#belle #affairsoftheheart #enchantedapril
Pip has a terrifying encounter with an escaped convict and later the mysterious Miss Havisham summons Pip to Satis House, where he finds himself falling for her adopted daughter, Estella. Starring: Stratford Johns, Gerry Sundquist, Joan Hickson.
Pip has a terrifying encounter with an escaped convict and later the mysterious Miss Havisham summons Pip to Satis House, where he finds himself falling for her adopted daughter, Estella. Starring: Stratford Johns, Gerry Sundquist, Joan Hickson.
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Short filmTranscript
00:10To be continued...
00:40My first and most vivid impression of the identity of things
00:45seems to me to have been gained on a memorable raw afternoon
00:48towards evening, when I was eight years old
00:51and on my way home from school.
01:11It was then that I found out for certain
01:14that the bleak, overgrown place about a mile from my home
01:18was the churchyard, and that my father, Philip Pirip,
01:23late of this parish, and also Georgiana, wife of the above,
01:28were dead and buried,
01:31and that Alexander, Bartholomew, Abraham, Tobias, and Roger,
01:37their infant children, were also dead and buried.
01:41And the dark, flat wilderness beyond the churchyard
01:45was the marshes.
01:47And a small bundle of shivers, growing afraid of it all
01:51and beginning to cry, was Pip.
01:58Keeps to a little cavil, I'll cut your throat.
02:02Give us your name, quick.
02:04Pip, sir.
02:06Once more, give it mouth.
02:08Pip, sir.
02:09Show us where you live, point out the place.
02:29Where's your mother?
02:31There, sir.
02:34Where are you, young dog?
02:36There, sir.
02:37There's my mother.
02:43Is that your father lying along with your mother?
02:45Yes, sir.
02:46I'm your brothers.
02:48Who do you live with?
02:49Sister, sir.
02:50Wife of the blacksmith.
02:56Blacksmith, eh?
02:59You know what a fire is.
03:01And you know what whittles is.
03:03Food, sir.
03:03Yeah.
03:04You bring them both.
03:06Foil and whittles.
03:08Or I'll cut your heart and liver out.
03:10Tomorrow morning, first thing.
03:12You bring them both to me.
03:14I never dare say a word to no one.
03:16And you shall be allowed to live.
03:19Fail.
03:20And your heart and your liver shall be tore out,
03:23roasted,
03:24and ate.
03:27I'm not alone, as you may think I am.
03:30There's a young man here along with me,
03:32and compared with which one young man,
03:34I am an angel.
03:36That young man hears the words I speak.
03:40That young man has secret ways,
03:43peculiar to himself,
03:44for getting at a boy,
03:46at his heart and his liver.
03:48A boy may lock his door,
03:51may be comfortable in bed,
03:53may think he's warm and safe,
03:55but that young man will softly creep,
03:57and creep his way to him,
03:59and tear him open.
04:02Now, at the present moment,
04:04I am having great difficulty
04:06keeping that young man from harming you.
04:10I am finding it hard
04:13to stop him
04:14getting at your innards.
04:18I'll bring you a far, sir.
04:19And food!
04:22Say, Lord,
04:23strike you dead if you don't.
04:26Lord, strike me dead if I don't.
04:29Now, you remember
04:30what you've undertook,
04:32and you remember
04:33that young man.
04:39He looked as if he were
04:40eluding the hands of the dead,
04:42stretching up out of their graves
04:44to get a twist upon his ankle
04:46and pull him in.
05:11She's been out a dozen times
05:13looking for you, old chap.
05:14And what's worse,
05:15she's got tickler with her.
05:17She sat down,
05:18and she got up,
05:19and she made a grab at tickler,
05:21and she rampaged out.
05:23That's what she did, Pip.
05:24She rampaged out.
05:26Has she been gone wrong, Joe?
05:28She's been on the rampage
05:29this last spell
05:30about five minutes.
05:40where have you been?
05:43I've only been to the churchyard.
05:45If it weren't for me,
05:46you'd have been in the churchyard
05:47long ago
05:48and stayed there.
05:50Who was it brought you up by hand?
05:53You did.
05:54And why did I do it,
05:55I should like to know?
05:56I don't know. No more do I.
05:59I'd never do it again, I know that.
06:01I've never had this apron off since you were born.
06:05It's bad enough to be a blacksmith's wife and him a gargery.
06:09Without having to act as second mother to you.
06:16Churchyard, indeed.
06:18You'll drive me to the churchyard between you.
06:22Precious pair you'd be without me, too.
06:53So, let's go.
07:08Another convict-off?
07:10What does that mean, Jo?
07:13Escaped! Escaped!
07:15There was a convict-off last night, Pep,
07:18and they fired warning of him.
07:19Now they find warning of another.
07:22Who's firing?
07:23Drop that boy! What a questioner he is!
07:26Ask him for a call.
07:26Ask no questions. You'll be told no lies.
07:29But where's the firing coming from?
07:32Lord bless us.
07:33From the hulks!
07:35What's hulks?
07:37That's the way with this boy. Answering one question, he'll ask you a dozen.
07:42Hulks are prison ships.
07:55Pip, old chap.
07:56Do yourself a mischief.
07:58What is it now?
08:00It's a stick somewhere. You can't defuse it.
08:02What is it?
08:04I didn't cough in his draft living up, Pip.
08:06Manners is manners, but you're out to your house.
08:09Now perhaps you'll tell me, you're staring great stuck pig!
08:12All that bread, gone in a flash.
08:17Been bottling this food, has he?
08:19Right.
08:20It's a dose of tar water for you, young man.
08:27You and me is always friends, Pip,
08:29and I'd be the last to tell on you any time.
08:32For such an uncommon boat as that, it's a wonder you ain't bolted dead.
08:40You come along and be dosed, boy.
08:51Who's put into prison ships, Jo?
08:54Just come here.
08:56Didn't bring you up by hand to have you go badgering people's lives out.
08:59People are put in hulks because they murder and rob and forge and...
09:05Finish it!
09:07Every drop!
09:08And because they do all sorts of bad,
09:13the convicts always start by asking questions.
09:16Now off with you.
09:17Get to bed.
09:22Since that Christmas Eve, which is far enough away now,
09:26I've often thought that few people know what secrecy there is in the young under terror.
09:34I was afraid to sleep, even if I had been inclined.
09:38For I knew that at the first faint dawn of Christmas morning, I must rob the pantry.
09:48I was in mortal terror of the man with the iron leg.
09:52I was in mortal terror of his friend who wanted my heart and liver.
09:56I was in mortal terror of myself, from whom that awful promise had been extracted.
10:03I was in mortal terror of it.
10:23I felt that I was in mortal terror of myself,
10:43PIANO PLAYS
11:10PIANO PLAYS
11:47PIANO PLAYS
11:51PIANO PLAYS
11:52PIANO PLAYS
12:13What's in the bottle, boy?
12:15Brandy, sir.
12:22I think you have the egg, you.
12:24I'm not sure of your opinion, lad.
12:30The marshy's a dreadful rheumatic.
12:33Then I'd best have my breakfast before they're the death of me, eh?
12:45You brought no one with you?
12:46Oh, no, sir.
12:48No.
12:55Won't you leave any food for him, sir?
12:58Him? Who's him?
13:00The young man.
13:01The one who wants my liver.
13:07No, you won't want no whittleside.
13:11Thought he looked as if he did.
13:14Looked?
13:14Just now.
13:16Where?
13:18Yonder.
13:18I found him asleep.
13:20I thought it was you, but he has a scar on his face.
13:24Crump us on.
13:28Blow down.
13:29I'll bring him down.
13:31The gentleman.
13:34I'll bring him down.
13:36I'll get him.
13:39Thank you, lad.
13:43Be grateful.
13:49Especially be grateful, boy, to them which brought you up by hand.
13:52Why is it the young are never grateful?
13:54Naturally wishes, that's why.
13:56True, very true.
13:59I thought little of the sermon this morning.
14:01The subject for the day's homily was ill-chosen.
14:04Oh, give you your head, Mr. Wopsle, and you'd read the clergyman into fits.
14:08It's not right.
14:09You're only clerk of the church.
14:11The church should be thrown open to competition.
14:13Plenty of subjects going about to choose from for sermons.
14:15Now, you've hit it, sir.
14:17A man needn't go far to find a subject.
14:19Look at poor Cologne.
14:20Oh, there's a subject.
14:22Is he true?
14:23Many a model for the young might be deduced from that text.
14:26You listen to this.
14:28Swine were the companions of the prodigal.
14:30The gluttony of the swine is put before us as an example to the young.
14:34What is detestable in a pig is more detestable in a boy.
14:37More girl.
14:38Of course, or girl, Mr. Hubble, but there's no girl present.
14:40Think of what you've got to be grateful for.
14:42Now, if you've been born a squeaker...
14:43He was, if ever a boy was.
14:46He was a world of trouble to you.
14:47I mean a four-footed squeaker, Mum.
14:50Now, if you've been born such, would you have been here now?
14:52Unless in that form.
14:53I don't mean in that form, sir.
14:57Oh, wait, wait, wait, wait.
15:03Now, I have brought, as the compliments of the season,
15:07I have brought you, Mum, a bottle of sherry wine.
15:10And I have brought you, Mum, a bottle of port wine.
15:14Oh, Uncle Pumblechook, this is kind.
15:16Ah, no more than your merits, Mum.
15:19And now six men of the vapens, eh?
15:21Old bobbish, are you?
15:23As I was saying, if you want a subject for a sermon, look at pork.
15:26Very plump and juicy, very rich.
15:29As I was saying, if this lad had been born a squeaker,
15:31would he have been here now?
15:32Would he have been enjoying himself with his elders and betters
15:35and improving himself with their conversation
15:37and rolling in the lap of luxury?
15:39You would have been disposed of for so many shillings
15:42according to the market price of the article.
15:44And Dunstable, the butcher, would have come up to you
15:46as you lay in your straw.
15:47And he would have whipped you under his left arm.
15:50And with his right hand, he would have tucked up his apron
15:52to get out a penknife from out of his pocket.
15:54And he would have shed your blood and had your life.
15:57If they would only have left me alone.
16:01No bringing up my hand, then.
16:03Not a bit of it.
16:03I might have been an unfortunate little bull in a Spanish arena
16:07I got so smartingly touched up by these moral goads.
16:14Remember that?
16:15Big pardon.
16:17You must all taste to finish with
16:19the most delightful and delicious savoury pie.
16:24Bit of savoury pie?
16:26Mum would sit on top of anything and do no harm.
16:29Clean plates, Cole.
16:31You shall have some too, old chap.
16:32Have a little brandy, Uncle.
16:34Do.
16:49Come on, Mr. Pupplchug.外
16:52of his mind. That's
16:53no way for a cool charlor to behave. My pie's
16:57gone.
16:58Oh, come on. Gracious heavens, Uncle Pumplechuk!
17:03Tar! Ooh, tar water.
17:07Tar water?
17:08How ever could tar water come, then?
17:13Why, you deceiving little imp, if you...
17:21Beg a new pardon, ladies and gentlemen.
17:23I'm on a chase in the name of the Queen. I need the blacksmith here.
17:26And pray what might you want with him?
17:28This is speaking for myself.
17:30I should reply the honour and the pleasure of his fine wife's acquaintance.
17:34Speaking for the Queen, though, we need a little job done.
17:38A lot goes wrong. The... the couple don't act, pray.
17:42I'm Vic. Sergeant. Aye, two of them.
17:44You'll mean lighten the forge fire.
17:46Then will you set about it at once, please.
17:48In Her Majesty's service, Mrs.
18:08How far might you call yourself from the marshes hereabouts?
18:11None of them mind, I reckon.
18:13Supposing they've left the marshes?
18:15Oh, sir. They're pretty well known to be out there.
18:18They won't try to get clear before dark.
18:21How are you, frat, sir?
18:22I'll have them villains sooner than they count on.
18:25See, we've got them well trapped.
18:27There's men posted twix here and yon church.
18:29See, they don't double back.
18:32Your health, sir.
18:33Compliments of the season.
18:35Good stuff, eh, Sergeant?
18:36Aye, sir.
18:38And here's to...
18:38As I watched them enjoying themselves so much,
18:40I thought what terrible good source for a dinner
18:43my fugitive friend on the marshes was.
18:45They were in such lively anticipation
18:47of the convicts being taken.
18:52Fine work, blacksmith.
18:53Would you care for a glass of brandy now?
18:56Oh, give him wine, Mum.
18:57I'll engage. There's no tar in that.
19:00Well, missus, I do prefer my drink without tar,
19:03but, er...
19:04Well, just now I'll drink Her Majesty's Health in beer,
19:06but I wish you all the compliments of the season.
19:08It's time to you, sir.
19:09Hard red knob.
19:10Top of mind or the foot of yours.
19:12Merry Christmas, Mrs Hubbell.
19:14Your health, Mrs Gargery.
19:15Mrs Gargery.
19:17Ring once, ring twice,
19:19the best tune on the musical glasses.
19:22Merry Christmas, Pip, old chap.
19:24Merry Christmas, Joe.
19:25What larks, eh?
19:27Gentlemen,
19:28who's to go on the hunt with the sergeant, eh?
19:32Will it be all right?
19:34Aye, I suppose so,
19:35but keep to the rear mind.
19:36Speak no word after we reach the marshes.
19:39Not I.
19:40That's cosy in here,
19:41and I haven't had me pipe yet.
19:42A pipe and ladies' society, Mr Hubbell.
19:45We're not forgetting the ladies, Mr Pumblechook.
19:48I'll go if you will.
19:52Well, Mum?
19:55Laura, mussy me, Mr Wopsle.
19:58Do as you please.
20:00Well, Mrs I'll, er, take some leave and get the men fell in.
20:04Take him with you.
20:05And the boy.
20:06Who?
20:07He's an offence for the company's eyesight.
20:09And don't bring him back here,
20:10grimed with dirt from head to foot.
20:13I think you're very foolish, very.
20:14Hey!
20:16Joe Gargery!
20:17If you bring that boy back with his head blown to bits by a musket,
20:21don't look to me to put it together again!
20:25Was there ever such a mooncalf as this?
20:43Uh...
20:49Extend on the right.
21:04What such a woman about looking like aobil'
21:06and he would find a maze of 북한 queen?
21:07He would tell a haunted family in Nazi's house.
21:08Yes.
21:26It actually is an inn.
21:49I'm quite all right, thank you.
21:55I hope we shan't find him, Joe.
21:57Hey, old chap, I'd give a shelling if they'd cut and run.
22:32Compassion!
22:38Keep away.
22:41Keep away!
22:45Mother!
22:47Help!
22:48Help!
23:02I'm going to find you too, the wild beasts!
23:06Carisunder!
23:08Carisunder!
23:35I'm going to find you too.
23:37I'm going to find you too.
23:44take notice guard he tried to murder me
23:50try to try and not do it I took him and give him up that's what I done you mark
23:59that I give him
24:00up to you it'll do you small good being in the same plight yourself he's a gentleman that's
24:05well then look at him he tried to murder me when we move off keep close to him keep close
24:14they're
24:14dangerous I wish to say something concerning this escape it may save some other people laying under
24:28suspicion along or me you can say what you like you got no call to say there oh he took
24:34some whittles
24:34from the village over yonder by where the church stands took you mean stole from the blacksmiths
24:44it was some broken whittles that's what it were and a dram of liquor in a pie have you happened
24:49to
24:49miss such a hearticle has a pie blacksmith my wife did at the very moment when you came in
24:57you're you're the blacksmith and I am sorry to say I eat your pie God knows you're welcome to it
25:04we don't know what you've done but it wouldn't have you starved to death for it what does Pip
25:10enough of this poorly single-handed I got away from the prison ship made a dash and I done it
25:17I'd have got clear of these flats too look at my leg you won't see much iron on it then
25:23I made
25:23discovery that he'd found the means I used an escape too I should have met a dead man if you
25:29hadn't come up he's insane he's a liar he was born a liar and a liar he'll die look at
25:35him it's
25:36grit all over his face move on if I die down there I would have held him in such a
25:44grip
25:44you would have been safe to find him in my hold move on I said just once more my convict
25:53turned his
25:53eyes on me he gave me a look I didn't understand move on I said it passed in a moment
26:02but if he had
26:04stared at me for an hour or for a day I couldn't remember his face ever afterwards as having been
26:11more attentive one night in the year following our hunt on the marshes I was kneeling in the
26:21forge with my slate expending great efforts on the production of a letter to Joe Joe kept a journeyman
26:29at weekly wages whose name was Orlick he had no liking for me for he was confirmed in some suspicion
26:37that I should displace him when I became Joe's apprentice oh I say Pip old chap what a scholar
26:43you are ain't ya how do you spell Gardery Joe I don't spell it at all didn't you ever got
26:54a score when you were little
26:55I'm most awful doll Pip
26:59Mrs Joe's late home hope Uncle Pumblechook's mare ain't gone down
27:15the devil makes up his fire our little live boys like you you'll burn very nicely very nicely
27:26consider yourself fuel boy
27:34why didn't you ever got a score Joe
27:41well Pip
27:45my father Pip
27:48he were given to drink
27:51and when he were overtook by it
27:55he hammered away at my mother most unmerciful
27:59and he hammered at me too
28:01with a vigour only to be equaled by the vigour with which he didn't hammer at his anvil
28:07you listening and understanding Pip
28:09yes Joe
28:14consequence
28:17me and my mother ran away from my father several times
28:21and then my mother she'd go out to work and she'd say to me Joe she'd say now please God
28:28you should have some schooling
28:30and she put me to school
28:33poor Joe
28:36my father though he were that good in his heart he couldn't bear to be without us
28:42so he'd come with the most tremendous crowd and make such a row at the doors of the houses where
28:46we was
28:47that they'd have no more to do with us
28:50then he took us home
28:56what a drawback to my learning
28:59what happened to your father Joe?
29:02went off in a purple leptic fit
29:20it was my intentions to have that cut over him
29:24that poetry cost money Pip
29:26cut it how you will
29:26large or small
29:27and it were not done
29:31any money that could be spared
29:33were wanted for my mother
29:38she weren't long a following him poor soul
29:42and her fair share of peace come round at last
30:03you were lonesome then living here
30:08but then I got acquainted with your sister Pip
30:11fine figure of a woman
30:14yes you Joe
30:15little redness or a little matter of bone here and there
30:19but a fine figure Pip
30:22as for yourself
30:24never saw anything so small and flabby and mean
30:30ever the best of friends ain't us Pip
30:32such larks Joe
30:35they're coming
30:46when you take me an hand in my learning Pip
30:49Mrs. Joe mustn't know too much of what we're up to
30:52it must be done on the sly
30:55and why on the sly?
30:56I'll tell you why
30:58your sister Pip is given to government
31:01government Joe?
31:02government of you and me
31:04and she ain't over partial to my being a scholar
31:07for fear as I might rise
31:12this I want to say to you very serious old chap
31:16I see so much in my poor mother
31:18of a woman slaving and drudging and breaking her heart
31:22and never getting no peace in her mortal days
31:25that I'm dead afeared in going wrong and not doing what's right by a woman
31:30I'd far rather of the two
31:31go wrong t'other way
31:33and be a little inconvenienced myself
31:37but I wish it were only me that got put out Pip
31:41I wish there weren't no tickler for you old chap
31:45I wish I could take it all upon myself
31:49but this is the up and down and the straight on it Pip
31:52and I hope you'll overlook shortcomings
31:55that were the best of friends Joe
31:59if that boy ain't grateful this night
32:01he never will be
32:02it's only to be hoped he won't be tempered
32:05but I have my fears
32:06she ain't in that line mum
32:08she knows better
32:10well what are you staring at?
32:13she?
32:14she is a she I suppose
32:16unless you call Miss Havisham a he
32:20Miss Havisham uptown?
32:22is there a Miss Havisham downtown?
32:25she wants this boy to go and play there
32:28and he'll do it or I'll work him
32:30this boy's fortune may be made by his going to Miss Havisham
32:35I had heard of Miss Havisham
32:38everybody for miles around had heard of Miss Havisham
32:41an immensely rich and grim lady
32:44who led a life of seclusion
32:50let your behaviour here
32:51be a credit to them
32:52which brought you up by hand
33:06what name?
33:08Pumblechook
33:08quite right
33:25this is Pip
33:27this is Pip is it?
33:42come in Pip
33:45that way boy
33:47did you wish to see Miss Havisham?
33:50well if Miss Havisham wished to see me
33:52ah but you see she doesn't
34:03don't light her boy
34:23don't light her boy
34:38don't light her boy
34:53don't light her boy
35:01go in
35:02after you Miss
35:04don't be ridiculous boy
35:05I'm not going in
35:20enter
35:29who is it?
35:32Pip mum
35:38Pip?
35:40Mr Pumblechook's boy mum
35:42come to play
35:43come nearer
35:46let me look at you
35:48come close
36:09look at me
36:13you are not afraid of a woman
36:15who has never seen the sun
36:17since you were born
36:22do you know what I touch here?
36:25yes mum
36:26your heart
36:27broken
36:31I'm tired
36:33I've done with men
36:35and women
36:37I want diversion
36:40I have a fancy
36:42to see you play
36:48well play
36:49well play
36:50play
36:51play
36:56are you sullen and obstinate?
36:59very sorry
36:59I can't play mum
37:04call Estella
37:05if you complain with me mum
37:07I should get into trouble with my sister
37:09call Estella
37:11call Estella
37:11you can do that
37:12can't you
37:13at the door
37:37call Estella
37:39you can do that
37:40Estella! Estella! Estella!
37:46So new to him, so old to me, so strange to him, so familiar to me,
37:55so melancholy to both of us.
38:18Let me see you play cards with this boy.
38:22With this boy? He's a common labouring boy.
38:28You can break his heart.
38:34What do you play, boy? Nothing but beggar my neighbour, miss.
38:39Beggar him.
38:42Your own one day, my dear, and you will use it well.
38:49Fetch the cards.
39:28I've won already.
39:30Yes, miss.
39:31He calls the knaves Jacks, this boy.
39:35What coarse hands he has.
39:37Thick boots.
39:40You're nothing but a stupid, clumsy, labouring boy.
39:46She says many hard things of you.
39:50You say nothing of her.
39:53What do you think of her?
39:55I don't like to say.
39:58Come, tell me in my ear.
40:07I think she's very proud.
40:13Anything else?
40:15I think she's very pretty.
40:20Anything else?
40:22I think she's very insulting.
40:24I think I should like to go home now, please, Mum.
40:28Well...
40:30When will you come again? Let me think.
40:33Today is Wednesday, Mum.
40:34I know nothing of the days of the week or the weeks of the year.
40:40Come again in six days' time.
40:43Yes, Mum.
40:45Take him down, Estella.
40:47Give him something to eat.
40:54Come along, boy.
41:16Wait there.
41:25Bigger him.
41:27Bigger him.
41:39Eat.
41:41I'm not hungry.
41:43Then why don't you cry, boy?
41:45Because I don't want to.
41:47Yes, you do.
41:49You're near crying now.
42:11Pretty well?
42:12Pretty well?
42:13Pretty well's no answer.
42:14Tell us what you mean by pretty well, boy.
42:15You mean pretty well.
42:17Ah, leave the lad to me, Mum.
42:19No, boy.
42:20How did you get on uptown?
42:22Did he say nothing coming home?
42:24What like is Miss Havisham?
42:26Very tall and dark.
42:27Ah, better boy, better.
42:29We're beginning to hold our own, I think, Mum.
42:31You know so well how to deal with him, Uncle.
42:33No, boy.
42:34What was she a-doin' of when you went in?
42:39She was sittin' in a black velvet coach.
42:41A black velvet...
42:43Black velvet coach?
42:44And Mrs. Estella handed her own cake and wine up the coach window on a gold plate, and I got
42:49up behind and sweep mine because she told me to.
42:52Was anybody else there?
42:53Four dogs.
42:55Four.
42:56Four.
42:56Large or small?
42:57If you can't express your opinion better than that, you'd better go and do some work.
43:01Huge.
43:02And I thought for a little cat that's had a silver basket.
43:06Well, where was this coach in the name of gracious?
43:09In the dining room, but there weren't any horses to it.
43:13Can this be possible, Uncle? What can the boy mean?
43:17I tell you, Mum, my opinion is, it's a sedan chair. She's flighty, you know, very flighty.
43:23Have you seen her any?
43:24How could I when I never clapped eyes on her?
43:26You've spoken to her, though.
43:28When I'd been there, I'd been took up to outside her door, and the door's been ajar, and she spoke
43:31to me that way.
43:33What did you play at, boy?
43:35With flags.
43:36Flags?
43:37Estella waved a blue one, and I waved a red one.
43:40Miss Everton waved one sprinkled all over the little gold stars.
43:43Then we all waved our swords and shouted hurrah.
43:47Swords?
43:48Where on earth did you get swords from?
43:50Out of the cupboard.
43:51And I saw pistols in it, too.
43:53And jam, and pills.
43:55There was no daylight in the room, but it was all lighted up with candles.
43:58That's true, Mum.
43:59That's the state of the case.
44:01That much I've seen myself.
44:27So?
44:29Remember all that about Miss Everton's?
44:31Remember?
44:33Wonderful it were.
44:35Isn't the truth?
44:37Don't mean to say it were all...
44:39Lies, Joe.
44:41All of it.
44:44no Blackwell would coach at least there was dogs Pip if there weren't no wheel
44:49cutlers at least there was dogs a dog a puppy no Joe I say people old chap this
45:02won't do where'd you expect to go to terrible awful what possessed you
45:13what possessed you Pip? I wish I hadn't taught me to call names Jax I wish I wasn't common Joe
45:26look here Pip if you can't get to be uncommon through going straight you ain't
45:32never gonna get to it through being crooked don't you tell no more lies Pip that ain't
45:39the way to get out to being common old chap don't never do it no more and live
45:44well and die happy yes Joe you'll get your sister on the rampage and when she's on
45:52the rampage Pip she's a buster
45:54oh
45:56I don't know.
46:32I don't know.
46:34Well, miss?
46:35Am I pretty?
46:37Yes.
46:39Am I insulting?
46:40Not so much as last time.
46:44Now, you coarse little monster.
46:46What do you think of me now?
46:49I shan't tell you.
46:50Because you're going to tell Miss Havisham, I suppose.
46:53No.
46:54Why don't you cry, you little wretch?
46:57I'll never cry for you again.
47:24I'll never cry for you again.
47:28Yes, Mum.
47:30Are you willing to play?
47:33I don't think I am, Mum.
47:36If you're unwilling to play, are you willing to work?
47:39Yes, Mum.
47:39Then go into that room opposite.
47:43Wait until I come.
47:45Oh, come.
47:48Yes, I've got to go.
48:00There is a room opposite.
48:01Yes, it's my room opposite here.
48:11It is a room opposite.
48:11A room opposite.
48:26now walk me come come come walk me
48:35this is where i shall be laid when i am dead they shall come and look at me here
48:45on this day of the year long before you were born this great heap of decay was brought here
48:56it and i have worn away together
49:02the mice have gnawed at it and sharper teeth have gnawed at me
49:09when the ruin is complete and they lay me dead on the bridal table in my bride's dress
49:16which shall be done which will be the finished curse upon him
49:24so much the better
49:33do you know what that is that great heap of cobwebs there
49:36i can't guess mom it's a great cake a bride cake mine
49:48come walk me walk me
50:07over the next three years
50:08i entered on a regular occupation of walking miss havisham round her dining room
50:14over and over we would make these journeys and sometimes they would last for hours
50:19is it a stretch enough
50:36they may come up well fetch them girl fetch them
50:40they may come up well
50:49today is my birthday pip
50:52many happy i don't suffer it to be spoken of
50:56i don't even suffer those waiting in the hall to speak of it
51:02well now
51:04well i'm sure
51:06what nexy idea
51:16these toadies and humbugs were miss havisham's relations
51:19come to pay their annual call
51:34how well you look miss havisham
51:37i do not
51:39i am yellow skin and bone
51:41poor soul
51:42how could you be expected to look well the idea
51:46and how are you
51:48oh thank you
51:50i am as well as can be expected
51:53why
51:54what's the matter with you
51:55oh nothing worth mentioning
51:57i don't want to make a display of my feelings but
52:00i have thought of you rather more in the night than i'm quite equal to
52:05then don't think of me
52:09raymond is a witness what ginger and salvo latterly i had to take in the night
52:14he is a witness what nervous jerkings i have in my legs
52:18camilla my dear it is well known that your family feelings are undermining you
52:22to the extent of making one of your legs shorter than the other
52:25it is a weakness to be so affectionate but i can't help it
52:31and there's matthew never coming to see how miss havisham is
52:36i've had chokings and nervous jerkings for hours on end
52:40on account of matthew's strange and inexplicable conduct
52:45matthew will come at the last when i am laid on that table
52:48that will be his place there of the head
52:51yours will be there your husband's will be there and sarah pocket's there now go go
53:11now they all know where to take their stations when they come to feast upon me
53:19shall i go too miss havisham come again as usual pip
53:28so
53:39so
53:40so
54:08VIOLIN PLAYS
54:23VIOLIN PLAYS
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