- 10 hours ago
Category
🎥
Short filmTranscript
00:00:00My favorite novelist is Vaikam David and that is my favorite novelist.
00:00:08Suchin Vaikam David and that is my favorite novelist.
00:00:30Suchin Vaikam David,
00:00:57Metals used for Electroplating, what is it?
00:01:03Chromium, Gold, Silver.
00:01:06Okay, then define Electroplating.
00:01:09The process of depositing a layer of desired metal on another by using electricity.
00:01:15Teacher, I'm going to tell you about Sachin David.
00:01:18Okay.
00:01:19It's a great place.
00:01:19Okay, so how are you?
00:01:23Who are you?
00:01:25I'm not sure.
00:01:27I've just heard.
00:01:27I have already seen a lot of stuff in school.
00:01:30We've got a few weeks in the first session.
00:01:32I'm going to say Sachin.
00:01:33I'm going to tell you about the name of Vykin David.
00:01:35I'm not sure about that name.
00:01:36You'll be very sure about it.
00:01:37I'm going to tell you about it.
00:01:38Tell me about it.
00:01:40I'm going to tell you about it.
00:01:40Okay, teacher.
00:01:41Yes, sir.
00:01:45Hey, sir.
00:01:46Do you want to go home?
00:01:48Oh, no.
00:01:49There is no space for you.
00:01:50There is no space for you.
00:02:15Do you want to go home?
00:02:17Manjadi.
00:02:19Manjadi.
00:02:21Manjadi.
00:02:25Manjadi.
00:02:26Yes.
00:02:27Yes.
00:02:28Yes, sir.
00:02:29Yes, sir.
00:02:30No.
00:02:32Devil's Island.
00:02:33Yes, sir.
00:02:34Yes, sir.
00:02:42Yes, sir.
00:02:43I have a question about the horror novel in the children's magazine.
00:02:47He's a good writer.
00:02:49Is he a good writer?
00:02:51Is he a good writer?
00:02:51He's a good writer.
00:02:53I'm a good writer.
00:02:54I'm a good writer.
00:02:56I'm a good writer.
00:02:56Mike and David.
00:02:57He's a good writer.
00:02:58He's a good writer.
00:03:01What is the name of the novel?
00:03:03Karutta.
00:03:08Go.
00:03:09Go.
00:03:10Go.
00:03:10Go.
00:03:10Go.
00:03:11Go.
00:03:11Go.
00:03:12By the beginning of the month,
00:03:13the story of this book is a good writer.
00:03:16I can't explain to you.
00:03:16Thank you, sir.
00:03:19Thank you, teacher.
00:03:19Didn't you?
00:03:20Yeah.
00:03:22Happy birthday.
00:03:23Now, did you come back?
00:03:29Thanks.
00:03:29Don't you tell me?
00:03:30Don't you tell me, teacher.
00:03:31Don't you tell me?
00:03:32Don't you tell me?
00:03:33Here.
00:03:34Come.
00:03:34Take care.
00:03:36Take care.
00:03:39No.
00:03:40Just go.
00:03:50Satchin's first time was definitely a good match.
00:03:54But...
00:03:55But...
00:03:56We didn't have a good match in school.
00:04:00We didn't have a good match.
00:04:02We didn't have a good match.
00:04:03We didn't have a good match.
00:04:05We didn't have a good match.
00:04:07We didn't have a good match.
00:04:10Keep trying.
00:04:11We didn't have a good match.
00:04:13We didn't have a good match.
00:04:15Learn from the best.
00:04:27Why can't we have a good match?
00:04:31We didn't have a good match.
00:04:33We didn't have a good match.
00:04:36We won't be right.
00:04:44We didn't have a good match.
00:04:47You can't take a match,
00:04:48We're going to be mad at the sale.
00:04:51The sale isn't red.
00:04:53We'll be fine.
00:04:54Sachin, come on.
00:05:24Dad, I'm not going to go there.
00:05:34How are you?
00:05:36I'm not going to go there.
00:05:39I'm not going to go there.
00:05:57I'm not going to go there.
00:05:59It's not very bad.
00:06:01It's not bad.
00:06:02It's not bad.
00:06:04It's not bad.
00:06:05Hey, sir.
00:06:05Mr. Tien, don't worry about it anymore.
00:06:09I don't want to take care of it anymore.
00:06:13Let's go.
00:06:36I'm sorry.
00:06:37I'm sorry.
00:06:39To be my father, I was about to be the man who was being a child who was a child.
00:06:48For those years, it's not true.
00:06:50Because you're my child.
00:06:53Like my father in a long way, I am a child.
00:06:59I can't believe that I am a child in a family.
00:07:02My son of a small class is a child of Batchieran.
00:07:08When I came to the hotel, I was able to pack the hostels in the hotel.
00:07:14One day, they were the people.
00:07:21They were the people who were living in the house.
00:07:25I had a question for those people.
00:07:29When the people were living in the house,
00:07:32they came to the house and came to the house.
00:07:35That's why I was killed in my life.
00:07:39Now, I'm not going to die.
00:07:44That's right.
00:07:46That's right.
00:07:49Where are you, sir?
00:07:53What?
00:07:54This is one place, sir.
00:07:56The sales sales company is a man.
00:07:59How do you get the first place?
00:08:01No.
00:08:02This is the same.
00:08:03I know, you are a fool.
00:08:04Do not have to let him know.
00:08:07You are a fool of me.
00:08:11I'm a fool of a son.
00:08:14To help you, I'm a man with my name.
00:08:19I'm a man named Candrath.
00:08:22That's why, I am the person who is the one who is the one who is a man.
00:08:27What is his life?
00:08:28What did you say about that?
00:08:29I told you.
00:08:32What did you say about that?
00:08:36Romeo and Juliet.
00:08:39William Shakespeare.
00:08:40That broke into the tragical history of Romeo and Juliet.
00:08:46William Shakespeare has written about Romeo and Juliet.
00:08:51Intellectual property and copyrights are the same.
00:08:54You have written about the God.
00:08:57But the God was a paper.
00:09:01He wrote about the book.
00:09:03He wrote about the book and it will be written about the book.
00:09:08He wrote about books and bio.
00:09:09What did he write about books and books and the bibliography...
00:09:14He wrote about the concept of the book.
00:09:16He wrote about the book and the book.
00:09:20If you make a decision that we can't accept the truth of the truth,
00:09:22the truth is that the truth is that the truth is a truth is to have a true truth.
00:09:27Therefore, we must accept the truth.
00:09:29We must accept the truth.
00:09:31This is the only thing to do.
00:09:38Hello.
00:09:39Sir, you came to a tracy.
00:09:42There's a letter from the writing.
00:09:43Yes, a letter.
00:09:46The letter is signed from the old school.
00:09:47There is also a novel.
00:09:49There is also a book store in Manjari.
00:09:51There is also a refund.
00:09:54There is only one copy of the novel.
00:09:58Okay, sir.
00:10:06I have a great IQ.
00:10:08I have an admission of IIT.
00:10:10I live in the world as well.
00:10:11I live in the world as well.
00:10:14Now, I live in my life.
00:10:19I don't know.
00:10:21I don't know.
00:10:23I don't know.
00:10:24I don't know.
00:10:25I don't know.
00:10:27I don't know.
00:10:28I don't know.
00:10:29I don't know.
00:10:31I don't know.
00:10:32I don't know.
00:10:34I don't know.
00:10:36I don't know.
00:10:39I don't know.
00:10:39I don't know.
00:10:45You're happy to save your life, but you are happy to save your value.
00:10:51I stay happy to save it.
00:10:54If you are like an Italian man, that's how the world grew.
00:10:57No matter what you do, you have to save your lives.
00:11:03Chase reputation and greediness will follow.
00:11:08You are the ones who are coming.
00:11:14Reputation.
00:11:16That's what's going on in your life.
00:11:36Please come.
00:11:40According to the Vicarman Dave,
00:11:42the guy named Devil's Island.
00:11:44I've lost my neck.
00:11:46He's the only one.
00:11:51We've got to know how to go to the hospital.
00:11:54I'm going to be going to be back a little.
00:11:56I'm going to be a bit of cinema.
00:11:58I'm going to change the blood.
00:12:01Correct.
00:12:01What?
00:12:03You, sir.
00:12:04If you get the results of the exam, you'll get 90% of you.
00:12:08That's a good idea.
00:12:09If you get the exam, you'll have to go to the exam.
00:12:15Tell me.
00:12:17Hey, come on.
00:12:20There's a fruit.
00:12:21No.
00:12:35I'm not going to get the results of the exam, but I'm not going to get the results.
00:12:42It's a good idea.
00:12:48If you're a person you're a person, you'll have to go to the exam.
00:12:52I'm not going to go to the exam.
00:12:57I don't want to go to the exam.
00:13:01What?
00:13:03I'm not a one who's in love.
00:13:07Who?
00:13:08No.
00:13:09It's not a one.
00:13:09It's not a one.
00:13:09The other one is all.
00:13:12What would you like?
00:13:14I'm a one.
00:13:16I'm a one.
00:13:16I'm not a one.
00:13:19I'm not a one.
00:13:20I'm not a one.
00:13:22I'm a one.
00:13:28Come on, Doctor.
00:13:29I'm a one.
00:13:30I can't get the same plan.
00:13:32I can't get the same plan.
00:13:35I don't know how to make your dreams.
00:13:37It's very simple.
00:13:42I can't get the same plan.
00:13:44I'll be fine.
00:13:45I'll be fine.
00:13:47I'll be fine.
00:13:50I'll be fine.
00:13:53Now, I'm going to focus on the next step.
00:13:56It's a good life to go.
00:13:57I'll take a look at the plastic icon.
00:13:59I'll decide to take a look at the plastic icon.
00:14:03I'll take that.
00:14:05I'll take that.
00:14:06I'll take a look at the Climax.
00:14:07I'll take a look at the plastic icon.
00:14:09I'll take a look at the life of a great name.
00:14:11It's a great deal.
00:14:13Uncle Andy, you can take a look at the place like you.
00:14:16You can take a look at him in a moment.
00:14:19Oh, that's right Andy.
00:14:21I'll do it again.
00:14:27I'll take a look at the game.
00:14:29Oh, it's a little better than I thought.
00:14:32You are a little better than me.
00:14:34You'll have to meet a couple of snacks together.
00:14:35But, still, I'll take a look at each other.
00:14:37You're so lucky.
00:14:38I'll take a look at the joke.
00:14:40I'll take a look at the crime.
00:14:54Mamma, I'm going to go to the special place.
00:15:19I don't know.
00:16:05I don't know.
00:16:07I don't know.
00:16:09I don't know.
00:16:21I don't know.
00:16:23I don't know.
00:16:25I don't know.
00:16:32I don't know.
00:16:36I don't know.
00:16:39I don't know.
00:17:10I don't know.
00:17:18I don't know.
00:17:20I don't know.
00:17:22I don't know.
00:17:23I don't know.
00:17:24I don't know.
00:17:27I don't know.
00:17:59I don't know.
00:18:01I don't know.
00:18:29I don't know.
00:18:59I don't know.
00:19:02It's just a very bad thing.
00:19:06Yes, life in a rain, Getti.
00:19:09This place is called Devil's Island in the climax.
00:19:12Okay, what are you doing?
00:19:15What are you doing?
00:19:16No.
00:19:18Okay, what's the end?
00:19:20What's the end?
00:19:21What's the end?
00:19:22This is the end of the day.
00:19:28I'll be happy.
00:19:40Oh!
00:19:41Hey, why do you decide my life?
00:19:45I just shot a hole in my heart.
00:19:50What?
00:19:51A book.
00:19:55For the climax of the level of the level...
00:19:57... I haven't passed on since…
00:20:00...their only one should be.
00:20:05I've made this vision.
00:20:08Oh, they need to show see an idea of a video camera.
00:20:11I don't think they should go through the video camera.
00:20:13If you go around and you'll see a video from watch too.
00:20:16It will be $20.
00:20:18And I hope you will be in the future of the day.
00:20:19Yes, there are 20.
00:20:25I will see you in the future of my mother.
00:20:29Make sure it's my video camera.
00:20:31Why are you watching this?
00:20:33I didn't like it.
00:20:34I am a devil's head.
00:20:35I will be getting my own head in the ground.
00:20:39I will be able to get my own head to the ground.
00:20:42I will be able to get my own head.
00:20:43I will be able to get my own head to the ground.
00:20:46I will be able to get my own head to the ground.
00:20:48The man, the man,
00:20:50is which he is for forever.
00:20:55Do you have to say something?
00:20:57No, I don't have to say something.
00:20:59There's only nothing to say something.
00:21:01I'm not going to say something.
00:21:02That's it.
00:21:03Without a sudden,
00:21:04I can't believe that the Agri habans is not a person.
00:21:06Amen.
00:21:06I can't believe it.
00:21:08I can't believe it.
00:21:11I have never seen Hollywood in this car.
00:21:15It was not a small boy in Hollywood.
00:21:16Hollywood,
00:21:17Hollywood.
00:21:17That's what I'm going to do.
00:21:19I'm going to go to the Handycam.
00:21:27Dad, I'm going to go.
00:21:32You're going to go to the Handycam.
00:21:35Dad.
00:21:36What is this?
00:21:38I'm going to go to the DTS.
00:21:42I'm going to go to the Moliwood.
00:21:44I'm going to go to the Moliwood.
00:21:46I'm going to go to the Moliwood.
00:21:48Best of the best in details.
00:21:50I'm going to go to the Moliwood.
00:21:55I'm going to go to the Moliwood.
00:21:57I'm going to go to the Moliwood.
00:21:59And no one can stop me.
00:22:01Because they were in the hood and out.
00:22:04Everyone.
00:22:16Moliwood.
00:22:28Moliwood.
00:22:32Moliwood.
00:22:35Moliwood.
00:22:36Moliwood.
00:22:40Oh, oh, oh, oh.
00:23:02Bhagavathi!
00:23:11Go! Go!
00:23:22Bhagavathi!
00:23:24Bhagavathi!
00:23:28What are you doing?
00:23:32No, I'm going to go.
00:23:34I'm ready.
00:23:35I'm going to go.
00:23:37This is the Orkut profile.
00:23:41This is the Orkut profile.
00:23:42I have 5 friends in my life.
00:23:43Achan, Aamma, Apupen, Suji, Suleet.
00:23:47I have a friend from RG and Vinen Sir.
00:23:50I have a friend.
00:23:52If they don't accept it,
00:23:54they will accept it.
00:23:55But they will accept it.
00:23:56I will give you another message.
00:24:00Waiting for that day.
00:24:02I'm not happy.
00:24:04Teacher, you don't have a friend.
00:24:05You don't have a friend.
00:24:06You don't have a friend.
00:24:0762%
00:24:08Max just passed.
00:24:09That's the teachers here.
00:24:11After the board exam,
00:24:12you will be able to do this.
00:24:14One of them.
00:24:16That's the same.
00:24:17That's the same.
00:24:18Chakra Boomi.
00:24:19Yes.
00:24:20books for us.
00:24:22Good.
00:24:24If there's a card,
00:24:25you will pay the discount.
00:24:27You have a discount for hand cams.
00:24:28You'll give it to my tori.
00:24:33No.
00:24:34I will make it.
00:24:36I'll make it a mix.
00:24:38Look!
00:24:39I'll make it now.
00:24:39I'll make it back.
00:24:40I'll make it a vacuum cleaner.
00:24:42I'll make it a great deal.
00:24:43I'll make it all out.
00:24:47Okay, so I'll show you the most short film.
00:24:51I'm a master filmmaker now.
00:24:54Is that it?
00:24:54Yes, it's me.
00:24:56It's all that?
00:24:56Yes, it's me.
00:24:56SSLC even is distinct.
00:24:58It's indistinguishable.
00:25:00Sweet Jesus.
00:25:03Oh.
00:25:04Oh.
00:25:04Oh.
00:25:04Oh.
00:25:05Oh.
00:25:05Oh.
00:25:08Oh.
00:25:08Oh.
00:25:09Do you know that you have to go to the 80 above Marko?
00:25:10I'm going to go to the loaner.
00:25:22I'm going to come here.
00:25:26When you want something,
00:25:27the entire universe conspires in helping you to achieve it.
00:25:33Go, go.
00:25:38Go, go.
00:25:54Namaskar.
00:25:55I'm Anand Suthagaran.
00:25:56This is the release of the randoms.
00:25:58The randoms are the randoms and the randoms are the randoms.
00:26:02I'm Nirasina.
00:26:04I'm going to come here.
00:26:26I'm going to save Malayan cinema.
00:26:29I'm going to save Malayan cinema.
00:26:33I'm going to save Malayan cinema.
00:26:36What?
00:26:38What?
00:26:48I'm not a nerd.
00:26:52I'm not a nerd.
00:26:55Of course I'm going to be the nerd out.
00:26:57I'm going to hear you in a monologue.
00:26:59What?
00:27:00What?
00:27:01I'm a nerd out.
00:27:02You're my nerd out?
00:27:02I'm going to get it.
00:27:03I'm not a nerd out.
00:27:04Don't worry, don't worry.
00:27:06Don't worry, don't worry, don't worry.
00:27:19The result is,
00:27:21I'm going to go to Manos in the state bank.
00:27:24I don't have any evidence.
00:27:28Unpredictable turn-off events.
00:27:29Just like a Manoj Night Shyamalan film.
00:27:31I'm going to go to my car and go to my car.
00:27:34High-range electronics,
00:27:36a brand new 3.5 megapixel Sony Handycam.
00:27:39I'm going to go to my hand.
00:27:42I'm going to go.
00:27:45I'm going to go.
00:27:47I'm going to go.
00:27:48That's what I'm going to do.
00:27:55Hey, Mani.
00:27:56I'm going to go.
00:27:57There's a reservation in the 10th standard.
00:27:59No.
00:28:00No.
00:28:00I'm going to go to the cabin full.
00:28:02I'm going to go.
00:28:03Okay.
00:28:05Hey,
00:28:08I'll show you a horror shot of the camera.
00:28:10I'm going to go.
00:28:12I'm going to go.
00:28:15I'm going to go.
00:28:30Yeah.
00:28:32I'll go.
00:28:33I'm going to go to Karanda.
00:28:36I'll get a little bit of a call.
00:28:41We'll be there.
00:28:43The getting a little bit of a call.
00:28:46I'm going to welcome you to get a good day.
00:28:51That's all.
00:28:52That's all.
00:28:54I can't remember you.
00:28:55I'm full dark.
00:28:58Go to a check.
00:28:59Go to Karanda.
00:29:01Go.
00:29:01Nokumbu, nothing at all you have in front of me.
00:29:04No, no. If you don't panic, he will be in front of me and just okay.
00:29:08Except for chess in the chest board, you will be in front of me.
00:29:12Nokumbu, nothing at all you have in front of me.
00:29:15When you're at the trap of your door, you'll go back and forth,
00:29:23and you'll be able to see your door,
00:29:26and you are not at all at all.
00:29:28That's right, the corner is at all.
00:29:30My hand was on the door to wide open and open,
00:29:34so I did my hand from the glass of need.
00:29:36But I am weak in the foot.
00:29:39Please consider my hand.
00:29:39Because my hand keeps me straight down,
00:29:42I do not know a wooden blade.
00:29:46Cut the title.
00:29:48Check it out.
00:29:49Every need one more than the film.
00:29:50Whambo.
00:29:51You look like a Ram Gopal.
00:29:54That is what I wanted to shoot and plan.
00:29:56Full.
00:29:57Candlelight.
00:29:5980-90.
00:30:0180-90.
00:30:0480-90.
00:30:0580-90.
00:30:0680.
00:30:0780.
00:30:07I am going to call you.
00:30:11I am not going to call you.
00:30:13I am not going to call you.
00:30:15I am shattered like a beautiful piece of glass.
00:30:19I am going to call you.
00:30:21You will not call me.
00:30:23You will not call me.
00:30:24You will not call me.
00:30:323.5 megapixel with Carl-C slits.
00:30:35Rechargeable batteries and mini-DVT.
00:30:37Can you film a short film?
00:30:39Let's go.
00:30:41Thank you soon.
00:30:42You are welcome.
00:30:44Per day, 600.
00:30:45Tapextra, 100.
00:30:47If you want to shoot it,
00:30:49you will be able to shoot it.
00:30:56600 plus 100.
00:30:58700.
00:30:59Done.
00:31:01I am not going to call you.
00:31:02I am not going to call you.
00:31:03I am not going to call you.
00:31:05I will call you when I am not going to call you.
00:31:09Jekuthan, my first masterpiece.
00:31:13A poupan, what is wrong?
00:31:16Shastram Dottu, Manishiyan Jetsu.
00:31:19The power of manifestation.
00:31:21If you don't want to see the poupan,
00:31:23you'll see.
00:31:37Go.
00:31:45Wait.
00:31:47I'm full.
00:31:48I'm going to see Amidabh Bachchan's short.
00:31:50I'm going to see the intro.
00:31:52You're going to see the poupan.
00:31:54You're going to see the candle light.
00:31:56You're completely blocked.
00:32:05Yes.
00:32:07That's the end.
00:32:18Okay, no.
00:32:22What did you do?
00:32:23I'm not going to see the lamp every night.
00:32:25I'm not going to see the light.
00:32:28It's not 3.5 megapixels.
00:32:30It's not 3.5 megapixels.
00:32:32If there's a lamp in the tube,
00:32:33it's a lamp in the tube.
00:32:34It's a candle light.
00:32:35You don't hear this.
00:32:37How can I shoot a camera?
00:32:40I'm going to shoot a camera, you're allowed to shoot a camera.
00:32:41Then you've got to shoot over.
00:32:42The lights and battery are all around me.
00:32:46How are you?
00:32:49You should shoot a camera in daylight,
00:32:52that's how you really get around.
00:32:55I'll get a better results.
00:33:10Eh?
00:33:11Eh?
00:33:12Ha!
00:33:13Ha!
00:33:14Huh?
00:33:16Huh?
00:33:22Huh?
00:33:24Eh?
00:33:27Eh?
00:33:30Eh?
00:33:31Huh?
00:33:35Eh?
00:33:47Huh?
00:33:50Ah?
00:33:50Eh?
00:33:51Huh?
00:33:52Eh?
00:33:53That's why I'm so proud of you.
00:33:55What's wrong with you?
00:33:56First of all, I'm a man.
00:33:59I'm a man.
00:34:01I'm a man.
00:34:02I'm a man.
00:34:03I'm a man.
00:34:03I'm a man.
00:34:05I'm sorry.
00:34:10What's wrong with you?
00:34:13I didn't know a director.
00:34:15I didn't know anything.
00:34:16I didn't know anything.
00:34:18I didn't know anything.
00:34:20I didn't know anything.
00:34:22Let's go.
00:34:24He's a man.
00:34:25I'm a man.
00:34:26He's the man.
00:34:27He's a man.
00:34:29Shirya, I'm not a man.
00:34:35I'm a man.
00:34:36I don't think I'm a man.
00:34:37I'm not a man.
00:34:38I have no man.
00:34:38I'm not a man.
00:34:39I'm not a man.
00:34:48I don't know anything.
00:34:49You are the same.
00:34:51The expressions of the dialogues are great.
00:34:54But I will go to that.
00:34:57I am going to be in L.A.
00:34:59We are going to be in L.A.
00:35:00We are going to be in L.A.
00:35:02What? L.A. is not the L.A.
00:35:04He is not the only one who has a compliment.
00:35:06He is not a short film.
00:35:09He is not the same in L.A.
00:35:10He is not the same in L.A.
00:35:11He is the same in L.A.
00:35:14He is the same in L.A.
00:35:16He is the same in L.A.
00:35:23He is the only one who has a Pic trunk.
00:35:24He is the same in L.A.
00:35:25So, he is the same in L.A.
00:35:27cannot be able M.A.
00:35:28He is the same.
00:35:28What if he is drawing this department?
00:35:31No.
00:35:31He is not the same poz・・・
00:35:34In some different types ofurable deeds,
00:35:35I am a field expert at this position.
00:35:38In any field,
00:35:39I am going to be out of 40준-$-$%
00:35:42I don't know how to practice.
00:35:44I'm going to take a short film from the 8mm camera.
00:35:49Spilberg and Shyamalan.
00:35:51Because they were young, they were young.
00:35:55They didn't have a master's.
00:35:58I'm going to have a short film in my own short film.
00:36:03Plus one.
00:36:05I'm going to have the best film in my field.
00:36:10The best horror film maker Malayalam cinema has ever produced.
00:36:17Reshoot, Shyam.
00:36:21You're not the only one.
00:36:23You're the only one.
00:36:25You're the only one.
00:36:25That's not the only one.
00:36:30I'm not the only one.
00:36:31I'm going to have a HD camera.
00:36:33I'm not the only one.
00:36:36I'm not the only one.
00:36:38You're the only one.
00:36:39The only one.
00:36:40I'm not the only one.
00:36:41I'll have a short film.
00:36:43I have a car on my car with cinema tickets.
00:36:46This is my savings.
00:36:49Ok, how you got free?
00:36:51One, two, three, four.
00:36:54Do you like it?
00:37:05Cut.
00:37:07I like it.
00:37:17Can you tell me what you're doing?
00:37:25Just for records.
00:37:31Do you know what you're doing?
00:37:51You don't know what you're doing right now.
00:37:52No matter what you're doing,
00:37:55you'll get out of the room.
00:37:57You'll get out of the room.
00:38:04The moment is here.
00:38:11My calculations are wrong.
00:38:13There is no balloon.
00:38:15There is no balloon.
00:38:17What are you doing?
00:38:18I don't know.
00:38:19There is no balloon.
00:38:20There is no balloon.
00:38:21There is no balloon.
00:38:21I am simply built this way.
00:38:27The balloon is a big balloon.
00:38:30The balloon is a red balloon.
00:38:33The balloon is built up and misdirection.
00:38:35That's why the balloon is a red balloon.
00:38:48Do you see the balloon?
00:38:50Just look at the balloon.
00:39:08Bye-bye.
00:39:09What are you looking for?
00:39:10I don't see anything else.
00:39:12Build up and misdirection.
00:39:14It's a single balloon.
00:39:15You see?
00:39:16I'm going to try and write a CD.
00:39:18I'm going to play a class.
00:39:20Everyone is going to play.
00:39:22But I'm going to play a game.
00:39:24I don't know if you're doing anything.
00:39:27I don't know what to say.
00:39:31Really?
00:39:42No, no, no, no, no, no.
00:40:07This is C.K. Parameshura.
00:40:09Vyais is 75.
00:40:11In the past, there is no way to go.
00:40:14There is no way to watch movies.
00:40:17This is my movie.
00:40:19Chattu.
00:40:21Chattu.
00:40:23Chattu.
00:40:32Chattu.
00:40:32Oh, oh, oh.
00:40:36Oh, oh, oh.
00:40:38I should try to get a single person.
00:40:41That's me, I'm a ghost, Miss.
00:40:45You have a ghost.
00:40:46Well, bro.
00:40:47Why are you asking me to tell me?
00:40:48It's a cinema.
00:40:50This is the visual communication.
00:40:53You notice that you know the truth.
00:40:57What?
00:40:58Voice of no.
00:40:59I don't have a couple of times.
00:41:01I'm going to show you a couple of times.
00:41:03Why?
00:41:04I'm going to show you a couple of times.
00:41:13Teacher, I'm going to show you a film maker.
00:41:16I'm going to show you a short film in the last two.
00:41:19That's why I'm going to show you the last 30 days.
00:41:25I'm going to show you.
00:41:27But I'm not going to show you.
00:41:29The company, Godfather, Jagatan.
00:41:38Manoj and A. Chamalan had 28 years ago.
00:41:42R.G.V. 28.
00:41:44Scorsese, 28.
00:41:46Spilberg, 24.
00:41:49Vinita Matha.
00:41:50We're going to show you a couple of times.
00:41:53We're going to show you a couple of times.
00:41:56Then Vinita Matha is 28.
00:41:59Vinita Matha.
00:42:00The youngest hitmaker of Malayalam cinema.
00:42:03Perfect.
00:42:06We're all masters.
00:42:09So, I want to be the best.
00:42:19I want to be the best.
00:42:25Cut.
00:42:26I like it.
00:42:31I like it.
00:42:33I'm a business owner.
00:42:35It's a business owner.
00:42:36I'm a business owner.
00:42:38You're a superstar.
00:42:40You're a superstar.
00:42:41You're a designer.
00:42:43You're a professional.
00:42:54It's crazy.
00:42:54My focus is to attack the world.
00:42:59My favorite cinema is the only way to play.
00:43:01Three years, three short films.
00:43:04All the time is viral.
00:43:06Orkut Mari is now on Facebook.
00:43:08I'm not going to tell you about that.
00:43:10But I'm not going to tell you about anything else.
00:43:12I'm going to tell you about that.
00:43:15I'm going to tell you about that.
00:43:17I'm going to tell you about Super Sarai,
00:43:18Power of Manifestation.
00:43:20I'm not going to teach my college.
00:43:23I'm going to teach him medicine.
00:43:24I'm not going to teach him medicine.
00:43:26But he's not going to teach me medicine.
00:43:28He's going to teach me medicine for his life.
00:43:32He's going to teach me medicine.
00:43:34I'm not happy.
00:43:36Why are you feeling like this?
00:43:37Why do you tell me about your mother?
00:43:40I'm going to teach him for suicide.
00:43:42You're coming.
00:43:44I don't know how to teach.
00:43:47I'm going to teach them.
00:43:48Okay, I'm going to teach them.
00:43:50That's it.
00:43:51I'm sorry.
00:43:59I'm sorry.
00:44:01I'm sorry.
00:44:03I can't be back.
00:44:04Kitty.
00:44:05I'm sorry.
00:44:08I can't be back.
00:44:18Kitty!
00:44:19Kitty!
00:44:20I'm sorry.
00:44:21My movie is the first movie,
00:44:24and the short film in the extension.
00:44:27Come here,
00:44:29not the short film,
00:44:31but the short film is a normal film.
00:44:35I'm sorry.
00:44:36I'm sorry.
00:44:38I'm sorry,
00:44:40I'm sorry.
00:44:41But the audience will come and ask me about that.
00:44:44I'm sorry.
00:44:46I'm sorry.
00:44:47You're a monster.
00:44:53I have two shows.
00:44:57You're not a character.
00:45:02First, it will always be recorded and remembered in history.
00:45:05I'm not sure how these characters are in life.
00:45:09I'm not sure how to write a horror film.
00:45:12I'm going to show you a monster film in Malayana.
00:45:18The rest is okay.
00:45:19But I'm not going to talk to you in a short film.
00:45:22I'm not going to talk to you anymore.
00:45:24He's a scientific man.
00:45:31Why?
00:45:32What's your name?
00:45:33What's your name?
00:45:34Why?
00:45:35What's your name?
00:45:40Karcha Film Society Short Film Festival, 2011.
00:45:44Entry fee, 500.
00:45:45That's right.
00:45:47What's your name?
00:45:47Hmm.
00:45:52Harris Bashir?
00:45:57What's wrong?
00:45:58Not at all?
00:45:59You and the short films,
00:46:00I wouldn't từ the end of my life.
00:46:03I would've lost my life.
00:46:05I would've lost my life.
00:46:06Harris Bashir doesn't have a photo.
00:46:08There's one crew.
00:46:09A lot of companies used to do in the business studio.
00:46:11So serious?
00:46:13No.
00:46:14What?
00:46:14What's your name?
00:46:16I got it.
00:46:16I got it.
00:46:19I got it.
00:46:20I got it.
00:46:21I haven't finished my classroom.
00:46:21I haven't finished my insurance.
00:46:23You've got the relationship.
00:46:25You've got the script.
00:46:26I'm going to have a script.
00:46:27I'm going to have a blockbuster.
00:46:35Hard work, passion, talent.
00:46:39In these three stages,
00:46:40what is the achievement of this world?
00:46:43In Kerala,
00:46:44Vike M. David,
00:46:45in Hollywood,
00:46:46Manoj Night Shyamalan,
00:46:47in Hollywood,
00:46:48in movies and movies,
00:46:50I observe the common ones
00:46:51that are the ungelements.
00:46:53One,
00:46:53in the middle,
00:46:55we have a great relationship.
00:46:56One,
00:46:57good things happen to good people.
00:47:00Three,
00:47:00emphasis on empathy of humans.
00:47:03Four,
00:47:04everything is connected.
00:47:06Five,
00:47:07hopeful climax.
00:47:09As I said,
00:47:10how much I was worried about
00:47:11in my life,
00:47:12I was able to live in my life.
00:47:14I was able to live in my life.
00:47:17In my cinema,
00:47:18I was able to live in my life.
00:47:22I have seen
00:47:23lagi
00:47:23one,
00:47:24one
00:47:24another
00:47:24another
00:47:25five.
00:47:26We have tovasp
00:47:28one
00:47:29two
00:47:29two
00:55:19Man.
00:55:20Love you, man.
00:55:44You're welcome.
00:55:45Goodbye.
00:55:46You have to go to my home.
00:55:46You're welcome.
00:55:47I'm not your home.
00:55:49You're welcome.
00:55:50You're welcome.
00:55:51No one ever accepted connections.
00:55:54But the first prize earned that.
00:55:57You could not have first prize.
00:55:59Don't have to come.
00:55:59He'll come from the first prize.
00:56:01No.
00:56:02There isn't a dollar.
00:56:03I mean, you don't have a message on the Facebook page.
00:56:15Of course, he's not a person in the right place.
00:56:17I'm sorry.
01:04:54Thank you,
01:06:09Thank you,
01:06:11Thank you,
01:06:59Thank you,
01:09:29Thank you,
01:09:58Thank you,
01:11:18Thank you,
01:11:50Thank you,
01:12:49Thank you,
01:13:12Thank you,
01:13:38Thank you,
01:14:33Thank you,
01:14:35Thank you,
01:15:29Thank you,
01:15:31Thank you,
01:15:32Thank you,
01:15:53Thank you,
01:16:05Thank you,
01:16:08Thank you,
01:16:37Thank you,
01:17:11Thank you, thank you,
01:17:43Thank you,
01:17:46Thank you,
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