00:00Hello, sir. Welcome to INS.
00:06What was your favorite character in this character?
00:16First of all, I was doing a ruthless person.
00:22I did it one time, but that wasn't as ruthless or whatever.
00:26And it was interesting when I was told that I'd be doing a certain person.
00:34Of course, we don't name him in the film.
00:36And I don't want to name him also.
00:40So it seemed the whole setup seemed nice.
00:43So when the director said that this is a real story,
00:48and it has never been mentioned,
00:51I thought I should be part of it.
00:54A story being told, which is true and has never been mentioned.
00:59It's part of our history.
01:01And so that's why I got interested.
01:06Sir, this film is inspired by real events.
01:09And how do you feel like an actor's responsibility?
01:13What do you feel like an actor's responsibility?
01:16I've done a lot of work on this.
01:19Because when I was signed for it,
01:25so I was told that this is based on a certain officer in Punjab.
01:32So I searched the whole net and I read a lot about him.
01:41I saw his speeches, I saw everything.
01:43And from my side, I was ready to even play him.
01:50But I was asked not to, you know, kind of try and do him.
01:58Do your stuff.
01:59But then probably the makeup is such that I do look like him.
02:07I guess all Sardar's look like.
02:10It's the same.
02:11Sir, when the film was released,
02:13just in 48 hours, he was removed.
02:18So what was your first reaction?
02:21No, I was shocked.
02:22Because,
02:23it was like,
02:25two or three years old,
02:27the case was running.
02:29And I really admire my director and the producer,
02:32both,
02:33Honey Ji or Ronnie,
02:37Mr Ronnie,
02:38that they stuck to their guns
02:41and they never succumbed to the pressure,
02:48outside pressure.
02:49And when he said that,
02:52let's give you 127 cuts
02:54and you can send it to Canada,
02:56all of a sudden,
02:57it was pulled back from Canada Film Festival.
03:00So,
03:00this has been happening with the film for a long time.
03:04And eventually,
03:05when they told them,
03:07let's go,
03:08let's release it.
03:10What are you afraid of?
03:13What backlash?
03:15What backlash will happen?
03:16Time heals a lot of wounds.
03:18And then,
03:19you can only talk about it.
03:21You can talk about it.
03:23You can't retaliate it.
03:25You can't retaliate it.
03:25After that.
03:27Now,
03:27the Schindler List made a list.
03:30So,
03:30it was a little bit
03:31that it was backlash.
03:33No,
03:35you see it,
03:35watch it,
03:36like any other history film,
03:41historical film.
03:42You know,
03:50you know,
03:50you know,
03:55you know,
03:55you know,
04:00here,
04:02you know,
04:06how do you know?
04:15You know,
04:19you know,
04:19is,
04:21I know,
04:28in the other..
04:31Sir, do you think that in the future the Indian audience will be able to watch the audience again?
04:38No, I can never leave this hope.
04:42Because when they have made it, we have made it, I have been a part of it.
04:48Each person in that film, right from the spot boy to the director, has worked hard on that film.
04:57And we all wish, hope and pray that it sees the light of the day.
05:03Sir, do you think that making a historical or political film is so challenging, especially in today's time?
05:11Because people are trying to analyze everything.
05:14I don't know why we are doing this.
05:16I don't know why we are doing this.
05:17I don't know why we are doing this.
05:18I don't know why we are doing this.
05:22I don't know why we are doing this.
05:25Once you have approved and we start making it, nobody is going to interfere.
05:30You know?
05:31After that, the film has been a lot of money, a lot of time, a lot of devotion.
05:36And then you say, no, it's not.
05:39It's a wrong thing.
05:41Do you think that it's a difficult or uncomfortable conversation can start a medium?
05:48Yes, it can be a medium.
05:51But I always say that it's not a violent reaction.
05:56It's an violent reaction is, it's a bad joke and it's a bad joke.
06:13To all of them, the people who know how much lies about it, it's a bad joke about it.
06:22I don't know the film, but I don't know the part of the film.
06:28Do you think about actors' controversy or about their characters?
06:35Controversy doesn't come to mind.
06:37We hear a story.
06:39We hear a character.
06:41And we start working on it.
06:44What is the reaction of this film?
06:46That is not my problem.
06:48My thing is to work hard and bring the truth as an actor on screen.
06:56What have you learned from the actor and the person?
07:00What do you want to say to them?
07:02Do you want to see them?
07:02But you can't see them removed?
07:06No, no.
07:08Now, let's see.
07:09People have removed it.
07:18People have removed it.
07:20People have a secret.
07:21People have been removed.
07:21They have a secret.
07:22They are not looking for it.
07:23They are in the middle of the film.
07:27They are looking for it.
07:32They are looking for it.
07:33And they are looking for it.
07:49foreign
08:19The actor has been doing this as a movie.
08:20He has been doing this as a film, but I don't know how to watch it.
08:26He has been doing this.
08:40I was quite surprised
08:43I was quite surprised
08:58and then
08:59I was quite surprised
08:59I was quite surprised
09:01because they were very bad
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