The Slayer 1982 With Eng Sub

Taboo Classic Series

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Transcript

00:00:28Transcription by CastingWords

00:00:43CastingWords

00:01:14CastingWords

00:01:39CastingWords

00:01:41brother's place. I was having that... I was having that nightmare again. Something was after me.

00:01:51Seth called last night after you went to sleep. He was worried you wouldn't be back in time for

00:01:56the opening of your show. Of course, I assured him we would be. He said to make sure you enjoyed

00:02:03yourself and you shouldn't worry about nothing. David? What? Maybe it's the wrong time to go

00:02:10away. Maybe we should wait. Don't be silly. This is the perfect time. I mean, besides, a vacation is

00:02:16exactly what you need right now. I just don't feel right about leaving. You know what your problem is,

00:02:22hmm? You're a workaholic. I'm worried about the show. I know. That's the reason you're having those

00:02:31nightmares again. You know, Eric has gone to a lot of trouble to get a hold of this place. And

00:02:36from the

00:02:37way he makes it sound, it's the next best thing to paradise. Besides, it's just what your doctor

00:02:43ordered. One week away from the rat race. And I guarantee you, you won't need these anymore.

00:02:54Now, come on. Get a move on. We'll be late.

00:03:26Oh, I got shame.

00:03:29Because I said, one week away from the rat race.

00:03:34Oh, my goodness.

00:04:24That was Norman on the phone.

00:04:26He's on his way here to pick us up.

00:04:28Why this mad rush to go on vacation?

00:04:32Well, this happens to be the only time that McNally can give us a house.

00:04:36It's also the only time that David can drag my sister away from her work.

00:04:40Eric, I'm as concerned about your sister as you are,

00:04:42but a whole week with Kay is not my idea of a vacation.

00:04:48Why can't we ever get away alone? Just the two of us.

00:04:51Well, what about the Florida trip last year?

00:04:53A fishing camp in the Everglades is not a romantic getaway.

00:04:59Just once I'd like to go somewhere where they actually have a hotel.

00:05:03Well, there was a hotel in Mexico City, and we were alone then.

00:05:10That was four years ago, and it doesn't count because it was our honeymoon. Remember?

00:05:14Well, I promise you, this will be one vacation you'll never forget.

00:05:18I've never forgotten any of them, believe me.

00:05:22Are you taking your fishing gear?

00:05:24You bet.

00:05:26An island in the middle of nowhere has got to be a fisherman's dream.

00:05:30That's what I was afraid of.

00:05:33Damn it.

00:06:27Come on, Katie, car's loaded, we're ready to go.

00:06:49Sure you can handle everything? Guaranteed, everything's under control.

00:06:52Make sure that Cheryl gets those locations before Thursday.

00:06:54Just relax, I'll handle it. I'll call you on Wednesday, okay?

00:06:57I've told you a million times, there's no phone service on the island.

00:07:01I just thought of something. I forgot to ask McNally how to get to the house.

00:07:05This came from McNally last night.

00:07:07Now, he's taking care of all the supplies you'll need,

00:07:09and there's directions to the house.

00:07:11Now, look, have a good vacation and don't worry about anything.

00:07:14I'll bring back some of the fish I catch.

00:07:16Don't bother. I hate fish.

00:07:34Well, no turning back now. You're on vacation whether you like it or not.

00:08:02What's wrong?

00:08:05You know me and flying.

00:08:07You fly all the time.

00:08:09Yeah. And not in planes like this one.

00:08:36There it is.

00:08:40Surrounded by water.

00:08:41Well, most islands are.

00:08:44Well, most islands are.

00:09:27I thought it was supposed to be sunny and warm.

00:09:30Eric probably thinks this is sunny and warm.

00:09:34Look at this. It's beautiful.

00:09:38Eric, if this is a joke, it's not funny.

00:09:41What are you talking about? This is paradise.

00:09:44McNally says it's got the best fishing on the whole coast.

00:09:46Is there any truth to that, Mr. Marsh?

00:09:48Used to be. Years ago. Not so much anymore.

00:09:53Are we the only ones here?

00:09:56Some tourists drift out during the season, but there ain't nobody here this time of year.

00:10:01I can see why.

00:10:03I feel like I've been here before.

00:10:08You ain't the first I heard say that. And you won't be the last.

00:10:13This island is the kind of place folks dream about.

00:10:16So, Eric, where do we go from here?

00:10:18Well, according to McNally's map, there's a port up the beach, and the house is about a mile past that.

00:10:23He says we can't miss it.

00:10:25You've got to be joking. A mile? We have to walk a mile with all this stuff?

00:10:29It's all part of the deal. No pollution, no hassles, just the beauty of nature and the four of us.

00:10:34Isn't that right, Mr. Marsh?

00:10:37He's not much on long goodbyes, is he?

00:10:42I got the distinct impression he's not very fond of tourists, either.

00:10:48Just as we go.

00:11:03Chuck andonne He exacer proceeds,

00:11:04One day he saw a problem,

00:11:17His a way to address a problem,

00:11:18Ver censored,

00:11:18On your own tonight,

00:11:23This place gives me the creeps.

00:11:25If walls could talk, this old fort would have quite a story to tell.

00:11:30I feel like someone's watching us.

00:11:33Well, you heard, old Marsh.

00:11:34There's no one on the island except the four of us.

00:11:37Nobody living, that is.

00:11:42I'll say one thing. It's the perfect place to get away from it all.

00:11:45Yeah, if you have to be a sand crab.

00:11:47You've got no spirit of adventure, Philip.

00:11:49I don't need adventure. I need sidewalks.

00:12:02What do you think this was?

00:12:04Well, according to McNally's map, it was a theater.

00:12:07How quaint. A little touch of culture in the wilderness.

00:12:12Maybe my last film played there.

00:12:14Well, that's a good possibility, considering the condition of the place.

00:12:18All right.

00:12:30Hey, you want me to carry you?

00:12:32Come on.

00:12:33You can do all the sightseeing you want after we get settled.

00:12:41What's so interesting?

00:12:44Don't you recognize that building?

00:12:46No.

00:12:47Should I?

00:12:48I painted that building. It's still in my studio.

00:12:52No, you just painted something that looked like that.

00:12:54Come on.

00:12:55Let's go before we get eaten alive.

00:13:09I'm dying, Eric. I'm not going to make it.

00:13:12Well, just hang on.

00:13:13We passed the boathouse back there, so it can't be much further.

00:13:25Well, there it is.

00:13:28That's the house?

00:13:30McNally was right when he said you couldn't miss it.

00:13:34It's sort of, uh...

00:13:36I think run-down are the words you're looking for.

00:13:54I think I'm going to make it.

00:14:12Wow.

00:14:15Very nice.

00:14:16It's fantastic.

00:14:18Oh, this is great.

00:14:21Eric, I will never, ever doubt you again.

00:14:24Look at the size of this place, will you?

00:14:26So this is what McNally does with all his money.

00:14:29Boy, he must have a lot of it, too.

00:14:31The wood in here is just absolutely beautiful.

00:14:33I'm going to check out the downstairs.

00:14:35Anybody want to go upstairs?

00:14:36Oh, I want to come.

00:14:37Well, let's go.

00:14:53Oh, my, my.

00:14:57Oh, boy.

00:15:00Brandy, my favorite kind.

00:15:04Mmm.

00:15:07Caviar, ugh.

00:15:09It's a little obvious, wouldn't you say?

00:15:13Definitely somebody's playroom.

00:15:18You and Kay take it.

00:15:19It wouldn't do me any good.

00:15:21Eric came to fish.

00:15:23Whiskey, scotch, cognac, gin.

00:15:32Ooh.

00:15:48Voila.

00:15:53Well, that's nice.

00:16:13I came back to warn you.

00:16:19Warn us about what?

00:16:21Well, the weather report from the coast guard says there's a storm moving up from the gulf.

00:16:26They're real unpredictable this time of year.

00:16:28Weather looks okay to me.

00:16:30Things ain't always what they appear to be.

00:16:33I used to live on this island, know what a storm can do.

00:16:37They'll come at you from all sides.

00:16:40Make it impossible for me to land a plane.

00:16:43Well, I, um, I think we'll take our chances.

00:16:48Suits yourself.

00:16:52Don't say I didn't warn you.

00:16:58Ooh.

00:16:59That is one weird dude.

00:17:03Come on, let's celebrate.

00:17:05Come on.

00:17:41Come on, let's go, let's about it.

00:18:02Now you're starting to hear sounds that don't exist, Woolley.

00:18:07Next thing you'll be seeing things that ain't there.

00:18:12You're spending too much time on these islands alone, old man.

00:18:17What you need is a companion. That's what you need.

00:18:21A woman.

00:18:26Or maybe a dog.

00:18:59Come on, you guys.

00:19:01You're out of your mind.

00:19:02Whoa!

00:19:04Well, it's about time you woke up.

00:19:06I was just gonna flip you over and bake the other side.

00:19:09You want something to drink?

00:19:10I'm gonna run up to the house.

00:19:11What?

00:19:12What?

00:19:13No.

00:19:14You sure?

00:19:15How about something to eat?

00:19:17No, nothing, thanks.

00:19:19Okay.

00:19:24I think I'm about to swim all the way out there, about four miles out.

00:19:28Maybe you should.

00:19:28Come on, you guys.

00:19:30It's not cold at all.

00:19:32Come on.

00:19:33Never mind, never mind, Kate.

00:19:34Never mind.

00:19:36It's better than mine.

00:19:39No way.

00:19:40All right.

00:19:41No way.

00:19:42No way.

00:20:17I found a flare gun we can use in Kesha.

00:20:20Big trouble.

00:20:22What kind of big trouble?

00:20:25Tropical storms.

00:20:27Uncontrollable.

00:20:28Unpredictable.

00:20:29You can't trust them.

00:20:31That's why they used to name them after women.

00:20:33Oh.

00:20:36You know this place even has an elevator?

00:20:41Cut.

00:20:42Cut that out.

00:20:43How long before we eat?

00:20:45Ten minutes.

00:20:45Mm.

00:20:46Good.

00:20:48I'll see if David needs any help with the lanterns.

00:20:51Smile, Kate.

00:20:53You're on vacation.

00:21:15For the life of me, Kate, I just can't figure out what's bothering you.

00:21:18This new style you're painting isn't you, and if you ask me, you're making a big mistake.

00:21:23I'm not asking you.

00:21:27Where the hell are you getting all your ideas, anyway?

00:21:29I paint what I see.

00:21:32No, you don't.

00:21:33You paint what you dream.

00:21:37We're headed right for the top, and then out of nowhere, you throw them this surrealist crap.

00:21:42I mean, naturally, the critics are gonna tear you apart.

00:21:45Don't pay me attention to him.

00:21:46He's just had too much vino.

00:21:48I know what I'm talking about.

00:21:50I've directed enough commercials to know you gotta have a hook.

00:21:53I mean, people have to relate to it.

00:21:54It's got to be real.

00:21:56It's getting late.

00:21:57I'm going to bed.

00:21:59If you want to fish at the break of dawn, you better get some sleep, too.

00:22:03Yeah, you're right.

00:22:06Good night, David.

00:22:07Good night, Brooke.

00:22:08See you in the morning.

00:22:11Good night, Kate.

00:22:13I'll see you in the morning.

00:22:20Good night, David.

00:22:21Good night, Eric.

00:22:28Good night, Kate.

00:22:32I love you.

00:22:36Good night.

00:22:41You're supposed to be enjoying this.

00:22:47I don't like it here.

00:22:49Why not?

00:22:51It's just something about this place.

00:22:53Look, as much as I hate to admit it, Eric is right.

00:22:56You're building this wall of depression around you.

00:22:59It's this place.

00:23:03It makes my skin crawl.

00:23:07Look, it's not this place, Kate.

00:23:09For Christ's sake.

00:23:11It's those damn dreams of yours.

00:23:14Sometimes I, honest to God, think you're slipping over the edge.

00:23:23Great.

00:23:26Just great.

00:23:28Wonderful vacation.

00:23:34You know what I think?

00:23:36I think she should see a doctor.

00:23:38She's married to one.

00:23:40I mean a psychiatrist.

00:23:43Something's bothering her and it's putting a strain on the relationship.

00:23:48You can see it in the way they treat each other.

00:23:50It happens to the best of us.

00:23:52It'll pass.

00:24:13Hey.

00:24:17Hey.

00:24:18Hey, I'm sorry.

00:24:24Do you ever get the feeling that...

00:24:27that Kay's afraid of something?

00:24:30Eric, she's frightened of something.

00:24:34Her career is on the line because the pressure's on.

00:24:43What did David mean when he said that she's painting her dreams?

00:24:47You've seen her work. You can't make any sense out of it.

00:24:50I don't think that's what he meant. I think there's more to it than that.

00:24:54I'm scared, David.

00:24:56Scared of what?

00:24:59I can't explain it.

00:25:03I know this sounds crazy.

00:25:06But sometimes, just as I'm drifting off to sleep, I feel that...

00:25:13when I wake up, my real life will be gone.

00:25:23My dreams will have taken its place.

00:25:26Oh, no.

00:25:28It's only in your mind, Kay.

00:25:30It's not real.

00:25:33You know, it's just...

00:25:35it's just one of those demons that surface every once in a while.

00:25:39We all have them.

00:25:50We all have them.

00:25:51I love you, David.

00:25:52I love you, David.

00:25:53It's a great man.

00:41:04There's nothing up here.

00:42:16David.

00:43:13I brought some coffee.

00:45:21forgive me.

00:45:48David.

00:45:51David.

00:46:19We'll find you.

00:47:12David.

00:47:34David.

00:48:00David.

00:48:04David.

00:48:44David.

00:48:46David.

00:49:32David.

00:49:42David.

00:49:53David.

00:50:17David.

00:50:39David.

00:51:01David.

00:51:34David.

00:51:39David.

00:52:13David.

00:52:33David.

00:52:46David.

00:53:21David.

00:53:22David.

00:53:27David.

00:53:28David.

00:53:33David.

00:53:44David.

00:54:13David.

00:54:57David.

00:55:00David.

00:55:30David.

00:55:36David.

00:55:49David.

00:56:04David.

00:56:27David.

00:56:41David.

00:57:01She's asleep.

00:57:03Why haven't they sent help?

00:57:05I don't know.

00:57:06Maybe they never saw the flares.

00:57:09Maybe Marsha's right.

00:57:10Maybe they can't fly in this weather.

00:57:12Shouldn't we at least take the body down?

00:57:14No.

00:57:15They've got to see it the way we found it.

00:57:16We just wait.

00:57:17No one's coming back for days.

00:57:20What the hell are we waiting for?

00:57:22For whatever happened to David to happen to one of us?

00:57:25What if everything Kay said is true?

00:57:28It's not.

00:57:30What about the theater and her painting?

00:57:32When we went down to the cellar,

00:57:34you couldn't figure out how the rainwater got in,

00:57:36but Kay knew about the elevator doors before she even ever saw them.

00:57:39How did she know that?

00:57:40Don't do this, Brooke.

00:57:40And what about the cellar light?

00:57:42I told you I probably left it on.

00:57:44Probably?

00:57:45Dreams don't drag men out of bed in the middle of the night.

00:57:48It's not a thing from a nightmare.

00:57:50It is someone real and alive.

00:58:00Of course.

00:58:03What is it?

00:58:05There was someone here besides the four of us.

00:58:07Who?

00:58:08Marsh.

00:58:10But we saw him leave.

00:58:13Did we?

00:58:16Maybe the reason he hasn't flown out here to help us

00:58:19is because he's already here.

00:58:22He never left.

00:58:27There has to be some more flags down in the boathouse.

00:58:29Please don't leave me alone.

00:58:30You'll be all right in the house.

00:58:33Just lock the door and make sure you don't open it for anything.

00:58:36I won't be long.

00:58:37I promise.

00:58:39Okay?

00:58:41Okay?

00:58:55You'll be all right in the house.

00:58:57You'll be all right in the house.

00:59:00You'll be all right in the house.

00:59:01You'll be all right in the house.

00:59:02You'll be all right in the house.

00:59:03You'll be all right in the house.

00:59:06You'll be all right in the house.

00:59:10You'll be all right in the house.

01:02:09Holy shit.

01:03:09Get a hold of yourself, Eric.

01:05:17Eric.

01:05:22Eric.

01:05:25Eric.

01:07:47Take you.

01:08:13Let's go.

01:08:25Let's go.

01:08:50Let's go.

01:09:25Let's go.

01:10:16Let's go.

01:10:29Let's go.

01:10:32Let's go.

01:10:50Let's go.

01:11:01Let's go.

01:11:03Let's go.

01:11:06Let's go.

01:11:07Let's go.

01:11:08Let's go.

01:11:10Let's go.

01:11:12Let's go.

01:11:15Let's go.

01:11:16Let's go.

01:11:18Let's go.

01:11:19Let's go.

01:11:40Let's go.

01:12:09Let's go.

01:12:15Let's go.

01:12:29Let's go.

01:12:32Let's go.

01:12:34Let's go.

01:12:44Let's go.

01:12:45Let's go.

01:13:01Let's go.

01:13:10Let's go.

01:13:14Let's go.

01:13:15Let's go.

01:13:19Let's go.

01:13:33Let's go.

01:13:44I told them.

01:14:21I told them.

01:14:40Tell him what he knows about you and what he wants.

01:15:05Let's go.

01:15:44Oh, my God.

01:16:05Just stay awake.

01:16:09That's all you have to do.

01:16:32Just stay awake.

01:16:56Just stay awake.

01:17:07Oh, my God.

01:17:35Oh, my God.

01:17:59Oh, my God.

01:18:36Oh, my God.

01:19:05There is no character, howsoever good and fine, but can be destroyed by ridicule.

01:19:13Howsoever poor and witless.

01:19:16Observe the ass, for instance.

01:19:18His character is perfect.

01:19:20He is the choicest.

01:20:03Oh, stay awake.

01:20:07Stay awake.

01:20:08Stay awake.

01:20:09Oh, my God.

01:20:17Oh, my God.

01:20:34Oh, my God.

01:20:38Come on.

01:21:08Come on.

01:21:38Come on.

01:22:25Leave me alone.

01:22:27Come on.

01:23:02Come on.

01:23:29Come on.

01:23:57Come on.

01:23:58Come on.

01:24:10Come on.

01:24:11Come on.

01:24:21Come on.

01:24:24Come on.

01:24:25Come on.

01:24:34Come on.

01:24:36Come on.

01:24:37Come on.

01:24:54Come on.

01:24:57Come on.

01:25:03Come on.

01:25:05Come on.

01:25:25Come on.

01:25:26Come on.

01:25:27Come on.

01:25:28No.

01:25:37Come on.

01:25:38Come on.

01:25:39Come on.

01:25:42Come on.

01:25:47Come on.

01:25:58Come on.

01:25:59Come on.

01:26:03Come on.

01:26:05Come on.

01:26:06Come on.

01:26:16Come on.

01:26:20Come on.

01:26:25Come on.

01:26:30Come on.

01:26:36Come on.

01:26:38Come on.

01:26:42Come on.

01:26:58Come on.

01:27:01Come on.

01:27:08Come on.

01:27:09Come on.

01:27:10Come on.

01:27:26Come on.

01:27:28Come on.

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