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00:00:28Thank you!
00:00:31Ohhh!
00:00:33Oh my God! Apoli, come down!
00:00:35I spent my whole life looking at her!
00:00:38Like a retiree watching a construction site!
00:00:40No!
00:00:43The suitcase?
00:00:44Yes!
00:00:45Worth!
00:00:47All!
00:00:48Creedra de culete?
00:00:50All!
00:00:51She's just so sweet!
00:00:52She's so sensitive...
00:00:53She's so pretty!
00:00:54But with all the modern nonsense
00:00:56Thank you!
00:00:57They can't invent us...
00:00:57A vaccine...
00:01:00Yes. And what about flavors?
00:01:02Come on, you're going to be late for the bar.
00:01:03And I'm also late for my vaccination, my appointment is at 11.
00:01:06At this rate, the girls will be getting their six-month vaccinations.
00:01:09Are you going to vaccinate the baby?
00:01:11But I've heard that they cause bad things.
00:01:14Your hearing is bad. I certainly hear nonsense.
00:01:17They haven't given me any, and here I am.
00:01:19With a body to donate to science.
00:01:21Yes, daughter, because we already know that nobody wants what he is in life.
00:01:24Okay, girls, I'll see you later, okay?
00:01:26Come on.
00:01:27Bye bye.
00:01:27Goodbye, my weapon.
00:01:29My God, we've only been here for two days and this feels like a move.
00:01:33Excuse me? The girl won't be baptized in the north.
00:01:36Look, Carmen, there is peace that you already know is not for me, it is for my mother.
00:01:39Yeah.
00:01:39Just by telling her that we were going to baptize her here, she almost fell into a coma, I saw it.
00:01:51What's up, Goldó?
00:01:52Hey, but what are you doing so well, Seville?
00:01:57Oh, I'm going to eat you.
00:01:59I'm going to eat you from head to toe.
00:02:04Well, now we understand the delay, huh?
00:02:08It doesn't surprise me that you say you weren't doing so badly after the separation.
00:02:11So, who is that Sevillian woman with the sweet, velvety voice, Truán?
00:02:17Her ex.
00:02:19What's up, guys?
00:02:22Down, Carmen.
00:02:24Oh no, no, Carmen, we're glad you're also dealing with the separation.
00:02:29Yes, that's right, it's good that you're better off now than when you were together.
00:02:32Well, you guys weren't doing too badly before either.
00:02:34A little bit, yeah?
00:02:35But, well, nothing, it's just that...
00:02:36That's it, nothing, nothing.
00:02:38Okay, Iñaki, see you in a few hours, okay?
00:02:40Just make sure you lock the house properly, okay?
00:02:43And the lights turned off completely.
00:02:44Do you know where the gas is?
00:02:45Look, after living in your house for months, what do you think?
00:02:48Okay, Agur, I see you now.
00:02:49Okay, goodbye.
00:02:51Goodbye, goodbye.
00:02:51Anchón, you've gone a bit too far, haven't you?
00:02:53Look, we've all messed up, Pello.
00:02:55But you a little more.
00:02:56What are you saying, Pello?
00:02:57Okay, let's discuss this now, shall we?
00:02:59And especially not on a day like today.
00:03:00Today we have to be a strong team.
00:03:02Yeah.
00:03:02Yes or yes?
00:03:03Yes, yes.
00:03:04Fewer booths, more hamlets, less...
00:03:07Sorry, I got carried away.
00:03:09A little, but oh well, okay.
00:03:10Let's get down to business.
00:03:12Organization.
00:03:13So, how's the restaurant situation, Pello?
00:03:15Reservation and menu confirmed.
00:03:1670 ribeye steaks and a refreshing drink.
00:03:19We won't fall short, will we?
00:03:21There are 30 of us.
00:03:22It'll be there.
00:03:23Let's see, the priest's collection.
00:03:25I'll take care of that.
00:03:26That works well for me at the station at 6 pm.
00:03:28Don't be ridiculous, they send us the priest from Seville too.
00:03:31No, not me, Don Pascual.
00:03:32He's more Basque than a beret.
00:03:34The one who blesses all the stones that Pelurina lifts, damn it.
00:03:38Hey, Don Pascual?
00:03:39Don Pascual, the one who married Marichu.
00:03:42The one who married Begoña.
00:03:45The one who married Iñaki.
00:03:46The one who drinks more than a cowboy.
00:03:48And every time he plays at being a museum, he plays at being a cassock.
00:03:49Ah, Don Pascual!
00:03:51That's right, Don Pascual.
00:03:52And we could ask Don Pascual if he would let us read something at the baptism, couldn't we?
00:03:56Yes, we could, yes.
00:03:57Yes, but...
00:03:59That's not our responsibility either.
00:04:02Cabezo, and whose is it then?
00:04:04He's talking to Iñaki.
00:04:07Honestly, if I weren't important, I'd just stay here quietly.
00:04:11But I have to speak at the beech tree christening of my little gypsy girl, so I have to go.
00:04:14Well, there's the door.
00:04:16Okay, thank you very much.
00:04:21Don't tell me I'm in a bad mood, old man.
00:04:24Why would I want to catch monotuberculosis, for crying out loud?
00:04:27It's called mononucleosis, José.
00:04:29Although I prefer to call it the kissing disease, don't you?
00:04:31That's more romantic.
00:04:32Yes, well, I don't know what kiss I caught her with.
00:04:34Because in the last six times, the only thing I've kissed has been my mom's scarf.
00:04:38Have you shared a cigarette recently?
00:04:40Glass, toothbrush...
00:04:42Disgusting!
00:04:43No, not anymore.
00:04:45Well, the other day I went to a party and I ended up thinking I was Toni Curty, you know?
00:04:49I arrived home wearing clothes that weren't mine, so maybe I did pick up some spleens mixed in.
00:04:54Well, there you have it, José.
00:04:56Wait a minute, you're a urologist, right?
00:04:59And you who are here, don't tell me that Longolossi is affecting the Pajos Countries.
00:05:03Don't worry, your little darling is doing great.
00:05:04The problem is that, since staff are leaving, those of us who are left are like the Thermomix.
00:05:11What do we do?
00:05:12No, I found it funny, but I'm feeling unwell.
00:05:14I just didn't get it.
00:05:15Look, José, what you need to do is rest, okay?
00:05:17It's the only way to recover and get well.
00:05:19Oh, that's so refreshing!
00:05:22But I've been here for three days now, I think that's enough.
00:05:24Mononucleosin needs time, doesn't it?
00:05:27But I even wrote a speech and everything, you just don't understand it.
00:05:29Look, I've written...
00:05:31You see it from there, I've ended up with a little monkey.
00:05:35José, what you have to do is call Carmen and let her know that you won't be able to go to the
00:05:38christening.
00:05:38No, okay? No, no, no. Not a word to Carmen, okay?
00:05:41Okay.
00:05:42Very good.
00:05:45Goodbye, I swear I'm going to Dayan's christening.
00:05:49Go for it!
00:05:50Go for it!
00:05:52Look!
00:05:53Very good.
00:05:53Time to rest!
00:05:55And remember, if you have mononucleosis, don't cough on me.
00:05:59Hey!
00:06:00Hey!
00:06:01Oh, what do I have to brown!
00:06:06Come on, Benito, show me Laia's little dress, I want to see it.
00:06:09What? No, it's a surprise, Marichu.
00:06:11Stop being surprised.
00:06:12Come on, take it out.
00:06:13Okay, fine.
00:06:17Ta-da!
00:06:18That?
00:06:19Embroidered by the Carmelite nuns of San José.
00:06:22Closing.
00:06:23That's how it is.
00:06:24Look, look how noticeable the precision, the detail.
00:06:26Yes, yes.
00:06:27And what about not seeing many shop windows?
00:06:29What don't you like?
00:06:31Well, for the banquet, right?
00:06:32We'll see.
00:06:34Oh, what a sweltering feeling!
00:06:35Look, honestly, I don't understand why they had to stay in Seville.
00:06:38My granddaughter would be so much better off in the cool northern air.
00:06:41Yes, of course, not again with that, Marichu.
00:06:43Look, I just don't understand, Benito.
00:06:45Well, yes, I understand that my son is stupid, period.
00:06:47They tell him he has to stay in the south and, well, he goes and stays in the south.
00:06:51No, no, no, that's not how it is.
00:06:52Iñaki didn't have a job in the north, and here he has his bar.
00:06:55And Carmen, as soon as her maternity leave is over, will go back to work as a nurse.
00:06:58Or would you prefer her working upstairs with Horacio?
00:07:01Yes, yes, yes, yes, yes, yes, I understand everything.
00:07:03But Dr. Rosales no longer works here.
00:07:05But I can assure you that Dr. Guillén is just as good a professional.
00:07:09Angela, just a moment.
00:07:11What's happening?
00:07:12This is the last straw, Mr. Bejumea.
00:07:15In the last week, three doctors have already left.
00:07:17And so?
00:07:17Because the new director of the clinic is taking him to the flowers.
00:07:21Okay, but what about Christopher?
00:07:22I wish they had, but no, they haven't taken him.
00:07:26Angela, please.
00:07:26Excuse me, excuse me, Mr. Bejumea.
00:07:28I know he's his son, but even my little girl hasn't done anything to stop it.
00:07:31And there he is, with a lost soul, on the side of the Trinity.
00:07:33I'm sorry, but...
00:07:34Calm down please, okay?
00:07:36Calm down.
00:07:36Let's see, there will be vaccines for everyone.
00:07:39But they just told us there's only one left.
00:07:41No, no, no, no, he didn't say that.
00:07:43Let's see, but whose side are you on?
00:07:44But what's going on here, Dolores?
00:07:47There are no vaccines.
00:07:48And I swear to you by the Virgin of Carmen that before there I placed a massive order knowing the great
00:07:51demand that was going to exist.
00:07:52But I don't know what could have happened.
00:07:54That's shameful, that's what happened.
00:07:56Thank you very much, Manolo.
00:07:57Okay, hold on a minute, please, calm down.
00:08:00I'm going to call one of our suppliers to have them send us vaccines.
00:08:03Already.
00:08:04You've already had your vaccine, haven't you, sweetie?
00:08:07They really screwed you over here.
00:08:09Yes, here.
00:08:10They really screwed you over here.
00:08:11No, they haven't put it on her.
00:08:12It was her turn now, and she was the only one left, and that's why things got complicated.
00:08:15People here have been elbowing each other like gorillas.
00:08:17This looked like a Brad Freddy discount.
00:08:21Dolores, exhausted too.
00:08:23Well, we want a complaint form.
00:08:24Okay, okay, okay, calm down.
00:08:27I'm going to get the vaccine.
00:08:28I promise.
00:08:29He's not going to try, he's going to try.
00:08:31Please don't make partial promises because this isn't that easy.
00:08:34But look, Dolores, I understand that there is no vaccine in Seville.
00:08:37Okay, but throughout Andalusia, my father has a supplier friend on the street.
00:08:40I'll call him and sort it out.
00:08:41Thank you very much, Carmen.
00:08:43We're leaving because we have another front to deal with, daughter.
00:08:45What's happening?
00:08:47In short, fleeing from doctors.
00:08:51You call first and then I'll tell you that I don't know how long I'll be able to put up with this beast.
00:08:59Asparagus, peppers, chili peppers.
00:09:00Look, we'll make a mess of all this.
00:09:02Don't let him see it, or we'll have to throw it away too.
00:09:04Look, Yaki, thank goodness we have customer loyalty.
00:09:06Otherwise, the joke of celebrating the christening in the north would have cost us dearly.
00:09:10Damn, you know it's because of my mom.
00:09:11That woman lives in a constant state of turmoil, and if you don't do what she wants...
00:09:14It's because your mother is where the storm is.
00:09:16So celebrate the baptism here in the City of the Sun, the joy.
00:09:19Well, and it doesn't talk about gastronomy.
00:09:21Fuck.
00:09:22What has been lost at the tourist office that day without you.
00:09:24If it's true.
00:09:25Give me a good gazpacho, a marinated dish, or fried fish any day over a steak.
00:09:30Already.
00:09:31Rafi, come here.
00:09:33You're not going to eat a steak.
00:09:35You're going to eat, blessed glory, on the grill.
00:09:39Turn it over and over, nice and thick, reddish, juicy.
00:09:45I've seen that even the most radical vegan will fall.
00:09:51It's just annoying.
00:09:52There it is, look.
00:09:53From the grill.
00:09:54It will be to confirm the reservation.
00:09:56Hey, some good news.
00:09:57At last.
00:09:58Yeah.
00:09:58Hello.
00:09:59Yes, yes, it's me.
00:10:01At two o'clock.
00:10:02Yes, we'll be there.
00:10:05As?
00:10:06No, no, we don't care if there's a demonstration in the center of Logroño.
00:10:11Hey?
00:10:14As?
00:10:16Hey?
00:10:18No, no, no.
00:10:19No, no, in San Sebastián.
00:10:20The reservation.
00:10:21In San Sebastian.
00:10:23In San Sebastián.
00:10:24Of, of...
00:10:27Pigheaded.
00:10:32What did he catch?
00:10:33Everything's in order, right?
00:10:34Uh, yes, yes.
00:10:35Well, I wanted to know if we prefer ribeye steak or sirloin steak.
00:10:40And well, it's already been done that...
00:10:43Everything's under control, man.
00:10:45Damn, well thank goodness, because we're going to...
00:10:46With all the fuss Viñaki makes about booking at that place.
00:10:49How is it that it causes trouble?
00:10:49No, no, that's why, that's why, that's why.
00:10:59No, no, no, no, no, no.
00:11:00Sorry, that's wrong, isn't it?
00:11:01That we have not ordered.
00:11:02We are closed due to family matters.
00:11:03What are you saying, Juanillo?
00:11:04What are you saying?
00:11:05Wow, another jerk.
00:11:06It's clear that in this bar, being silly is viral, huh?
00:11:08Grandpa, where are you going with so many boxes for just two days?
00:11:10He wasn't that flirtatious, was he?
00:11:11The man who didn't.
00:11:14And these are firecrackers and fireworks for my granddaughter's christening.
00:11:17I come from a relapsed state that I...
00:11:19Do you really believe the people at the post office who say they can't send it because it's prohibited, damn it?
00:11:23It's not like these were North Korean bombs.
00:11:24And you?
00:11:25It's prohibited, so you tell me what we're supposed to do, because this won't fit in our carry-on luggage.
00:11:28plane, huh?
00:11:30Well, we'll have to take him by car, there's no other way.
00:11:32By car?
00:11:32But I don't have any meat and the guy's expired.
00:11:35Dad!
00:11:36Are you here yet?
00:11:37Okay, so I'll take a little white fish up to a room and we'll head to the airport, right?
00:11:41Clear.
00:11:43Whose is that?
00:11:43Well, these are...
00:11:44All the little gifts I send to the aborigines up there.
00:11:48Are you bringing gifts to the little creatures up north?
00:11:50Oh, how sensitive grandparents become!
00:11:52Well, can't you buy that there?
00:11:53No, that's not possible, because they are semi-anals.
00:11:56It's made of porcelain, from the typical Carthusian style here.
00:12:00Look, since they won't let me baptize my granddaughter in the Cádiz cathedral,
00:12:03Unless there's a touch of Andalusian flair in the christening, eh?
00:12:06So what do we have to do? Go to the post office, send it, and that's it?
00:12:09No, no, no, we'll miss our flight.
00:12:10No, you've lost me, that's it.
00:12:11What are you talking about, you fool?
00:12:12We have to take it by car, in your car, okay?
00:12:15That?
00:12:24Can you tell me what this attacking music is about, Christopher?
00:12:27No!
00:12:29Stop the crying in my heart, Dad.
00:12:31Forgive me, truly, forgive me.
00:12:32But I found the handkerchief in the drawer.
00:12:34And I asked for it, didn't I?
00:12:35Okay, Christopher.
00:12:36Maricho.
00:12:37Look, Christopher, you can't keep going like this.
00:12:40You have to forget her.
00:12:41I'll try, Maricho, I'll try.
00:12:42But I just can't.
00:12:44It smells like her.
00:12:45Look, this isn't helping you at all, son.
00:12:47I know, I know, I know, yes, I know.
00:12:52Please let me have it just one more time.
00:12:54Christopher!
00:12:54What do you want me to do?
00:12:55It's not easy, it's not easy.
00:12:56Well, the first thing you need to do is redecorate this place, okay?
00:12:59Trini is shouted from all four corners.
00:13:01Of course, change everything.
00:13:03Take care of the clinic.
00:13:04You'll see, how, with my mind occupied with other matters,
00:13:07The day will come when you yourself will say
00:13:09Who was this Trini?
00:13:11Please stop saying his name.
00:13:13Okay, so what do you want us to call it?
00:13:14I don't know.
00:13:16Call her.
00:13:19The aforementioned.
00:13:21The aforementioned.
00:13:22That name reminds me of her.
00:13:23Look, it's better if we don't mention her name, that's it, that's it, that's it.
00:13:25Look, Christopher, this is serious.
00:13:27The new director of the Las Flores clinic
00:13:29The staff is being taken away.
00:13:30And can't you just stand around doing nothing?
00:13:32Crying here like a child?
00:13:33It's just that right now you were surpassing me.
00:13:35In the end, Trini was right.
00:13:37It was a ship for nothing.
00:13:39Look, Christopher, the first thing I thought
00:13:41When I met you it was
00:13:42that you were a spoiled brat
00:13:44to whom everyone had had it handed to them on a silver platter in life.
00:13:47Honey, we're trying to get her to jump out of her chair.
00:13:49not through the window.
00:13:51But then I thought, this kid is worth a lot.
00:13:53The problem is that nobody has given him the opportunity.
00:13:55to do something for oneself.
00:13:58Does he really think that?
00:14:00Sure, but it doesn't matter what I think.
00:14:02It doesn't matter what your father thinks or what Trini thinks.
00:14:04What matters is what you think.
00:14:06The important thing, Christopher.
00:14:08It's about respecting yourself.
00:14:12You know what?
00:14:13That he was right.
00:14:15I'm going to prove that I'm not a nobody.
00:14:17who can come and try to steal from the doctors.
00:14:20That's my son.
00:14:21The director of Who Am I, Man? is going to find out.
00:14:24I am Cristóbal López Humea.
00:14:27Owner and director of the Spali clinic.
00:14:29And since you haven't had the courtesy
00:14:31If you come, talk to me.
00:14:32Excuse me, can I come in now?
00:14:33Come on, where's the door?
00:14:36Little girl, where am I going?
00:14:42I am Cristóbal López Humea,
00:14:44owner and director of the Isla clinic.
00:14:46And since you haven't had the courtesy to...
00:14:51Hello, Christopher.
00:14:53I'm glad to see you too.
00:14:55Hey?
00:14:58She looks very pretty.
00:15:00She looks really pretty, doesn't she?
00:15:04That?
00:15:05What you are listening to.
00:15:07Trini is the new director
00:15:10from the Las Flores clinic.
00:15:11It seems unbelievable.
00:15:12that I never found out about anyone.
00:15:13How do you know?
00:15:14Because he just heard it
00:15:15to Don Benjumea, daughter.
00:15:16Poor Christopher, that's quite a predicament.
00:15:18Now I regret it a little.
00:15:19of all the drugs I've taken
00:15:20with him during the week.
00:15:21You don't regret it that much, do you?
00:15:22As director
00:15:23I should have been there.
00:15:25Sucking
00:15:25And I only moved one finger
00:15:26to touch up her bangs.
00:15:28But what a fringe!
00:15:29It was a pleasure to see him.
00:15:30that way too, a little hairstyle.
00:15:31With the encouragement of Don Gomina
00:15:32for fighting for the clinic
00:15:33We're all here now.
00:15:34queuing at the employment office.
00:15:35Don't tell me that, okay?
00:15:36That I just put
00:15:37The brakes, kid.
00:15:38I'm saying that's Don Benjumea, right?
00:15:40Well yes.
00:15:41I'm going to look for a new director.
00:15:43But of course, in the meantime
00:15:44I'm not going to stay
00:15:45with arms crossed.
00:15:46I'm going to talk to Trini right now.
00:15:47Well, I hope the Las Flores clinic
00:15:49We were passing by on our way to the airport.
00:15:50Because otherwise, we won't get there.
00:15:51No, no, no, I'll take another flight.
00:15:53Go back to your mother.
00:15:54Oh no, Benito.
00:15:55I'm going with you.
00:15:55I want to tell him
00:15:56four things to that witch.
00:15:58Marichu, promise me
00:15:59if you come with me
00:16:00He's going to let me speak.
00:16:02But you are
00:16:03very soft, Benito.
00:16:05Promise me, Marichu.
00:16:12Come on.
00:16:13Goes.
00:16:14Trini,
00:16:15I am reading The Flowers.
00:16:16My God,
00:16:17Shit always floats.
00:16:18Well, don't you worry,
00:16:19You've done quite a lot.
00:16:20by getting me the vaccines.
00:16:21I almost regret it
00:16:22when I've seen the girls cry.
00:16:27Well, that's it.
00:16:29Let's see.
00:16:30Let's see.
00:16:44Please,
00:16:45please.
00:16:46I wouldn't be able to make room,
00:16:47I don't know,
00:16:48even if they are separate tables,
00:16:49I don't know,
00:16:49some guests
00:16:50They would appreciate it,
00:16:51Hey?
00:16:52But,
00:16:52already,
00:16:53a congress of
00:16:55marketing.
00:16:56Whoa!
00:16:56See you later!
00:16:57Bye bye!
00:16:57Like a flight of incense.
00:17:00We come from the church
00:17:01to place
00:17:01the floral decoration.
00:17:02The priest is going to put
00:17:03the turned prime
00:17:04by Vivaldi
00:17:05instead
00:17:05of the Hail Mary.
00:17:06How did it turn out?
00:17:07Valo would be that no
00:17:08Let's get on all the front pages
00:17:09from gossip magazines
00:17:10And all thanks to whom?
00:17:12Us.
00:17:13We have not failed
00:17:14not one.
00:17:15It doesn't belong here.
00:17:16Proud of this crew.
00:17:19What's the matter,
00:17:20You and me?
00:17:21Nothing for me,
00:17:22by?
00:17:22By?
00:17:23Thirty times
00:17:24You winked
00:17:25in a second
00:17:25and we know each other.
00:17:27Maybe it's because
00:17:28because
00:17:30I have spoken with the
00:17:31from the restaurant
00:17:32and
00:17:34There is no reservation.
00:17:36Hey!
00:17:37Same here, man.
00:17:37We're putting in parenting.
00:17:38If they are from Andalusia
00:17:39and these
00:17:39They drink rebujitos.
00:17:40But there is no reservation.
00:17:41Make a reservation at the restaurant.
00:17:43I mean that
00:17:43There are two restaurants.
00:17:45One in San Sebastián
00:17:46and the other one in Logroño.
00:17:47I bet you don't know
00:17:48Where did I order it?
00:17:49Don't tell me
00:17:49in Logroño.
00:17:50Oh yes!
00:17:52Capensorts.
00:17:53And why?
00:17:53Didn't you tell us before?
00:17:54Because I thought
00:17:55that he could still
00:17:56make another reservation
00:17:57for tomorrow.
00:17:58What do we always say?
00:18:00Just one
00:18:00He can't.
00:18:01The united crew
00:18:02Yeah.
00:18:03But not against
00:18:04a marketing conference.
00:18:05It's all booked up.
00:18:07He was falling.
00:18:08Alright.
00:18:09Everything's been caught here.
00:18:10But we can
00:18:11pick up the book
00:18:12of reserves.
00:18:14Clear.
00:18:15We take
00:18:15the reservation book.
00:18:16We looked at the phone
00:18:17from those in Congress
00:18:18marketing.
00:18:19We called
00:18:19making us pass
00:18:20by Gochone
00:18:21and we cancelled the reservation.
00:18:22And then
00:18:22we pretend
00:18:23by those in Congress
00:18:24marketing
00:18:24calling Gochone
00:18:25and we also canceled it.
00:18:26And then we went in
00:18:27We'll fill the gap.
00:18:28So easy!
00:18:32I'm already lost.
00:18:33As the person in charge
00:18:34from the fell,
00:18:35Mr. Montepino,
00:18:36Well, I apologize.
00:18:37I hope you understand.
00:18:38And well,
00:18:39if they come another time
00:18:40to Zonosti,
00:18:41Well, we'll have it then.
00:18:41some detail
00:18:42with the group.
00:18:43Thank you, thank you.
00:18:45The attention to detail is very nice.
00:18:46It's phenomenal.
00:18:47No, no, Ancho,
00:18:48please,
00:18:48lying about death
00:18:49from a relative,
00:18:50That's not right.
00:18:50It's not right.
00:18:51Let's see,
00:18:51You call him, okay?
00:18:52Wide, please, you.
00:18:53Come on, you're not going to lose
00:18:54time.
00:18:54Man, I can't
00:18:56talk to Gochone
00:18:56because he knows
00:18:57my voice timbre
00:18:58perfectly.
00:18:58Ah.
00:18:59When you're right
00:19:00If you're willing, I'll do it.
00:19:00What's it called
00:19:01This guy?
00:19:01Montepino.
00:19:02Gregory.
00:19:03Yeah,
00:19:05It's the Calla,
00:19:06the restaurant.
00:19:07Look, I am
00:19:09Gregorio Montepino.
00:19:09I had a reservation
00:19:10for a conference
00:19:12marketing
00:19:12for about 40.
00:19:14No, 30.
00:19:15There were 30 of them.
00:19:16Not one more, okay?
00:19:17Calla's phone
00:19:19without wire.
00:19:19Yes, yes, yes, yes.
00:19:21Listen?
00:19:22Listen?
00:19:25Listen?
00:19:26Yes, yes, yes,
00:19:28I'm here, sorry,
00:19:28But there have been
00:19:29a, I don't know,
00:19:30Well, some interference.
00:19:31Look,
00:19:32the point is that
00:19:32They have told us ahead
00:19:33the plane
00:19:33and we have to leave
00:19:34after breakfast.
00:19:35If you don't mind,
00:19:36Well, let's cancel
00:19:37The food, huh?
00:19:38Cancel it?
00:19:39Hey, man,
00:19:40Well, it's not the best.
00:19:42but...
00:19:43What are you doing?
00:19:45Hey,
00:19:46a pistachio
00:19:47that I have eaten
00:19:48then,
00:19:49Well,
00:19:49a small glass of water
00:19:50of the...
00:19:51But,
00:19:51everything that's yours,
00:19:53Hey?
00:19:55Sorry.
00:19:56Yeah,
00:19:56Listen?
00:19:57Listen?
00:19:58Yes, yes,
00:19:58I'm here,
00:19:59I'm here.
00:20:00There has been interference.
00:20:01Well,
00:20:01As I said,
00:20:02It hurts me more
00:20:02that to you,
00:20:03but we have
00:20:04to cancel the meal.
00:20:05I promise
00:20:05that the next
00:20:06marketing congress
00:20:07He will see us.
00:20:08Bye bye.
00:20:10What are you up to?
00:20:11Hey?
00:20:11What do you say?
00:20:11marketing conference?
00:20:12No, no.
00:20:13Can you believe it?
00:20:14than those at the marketing congress
00:20:15Have they cancelled my order?
00:20:16I can't believe it.
00:20:17Let's see,
00:20:18What do I do now?
00:20:18with all that genre?
00:20:19The very best
00:20:20from the fish market,
00:20:21Hey?
00:20:22Well, ask these guys.
00:20:24Man,
00:20:24Broad,
00:20:24as a cook
00:20:25also,
00:20:25like you,
00:20:26well, maybe
00:20:26Do you have any ideas?
00:20:27to give it a release
00:20:28to the product.
00:20:28Of course,
00:20:29Hey?
00:20:30Let's see,
00:20:31so off the top of my head,
00:20:32It's probably crazy,
00:20:34but we could
00:20:34celebrate here
00:20:35the baptism.
00:20:36That?
00:20:44Come this way.
00:20:45Ah.
00:21:02Good afternoon.
00:21:04Hello.
00:21:05Don Benjumea.
00:21:06Maricho.
00:21:09What a joy to see you!
00:21:10here.
00:21:11How are you?
00:21:12How's everything going?
00:21:12Carmen,
00:21:13the baby,
00:21:13all good?
00:21:14Good,
00:21:14All good,
00:21:15thank you.
00:21:15It shows.
00:21:16To Maricho
00:21:16it has been put
00:21:16a grandmother's face.
00:21:18Well,
00:21:19As you can imagine,
00:21:20We didn't come here
00:21:20to talk to you
00:21:21of the family.
00:21:21Already.
00:21:22Well,
00:21:22Partly, yes.
00:21:23The staff
00:21:23from the clinic
00:21:24It's as if it were.
00:21:25Of course,
00:21:26I have them
00:21:26I appreciate it very much.
00:21:27Well, they,
00:21:28none to you.
00:21:29Maricho,
00:21:29please.
00:21:30Well, I think that's it.
00:21:31You're wrong,
00:21:31Maricho,
00:21:32because I don't have
00:21:32that offer them a lot
00:21:33so that they will want to
00:21:34come back to me.
00:21:34But you will be fake.
00:21:36If you are doing
00:21:36everything possible
00:21:37for screwing us over.
00:21:38No,
00:21:38Maricho,
00:21:38I am doing
00:21:39everything possible
00:21:40to achieve
00:21:40what I intend
00:21:41the Ispales clinic.
00:21:42Well,
00:21:43But the thing is,
00:21:43daughter,
00:21:43This is not achieving it,
00:21:45This is the end of it.
00:21:46Well,
00:21:47Don Benjumea,
00:21:47it depends
00:21:48depending on how you look at history,
00:21:50Because I am
00:21:50very optimistic.
00:21:51You're a greedy bitch
00:21:52that we...
00:21:53Go, go, go, go.
00:21:54Let's leave it at poodle.
00:21:56Come on.
00:21:57Trini,
00:21:58you have taken
00:21:59part of the staff.
00:22:00What I came here for
00:22:01Now it's time to propose to you
00:22:02an agreement.
00:22:03An agreement?
00:22:04An agreement for what?
00:22:06If I don't have
00:22:06war with no one.
00:22:08I'm just doing
00:22:08the best I can
00:22:09at my work.
00:22:12Well, that's it.
00:22:13an attempt has been made
00:22:14by good means.
00:22:15Now that you know
00:22:16we're not leaving
00:22:17to stand idly by.
00:22:18That's great.
00:22:19Thanks a lot
00:22:20Thank you for the visit, family.
00:22:20And do you remember Christopher?
00:22:22on my part.
00:22:23Please.
00:22:23It's a disgrace.
00:22:24It doesn't get any better than that.
00:22:25Okay, okay, okay.
00:22:30Benedict,
00:22:31You leave me alone.
00:22:32I assure you
00:22:32that gets out of there
00:22:33resigning.
00:22:34No, everything's already been discussed.
00:22:35and requeblated.
00:22:35But don't you see that Sarpia
00:22:36doesn't understand
00:22:37of kind words.
00:22:38I know.
00:22:38And I'm going to take action.
00:22:39but we can't do it here anymore
00:22:40do more.
00:22:41Now,
00:22:42if you don't want to lose
00:22:42also the flight
00:22:43and that they ruin you
00:22:44the baptism
00:22:44to look for Christopher
00:22:46and whistling for the airport.
00:22:47Where do I take
00:22:47The order for this vaccine?
00:22:48That the fourth
00:22:49They don't do it to me anymore.
00:22:49in this one all the way up.
00:22:57What big pairs of shoes!
00:22:57It seems unbelievable.
00:22:58that has my blood,
00:22:59stupid, dickhead.
00:23:00Precogens lipids!
00:23:01However it comes
00:23:01your quadrille
00:23:02Let it be a firework
00:23:03faints
00:23:04like a rabbit
00:23:04after, Joe.
00:23:05It's easier to tell him
00:23:06that we have
00:23:06firecrackers in trunks.
00:23:08But, Joe,
00:23:08a day at the fair
00:23:09from Barbades
00:23:09it got inside him
00:23:10a firecracker
00:23:10between the calves
00:23:11and ever since
00:23:11He can't see...
00:23:12I'm here now!
00:23:14Hey, how come I didn't change it
00:23:15water for the canary
00:23:15We didn't even make it to the bridge.
00:23:16From Triana, Dad.
00:23:17That doesn't fit there.
00:23:18Put it in here, go on.
00:23:19that she go with the child.
00:23:20There's no room there
00:23:20not even a little tortilla
00:23:21of shrimp.
00:23:21Okay, okay.
00:23:25Let's go, shall we?
00:23:26Let's go.
00:23:26Let's go.
00:23:27Let's go.
00:23:27Let's go.
00:23:27Let's go.
00:23:29The Panchitos.
00:23:30From Panchitos?
00:23:30My little panchito?
00:23:31What, Panchito?
00:23:32My little panchito?
00:23:32What, Panchito?
00:23:32Did I leave them behind?
00:23:33in Juan's backpack?
00:23:34Don't you have any panchito?
00:23:34Yes?
00:23:35Panchito?
00:23:36Panchito?
00:23:36No no,
00:23:36I've eaten them.
00:23:37The two bags
00:23:38I was very hungry.
00:23:39Come on, baby, Juanito,
00:23:40that you know
00:23:40that your father
00:23:40you are prone
00:23:41to the voltage drop.
00:23:42What do I do now?
00:23:42when I get dizzy
00:23:43What should I put in my mouth?
00:23:44We'll buy it.
00:23:45later,
00:23:45But let's go now
00:23:46that are being
00:23:47on top of the carnivals,
00:23:48Damn.
00:23:49Come on, come on,
00:23:50Let's go, let's go.
00:23:51Road.
00:23:52Let's go, let's go.
00:23:54Let's go.
00:23:55Let's go, let's go.
00:23:55Let's go.
00:24:00Let's go.
00:24:05Let's go.
00:24:06Let's go.
00:24:06What if we don't tell him
00:24:08nothing like this,
00:24:09That only makes things bitter for him.
00:24:10one day?
00:24:11Sure, much better.
00:24:13Just when it's missing
00:24:13one minute
00:24:14for the baptism,
00:24:15No?
00:24:16We say,
00:24:16Hey,
00:24:17Dad, Iñaki,
00:24:18forget about the grill
00:24:19the one you wanted,
00:24:19Hey?
00:24:20So your daughter
00:24:20She is not the only one
00:24:21that takes
00:24:21a bucket of cold water.
00:24:23Where are you going, Ochone?
00:24:24To the bathroom?
00:24:25Again?
00:24:26There are 30 menus to choose from.
00:24:27And time flies, doesn't it?
00:24:28Look,
00:24:29If you continue like this,
00:24:30You're going to finish
00:24:30celebrating the baptism
00:24:31at the burger place.
00:24:32Yes, you're right.
00:24:33You don't do it
00:24:34nothing else
00:24:34that overwhelms people,
00:24:35harassing me all day long,
00:24:35overwhelming.
00:24:36And what are you doing here?
00:24:37Haven't I told you?
00:24:38that you had to go
00:24:38to pick up Don Pascual?
00:24:39Well, let's go, son.
00:24:40Oh, I'm coming, I'm coming.
00:24:43Come on, yes,
00:24:44Come in, Carmen, come in.
00:24:46Oh, it's visibility.
00:24:47to the family.
00:24:49Oh, look, look.
00:24:50Look at those cheeks she has.
00:24:53It has come out
00:24:54a lot of gore,
00:24:55like you.
00:24:56Oh, but look, look.
00:24:57What are you doing?
00:24:57How do you do it?
00:24:58Oh, girl, look at her.
00:25:00Oh, the prettiest one,
00:25:01the most screw-like,
00:25:02But what a cute face she has.
00:25:03She looks beautiful.
00:25:04She looks like a little angel.
00:25:05Well, the flight attendant
00:25:06He hasn't said the same thing,
00:25:07because he vomited on her
00:25:08the whole suit.
00:25:10What do I know?
00:25:10Oh, he's awake now.
00:25:12If you, man,
00:25:13He's going to eat.
00:25:14No, no, no, Carmen,
00:25:15Don't pick it up.
00:25:15We have to be strong.
00:25:16It's not good to pick it up
00:25:17whenever she cries.
00:25:18I've read it
00:25:19in Superparents.
00:25:21Superparents.
00:25:22That?
00:25:24Well, I, as a supermom,
00:25:25If my daughter cries,
00:25:26I take it.
00:25:28Do you see that character?
00:25:29They'd definitely catch you.
00:25:30whenever you cried.
00:25:30It never fails.
00:25:33Look, Iñaki,
00:25:34I've arranged to meet Horacio.
00:25:35And I'd like not to be late.
00:25:37Yes, okay.
00:25:38Do you mind if...?
00:25:39No, no, no,
00:25:39He's right.
00:25:40Thank you.
00:25:40Bye, aunt.
00:25:41Very good.
00:25:41Bye, bye, bye, bye.
00:25:43Sorry, sorry.
00:25:44Excuse me, sir.
00:25:45Aunt Bebo,
00:25:46This is kind of dead, isn't it?
00:25:47So, how's it going?
00:25:49Gozzone.
00:25:50Gozzone,
00:25:50Well, as always,
00:25:51a dried fig, son.
00:25:56Now I see you, huh?
00:26:01Apa, Iñaki.
00:26:04How are you?
00:26:05Good, good, good.
00:26:07Much better than last time
00:26:08that we saw each other
00:26:08when you said goodbye to me,
00:26:09do you remember?
00:26:10Oh well,
00:26:11I have come to celebrate
00:26:12my daughter's christening,
00:26:13So no...
00:26:15No no,
00:26:16Of course not, no.
00:26:17I'm going to...
00:26:18Go to...
00:26:19Yeah.
00:26:24Well,
00:26:25How are you guys?
00:26:26Good, huh?
00:26:27Good.
00:26:28The only thing, Iñaki,
00:26:30one little thing
00:26:31that we wanted to tell you.
00:26:32Already,
00:26:33But it has to be now...
00:26:38We'll talk about it later.
00:26:40Yeah, man,
00:26:40It's going to be for a while.
00:26:42Come on.
00:26:45It got away from us.
00:26:46That was fast.
00:27:00Here comes the zenith...
00:27:02Oh?
00:27:03I don't know.
00:27:05Oh, faggot,
00:27:06He has escaped.
00:27:07Yes, by hanging down by hand.
00:27:08through the facade,
00:27:08Didn't I tell you?
00:27:09This will be in the bathroom.
00:27:11Pork rinds.
00:27:12Pork rinds.
00:27:13Oh,
00:27:15pork rinds, brother.
00:27:16Lift me up!
00:27:17I'm coming, slipper!
00:27:19Oh, oh, oh, oh!
00:27:19Stewardess!
00:27:20Night has already fallen!
00:27:21Very optimistic,
00:27:22yes or me.
00:27:23Come on.
00:27:23Well, José,
00:27:24How could you even think of getting up?
00:27:25from the bed burning with fever
00:27:26how are you?
00:27:27That's definitely a mistake.
00:27:27dumber
00:27:28Because you're not any bigger, huh?
00:27:29I have to go to the christening.
00:27:30Come on, come on,
00:27:30Well, start getting used to the idea.
00:27:31that with this fever
00:27:32like much more
00:27:33a cold shower.
00:27:34Ah, yes,
00:27:34And then to the christening, huh?
00:27:35Look, José,
00:27:36if you keep doing
00:27:37your nonsense,
00:27:43Yes, I went to Artibula
00:27:44And I see Chiquetete.
00:27:45No no,
00:27:46I have to go to the christening,
00:27:47He doesn't understand.
00:27:47I need to talk,
00:27:48really.
00:27:49My edaya,
00:27:49my little gypsy girl,
00:27:50that when I see
00:27:51The photo of me as an adult, huh?
00:27:52And say,
00:27:52Look, my uncle,
00:27:54that gave birth to me in an elevator
00:27:55And look,
00:27:56when he spoke at the baptism,
00:27:57Ah, no,
00:27:58who did not speak
00:27:58because he stayed
00:27:59in bed
00:28:00because I had
00:28:01a little fever.
00:28:03Oh,
00:28:03This bed is too small for me.
00:28:06Take me to one of my edallas.
00:28:07Look,
00:28:08I just had an idea,
00:28:09Come on.
00:28:09Call Carmen
00:28:10and tells him he's not going.
00:28:11You've already told me that,
00:28:12No?
00:28:13Yeah.
00:28:13Well, that won't fly.
00:28:14Listen to me,
00:28:15Do you want to speak at the baptism?
00:28:16Clear.
00:28:17Hey?
00:28:17Yeah?
00:28:18Well, listen to me,
00:28:18Listen to me.
00:28:19I'll bring you tomorrow
00:28:20a tablet belonging to one of my children,
00:28:22Hey?
00:28:22There is no day
00:28:23that they don't end
00:28:23with a confiscated one,
00:28:24José Luis.
00:28:24Man,
00:28:24Sometimes you think
00:28:25that this is a game
00:28:25from Antena 3's Champions League,
00:28:27that this does not transmit to us.
00:28:28But if one of the guests
00:28:29connects to Skype,
00:28:30Yeah?
00:28:31Oh,
00:28:31What a great idea!
00:28:32Angela,
00:28:32thank you so much.
00:28:33Oh,
00:28:40Ready!
00:28:40Come on!
00:28:41Yes, yes!
00:28:42Look what's here!
00:28:44Pumpkin cream soup!
00:28:46Oh,
00:28:46How delicious!
00:28:47No,
00:28:48I'm not hungry.
00:28:49Do you want me to bring you
00:28:50Tomorrow on the tablet?
00:28:51Oh,
00:28:52Yeah,
00:28:52What a delicious pumpkin cream!
00:28:55I hadn't tried
00:28:56nothing so good in life.
00:28:57Come on,
00:28:57warm,
00:28:58inside.
00:29:00Oh!
00:29:02But how much longer do we have?
00:29:03guarillo?
00:29:04The browser is not responding.
00:29:06Check your connection.
00:29:07And so?
00:29:07Cape on the mother
00:29:08that gave birth to the browser.
00:29:09That wasn't a little button,
00:29:11hey.
00:29:11Button, no button?
00:29:12Dad,
00:29:13throughout God's life
00:29:13He asked the locals,
00:29:15not so much gadgetry.
00:29:16Dad,
00:29:16I'm letting myself go.
00:29:17You're not five years old,
00:29:18child,
00:29:18Hold on a little while.
00:29:19Oh.
00:29:20We already stopped in Burgos.
00:29:26What a joy!
00:29:27My children,
00:29:28to be all gathered here
00:29:29and for the reason
00:29:30of the celebration
00:29:31of a baptism
00:29:32in these times
00:29:33in which no parent anymore
00:29:34baptizes his children.
00:29:35And well,
00:29:35This godless one.
00:29:36It's true.
00:29:37And what a shame,
00:29:38What a shame that he sees
00:29:40Marichu has not arrived
00:29:41on time,
00:29:41TRUE?
00:29:41Oh,
00:29:42If only I knew the pain
00:29:42that he has given her.
00:29:43But it hasn't had
00:29:44no other option
00:29:45which delays the flight.
00:29:47That's even more of a shame
00:29:48What are you going to give him now?
00:29:49because after trying this
00:29:50because he knows
00:29:51to blessed glory.
00:29:53Thanks a lot,
00:29:53father.
00:29:54Well,
00:29:55It doesn't surprise me.
00:29:56that your husband
00:29:56has taken
00:29:57a few pounds
00:29:58these years,
00:29:59Hey?
00:29:59Did he come?
00:30:00Oh,
00:30:01How does he know?
00:30:02if when we got married
00:30:03the advertised cake
00:30:03It weighed more than him.
00:30:06Here they are,
00:30:07My children,
00:30:07an exemplary marriage.
00:30:1035 years together
00:30:11ever since I married them.
00:30:12They're like seals.
00:30:15I mean
00:30:15which is a species
00:30:16that is in danger
00:30:17of extinction.
00:30:18Well,
00:30:18come on,
00:30:19a little bit,
00:30:19Mr. Pasoal.
00:30:20Ah,
00:30:20No,
00:30:21No,
00:30:21my son,
00:30:21I've already retired
00:30:23alcohol,
00:30:24fair,
00:30:24the sip of wine
00:30:25in the Eucharist
00:30:26and...
00:30:27Father,
00:30:27man,
00:30:28If this is cider,
00:30:28But it's even digestive.
00:30:30Pour yourself a little bit.
00:30:31Already,
00:30:31Yeah,
00:30:31come on,
00:30:32culin.
00:30:40How refreshing!
00:30:41It tastes delicious,
00:30:41Hey?
00:30:42Pour me another sip
00:30:43from his envelope.
00:30:46Yeah.
00:30:47A bit,
00:30:47a bit,
00:30:48some more.
00:30:49Some more.
00:31:01Look,
00:31:01José,
00:31:02via Skype
00:31:03or by Walkie-talkie,
00:31:03I don't care.
00:31:04but tomorrow
00:31:04You have to be here
00:31:05at the christening.
00:31:06Come on,
00:31:07see you tomorrow.
00:31:09Oh!
00:31:10But you're here now.
00:31:12Oh, Carmerija,
00:31:13I couldn't wait
00:31:14upon arriving home.
00:31:16Muay!
00:31:17Muay!
00:31:18The sleeping girl.
00:31:19Yeah.
00:31:19Ah, okay.
00:31:21Hello, Carmen.
00:31:22Hello.
00:31:22Tomorrow, Carmen.
00:31:25Benedict,
00:31:26Say something to him
00:31:26that this one is capable
00:31:27to get involved
00:31:27in our room.
00:31:28Well,
00:31:28no problem,
00:31:29We slept in another one.
00:31:30Ah,
00:31:30no problem,
00:31:31Nothing ever happens.
00:31:32No problem
00:31:32not to mention
00:31:33that he resigns,
00:31:34no problem
00:31:34not to mention
00:31:35Don't interfere
00:31:36in our room.
00:31:37Ah,
00:31:37But don't worry
00:31:38that I tomorrow
00:31:38I'll fix it.
00:31:39I will have that.
00:31:39to draw
00:31:40a strategy.
00:31:41What strategy,
00:31:42nor what strategy
00:31:42to tell him
00:31:43He's useless.
00:31:44as director
00:31:44because it's not worth it
00:31:45for director
00:31:45Are things really like that?
00:31:46What did he say?
00:31:47Well,
00:31:47Okay,
00:31:47Okay,
00:31:48whatever you want.
00:31:50And on top of that
00:31:50I have to take him
00:31:51things.
00:31:52Look,
00:31:52It's because it's more expensive
00:31:53how tired
00:31:53that I am.
00:31:54Gabon.
00:31:55Dear.
00:31:57Hey.
00:32:02It seems there has been
00:32:03turbulence
00:32:04on the plane,
00:32:05No?
00:32:05There where you see her
00:32:06It already has
00:32:07three lezatines.
00:32:08My God.
00:32:09What about Trinic?
00:32:10Is he there?
00:32:11There's no way,
00:32:12daughter.
00:32:12There's just no way.
00:32:14Goes,
00:32:14by the ispali.
00:32:15It's like
00:32:15a dancing rice
00:32:16as soon as I get hold of
00:32:17its price
00:32:17He won't let go of it anymore.
00:32:18Well, she's very wrong.
00:32:20if you plan to damage
00:32:20to the trinic
00:32:21and much less you
00:32:22Because here I am.
00:32:23If she's a rice dancer
00:32:24let's see
00:32:24where it wants to bite.
00:32:26Oh,
00:32:27thanks a lot.
00:32:28Carmencita.
00:32:29Do you see this cane?
00:32:30Me without this
00:32:31I am nothing.
00:32:31But right now
00:32:32I am much less
00:32:34without you.
00:32:35Don't talk nonsense,
00:32:37my don bejo.
00:32:38Well, do you know
00:32:38What have I been thinking?
00:32:39for the low
00:32:40traumatology?
00:32:42Call Dr. Cabrallet.
00:32:43But that man
00:32:44It must smell really strong.
00:32:47No, daughter.
00:32:48Do you have a way
00:32:49contact information?
00:32:50No.
00:32:50But I manage it this way.
00:32:52Like vaccines
00:32:53This morning?
00:32:54Well...
00:32:54And the file
00:32:55What was that?
00:32:56Well, guess what
00:32:57who is behind it.
00:32:59No.
00:33:00Trinity?
00:33:01Trinity?
00:33:02When we went out
00:33:03from the clinic
00:33:03to the flowers
00:33:04We heard him say
00:33:05to a security guard
00:33:05that they didn't know
00:33:06to do
00:33:07with so many vaccines.
00:33:08Who's like us?
00:33:09We haven't fallen before,
00:33:10clear.
00:33:11What I don't understand
00:33:12very good
00:33:12that if Dolores
00:33:14He asked for the vaccine.
00:33:15the day before yesterday
00:33:15how did she know
00:33:16that we needed today.
00:33:19Trini has a mole.
00:33:21Oh, how cute!
00:33:22Well, look at that.
00:33:23that I, as a girl
00:33:23I had an opossum.
00:33:24And a fat turkey
00:33:25It also has everything at the top.
00:33:27Let's see,
00:33:27How did they close you down?
00:33:28You know about that?
00:33:29That he has spoken
00:33:29a while ago
00:33:30with Carmen
00:33:30And he told me everything.
00:33:32And it fits.
00:33:33of perfection
00:33:33because it's worth it
00:33:34like Trini
00:33:34worked here
00:33:35knew
00:33:36to our suppliers.
00:33:37But,
00:33:37How did she know
00:33:38that I had done
00:33:39an order
00:33:39the day before yesterday?
00:33:41Telepathy.
00:33:41What telepathy
00:33:42in a small room,
00:33:43little girl?
00:33:44That is
00:33:44anyone here
00:33:45It has happened to him
00:33:46the information.
00:33:48Who?
00:33:49That's the question.
00:33:50that we need to find out.
00:33:51Come on,
00:33:52That's all we needed.
00:33:53As we have
00:33:53few jobs
00:33:54of nurses
00:33:54now too
00:33:55we're going to get involved
00:33:55to detectives.
00:33:56And that's skepticism, isn't it?
00:33:58Angela?
00:33:59What's happening?
00:34:00Do you have anything?
00:34:01What to hide?
00:34:03My questions
00:34:04Does it make you nervous?
00:34:06I ask you,
00:34:07For example,
00:34:08The mole?
00:34:13Rafi,
00:34:13here
00:34:14We've already passed,
00:34:14Hey?
00:34:15No,
00:34:15Spain has places
00:34:16very evenly matched,
00:34:17very similar.
00:34:18Don't you see that everything
00:34:18Is it almost the same?
00:34:19Sleep,
00:34:19He's walking now.
00:34:20No,
00:34:20nor anything,
00:34:20but they need
00:34:21the same trees,
00:34:22the same stones,
00:34:22everything the same,
00:34:23Hey?
00:34:24Is this wildlife?
00:34:25global,
00:34:26Hey?
00:34:26That's it,
00:34:27Hey?
00:34:27Sleep,
00:34:27man,
00:34:28already.
00:34:29No,
00:34:29I didn't do it to you.
00:34:30It's not possible.
00:34:37What's happening?
00:34:38What's happening?
00:34:39What's happening?
00:34:39What's happening?
00:34:40What's happening?
00:34:41What's happening?
00:34:41What's happening?
00:34:41What's happening?
00:34:41I would have him, go ahead.
00:34:42that chiffon,
00:34:43that chiffon dress.
00:34:45Even if they're going to show it
00:34:46through water in baths
00:34:47We have to give it to him.
00:34:48Let's see,
00:34:48my love.
00:34:49love.
00:34:50Oh,
00:34:50aunt.
00:34:51Come into the water.
00:34:55Benedict,
00:34:55Yes, still.
00:34:56but that Bego
00:34:57He's waiting for us
00:34:58at home
00:34:58to go for
00:34:59Don Pascual.
00:35:01Well,
00:35:01Well.
00:35:03Have
00:35:03That happy face?
00:35:04I think that's it.
00:35:05I know how to get
00:35:06that Christopher
00:35:06stop being
00:35:07director of Hispoli.
00:35:09Oh,
00:35:09Yeah?
00:35:10Well, there you have it.
00:35:11all yours.
00:35:12Luck.
00:35:13Don't be long, I'll be waiting for you.
00:35:14Goes.
00:35:16Good morning,
00:35:16son.
00:35:17That?
00:35:18Did you sleep well?
00:35:19Do you think
00:35:20that with the demons
00:35:20personal ones that haunt me
00:35:21at the moment
00:35:22I was able to sleep well,
00:35:22dad?
00:35:23I must have fallen asleep
00:35:25about 15 hours
00:35:26at home.
00:35:27Oh,
00:35:28What bad luck.
00:35:29Hey,
00:35:29look,
00:35:30What have I been thinking?
00:35:31in that great idea
00:35:32What did you tell me yesterday?
00:35:33Well, it's going to have
00:35:34to be more specific
00:35:35because I have
00:35:35several great ideas
00:35:36throughout the day,
00:35:37Hey?
00:35:38Son, what you told me
00:35:39to cease being
00:35:40the director of Hispoli.
00:35:41Well, I'm pretty sure
00:35:42But I told you no to that.
00:35:44Well,
00:35:44That's exactly it.
00:35:45You didn't tell me.
00:35:46You told me
00:35:47that a position
00:35:47purely management
00:35:48I wasn't good enough for you.
00:35:49and that like you
00:35:50he was the owner
00:35:52of Hispoli
00:35:52His would be
00:35:53hire
00:35:54to a subordinate
00:35:55who will be in charge
00:35:56to try
00:35:56with the working classes
00:35:58that ultimately
00:35:59are the ones that make
00:35:59that a clinic functions.
00:36:01That sounds more
00:36:02to something I could have said.
00:36:03What you have to do
00:36:04as owner
00:36:05of Hispoli
00:36:06is delegating
00:36:07the position of director
00:36:09in another person.
00:36:10Of course.
00:36:11Of course.
00:36:12Of course.
00:36:14Did they tell you?
00:36:15who had thought
00:36:15Why wasn't there a live stream?
00:36:16You told me
00:36:17that I would take care of it,
00:36:18Christopher.
00:36:18Don't you remember, son?
00:36:19I don't remember.
00:36:20I don't remember.
00:36:21Of course I remember.
00:36:22What happens
00:36:22It was
00:36:22if she had been paying attention.
00:36:24Well, it's taken it away from me
00:36:24the weight on top.
00:36:41What are you doing here?
00:36:42What's happening?
00:36:43And here
00:36:44Do you remember yesterday?
00:36:45There was a moment
00:36:46that we wanted to tell you
00:36:47One little thing?
00:36:49Those little things
00:36:50that same
00:36:50It's best to listen sitting down.
00:36:52Let's see,
00:36:52leave the suspense,
00:36:52Sanchón.
00:36:53What's happening?
00:36:54Well,
00:36:54Well, we could talk.
00:36:55of a surprise.
00:36:57We have decided
00:36:58celebrate the baptism here,
00:37:00in the street.
00:37:01That?
00:37:02I already told you
00:37:03that same
00:37:03Better to sit down, right?
00:37:04No.
00:37:05No, no, no,
00:37:06Absolutely not.
00:37:07I haven't been there
00:37:07giving a lecture
00:37:08to the Andalusians
00:37:08with the grill
00:37:09What for?
00:37:09Now do this,
00:37:10No.
00:37:13Because there will be a reservation,
00:37:14No?
00:37:20I can't believe it
00:37:22What happened?
00:37:23Go, go, go, go.
00:37:28I.
00:37:30I got confused.
00:37:31Look here.
00:37:33I'm sorry.
00:37:34It was your fault, mine.
00:37:36If you stop talking,
00:37:37I'll understand.
00:37:40In Logroño.
00:37:43I reserve
00:37:43in Logroño.
00:37:44In Logroño?
00:37:53There was no further.
00:37:55With views
00:37:56to the vineyards.
00:37:57The vineyards!
00:37:59No, you're not mad at me.
00:38:01Look, Peño.
00:38:01Look, Peño.
00:38:02Look, Peño.
00:38:05It's my daughter's christening.
00:38:07And you, my crew,
00:38:08my best friends.
00:38:09What better way to celebrate it?
00:38:11that we all gather here in the street.
00:38:12Hey?
00:38:12Eye!
00:38:13What a prín!
00:38:16Also, my Father,
00:38:18Laia's grandfather,
00:38:20He's probably watching us.
00:38:21and proud to see
00:38:23to the whole family united.
00:38:25Bighead!
00:38:26You've given the speech
00:38:26more emotional
00:38:27than the one I had in mind.
00:38:29And now, air, okay?
00:38:31I have to finish.
00:38:31to prepare
00:38:32and not one more child
00:38:33I see you
00:38:33Pretty silly, huh?
00:38:35And nobody has cried here.
00:38:36Nobody.
00:38:36Who?
00:38:37Who?
00:38:39Come on.
00:38:41Chus!
00:38:44Fuck!
00:38:45Don't tell me,
00:38:45these stairs
00:38:46They are for climbers.
00:38:47You can kill yourself up to here.
00:38:48Hey, gotchone!
00:38:51That face?
00:38:54Oh, that's the same
00:38:55we stepped on you
00:38:56the scrubbed.
00:38:57When were you going to tell me
00:38:59that the calla lily is for sale
00:38:59to assemble
00:39:00a surf school?
00:39:04I don't know what they are.
00:39:05your sources
00:39:05or who told you that,
00:39:06But that's a lie.
00:39:07and even false, come on.
00:39:08Yeah.
00:39:09Call the teacher,
00:39:10who told me.
00:39:11You explain to him that
00:39:12It's not going to happen.
00:39:14Teacher,
00:39:14Panchón.
00:39:15Yes, Elbow.
00:39:16I can explain.
00:39:17As?
00:39:18But what?
00:39:18Okay, so that's the explanation.
00:39:19You can start by saying
00:39:20This is all a joke
00:39:22in very bad taste.
00:39:23No, Pello.
00:39:23The teacher was haunted
00:39:24through the head a long time ago,
00:39:25wants to dedicate
00:39:26in body and soul
00:39:26to the restaurant
00:39:27And he remains silent, then...
00:39:28He remains silent, then...
00:39:29He should shut up, right?
00:39:31But how?
00:39:32A surf school.
00:39:33Let's see,
00:39:34where I am playing mus
00:39:35There's going to be a blond guy
00:39:36who's going to be giving it her all
00:39:37to a surfboard.
00:39:38God.
00:39:39Yeah.
00:39:40Hey,
00:39:40And does he know this?
00:39:42Who?
00:39:42God?
00:39:43Which God?
00:39:44And here?
00:39:45What's happening?
00:39:46What's happening?
00:39:47Nothing, nothing, nothing.
00:39:48Oh,
00:39:49Are you still like that?
00:39:50Please dress up.
00:39:51that there is one hour left
00:39:51for the baptism.
00:39:52Come on, let's go.
00:39:53And you're still here
00:39:54and go to church
00:39:56I'm coming now, okay?
00:39:56Come on, come on, come on.
00:40:00He doesn't even know
00:40:01He can't even find out.
00:40:03Hey?
00:40:03But how can he not find out?
00:40:05We're talking about Iñaki.
00:40:06Clear.
00:40:07What's up, Peyo?
00:40:09What's happening?
00:40:09No, that's it, well, that's it.
00:40:10Let's see how he handles it.
00:40:11because we still have
00:40:11A good chunk, huh?
00:40:12Well, I'd handle it better.
00:40:14if you would stop interrupting me.
00:40:16That too, right?
00:40:17Come on, come on.
00:40:19What do you want?
00:40:20What, ruin it for him?
00:40:21on the day of her daughter's christening?
00:40:23Let's see, monjole.
00:40:24But the thing is...
00:40:25It's Iñaki!
00:40:26Iñaki!
00:40:37How is the child today?
00:40:39Oh, I spent the night
00:40:40I swear, I'll do it the hard way.
00:40:41Has the fever gone up?
00:40:42Hey?
00:40:43Discomfort, trouble sleeping.
00:40:45No, no, I've forgotten
00:40:46the TV remote, there are my feet
00:40:47and I don't have the strength to get there.
00:40:49Go on.
00:40:49I've been up all night
00:40:50watching infomercials.
00:40:51That guy is such a pain.
00:40:52with the juicers.
00:40:53I was too tired to turn them off.
00:40:54Did you bring me the tablet?
00:40:55Come on.
00:40:56Here's your choice.
00:40:58The four buds
00:40:59of my children
00:40:59They have both misbehaved
00:41:01and I've had to punish them
00:41:02both.
00:41:02Come on.
00:41:03Long live bad manners!
00:41:04who sees access to technology!
00:41:06Take care of her, okay?
00:41:06I have to return them
00:41:07both.
00:41:08Don't worry.
00:41:09Bye bye.
00:41:10Bye bye.
00:41:17Oh well,
00:41:18My little boy is having a coffee, isn't he?
00:41:20Man,
00:41:21The occasion deserves it, doesn't it?
00:41:22And my little one.
00:41:24How are you?
00:41:25Hey?
00:41:25Good.
00:41:26Well, better than you, I imagine.
00:41:27Well, you don't believe it,
00:41:28not everyone
00:41:29I could go to a christening
00:41:30from the bed.
00:41:31And the girl?
00:41:32And the girl?
00:41:32How are you?
00:41:33Good.
00:41:33Here it is, what?
00:41:35Oh, they've forgotten me.
00:41:36diapers.
00:41:36Does it matter to you?
00:41:37And entertain him
00:41:38Just a moment, please?
00:41:39Hey?
00:41:40Look,
00:41:41Here I leave you with Tito.
00:41:42Hello, Tito!
00:41:43Oh, little one.
00:41:45Little girl.
00:41:45Leave it to me, leave it to me,
00:41:46that I take care of her.
00:41:48That?
00:41:48That?
00:41:49That?
00:41:49That?
00:41:53How are you?
00:41:56How are you?
00:41:57Hey?
00:41:57Are you OK?
00:41:59Are you meeting new people?
00:42:02I wish I could see myself with you
00:42:03and not stay here
00:42:04in this clinical gem.
00:42:05Did I catch you?
00:42:06Hey?
00:42:07What are you doing talking?
00:42:08with those extravagant ones?
00:42:10Hey?
00:42:11What has he offered you?
00:42:12so that you want to leave
00:42:13from the clinic?
00:42:13No, no, no, answer.
00:42:14Let the witch answer.
00:42:15to that wretched woman.
00:42:16Why is he talking to her like that?
00:42:17To the daughter?
00:42:18To the daughter of a vermin.
00:42:19Bring it here.
00:42:23Carmen,
00:42:24Aren't you from Trini?
00:42:25No, luckily.
00:42:27What's wrong with you, auntie?
00:42:29Oh, forgive me, darling,
00:42:30But I thought
00:42:30that José was talking
00:42:32with Trini's aunt,
00:42:33that has me today,
00:42:34that has taken
00:42:34to the head of gynecology.
00:42:36That?
00:42:40It slipped my mind.
00:42:42But I didn't want to
00:42:43I'll tell you nothing
00:42:44so as not to make you even more bitter
00:42:45still the baptism
00:42:46the one you're doing
00:42:47so sad.
00:42:48But don't worry,
00:42:49that when you return to yours
00:42:50I will have discovered
00:42:51to that mole rat.
00:42:53That's a very rare crossbreed.
00:42:54only comparable
00:42:55with the anteater.
00:42:56That's a little angel.
00:42:57from animal to Trini's.
00:42:59Look, guys,
00:43:00I'll let it be
00:43:01Horacio arrives.
00:43:02Horace?
00:43:02Bye.
00:43:03But Horace,
00:43:03There are topics there...
00:43:04Hey, no,
00:43:05Please don't hang up.
00:43:06Don't hang up.
00:43:07That?
00:43:11What do I do now?
00:43:13with this uncertainty?
00:43:15Well, it occurs to me
00:43:15Have a good one.
00:43:16to look for that mixed mole
00:43:17and I go back to the tablet,
00:43:19man,
00:43:19that I don't want to miss
00:43:20nor the pre-baptism.
00:43:22But you're going to understand it,
00:43:23No?
00:43:23Yeah.
00:43:24Can you give me some information?
00:43:26Looks are enough for me.
00:43:28Gesture.
00:43:29Okay, I'll write to you.
00:43:30Wink.
00:43:31Look.
00:43:32Thank you.
00:43:38Guys,
00:43:39I don't know about you,
00:43:40But I don't have
00:43:40A pure body, huh?
00:43:41More than a baptism
00:43:42It seems we are
00:43:43of a funeral.
00:43:44Can you imagine this?
00:43:45Full of long-haired people,
00:43:46blondes,
00:43:47doing so,
00:43:48and saying
00:43:48the wave,
00:43:49the wave,
00:43:49the wave of mundaca.
00:43:51I don't feel like it.
00:43:52nor to shit on soch.
00:43:54Now I understand
00:43:54How did Jesus feel?
00:43:55when the merchants
00:43:56They desecrated his temple.
00:43:57Look.
00:43:58Hush, hush.
00:43:59Well,
00:44:00even so,
00:44:01We are teams,
00:44:02Hey?
00:44:02The important thing here is
00:44:03so it's not noticeable
00:44:04that cannot see us
00:44:05Iñaki with these faces.
00:44:06He doesn't have to find out.
00:44:07Okay?
00:44:07About what
00:44:08Is that why I can't find out?
00:44:09Well, God.
00:44:12Don Pascual
00:44:12Has he gotten sick?
00:44:13No.
00:44:14No.
00:44:14They have no holy water left
00:44:15and the girl cannot be baptized.
00:44:19No.
00:44:19No.
00:44:20No.
00:44:21No.
00:44:22No.
00:44:23No.
00:44:24No.
00:44:25No.
00:44:25No.
00:44:25No.
00:44:26No.
00:44:28Has Villarremendi been injured?
00:44:29We're screwed.
00:44:30No, damn it,
00:44:31We'll tell you.
00:44:31Look,
00:44:32It turns out that Jareñito,
00:44:35the most beloved dolphin
00:44:36by Peyo,
00:44:38Well, they've found him.
00:44:38a tumor.
00:44:39About the size of a potato.
00:44:40We don't think it will happen tonight.
00:44:41No no,
00:44:42Jareñito is there.
00:44:42He's upset.
00:44:43Hey, Peyo,
00:44:44look,
00:44:44I'm so sorry,
00:44:45Okay?
00:44:45But don't scare me like that,
00:44:46Pussy,
00:44:47that we are about to
00:44:47to baptize my daughter.
00:44:48Also,
00:44:49TRUE?
00:44:49We're having a baptism.
00:44:50Hey,
00:44:50which is a fish,
00:44:50Peyo.
00:44:51Look,
00:44:51Let's do one thing.
00:44:53Let's have a drink,
00:44:54I have a little wine here
00:44:56which removes all the drawbacks,
00:44:57Okay?
00:44:57Come on,
00:44:58by Jareñito.
00:45:02Maria.
00:45:04You know what?
00:45:05It's useless
00:45:06lament.
00:45:07I'm going to prepare a feast
00:45:08that the teacher
00:45:09He's going to regret it.
00:45:10to sell.
00:45:10Shut up!
00:45:23I'm going to...
00:45:28A pro?
00:45:32Man,
00:45:32of course,
00:45:33it's a pleasure.
00:45:34I understand that your private consultation
00:45:35It will never be the clinic,
00:45:37But we're going to do it
00:45:38that feels like
00:45:39at home,
00:45:40Hey?
00:45:42Yeah,
00:45:43really,
00:45:44thanks a lot.
00:45:46Yeah,
00:45:46Yeah,
00:45:46Yeah.
00:45:47See you very soon.
00:45:48Come on,
00:45:49thank you.
00:45:50Bye.
00:45:52Yeah!
00:45:53Uh!
00:45:53Oops!
00:45:55Oops!
00:45:55What a rush!
00:45:56I had never seen
00:45:57to no patient
00:45:58for being so happy
00:45:58for having her gynecological report.
00:46:01No, it's not.
00:46:01no,
00:46:01that I just hired
00:46:02to a top traumatologist.
00:46:03My God,
00:46:04I feel like I've
00:46:04signed to a super
00:46:06elite footballer
00:46:07which I also don't understand
00:46:08because I'm talking to you
00:46:09soccer
00:46:09when I don't understand
00:46:10soccer.
00:46:11Me neither,
00:46:11Maybe that's why
00:46:12I thought
00:46:12a good example indeed.
00:46:14Well,
00:46:15that...
00:46:15Problems at the clinic?
00:46:17Well,
00:46:17No problems.
00:46:18One,
00:46:18Trinity,
00:46:18the healthy,
00:46:19You don't know who he's directing.
00:46:20the flowers
00:46:20And when she wants to compete
00:46:22It's the first one.
00:46:22It's driving me crazy.
00:46:23Crazy, Horacio!
00:46:24Seriously, crazy.
00:46:25But crazy,
00:46:26oh really?
00:46:27In an exaggerated way
00:46:27Andalusian
00:46:28that it's going to end
00:46:28the world tomorrow?
00:46:29Exaggerated?
00:46:30Look, excuse me,
00:46:30It's taking me away
00:46:31all staff
00:46:32from the clinic.
00:46:33In fact,
00:46:33Dr. Cabrales
00:46:34It is a substitution.
00:46:35Well,
00:46:36at least
00:46:36it will not be possible to carry
00:46:37to the best nurse in the world.
00:46:38Really,
00:46:39How stupid you are.
00:46:40Hey,
00:46:42Don't you know?
00:46:42to a gynecologist
00:46:43that he can come to Seville
00:46:44to fill a vacancy?
00:46:56Wild heliotrope
00:46:57of the lakes
00:46:58from Copadónca.
00:47:02Hey,
00:47:03that tonight
00:47:03I'm going to arrive
00:47:04a little late,
00:47:04Don't wait for me for dinner.
00:47:05What's happening tonight?
00:47:06Who are you meeting up with?
00:47:07Where?
00:47:07But above all,
00:47:08with who?
00:47:08And there you go,
00:47:09Manolo,
00:47:09to the drum
00:47:10with finding
00:47:11to the mole Dolores.
00:47:12Celia,
00:47:13What do we have to give?
00:47:13with that brought
00:47:14unscrupulous?
00:47:15And furthermore,
00:47:15how you get along too
00:47:16with the aforementioned uses.
00:47:17I get along well with Trini,
00:47:18But I do have it.
00:47:19on the agenda as a load of rubbish.
00:47:20That still keeps
00:47:21your phone number,
00:47:22beautiful.
00:47:24Oh, darling,
00:47:25sorry,
00:47:26But when it comes to
00:47:26to discard
00:47:27suspicious
00:47:28You always have to start somewhere
00:47:28through the circle
00:47:29closest to the person.
00:47:30And since Trini lacks that,
00:47:32Well, I'm completely lost.
00:47:33Leave it now,
00:47:33go on,
00:47:34throw in the towel.
00:47:34Not ever, my dear.
00:47:36because Trini is capable
00:47:36leaving the clinic
00:47:37more from San Gela
00:47:38than a Japanese bathroom.
00:47:39Hello.
00:47:40Hello.
00:47:40Hey,
00:47:40I'm going to lie down for a little while
00:47:41On the sofa, okay?
00:47:42If you notice that I snore,
00:47:43Well, you're putting me aside.
00:47:45How are you?
00:47:46So tired?
00:47:51Do you know what to load
00:47:52with a big secret
00:47:53It's almost as stressful.
00:47:55Like a move?
00:47:59What are you talking about?
00:48:00Dolores?
00:48:01Oh,
00:48:02What a stubborn woman.
00:48:03By finding
00:48:04What's happening to him?
00:48:05the information to Trini.
00:48:06But let's see,
00:48:07But what information?
00:48:07Should I pass it to him?
00:48:09I barely found out
00:48:09when are my shifts.
00:48:11By the way,
00:48:12I didn't finish an hour ago.
00:48:14Well, you'll know.
00:48:14what does he do with the information
00:48:15from the clinic,
00:48:16Because she has it,
00:48:17that you are
00:48:18among my contacts
00:48:18from the email list.
00:48:20There it is!
00:48:21The fact that?
00:48:22Well, if there's a mole,
00:48:24it has to be
00:48:24in the contact list
00:48:25of the emails
00:48:25that you have sent.
00:48:27It's true!
00:48:28Oh,
00:48:28But how clever you are!
00:48:29dear!
00:48:30Oh,
00:48:30You have everything ready,
00:48:32pretty,
00:48:32intelligent,
00:48:33ripe,
00:48:33modern.
00:48:34All,
00:48:34all,
00:48:34the whole set.
00:48:35Come on,
00:48:36Let's look at it on the computer.
00:48:37Let's investigate!
00:48:38Let's investigate!
00:48:39But,
00:48:39hey,
00:48:39wait for me,
00:48:40that I also want to investigate.
00:48:42Here it is.
00:48:43From Dolores to
00:48:45Hyacinth.
00:48:46Hyacinth,
00:48:46a flob to conspire.
00:48:48Valentina?
00:48:49Valentina,
00:48:49He can't even stand the sight of her.
00:48:50Well, by that same rule
00:48:52out of three we can rule out
00:48:53perfectly
00:48:53to Rosana,
00:48:55Fernando,
00:48:56Alfonso,
00:48:57Trini.
00:49:01Trinidad,
00:49:02Trinidad,
00:49:03and cosmel,
00:49:04Pepe and José.
00:49:06It's over.
00:49:07No, not this.
00:49:08nothing,
00:49:09nothing,
00:49:09nothing,
00:49:09because here half
00:49:10of these people
00:49:11I've already looked into it myself
00:49:11and the other half
00:49:12Trini took them.
00:49:13So there's nothing here
00:49:14nothing noteworthy.
00:49:16Oh well,
00:49:16Are we going to stay like this?
00:49:17With this intrigue
00:49:18inside the body?
00:49:19Intriguing.
00:49:19That,
00:49:20intriguing.
00:49:21What do you want?
00:49:22Life is full
00:49:23of mysteries
00:49:23unresolved.
00:49:31The good thing is that I already know
00:49:32Who is the mole?
00:49:35I.
00:49:40The truth is that I thought
00:49:41that he was going to convince
00:49:42to the teacher
00:49:43that he didn't sell.
00:49:43Already,
00:49:44But you too
00:49:44if you had happened
00:49:45more time with him
00:49:46and not with us
00:49:46playing mus...
00:49:48Let's see,
00:49:48Rascal,
00:49:48It was the championship
00:49:49from Urrechu
00:49:49And thanks to my doubles
00:49:50We reached the final,
00:49:51No?
00:49:51Yeah,
00:49:52And thanks to your lanterns
00:49:53We lost her.
00:49:54Oh,
00:49:54Holy shit!
00:49:55Did you convince him?
00:49:56that it wouldn't sell?
00:49:56Let's see,
00:49:57let's see,
00:49:57gang,
00:49:58Today is not the day
00:49:59of lamenting.
00:50:00Of course not,
00:50:00Ñaki,
00:50:01come on,
00:50:01That's the attitude.
00:50:02No,
00:50:02Don't be mistaken,
00:50:03Koldo.
00:50:04Inside I am
00:50:05I'm so pissed off,
00:50:05But today is the day
00:50:07from Laia's christening
00:50:08And there's no reason to celebrate.
00:50:10My dearest mother,
00:50:12half an hour before the baptism
00:50:13and the girl pooped.
00:50:14Change it in favor
00:50:15Raffi calls me.
00:50:16Go.
00:50:17Oh,
00:50:17My God,
00:50:17It seems that today
00:50:18there's shit
00:50:19for everyone here.
00:50:21Raffi,
00:50:22Thank goodness he answers.
00:50:23Hey,
00:50:23Where are you?
00:50:24Chick,
00:50:25We're close.
00:50:25Yeah,
00:50:26Yeah.
00:50:27Yeah,
00:50:27Yeah,
00:50:27I'm also watching
00:50:28something very typical
00:50:28in two nights.
00:50:29Typical,
00:50:30typical,
00:50:30come on,
00:50:30I'll call you later.
00:50:31Good morning.
00:50:31Good morning.
00:50:32Do you know how fast it was going?
00:50:34Impossible,
00:50:34because when I drive
00:50:35I spend my time looking at the road,
00:50:36not the speedometer.
00:50:37Go on,
00:50:37look,
00:50:37This must be the smart one of the group.
00:50:39Let's see,
00:50:39agent,
00:50:40Understand this,
00:50:40Which is if we go too fast
00:50:41It's because you're in a big hurry.
00:50:43Ah,
00:50:43No,
00:50:43Wait,
00:50:43How clever is this guy?
00:50:44Shut up already,
00:50:45balls,
00:50:45that you're not fixing it.
00:50:47Let's see,
00:50:47you,
00:50:47who seems a little unwell,
00:50:49could tell his partner
00:50:50that I get my driver's license,
00:50:51the car papers
00:50:51who opens the trunk for me.
00:50:53That's done,
00:50:53Mr. Officer.
00:50:54We are here to deliver.
00:50:55with the orders
00:50:56of the security forces
00:50:57of the State,
00:50:57come from the country
00:50:58from whomever you come.
00:50:59To the.
00:51:01It's just that I,
00:51:01I can't open it.
00:51:02the trunk,
00:51:03Damn.
00:51:03It's just that, Dad,
00:51:04I don't like it
00:51:04to contradict him
00:51:05to those with the little pistol.
00:51:06Álvaro,
00:51:07Álvaro,
00:51:08that.
00:51:10Álvaro.
00:51:11As you can see,
00:51:12officers,
00:51:13Everything is perfectly in order.
00:51:23Fuck!
00:51:24And these explosives?
00:51:26Hey?
00:51:27Is what you're doing abnormal?
00:51:28Do you realize?
00:51:29with a spark
00:51:30And do we all jump?
00:51:40Ground pound!
00:51:59Madam Agent,
00:52:01If it's any consolation,
00:52:02I'm exactly the same.
00:52:03to impress you,
00:52:04come on.
00:52:07Yeah?
00:52:09Man!
00:52:09One that arrives.
00:52:12Welcome to the flowers,
00:52:13Dolores.
00:52:14I would say it's a surprise
00:52:15to see you,
00:52:16But the thing is,
00:52:17daughter,
00:52:17I haven't stopped lately
00:52:18from seeing familiar faces
00:52:19here.
00:52:20That's precisely it.
00:52:22I wanted to talk to you.
00:52:24Are you here to drop off your resume?
00:52:25No, no, no,
00:52:26no reason,
00:52:26No, thank you very much.
00:52:27Ah, well look,
00:52:27I feel a weight has been lifted from my shoulders
00:52:28enormous above,
00:52:29Because, you know what?
00:52:30We are forming a team
00:52:31with the best professionals
00:52:33and obviously
00:52:35You don't comply
00:52:36with the requirements.
00:52:37As usual,
00:52:38so charming
00:52:39if it's good,
00:52:40Hey?
00:52:41Oh well,
00:52:42I'm glad
00:52:42Have a good one.
00:52:43We're doing well
00:52:44wonderfully,
00:52:45we are
00:52:45but on the crest
00:52:47of the wave,
00:52:47Let's go,
00:52:48We have so many patients
00:52:49that we are going to condition
00:52:50the little entrance
00:52:50and the rooftop.
00:52:51Dolores,
00:52:52We both know
00:52:52that's not true.
00:52:54By the way,
00:52:54I have to give you thanks.
00:52:56No no,
00:52:56let's see,
00:52:57That's what it's been
00:52:59a mistake,
00:52:59for my part,
00:53:00for my part,
00:53:01but mistake,
00:53:01Hey?
00:53:01And that's because I sent you
00:53:03those emails
00:53:04accidentally,
00:53:05one thing
00:53:07automatic
00:53:07that I did it right
00:53:08And I gave it to him,
00:53:09But no,
00:53:10I didn't want to
00:53:10And see if you can delete it.
00:53:12to everything I've sent you
00:53:13As soon as I have a free moment.
00:53:14But no,
00:53:14I'm not thanking you.
00:53:15because of what you have done,
00:53:16but by what you're going to do now,
00:53:18because you're going to continue
00:53:19passing me information.
00:53:20Sorry,
00:53:21But as far as I know,
00:53:22You are no longer
00:53:22the director of ISPALI.
00:53:23Yeah,
00:53:24You're absolutely right about that.
00:53:25But I am the director
00:53:26of the Flowers
00:53:27And I have a lot
00:53:28confidential information
00:53:29that you sent me,
00:53:31nurse at the ISPALI clinic.
00:53:33And if all this comes to light
00:53:35And people find out,
00:53:37If I were you, I'd say goodbye.
00:53:38to go back to work in your life.
00:53:43What was the email like?
00:53:44Dot e or dot com?
00:53:57Fifteen minutes,
00:53:58fifteen minutes remain
00:53:58for baptism
00:53:59And the godfather isn't here yet.
00:54:01Well,
00:54:01It must also be said
00:54:01what if the godfather had been
00:54:02one of those present here,
00:54:04Well, I might still be in time.
00:54:07or not.
00:54:07Clear,
00:54:08than if it had been held in Seville,
00:54:10Otherwise, this wouldn't have happened.
00:54:11Okay, okay,
00:54:11May there be peace,
00:54:12May there be peace.
00:54:13Besides,
00:54:13You should not be in a position to speak,
00:54:14after your screw-up.
00:54:16What a mess!
00:54:17What a mess!
00:54:18What a mess!
00:54:23They made a mistake with the reservation.
00:54:24But we're going to celebrate
00:54:27the invitation here,
00:54:27in the street.
00:54:28Ta-da!
00:54:30That?
00:54:32Is this for my daughter?
00:54:33All,
00:54:35all,
00:54:35and all together.
00:54:36Clear,
00:54:37all,
00:54:37all,
00:54:38all,
00:54:38including your friend,
00:54:40enemy,
00:54:40boss and lover,
00:54:41TRUE?
00:54:42Say,
00:54:42Gonzalez.
00:54:44Let's see,
00:54:45What do you know about Don Pascual?
00:54:47Man,
00:54:47not much,
00:54:47But I suppose that was when I was young.
00:54:49He discovered his calling.
00:54:50Or, well,
00:54:51That's it,
00:54:51or that their parents
00:54:53They had no resources
00:54:53and they decided,
00:54:55well,
00:54:55or not.
00:54:57Oh, son,
00:54:57What a pain!
00:54:57be quiet.
00:54:58We passed by the hostel.
00:55:00He's not here.
00:55:01That?
00:55:01Hey?
00:55:02Hey?
00:55:02Did you leave him at home?
00:55:03as I asked you?
00:55:05Vigo,
00:55:06the doubt
00:55:07offends.
00:55:08Let's see,
00:55:08He'll have gotten up early.
00:55:09The priests get up early.
00:55:10And to the early bird,
00:55:11God helps him.
00:55:12Well,
00:55:12And if on top of that
00:55:13You work for him,
00:55:14well,
00:55:15a lot more.
00:55:16I mean,
00:55:17that we don't have
00:55:17nor godfather
00:55:18and the priest
00:55:20missing.
00:55:21Come on,
00:55:21come on,
00:55:22let's see,
00:55:22come on,
00:55:22let's see,
00:55:23that the priest might be the same
00:55:23He's already at the church.
00:55:25Let's see.
00:55:26But why
00:55:27Didn't you say that before?
00:55:28Why won't you let me?
00:55:28Open your mouth?
00:55:29Come on,
00:55:30strip.
00:55:30Come on,
00:55:30come on,
00:55:31come on.
00:55:31Runs,
00:55:32Sabine.
00:55:32Come on,
00:55:33We're going to the girl.
00:55:34Come on.
00:55:37Oh, come on...
00:55:42Did you take him to the hostel?
00:55:44In a taxi,
00:55:45I threw it away in a taxi.
00:55:47I wasn't that drunk
00:55:48as if not to go up
00:55:49the stairs
00:55:49and miss out on the holy shit.
00:55:50With Don Bego
00:55:50He said very clearly,
00:55:52very clearly.
00:55:53That I,
00:55:54You're not the right one.
00:55:55to talk.
00:55:56And remember,
00:55:57the united crew
00:55:58can,
00:55:59divided no.
00:56:00Already,
00:56:01But what's happening?
00:56:01What's happening?
00:56:02So what do we do?
00:56:02if we arrive
00:56:03And it's not there?
00:56:04Well, that's what's done
00:56:05in the churches
00:56:05it is normally
00:56:06pray,
00:56:07Let's see if it appears.
00:56:08But united.
00:56:39hello,
00:56:40hello,
00:56:40Is anyone there?
00:56:42Sorry,
00:56:42Have you seen the priest?
00:56:43To Don Pascual?
00:56:44Well,
00:56:44It hasn't happened here.
00:56:46I haven't seen it.
00:56:47Well,
00:56:47let's see,
00:56:48Begocho and I
00:56:48we're going
00:56:49go to the sacristy to look.
00:56:50Benedict,
00:56:50Go to the next hamlet.
00:56:51He asks if they have seen him.
00:56:52And what about us?
00:56:54You all stay still there.
00:56:55Don't move,
00:56:55that every time you do something
00:56:56The price of bread is rising.
00:56:57Well, that's it.
00:56:57I'm going outside
00:56:58to call Rafi.
00:56:59I'm going with you,
00:56:59Let's see if it's there.
00:57:00Don Pascual out.
00:57:03Virgin Mary,
00:57:04I'm not much of a churchgoer,
00:57:06But it does help us.
00:57:07to find the priest,
00:57:08I promise to come to mass
00:57:09every Sunday.
00:57:14Wow!
00:57:19Coensol!
00:57:21Sorry.
00:57:23Hey,
00:57:23thank you so much,
00:57:24but still
00:57:25every Sunday
00:57:26I'm not coming, okay?
00:57:27Well,
00:57:27at least
00:57:28We've found it.
00:57:29Already,
00:57:29But I don't know.
00:57:30nor if it is
00:57:31to say the Lord's Prayer.
00:57:33Good!
00:57:34Not a trace!
00:57:35Where could he have gone?
00:57:36This man?
00:57:37Bruh!
00:57:39Bruh!
00:57:40Bruh!
00:57:43I don't understand anything he's saying.
00:57:45So,
00:57:46I'm going to make a list
00:57:46with all my hobby,
00:57:47Hey?
00:57:47To get rid of me
00:57:48Trini's head.
00:57:49And look
00:57:50How does it work?
00:57:50curious
00:57:51that nothing more
00:57:52to start thinking about it
00:57:53She's already taken it from me.
00:57:54Are you crossing me?
00:57:55Carmen?
00:57:56I'm sorry,
00:57:57Christopher,
00:57:58but you don't see
00:57:58that my head is spinning.
00:57:59The baptism is about to begin.
00:58:01We have no cure.
00:58:02My family has not arrived.
00:58:03What do you want me to do?
00:58:04I would have it.
00:58:05that you should have entrusted to me.
00:58:06I didn't go.
00:58:06you,
00:58:06you,
00:58:06you,
00:58:07you,
00:58:07you,
00:58:08you,
00:58:10Run, pee-pee!
00:58:11Oh,
00:58:13Dad,
00:58:13Dad,
00:58:13Dad!
00:58:14Don't go!
00:58:15Dad,
00:58:15Dad!
00:58:15You died,
00:58:16prince!
00:58:18That!
00:58:19That!
00:58:20That!
00:58:21I don't know,
00:58:21This is not very rare.
00:58:23What's happening?
00:58:23What is a baptism?
00:58:24A funeral, this?
00:58:25What's with that face?
00:58:26Shut up,
00:58:26that baptism is the same
00:58:27It is not celebrated.
00:58:29Won't you have
00:58:30a priest
00:58:30nearby,
00:58:32friend?
00:58:32Say,
00:58:32that you can.
00:58:33No,
00:58:33The truth is, no.
00:58:35What I do have,
00:58:36a gynecologist
00:58:37that can cover you
00:58:38even if it's just for a little while,
00:58:38well,
00:58:39one or two months
00:58:39until you find
00:58:40something more permanent.
00:58:41And can it be incorporated now?
00:58:43If you have a pen
00:58:44can sign
00:58:45the contract right now.
00:58:46Yeah.
00:58:47What's happening?
00:58:49Am I not enough?
00:58:50Good for Hispalis?
00:58:51Well,
00:58:52And if it's a problem
00:58:52the accent,
00:58:53peaceful,
00:58:53I'll prepare it myself
00:58:54a little bit of the accent
00:58:55and immediately I look
00:58:56from Triana, born and bred.
00:58:57No,
00:58:58silly?
00:58:58That I would be very happy
00:58:59to work with you again,
00:59:00But I don't know.
00:59:02If you...
00:59:03No,
00:59:04No, Carmen.
00:59:05There's no problem.
00:59:06with all that issue.
00:59:06To me you are
00:59:08a friend
00:59:08And I like it
00:59:09help friends.
00:59:10That's it,
00:59:11really.
00:59:12Thank you.
00:59:13Oh,
00:59:14I'll eat you up!
00:59:15Thank you,
00:59:15thank you,
00:59:16thank you,
00:59:16thank you,
00:59:17thank you.
00:59:22But seriously,
00:59:23No?
00:59:24Yeah.
00:59:26Keep the girl,
00:59:27I'm going to tell him.
00:59:27to Mr. Bejumea
00:59:28He's going to go crazy.
00:59:29Thank you.
00:59:34But can we know?
00:59:35What have you given him to drink?
00:59:36That pacharán
00:59:37What are you doing at home?
00:59:38no alcohol at all,
00:59:39cider,
00:59:39And he didn't drink that much either.
00:59:41Well,
00:59:41I honestly said today
00:59:42I've gone down eight bottles
00:59:43to the container,
00:59:43so the same
00:59:44A tribute has been paid.
00:59:45This priest has more vices
00:59:46than an old door.
00:59:47I gave them communion.
00:59:48Guys.
00:59:50Nothing.
00:59:52Oh well,
00:59:52Are you guys stupid or what?
00:59:54They are not in the sacristy
00:59:55nor in the back garden.
00:59:57Oh no, no, no, no.
00:59:58Aunt Bego,
00:59:58that we have just been notified
00:59:59that has gone to give
01:00:00a walk to the shell.
01:00:02But he's coming soon,
01:00:03Hey?
01:00:03Already.
01:00:04Oh,
01:00:04Didn't you plan to give us a heads-up?
01:00:06Look,
01:00:07I'm going to tell your mother
01:00:08that I went to ask him
01:00:09to the altar boy.
01:00:10Jets.
01:00:11Jets.
01:00:11Jets.
01:00:12Jets.
01:00:12As I saw,
01:00:13Guanchón,
01:00:13that he wakes up
01:00:14right now.
01:00:14Are you going to give him a coffee?
01:00:15Oh, no,
01:00:16He takes it out,
01:00:16Take him off the air.
01:00:17In cases of great evil,
01:00:18great remedies.
01:00:22Far better.
01:00:27Mother of God,
01:00:28pray for us,
01:00:28sinners.
01:00:29Oh.
01:00:31Look,
01:00:32Who just arrived
01:00:32of the shell?
01:00:34Did he even take a bath?
01:00:37Tompe Jumea,
01:00:38sorry.
01:00:38Just a moment,
01:00:39No,
01:00:39I'm talking
01:00:39with my father,
01:00:40please.
01:00:40Oh, excuse me,
01:00:40It ends.
01:00:41Okay.
01:00:43Already.
01:00:47Well,
01:00:48I have two pieces of good news.
01:00:50We already have a gynecologist
01:00:50to replace the one who left.
01:00:52The second,
01:00:53I have spoken with Dr. Cabrale.
01:00:55Really?
01:00:55Really.
01:00:56Oh, Carmencita,
01:00:57I don't know how
01:00:57I will reward you
01:00:58of all this.
01:00:59In the middle of baptism
01:01:00from your daughter,
01:01:01maternity leave
01:01:02And you still find the time.
01:01:03why worry
01:01:04because of my problems,
01:01:05daughter.
01:01:05When did you think
01:01:06Tell me about the "shut up" thing?
01:01:08And when will you
01:01:09have you found out?
01:01:10What about the "shut up" thing?
01:01:10Did I tell him?
01:01:12And how do you know?
01:01:13What is the calla lily for sale?
01:01:14What is the calla lily for sale?
01:01:17Man,
01:01:18Don Bejumea,
01:01:19their problems
01:01:20These are my problems.
01:01:21You are my family,
01:01:22the clinic
01:01:22It's my house.
01:01:24I don't want to know
01:01:24nothing from the clinic,
01:01:25which reminds me of Trini
01:01:25And it's because they get inside me.
01:01:26the seven evils.
01:01:27I'm going to take a selfie.
01:01:28dad.
01:01:29Well,
01:01:30Well, how was I going to tell you?
01:01:31the two Mejumea,
01:01:32we're going to get
01:01:33to find the best person
01:01:34who can run the clinic.
01:01:35Trinidad will regret it
01:01:36because it's not going to be
01:01:37the best clinic
01:01:38only from Andalusia,
01:01:39but of the country.
01:01:41Take note of what I'm telling you.
01:01:42Well, you know what?
01:01:43That?
01:01:44It's not going to be strong
01:01:45wait until tomorrow
01:01:45to find
01:01:46a new director.
01:01:47Oh, no?
01:01:48No,
01:01:49because I've already found it.
01:01:52You?
01:01:53Let's see,
01:01:54loves,
01:01:54What didn't you understand?
01:01:55They're going to turn the street into a
01:01:56at a surf school.
01:01:58Let's see,
01:01:59yes to the teacher
01:01:59Arzac
01:02:00He is made a good offer
01:02:01so that he remains silent
01:02:02continue to be a restaurant.
01:02:03Yes of course,
01:02:04yes to the teacher
01:02:05He makes her a good offer
01:02:06And who makes the offer?
01:02:07Hey?
01:02:12Are you implying that...?
01:02:13Am I the new director?
01:02:14from the Ispali clinic?
01:02:17No, no, no, no, no.
01:02:18I'm not ready.
01:02:18for that position.
01:02:19But let's see,
01:02:20Daughter, please.
01:02:21You found me the vaccines
01:02:22in a flash.
01:02:23You have found me
01:02:24to two great eminences
01:02:26to fill the vacancies.
01:02:27Well,
01:02:27and nobody knows
01:02:28Ispali clinic, just like you.
01:02:30He doesn't even love her that much.
01:02:32I'll agree with you there.
01:02:33the truth.
01:02:33But I don't know.
01:02:34No, no, no, no.
01:02:35Yes?
01:02:37Would you get it back?
01:02:38the business
01:02:38that your father founded.
01:02:39The crew
01:02:39would still have
01:02:40a place to meet
01:02:41and I wouldn't lose
01:02:42my job.
01:02:43Look,
01:02:43Carmen is still on sick leave
01:02:45and when I go back to work
01:02:46You can do it here,
01:02:47who knows this well.
01:02:49And so the two
01:02:49You would be close to Laia.
01:02:52Yes, yes, yes.
01:02:53The truth is, it sounds really good.
01:02:56But,
01:02:56before taking any steps,
01:02:57please,
01:02:58Let me talk to Carmen.
01:02:59I would have to check this.
01:03:01with Iña here.
01:03:02The truth is that I'm already going
01:03:03to end the leave
01:03:04and well,
01:03:04Iña and I got organized
01:03:06very good,
01:03:06we would work together.
01:03:08Well,
01:03:08That's all there is to it.
01:03:09Do we have a new director?
01:03:11Yeah.
01:03:12And a new gynecologist?
01:03:14Oh, Horacio,
01:03:14that I'm going to be your new boss.
01:03:17And so?
01:03:21Come on, kid,
01:03:22come on,
01:03:22come on,
01:03:22Come on.
01:03:23Let's go,
01:03:24Come on.
01:03:25What time is it?
01:03:26Oh well,
01:03:27We're here now.
01:03:27chick.
01:03:27We're here.
01:03:28Come on, fly!
01:03:29Hey, we're here!
01:03:33But what happened to you?
01:03:34No, well, we're already here.
01:03:35Nothing,
01:03:36that we have already arrived.
01:03:37Nothing, nothing,
01:03:37But I'm going to leave with an explosive.
01:03:38What are you talking about?
01:03:39child,
01:03:39of explosives?
01:03:40We bought some firecrackers
01:03:41then for the celebration
01:03:42and enter the celebration.
01:03:43But then you give me the explanations,
01:03:44Are you okay?
01:03:44Yeah,
01:03:45shitty me.
01:03:46But come on,
01:03:47For God's sake,
01:03:47It's late.
01:03:48Let's go.
01:03:50Menudo,
01:03:51that we must have baptized the girl
01:03:52in Cadiz or in Seville,
01:03:53damn,
01:03:53that way we hadn't broken up
01:03:54this amarella.
01:03:57Dear brothers,
01:03:59we are gathered here
01:04:00to welcome
01:04:01to little Elaya
01:04:03to the Catholic faith.
01:04:06Carmen,
01:04:06you told me
01:04:07that a dear friend of the family
01:04:08who cannot be present today
01:04:10He's going to lead us
01:04:10a few words via Skype.
01:04:12That's how it is.
01:04:18Oh my God,
01:04:19I can't.
01:04:20Oh, please,
01:04:21that I can't handle my weapon.
01:04:22Oh, by the Virgin of Carmen
01:04:23that would send me
01:04:24put the table there.
01:04:35Come on,
01:04:36come on,
01:04:37come on,
01:04:37Come on.
01:04:39This insurance
01:04:40who has fallen asleep.
01:04:41Probably
01:04:41has smoked
01:04:42a mint cigarette.
01:04:47Come on,
01:04:48man,
01:04:48It's a small step
01:04:49for man,
01:04:51for a big step,
01:04:53for the sick.
01:04:54Delaying a Bolivian wine.
01:04:56Well,
01:04:56I'm sorry,
01:04:57But we have to keep going
01:04:58with the ceremony,
01:04:59Hey?
01:04:59Just a moment,
01:05:00please,
01:05:01Hey?
01:05:02Oh,
01:05:03I'm here now,
01:05:03I'm here now,
01:05:04I'm here now,
01:05:05I'm here now.
01:05:06Fewer magicians,
01:05:06Hey?
01:05:07Already.
01:05:10Jesus Mary,
01:05:11how handsome,
01:05:12What a lift.
01:05:12But,
01:05:13so that not even he.
01:05:14Yeah,
01:05:14Yeah,
01:05:14Yeah,
01:05:15The truth is, yes.
01:05:15little girl,
01:05:16I don't know what I've done,
01:05:16Hey?
01:05:18Don't look,
01:05:18I have the papers here.
01:05:19and the whole speech,
01:05:20from uy,
01:05:21the papers I read.
01:05:22Look,
01:05:23I'm not going to get the papers in.
01:05:24Hey?
01:05:24I'm exhausted,
01:05:25really.
01:05:26Well,
01:05:26look,
01:05:26I don't need it
01:05:27chop,
01:05:27Okay?
01:05:28That,
01:05:29nothing,
01:05:31Can you hear me?
01:05:32Hey?
01:05:32Well,
01:05:33that,
01:05:33Just so you know, I can't
01:05:34to be there with you
01:05:35because I am,
01:05:37Oh,
01:05:37I'm feeling worse.
01:05:38than a sardine ice cream.
01:05:40He's so good at it
01:05:41the comparisons.
01:05:42But,
01:05:43but I'm very happy
01:05:44because I was the first
01:05:46that I saw
01:05:47that little Basque gypsy face,
01:05:49Hey?
01:05:50To the beech tree.
01:05:51Oh,
01:05:52Oh,
01:05:52the gypsy girl,
01:05:53Oh,
01:05:53the beech tree,
01:05:54my little gypsy girl.
01:05:54Well,
01:05:55What I was getting at,
01:05:56that from the first time
01:05:57I saw your face,
01:06:01I knew I was going to love you
01:06:02as if you were
01:06:03my daughter.
01:06:08And furthermore,
01:06:10that all people
01:06:10who knows Carmen
01:06:11and Iñaki,
01:06:11that,
01:06:14that they were going to do it too
01:06:15and,
01:06:17so,
01:06:17the,
01:06:17I already know that right now
01:06:18You don't notice much
01:06:19what we're talking about,
01:06:20But if it has lights,
01:06:21Watch this video,
01:06:23so that he knows that,
01:06:27You're very lucky.
01:06:28of the family
01:06:29that you've been assigned.
01:06:35And we,
01:06:36stop you.
01:06:38How beautiful!
01:06:40says José.
01:06:41Come on,
01:06:41man,
01:06:41goes,
01:06:42goes,
01:06:42Don't cry either
01:06:43that he'll have plenty of
01:06:45fine arc,
01:06:46holy water.
01:06:48Well,
01:06:48well afterwards
01:06:49from these moving words,
01:06:51Does it matter to you?
01:06:52This isn't going to suit me that well.
01:06:53How dizzying.
01:06:54Let's see what he does to me.
01:06:55tripod.
01:06:57We will continue
01:06:58with the ceremony.
01:07:03Hang on a minute,
01:07:04Don Pascual.
01:07:05Let's see if it's going to be there
01:07:05too cold
01:07:06for the girl.
01:07:0818 degrees,
01:07:08the temperature of the shell.
01:07:10And since it's going to be raised here,
01:07:11The best thing is for him to leave.
01:07:12getting used to,
01:07:12No?
01:07:14What will be raised here?
01:07:15says?
01:07:16Now that Iñaki
01:07:17He's going to buy the caía,
01:07:18It's normal for you to live here.
01:07:19As?
01:07:20That's our Iñaki,
01:07:22sots fit.
01:07:25Carmen,
01:07:25I swear you were going to be
01:07:26the first to know.
01:07:28Sure?
01:07:28Because for the moment
01:07:29I am the second one,
01:07:30Your mother already knew.
01:07:31Iñaki.
01:07:31The third,
01:07:32that I was there too,
01:07:33Hey?
01:07:33Aunt,
01:07:33You're not helping.
01:07:34Okay.
01:07:35Look,
01:07:36Carmen,
01:07:36It's a unique opportunity
01:07:37to recover the family business.
01:07:39Iñaki,
01:07:40You can't do that now.
01:07:42Why not?
01:07:43Because
01:07:45Mr. Mejumea
01:07:45has offered me
01:07:46manage the clinic
01:07:47And I told him yes.
01:07:48As?
01:07:48This is my hake.
01:07:50Ole,
01:07:51my sister.
01:07:52Ole,
01:07:52really.
01:07:54With two Joneses.
01:07:56That mouth,
01:07:57that we are in a church.
01:07:59Well,
01:08:00You will be there.
01:08:00Technically,
01:08:01I am in a bed,
01:08:02Hey?
01:08:03Well,
01:08:04well,
01:08:06director of the clinic,
01:08:07very good,
01:08:08glad to hear it.
01:08:09Good.
01:08:09Yeah,
01:08:09But you have taken
01:08:10that piece of decision
01:08:11without even consulting me.
01:08:13Forgive me,
01:08:13but that decision
01:08:15It was taken in Seville.
01:08:16because we live in Seville,
01:08:17We separated in Seville
01:08:18and as far as I know,
01:08:19The clinic is in Seville.
01:08:20and it won't harm
01:08:21not the girl at all.
01:08:23Hey?
01:08:24Are you telling me
01:08:25What are you thinking?
01:08:25I've thought about all this
01:08:27without thinking about our little girl?
01:08:28What do you think of me?
01:08:29Look,
01:08:31San Sebastián is a good place
01:08:32to raise Elaya.
01:08:32And Seville too
01:08:33because also
01:08:34We both have jobs.
01:08:36You can have it here too,
01:08:38that you have already worked here.
01:08:39You told me,
01:08:39please.
01:08:40Let's see,
01:08:40Iñaki,
01:08:41Look at me.
01:08:42It would be directing
01:08:43the clinic
01:08:44in Seville.
01:08:46Carmen,
01:08:48It would finally be
01:08:49recover the business
01:08:50from my father
01:08:50here in San Sebastian.
01:08:55I'm sorry,
01:08:56Iñaki,
01:08:57But I don't think so.
01:08:58give this up.
01:09:06Well, I'm sorry,
01:09:07Carmen,
01:09:07But I can't either.
01:09:09Well, we have a problem.
01:09:11Look,
01:09:11look
01:09:12what you have achieved.
01:09:14Five months,
01:09:16five months
01:09:17separating us
01:09:19cordially
01:09:20and suddenly
01:09:20everything's fucked up.
01:09:22Carmen,
01:09:23that language.
01:09:25Sorry.
01:09:26Carmen,
01:09:26Carmen,
01:09:26Let's calm down.
01:09:27Probably
01:09:28Don't you see it?
01:09:28Sorry,
01:09:29Iñaki,
01:09:29which is what I don't see.
01:09:30I think what you won't see
01:09:31Because look,
01:09:32forgive me,
01:09:32I am very calm.
01:09:34Why does he say
01:09:34Am I nervous?
01:09:35I'm very calm,
01:09:36No?
01:09:36Don't you see me calm?
01:09:37Peaceful.
01:09:38Let's see,
01:09:38Can I continue?
01:09:39baptizing the girl?
01:09:41Please.
01:09:42Yeah,
01:09:42good.
01:09:46I baptize you,
01:09:47Elaya,
01:09:48in the name
01:09:49of the Father
01:09:50and of the Son.
01:09:55Come on,
01:09:55please,
01:09:56man,
01:09:56that I stay
01:09:56very little battery.
01:10:00And of the Holy Spirit.
01:10:02Amen.
01:10:03Amen.
01:10:08Come on,
01:10:08man,
01:10:09date bulla,
01:10:09that I had left
01:10:10with a little line.
01:10:12Fuck,
01:10:12male.
01:10:13Nothing,
01:10:14that has remained
01:10:15without battery.
01:10:17No,
01:10:17This isn't loading.
01:10:18Carmen,
01:10:18really
01:10:19we cannot solve
01:10:20This is how two adults act.
01:10:21Do you want to stop and talk?
01:10:22I'm sorry,
01:10:22Iñaki,
01:10:22if you want to talk to me
01:10:23that it be through mediation
01:10:24from a lawyer.
01:10:25Oh,
01:10:25I'll send you the contact now.
01:10:26from my colleague for bachapa.
01:10:26Thank you.
01:10:30So,
01:10:31to eat together
01:10:32We didn't even talk,
01:10:34No?
01:10:38This isn't loading.
01:10:41Dolores,
01:10:41Dolores,
01:10:42Dolores,
01:10:43Dolores,
01:10:43come,
01:10:44The christening is in full swing.
01:10:45Come on,
01:10:45come.
01:10:46You have a charger,
01:10:47You have a tablet charger.
01:10:48You have a tablet charger.
01:10:50If you have a charger,
01:10:52Put it on yourself,
01:10:52little girl,
01:10:53Doesn't he see how bad his face looks?
01:10:54Hey?
01:10:55As a trump card?
01:10:57I'm going to give you the news
01:10:58to lift your spirits,
01:11:00Hey?
01:11:00Oh,
01:11:00Well, that wouldn't be bad at all.
01:11:01good news
01:11:02after the day I've had.
01:11:04But?
01:11:04Or you're going to die
01:11:05with this.
01:11:06Listen,
01:11:07listen.
01:11:08Carmen is the new
01:11:09clinic director.
01:11:19The first thing I plan to do
01:11:21as director
01:11:21It's about transmitting yourself to me.
01:11:22Oh,
01:11:23Everything's so bad.
01:11:24Sabine.
01:11:25That?
01:11:25That?
01:11:26Has no one entered the house?
01:11:26We're going back to Seville
01:11:28to take care of my granddaughter.
01:11:29Why don't you let us have it?
01:11:30to us?
01:11:31We are training
01:11:32full speed
01:11:32for the rowing regatta.
01:11:34Guys,
01:11:34He's coming to replace him.
01:11:36to the gynecologist
01:11:36that robbed us
01:11:37Trinita.
01:11:38If Iñaki manages
01:11:39buy the calla,
01:11:40It's going to be my turn.
01:11:41endure it again
01:11:42This way, okay?
01:11:43Tomorrow
01:11:44You have to put
01:11:44awakened.
01:11:45It incorporates you.
01:11:47Oh,
01:11:49I haven't packed my suitcase
01:11:49because I'm going to stay
01:11:50here,
01:11:51in Dorosti.
01:11:51As?
01:11:52But here
01:11:52he is silent
01:11:53Iñaki is going to buy it.
01:11:59Horace,
01:11:59the breasts.
01:12:00Well,
01:12:00That's good,
01:12:01She's my niece
01:12:01and not a space station.
01:12:03Is it possible?
01:12:04that I have heard
01:12:04Anything about a mediator?
01:12:06Let's see,
01:12:07one moment,
01:12:07please.
01:12:09Dolores,
01:12:09There is blood on the bed.
01:12:10Once
01:12:11that made my mouth fall.
01:12:12Already,
01:12:13We arrived late,
01:12:13That's not your car.
01:12:14but still
01:12:15All is not lost,
01:12:16look.
01:12:17It seems to me
01:12:18What am I going to do?
01:12:18a Benjumeo
01:12:19in every sense.
01:12:22An auditor,
01:12:23below,
01:12:24waiting for you.
01:12:25An auditor?
01:12:26So what?
01:12:26What are you going to do?
01:12:28Sell the bar
01:12:29from the clinic.
01:12:31Let them be
01:12:32two thousand,
01:12:32well.
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