- 2 hours ago
- #fantasy
High paranormal dark romance tension explodes when an independent innocent partner is claimed under a dark moon by a supreme vampire king. #Fantasy
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00:00Watch The Vampire Lestat After Dark on AMC Plus or wherever you get your podcasts.
00:06Previously on The Vampire Lestat.
00:09What do you think about the great conversion?
00:11Vampire has taken over the world.
00:14Fucking stupid.
00:15I saw Claudia in New York.
00:17Someone who looked like her.
00:18Thank you, Regina.
00:19F this. F you. We quit.
00:22I'm guessing you haven't heard from my maker.
00:24I'm sorry you were burdened out of spite.
00:26Where does the bullshit start?
00:28Armand? Amadeo?
00:30My name is Arun.
00:31Hello, Arun.
00:32I am an addict.
00:33Hello, Mr.
00:34There's not room enough in this box.
00:35We are desperation.
00:36I have this weird thing that happens.
00:40Suddenly, everyone around me disappears and I feel him.
00:44Stop.
00:45Omar.
00:45Gabriela Vecchia.
00:46My first fledgling.
00:47She died.
00:48What the hell?
00:49He was crying fucking blood tears.
00:52Did no one see that?
00:53It brought poor Dan to his knees and seeded a hate for me inside him.
00:58How long are you going to stay?
01:00I saw you two times last century.
01:02It's not an unreasonable question.
01:08All rockers sing about the road.
01:12It's practically preordained.
01:17Seeger turned the page.
01:19Brown loaded out.
01:20John Bond played for keeps because he had too many doubts.
01:23I mean, that's not the lyric, but should have been.
01:26And Phil X was a better guitarist than Richie Sambora.
01:30There.
01:30I said it so you don't have to.
01:32I'm rambling a bit here.
01:33What am I trying to say?
01:35Clichés about the road can be concussive, but it doesn't make them conclusive.
01:40Skip the old guy in the front to watch and choke me.
01:42It can grind you down or deliver you home.
01:45And which would it be for our marginal mystery tour back in the bosom of the nifty-fifty United States?
01:52Digitally, there was some optimism, as somewhere between the Pete Diddler and Chipotle's new adobo ranch sauce,
01:58the vampire Lestard found itself momentarily trending.
02:02Cell phone footage of yours truly went viral, as both irrefutable proof of the cloud gift and the deepfake antichrist.
02:09More red meat for red eat.
02:12But I shut in the arm for your front man, distracted by a lingering muse and the sudden disappearance of
02:18the vampire Sophia.
02:22I would later find out the hits were predominantly bots, paid for out of the Talamasca discretionary fund.
02:29Should your privileged purse strings become interested in pursuing the actual truth of our recent apocalyptic adversities,
02:37look no further than that watchful order in the river of discreet money flowing in dark directions.
02:43Nonetheless, I was in my grand brat phase, with more gigs in the rear view than the road ahead.
02:52And our bus never stopped for gas.
02:55We ran on bots, an abandonment.
03:06If she couldn't get out of table, I keep moving from place, she didn't want to crawl around.
03:10But the trash could be there.
03:10Grab theash with another guards up.
03:10All in the sociedade safeties, it's about another weapon.
03:10Shut up, that shit!
03:11You careful, don't get it on the floor, boy.
03:13Now you're going to grab the broken hairs!
03:14Hold down!
03:15Just dump the world guard.
03:18Eww!animous,
03:18you need this shit! Can I eat
03:20this not ... Oh, Fierce
03:21not! Don't let's just
03:21hop it out of the car! Oh, no use。
03:23Oh, shit. G
03:25Pac rumors.
03:40Let me guess, 71 and a 65?
03:43You want to tell me what's in that bowl right there?
03:45That's cocaine.
03:46He exercised this as right to remain silent.
03:48You mind repeating that for the body cam?
03:51Oh, the body cam.
03:53Democracy's compact mirror.
03:54Which is funny because that was a joke.
03:56Because this is actually, um, powdered makeup.
04:00Delilah doesn't bark at makeup.
04:04I'm gonna have you all step outside now.
04:06You'll need a judge's warrant, so...
04:07Why don't you take a seat?
04:11Come, Delilah.
04:12Take a seat.
04:20Delilah was right.
04:22It is cocaine.
04:24We are a rock band, and we need it to do our job properly.
04:29Just as you need your firearm and your expansive interpretation of the Fourth Amendment to do your job properly.
04:36That's that.
04:36That's her line.
04:37I stole it from her.
04:38She is a very good lawyer.
04:43Now, you do one of the most difficult jobs in our society.
04:52You see humanity at its worst every shift you take.
04:56And I can only imagine how that affects your judgment and your home life.
05:02It does.
05:02If it were up to me, I would not allow anybody who puts on the uniform to work more than
05:0935 hours a week.
05:13This arrest would go poorly.
05:15The, uh, blood test that you would administer on me would be weird.
05:19Get the body cam.
05:20Yeah.
05:21And your precinct would be put in harm's way.
05:24Liza Minnelli.
05:25You look very pretty now.
05:27Yeah.
05:28You go be the rough man standing.
05:31Ready to do violence on our behalf.
05:33Oh, my God.
05:34Officer Galugali took a week off.
05:37TC thought for the first time maybe she could be a vampire.
05:40Larry wished his brother could have been there, and on a computer hard drive in a public library somewhere in
05:47the eastern seaboard, a manifesto waited patiently.
05:51We were on the devil's road now, hurtling towards end times.
06:07We're on the devil's road now, hurtling towards end times.
06:27We're the hope of me, love of the vision of my way, this stupid rhyme.
06:34Baby.
06:35Baby.
06:37Baby.
06:38Baby.
06:39I fall down.
06:43Burn the ground.
06:47I fall down.
06:51Burn the.
06:54Baby.
06:56Baby.
07:00Did you hear that, Armand?
07:03You're listening to The Failures, album 33, side B.
07:11Service stations.
07:14Travel plazas.
07:16Off the autobahn, they're called Raschtöte.
07:20On the devil's road, these liminal spaces have no name, for the occupants are not aware they need rest or
07:28service.
07:29What can I get you?
07:31Hi.
07:31What can I get you?
07:32Menu?
07:33Coffee?
07:34Anything to drink.
07:35Louis Dulac or Thomas Pitt or he who licenses and franchises the night was more feared than wanted now, and
07:44he could do his business wherever he wanted.
07:47And being in the same space with her was satisfying in a way the destruction of the vampire Bruce was
07:54not.
07:56He told himself he was in control.
08:00We all did that year.
08:02Best thing to do with our burger is let it cool till the grease is all soaked.
08:05Bread's all wet.
08:07I'm getting to it.
08:08Well, chef gets all aggy when plates come back untouched.
08:23It's better.
08:24I know you know you shouldn't eat here.
08:28Regina!
08:28Bethnal Green?
08:31Hackney?
08:31Piss off!
08:32Hackney!
08:36Uh, Homerton?
08:39What do you know about East?
08:41I got a place in Marlebone.
08:43Oh, exactly.
08:44Posh boy.
08:46Get Hackney off the tube map, did you?
08:48You ever even step foot in Zone 2?
08:50I think that's mine.
08:53Get mine till I give it to you.
08:58Burn your mouth, you eat it now.
09:00What you doing in Brooklyn?
09:03You're here three times in five nights.
09:06Marleybone with your cashmere sweatsuit.
09:08You're a student?
09:09I'm a waitress.
09:10My ass ain't on the menu, but it does cost a tip better.
09:13You can afford it.
09:14Oh, no, no, no, you got me wrong.
09:16I'm, uh, spoken for.
09:18Oh, you're gay.
09:20Gay, gay, gay.
09:21Burn my ass up.
09:22You're gay.
09:24You order burgers?
09:25You don't like burgers.
09:26You're a riddle, Thomas Pitt.
09:29Or just cheap rich.
09:31Okay.
09:32Okay.
09:34Okay.
09:35Okay.
09:37You know, it's like essentially like a middle school cheer with the big crowd claps on the
09:40roll and for the backbeat.
09:42Lyrics?
09:43Uh, working on some.
09:46Oh, my boy.
09:47Just get your hand.
09:48Just show up.
09:48Sing of the song.
09:49All right.
09:50Uh, from the, from the verse?
09:51No, no, from the chorus.
09:52Go from the...
09:53It's wild, man.
09:55One, two, three.
09:56Big bus.
09:58Drink a little cup.
10:00A big bus.
10:02You better watch out.
10:04Cause he is hungry and his name is last step.
10:07It'll rhyme better.
10:07I mean, it's all like gigs and gas and gear and sharing a shitter with salamander, but,
10:12you know.
10:15Wait, really?
10:16You serious?
10:19Dude, yes.
10:20We like, la, la, la, la, la, BBGs on the chorus.
10:22They're like, the one, seven, three, four.
10:24The one, two, four, six.
10:25Seventh is better.
10:27Then you can set it up on the verses with an A, maybe.
10:29Oh, I'll make you look further, though.
10:30All the verses on an A with a turnaround on G like they're flipping their ponytails before
10:34I be live.
10:35Oh, stop it!
10:36Stop it, boss.
10:37We're talking the two of the majors.
10:38Why would I tell you that?
10:39Lover.
10:41Sony, Warner.
10:42Four body.
10:44Who?
10:44Fixed barrel, Relo, Pied the Bethany's.
10:46Relo's tight.
10:48I like buffers.
10:49He doesn't like the Bethany's.
10:51Show us your taste!
10:52So, say.
10:54Fucking hell, cheesy.
10:55Shit, and you die.
10:57If vampires kill and Jesus saves, what does the vampire messiah owe the world?
11:04Ooh.
11:05Playful handbag and a lie told well.
11:08Where is Sophia?
11:09No idea.
11:10Do you miss her?
11:11I was making a play, but Cechstat jumped the line.
11:14He's been glum ever since you rolled the pony and Christine stuck him in that Chevy Malibu.
11:20Why don't you just use the mind gift?
11:22Our telepathy takes energy, as you know, Dan and I save all nine for Worcester, Massachusetts.
11:29Worcester.
11:30Worcester.
11:32Worcester.
11:34Worcester.
11:35Worcester, Massachusetts.
11:37Ridiculous.
11:37Oh, look.
11:39She's getting your twat lasered by a McQuain Bar Harbor.
11:42It's McMaw.
11:44McMack is the whole people.
11:46Oh, thank you for reading.
11:48Are you getting this?
11:49We're good.
11:50We're good.
11:50She's gonna meet us in Albany.
11:52Sloppy thirds for the vampire Bourdain.
11:54Let's talk about your mother.
11:59My mother?
12:01Gabriela?
12:02Mm-hmm.
12:07Why let the past stay in the past.
12:09I welcomed the dead.
12:11Cool.
12:12Let's see what failures we can pin on dear old mom.
12:15Not much left to tell, I'm afraid.
12:17She took like Nikki did.
12:19A great love.
12:21Not your first love.
12:25We left the theater to your maker and stole away by carriage.
12:29She stopped talking almost immediately.
12:31Once we're there, wherever there is, we are fallen French nobles.
12:37A lesser family, an obscure name, Cologne-Corsillon.
12:41Who escaped the guillotine by fleeing to the...
12:45The Dutch Republic?
12:47Which is known for...
12:49Very little.
12:51We can go wherever we want.
12:53We can be whoever we want.
12:57And skittish letter carriers one night and dashing highwaymen the next.
13:03We forgot one thing.
13:06What is?
13:07The roof and the two coffins trapped to it.
13:13People will be curious.
13:16We can say we're undertakers.
13:18And then they will ask questions and we will risk exposure.
13:21We'll have to kill them.
13:26No, no, no, no, no, I know.
13:28We will say that is our dear departed Uncle Marius, who was born to death by our tart nephew, Armand.
13:40And what of the other coffins, madame?
13:42Hmm.
13:44Um...
13:45Then we will have to kill them.
13:47My mortal mother was vibrant.
13:49As a vampire, she was remote.
13:53She could not function.
13:55By function, you mean what?
13:58She would not hunt.
13:59I had to carry her to coffin.
14:01She used the last of her energies to write me a note.
14:05Leave me in a clearing.
14:06Leave me to the day.
14:08Always did what my mother asked.
14:10A mama's boy.
14:17Are you close to your mother, Fareed?
14:20She passed.
14:22Hmm.
14:23Were you there when she died?
14:24I was on a plane.
14:26On the way to see her.
14:28My sister told me when I landed her.
14:34And where were you when your daddy killed you on an airplane, Dan?
14:38On your way to see your...
14:40Daughters?
14:40Your Alice?
14:42Or just your book agent?
14:46Did you leave the best for her?
14:48No!
14:50No!
14:55I'm gonna make out.
14:56Disgusting.
14:57No, no, no, no!
14:58Come on.
14:59I'm never leaving again.
15:00Oh, my God.
15:02Hey, Slade.
15:03Hey, singer.
15:04Are you gonna stop bitching now?
15:05You were missed.
15:06The piece of shit brothers are back.
15:07You were listening to The Failures, album 37, side A.
15:15Rosenthal.
15:18Rosenthal.
15:19Luzo.
15:22Farron.
15:24This song is called...
15:26Our sisters butchered you.
15:28Come on.
15:28Come on.
15:30Greenwald.
15:33Greenwald.
15:34Greenwald.
15:47Hello, Daniel.
15:54It's me.
15:59Hi, Dad.
16:03I can only imagine your anger.
16:05Stop!
16:08Turn around, walk in the opposite direction
16:10until you're halfway around the world.
16:12Once there, find a radioactive storage facility,
16:15and as is your way, asshole your way inside,
16:18and see if the workers will give you
16:19a couple of spent fuel rods to suck on.
16:21Do that for however long it takes
16:23until your eyes begin to cave in
16:24and your dick falls off.
16:26After that, lose my number.
16:27After that, fuck off!
16:35I have been enduring intense conversation with myself,
16:38and as part of this journey,
16:40I wish to read you something
16:41I have written from the deepest regions of my soul.
16:44Dear Daniel,
16:45of all things that walk the garden,
16:47it is you I have done the most harm to,
16:49and it is to you I amends.
16:51Wait, wait, wait, wait.
16:52Are you doing the steps?
16:54Oh, my God.
16:55I know this is 52 years later.
16:57Wait a minute.
16:57What group would have you?
16:59I know this.
17:00What, the Pseudologia Pensioner fuckboys for sobriety?
17:03I know when we first met-
17:04Wait, wait, wait, wait, wait.
17:05Stop, stop, stop, stop, stop.
17:07I've done this myself once.
17:09Let me try.
17:10Hey, son.
17:11Dad here.
17:12Sorry about the deadbeat,
17:14no-child-support vibe I've been giving off for the past two years.
17:17Sorry about killing you on a private jet.
17:19I probably could have waited till you crossed the GW.
17:21But no, your vampire birth certificate resides in fucking Newark.
17:26Oh, oh, oh, and one more thing.
17:27You're not gonna get any of my special vamp skills because my blood sucks.
17:31And, oh, by the way, I'm a friendless bottom twink sociopath.
17:36Sorry about Dubai.
17:37Sorry about San Francisco.
17:39And, hey, a big time sorry about every second in your life in between.
17:44The, uh, two divorces, the blackout years at Knight Ritter,
17:49the five trips to rehab, the year listening to fish.
17:53Yeah, that's all on me.
17:55But, hey, boy-o, you have to admit that it really does all boomerang round
17:59at Castro Street and your weekend at Mengele's, doesn't it?
18:03I'm really sorry about that, Danny.
18:05It was my job to put you out of your misery.
18:08But, hey, when a bucket of Louisiana fried chicken walks into the room
18:12and says, stop, well, what can I say?
18:14I'm just a 500-year-old pussy.
18:18Oops.
18:19Pick up the tab, will ya, pops?
18:32Done some googling.
18:34You're, like, the 566th richest man in the world, according to Wealth Aggregator.
18:38Yeah, am I?
18:41Says Marley bone, all pussyfoot humble.
18:43How's your bank account zone, too?
18:45Put it like this.
18:46Ceiling tiles fell off the ceiling in my flat, and, like, mice fell out.
18:50Lucky as mice, not rats.
18:52And wires fell dangling down in the living room,
18:55had to duct tape the electronics to the wall.
18:57Had a few mod hopes for New York, but so far it's been, like, six flatmates
19:01on one toilet, and it's like, do I take my tampon out in front of the podcaster?
19:06Been with us since Tuesday.
19:07Meanwhile, man's living at the top of Domino Square
19:10and owns, like, naff Dracula hotels with coffin wallpaper.
19:14I got a mixed set of holdings.
19:17And I got a mixed set of punters, but you're the only one watching me like I'm Netflix.
19:24Oh, I...
19:25If I'm bothering you, I...
19:28Regina!
19:29It's just you, you've been helping me.
19:33Just, just being you.
19:35You caught me at a lonely hour, and, um...
19:40I don't want to put this on you.
19:41Sure you do.
19:43Right there.
19:44In your drawer.
19:45What is it?
19:47I remind you of your sis.
19:50We gotta do something about your mice problem.
19:53Let's talk about that.
19:54Or is it your year three teacher hanged herself at school
19:57and you found her with her legs all stiff?
19:58In a million guesses, you would not guess.
20:07You're asking?
20:09I'm asking.
20:18Regina!
20:20You know this book?
20:24Seen it, I think.
20:26Horror book.
20:27No.
20:28It's real.
20:33There's a girl in it.
20:37What happened to her?
20:46Sorry.
21:00Will we hear the church bells over their wine-drunk hearts echoing off the walls?
21:05Have you lost your monk's teachings, Master?
21:08Not bad.
21:09The bells are silent on Holy Saturday.
21:13Beneficent whipping and no soups served.
21:16A lesson did not hold, it seems.
21:19How many hearts do you hear in the dwelling?
21:28Thirty.
21:29Thirty-two.
21:34The procession makes it hard to keep the numbers.
21:38Thirty-two hearts and only twenty-seven bodies.
21:43There's a card game upstairs.
21:46Three more.
21:49And two in the cellar.
21:54In the background I deleted.
21:59On a holy Saturday, no less.
22:07Did you come here as a girl?
22:08Never.
22:10Tossed by in my horse brown cage, wrapped head foot in black lace.
22:16Veil over my eyes.
22:18Bible in my hands.
22:19Oh, Maria Soproces.
22:24Sorry, Mrs.
22:25Yes?
22:27She is a ghost.
22:29I remember a young woman a lot of years ago.
22:33She had her face.
22:35Your love.
22:36No, no, no, no. Invece su la mia stazione
22:41Mi lottavo tutti per uno scorcio dei capelli biondi
22:46dove lei ora
22:52C..con Dio ?
22:55Camminando per i poveri capi della Francia
23:04I'm not a virgin anymore, not a marquise, not a wife, not a mother, not a woman.
23:18What then?
23:20And a fever that comes in the night and kills by the morning.
23:29The Christ is thirsty.
23:59And trash a $50,000 car afterwards, maybe you're still angry.
24:03It was a gift then, from one vampire to another.
24:06It was not for our film.
24:08I don't need your gift.
24:12Missing the psycho drama of Dubai?
24:15Do you want me to play dumb like your maker and pretend you're two steps ahead of me?
24:20So what, this guy's like your sponsor?
24:23Not really using that word, you know?
24:26And I talk to him, like, every other night, and he's...
24:29This is gonna sound like a can of corn.
24:31I like corn.
24:32He's like a god.
24:37Gods and record deals popping up like crazy right now.
24:40I don't think mine can float.
24:43All that shit I was carrying was putting onto other people, onto you.
24:49This guy erased it all, brother.
24:52So what's this god's name?
24:54None of that.
24:56That I gotta keep.
25:01The thought never crossed your mind, Dan?
25:04No, no.
25:08What was his reasoning again?
25:10Love?
25:11A man could not read your mind because he was sitting two feet from Louis.
25:15You were 5,000 feet from Louis after you dropped him.
25:19That was love, right?
25:23Tell me, Andrew, why does the undead need empty?
25:26Cut, cut, cut.
25:28Okay, all right, cool.
25:29No bullshit.
25:30I didn't know you were alive three days ago.
25:32I haven't been alive for 265 years.
25:35I watched the video, did a deep dive on the band.
25:38Beautiful and well.
25:39Flew here to Albany, play a long face.
25:42Plastic fiend.
25:43Fiends on the roof on my feet.
25:45Saw the show.
25:45It's impossible.
25:47Saw the fans waiting outside the hotel.
25:49Impossible.
25:50I saw the protesters outside the hotel.
25:53You're gonna get everything.
25:56You're gonna get everything.
25:57You're gonna get everything.
25:59You're gonna get everything.
26:00You're gonna get everything.
26:01The hotel.
26:03The hotel.
26:04The hotel.
26:05Oh my God.
26:10No.
26:14We'll find new.
26:15No.
26:15Marketing infiltration.
26:16If D says it's a yes, then it's a yes.
26:19The person you are calling is unavailable.
26:22Please leave a message.
26:24Hello?
26:24It's I?
26:26I hope you're in a quiet yurt with a view of the cell phone tower you burned down.
26:31I gather you are not coming to Albany.
26:34It's feeling somewhat superior.
26:37Deliberate!
27:06I can hear you.
27:08I can hear you through the walls.
27:11And?
27:14And it annoyed me!
27:19And your annoyance carried you out of your room through the courtyard and into my room.
27:41When I killed the wolves and you tended my wounds,
27:55we were mother and son.
28:01And?
28:17I love you.
28:22I love you.
28:28I love you.
28:51Still the early riser, I see.
28:54You are listening to The Failures, album 40, side B.
29:01How did you get in here?
29:04Where's my band?
29:06The Nomad Armand.
29:08With passport stamps from India, Venice, Paris, San Francisco, Dubai.
29:17He ended our tour in diminutive disguise.
29:21Faded wallpaper, waiting for lights to dim.
29:24So it could peel off and suffocate you in the dark.
29:27What are you doing here, Armand?
29:29He would do more damage than the Queen ever did.
29:32I have been enduring intense conversation with myself.
29:36And as part of this journey, I wish to read you something I've written from the deepest regions of my
29:41soul.
29:41You have no soul.
29:43Can I just read it?
29:47When I first encountered you in Paris, your dynamic personality overwhelmed me.
29:52Naturally.
29:53Knowing your maker's temperament, I should have led with patience and with empathy.
29:57Instead, you used my lover as bait to draw me and my mother into your underground death orgy.
30:04Yes.
30:04I'm going to shower. Continue.
30:06Siri, shower please.
30:08When you helped me rebuild the Paris Coven with your visionary conceit of a vampire theater,
30:12whilst sharing your body and blood,
30:14I heartlessly assumed companionship, which was, upon reflection, wish-fulfilling delusion.
30:21Rooted in childhood conflict.
30:27Your exit from Paris and beyond generous endowment you left us with was graceful and sensitive.
30:41Graceful and sensitive, and I shamefully blamed your mother.
30:45When I had the opportunity to speak truth to Louis concerning my involvement in the matinee production of trial-
30:53No production, an actual trial with definitive sentences of both.
30:57I retreated to cowardice and was dumbfounded by your silence in the ruined tower of your former maker.
31:04I walked the rest of the century on a carpet of eggshells,
31:07knowing at any moment you could reach out to Louis and make him the wiser.
31:11At first, I felt it was you torturing me.
31:14It was.
31:15Now I know it was richness of character.
31:18No.
31:20It was torture.
31:26I knew it would eat you alive and tangentially make Louis miserable.
31:31And that is how I chose to spend the latter half of the 20th century.
31:37Not only a good time now, but I see you and it suggests to me that time is over,
31:43because you are a fuckcloud, Armand.
31:47It's your nature.
31:49Be who you are, but be it on the other side of the moon.
31:53Or kill yourself.
31:56Three paws.
31:59I'll leave the pages here.
32:02Fine.
32:07Oh, and...
32:08One more thing, let's stop.
32:10You want me to stop playing music?
32:13Yes.
32:14The vampires are listening to my songs.
32:16They believe that they can live as I do.
32:18They're making too many.
32:19The mortals won't allow it.
32:20The planet can't support it.
32:21Yes.
32:23I've got five more shows.
32:25I'm getting bored, as I do.
32:27You should come to one before it's over.
32:30I'm quite sexy.
32:59I'm here.
33:00I'm sorry it won't happen again. I know it happens once a week Regina. Stuck on the JMZ. Come on
33:11Watch time. Trains load down between stops. I'll tell you my tips. Sorry
33:20All right
33:22You okay? You missed a couple shifts. I was worried. You're the one in the book. I
33:29can help you. I can explain. Yeah Claudia. I look like her. Yeah
33:37That's mental. I know
33:42This is a lot like a lot a lot
33:47I gotta switch to breakfast. I can't stay anyway
33:51Because it's coming all morning
33:55That's mental
33:59I've been here since 1 30
34:03I've been here since 1 30. I just wanted to know you were okay
34:09For the service
34:14Out the door out yeah, it's how
34:27What's this then you can have a different life. I know I can I don't need you for that. I
34:32looked you up online
34:35You full stalking found your only fans criminal record credit card scams
34:41bouncing around Europe with
34:43Stolen car in Amsterdam. I can help you fuck off and clean that for gosh. I
34:50Can pay off your debts and get you apart
34:52But put in a yellow dress and sit in your lap. No, no none of that all of that is
34:56the money getting my escalade be my dead daughter
35:06I've got enough shit in my life. I do not need more
35:09Are there any readers in the audience to me?
35:15Have you come across this 20 23 bodice ripper?
35:20Dubbed an irritating hoax bound for flash-in-the-pants status by vanity fair and a song
35:27Busting steamy beach read for the cocklet sucking fire island set by out magazine
35:37Well, we are the tribute band spawned by that literary mountain top
35:47Unless of course, the way to point the luck was interviewed by a two-time Pulitzer Prize winning mortal in
35:53dubai and I am
35:55I am actually the toxic bitch anxiously attached show pony with a personality disorder godless dog
36:08Any vampire truth is out there?
36:13Stands of IWTV we have a very special guest in the audience tonight
36:19Please follow my finger to the French Bengali smoke show
36:28Can we get a torch?
36:30The maître of Paris
36:32Look deep into his ooh ooh japanamé eyes as he mine cocks you off a cliff
36:37The shapeshifter, the sophistiquer, the vampire, Armand
36:50Despite what you've been sold
36:54We are friends he and I
36:58He did a brief thing for me once
37:01And I have grown to respect Armand and his staunch defense of the five great laws
37:19We wrote a song for you
37:23And it's the first time we are playing it
37:27Wow
37:32Hey big boss on the Champs Elysees
37:35Oh no are you having a bad bad day
37:39Hey big boss with the set sashay
37:42Are you mad or do you always look that way
37:45I know the light is cool but my god there's nails
37:48Is he a bedroom for ghoul or a ragdoll for sale
37:51I know the light is cool but you should get your face dead
37:55You got a lot of rules for the theater to kill us
37:58But only the big boss gets to have fun
38:02If you're a boo boo then he doesn't want you
38:05Oh don't you dare write down these histories
38:08If you know him then you won't know much more
38:11Only the big boss gets to decide
38:14Who dies and who stays alive
38:18Big boss got a big big head
38:21Big boss wants to get you in bed
38:25Big boss is a toy of ghoul
38:27Is this the only girl in the corner
38:31Big boss in your shadows to play
38:33Big boss who's in love streets of the night
38:37Big boss is a toy of ghoul
38:40You ask me what you're gonna say
38:42Come see, come see
38:56Big boss
38:58Big boss
38:59Good game
39:00Good game
39:15Stop it!
39:19Stop it!
39:20What?
39:21You know what?
39:24Everyone gone.
39:25You're here, but you can't see them.
39:28Yes.
39:29Stop it!
39:30I cannot.
39:32It happens to me, too.
39:33It's happening right now.
39:35Bullshit. Get out of my head.
39:36I am your maker.
39:37I cannot get into your head any longer.
39:41What is that?
39:42What is this?
39:45Our vampire bond, I think.
39:49That's fucked.
39:51Yes, it is.
39:54Why are you here?
39:59You are caught in great danger with Lestat.
40:02Yeah.
40:03He's just an asshole.
40:04There are nearly enough of us now.
40:06Each a body a night.
40:08Each turning one a week.
40:10More deaths than births.
40:13The great conversion.
40:16It's happening, Daniel.
40:19And he's going to lead it and get us all killed.
40:23Was Dubai bullshit?
40:26What?
40:27Me breaking you down.
40:28You knew everything the whole time, didn't you?
40:32It was just theater.
40:33No.
40:36No.
40:39I swear.
40:42It was love.
40:44I'm a vamp now.
40:46Loving Louis doesn't shut it off.
40:51It wasn't my love for Louis, Daniel.
40:56But it was love.
41:03So, when she's not here and he's not here, am I third in the queue?
41:08Did I beat Antoinette?
41:14She only gave you a finger.
41:19Hello, Gabs.
41:20It's me.
41:21I just wanted you to hear this.
41:23That's the sound of a thousand loud moaning, sobbing, nipple-hardening, brick-popping, white-fire worship.
41:34And I left the stage 12 minutes ago.
41:39Thanks for the pop-in.
41:40I'll see you next century.
41:42Ashley, fuck you.
41:44Let's skip it.
41:46Cabbage, cabbage, cabbage.
41:50Didi and Joey sang, touring was never boring.
41:55Perry, Sean, and Kane took the midnight train.
42:21Hey, friend.
42:23Hey, friend.
42:28He can't die like this.
42:29He's a vampire.
42:30Wake up, people.
42:31They're everywhere.
42:32They're everywhere.
42:33They're all around us.
42:34Wake up.
42:35No!
42:35No!
42:36No!
42:37No!
42:39No!
42:40No!
42:55No!
43:06Narrow.
43:08Fully rigged.
43:10I can almost see it's cargo.
43:13It's an opium clipper.
43:16Keeper, you should really like that lamp now.
43:22Keeper's not feeling well.
43:24Throw back a single decade, we're living mortal lives.
43:27The cabbage years.
43:29And then, the Devil's Road, prowling, feeding, sharing a coffin.
43:39But where in 50 years?
43:42Where in 100?
43:44Some far-flung city.
43:46Everyone traveling by Burun, maybe.
43:49It's an endless garden.
43:51You put Armand's ghouls on stage.
43:53That was something, I guess, but it wasn't evil.
43:59What that is?
44:02Gante's hell.
44:03But not in the mouths of priests.
44:06Out in the world.
44:08Thieving in the streets.
44:11An evil that answers goodness.
44:17Shall we do it?
44:19Shall we scorch the mortal world?
44:22Oh.
44:22Decimated.
44:24Brothers impaling brothers.
44:27Mothers throttling their babes.
44:30All writhing on the ground.
44:34Till no light remains.
44:37No hope of light.
44:39And we, the Devil's rule.
44:41Together.
44:44As dark monarchs.
44:48Into twine.
44:50For our eternity.
45:02Dinner.
45:03There.
45:04There.
45:05There.
45:07There.
45:09There.
45:14There.
45:16There.
45:29There.
45:31There.
45:34There.
45:37There.
45:38There.
45:38There.
45:38There.
45:39There.
45:39There.
45:40There.
45:40There.
45:41There.
45:41There.
45:42There.
45:42There.
45:44There.
45:59in the neighborhood no can't stay away yeah
46:11chef's pushing chicken bomb okay
46:18got loud with you last time no it's my fault
46:25a thousand dollars that's a bus fare for you what's not a bus fare
46:32a hundred thousand
46:36five times that
46:48what now daddy lou
46:52vampires do not live symbiotically with humanity they do not share in the daily struggle of human
46:57life instead they feed siphoning away our vitality in order to extend their own unnatural existence
47:05but if we are their fuel are we not also their strength
47:08the older brother tried to teach me with his face
47:17i never learned that lesson i gave up on confession by a candlelight you used to teach me how to
47:30kiss
47:34i thought we made it out and i know you had to dance but why won't you let me pull
47:45me flowers like i used to cheer you up
47:50like i used to cheer you up like i used to cheer you up
49:44I left my wit in Philadelphia.
49:46Free my driver, go away.
49:48You quit?
49:49Everyone quit.
49:51Mass shootings can be quite persuasive, cabs.
49:54What about your fans?
49:57They have their clips and tattoos and something new and triggering around the corner to serve their unwelsomeness, I'm sure.
50:03I am not talking about that.
50:04It's over!
50:06You abandoned me!
50:08For a week!
50:08For nine days!
50:10And it did not feel like nine days!
50:12Go up!
50:15Where were you?
50:17And don't say you were dipping a toe in the Rio Pasqua!
50:35I was with the voices.
50:42What voices?
50:48Let's have a listen.
50:59Why do you come back?
51:01Why won't you let me hate you?
51:07Shh!
51:13You've been hearing them.
51:17Yes.
51:19You've been reaching them.
51:22Yes.
51:23And I want not to reach them.
51:25They are lost.
51:26And angry.
51:28And tired of enduring.
51:30Your music speaks to them.
51:32They long for communion.
51:35I sing songs, mother.
51:37Eight wolves.
51:45A poignant tableau.
51:48Conspiring mother advising a distraught son.
51:51And you'll get no argument here if you were to interrupt and say,
51:55Lestat, an excellent time to end it.
51:58What words did she conjure up to turn me in that bus back around, you ask?
52:03No.
52:04I'll never do them justice.
52:06Instead, let me paraphrase a more eminent vampire caught in a similar situation.
52:12It is difficult to explain how her words disarmed me.
52:17How efficiently succinct and impenetrable her argument was.
52:30You had to be there, I guess.
52:32I need a mean, mean mama, need a ravenous queen.
52:36Give me that long dog dance that feed the future machine.
52:52Listen to tracks from the Vampire Lestat wherever you stream music.
52:57One, two, three, four!
52:58Are we ready?
52:59Are we ready?
53:00Are we ready?
53:01Are we ready?
53:08A monster that you were destroyed.
53:11I missed you, brother.
53:13I missed you too, sis.
53:14Again.
53:15Mom!
53:16Let's start in Sophia.
53:17I knew her as Gabriela.
53:20Why did you leave me?
53:22I'm the Big Bad Wolf.
53:27I need an X, X, X.
53:29Feel the desert inside.
53:31Give me that up, up, down.
53:33I got nothing to hide.
53:46I bit the head of a snake, got a venom heart.
53:50Give me that antidote before it turns me apart.
53:55Yeah!
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