- 8 hours ago
Category
🎥
Short filmTranscript
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03:07Aristotle, Erasmus
03:09I asked the question
03:14Aristotle, Erasmus, Aquinas
03:19Cicero, Alberti, Bruno
03:29The innkeeper tells me he brought these actors back to the inn
03:34Buys them a sum of wine beyond obligation
03:38Half the village there waiting for me to pay
03:43Tenants asking me this
03:45The escape was not an option for Gabriela Veche
03:49The Marquis had promised her preservation and delivered her ruin
03:53On stage with us and all masters
03:57He wants a taste of the theatre
03:59You tell him to bed one of them
04:01You don't open the wagon and join up
04:04I was impressed in just service
04:09She sacrificed her youth, squandered her intellect
04:13And paid a midwife to nick her in the womb
04:15So he couldn't humiliate her anymore
04:17The elders act in the square like a beggar
04:20Like an actor
04:21I adore a gong farmer than an actor
04:23I adore an actor than a cabbage
04:25Look up from your book when you speak to our father, huh?
04:28Cabbage, cabbage, cabbage
04:31He was our little joke, the cabbages
04:33The cabbage heads with cabbage brains and cabbage wives
04:37It was all speaking cabbage
04:39At least there would have been some honor in it
04:42The Lyoncourt name covered in his shit again
04:45Love nothing, do nothing, change nothing
04:47Seat and supper
04:48Am I suffering?
04:50Is it Grégoire?
04:51A question for the philosophers
04:53Can a cabbage suffer?
05:03One hour on stage
05:04An hour of not displace
05:08It's dampness and dimness
05:11And your Pokémoc the wife
05:13And Grégoire jamming his cock into servant girls
05:17Like he's saucing pork
05:19Cabbage
05:20And the stat speaks
05:22Cabbage
05:22A verse with players in a wagon
05:25Cabbage
05:26Say cabbage
05:28Cabbage
05:29One more goddamn time
05:36Cabbage
05:37Break his legs
05:41You will hunt the land as we do
05:43You will marry your work
05:45And have children who will shame you
05:47The way you have shamed me
06:01Cabbage
06:01She had a cold beauty
06:02Like snow behind a thick distorting wall of glass
06:07And I grew hard by example
06:11But now the wolves, they are taking out sheep
06:14So bold now they have lost their fear
06:16Another one stolen today
06:18A puddle of carts where sheep used to be
06:20They will snatch a babe soon
06:22There have been wolves in the hills since I was a boy
06:26Magnificent
06:27The wolves are causing trouble, brother
06:30It's a famine now, senor
06:32From here to Versailles
06:34What do they want us to do about it, huh?
06:35Nothing
06:36Sit there on your titles
06:39While you fumble to find your pricks
06:42From under the awning of your stomachs
06:47Peace
06:51Keep coughing, huh?
06:52Seeding the nothings you had
06:54Bearing more nothings
06:56Will inherit nothing
07:00Not funny, brother
07:01Put the gun down, Lestat
07:04She's with child
07:05Hey!
07:06Put the gun down, Lestat
07:08The wolves will move on
07:12We ask your protection as our senor
07:16We would like you to share some of your bounty on your table
07:20Hey!
07:21Go on!
07:23There's nothing more we can do here
07:25But be men!
07:34She meant to kill me with the challenge
07:37Better a quick end than watch me surrender another decade
07:41Watch me join the cabbages
07:43Watch me join the cabbages
07:46Watch me join the cabbages
08:10Go!
08:11Brush them out
08:12Go!
08:24Brush them out
08:24I wanted the wolves to come
08:28The wolves
08:32Until I didn't
08:33HURRY!
08:36HURRY!
08:37HURRY!
08:38HURRY!
08:39HURRY!
08:53I refuse his food
08:55I refuse his care
08:58You killed five wolves by yourself
09:048
09:08Not 5
09:13To rip out my horse
09:19My dog
09:278
09:33Do the wolves look worse?
09:40There's a mob came yesterday
09:43Again tonight
09:44They wish to worship you
09:46Your father
09:48And your brothers bent
09:50With shame
09:52Come down
09:54You'll enjoy it
09:57From room to room
10:01Slaughtering the three of them
10:05That's what I dreamt
10:06When I killed the wolves mother
10:13You know what I dream
10:20I'm drinking wine
10:23So drunk
10:24A stream
10:26Of my clothes
10:28And baked in a mountain
10:29Stream
10:31Megan
10:36I go into the village
10:39Into the inn
10:42And
10:43I
10:44Take
10:46Into bed
10:47Any man
10:50Any man
10:51Doth come
10:55Crude
10:57Men
10:58Big men
10:59Old men
11:01Boys
11:03Taking them
11:05One after another
11:07And feeling
11:09And feeling
11:10Some magnificent
11:11Release in it
11:13No thought
11:15Of
11:17Your father
11:19Or your brothers
11:21In that moment
11:26I belong
11:28I belong
11:31To no one
11:33Except for me
11:49Except for me
11:51Dying
11:52Dying
11:53I won't survive
11:55The winter
11:57Mother
12:07Finish it be as a mob to bless
12:14Mother
12:18Mother
12:19Mother
12:22Mother
12:23Mother
12:23Mother
12:24Mother
12:25Mother
12:28Mother
12:37Mother
12:38Mother
12:38Mother
12:38Mother
12:38Mother
12:39Mother
12:40Mother
12:42Mother
12:42Mother
12:42Mother
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18:01Cảm ơn các bạn đã theo dõi.
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28:07Chúng ta không thể giúp chúng ta, chúng ta đã gặp lại các bậc của chúng ta.
28:18Hi.
28:19Hey, just leave in the job post.
28:21You okay to drive?
28:22Yeah, yeah, of course.
28:23Daddy!
28:24Hey kiddo, what are you doing up?
28:26I can't sleep.
28:28Back to bed.
28:29I'll give you a kiss when I get home.
28:31Okay.
28:32I love you.
28:34Okay, bye.
28:37You are listening to The Failures.
28:40Album 15, Side B.
28:43Estimates on the structural damage are still being calculated,
28:46so the figure we've put forth was based on comps the engaged architectural firm provided.
28:51Comps? For a hotel hallway massacre?
28:53Comparable damages to comparable spaces.
28:55I'd like to add a line for cascading glass.
28:57The parking structure below had a fleet of vehicles lacerated.
29:00These clean up numbers are made up.
29:01The clean up numbers in this case are mostly going towards silencing witnesses.
29:05This is not my first clown rodeo, Grace Jones and Gucci.
29:07And Salt received his compliment.
29:08Anyone who won't take a couple thousand in an envelope,
29:10you guys do the mind wipey thing so you could take that line item
29:13and hold it over your vampire bidet.
29:15We could have done the shit over the phone.
29:16According to Mr. Pitt here, your client's the one who called this meeting.
29:19He did no such thing.
29:20You stole my personal physician.
29:23You hired my biographer.
29:24You trashed my hotel.
29:26I didn't know you were a techie hotel.
29:27The Detroit Coven trashed your hotel.
29:28I've heard the song.
29:29The songs are not about you.
29:31It feels like a cry for help, so I flew in because I care.
29:37Oh, it just says you cared in your book.
29:39We've been through all this.
29:40The fact that you insulted me page after page after page.
29:44Take it up with Molloy, who wrote it, or the Tala Mosca, who published it.
29:47Why are you employing Sam Barkley after Paris?
29:51He's paying down his debts.
29:52Oh, bottom line, Louie.
29:54All sins negotiated.
29:55Sam didn't get on a boat.
29:56We're here to litigate.
29:57Sam didn't memorize it.
29:59He did not direct a play and then come home canoodling with one of its victims.
30:02Did he?
30:02Who did that, I wonder?
30:04Repeat the name.
30:05That would be Armand.
30:06Armand.
30:12Is it true that you had a second home in Sausalito with him?
30:18We did?
30:19Did you take turns driving across the Golden Gate Bridge, who held the wheel harder?
30:23Yeah, writing numbers on each other's backs and pretending to guess them wrong.
30:27I bet.
30:28I bet!
30:29Come on, Louie.
30:30Very specific detail to block out of thin air!
30:33What at the foot?
30:34Are we taking minutes of this?
30:36I think we can wrap this up dispassionately.
30:38Yes, let's try and circle back to the particulars.
30:42Are you two fucking?
30:44Yes.
30:47Companion enough for yourself or you're over?
30:49He's not my companion.
30:51He's a great lay and emotionally unavailable.
30:55You doing her?
30:56Yes.
30:58Petite, surprising, and can perform what most metropolitan training systems could only dream of.
31:04Okay.
31:06Are you enjoying this exclusive fan experience?
31:09I am.
31:10Christine, could you please provide two tickets to Mr. Pitt here and his Esquire for tomorrow night's show?
31:16One will do.
31:17Lemuel doesn't enjoy your music.
31:19I do like your merchandise though.
31:21Healthy margins considering the size of your tour.
31:23That's why I own 40% of it.
31:26Of my merch?
31:27Forty five percent.
31:28Forty five?
31:29My bad.
31:30I'll look into it.
31:31I was afraid.
31:33I was afraid.
31:34I was afraid.
31:38I was afraid.
31:39I was afraid.
31:39I'm losing you.
31:43They like you.
31:52I was afraid.
31:56I was making money.
31:56I found a crap decision to the swoop.
31:56Sounding a little Finn without Alix.
31:59Larry likes it?
32:00Everyone else is fraked.
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39:44Your slit throat slow to heal
39:48Your rotting roof and bathrobe stuck to skin
39:53An aloof poetry behind the eyes
39:58Uncanny beauty
40:03Unelusiveness
40:04Come, go, yes, no
40:07I see why you gave him a daughter
40:10I see why you took her back
40:16And we were having such a good night, Sophia
40:19And now we're not
40:22Forget us, honey
40:34Your father's tongue
40:36My tongue
40:37In Italy never made a Baudelaire
40:43Ainsi qu'une fontaine au rythmique sans dos
40:48Je l'entends bien qui coule et décale en murmure
40:53Mais je me t'ai en vain pour trouver la blessure
41:15A travers la cité quand on dans un choclo
41:20Ils inventent transformant les mauvaises en élan
41:24Désenterrent la soif de chaque creature
41:28Et partout que le monde
41:31On bouge la nature
41:33We shall head home to the tower
41:39The night is young
41:40We travel so fast
41:42We could be there in an hour
41:44Yeah
41:44My mother
41:55Je demandais souvent d'être à quartier
42:03Dans le dame mire pour un jour le terre qui m'a mis
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45:06Chúng ta sử dụng, chúng ta không làm cái vấn đề.
45:10Và 3, chúng ta rất khó khó khăn, Mr. Dulac.
45:16Paris, Dubai.
45:18Cảm ơn quý vị ở Dubai, Rashid?
45:2031.
45:2031?
45:2132, if you count Agent Talbot.
45:24Không có vấn đề, chúng ta không thích nhiều.
45:25Chúng tôi chỉ giết những người đến với tôi trước.
45:28Chúng ta có vấn đề là Killa.
45:30Chúng tôi sẽ giết họ ở Végas và Reno sau đây.
45:33Nếu đã đến với em đã đến 1925,
45:37Hồn sát gửi lấyadin từ khốnul giáy từ lần đến lúc Anh Anh.
45:40I đâu có vấn đề.
45:42Chúng ta đã đi
45:43Vấn đề và bước đi traz giữa ở Jamaica Next.
45:44Nên là Végas.
45:51Végas nhỏ.
45:54Végas nhỏ.
45:55Végas nhỏ.
45:56Végas nhỏ.
45:56Végas nhỏ có vấn đề với bà mặt không?
45:59Tại sao còn lại.
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49:09She can now live the life she's always wanted to live
49:13And vampirism liberates her
49:15I was absolutely drawn to Gabriella's absolute love of being a vampire
49:23For her it is almost like a finding of herself I think
49:28Or certainly the only time in her life that she has had autonomy and power
49:34Do you have a lot of sex?
49:37Tất nhiên.
49:39Do you like it like you do the blood?
49:42It's never like the blood.
49:43They love each other.
49:44I mean, they're mother and son and they're lovers.
49:46And they're fledgling and maker.
49:48I mean, they have a super complicated relationship.
49:50But they're the only people still alive
49:52that both knew each other when they were human.
49:54I think that's really important.
49:55You know me who I really am.
49:58You know where I came from.
49:59You know what my fundamental drive is.
50:01And you remember me as a human being
50:03before I was this other thing.
50:06So they're deeply connected.
50:08And it's toxic, but you know,
50:09everything's toxic in the vampire world.
50:25You stole my personal physician.
50:28You trashed my hotel.
50:29The Detroit Coven trashed your hotel.
50:31I've heard the songs.
50:32The songs are not about you.
50:34It feels like a cry for help.
50:37So I flew in.
50:39Because I care.
50:40I think Louie's being a complete troll in that scene.
50:43He gets off on making this that angry, I think, to some extent.
50:46Did you take turns driving across the Golden Gate Bridge?
50:50You held the wheel harder.
50:51Writing numbers on each other's backs and pretending to guess them wrong.
50:54I bet.
50:56I bet.
50:57I bet!
50:57It's a really fun scene.
50:59It's a real attack.
51:00And he knows he's going to rile him up.
51:02It was quite strange to go from being this, like, very strong, centered vampire to being
51:10just sort of petty.
51:12Christine, could you please provide two tickets to Mr. Pitt here and his Esquire for tomorrow night's show?
51:18Which one will do?
51:19Lemuel doesn't enjoy your music.
51:22As petty as he's been, I think Louie is looking forward to seeing Lestat's show.
51:29I was afraid, I was afraid, I was afraid of Louie.
51:37I think he's also impressed.
51:39This is what he should have always been doing.
51:46A lot of his songs, you don't really know who they're about.
51:49Could be about Louie, could be about Nicky, could be about Gabriella.
51:51It's very on brand for Louie to think every song is about him.
51:55And then on another level, I think there's probably like a gossipy side of Louie that's like,
51:59who's this about?
52:00When did this happen?
52:02Who is that?
52:02Who is he?
52:03Who is she?
52:04Could be about just the fact that why does he have to feel in general?
52:06Because he's a very emotive character and he kind of gets totally riled up in his own emotions
52:11and he'll ride them.
52:12So, I think that can be a frustrating thing.
52:15I mean, he's obviously doing a very intensely power thrusting version of the song
52:20and intentionally ignoring Louie until he can't anymore.
52:57When he gets the book and he sees that it's all scribbled and scrawled and I think it's when the
53:03guilt really starts to creep in.
53:05This is the first time they've had a little private moment about it.
53:08Louie has that kind of effect on the start that he, you know,
53:11will get so angry that it will freeze time and fly up to him and sing in his face.
53:15Yeah.
53:16Oh, why, why, why, why do I have to feel the pain?
53:27There's too much to feel.
53:31There's too much to feel.
53:59There's too much to feel.
54:01There's too much to feel.
54:01Hãy đăng ký kênh để ủng hộ kênh mình nhé.
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