tell you
00:56:25it's number four
00:56:29number four
00:56:30yeah
00:56:32the suspense is killing me
00:56:34number four
00:56:37I'm unsure
00:56:41shut up
00:56:43there's some news you can use
00:56:48we talked for 20 minutes
00:56:51I gave him some openings but he clearly was not into me
00:56:55at all
00:56:59I thought maybe if I could get him to have another drink it might up my chances
00:57:04but
00:57:05he would not have one more drop
00:57:12he was a perfect gentleman
00:57:16completely clear about where he stood
00:57:19why aren't you bothered that no one's talking about the homeless crisis anymore?
00:57:22so bothered
00:57:25I tried to reach you
00:57:26I texted you the code to call it off
00:57:28you never responded
00:57:30well you didn't need to
00:57:31because he wasn't interested
00:57:32so you talked about work for those 20 minutes?
00:57:35yeah we talked about the business
00:57:37we talked about how to get a leg up
00:57:41breaking in
00:57:43huh
00:57:45Owen gets uncomfortable when he's approached about work
00:57:49that wasn't my perception
00:57:51okay well right now I'm getting your perception
00:57:54but what I need are the facts
00:57:56the fact is this
00:57:58your husband passed the test
00:57:59I made some clear advances and he declined
00:58:03Amy I have no proof that you were even there
00:58:07I have proof
00:58:12this is a napkin that he autographed
00:58:17so are we good?
00:58:21I have to pay you
00:58:24right
00:58:28you know what I'm not going to take that
00:58:31but it's not your fault that your phone died and the video guy didn't show
00:58:34right?
00:58:37please
00:58:38take it
00:58:42thanks
00:58:47you should come to the opening tonight
00:58:49you can meet Anscar
00:58:52will your husband be there?
00:58:54what does it matter?
00:58:55I think you'd enjoy it
00:59:02dog weddings at a chapel
00:59:04right
00:59:04oh that's why you're going to Vegas?
00:59:07is it?
00:59:12well it's late
00:59:13uh
00:59:13should we all get going?
00:59:16uh
00:59:17should we all get going?
00:59:19just us then
00:59:36there you are
00:59:37I need to tell you something
00:59:38are you fucking crazy?
00:59:39what are you doing?
00:59:40you can't be here
00:59:41you have no idea what's going on here
00:59:42I think I do
00:59:43no you actually don't
00:59:45hey
00:59:45hey
00:59:46found you
00:59:47so uh
00:59:49thanks to grab my drink
00:59:50I really should go
00:59:52I mean it's just early
00:59:54come with me
01:00:02Brooke
01:00:02I'm leaving
01:00:03I'll see you in the morning
01:00:06oh
01:00:06the whispering scowls in the shadows
01:00:09fuck off
01:00:10fuck off?
01:00:12well fuck me newsboy
01:00:13yeah fuck you
01:00:25get off of me
01:00:26get off
01:00:26what is wrong with you?
01:00:27are you a man so jealous he can't control himself?
01:00:30you're fucking crazy
01:00:31fuck you
01:00:32you okay you're bleeding
01:00:33I'm fine
01:00:33oh my god
01:00:34do you need to go to the hospital?
01:00:36I'm not going to the hospital
01:00:36I'm fine
01:00:37she's right
01:00:38you're a mess
01:00:39look I'm done
01:00:40if you want to grab a drink
01:00:42let's go
01:00:42okay fine fine
01:00:43let's go
01:00:44let's go
01:00:46are you hurt?
01:00:48physically
01:00:54I'm dropping him
01:00:57okay let's go home
01:01:06Owen are you sure you don't know that woman?
01:01:09the one that was with Ansgar?
01:01:11I don't know her
01:01:13so you didn't meet her at Gramercy Bar when I was in Paris?
01:01:16I thought I remember
01:01:21do you remember this?
01:01:30what?
01:01:32she gave this to you?
01:01:33when did she give this to you?
01:01:35what did she say?
01:01:36well I want you to tell me
01:01:40I don't understand
01:01:44she gave that to you?
01:01:45yeah she did
01:01:50okay maybe I gave her an autograph
01:01:52I don't remember
01:01:53you know it was crowded
01:01:54and I can't
01:01:55so you talked to her
01:01:58I just don't understand
01:01:59why you couldn't say that to begin with
01:02:04honestly
01:02:06it was all a blur
01:02:08okay
01:02:10okay look
01:02:11all right
01:02:11I
01:02:13right
01:02:15I was leaving with Adam
01:02:16some girl comes up
01:02:17she asks for an autograph
01:02:21is this thing we need to make a big deal out of?
01:02:23a girl at a bar?
01:02:24do we need to make a big deal about it?
01:02:28you tell me
01:02:31I don't know
01:02:32she's a fan
01:02:33she can say anything
01:02:34like what?
01:02:35who knows
01:02:36crazy shit
01:02:38you think she would do that?
01:02:41you never know
01:02:42like
01:02:43look
01:02:44you try to be nice
01:02:45give an autograph
01:02:47give him a picture
01:02:49what you took a picture with her too?
01:02:53yeah
01:02:53yeah
01:02:55on her cell phone?
01:02:57yeah
01:02:59she said she was gonna put it online
01:03:00which I was not very happy about
01:03:03are you sure she used her cell phone?
01:03:05yeah
01:03:06Adam took the picture
01:03:08look
01:03:09what difference does it make?
01:03:12you're lying
01:03:16no I'm not
01:03:18I want you to tell me
01:03:20exactly
01:03:22if something happened
01:03:23more than what you're telling me
01:03:27don't lie to me
01:03:34alright
01:03:36alright what?
01:03:37you're right
01:03:37okay
01:03:38there's more to the story
01:03:41there's a story?
01:03:45look
01:03:45okay
01:03:46I never meant
01:03:47for things
01:03:47to get out of hand
01:03:49what?
01:03:50and
01:03:51you were spending
01:03:52a lot of time with him
01:03:53and I was losing it
01:03:55okay
01:03:56what did you do?
01:03:58oh my god
01:03:59um
01:03:59can we pull over?
01:04:01can we just go?
01:04:02no no no no
01:04:03I need to get out
01:04:04can you let me out?
01:04:05Brooke
01:04:05no can you stop the car
01:04:06can we just stop the car?
01:04:07stop the car right now
01:04:08god damn it
01:04:12Brooke
01:04:13Brooke
01:04:14hey
01:04:15hey just come back
01:04:16to the cab
01:04:16okay we can go home
01:04:17and talk
01:04:17just say what you have to say
01:04:20oh my god
01:04:21you can't even say it
01:04:29Brooke
01:04:30hey
01:04:31hey
01:04:33I made a mistake
01:04:34don't touch me
01:04:35you have to hear me
01:04:36okay
01:04:37in all the years
01:04:37we've been married
01:04:38I have never done
01:04:38anything
01:04:40inappropriate
01:04:40I've never done
01:04:41anything to undermine
01:04:42our relationship
01:04:43Owen
01:04:44did you
01:04:45have sex with her?
01:04:50you had sex with her?
01:04:57look I feel terrible
01:04:59okay
01:05:00I don't know what
01:05:00I'm sorry
01:05:02Brooke please
01:05:03just listen
01:05:04okay
01:05:05just listen
01:05:06hey
01:05:06get away
01:05:07wait wait wait
01:05:14all those women at work
01:05:15that you go on trips
01:05:15with your late night
01:05:16outings
01:05:17give me your phone
01:05:20please just go home
01:05:21no
01:05:22I want your phone
01:05:23to look through
01:05:24all your texts
01:05:24and everything
01:05:24right now
01:05:25go home
01:05:25come home
01:05:26here
01:05:26come home
01:05:33Ooh, ooh, ooh, ooh.
01:05:44Ooh, ooh, ooh, ooh.
01:05:46Ooh, ooh, ooh, ooh.
01:05:54I've never had a home, like I never even loved you at all.
01:06:03I can.
01:06:04I know the truth.
01:06:06Oh, no.
01:06:07What did you do?
01:06:15You don't understand.
01:06:17I actually met your wife a few days ago.
01:06:19What are you talking about?
01:06:22She hired me.
01:06:26Hired you?
01:06:27Yes.
01:06:30For what?
01:06:31Like a job at the gallery?
01:06:32No.
01:06:33Then for what?
01:06:34She hired me as an operative, a decoy.
01:06:42What?
01:06:43I knew you'd be at Gramercy that night.
01:06:48She set me up?
01:06:51Yes.
01:06:54You were supposed to have sex with me?
01:06:57You were supposed to have sex with me.
01:06:58No, okay?
01:06:59That was my own fuck-up, because actually, you really are number four on my list.
01:07:18I'm sorry, I don't want to talk about it right now.
01:07:30I'm sorry, I don't want to talk about it right now.
01:07:38I'm sorry, I'm sorry.
01:07:42Oh, okay.
01:07:53I'm sorry.
01:07:56You're lucky to have sex with you.
01:07:57You're lucky to have sex.
01:07:59You're lucky to have sex with me.
01:08:21Hey, Owen, did you just call?
01:08:22We've got lots of Senator McVane tips coming in,
01:08:25so keep your phone close by.
01:08:26Kim says we'll send you out on the best lead
01:08:28if we can confirm the address.
01:08:29Oh, I didn't want to text this
01:08:31because I know it's a surprise,
01:08:33but my aunt said her Paris apartment
01:08:35is all good for you and Brooke
01:08:36if you want it for Christmas.
01:08:37Okay?
01:08:38So call me.
01:08:39Bye.
01:09:11Bye.
01:09:44What are you doing here?
01:09:45What are you doing here?
01:09:46I live here.
01:09:49Amy just went inside.
01:10:02This is the situation.
01:10:06Oh, shit.
01:10:08Did he call and tell you I wasn't here?
01:10:11Did you rush over?
01:10:12She just wanted us all to be on the same page.
01:10:14Look, I realize I crossed a line.
01:10:16Yeah, when?
01:10:18What?
01:10:18When did you decide to cross that line?
01:10:20I was enjoying our conversation.
01:10:23How about what, your boyfriend that you're very much in love with?
01:10:26I had a hall pass.
01:10:27Oh, really?
01:10:28Oh, protecting your little prostitute?
01:10:30I'm not the one who paid her to have sex with me.
01:10:32She wasn't...
01:10:33You weren't supposed to do that to me.
01:10:37I thought that you would be able to say no.
01:10:39I was banking on the proof and in comfort of knowing with 100% certainty that my husband
01:10:43would be faithful.
01:10:45I thought that, you know, even if I...
01:10:50What?
01:10:51Say it.
01:10:52Say what you did to me.
01:10:53Even if I created the circumstances.
01:10:55I have never made a move in my life that wasn't about you.
01:11:00And you're right.
01:11:01I fucked up.
01:11:03I reacted.
01:11:05And I did something wrong.
01:11:06But the ironic thing is, just for a second, I thought, yeah.
01:11:13I'm doing something fucked up.
01:11:16And I'm doing it for me.
01:11:18For me.
01:11:19Just for once.
01:11:21But it wasn't.
01:11:24You did this to me.
01:11:25Fuck you.
01:11:26Okay, I just really have to say, for the record, that I have always been completely professional.
01:11:33And I have never had an incident like this before.
01:11:36You really have no shame.
01:11:40That might be true.
01:11:43But you know what?
01:11:47I'm not the one who dangled a chick in front of my husband to see if he'd fuck her.
01:11:53I don't know why you'd mess all this up.
01:11:57We have a really nice apartment.
01:12:10Hey.
01:12:13Hey, what?
01:12:17You want to talk about it?
01:12:45I need to know, Brooke.
01:12:50Did anything happen in Paris?
01:12:56No.
01:12:59In full honesty, all cards are out on the table.
01:13:04No, I'm not going to answer that question.
01:13:09Well, would you please fucking answer that question?
01:13:14Were you unfaithful to me?
01:13:17And what if I was?
01:13:20Meaning?
01:13:23I may have made a huge mistake at home.
01:13:25We should just think at night now.
01:13:27I think.
01:13:28I'm sorry.
01:13:31I'm sorry.
01:13:58Oh, it's cheating on me.
01:14:01I know it.
01:14:02I can feel it.
01:14:07Cheating.
01:14:08Cheating as in fucking someone who's not me.
01:14:14That's all my fault.
01:14:27Can I show you something?
01:14:36Can I show you something?
01:14:37Hey, come on.
01:14:39I want to change your mind.
01:14:47I bring you in.
01:14:50You're close to me.
01:14:53I want to change your mind.
01:14:59I bring you in.
01:15:04Closer.
01:15:06I want to change your mind.
01:15:13I bring you in.
01:15:15Close to me.
01:15:18Now, can you see that corner there?
01:15:21Two years ago, I was sleeping there.
01:15:26On that sidewalk.
01:15:28I had no one.
01:15:30I was drawing pictures on the walls with chalk.
01:15:35Some people help me.
01:15:38You most of all.
01:15:42And now I'm here.
01:15:46And you're here.
01:15:52Look.
01:15:54If I went away somewhere, then...
01:15:58That's good news.
01:16:01It means you're free...
01:16:03to do whatever you like.
01:16:07No rules.
01:16:09No rules.
01:16:23I live for each moment.
01:16:29What do you think it matters to the universe?
01:16:34Do you kiss me?
01:16:37Or not?
01:16:41I want to change your mind.
01:16:49I bring you in close to me.
01:16:55I want to change your mind.
01:17:01I bring you in close to me.
01:17:07Are you totally with me?
01:17:10Totally with me.
01:17:17In this...
01:17:19sad moment.
01:17:23All cards on the table?
01:17:26As they say in Vegas, baby, when you tie...
01:17:29it's a push.
01:17:31Meaning what?
01:17:34Meaning you hiring Amy...
01:17:36makes us even?
01:17:37Meaning what?
01:17:54I can't.
01:17:56Meaning I don't have to tell you.
01:17:59And that's what makes us even.
01:18:04onto you.
01:18:08Like me now.
01:18:12Bye.
01:18:14Bye.
01:18:16Bye.
01:18:17Bye.
01:18:19Bye.
01:18:21Bye.
01:18:55I'm going to be twice.
01:19:14Wait.
01:19:18Are you coming back for Christmas?
01:19:27Is this it?
01:19:35No.
01:19:48Your Vegas ticket?
01:19:53No.
01:20:03Departs in three hours from JFK.
01:20:09Christmas in Paris.
01:20:14Two tickets.
01:20:14No.
01:20:30No.
01:20:31No.
01:20:32No.
01:20:32No.
01:20:32No.
01:20:33No.
01:20:33No.
01:20:33No.
01:20:55No.
01:20:59No.
01:21:04No.
01:21:06No.
01:21:08No.
01:21:12All right.
01:21:12Okay, get my money back.
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