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Don't miss a single moment of this captivating short drama. We bring you the best billionaire romance, intense revenge stories, and high-quality web series tailored for you.
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Disclaimer: All content is properly licensed and distributed.
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Short filmTranscript
00:00:01You have no experience. Why are you here?
00:00:07What did you film, or were you planning to sell it to the media?
00:00:15Get out.
00:00:18I only have three days, or my brother won't make it.
00:00:21This is my last resort.
00:00:28You have no experience. Why are you here?
00:00:31You're too deep in character. Your micro-expressions are slipping.
00:00:41Say that again.
00:00:43You're about to crack.
00:00:44Stay. Let's see how long you can last.
00:00:51I have no way back.
00:00:58What gives you the right to analyze me?
00:01:00Because I need to survive.
00:01:01Mr. Thorne wants you to stay. Start now.
00:01:04Okay.
00:01:08Stand there. You said I'm too deep in character. Prove it.
00:01:14You're pressing the book too hard, suppressing an urge to strike.
00:01:17That smile? Your eyes didn't move.
00:01:20It's a threat.
00:01:22What gives you the right to analyze me?
00:01:24Because I need to survive.
00:01:32Too slow.
00:01:34Terrible. The temperature is off.
00:01:39If you're still not satisfied, I'll keep going.
00:01:44You said I can't hold it together.
00:01:46You better pray I do, or you'll be the first one to suffer.
00:01:51I'm not afraid of bad luck. I'm only afraid of being broke.
00:02:00This isn't just a job. I've just stepped into the abyss.
00:02:08I'm humiliating you. Not angry.
00:02:16How long did you sleep last night?
00:02:19Not enough.
00:02:20Feeling self-inspired?
00:02:23For the paycheck?
00:02:29What are you thinking?
00:02:32You want to drive me away?
00:02:34But for me, survival is enough.
00:02:41I'm humiliating you. Not angry.
00:02:45It's only humiliation if I accept it.
00:02:49Julian, your standards for assistance have dropped.
00:02:56How she is, is not for you to judge.
00:03:01One day left.
00:03:09Investigate her. I want to know what she's fighting for.
00:03:13Your mother needs immediate surgery. At least $300,000.
00:03:23Beverly Hills Cellar. 1990 Roman A. Conte.
00:03:27You go. Two hours. One minute late. Don't bother coming back.
00:03:40I have to get it. It's the only card I have left. Open up.
00:03:44Your mother needs immediate surgery. At least $300,000.
00:03:51On time.
00:03:55Are you insane?
00:03:57Are you insane?
00:03:58You'd risk your life for a bottle of wine.
00:04:04I won this round.
00:04:07But I'm one step closer to the edge.
00:04:11He's not just difficult. He's fighting something dangerous.
00:04:16You think this is a test.
00:04:19You could have said no.
00:04:21I need this job.
00:04:25You can take the day off.
00:04:27You can barely stand.
00:04:33I can still work. What's next?
00:04:42He's not just difficult. He's fighting something dangerous.
00:04:52Arya.
00:04:54Don't be late tomorrow. Don't die.
00:04:58Julian.
00:05:06Final 12 hours. Arya.
00:05:10I've stepped into the storm.
00:05:13I won't stop.
00:05:21Call an ambulance! Now!
00:05:24I told you not to die. Do you hear me?
00:05:32Three hours of sleep.
00:05:34Enough for you.
00:05:37Enough.
00:05:44This carpet costs $100,000. Why didn't you just give up?
00:05:47Because I need the money.
00:05:49Don't bring filth inside. I get it.
00:05:57Can't fall.
00:05:59Or small. At least not here.
00:06:04Action!
00:06:04See you tomorrow.
00:06:20Call an ambulance! Now!
00:06:24I told you not to die. Do you hear me?
00:06:30Don't move. If you want to die, don't do it on my carpet.
00:06:36Get a doctor now!
00:06:41You think you can stand? You're dying, don't you get it?
00:06:46You're dying, don't you?
00:06:47Who's debt? What makes you fight this hard?
00:07:00Who's debt? What makes you fight this hard?
00:07:02That's your first sentence?
00:07:05You really aren't afraid of dying.
00:07:09Don't move.
00:07:10If you want to die, don't do it on my carpet.
00:07:13I'll be back at work tomorrow.
00:07:24I can't stop.
00:07:25If I do, I'm truly finished.
00:07:31I didn't say handle it.
00:07:33Just track it.
00:07:34Shut up.
00:07:41Someone like you even sleeps with thorns.
00:07:53120,000.
00:07:55Is this what you're dying for?
00:08:02Stupid.
00:08:04Track a debt.
00:08:06Aria.
00:08:07Of course.
00:08:08Should I handle it?
00:08:10I didn't say handle it.
00:08:12Just track it.
00:08:13Shut up.
00:08:16What time is it?
00:08:17I can't be late.
00:08:19I can't be late.
00:08:32Even if I only have one breath left, I'll pay that money back.
00:08:43Hurry up.
00:08:44We're losing the light.
00:08:49Miss Aria.
00:08:51Deadline's up.
00:08:52No money?
00:08:53Then let's talk another way.
00:08:56Stay back.
00:08:58Shut up!
00:09:05Let her go.
00:09:12Julian.
00:09:17brave move, touching my person on my turf.
00:09:20Do I look like I listen to excuses?
00:09:24Hand them over to the cops.
00:09:27Are you actively trying to get killed carrying expired spray?
00:09:31Are you actively trying to get killed carrying expired spray?
00:09:37Don't get the wrong idea.
00:09:38If you're out, my production slows down.
00:09:42Get in.
00:09:46He broke the boundary.
00:09:48And so did I.
00:09:51Your level of incompetence isn't even a mistake anymore.
00:09:55I'll do better.
00:09:57Do you think I sent them to jail just to give them another shot at you?
00:10:02What you need to do isn't buying lunch.
00:10:04It's making sure you don't get dragged away again.
00:10:08It took you 30 minutes to get lunch.
00:10:13Your level of incompetence isn't even a mistake anymore.
00:10:17I'll do better.
00:10:20No time to eat or no money.
00:10:27Eat later.
00:10:33Aria, this is Mr. Thorne's lust overs.
00:10:35He wants you to dispose of it.
00:10:41In this abyss, he's actually the only light.
00:10:48Tomorrow is the final deadline.
00:10:52Whoever you are, what I owe you is no longer just about money.
00:10:58Mrs. Aria, all your debts have been cleared.
00:11:01The creditors have signed a termination agreement.
00:11:07Who did this?
00:11:11Miss Aria, we're sorry.
00:11:13The debt is settled.
00:11:14We won't bother you again.
00:11:19This kind of power, it can't just be some foundation.
00:11:27Did you happen to contact any charitable foundations?
00:11:31No.
00:11:43Letting a weed like you survive
00:11:46is far more interesting than crushing it.
00:11:55Whoever you are, what I owe you is no longer just about money.
00:12:03Don't come crawling to me when you can't take it anymore.
00:12:07I won't.
00:12:08I don't believe in luck.
00:12:10In my world, luck is just a more sophisticated scheme.
00:12:16My debt?
00:12:17Did you handle it?
00:12:20Do you honestly think I'd do something like that?
00:12:23No.
00:12:25Confirmation complete.
00:12:26I shouldn't rely on anyone.
00:12:33You want to eliminate variables?
00:12:34I am the biggest variable.
00:12:39Don't come crawling to me when you can't take it anymore.
00:12:41Don't come crawling to me when you can't take it anymore.
00:12:42I won't.
00:12:52I won, so why am I not satisfied at all?
00:12:57For the first time, someone in the presence.
00:13:00And worse betached, someone actually stood in front of me.
00:13:06Sorry I'm late.
00:13:09Julian, it's been too long.
00:13:13Julian's standards really are hitting rock bottom these days.
00:13:17Seems like you haven't learned the rules yet.
00:13:20Like, never stand where you don't belong.
00:13:28Send convenience.
00:13:36What do you think you're doing?
00:13:39I-my hand slipped.
00:13:41Say that again.
00:13:43Whose direction did you slip in?
00:13:50For the first time, someone in the presence, and worse betached, someone actually stood in front of me.
00:14:00She's mine.
00:14:02I'm the only one allowed to touch what's mine.
00:14:07Say that again.
00:14:08What exactly were you doing just now?
00:14:15I told you.
00:14:16My-my hand slipped.
00:14:19Stand still.
00:14:20Don't you dare move.
00:14:25Julian, you're overreacting.
00:14:28She's just an assistant.
00:14:31She's mine.
00:14:34I'm the only one allowed to touch what's mine.
00:14:37Apologize.
00:14:38Now.
00:14:48Does it hurt?
00:14:49No blisters.
00:14:51You'll be fine.
00:14:53There's very little you don't know how to do.
00:14:58Alright, let's get ready for the next shot.
00:15:01He said I belonged to him.
00:15:03Even if he used those harsh words.
00:15:09Interesting.
00:15:10A weed like this actually controlling the wind.
00:15:16Julian, these headlines are a coordinated hit.
00:15:20The whole internet is telling you to get out of the industry.
00:15:23Don't suppress it.
00:15:24Let them post.
00:15:27I have a way to flip the narrative.
00:15:30This picture is worth more than any explanation.
00:15:35Did you forget the rules?
00:15:37Whose fire are you trying to put out?
00:15:42Some people are fighting for their lives,
00:15:44while others are just making up stories.
00:15:54You're more than just an assistant, Arya.
00:15:57Tell me, what is it you're really after?
00:16:10Interesting.
00:16:11A weed like this actually controlling the wind.
00:16:18He's locked in.
00:16:20It's character erosion.
00:16:21No one can pull him back.
00:16:25Phone's in.
00:16:26For the next two weeks,
00:16:27this place is your entire world.
00:16:36Shut up!
00:16:37Shut up!
00:16:37Stop talking in my head!
00:16:40He's not acting.
00:16:42He's being eaten alive by that monster.
00:16:49He's locked in.
00:16:50It's character erosion.
00:16:52No one can pull him back.
00:16:56What do you think you're doing?
00:16:58Are you crazy?
00:16:59He won't recognize anyone.
00:17:00He won't lay a hand on me.
00:17:10Julian.
00:17:11It's me.
00:17:14It's me.
00:17:20You're not in that script.
00:17:21You're on set.
00:17:23You are Julian.
00:17:26You shouldn't be here.
00:17:28Get out!
00:17:40Look at me.
00:17:41You're not in that script.
00:17:43You're on set.
00:17:44You are Julian.
00:17:51Is it over?
00:17:59It's fine.
00:18:00Let him rest.
00:18:05So that's how you use your camera.
00:18:08My anchor.
00:18:13In this world full of lies,
00:18:15this moment of yours
00:18:17belongs to me.
00:18:22You're still here.
00:18:24Does this count as work too?
00:18:30It counts.
00:18:32Take a look.
00:18:36What are you looking at?
00:18:39You're always playing someone else.
00:18:41But in this,
00:18:42it's just you.
00:18:44You stand on the edge.
00:18:45That's why you can come back.
00:18:49Recording the moment
00:18:50I almost lost it.
00:18:53Recording that you didn't.
00:18:56Because you needed someone
00:18:57to be there.
00:19:02Aria,
00:19:04don't go.
00:19:19In this world full of lies,
00:19:21this moment of yours
00:19:24belongs to me.
00:19:28I'm not tired.
00:19:30I can't sleep.
00:19:34The desert doesn't allow precision.
00:19:37One gust of wind
00:19:38and everything changes.
00:19:40Including his fraying nerves.
00:19:46You haven't slept in two days.
00:19:50I'm not tired.
00:19:52I can't sleep.
00:20:01Don't stop.
00:20:02What?
00:20:03The typing.
00:20:05Keep going.
00:20:10So it turns out
00:20:11the only thing in this world
00:20:12that can calm him down
00:20:13is my sound.
00:20:23I'm more than just an assistant now.
00:20:25I'm his anchor
00:20:26in this wilderness.
00:20:30Julian.
00:20:32Am I I ma'am your husband?
00:20:35Do you think I'm here
00:20:36to play games with you?
00:20:39I saw her
00:20:40organizing things
00:20:41alone earlier.
00:20:42Maybe she just
00:20:43misplaced it?
00:20:46The script was taken.
00:20:47That means you failed
00:20:49to guard it.
00:20:53It's my responsibility.
00:20:58You have too much free time.
00:21:00Shut up.
00:21:02We're stopping for 15 minutes.
00:21:04I'll see you.
00:21:09Explain.
00:21:10Why was this
00:21:11in your assistant's bag?
00:21:15Julian.
00:21:16Or may I ma'am your husband?
00:21:19Do you think I'm here
00:21:20to play games with you?
00:21:21Do you think I'm here?
00:21:23Do you think I'm here?
00:21:25Do you think I'm here?
00:21:27On this battlefield,
00:21:29truth isn't won by excuses.
00:21:32It's won by power.
00:21:36Aria.
00:21:37Tomorrow's scene.
00:21:38Stay close.
00:21:40Copy that.
00:21:44I'm sorry.
00:21:45I...
00:21:50Accepted.
00:21:56Weren't you afraid I'd misunderstand?
00:22:02No.
00:22:04Because you wouldn't.
00:22:07Listen up.
00:22:10I have no reason to doubt her.
00:22:14She's far above your pathetic little games.
00:22:28Arya.
00:22:30Tomorrow's scene.
00:22:31Stay close.
00:22:32Copy that.
00:22:37I'm no longer fighting alone.
00:22:39Standing in his light,
00:22:41I've become the light too.
00:22:46I've already broken.
00:22:48Don't leave, Arya.
00:22:50Don't leave.
00:22:56What are you doing up here?
00:22:58Stargazing?
00:22:59What's there to see?
00:23:01Nothing much.
00:23:03But it's quiet.
00:23:04You're not going to ask who cleared that debt?
00:23:06I asked.
00:23:09No answer.
00:23:11I don't like owing people.
00:23:12I'll keep an account of this.
00:23:20Put it on.
00:23:22Don't trust yourself too much.
00:23:23Thinking you can handle everything.
00:23:25People break.
00:23:27Do you break?
00:23:28I've already broken.
00:23:30Don't leave, Arya.
00:23:33Don't leave.
00:23:34Please.
00:23:36Don't.
00:23:43In this broken world,
00:23:45we've become each other's only coordinates.
00:23:50Mrs. Arya,
00:23:51your mother's condition is deteriorating.
00:23:53We need you here immediately.
00:23:55I need to leave.
00:23:56Now.
00:23:56You live too cleanly.
00:23:58Unlike me,
00:24:00I'm filthy to the core.
00:24:04That's your choice.
00:24:13Mrs. Arya,
00:24:14your mother's condition is deteriorating.
00:24:16Leave.
00:24:16We need you here immediately.
00:24:18I need to leave.
00:24:19Now.
00:24:20Can you please open the door?
00:24:23What a mess.
00:24:31Arrange a flight.
00:24:33To the hospital.
00:24:35Now.
00:24:41I know the price of this.
00:24:43But I have no way back now.
00:24:51I have no time.
00:24:53Every second determines whether my mother lives or dies.
00:25:01You're leaving now.
00:25:03Tomorrow is your key scene.
00:25:12Let her go.
00:25:13I said,
00:25:14let her go.
00:25:15I'll be back as soon as possible.
00:25:28Whatever.
00:25:30Prepare the plane.
00:25:49I know the price of this.
00:25:51I know the price of this.
00:25:58There's only one person who saves lives this ruthlessly.
00:26:02At least half a million dollars.
00:26:04A top tier team normally takes a week.
00:26:07You wait.
00:26:08But if you're in a rush.
00:26:10But if you're in a rush.
00:26:11It'll cost more.
00:26:18This is the last thing I have.
00:26:21But if it saves her life.
00:26:23I can lose everything.
00:26:28Miss Aria, the full medical funding has been cleared.
00:26:30The expert T-Bird team arrives in one hour.
00:26:32Who are you?
00:26:33Who exactly sent you?
00:26:41To the hospital.
00:26:43Avoid all media.
00:26:47This isn't a miracle.
00:26:51In this world,
00:26:52there's only one person who saves lives this ruthlessly.
00:26:57You'll never know how heavy this debt truly is.
00:27:01Aria.
00:27:05I want the top three teams in the country.
00:27:08I don't want to hear a single word about protocol.
00:27:13A $50 million donation.
00:27:16One condition.
00:27:18The team arrives within 12 hours.
00:27:21You can refuse,
00:27:22but I'll pull the funding immediately.
00:27:27If the family finds out you spent $50 million on an assistant,
00:27:31that's a problem for later.
00:27:33Drive.
00:27:37You'll never know how heavy this debt truly is.
00:27:41Aria.
00:27:42Don't let me down.
00:27:48The world I want only turns when I command it.
00:27:55Everything free is just billed in another currency.
00:28:00Miss Aria,
00:28:01your mother was selected for our hospital's
00:28:04once-in-a-decade full subsidite program.
00:28:06You're very lucky.
00:28:08Was there any human intervention in this?
00:28:11Is there any human intervention in this?
00:28:13Is there any human intervention in this?
00:28:14Is there any human intervention in this?
00:28:14Is there any human intervention in this?
00:28:15No.
00:28:21This isn't luck.
00:28:23It's a contract.
00:28:24In this world,
00:28:26everything free
00:28:26is just billed in another currency.
00:28:32Surgery was a success.
00:28:34All vitals are stable.
00:28:41Julian Thornan.
00:28:43You didn't say a word,
00:28:45but I know it's you.
00:28:46And this debt?
00:28:50I've marked it.
00:28:55Don't die.
00:28:57Don't die.
00:29:01Don't die.
00:29:06You think you can carry the whole world,
00:29:08but you're lighter than anyone.
00:29:14Cheap persistence.
00:29:16Useless stubbornness.
00:29:22Don't die.
00:29:24Don't die.
00:29:29Don't die.
00:29:35I can't save your soul,
00:29:37but I can buy your life.
00:29:41In this coldest winter night,
00:29:43I actually felt a warmth
00:29:45that shouldn't exist.
00:29:50You didn't say a word,
00:29:52but I know it's you.
00:29:57This isn't the hospital's coffee.
00:30:00This temperature,
00:30:01this scent.
00:30:02I've smelled it before.
00:30:06No one signed in last night.
00:30:09Security is tight here.
00:30:10No one gets past us.
00:30:16Except for the man
00:30:17who could buy this entire hospital.
00:30:21You didn't say a word,
00:30:22but I know it's you.
00:30:37Move.
00:30:44You snore.
00:30:45I replaced it just to
00:30:46get some peace and quiet.
00:30:48I don't snore.
00:30:56You're back.
00:30:57Can you handle tomorrow?
00:31:01Yes.
00:31:02I can.
00:31:04You're not working tonight.
00:31:06Go sleep.
00:31:07You're unstable,
00:31:09and I'm not wasting time.
00:31:12Understood.
00:31:16This isn't standard equipment.
00:31:23Things like this
00:31:24don't just appear
00:31:25out of nowhere.
00:31:30You snore.
00:31:32I replaced it just to
00:31:33get some peace and quiet.
00:31:35I don't snore.
00:31:36I think...
00:31:37I think you do.
00:31:39What he gives me
00:31:40isn't tenderness,
00:31:42but another
00:31:43heavier kind of
00:31:44contract.
00:31:48Aria,
00:31:49you're annoying,
00:31:51but
00:31:51it works.
00:31:56You're spiraling.
00:31:58Come with me,
00:31:59or you're gonna
00:31:59lose control again tonight.
00:32:07You brought me here.
00:32:09What's the point
00:32:09of a place like this?
00:32:15To help you live a little.
00:32:17I don't eat this.
00:32:19I don't know what you do,
00:32:27but...
00:32:28You need to.
00:32:31Aria,
00:32:32you're annoying,
00:32:33but
00:32:34it works.
00:32:37In this moment,
00:32:39he's no longer a god,
00:32:40and I'm no longer
00:32:42his footnote.
00:32:45You make me relax
00:32:47without realizing it.
00:32:50that's dangerous
00:32:51for me.
00:33:00How old are you,
00:33:02buying junk like this?
00:33:04Old enough to live.
00:33:06It's not about the taste.
00:33:07It's about the feeling.
00:33:09The feeling of being alive.
00:33:17You think this works?
00:33:20Do you still want to
00:33:21smash things?
00:33:23No?
00:33:24Then it works.
00:33:26You make me relax
00:33:27without realizing it.
00:33:30That's dangerous for me.
00:33:33But...
00:33:34What?
00:33:35I don't want to stay away.
00:33:37At this height,
00:33:38all the lies
00:33:39have lost their power.
00:33:42I don't depend on anyone.
00:33:44Never did,
00:33:45and I won't start now.
00:33:47Are you sure?
00:33:48Why do you think
00:33:49I need you?
00:33:50Because you've started
00:33:51to depend on me.
00:33:52You wouldn't let me
00:33:53stop the typing sound.
00:33:59I don't depend on anyone.
00:34:01Never did,
00:34:02and I won't start now.
00:34:04Are you sure?
00:34:06Fine.
00:34:07I'm used to you being there,
00:34:08and I have no intention
00:34:09of changing that.
00:34:13You could try being without me.
00:34:15I already have.
00:34:19When you weren't there.
00:34:25Once those words are out,
00:34:26there's no turning back.
00:34:33Aria,
00:34:34are you an accident,
00:34:35or are you my downfall?
00:34:37She doesn't need to drink.
00:34:41I said,
00:34:42she's not drinking.
00:34:53That's enough.
00:34:55You're not clear-headed.
00:34:56I'm wrapping this up for you.
00:35:01You're making decisions for me now?
00:35:08This is the last time
00:35:10I'll take care of you
00:35:10as an assistant.
00:35:15Why did you take that hit from me?
00:35:17No.
00:35:19Because you'd get in trouble.
00:35:21Do you do this for everyone?
00:35:26Aria,
00:35:27are you an accident,
00:35:28or are you my downfall?
00:35:35Then you're quite suitable
00:35:36to burn in hell with me.
00:35:44Confirming
00:35:45that you're not work.
00:35:50But I'm not finished confirming yet.
00:35:58I'm losing control.
00:36:00I won't guarantee what happens next,
00:36:02but I won't regret it.
00:36:09Someone's there.
00:36:10tomorrow will be a nightmare.
00:36:11They caught us.
00:36:20Tomorrow will be a nightmare.
00:36:22Are you afraid?
00:36:24This isn't the worst thing that could happen.
00:36:30Then you're quite suitable
00:36:31to burn in hell with me.
00:36:42You don't make that call.
00:36:44I'll write the statement.
00:36:46I'll write the statement.
00:36:46She stays.
00:36:47Movie star meets assistant.
00:36:49Intimate photos leaked.
00:36:50Slum assistant climbs to the top.
00:36:54Step one,
00:36:56cut ties.
00:36:57Step two,
00:36:58fire her.
00:36:59This is damage control.
00:37:01The public doesn't care about the truth.
00:37:11You don't make that call.
00:37:13I'll write the statement.
00:37:15She stays.
00:37:21Scared?
00:37:23No.
00:37:29Therefore,
00:37:31you must follow orders.
00:37:37Explain.
00:37:39She is your scandal now,
00:37:41not your assistant.
00:37:47Your commercial value
00:37:49is bound to the group.
00:37:51Therefore,
00:37:52you must follow orders.
00:37:54So,
00:37:54I'm just an asset.
00:37:56Hmm?
00:37:57Hmm.
00:38:03Here's a suggestion for you.
00:38:04Don't touch her.
00:38:05You're going to war with me over her.
00:38:08You're the one
00:38:08who used her as a bargaining chip.
00:38:25Since I can't move you,
00:38:26I'll go for the weak link.
00:38:31I've never lived on favoritism.
00:38:34You'll have your answer by morning.
00:38:36Aria VO,
00:38:37I knew tonight wouldn't be easy.
00:38:39In this city,
00:38:40the higher you go,
00:38:41the thinner the air becomes.
00:38:44Leave Julian.
00:38:48As the head of Thorne Pictures,
00:38:50I am ordering you
00:38:51to manage this risk.
00:38:57Money.
00:39:01The condition is leaving his life.
00:39:05Don't mistake his favorism
00:39:07for your ability to change him.
00:39:14I've never lived on favoritism.
00:39:17You'll have your answer by morning.
00:39:19After tonight,
00:39:20I have to make the most painful choice.
00:39:26If I leave,
00:39:27will you let him go?
00:39:28As long as you leave cleanly,
00:39:30I won't touch him again.
00:39:34$5 million.
00:39:37$5 million.
00:39:39Disappear from his world,
00:39:40and this ends here.
00:39:46You're not living for yourself.
00:39:49You have debts,
00:39:51a past,
00:39:54and he is your only leverage.
00:39:59If I leave,
00:40:00will you let him go?
00:40:02As long as you leave cleanly,
00:40:04I won't touch him again.
00:40:13I understand.
00:40:14I'll take care of the rest.
00:40:22Half of this is over.
00:40:25The other half
00:40:26will be finished.
00:40:29At the most painful point.
00:40:34I don't belong in this position,
00:40:36nor do I belong in his life.
00:40:45I don't need the light.
00:40:47In the dark,
00:40:48I can see the true cost
00:40:49of those $5 million.
00:40:53I don't belong in this position,
00:40:55nor do I belong in his life.
00:41:10Disconnecting.
00:41:11It only takes a second.
00:41:13Take my tools.
00:41:18Leave his favorpism behind.
00:41:20I'm not coming back.
00:41:29I won't look back.
00:41:32Aria,
00:41:34did you really think
00:41:35you could just leave?
00:41:40Resigning effective immediately.
00:41:42I am not suitable
00:41:44to stay by your side.
00:41:47Aria,
00:41:49did you really think
00:41:50you could just leave?
00:41:52Who authorized her to leave?
00:41:54There was no record.
00:41:56Whose car took her?
00:41:57It was Mrs. Thorn's.
00:42:05Not suitable.
00:42:07Aria.
00:42:14You certainly have a flare
00:42:16for timing.
00:42:36You met with her,
00:42:37didn't you?
00:42:40What did she say to you?
00:42:42I thought walking into the rain
00:42:44would wash away the choice.
00:42:46I was wrong.
00:42:48The rain only makes
00:42:50the cost heavier.
00:43:01Where the hell are you going?
00:43:04Away.
00:43:06Are you overestimating yourself?
00:43:08Come back with me.
00:43:09Now.
00:43:09And I'm no.
00:43:11So that's with Drealitz.
00:43:12I'm not looking back and smell you.
00:43:17I'm not looking back.
00:43:29You're not going anywhere.
00:43:32You met with her,
00:43:33didn't you?
00:43:35What did she say to you?
00:43:40The truth.
00:43:43You can't let me drag you down.
00:43:50Fine.
00:43:52Then leave.
00:44:02Don't move.
00:44:04What is it that you actually want?
00:44:07I want my own life.
00:44:13I'm tired of being your shadow.
00:44:15Constantly waiting to catch you.
00:44:24Fine.
00:44:25Then leave.
00:44:33The umbrella is warm,
00:44:35but the rain is cold.
00:44:42The last thing he gave me
00:44:43was a back that never turned around.
00:44:50Aria, Vio.
00:44:51This time,
00:44:52there's no one to block the rain for me.
00:44:57What exactly did she say to you?
00:44:59Nothing.
00:45:01You just overestimated my sincerity.
00:45:05I handed him a blade,
00:45:06thinking it would kill his hope.
00:45:08I didn't expect him to bring the edge
00:45:09right back to me.
00:45:11You're lying.
00:45:15What?
00:45:17You aren't the kind of person
00:45:18who quits just to live some normal life.
00:45:27What exactly did she say to you?
00:45:30Nothing.
00:45:31You just overestimated my sincerity.
00:45:50But I can't hire you.
00:45:52I have a business to keep alive.
00:45:54You're that assistant from the photos.
00:45:58Sorry, we're not a good fit here.
00:46:02In this industry,
00:46:03disappearing isn't just about
00:46:04not showing up.
00:46:06It's when everyone's memory
00:46:08becomes a mandate of exclusion.
00:46:13I get it.
00:46:14I do.
00:46:15But I can't hire you.
00:46:16I have a business to keep alive.
00:46:19I have a business to keep alive.
00:46:41This isn't a lifeline.
00:46:45Three days, Arya.
00:46:46That's all you've got.
00:46:56We want to hire you
00:46:58as lead creative director.
00:47:00Start date is tomorrow,
00:47:019 a.m. sharp.
00:47:05This isn't a lifeline.
00:47:08It's a chain.
00:47:13I refuse to be defined by it.
00:47:21They thought they could erase me in a corner.
00:47:25I was just waiting for my path to open.
00:47:28I accept.
00:47:34How far she gets depends on her talent.
00:47:37Sever all direct contact.
00:47:43Jin.
00:47:44The lockout is lifted.
00:47:46A&J Studios funding
00:47:47was funneled through offshore trusts.
00:47:49The path is untraceable
00:47:50as the post-content crustists.
00:47:52The path is untraceable.
00:47:54Anyone who rejects her
00:47:56loses our resources.
00:47:57Who will they choose?
00:47:59The price of this man adverse
00:48:01and is the loan.
00:48:08They will choose profit.
00:48:11Don't hide it.
00:48:13Let her dig.
00:48:16How far she gets
00:48:17depends on her talent.
00:48:20Sever all direct contact.
00:48:31Don't fall.
00:48:37I want you to stand
00:48:38at the very top
00:48:38and then find your own way back.
00:48:41I thank Tin Nan Wee
00:48:42who sent Sea Panch on the cheeses.
00:48:45Yin Rydze Gaul
00:48:45through the hay answer.
00:48:51Is her state stable?
00:48:53More stable than expected.
00:48:56Don't act.
00:48:59Wild Earth's okay.
00:49:02Dial back the eyes.
00:49:04Let it go.
00:49:07She's improving.
00:49:12Is her state stable?
00:49:14More stable than expected.
00:49:19She's pushing hard.
00:49:24Arya, what are you really
00:49:26looking at through their eyes?
00:49:28Don't push yourself too hard.
00:49:31Will you listen?
00:49:33No, you won't.
00:49:35I won't look back.
00:49:38I can only walk.
00:49:42She hasn't gone far.
00:49:43Keep digging.
00:49:46Again.
00:49:53This lighting is brutal.
00:49:54We're looking at a new
00:49:56top tier talent.
00:50:00No!
00:50:02No!
00:50:04No!
00:50:04No!
00:50:05No!
00:50:05No!
00:50:06No!
00:50:06No!
00:50:06No!
00:50:07No!
00:50:07No!
00:50:07No!
00:50:08No!
00:50:08No!
00:50:09No!
00:50:12Prep the next set.
00:50:13Now.
00:50:15The lead has been confirmed.
00:50:17It's Arya.
00:50:17She hasn't gone far.
00:50:19Keep digging.
00:50:21Again.
00:50:27It's her.
00:50:29Prep the shoot.
00:50:35Mr. Thorne,
00:50:36you're our presenter tonight.
00:50:37I know.
00:50:40You're finally back.
00:50:51You're finally back.
00:50:52Tonight,
00:50:53I want the whole world to see.
00:50:57Three years.
00:50:59I am no longer anyone's shadow.
00:51:02I am the light itself.
00:51:10Mr. Thorne,
00:51:11you're our presenter tonight.
00:51:12I know.
00:51:16I know.
00:51:24Who is that?
00:51:25The lead of A&J.
00:51:27Her presence.
00:51:28It's overwhelming.
00:51:34You're on.
00:51:36You're on?
00:51:44Your lighting is different, Arya.
00:51:46It's got a brutal edge.
00:51:49Like it's trying to consume the viewer.
00:51:57This is the most debated work of the year
00:52:00because it captures a certain kind of genuine fear.
00:52:11You're on.
00:52:13Yeah.
00:52:22Next up, the Visual Art Award of the Year.
00:52:42You won.
00:52:44Yet sharper than any glow.
00:52:47I never expected to see her here.
00:52:54Aria Vio, the next part isn't a workplace.
00:52:57It's a social battlefield.
00:52:59Before I open that door, I must find my mask again.
00:53:03Memorize the faces, the connections, the leverage.
00:53:07That is all I need to do right now.
00:53:10That is all I need to do right now.
00:53:19There she is.
00:53:20Half turned from the light, yet sharper than any glow.
00:53:25I never expected to see her here.
00:53:28Long time no see.
00:53:32Your work was impressive.
00:53:33You handled yourself steadier than I imagined.
00:53:38We've worked together.
00:53:41It's ancient history.
00:53:48If it's war you want, you've got one.
00:54:01I didn't expect to see you still lingering in this circle.
00:54:05Neither did I.
00:54:06I didn't expect to make it all the way here.
00:54:09Someone must be pushing you from the shadows.
00:54:13These resources, they look quite tainted.
00:54:19Mother, is this conversation about my business or yours?
00:54:24She is the most exceptional photographer I've ever collaborated with.
00:54:28Don't you put not, Dida, go flussed.
00:54:33If it's war you want, you've got one.
00:54:44You finally learned how to defy me for an outsider.
00:54:53How does a little assistant suddenly afford all this?
00:54:59Who is the sugar lad lurking in your shadows?
00:55:10Ma, that investor is me.
00:55:14You're publicly challenging the Thorn family for her.
00:55:17You're publicly giving the Thorn family she all their stake.
00:55:20I'm simply, I'm simply giving her back the path she earned.
00:55:25I'm sending her back by family, it's dirty.
00:55:28She was never dirty.
00:55:34You finally learned how to defy me for an outsider.
00:55:40She is not an outsider.
00:55:54Secrets in the light can never be hidden again.
00:56:01Now, I have no use for this.
00:56:10You must realize the cost of this admission.
00:56:13Your inheritance, it's all on the line.
00:56:20Three years ago, all trusts were transferred to Aria Miller.
00:56:26I don't need that position anymore.
00:56:34Now, I have no use for this.
00:56:43You shouldn't have made this decision for me.
00:56:48This is the first time I've ever made a decision for myself.
00:57:00A pawn?
00:57:02Or just a tool to prove your freedom?
00:57:05When that ring hit the floor,
00:57:08I didn't hear the sound of metal.
00:57:12I heard the sound of him tearing down his own godhead.
00:57:19You've left yourself with no way back.
00:57:22Why?
00:57:23Because you are standing here.
00:57:32For me, that is the only outcome.
00:57:36What am I to you?
00:57:40What am I to you?
00:57:42A pawn?
00:57:44Or just a tool to prove your freedom?
00:57:52This.
00:57:55But what I wanted
00:57:57was to be standing here.
00:58:00Not because of you.
00:58:05The crown has fallen,
00:58:06but we are both
00:58:07shattered.
00:58:11I'm not running.
00:58:13I'm waiting for you to catch up.
00:58:16And the winner for
00:58:17visual art piece of the year is
00:58:23Gaze into the Abyss,
00:58:25Aria Miller.
00:58:29I'd also like to thank one person.
00:58:32Someone who once held an umbrella for me
00:58:35on a rainy night.
00:58:37I knew at that moment.
00:58:41I didn't fall.
00:58:46So,
00:58:47this photograph
00:58:49belongs to him.
00:59:01Why are you running?
00:59:03I'm not running.
00:59:04I'm waiting for you to catch up.
00:59:09Julian,
00:59:10you absolute madman.
00:59:14Three years ago,
00:59:15I thought this was charity.
00:59:18Neza Pering
00:59:19and Ney Binglunk
00:59:20the family wages.
00:59:22Now I realize
00:59:23it was the shackle
00:59:25he broke for me.
00:59:33I can't stop.
00:59:34If I do,
00:59:35I'll no longer be able
00:59:36to pretend that I don't need him.
00:59:50Don't you dare leave me
00:59:51behind again,
00:59:52Aria.
01:00:00Julian,
01:00:01you absolute madman.
01:00:10He's here.
01:00:13Now,
01:00:14it's your turn to decide.
01:00:16Do you want this ring
01:00:17or do you want me?
01:00:19I know he's there.
01:00:22This distance?
01:00:25I've waited three years for this.
01:00:33How long do you plan on running?
01:00:36You shouldn't have chased me.
01:00:38You have nothing left now.
01:00:46These last three years,
01:00:47did you ever regret leaving?
01:00:50Yes.
01:00:52Every time I felt like breaking,
01:00:54I wanted to turn back.
01:00:55But I knew if I did,
01:00:56I'd lose everything.
01:01:07Now,
01:01:08it's your turn to decide.
01:01:09Do you want this ring
01:01:11or do you want me?
01:01:16You're no longer anyone's shadow,
01:01:18right?
01:01:18I am just me.
01:01:28It's good.
01:01:29Now,
01:01:30I'm just Julian.
01:01:38Three years ago,
01:01:40I ran away to survive.
01:01:41Now,
01:01:42I come back to live as myself.
01:01:56You're still here.
01:01:58You came back,
01:01:59you came back, too.
01:02:10You're no longer anyone's shadow,
01:02:12right?
01:02:12I am just me.
01:02:14We are both standing
01:02:15and in the light now.
01:02:20We need an assistant.
01:02:22Room and board,
01:02:22no salary.
01:02:23Sounds like a deal.
01:02:25The sun rises as usual,
01:02:27but this morning,
01:02:28there are no titles
01:02:29attached to our names.
01:02:34House sold,
01:02:36company gone.
01:02:39I have nothing left.
01:02:41So,
01:02:42you're unemployed?
01:02:44Totally.
01:02:48A and J studio.
01:02:50We need an assistant.
01:02:51Room and board,
01:02:52no salary.
01:02:53Sounds like a deal.
01:02:54I won't say no.
01:02:56How long is the probation?
01:02:58How are slaty?
01:02:59Give you smitly
01:03:00kind of feather promise.
01:03:03We're going to bouts, sir.
01:03:05For life.
01:03:13No freeloaders today.
01:03:15Go get my camera.
01:03:19Probation period.
01:03:20For life.
01:03:21No resigning.
01:03:30I used to think
01:03:31light was for
01:03:31illuminating characters.
01:03:33Now I know
01:03:34light is for
01:03:35illuminating the exit.
01:03:44What's my job?
01:03:45First,
01:03:46learn how to
01:03:47stay out of my shot.
01:03:48Copy that, boss.
01:03:57Do you still have
01:03:59insomnia?
01:04:00Only when you're
01:04:01not around.
01:04:04Probation period.
01:04:06For life.
01:04:07No resigning.
01:04:11Deal.
01:04:14All these words
01:04:15I've kept inside
01:04:18I wanna tell you
01:04:20everything
01:04:21But I'm
01:04:23afraid
01:04:24I'll say
01:04:25too much
01:04:27I'm afraid
01:04:28you're
01:04:28This isn't the end.
01:04:30This,
01:04:31this is only
01:04:32the beginning.
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