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02:16thay theo thứ Grü-Li
02:28Trі cho ili của anh chạy
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04:24But if you do it like this, it can move a lot faster.
04:36This is Linoid.
04:38It is my take on Nowhere Palm.
04:42The classic Nowhere Palm looks like this.
04:45The problem with this is you have to face this finger directly at your spectator's eyesight.
04:53So it doesn't look casual enough.
04:58What I did with this is I made it tilted like this.
05:03So when this coin is hidden from the eyesight, more of the palm is showing to your spectator.
05:12And even the hand gesture looks more casual.
05:19How you get into it, one handed, put the coin right there next to the middle finger.
05:30And curl little finger and ring finger as your thumb is squeezing the coin too.
05:39So the coin gets to here.
05:41And this part still has to touch in your middle finger.
05:47Like this.
05:49The reason you're doing this is because you want to use this part or any part of your ring finger
05:57to grab the coin.
06:00Once you grabbed it, it should be here like this.
06:04But don't open up your hands yet.
06:07When you're opening up your hand, use this part of the thumb to push it down.
06:14And then open the hand.
06:20Like this.
06:24You can also go into linoid when you're in a finger palm.
06:29So put the coin in your finger palm.
06:33And just go straight from there.
06:36Use your thumb to push the coin into your nowhere palm.
06:42From spectator's point of view, it should look like this.
07:05So this is all you have to do.
07:07So first you have to curl your wrist like this.
07:12And from here, just put the coin towards your mouse.
07:18And just blow it and execute ukawa retention.
07:24So like this.
07:27And you have to do it much faster, but this is the idea.
07:31Just from here, while you're moving, execute the ukawa retention.
07:36When the coin or your hand is near your mouse.
07:40The coin is already vanished, but you're blowing.
07:43So it looks like the coin is vanishing as you blow the coin.
07:47So from spectator's point of view, it looks like this.
07:54When you're doing blow vanish, you have to remember a few things.
07:58The reason you're doing this motion is because the way I do retention vanish, my hand is kind of relaxed
08:07a little bit.
08:07So my fingers extend a little when I do it.
08:13So if you do this, when the coin is closer to your mouse, your hand is going to be tilted
08:21so they cannot see finger moving.
08:24So from here, you actually extend it a little bit.
08:28But when you come back, as long as you don't curl it back, it seems like there's no movement.
08:33Angles.
08:34There's not really a bad angle for this, but there's actually a best angle.
08:40The best angle is directly to your spectator's face is because they can't see the full face of the coin.
08:49And as you vanish it, your hand is perfectly angled, so they cannot see any finger fluttering.
08:56But spectators on your left side, they can't see a little finger fluttering if you have any.
09:04And spectators on your right side, they can't see anything because it's like this.
09:12So just try to perform it directly to their face.
09:15When you're practicing, if you find yourself flashing a little bit, it should be your windows or your fingers fluttering.
09:24That means your Ukawa retention vanish is not on point yet.
09:28Put some more work in Ukawa retention.
09:31If you can do it perfectly, then you should be able to do blow vanish anytime, anywhere, efficiently, like a
09:36coin guard.
09:38If you have a position, I can see the same thing as you can see.
09:51If you have a position, you can see the same thing as you can see.
09:51Ukawa retention might seem a little hard at first, but a lot of my friends actually got it down in
09:593 weeks with my tips and touches.
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