- 15 hours ago
SALKIM HANIMIN TANELERİ ⚡ ROMANTİK ⭐️ DRAM || AİLE ⚡ 1999 TEK PARÇA İZLE ⭐️PART 1 HD 1999 İZLE⭐️
Salkım Hanımın Taneleri, Yılmaz Karakoyunlu’nun aynı adlı romanından uyarlanmış; yönetmenliğini Tomris Giritlioğlu’nun üstlendiği 1999 yapımı bir Türk dram filmidir. Dönemin en güçlü tarihi temalı yapıtlarından biri olarak kabul edilen film, 19 Kasım 1999’da gösterime girmiş ve Antalya ile İstanbul film festivallerinde “En İyi Film” başta olmak üzere birçok ödül kazanmıştır.
Film Bilgileri
Yapım Yılı/Vizyon: 1999, 19 Kasım
Süre: 132 dakika
Tür: Dram, Tarihî
Ülke/Dil: Türkiye / Türkçe
Yönetmen: Tomris Giritlioğlu
Senaryo: Tamer Baran, Etyen Mahçupyan (romandan uyarlama: Yılmaz Karakoyunlu)
Müzik: Tamer Çıray
Görüntü Yönetmeni: Yavuz Türkeri, Ercan Yılmaz
Dağıtım: Avşar Film
Konu ve Hikaye Özeti
Film, II. Dünya Savaşı sonrası Türkiye’sinde uygulanan Varlık Vergisi (1942) döneminde geçer. Gayrimüslim vatandaşların ağır vergi yükü altında kalıp, ödemeyenlerin Aşkale’deki çalışma kamplarına gönderilmesi tarihten çıkarılmış kara bir sayfadır.
Hikâye, İstanbul’da yaşayan bir gayrimüslim aile çevresinde şekillenir. Baş karakter Levon (Uğur Polat), “Donme” kökenli olduğunu öğrenince, vergi borcunu ödemeyip Aşkale’ye yollanır. Diğer yandan, Salkım Hanım (Derya Alabora) ve ailesi, topraklarına el konulma tehdidiyle; Nora (Hülya Avşar) ise uğradığı şiddet sonucu çaresizlikle ölümcül bir karar arasına sıkışır. Film, bu karakterlerin “hayatta kalma” mücadelesini ve ahlaki ikilemlerini gözler önüne serer
Temalar ve Sosyal Mesajlar
Adalet ve Vicdan: Devlet politikalarının bireyde yarattığı travmalar, masum insanların acımasızca cezalandırılmasını eleştirir.
Kimlik ve Aidiyet: Etnik ve dinsel kimlik temaları, “kendi vatandaşına yabancılaşma” trajedisini irdeler.
Toplumsal Bellek: Unutulmuş tarihî olayların, filmler aracılığıyla hatırlanmasının önemi vurgulanır.
Oyuncu Kadrosu ve Performanslar
Hülya Avşar (Nora): Toplumsal baskılar ve kişisel trajediler arasında zor bir karakteri güçlü yaratıcılığıyla canlandırır.
Derya Alabora (Salkım Hanım): Ailenin onurunu koruma mücadelesi veren ana karakteriyle dönemin en etkileyici performanslarından birini sergiler.
Uğur Polat (Levon): “Donme” kökenli gencin çaresizlik ve direncini çarpıcı bir içsellikle yansıtır.
Kamran Usluer, Zuhal Olcay, Güven Kıraç, Zafer Algöz gibi isimler de derin karakter yorumlarıyla filmin duygusal yoğunluğunu besler
Görsel Anlatım ve Müzik
Tomris Giritlioğlu, sade ama etkili sahne tasarımıyla, 1940’ların Türkiye’sinin kasvetini aktarır. Yavuz Türkeri ve Ercan Yılmaz’ın doğal ışık kullanımı, mekanların gerçekliğini güçlendirir. Tamer Çıray’ın besteleri ise dramatik anların duygusal etkisini pekiştirir
Ödüller ve Bağımsız Başarılar
Antalya Altın Portakal: En İyi Film, En İyi Erkek Oyuncu (Uğur Polat), En İyi Müzik (Tamer Çıray)
Salkım Hanımın Taneleri, Yılmaz Karakoyunlu’nun aynı adlı romanından uyarlanmış; yönetmenliğini Tomris Giritlioğlu’nun üstlendiği 1999 yapımı bir Türk dram filmidir. Dönemin en güçlü tarihi temalı yapıtlarından biri olarak kabul edilen film, 19 Kasım 1999’da gösterime girmiş ve Antalya ile İstanbul film festivallerinde “En İyi Film” başta olmak üzere birçok ödül kazanmıştır.
Film Bilgileri
Yapım Yılı/Vizyon: 1999, 19 Kasım
Süre: 132 dakika
Tür: Dram, Tarihî
Ülke/Dil: Türkiye / Türkçe
Yönetmen: Tomris Giritlioğlu
Senaryo: Tamer Baran, Etyen Mahçupyan (romandan uyarlama: Yılmaz Karakoyunlu)
Müzik: Tamer Çıray
Görüntü Yönetmeni: Yavuz Türkeri, Ercan Yılmaz
Dağıtım: Avşar Film
Konu ve Hikaye Özeti
Film, II. Dünya Savaşı sonrası Türkiye’sinde uygulanan Varlık Vergisi (1942) döneminde geçer. Gayrimüslim vatandaşların ağır vergi yükü altında kalıp, ödemeyenlerin Aşkale’deki çalışma kamplarına gönderilmesi tarihten çıkarılmış kara bir sayfadır.
Hikâye, İstanbul’da yaşayan bir gayrimüslim aile çevresinde şekillenir. Baş karakter Levon (Uğur Polat), “Donme” kökenli olduğunu öğrenince, vergi borcunu ödemeyip Aşkale’ye yollanır. Diğer yandan, Salkım Hanım (Derya Alabora) ve ailesi, topraklarına el konulma tehdidiyle; Nora (Hülya Avşar) ise uğradığı şiddet sonucu çaresizlikle ölümcül bir karar arasına sıkışır. Film, bu karakterlerin “hayatta kalma” mücadelesini ve ahlaki ikilemlerini gözler önüne serer
Temalar ve Sosyal Mesajlar
Adalet ve Vicdan: Devlet politikalarının bireyde yarattığı travmalar, masum insanların acımasızca cezalandırılmasını eleştirir.
Kimlik ve Aidiyet: Etnik ve dinsel kimlik temaları, “kendi vatandaşına yabancılaşma” trajedisini irdeler.
Toplumsal Bellek: Unutulmuş tarihî olayların, filmler aracılığıyla hatırlanmasının önemi vurgulanır.
Oyuncu Kadrosu ve Performanslar
Hülya Avşar (Nora): Toplumsal baskılar ve kişisel trajediler arasında zor bir karakteri güçlü yaratıcılığıyla canlandırır.
Derya Alabora (Salkım Hanım): Ailenin onurunu koruma mücadelesi veren ana karakteriyle dönemin en etkileyici performanslarından birini sergiler.
Uğur Polat (Levon): “Donme” kökenli gencin çaresizlik ve direncini çarpıcı bir içsellikle yansıtır.
Kamran Usluer, Zuhal Olcay, Güven Kıraç, Zafer Algöz gibi isimler de derin karakter yorumlarıyla filmin duygusal yoğunluğunu besler
Görsel Anlatım ve Müzik
Tomris Giritlioğlu, sade ama etkili sahne tasarımıyla, 1940’ların Türkiye’sinin kasvetini aktarır. Yavuz Türkeri ve Ercan Yılmaz’ın doğal ışık kullanımı, mekanların gerçekliğini güçlendirir. Tamer Çıray’ın besteleri ise dramatik anların duygusal etkisini pekiştirir
Ödüller ve Bağımsız Başarılar
Antalya Altın Portakal: En İyi Film, En İyi Erkek Oyuncu (Uğur Polat), En İyi Müzik (Tamer Çıray)
Category
🎥
Short filmTranscript
00:00:00Hmm
00:00:07I can't wait here, I can't wait here.
00:00:25Let's go.
00:00:38Why, why!
00:00:41Bekir, you saw the piano's big
00:00:43You saw the big picture?
00:00:44You know what?
00:00:45It's not a big picture.
00:00:48It's a hard situation.
00:00:55If we don't buy another one, we'll buy another one.
00:01:00I'll buy another one.
00:01:01I'll buy another one.
00:01:01You don't buy another one.
00:01:05You looked at the store, you looked at the store, you looked at the store?
00:01:08You don't understand it.
00:01:10If we don't buy it, we'll buy it.
00:01:13If you don't buy it, you can buy it.
00:01:46I'm going to buy it.
00:01:48I'm going to buy it.
00:02:10I'm going to buy it.
00:02:16I'm going to buy it.
00:02:43You can buy it.
00:02:51I'm going to buy it.
00:02:51I'm going to buy it.
00:02:52You are going to buy it.
00:02:52Let me buy it.
00:02:56How old are you?
00:02:58You're going to buy it.
00:02:58I'll be here.
00:02:59I'll be here.
00:03:00I'll be here.
00:03:01I'll be here.
00:03:03How much money to you get right now?
00:03:07I'll be here.
00:03:08That's not so much.
00:03:14I'm here for you.
00:03:22That's it.
00:03:23You're a hundred thousand dollars.
00:03:25Finally, it's nothing.
00:03:28Not enough.
00:03:29You're a child.
00:03:30My son.
00:03:34My son.
00:04:02If any problems you have, you will know.
00:04:06I will write something.
00:04:07What's your name to do?
00:04:11The dîk is not there.
00:04:15It's a dîk.
00:04:16I wish you could see it.
00:04:19Eh, I must bekas of you.
00:04:27It was a bit room for a drink.
00:04:31I can only have four cents in my life.
00:04:34I can only see you...
00:04:35You can't sleep anymore.
00:04:37You can't sleep in.
00:04:38I'm going to sleep in the sleep.
00:04:41But I will be wearing a mask.
00:04:47What happened to you, Bekir?
00:04:52What happened to you, Bekir?
00:04:53We had something to do, I don't know.
00:05:25What happened to you, Bekir?
00:05:43Are you up here today?
00:15:36I'll give it to you, I'll give it to you, I'll give it to you.
00:15:58I'll give it to you, I'll give it to you.
00:16:53I'll give it to you, I'll give it to you.
00:17:00I'll give it to you, I'll give it to you.
00:17:18Yine görüşeceğiz seninle.
00:17:48İyi akşamlar, evde olacağı mı beklemiyordun herhalde?
00:17:53Yeni kürkün çok yakışmış.
00:17:55Olduğun yerde kal.
00:17:59Neredeydin?
00:18:00Kürkçeye uğradım.
00:18:01Ismarlamış olduğum bir kürk vardı.
00:18:03Parayı nereden buldun?
00:18:06Ödünç aldım.
00:18:07Kim der?
00:18:09Karşılığında ne ödedin?
00:18:11Size ne ödediysem onu?
00:18:13Sana baktıkça içimdeki adiliyi görüyorum.
00:18:15Canım açtımsın, bırakın kolumu.
00:18:17Ruhundaki fahişesine hakim olmuş.
00:18:19Çok çabuk değiştin.
00:18:21Ben hiç değişmedim.
00:18:23Bunca zaman size niyet hamil ettim sanıyorsun.
00:18:29Bir daha asla böyle bir şeye teşebbüs etmeyin.
00:18:35Zaten size ihtiyacım yok artık.
00:18:37Zaten size ihtiyacım yok.
00:19:28Zaten size ihtiyacım yok.
00:19:48I don't know.
00:20:07I don't know.
00:20:38I don't know.
00:20:41I don't know.
00:20:57I don't know.
00:20:58Hoşçakalın.
00:21:26Hoşçakalın.
00:21:28Hoşçakalın.
00:21:29Hoşçakalın.
00:21:30Hoşçakalın.
00:21:36Hoşçakalın.
00:21:37Hoşçakalın.
00:21:42Hoşçakalın.
00:21:57Hoşçakalın.
00:22:07Hoşçakalın.
00:22:13Hoşçakalın.
00:22:19Hoşçakalın.
00:22:22Hoşçakalın.
00:22:38Hoşçakalın.
00:22:39Buyurun efendim.
00:22:40Neredesin?
00:22:41Kaya dedim mi gelecen.
00:22:42Emredersiniz Zıfa.
00:22:43Bütün çalışanları toparla.
00:22:45Buradaki yeni tertip hakkında birkaç kelam edeyim.
00:22:47Emredersiniz Zıfa.
00:22:49Nehir bunlar seni de alakadar ediyor ha.
00:22:52Burada artık beni alakadar eden bir şey yok.
00:22:56Hıyaf.
00:23:33Hıyaf.
00:23:35Beklediğim biri mi o?
00:23:37Kimseyi beklemiyorum ama içime dokunuyor.
00:23:56Hıyaf.
00:23:57İnsan yine de gözünü alamıyor değil.
00:24:00Biz de böyleydik.
00:24:02Belki hala böyleyiz.
00:24:06Hadi içeri gülelim.
00:24:19Nevol!
00:24:22Nevol!
00:24:38Nevol!
00:24:40Hüftü?
00:24:52Hırsızı neden yolladılar?
00:24:55Hoş geldin Tayyip Bey.
00:24:57Sağ ol.
00:25:02Sağ ol.
00:25:11Sağ ol.
00:25:15Sağ ol.
00:25:17Sağ ol.
00:25:21Sağ ol.
00:25:25İst ук march!
00:25:32Sağ ol.
00:25:39Biraz dinletim var.
00:25:41Onu hadi.
00:25:42Hmm.
00:25:43H eleven
00:25:46.
00:25:46.
00:25:46.
00:25:46.
00:25:46.
00:25:46.
00:25:57.
00:25:57.
00:25:57.
00:26:57Nasıl buldun?
00:27:01Beğendin mi?
00:27:03Başka rengi yok muydu?
00:27:05En iyisi buydu.
00:27:10Bir içki alıyor mu?
00:27:12Sen ne içiyorsun?
00:27:13Tabii ki fiski.
00:27:16Fiski.
00:27:17Fiski.
00:27:18Fiski.
00:27:44Fiski.
00:27:52Ne gülüp duruyorsun?
00:27:54Beni güldürüyorsun.
00:27:59Önce emanet.
00:28:00Fiski.
00:28:03Fiski.
00:29:34Oysa Nora kötü.
00:29:38Çok kötü.
00:29:40Benim mutlaka buradan kurtulmam lazım.
00:29:44Bu mümkün değil.
00:29:46Yolu olmalı.
00:29:48Aklıma kötü şeyler geliyor.
00:29:50Sanki aşağı yeniden yaşanacakmış gibi.
00:29:54Siz merak etmeyin.
00:29:57Bekir'in oraya göz kulak olur.
00:29:59Bekir mektubu yeni geldi.
00:30:02Nora...
00:30:04...babam hatırlıyormuş.
00:30:14Arçın nasıl?
00:30:34Arçın nasıl?
00:30:36Kömür ocağının arkasında...
00:30:40...bir yol var.
00:30:56Arçın nasıl?
00:31:09Merhaba.
00:31:11Merhaba.
00:31:12Aleyküm selam.
00:31:12Kavanını bana satar mısın?
00:31:15Neye ne edeceksen ki bunu sen?
00:31:17Çalacağım.
00:31:18Sen bunu çalabilir misin?
00:31:20Öğrenirim.
00:31:21Verecek param yok sana.
00:31:23Bunu vereyim.
00:31:24Hı?
00:31:27Hı?
00:31:29Hı?
00:31:29Sen başında ne edeceğim ki bu sayeti?
00:31:33Al sen şehirlisin.
00:31:34Sana yarar.
00:31:42Çok mu istersen bu düdücü?
00:31:47İyi, al.
00:31:50Sağol.
00:32:03Sağol.
00:32:05Sağolun.
00:32:13Amayva.
00:32:16Para para.
00:32:19Neydim aman aman.
00:32:23Neydim aman aman.
00:32:26Neydim aman aman.
00:32:33Oh
00:32:59Sargelin
00:33:01Içinde bir kız gezer
00:33:06Oy denen ölsün
00:33:09Sargelin aman
00:33:11Sargelin aman
00:33:14Sargelin aman
00:33:17Suna yarin
00:33:19İçinde bir kız gezer
00:33:24Oy denen ölsün
00:33:27Sar gelin aman, sar gelin aman, sar gelin aman sunayarim
00:33:38Elimde devit kalem, leynim aman aman, leynim aman aman, sar gelin
00:33:51Dertlere derman yazar, oynan ölsün, sar gelin aman, sar gelin aman, sar gelin aman sunayarim
00:34:10Dertlere derman yazar, oynan ölsün, sar gelin aman, sar gelin aman, sar gelin aman sunayarim
00:34:33İnceliğini hiç belli etmezdi, ama çok kırılmadı
00:34:37Gençken bayan Nora
00:34:41Oysa ne kadar yakışıklıydı, niye birden gittik ki?
00:34:46Bu akşap çok güzelsiniz
00:34:50Siz bunu okumuş olamazsınız, bunu sizin için getirttim iklimler
00:34:59Haydar Rıfat Bey'in tercümesi, azı kadar lezzet vericidir
00:35:08Halit de onu çok severdi
00:35:15Şimdi istirahat etmek istiyorum
00:35:20Sabit Paşa ile marem görüşmen var
00:35:25Biraz sonra ziyaretime gelecekler
00:35:28Bayan Nur
00:35:30Telaşlanmayın hemşire
00:35:33Sabit Paşa'nın istediği oğlanı doğuruyorum
00:35:36Dölünü doğuruyorum
00:35:39Paşama söyleyin
00:35:41Beyaz kısrağı heyerletse
00:35:48Bayan Nur
00:35:50Bayan Nur
00:36:14Oh, my God.
00:36:26Oh, my God.
00:36:56Oh, my God.
00:37:05Oh, my God.
00:37:13Oh, my God.
00:37:14Oh, my God.
00:37:26Alif Bey!
00:37:37Alif Bey!
00:37:47Hey!
00:37:48Hey!
00:37:49Hey!
00:37:52Hey!
00:37:53Hey!
00:37:55We're going to go back.
00:37:57We're going to go back.
00:38:02We don't have to go back.
00:38:04I know I'm going to go back.
00:38:05We can't go back.
00:38:06We're going to go back.
00:38:08We'll stay here.
00:38:10We'll stay here.
00:38:11Hey!
00:38:15Hey!
00:38:17Hey!
00:38:23Hey!
00:38:24Hey!
00:38:25Hey!
00:38:25Hey!
00:38:33Hey!
00:38:40Hey!
00:38:42Hey!
00:38:45Hey!
00:38:46Hey!
00:38:47It needs to be done.
00:38:48It needs to be done!
00:38:50Hey!
00:38:55Hey!
00:38:58Alisbet!
00:39:00Come in with me Alisbet!
00:39:02Do you need to do it?
00:39:05Come in, Alisbet!
00:39:08Come in, Alisbet!
00:39:09Get off!
00:39:10Come on!
00:39:12Come in!
00:39:15Alisbet, come in!
00:39:34I had a lot of heat in the morning, my father always came out of the morning.
00:39:40And the other people who want to go to the morning.
00:39:57If you played I'd have a Petra!
00:40:00I'd have a chance to play with you!
00:40:02I'm gonna go so out!
00:40:03I have a chance to play with you!
00:40:05We played with his friend and then he went up!
00:40:12And then we would play with his brother!
00:40:16And he was so happy to play.
00:40:18We were so worried about his pain!
00:40:20We were so worried about his heart!
00:40:22And I was sad for him!
00:40:25Bullshit.
00:40:28Lord.
00:40:30Nora.
00:40:32Nora.
00:40:33Nora's eyes on the other side of my eyes.
00:40:36I'm sure I can see you.
00:40:39I can see you and I forgot you.
00:40:42You can see me.
00:40:43May I see you.
00:40:46Im not not...
00:40:56I'm so young, I'm so young.
00:41:04I'm so young.
00:41:07Only after I'm so young.
00:41:08I can't see it.
00:41:08My life has promised us.
00:41:14I have a deep Burakintah.
00:41:17I'm going to go somewhere.
00:41:23I'm going to leave you alone.
00:41:55Alleluia
00:41:58Alleluia
00:41:59Alleluia
00:42:00Alleluia
00:42:10Alleluia
00:42:11I'm not a girl I can't write it
00:42:13I'm not a girl
00:42:31Mertetayet zirtoht
00:42:41Tart
00:42:46Atsni
00:43:00Atsni
00:43:30Atsni
00:43:31I'm proud to be arised in my heritage
00:43:34I'm proud to be a solid character
00:43:40I'm proud to be is a historical legend
00:43:48I'm proud to be the oldest of us
00:43:54I'm proud to be a Buddhist
00:43:55I'm proud to be my daughter
00:43:58I'm proud to be a Jewish
00:44:01It's not easy to me!
00:44:03I'm a little part of the property
00:44:04I'm a little part of the property
00:44:07I'm a little part of the property
00:44:11that I can handle my own
00:44:13I am a little part of my own
00:44:18I go!
00:44:20I go!
00:44:35I'm going to do this.
00:44:38I'll go to my house.
00:44:39I'll go to my house.
00:44:49I'll go to my house.
00:44:50I'll go to my house.
00:45:04Halit Bey, we're all very happy.
00:45:11They're going to come out.
00:45:18That's enough.
00:45:19Let's go.
00:45:24I have a phone.
00:45:26I have a phone.
00:45:26I have a phone.
00:45:27See you soon.
00:45:36I have a phone.
00:45:38This is a matter of matter.
00:45:42I have a phone call.
00:45:43But if you want to talk about your friends?
00:45:45Would you like to talk about your friends?
00:45:49It's local, it's the other one.
00:45:52It's lovely, it's the other one.
00:45:56You will know your friends,
00:45:58He is lying.
00:45:59Hey
00:46:01Yo yo, Nur huhnum değilimis
00:46:03Ne?
00:46:04You know
00:46:05Nora
00:46:05Nora hanim vefat etmys
00:46:08Bekir tenazesine pin eachукadarmış
00:46:13Sen vesey
00:46:14diyor muymusson? Hey yo Yo,
00:46:21dijiyceg
00:46:21yo Hadi selametle selametle
00:46:33I don't know why I lost my life.
00:46:35I don't know why I was here.
00:46:37I don't know why I was there.
00:46:37What is this, you know?
00:46:39I was always looking for my life, but it was not.
00:46:44I don't know if I don't have any time,
00:46:45but I don't know if you need someone else.
00:46:47I don't know what to do.
00:46:48It's just a bit of our lives.
00:46:52I was a kid at the house, but my dad, my dad was so fast.
00:46:55I was very happy to have a lot of respect for my friends.
00:46:58It's the people's fault of them.
00:47:00We were married after that.
00:47:03He had a lot of trouble.
00:47:05What was it?
00:47:06I think about it, three dollars on the kristis.
00:47:10I would buy those dollars for free.
00:47:11I'll just give them some more money.
00:47:13Since then, I mean that he's just a lot of money.
00:47:16I suppose it was just an idea of that.
00:47:16And then, you know that he was saved.
00:47:18My fault was for it.
00:47:20My bank is over here.
00:47:24What do you think about yourself?
00:47:37You're going to get me.
00:47:44It's all mine.
00:47:45Come on.
00:47:46I am sorry you're going back.
00:47:50I have to say that I'm going back.
00:47:51I'm a man coming to my office,
00:47:54I'll give you a peace of mind.
00:47:56I would like to give you the gift of my family.
00:47:58I will give you up, I am.
00:48:00I will give you a sir.
00:48:01I'll give you a man.
00:48:05I am close to my brother.
00:48:09I mean what'd you think?
00:48:11You can't do the things.
00:48:11But not to do the things you stick with, you can come.
00:48:13You can do that.
00:48:14Why do you think this is like a philosopher, before you become the latter?
00:48:16I was in Istanbul.
00:48:18I was in Bekir's.
00:48:20I was in that, we were selling it, we made it.
00:48:23We did the same thing.
00:48:24We tried to keep aằnge are covered.
00:48:25We had nothing for that.
00:48:28I see that he wasn't there.
00:48:29He was a letter of his son.
00:48:31The latter is when he was a priest.
00:48:33You have to get to the point.
00:48:36You have to get to the point where we have to get to the point.
00:48:37I think it's not a problem.
00:48:39But I think I've got to get to the point.
00:48:41I've got to see you.
00:48:44I'm going to catch you.
00:48:45We will see you.
00:48:45We will show you in some way.
00:48:48First the word is the one who asked you.
00:48:54You have to write.
00:48:57Come on, Gani Bey.
00:48:59Of course, of course, of course, you don't have to worry about it.
00:49:06You don't have to worry about it.
00:49:11Good morning.
00:49:17This is a really bad thing.
00:49:20But there is a really bad thing.
00:49:22He is a bad thing.
00:49:23He is a bad thing.
00:49:24You have a bad thing.
00:49:27You have a bad thing.
00:49:30You have a bad thing?
00:49:30No, but...
00:49:33You have to go to the top of your head.
00:49:35If you want to go to the top of your head, I will call you again.
00:49:38Good job.
00:49:39Good job.
00:49:41Good job.
00:49:43Good job.
00:50:00Go to the top of your head.
00:50:03Don't leave me and be there.
00:50:06Not anything.
00:50:09You all will remain in the wrong position.
00:50:09Go to the top of your head.
00:50:11Go now or go.
00:50:11Have you?
00:50:12I am looking for you from a book.
00:50:13You love me.
00:50:14You're a kiddover.
00:50:16I have until you Undone preached.
00:50:21I´m not sure.
00:50:22I´m not sure.
00:50:24I´m not sure.
00:50:25What I´m not sure.
00:50:26I´m not sure.
00:50:27What the hell I am not sure, you´m not sure.
00:50:31No, no, no!
00:50:32Not you.
00:50:36Alright, some things.
00:50:37I´m not sure.
00:50:38We´m not sure.
00:50:41Let´s take care and benefits.
00:50:44I´m not sure.
00:50:50I can't see you.
00:50:50You know what?
00:50:52You don't know what they're doing.
00:50:54You don't know what the hell is.
00:50:55You don't know if it's a bad thing.
00:50:59You don't know what the hell is.
00:51:20It's a very important thing. It's an old story.
00:51:27It's an old story.
00:51:34It's an old story.
00:51:38It's an old story.
00:51:40And I'll begin by speaking to you.
00:51:41Kanda para çağılmış, iloşak neymiş...
00:51:50Kimin parasıydı?
00:51:53Bizim kandan birilerini muhtemeーde emanet etmiş...
00:52:03Muhtemeーde kaçmış mı?
00:52:06Ne bileyim! Öyle dediler.
00:52:11What is it?
00:52:12Is it really true?
00:52:12You're not a lot of questions!
00:52:14What do you think?
00:52:17What do you think?
00:52:18Who knows what the hell is coming from?
00:52:21It's a good one.
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