00:00One time I was going to no entry and the police took me out of me.
00:03My wife was with me.
00:04Who was with me?
00:05My wife's with me.
00:06Who's with me?
00:07My wife.
00:09Who's with me?
00:10Man, this guy will name me.
00:14He's throwing his face on his face.
00:22Now I took me out of me, they stopped on the side
00:25and that's the only traffic driver.
00:27Sir, are you?
00:28Yes, I am.
00:30What?
00:31I'll take tea and water.
00:33So my wife said,
00:34I'll take it.
00:35If you take them, you'll give tea and water.
00:38And then I was saying,
00:40today we will go to the house and tell you,
00:42we've got to take you.
00:45So I said,
00:46I'll go to the house and tell you, you've left me.
00:51Wow, wow.
00:53So these are the things we say.
00:54We say that
00:56once you're known and you know.
00:59Yes.
01:00Aha.
01:02What was the start of the house?
01:04How did you come to the house?
01:05How did you come to the house?
01:05I was actually doing theatre.
01:08Was there anyone in your acting film?
01:10No, no, no.
01:11My father was a doctor.
01:12And I was the one who...
01:14You're also a senior lawyer in high-code.
01:16Right now?
01:17And I was also doing it.
01:19It's a shame.
01:21It's a shame.
01:22Then we watched a play,
01:24our director of this life of our director.
01:26So he saw it and said,
01:28I'll do a small role.
01:29And I said,
01:30who will do this life of this life?
01:32I'll do this life of this life.
01:33Okay.
01:34So when we went to the house,
01:37what was happening in the line?
01:37It was written five or six times.
01:39I said, do you have to say this?
01:41I said, yes.
01:42When you're doing this life of the house,
01:44what's happening?
01:45I said, okay, I'll tell you.
01:47And I don't know how to say it or how to say it.
01:51So famous that line became.
01:53It became a famous life.
01:55It's an identification, actually.
01:56What's happening?
01:57You said 50,000 different ways.
02:00What's happening?
02:01I wanted to show my talent.
02:05That's where it will start.
02:10In our show,
02:11sometimes we've got girls and girls.
02:13We brought this idea from Rafu Chakkar.
02:15When you were a girl first,
02:17and you were very beautiful.
02:18Oh, that's right.
02:20No.
02:20No.
02:22No.
02:23No.
02:23When you were shooting the scene,
02:26it's time to shoot.
02:28Sometimes you have to go to the bathroom.
02:30So then, who would you use the bathroom?
02:33It didn't get confused by someone.
02:35No, it didn't get confused.
02:37It was just their eyes out.
02:38When we went to the gents.
02:43But Kapil, I must share one thing.
02:45We had a picture we made.
02:46Tarkeeb.
02:48Mithun and...
02:49I too.
02:50Yes.
02:51I'm telling you.
02:52There was a sequence in which she had to be a girl.
02:56Ah.
02:57And believe me, she had to be so conscious of the girl,
02:59that we would leave her alone.
03:00Don't do it, man.
03:02Don't do it.
03:05Don't do it, man.
03:06Don't do it, man.
03:07Look, there's a girl who's become a girl.
03:09So do it, man.
03:10Those who do it, they won't do it with anyone.
03:14Hey.
03:15Honestly.
03:16And both of them are my senior.
03:18Institute.
03:19And I'm their junior.
03:20And where they're short cut, I'm going to sit.
03:23And they're both...
03:25I mean, oh my god.
03:26That's it, that's it.
03:27That's it.
03:28That's it.
03:28That's it.
03:29That's it.
03:31That's it, that's it.
03:32Ah.
03:34Ah.
03:37Ah.
03:37Ah.
03:38Ah.
03:38Ah.
03:39Ah.
03:39Ah.
03:40In 1970, we heard that when the film was made,
03:44Sarani and Penthal were both new companies.
03:47But Penthal said that they got more money.
03:50Sarani, is this true, Sarani?
03:52Yes.
03:53Yes, I'll tell you.
03:54We all signed, it was a film by Guru Dutt Films.
03:59So they called us all and said that the dance is good, they will take it.
04:04Yeah.
04:04So, first of all, I took the dance,
04:08and I was the one who came to the dance.
04:11Okay.
04:12That's the effect that he said, very good.
04:14So, for a month, two months, we'll take it.
04:16For the first time, it was 700 rupees.
04:18Asarani, Sarani, I, Subhash, I,
04:21We all had 700 rupees a month.
04:22Which year is this?
04:2469.
04:2469.
04:25Wow.
04:25So, I got 700 rupees a month,
04:27and I didn't know what happened before,
04:29and I didn't know what happened before,
04:32so he said,
04:33I want to keep you in contract for 5 years.
04:36Okay.
04:36I said, of course.
04:37So, the first year,
04:39700 rupees a month,
04:41the second year, 1000,
04:42the third year, 1.5-1.5-1.5-1.5-1.5-1.5.
04:48So, I was a little bit of drama,
04:51but not the least.
04:54So, let me tell you how many.
04:57I said, the first year, 1000.
04:58Then 1500.
05:00Then 2000.
05:00Then 2000.
05:01Then 1500.
05:02Okay.
05:03Wow.
05:04When I checked out,
05:05everyone knew that the title was 1000,
05:07because the hero and the title were 1000.
05:09Okay.
05:10Everyone is 700.
05:11So, after that, whenever we had a chance, when we were sitting in a room,
05:15then we would get out of 700.
05:20You got more money from us.
05:25How did you get to him from 300?
05:27So, he got out of it and we thought,
05:30this is...
05:31we should have to do it.
05:35This is wrong.
05:37We are all from the beginning.
05:39then what does this mean?
05:43So, Suhbhaj was our leader.
05:45He was prepared for two days,
05:47and else I was running together.
05:50Then he knocked him,
05:53he said,
05:54you need to get out of it.
05:54He said,
05:56sir, what is this?
05:57We should give 700 rupees.
05:59And local pass,
06:01what is the $1,000?
06:04He said, Suhbhaj,
06:06I don't want to dance, I don't want to dance.
06:08We can do it.
06:10I don't want to do it.
06:12You've seen it, right?
06:16There's no dance at the end.
06:19Our character was FTII again.
06:22Baldev Khosa.
06:23He was also called MLA.
06:25Baldev Khosa was also taken to him.
06:27His Punjabi was very popular in Hindi.
06:29He told me,
06:30I have a lot of Punjabi.
06:32I should do something.
06:33I should do it.
06:35You've kept an Urdu teacher.
06:37He was able to teach Urdu and Hindi.
06:40After a month,
06:41we were able to meet him,
06:42he was doing a lot of work.
06:44His Urdu was bad.
06:48Guru does films.
06:50We're doing this.
06:51We made a film.
06:53This film is our film.
06:55He was the Devanand hero.
06:57He was the director.
06:59The Devanand.
07:01He was the director.
07:02You took 4 hours to have us.
07:06For 4 hours, everyone is participating.
07:08In the same thing, Devanand.
07:10There are still films about him.
07:12We go to Lubbath anET.
07:13We go to a new house.
07:15And on the road,
07:17they get to know that in the house
07:19there is a
07:19boat that is sitting in a boat.
07:22Hangal is playing in a boat.
07:25Hangal is dead in a boat
07:26and his glasses are out of mud island.
07:29Okay.
07:30And there was a film in that picture
07:32in that scene.
07:34Logan said to him that you are
07:36crying and feeling very bad.
07:38Don't cry.
07:39He is a director.
07:41That's right.
07:42Baba has told you everything about the house.
07:44Now you will come to a little bit.
07:47The house will listen to you.
07:49You will listen to him.
07:52He is very sentimental.
07:54He told you everything about the house.
07:57He told you everything about the house.
07:58He told you everything about the house.
08:00The house will be attached to Baba.
08:01Now you will come to a house.
08:03He is crying.
08:04Look at him.
08:07Okay.
08:08God.
08:10God.
08:11God.
08:15God.
08:16God.
08:18God.
08:19The leader told the leader,
08:22Ashok, you are wasting time.
08:25The man died, the father had to tell the money.
08:27Cut!
08:31Ashok, the father died, died, died, died.
08:39That's the hangar.
08:40What do you want to take?
08:41What do you want to take?
08:47What do you want to take?
08:50What do you want to take?
08:59Wow, wow, wow.
09:01So, Ashok, no, the manager.
09:05He finished.
09:07Take.
09:08What's your problem?
09:10What's your problem?
09:12What's your problem?
09:13Why?
09:14We are talking.
09:16We are discussing.
09:17No, he says,
09:18Make up.
09:19Make up.
09:20Make up.
09:21Make up.
09:22Make up.
09:22Make up.
09:25What's going on?
09:27What's happening here?
09:28Come on.
09:29Hangar, hangar, hangar.
09:33Ashok, the father died.
09:36Hangar, hangar.
09:41No, no, no, no.
09:42You're not talking.
09:44You're not talking.
09:44I'm not talking.
09:48I'm going to hear the role.
09:50Hengar, hangar.
09:50It was a shop in Crawford Market.
09:52It was basically a tailor.
09:53Tailoring shop.
09:54How the trailer was?
09:55How is it?
09:56Only diplomats wear the clothes.
09:58And the ordinary Indian people are not.
09:59Okay.
10:00So, let's listen to the man.
10:01Let's listen to the role.
10:03Sir, come to the trailer.
10:05He says, I am.
10:14What is this?
10:15Ashrani says, it seems that they would give a script
10:18that they would start their own.
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