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[Hot 2026]
(2026) - FULL ENGSUB | Reelshort Hot HD
Full Chinese Movie EngSub
Chinese Drama English Sub Full HD
#shortdrama #bestdrama #actionmovie #Drama #Film #Show #Anime #Movie #cdrama #Movies #BILLIONAIRE #shortdrama #dramashort #shortfilmdrama #minidrama #shortstorydrama #webdrama #indiedrama #shortfilmseries #shortdramaseries #dramashorts #englishmovie #cdrama #drama #movieshortfull
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Short filmTranscript
00:28Transcribed by ESO, translated by —
00:40Transcribed by ESO, translated by —
01:15Transcribed by ESO, translated by —
01:18Transcribed by ESO, translated by —
01:18What's this?
01:19Nan, you surprised us.
01:22We didn't look for you until tomorrow.
01:24We were going to tell you, Nan, when you came back.
01:26Tell me what?
01:28Kitty?
01:32No, it isn't true.
01:36I'm so sorry, Nan.
01:38Tell me it isn't true, Kitty.
01:42It's true, Nan.
01:49No, don't touch me!
01:51Go away!
01:52Go away!
01:57Oh, Kitty.
02:00What have you done?
02:02Don't be horrible to me, Nan.
02:04I couldn't help it.
02:05Oh, he forced you, did he?
02:08So that's what all your business meetings were about?
02:10All this time when I thought you were mine?
02:14No, it wasn't like that.
02:17Until last night.
02:18Just...
02:19Just talk and kisses.
02:21I swear it, Nan.
02:23We were going to tell you everything.
02:26Everything?
02:28Good God, what war is there to tell?
02:31Kitty and I are going to be married, Nan.
02:33I'm sure in time you'll come to see it for the best.
02:35No!
02:41No!
02:44Don't you see, Nan?
02:45It wouldn't do to go on as we were.
02:47I believe you've killed me.
02:49The pair of you...
02:50Oh, come now, compose yourself, Nan.
02:52I know this has come as a shock to you,
02:54but this carry-on is quite out of proportion.
02:57Out of proportion.
02:58Don't you know?
03:00Hasn't she told you about us?
03:02I know that you were sweethearts of a kind.
03:04Of a kind!
03:05The kind that hold hands!
03:08Didn't she tell you that we fuck each other?
03:10I don't care to use such language, Nan.
03:13And if I did, I wouldn't use that word
03:14for anything a pair of girls can do.
03:18You need a man for that, I think you'll find.
03:21Hey, Kitty.
03:27Good-bye.
03:31Nan!
03:41You said we'd be together forever.
03:44You said you'd love me.
03:46You said you'd love me.
03:47You said we'd be together forever.
03:50You said we'd be together forever.
03:51You said you'd love me.
03:53Love me.
03:54Love me.
03:55Love me.
03:56Love me.
03:56Love me.
04:07Love me.
04:09Kitty and I are going to be married.
04:14I walked the streets all that day, not knowing where I was going.
04:19I wanted to see nothing, to feel nothing, to remember nothing.
04:24Everyone I knew and loved had betrayed me.
04:30You need a man, isn't it? I think you're right.
04:33You need a man.
04:36You need a man. I think you're right.
04:41You said you loved me.
04:46How could she let him touch her?
04:49I hated them and wanted to die.
04:53But I wouldn't let them do that to me.
05:00Morning, Nan.
05:02Oh, you don't know that thing at all.
05:05Kinty's not in, is she? Or Mr Bliss?
05:08No, for you. A bit early for them.
05:38Welcome back.
06:00Yes? I've come about the room.
06:02The house I keep here is a tidy one. I like my lot of ditto.
06:06I've had a troubled single ladies in the past.
06:08Who you see, or what you do outside my house is your concern,
06:12but there's one thing I won't have,
06:14and that's gentleman followers in a single ladies' room.
06:18You'll have no trouble on that score from me, Mrs Best.
06:27Five shillings a week. In advance.
06:34The late payments will not be tolerated.
06:38I expect the room to be kept clean at all times.
06:41No cats, dogs...
06:45Now I was truly alone.
06:48A poor outcast from life's feast,
06:52tormented by my memories.
07:16It's nice and hot. You really should take something, Miss.
07:27No!
07:31Yes!
07:41Yes, it's good.
07:44I've been on the streets.
07:45Yes, I've been on the streets.
07:47No.
07:47I don't know.
08:20For nigh on two months, I never left that room.
08:23I barely washed and never changed my dress, for I had no other.
08:28I believe I would have faded away altogether if it weren't for the little maid Mary,
08:32who brought me morsels of food and urged me to eat them.
08:36Nice to not, miss.
08:50Kitty and I are going to be married.
09:03You said you'd love me!
09:05It was done.
09:07It was over.
09:09I suppose I had been hoping that she would change her mind and come and find me.
09:13But now I knew for certain she was lost to me.
09:17It was time to face the world alone.
09:20Though I had no idea how I should live in it.
09:24But I found that to walk alone in London isn't an easy thing for a woman to do.
09:28Hello, darling.
09:30Wait.
09:31Hey!
09:32What's the matter, love?
09:34Not six months have found a penny?
09:36You clump the old line with me and I'll treat you.
09:38Leave me alone!
09:39Leave me alone!
09:40All right, dear.
09:42Don't be asking.
09:44I thought, what a cruel joke that I, who had swaggered across the stages of London,
09:50should be afraid to walk upon the streets.
09:52And most of all, I wished that I could escape from my miserable self.
10:12I thought, what a cruel joke that I could escape from my life.
10:34Keep it for a room.
10:36How long, dear?
10:37Just an hour.
10:40One hour only, mind.
10:55Three, two, one!
11:02Hello, dear. You looking for a nice time?
11:07Not today, dear. Perhaps another time, eh?
11:11All right, dear. Well, don't forget now.
11:15And for the first time since that terrible day,
11:19I felt a sort of freedom and a sort of strength.
11:23Somehow I had taken the first steps that would lead me out of my misery
11:27and into some different way of living.
11:31Though I had no idea what that would be.
11:37My little stock of money was dwindling fast
11:39and I was going to have to find some way of replenishing it or starve.
11:44Necessity is a hard task, Master.
11:46And if the opportunity had presented itself,
11:49I dare say I should have sunk so low as to become a thief.
11:55Good evening, Tommy Atkins.
11:56Buying a little present for your sweetheart?
11:58Couldn't afford anything here, sir.
12:00It's a shame she'll have to be content with a kiss then, eh?
12:03Haven't got no sweetheart.
12:05Not anymore.
12:08No, sweetheart?
12:09A good-looking lad like you, I find that hard to believe.
12:13Are you up for it, Tommy? For a sovereign?
12:15Up for what, sir? I don't understand you.
12:17Oh, come on. You know the game, Tommy.
12:19You're all that. Did you soldier boys?
12:20Your hands are never off each other's cocks.
12:24Not me, sir.
12:25I've only joined up last week.
12:26I've never done anything like that.
12:28Then it's time you began, my boy.
12:29Just taking in your hand.
12:30Only a minute's work.
12:31And there's a sovereign in it for you.
12:35Oh, have a heart, Tommy.
12:37I'm hard as a broom handle and aching for a spend.
12:41Nan Ashley could never have given the answer that I gave him.
12:44But Tommy Atkins took us both by surprise.
12:56Come on, then.
13:06Slow and steady, Tommy, dear.
13:11Slow and steady, Tommy, dear.
13:16Go on.
13:27I thought, if this were Walter, I'd bite it off.
13:30Oh, steady off.
13:31Oh.
13:32Oh, oh, oh.
13:34Oh, oh.
13:39Oh.
13:43Oh.
13:45Oh, oh.
13:47Oh, oh.
13:49Oh.
13:53Oh.
14:02I suppose I should have felt ashamed, but I felt nothing but surprise, and a kind of fierce elation, that
14:09in a couple of minutes, I had earned enough to keep me for a couple of weeks.
14:14And so I began my new career as a streetwalker, and I found it not so very different from acting
14:20on the stage.
14:22I told myself it wasn't Nan Astley who took men's spunk in my mouth, or in my hand.
14:28But Tommy Atkins, or Eton Burton, or Abel Seamon-Sims, or Bobby Brown from Bermondsey.
14:50But now I was in a regular way of business, I needed a more regular way of life.
15:02I had had enough of changing in filthy rooms that reeked of men's spendings.
15:08Perhaps this respectable lady would accommodate the needs of a rather unusual female.
15:15Good afternoon.
15:17Good afternoon.
15:18Good afternoon.
15:27I've come about the room.
15:45Say good day to the lady, Grace.
15:47Good day, Grace.
15:51Oh, dear.
15:53To tell the truth, we were hoping for someone a bit older.
15:56A widow, perhaps.
15:58You see, um...
16:00My daughter's, um...
16:02A rather unusual, trusting sort of girl.
16:05I wouldn't like to have young fellas coming in and out.
16:07There wouldn't be any young fellas, Mrs Milne.
16:10They're our guarantee.
16:12And I'd never get behind with my rent.
16:14Well...
16:15You see, the thing is, I work as a kind of entertainer, at parties and such like.
16:19And for that, I sometimes dress in gentlemen's suits.
16:23Now, if you and Grace don't mind that, I think I might do very well.
16:28Gentlemen's suits, you say?
16:31Well, Grace, what do you think of that?
16:33Would you like to see one, Grace?
16:43Oh, my eyes, Grace.
16:44What a beauty!
16:46Would you like to try it, Grace?
16:48Yes, please!
16:49Oh, now, isn't that kind of a lady?
17:10She gave me the first floor front.
17:12Eight shillings a week.
17:14I think she'd have let me have it for nothing, for Grace's sake.
17:18Sometimes I thought she must have been as simple as her daughter,
17:21for she never asked where I went or what I did.
17:25I'm off then, Mrs M.
17:26See you tomorrow, Gracie.
17:28You'll take as long as you like, dear.
17:29You'll have your own key.
17:31Bye, then.
17:39Some nights I didn't need to go out.
17:41I told myself that this was freedom.
17:44Perhaps that was the secret of happiness,
17:46to expect nothing, or expect very little.
17:50What is it the soldiers say?
17:52If you're warm, dry and smoking, that's happiness.
18:00Evening, sweetheart.
18:01How are you?
18:03Come on, Florence.
18:04You ready?
18:06Florence!
18:08Florence.
18:10Who knows what it is that draws one person to another,
18:13but for the first time in months,
18:15I felt something of my old self stirring in me.
18:19I wanted to see more of Florence,
18:21and soon enough, I did.
18:27Hello again.
18:30I hope I didn't frighten you the other night.
18:32I'm sorry, I don't...
18:33Evening, sweetheart.
18:34How are you?
18:35Oh, that was you.
18:37Quite right.
18:38You live up there, do you?
18:39I do.
18:39And you live there?
18:41That's right.
18:42We were very lucky.
18:43Mother and I lost our other house,
18:45but Miss Darby found us this one.
18:47And now I work for her charity,
18:49finding homes for others.
18:51Well, that's nice.
18:54I was just going to the park.
18:55Will you come with me?
18:56Oh, no.
18:57I've got so many calls.
18:59Oh, but I go along that way.
19:02So you're not in your trousers today, then?
19:04No.
19:05I like to change and change about.
19:08Boy one day, girl the next.
19:10Does that shock you?
19:11No.
19:12I don't think so.
19:14I can see it must have advantages.
19:16I suppose you can go where you like.
19:19You can do as you like.
19:20Exactly so.
19:21Hit the nail on the head.
19:23Or Miss Darby would be most interested.
19:25She's writing a book about the woman question.
19:28Perhaps she'd like to put me in it, then.
19:30I certainly think she'd be interested in meeting you.
19:33I didn't give a tinker's fart for Miss Darby
19:35or the woman question.
19:37But I knew I wanted to see more of Florence.
19:41I wonder.
19:43Would you like to come to a lecture with me?
19:45At the Athenaeum Hall?
19:47It's on women and labour.
19:49A lecture?
19:50I say, that's just my style, I don't think.
19:54But I'll give it a go, if you like.
19:56Really?
19:57Said so, didn't I?
19:58When is it?
20:00Thursday.
20:01Six.
20:02We could meet for some tea beforehand, if you like.
20:05Done.
20:08You live with your mother, don't you?
20:10That's right.
20:11Before that, we lived just round the corner.
20:14You know, I've never been out of Islington.
20:17Very adventurous, eh?
20:18You don't have to travel far to have adventures.
20:20Yeah, you are mad.
20:23Any more?
20:24You're not from round here, are you?
20:26No.
20:27So where'd you come from?
20:28Kent.
20:29Whitstable.
20:30It's a seaside place.
20:32I used to work in an oyster bar.
20:36So do you go back there very often?
20:38See your ma and pa?
20:41They're dead.
20:42Oh.
20:44I'm sorry.
20:45No need to be.
20:46It was a long time ago.
20:50So what work do you do in London?
20:52In a shop.
20:54What sort of a shop?
20:56A hat shop.
20:58Well, I'd never have imagined that.
20:59Why not?
21:01I don't know.
21:02You just don't seem the sort.
21:04I bet they don't let you wear your trousers in there.
21:08No.
21:09No, of course not.
21:11What?
21:14No.
21:21So, what do you do there exactly?
21:24You...
21:24Are you serving the shop or are you in the back making the hats up?
21:28I just can't seem to imagine you there somehow.
21:33I, well, I couldn't keep it up.
21:37She was so sweet and straight, I couldn't bear to lie to her.
21:42But I couldn't tell her the truth either.
21:47Is there a lady's lavatory here?
21:49Yeah, through there, I think.
21:51I won't be a dick.
22:11What made me think I could be friends with a respectable girl?
22:16All that was over for me.
22:19If she could have seen me, known what I really did and what I really used those clothes for.
22:26I belonged in the gutter.
22:33I'm watching now, now's business.
22:37I can't do anything I want to do, dear.
22:45You going for it, Sonny?
22:47It's a sub for a dubbing, two for a suck, but I won't be buggered.
22:50I don't pay more than a sub for a soldier.
22:53Dubbing all nothing then?
22:54No place?
22:56Follow me.
23:15This is the place, sir.
23:17Come on, then.
23:17Oh!
23:18Let's see what you're made of, Sonny.
23:20No, no, I said no.
23:22Let me up, I'll cut you.
23:23No, I will!
23:25Keep still, or you'll get worse.
23:33All right, me boy.
23:35You're safe now.
23:37You come with me.
23:38You won't be here.
23:39Please, constable.
23:40Let me go.
23:41It was my very first time, sir.
23:43He made me.
23:44Constable?
23:46I'm no constable.
23:49Somebody's taken a fancy to you.
23:52You've got nothing to fear.
23:54I won't be buggered!
23:57In you go.
24:03Good evening.
24:05I never thought...
24:07Well, now you see you have nothing to fear.
24:09I'll see you safely home.
24:11Or my own house is quite nearby.
24:13Let me offer you a hot toddy to calm your nerves.
24:16You were in a little difficulty just now, I think.
24:18Yes.
24:19Thanks ever so.
24:21That chap said he'd buy me a drink,
24:23and next thing I knew, he'd drag me off the street.
24:25I had a bad fright there, but I shall know better next time, Miss.
24:28Shall you?
24:29So you were perfectly innocent, were you?
24:31No idea at all what a gentleman on the town
24:34might want with a young soldier boy.
24:36No, miss.
24:37Well, now that's a surprise.
24:39I had the impression that you understood the game pretty well.
24:42I've been watching you for a while, young man.
24:44There's no need to be coy with me.
24:46I'm sorry, Miss.
24:46You made a mistake.
24:47No, I don't think I have.
24:48Truly, you have, Miss.
24:50I'm very grateful, but honest, I'm not what you're looking for.
24:52Oh, yes, I think you are.
24:54But I'm a girl!
24:55Do you think I didn't know that, you little fool?
24:57Though you wear the outfit far better than most of the lads do.
25:00And you have the legs for it, too.
25:02Oh, yes.
25:03And none of your gentlemen guessed.
25:07If they did, they didn't say.
25:09In any way, I was pretty strict about what they could and couldn't touch.
25:13And it all went off all right until tonight.
25:16Pretty strict, were you?
25:18I wonder, should I like you to be pretty strict with me?
25:23But there's no need to be afraid.
25:25This could be the luckiest night of your life.
25:28Come, come.
25:29Where's your sense of adventure?
25:53Take my arm.
25:54Don't think of making a run for it.
25:56Cawdor is quick as well as strong.
26:12That could be all of you tonight, thank you, Blake.
26:14Yes, ma'am.
26:15Night, ma'am.
26:16Night, sir.
26:19I'm coming.
26:21Come.
26:22Come.
26:52How warm it is in here.
26:55Not too warm for you, I hope.
26:57Perhaps a bit.
26:59What's your name?
27:00Nancy.
27:02King.
27:04And I think you might have offered me a glass of wine and a cig.
27:06I beg your pardon, Miss King.
27:09My name is Leatherby, Mrs. Diana Leatherby.
27:12Have you heard that name before?
27:14No.
27:16All the better.
27:22There.
27:25If you were the king of pleasure and I were the queen of pain,
27:31you're very handsome, Miss King.
27:34I know.
27:41Oh, what have we here, I wonder?
27:55So, all your promise has come to nothing after all.
27:59Take those off.
28:02Give me the glass and the cigarette.
28:03Quickly.
28:07You may leave the jacket on.
28:09And the boots.
28:10And the hat.
28:32Good.
28:34Now, go through there into the bedroom and open the chest under the mirrors.
28:39Hapto!
29:08You may have a shower or a glass.
29:11Now, go with solo.
29:11Thanks, honey.
29:11You kinds of 그다음에, you're good.
29:17Bye.
29:19Bye.
29:21Bye.
29:24Bye.
29:46Push it on.
29:48Push it on and come to me.
30:05Come here.
30:10Push it on and come to me.
30:44Push it on and come.
31:15You exquisite little tart.
31:48You sleep like a child.
31:50I've been up this half hour making a fearful row and still you've slumbered on.
31:56I've run for breakfast.
31:57I hope you're hungry.
31:58Yes.
31:59Yes, I am.
32:00Good.
32:00Oh, here she is.
32:02Morning, ma'am.
32:04Morning, miss.
32:05Very good, Blake.
32:05Draw a bath for Miss King.
32:07Oh, and tell Mrs. Hooper I'll speak to her about luncheon.
32:09Yes, ma'am.
32:13There's a Persian story I read as a girl.
32:16A beggar sets a genie free from a bottle and is rewarded with a wish.
32:20He can live in ordinary comfort for 70 years.
32:24Or in pleasure.
32:26With a princess for a bride, servants, every desire satisfied for 500 days.
32:33Now, if you were that beggar, which would you choose?
32:36The pleasure.
32:38Good.
32:40So did the beggar.
32:45So, will you stay with me now and be pleasured and pleasure me in your turn?
32:51Stay with you as what?
32:53Your guest, your friend, your servant?
32:56As my tard, you silly girl.
32:58No, no, no, no.
32:59Not in a hole and corner way.
33:00You'll ride out with me to the park, attend me at the theatre.
33:03We're the finest clothes.
33:05But you'll belong to me.
33:07And we'll pleasure each other.
33:08How does that seem?
33:10I don't know.
33:11I don't know enough about you to know whether I like you.
33:14And you don't know me.
33:15I know all I need to know about you.
33:18You're like me.
33:19You showed it last night and you're showing it now.
33:23You hunger for your own sex.
33:25You hunger for the pleasure I can give you, don't you?
33:29Yes.
33:31There are moments in our lives that change us.
33:34That night when Kitty cast her rose at me and sent my admiration tumbling over into love.
33:40And this was another.
33:43The start of a new life.
33:45Yes.
33:55How do you like yourself?
33:57Not bad.
33:58Smarter than anything I wore down the dilly.
34:01It's your coming out suit.
34:03I had begun my new life.
34:05And what a life.
34:06And what a world.
34:08It was so easy to get sucked in.
34:10Look how they eye you.
34:12Men and women.
34:12Both.
34:13They'd all love to have you.
34:14But they shan't because you're mine.
34:15Bought and paid for.
34:17Diana, you old Rui.
34:21You have done it at last.
34:23Ladies, allow me to present my companion.
34:26Miss King.
34:27This is Mrs. Jexnan, quite my oldest friend in London and quite the most disreputable.
34:32Everything she says and does is designed to corrupt.
34:35I'm afraid I've been corrupted already, Mrs. Jex.
34:38Ha!
34:38Good.
34:39Good God.
34:40It talks.
34:42That is Dickie, Miss King.
34:44Touch of the green-eyed monster there.
34:48Charmed.
34:49Likewise.
34:50So tell me, Miss King, where does a little treasure like you come from?
34:56Like me?
34:57There's no one quite like me, Mrs. Jex.
35:00But if you want to know, I was born by the seaside.
35:03In Whitstable.
35:05Where the oysters come from.
35:07Whitstable.
35:08Would you believe it?
35:10She's a Whitstable mermaid.
35:15Like a mermaid.
35:23Come along, child.
35:26But the Whitstable mermaid was no more.
35:28This was my life now.
35:31For the most part, she kept me close
35:33and displayed me at home.
35:36The boy, they called me.
35:38She contrived tableaus so that they could feast their eyes on me.
35:41She enjoyed that, that they could look but couldn't touch.
35:45They knew that she would be enjoying me later.
35:51Ladies, tonight, we give you hermaphrodite.
35:57It's so much.
35:59I'm glad I'm doing it.
35:59Should I know?
36:00Should I know she's doing it?
36:01Oh!
36:04Oh!
36:06Oh!
36:07Oh!
36:08Oh!
36:10Oh!
36:10Oh!
36:11Oh!
36:12Oh!
36:34We were a perfect double act.
36:37I was the living proof of her perversity.
36:40I was the stain left by her lust.
36:43She had awakened something perverse in me, too.
36:46And I couldn't imagine a life beyond her shaping.
37:49What would you do if you were your own mistress?
37:52I'd set up my own boarding house in the colonies.
37:57I'm saving from my wages towards it now.
38:02A boarding house in the colonies?
38:04Yeah.
38:05For ladies.
38:07Well, maybe I'll come and stay in it someday.
38:11You'd be very welcome, miss.
38:50Thank you
39:08To mark the passing of time.
39:11Do you know you've been with me longer than any of the others?
39:16Quite an achievement.
39:36Take our coats.
39:40Dickie, Clara, the boy will take our coats.
39:42Oh, what a little angel.
39:49There. Take care, William.
39:52Ladies and gentlemen, will you please carry along to your seats?
39:56The curtain will rise in three minutes.
39:59Thank you, sir.
40:00Two gents and two ladies.
40:02Don't you know me, Bill?
40:04Nan King.
40:06Have you got a sec?
40:08Give us two ticks, Raymond.
40:10What happened to you then, Nan?
40:12What have you been doing?
40:13Oh, you was missed.
40:14And you still are.
40:16There was never an act like you and Kitty Butler's.
40:18Do you hear from Mr Bliss?
40:20Or Kitty?
40:21Oh, yes.
40:22They've got an act together now, playing just down the road.
40:25At the Strand Palace.
40:26Oh, tonight?
40:28What time are they on?
40:29Second half.
40:30Just after the interval, I think.
40:32What's the boy doing?
40:32He's talking to the nigger at the close.
40:35I'd better go.
40:36And thanks, Bill.
40:39Can't take him anywhere.
40:41I think you should get a collar and chain, Diana.
40:44And a whip.
40:49Excuse me.
40:50Call her nature.
40:57Let's see where she's going.
41:00I had to see her.
41:02I had to see Kitty again.
41:11Where's my little Willie now?
41:16He's my only comfort and my only joy.
41:21Now his mother's gone to heaven.
41:23All I've got's my little boy.
41:25Can anybody tell me where's my little Willie now?
41:33Oh.
41:38Oh.
41:48Father, I've been looking for you all over.
41:53Oh, Willie.
41:54Come to your dad and give us a kiss.
41:59Now don't you ever run away again, me boy.
42:05Can anybody tell me where's my little Willie now?
42:12Oh.
42:13Oh.
42:15Oh.
42:17Oh.
42:18Oh.
42:20Oh.
42:21Oh.
42:21Oh.
42:23Oh.
42:25Oh.
42:27Oh.
42:31Oh.
42:36Oh.
42:37Oh.
42:38Oh.
42:41Oh.
42:46Oh.
42:47Oh.
42:48Oh.
42:49Oh.
42:50Oh.
42:50Oh.
42:52Oh.
42:52Oh.
42:52Oh.
42:53Oh.
42:53Oh.
42:53Oh.
42:53No.
42:54Oh, damn you!
42:55A girl I love's love more than anyone.
42:57More than myself.
42:59More than you love me.
43:00What's more than I love you?
43:01I don't love you at all.
43:03I hate you.
43:38Oh, Kitty.
43:41Kitty.
44:10I do love you.
44:12Oh, it's not great.
44:22You feeling better, miss?
44:24You looked at a soap all here last night.
44:26Oh, yes.
44:27I shall live.
44:29Come sit down, Blake.
44:30Talk to me.
44:33What about, miss?
44:37Well, what's your first name?
44:40It's Zena, miss.
44:42Mrs. Ledleby says she got you out of a reformatory.
44:45What were you there for?
44:47I was sent there on account of a girl I was friends with at a house in Kentish Town.
44:51We were maids there together.
44:53So you were a maid before you came here?
44:56I went out as a skivvy when I was ten.
44:58And then I got the place at Kentish Town when I was fourteen.
45:02I was a housemaid then.
45:05And I got very thick with another maid there called Agnes.
45:10Agnes had a chap.
45:12She threw the chap over, miss, for my sake.
45:16That's how thick we was.
45:19And it was Agnes got you sent to the reformatory?
45:23No, miss.
45:23It was another girl.
45:25She was jealous of me and Agnes.
45:27It was her that told the missus.
45:30And Mrs. Leatherby, does she know why you were in the reformatory?
45:33Oh, yeah.
45:33She knows all right.
45:35She's a great friend of the lady governor.
45:41Has Mrs. Leatherby ever tried?
45:43Not that she can, miss.
45:45It is only once or twice in any case.
45:48I think she just wanted to make it clear, like,
45:50that she could do what she wanted with me.
45:53Oh, yes.
45:55I can believe that all right.
46:00Will there be anything else, miss?
46:03No.
46:04Not just now.
46:07Very good, miss.
46:11What had become of me?
46:13What had I become?
46:15She spoke of love, and it touched me.
46:19But I felt too spoiled and stained for love.
46:24Besides, I was still obsessed with Diana,
46:27for all her casual cruelty.
46:29I must have been.
46:30For it would have been easy enough, you would think,
46:32just to walk out of the house one day when she was out.
46:35Walk out forever and leave no word of farewell.
46:38Thank you, Colin.
46:40I hated myself.
46:43But still, after nearly two years,
46:46I was on fire for her, as she was for me.
46:49I had started,
46:50and I had to take that journey with her
46:52right the way to the end.
46:54Though I feared it would be a bad end.
47:03Well, did you miss me?
47:06How much do you care if I miss you or not?
47:08No, no, little soldier.
47:09No sulks.
47:19Of course I care.
47:22Don't you know you're the love of my life?
47:27And then, in March, came Diana's 40th birthday.
47:32She decided to celebrate it with a fancy dress party.
47:36I chose to go as Antinous,
47:38Hadrian's favourite page,
47:40who drowned in the Nile.
47:42His sad fate suited my mood.
47:45I hated my life,
47:48but I couldn't leave it.
47:56What do you think?
47:58I think you look lovely, miss.
48:12I hated it all,
48:14but I still had my pride.
48:16I would still be the most beautiful thing in the place,
48:20desired by all,
48:22inaccessible to any but my mistress.
48:25Shh, shh, shh, shh, shh, shh.
48:26Ladies, ladies.
48:26Ladies, I give you Antinous.
48:41Well, no dildo.
48:43Where's Monsieur Dildo?
48:45He might come later,
48:46but remember,
48:47this is a very sweet and virtuous Roman boy.
48:51Oh, my God.
48:53Oh, my God.
48:54Oh, my God.
49:03You look like a picture
49:05from a bugger's compendium, my dear.
49:08Thank you kindly, I'm sure.
49:10And what might you be wearing
49:13under that, young man?
49:16Just a little eau de cologne, no?
49:19You mustn't touch or look.
49:21Just use your imagination.
49:23Don't get much chance
49:25to use anything else these days.
49:28God, look at Dickie.
49:30What's she supposed to be?
49:31Dorian Gray, I believe.
49:33No, no, no, no.
49:42No, no, no.
49:44No, no.
49:58No, no, no.
50:12I swear to you, it was as big as a boy's doogle and as stiff as my thumb.
50:18She blames it on her Hindu nurse.
50:21I've seen that amongst the Turks as well.
50:24They bred like it in order to pleasure themselves and the Seragio.
50:30You need to go as far as that to find it.
50:32English girls in the slums all have them.
50:35They're brought up 22 of bed frigging all night.
50:37No wonder their little clitoris is good.
50:39I was sick of it.
50:40Oh, no.
50:41The backbiting, the bitching.
50:44Something inside me was getting ready to explode.
50:47If we had a girl from the slums here, I'd pull down her drawers myself and show you the proof.
50:52What does Antinua say?
50:54You used to be a little slum slut, didn't you, once upon a time?
51:00Of course, Blake, come here.
51:01Come here.
51:03You're a reformatory girl, aren't you?
51:07Aren't you?
51:08Yes, ma'am.
51:08Good.
51:10Lower your drawers and lift up your skirt.
51:14Oh, good God, girl.
51:15Don't have to come and do it for you.
51:16Leave her alone.
51:17What?
51:17Leave her alone.
51:18Let her alone.
51:19Go back to the kitchen's place.
51:21Stay where you are.
51:22And as for you, do you think your mistress is here?
51:26What's it to you if I ask my girl to show me what she's got between her legs?
51:30You've done the same thing yourself often enough.
51:33Get back behind the curtain.
51:36And when we finish with Blake, perhaps we'll all take turns upon Antinua.
51:42You shan't talk to me like that.
51:44You don't own me.
51:45Oh, Lord.
51:46What a bore.
51:49What a bore.
51:52Nothing to you, you old cow.
51:54Got up like a boy of 17.
51:56Dorian Gray, look at the glass.
51:58You're more like the portrait in the attic.
52:00And that goes for the rest of you, you tired old trotters.
52:05Why don't you all just fuck off home?
52:06This girl's worth dead of any one of you.
52:08I think you're a little overexcited, Nancy.
52:12You'll go to your room now.
52:15And when you've had time to think, you will come down and apologise.
52:18Then we'll devise a little punishment for you.
52:23Something suitably Roman, maybe.
52:25What are you going to do then?
52:27Throw me to the lions?
52:30I know one thing.
52:32I'd make a tastier meal than you, you worn-out pathetic old trollop.
52:37Oh, come on!
52:41Oh!
52:45Oh!
52:46Oh!
52:48Oh!
52:50Oh!
52:51Oh!
52:52Oh!
52:52Oh!
52:52Oh!
52:52Oh!
52:54Oh!
52:58Oh!
53:01Oh!
53:01Oh!
53:02Oh!
53:04Oh!
53:07Oh!
53:08Oh!
53:09Oh!
53:11Oh!
53:13Oh!
53:14Oh!
53:22Oh!
53:22Oh!
53:23Oh!
53:23Oh!
53:23Oh!
53:23Oh!
53:24Oh!
53:24Oh!
53:26Oh!
53:27Oh!
53:27Oh!
53:28can i stay here with you miss i'm frightened to go back to my own room with those ladies
53:34roaming all over the house yes you can stay
53:40what's in the bottle brandy miss i thought for the shock
53:47give it here
53:56so
53:58Shh.
54:40ORGAN PLAYS
55:09ORGAN PLAYS
55:28ORGAN PLAYS
55:29I miss...
55:31What are things to do?
55:35ORGAN PLAYS
55:38ORGAN PLAYS
55:59Did you use to frig yourself in the reformatory?
56:03You're as bad as them downstairs, to think of me with a cock.
56:11I'd like to see you with one.
56:15What?
56:16You don't mean...
56:57It's only human nature, I believe.
57:01Oh, some they like it this way, and some they like it that.
57:04The lady dips a curtsy, and the gentleman tips his hat.
57:07And some they like them bigger fat, and others meat and small, but whatever they say.
57:11It's only human nature after all.
57:15Last Sunday I went up the park, just to take the air.
57:18I saw a girl upon the swings, and she was pretty fat.
57:21I said, now shall I give a push, and catch you if you've all pushed on, she said.
57:25It's only human nature after all.
57:28Oh, some they like a nightingale, and some they like a lark.
57:31And some they like a pretty girl to cuddle in the dark.
57:34And some they like a pansy, and some they like a ball, but whatever you say.
57:38It's only human nature...
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