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Short filmTranscript
00:00:07To be continued...
00:01:02Are you sure you don't mind me going to Paul's show tonight?
00:01:04Of course not.
00:01:06I'm surprised he invited me if I'm honest.
00:01:09Why do you think he did?
00:01:10Dunno.
00:01:11To gloat.
00:01:12Show me what I've been missing.
00:01:14And have you?
00:01:17What?
00:01:18Missed him.
00:01:20Do you even need to ask?
00:01:30We should get married.
00:01:32What?
00:01:32To appease my insecurities?
00:01:34No, because I love you.
00:01:37You don't need a piece of paper to validate our near bliss of a relationship.
00:01:41Near?
00:01:42Did I say near?
00:01:43I'm imperfect.
00:01:45But seriously, I don't see the point in marriage.
00:01:48When I'm dead, you'll be well covered.
00:01:50You're seven years older than me, not fifty.
00:01:53Besides, I could always pay you at first.
00:01:54That's not going to happen.
00:01:56Then how do you know?
00:01:57Because I love you.
00:01:59Besides, life wouldn't be that cruel.
00:02:11You nearly ready yet?
00:02:12Give me a sec.
00:02:21Vanity aside, that is the most beautiful photo you've ever taken.
00:02:25And modesty aside, I agree.
00:02:27Let's just say I was inspired by my muse.
00:02:30Why did it take me so long to figure out what you meant by these numbers?
00:02:33Because it was too obvious.
00:02:36We need to go.
00:02:38Now.
00:02:40Fine.
00:02:41But you don't know what you're missing.
00:02:43I do.
00:02:44That's the problem.
00:03:07I really love you.
00:03:09Okay.
00:03:10Are you planning on making some sort of confession?
00:03:14No, cool stuff.
00:03:15It's just important that you know.
00:03:20Ignore me.
00:03:20I'm being silly.
00:03:22Go on, go.
00:03:23I'll see you tonight.
00:03:24Make sure you wait up for me.
00:03:26So you don't want to lift?
00:03:27Nah.
00:03:28I feel like walking today.
00:03:58I'll see you tonight.
00:04:07Have fun returning to the scene of the crime.
00:04:45AVAILABLE NOW
00:05:12Most of the people I met sleeping rough weren't doing so through choice, it was out of necessity.
00:05:17They're playing devil's advocate here but if they choose to reject all support services to house them then surely it's
00:05:23voluntary.
00:05:24From what I've witnessed that view is too simplistic. For some people life on the streets becomes so ingrained that
00:05:29they find it difficult to fit back into what would be considered a normal environment.
00:05:33It's a catch-22 situation then isn't it?
00:05:38Personally I think more needs to be done to prevent homelessness happening in the first place.
00:05:43And you are? Rebecca Sheldon.
00:05:45Oh, the art critic. Your photo doesn't do you justice.
00:05:52That's a powerful message.
00:05:54It's true. We never know what's going to happen from one day to the next.
00:06:00I want the viewer to understand the individual as a human being, not label them a homeless person or a
00:06:05drug adult.
00:06:07There you are, Jen.
00:06:10Paul, Rebecca? Rebecca, Paul.
00:06:13Nice to finally meet. I've heard lots about you. And read your critiques of course.
00:06:19Are you an artist as well? What do you...
00:06:21I'm sorry but I'm going to have to steal Jen for a while. Everyone wants to know the date you're
00:06:26going to make an honest man out of me. Come on.
00:06:30Well, nice to meet you. Please be gentle. This is my first time but I look forward to reading your
00:06:35review.
00:06:57So you're leaving without saying goodbye? You looked busy. I'm not busy now.
00:07:06Can we go somewhere private?
00:07:07Hello?
00:07:28I'm not busy. I'm not busy. I'm not busy. I'm not busy.
00:07:53so you're engaged
00:07:56sort of
00:08:01look I'm gonna be honest with you I don't know why I'm here
00:08:09I just wanted to
00:08:15I've never felt
00:08:19yeah
00:08:24I'd better get that
00:08:39I watch and I wait to open your eyes
00:08:40I watch and I wait to open your eyes
00:08:40I watch and I wait to open your eyes
00:08:55every morning
00:08:57I'm in here
00:09:00cause I know the sun won't rise
00:09:04till you do
00:09:08even she can't get out of
00:09:18hello
00:09:21oh my god
00:09:23oh my god
00:09:27oh my god
00:09:45I'm here to see Genevieve Simmons I'm Rebecca Sheldon I just got a call to say she's been brought here
00:09:49I'm afraid she's being seen by the doctor at the moment if you take a seat
00:09:52I'm sorry you can't go in there
00:09:53I want to see her I need to know if she's okay
00:09:55I'm sorry the doctor won't be long
00:09:57she's in the best place
00:10:01Miss Sheldon is here to see Miss Simmons
00:10:03what happened?
00:10:04how bad is she?
00:10:05Miss Simmons was attacked and has suffered trauma to her head
00:10:08we've had to put her in a medically induced coma
00:10:11it's just to prevent neurological damage
00:10:13I want to see her
00:10:14okay
00:10:15but be prepared
00:10:16she's hooked up to a lot of machines
00:10:18so it may appear scarier than it really is
00:10:34have the police been informed?
00:10:36yes
00:10:36I don't know much but I'm sure they'll be contacting you at some point
00:11:00let me guess
00:11:02Paul
00:11:04he's called how many times now?
00:11:07too many to count
00:11:09you don't like talking about him do you?
00:11:12given the circumstances it doesn't really seem appropriate
00:11:15besides my life with Paul already feels like ancient history
00:11:19another time
00:11:23I nearly didn't follow you to your car the other night you know
00:11:26I'm glad you did
00:11:32guess it's time to face the music
00:11:33no use putting off the inevitable
00:11:35good
00:11:47any regrets?
00:11:49yes
00:11:56but I didn't meet you years ago
00:12:12so you decided to come back?
00:12:16I think we should talk when you're sober
00:12:20are you fucking joking?
00:12:26you stay out all weekend like a fucking alley cat on heat
00:12:31and have the gall to dictate to me when we can talk
00:12:49you're drunk
00:12:50and if you think you're going to intimidate you
00:12:51just fuck off you fucking date
00:12:57yeah
00:12:59that's right
00:13:01date
00:13:04the whole fucking gallery was talking about you two
00:13:09the famous lesbian art lover and the star stroke photographer
00:13:16have you any idea how fucking small you made me feel?
00:13:23not to mention
00:13:25your poor parents
00:13:27hearing about their fucking
00:13:29pussy loving
00:13:31dyke of a daughter
00:13:47not to mention
00:13:50not to mention
00:13:50not to mention
00:14:00leaving are you?
00:14:03good
00:14:05saves me the trouble
00:14:06throwing you out
00:14:09here
00:14:11let me get the door
00:14:17whatever the gentleman
00:14:19not to mention
00:14:20if you stand your heart
00:14:26sit and you down
00:14:26if I describe without a crack
00:14:26theRIP
00:14:29I don't know.
00:15:08You have one new message.
00:15:11Message received from Mum today at 8.47pm.
00:15:21Is it true?
00:15:23Please, Genevieve.
00:15:25Paul called and...
00:15:26Eason.
00:15:27Is that her?
00:15:28Give me that phone.
00:15:29I demand that you bloody call us and let us know what you're playing at, Genevieve.
00:15:32Do you hear me?
00:15:33Have you lost all sense of...
00:16:06I do not want another dog.
00:16:08Oh, but they're cute though.
00:16:14Is that her?
00:16:22What do you want?
00:16:52You want us to talk?
00:16:53I have no understanding when it came to my happiness.
00:16:55My mistake.
00:16:59What happened to you?
00:17:01What happened to you?
00:17:01One minute you're a normal girl getting married and the next you're off with God knows who.
00:17:05If you don't snap out of this girl you will have nothing more to do with you.
00:17:08Do you hear me?
00:17:08How could I not?
00:17:09And the feeling is totally mutual.
00:17:11Don't you dare walk away while I'm speaking to you.
00:17:13Genevieve!
00:17:17How have you lived with him all these years?
00:17:22What?
00:17:22Why have I never asked before?
00:18:07What the hell happened, Elsie?
00:18:10You've got ten seconds to get out of here or you'll be the one needing intensive care.
00:18:22Can someone call me when they leave, please?
00:18:30Ms Sheldon?
00:18:31Yeah?
00:18:32I'm DC Smith.
00:18:33This is DC Simpson.
00:18:34We'd like to talk to you about Ms Simmons.
00:18:36If we may.
00:18:47I'm sorry we need to do this now.
00:18:49But we need to piece together Ms Simmons' movements prior to her attack this morning.
00:18:54I understand you share a flat with her?
00:18:57Yeah, I do.
00:18:58And how long have you been living together?
00:19:01I'm sorry, but what relevance does this have to do with anything?
00:19:05I'm sorry if this seems personal, but it's just procedure.
00:19:12I'm sure you can appreciate that we're starting this case off on a blank canvas
00:19:16and we need to learn everything we possibly can about Ms Simmons.
00:19:23We've been living together for four years.
00:19:26Could you go through this morning's events?
00:19:28And if possible, Ms Simmons' timetable for the day, please?
00:19:33Nothing else Ms Simmons had mentioned.
00:19:37Okay.
00:19:38We'll leave it.
00:19:39For now.
00:20:07we said forward.
00:20:15No, we're good.
00:20:18We're good.
00:20:31It's all right.
00:21:31I'm Dr. Phyllis.
00:21:50Better?
00:21:55Yes.
00:21:58How did I get here?
00:22:00I'm afraid you were attacked.
00:22:02Attacked?
00:22:04By who?
00:22:05We don't know and at the moment your health is our main concern.
00:22:10Now just let me check something.
00:22:22Very good.
00:22:24Do you know what year it is?
00:22:29It's...
00:22:30Do you know who the Prime Minister is?
00:22:32Prime Minister, yes.
00:22:35It's...
00:22:36Do you know your name?
00:22:44It's okay.
00:22:46Try and relax.
00:22:49We're here to see Genevieve Simmons.
00:22:54If you're feeling up to it you've got visitors who want to say a quick hello.
00:23:04Hello.
00:23:05Doctor?
00:23:06Yes?
00:23:07I don't know these people.
00:23:10It's okay.
00:23:10The blow to your head has just left you a bit forgetful.
00:23:14This is your mum and dad and this is Paul.
00:23:17Your boyfriend.
00:23:22Try not to stress too much.
00:23:24You've nothing to worry about.
00:23:26You're in safe hands.
00:23:27We thought we'd lost you.
00:23:30Glad you're okay.
00:23:33How are you feeling?
00:23:36My head hurts.
00:23:40I'm afraid I'm going to have to ask you all to leave now.
00:23:44We must make sure Genevieve gets plenty of rest.
00:23:56How long have I been here?
00:23:58Four days.
00:24:02Four days of sleep and I still feel like crap.
00:24:09This is risky, Eddie.
00:24:11What if Gene remembers?
00:24:12God has done this for a reason.
00:24:14He won't let us down.
00:24:15Paul's right, Eddie.
00:24:20So, about her memory.
00:24:23The good news is that a CT scan has ruled out anything serious.
00:24:28As a result, I believe she has disassociative amnesia,
00:24:32which is psychological in nature.
00:24:35Recovery can be measured in weeks, months and even years.
00:24:39We must ensure she has plenty of rest and no stress.
00:24:49If you've done that, you will have some extra steps for her.
00:24:52Hello?
00:24:53Yes, speaking?
00:24:56Yes.
00:24:58Yes, of course.
00:25:07I don't remember you.
00:25:14Wakey wakey sleep head.
00:25:17How are you feeling?
00:25:21Do I know you?
00:25:24Jeannie, it's me.
00:25:28I'm sorry I don't remember you.
00:25:32Jeannie, that's not even funny.
00:25:34I don't remember anyone.
00:25:36Please leave, I'm sick of people trying to make me remember stuff.
00:25:38I just want to be left alone.
00:25:43Leave me alone.
00:26:01Let's go.
00:26:09Let's go.
00:26:17I know you.
00:26:22Let's go.
00:26:28I'm sorry, I'm sorry.
00:26:52Why don't I make us some tea?
00:26:54I think I'll go straight to bed if that's okay.
00:26:56I'll lack it.
00:26:57Oh.
00:26:58Oh, well, come on, then.
00:26:59I'll show you your room.
00:27:02I'm going to get an early night.
00:27:03Thanks for everything.
00:27:23Can I help you?
00:27:25I'm looking for Genevieve.
00:27:27Oh, yeah, she's been discharged.
00:27:29Her parents and boyfriend were over the moon.
00:27:33Boyfriend?
00:27:56What's going on out there?
00:27:57Oh, nothing for you to worry about.
00:28:04What the fuck is going on?
00:28:06Did you tell Jeannie you're her boyfriend?
00:28:08I don't know what you mean.
00:28:11I want to see Jeannie now!
00:28:13Listen to me carefully.
00:28:15Turn around, get in your car, and don't show your face around here again.
00:28:17Now fuck off, or you still have the chance.
00:28:19Oi!
00:28:20I think you made your point, mate.
00:28:21Don't you?
00:28:24Yeah, just like I thought.
00:28:26This isn't over.
00:28:28Not by a long shot.
00:28:32I'm keen on it.
00:28:38Georges imaging starts looking for her birthday.
00:28:38I just didn't go to the eye, her.
00:28:40Alles, voulais don't we?
00:28:48I don't tell Michael, if she wanted you to get the danger to my dad anymore.
00:28:49You could take those to my aunt.
00:28:49But, I just devil, what else?
00:28:50I don't know.
00:28:51What are you going to do?
00:28:51What is that gun coming out?
00:28:53What is that gun on?
00:29:50Thanks for coming over.
00:29:52You said it was urgent on the phone that you're concerned about Genevieve's welfare.
00:29:56Jeannie's parents have been lying to her about who I am.
00:29:59They've told her Paul's her boyfriend.
00:30:03I know.
00:30:05When I went to question her, the family asked me not to mention your relationship so as not to confuse
00:30:09her.
00:30:14Look, I shouldn't even be discussing this case with you.
00:30:17But we're under direct orders not to mention you.
00:30:21How is that even legal?
00:30:23I mean, how can Jeannie's parents lie to her and just get away with it?
00:30:26If I had my way, I'd tell her the truth.
00:30:29But the family have made it clear to my superiors that anybody caught with any kind of information that might
00:30:34cause a setback to her rehabilitation would result in action being taken against them.
00:30:38So until she remembers something, I'm basically fucked.
00:30:57Look.
00:31:01I know this must be tough, but she seems perfectly happy.
00:31:08She's not being held against her will.
00:31:10So they get to erase me out of her life and I've just got to sit here and take it.
00:31:14I saw that I can't tell her the truth, but there's nothing to stop you from telling her.
00:31:17I don't want to confuse her more than she already is.
00:31:26I sent over a box of her belongings today.
00:31:29Let's see how her parents explain why I had them.
00:31:34Genevieve thinks you're flatmates.
00:31:37Flatmates?
00:31:38Are you kidding me?
00:31:45Maybe this is the universe trying to right or wrong.
00:31:50I was, um, I was going over your notes and something struck me as not being quite right.
00:31:56You said that Genevieve was on her way to a meeting at London Bridge at 10am, right?
00:32:00Yeah.
00:32:01Okay, so it would seem strange that she would have been in another part of London when she should have
00:32:05been at her meeting, don't you think?
00:32:09I can't believe Jeannie would lie to me.
00:32:13Did you check to see if she had a meeting with the gallery owner?
00:32:17Yeah, and he confirmed their appointment.
00:32:18But Genevieve called him to put it back an hour.
00:32:21Obviously something happened from the time she left you to make a change of plans.
00:32:25And even though we haven't located her phone yet,
00:32:27we have checked her call logs and the last call she received was from a phone box on the South
00:32:32Bank.
00:32:38And this, um, this situation with Paul, I don't quite get the connection.
00:32:46Jeannie dated him a few years ago and then she met me and they split up.
00:32:55A few days after he proposed to her.
00:32:58Ouch.
00:32:59Yeah.
00:33:00Ouch.
00:33:02Anyway, things got nasty, people took sides, mostly Paul's, especially most of Jeannie's family and friends.
00:33:12In the end she stopped calling them.
00:33:15Then, out of the blue, we get Paul's invitation.
00:33:22On the very same day Genevieve gets attacked.
00:33:27Wow.
00:33:28Oh, my God.
00:33:58Oh, my God.
00:34:55Oh, my God.
00:35:06Your mum sent me to check up on you.
00:35:09Are you okay?
00:35:10Fine.
00:35:11Just thought I'd try out my camera.
00:35:13See if it jogs my memory.
00:35:16Any luck?
00:35:22Seriously, if my mum tells me what an amazing person I am one more time, I think I'll scream.
00:35:28It's the truth.
00:35:29So you're saying I have no negative traits?
00:35:32I find that hard to believe.
00:35:33It's true.
00:35:35Unless you count doing things before really thinking them through and being impulsive as a negative.
00:35:41You make me sound like a rebellious teenager.
00:35:44You asked.
00:35:48I was thinking of visiting that therapist the hospital recommended.
00:35:51No.
00:35:53Look, I'm sorry, Jen, but you know I just don't trust those quacks.
00:35:57They could put anything in your mind.
00:35:58Well, I have to try something.
00:36:00I need to remember who attacked me.
00:36:01They could be stood right in front of me and I wouldn't even know.
00:36:09Well, I won't let anything happen to you.
00:36:12We'll get through this.
00:36:13Together.
00:36:15Thanks, Paul.
00:36:16You're a good friend.
00:36:19I hope I'm more than just a friend.
00:36:25Speaking of friends, that woman who visited me in the hospital, mum said she's my flatmate.
00:36:29I feel awful.
00:36:30I was really rude to her.
00:36:32Don't.
00:36:33You two aren't exactly best friends.
00:36:35Really?
00:36:35She seemed genuinely concerned.
00:36:38Well, that's Rebecca for you.
00:36:40Always putting on a front of some kind.
00:36:42So you're not a fan of her either?
00:36:44Not especially.
00:36:48I tell you what.
00:36:50Why don't you come back to mine and I'll cook dinner.
00:36:52And you can be the first to see my new work.
00:36:57No pressure.
00:36:59Just dinner.
00:37:02Okay then.
00:37:03Just dinner.
00:37:05That's my girl.
00:37:11This is delicious.
00:37:14Did I ever cook?
00:37:17Does boiling an egg count?
00:37:19Oh, it's that bad.
00:37:26This is just like old times.
00:37:30I'm sorry.
00:37:30I can't remember.
00:37:32No, don't be.
00:37:34I have more than enough memories for the both of us.
00:37:37I'll just have to do for now.
00:37:39What's the need of you to say?
00:37:55I'm sorry.
00:37:56I'm sorry.
00:37:58I'm sorry.
00:37:59I shouldn't have done that.
00:38:03Please, sit and enjoy your meal.
00:38:05I will.
00:38:06I just need to use the note.
00:38:15Jesus, Genevieve, why are you a virgin?
00:38:18Gene, are you all right?
00:38:19Yeah, I'll be out in a minute.
00:38:20Yeah.
00:38:34Okay.
00:38:35Okay.
00:38:36Okay.
00:38:37Okay.
00:38:37All right.
00:38:40Okay.
00:38:41Okay.
00:38:44Okay.
00:38:48Let's do it.
00:38:49Okay.
00:38:50Okay.
00:39:00So, how are you feeling today?
00:39:04Restless.
00:39:06Suffocated.
00:39:07Like I'm living under a microscope.
00:39:10What's making you feel like that?
00:39:23It's been a few weeks now. How do you feel about Paul?
00:39:29I don't know.
00:39:31I can imagine I would be attracted to someone like him, but he just doesn't reach me.
00:39:37We don't have the connection. I think we should.
00:39:41And Rebecca, have you made contact with her yet?
00:39:47I don't see the point.
00:39:49If we were true friends, she would have made the effort to see me by now.
00:39:52She even sent my stuff via courier rather than delivering it herself.
00:39:57Just shows Paul was right. We weren't that close.
00:40:00But do you feel as though you were?
00:40:02I did, but I was obviously wrong.
00:40:05Could it be possible that she's giving you some space to find yourself?
00:40:13You think?
00:40:15What do you think?
00:40:24Do you know why your parents and Paul don't like her?
00:40:29I've tried to ask, but they get evasive every time they hear her name.
00:40:31Oh, I see.
00:40:36And do you feel the need to please your parents and Paul?
00:40:43Your life was in London, right?
00:40:46Do you feel drawn to Rebecca because you think that she can help you get your memory back?
00:40:56I'm wondering if you could return to London. It may stimulate your memory.
00:41:07Genevieve, what's important to you right now?
00:41:13Obviously, you're getting my memory back. But at the same time, I don't want to hurt my parents.
00:41:18Yeah, I understand that. I do. But first we need to focus on your memory loss and uncover who you
00:41:26are.
00:41:30Are you saying I should go back to London?
00:41:32That's your choice. But in my experience, if you want to get over this, you need to go back and
00:41:40go through it.
00:41:48Are you awake, love?
00:41:50Yes.
00:41:51It's just that you've been up here since you came back from your therapist.
00:41:55Are you feeling ill?
00:41:56No.
00:41:57Well, Paul's downstairs and he's waiting to see you.
00:42:19So is someone going to tell me about Rebecca then?
00:42:24How am I going to get my memory back if you're keeping secrets from me?
00:42:26Can someone please tell me why you all have such a problem with her? Or do I need to call
00:42:30her and ask her myself?
00:42:37Well? Is anyone going to speak?
00:42:44It's a bit of a sore subject really.
00:42:49A sore subject for who?
00:42:52For me.
00:43:04The two of you have been living together for some time and she basically ruined my chances of getting an
00:43:10exhibition by writing a really bad review about it.
00:43:15Why would she do that? Your work's amazing.
00:43:21Uh, because, um, because she was jealous of our relationship, Jen.
00:43:26We had words and things got a little out of hand.
00:43:30Why would she be jealous?
00:43:31Yes.
00:43:35She's a lesbian, Jen.
00:43:38I was always under the impression she liked you and...
00:43:43We didn't want to tell you because we didn't want to upset you.
00:43:46Can you forgive us?
00:43:48Me?
00:43:53Yes.
00:43:54Of course.
00:43:56It's awful to think she'd give you a bad review for personal reasons.
00:44:01Look, I'd appreciate if we kept this between us.
00:44:05I mean, things have worked out for the best and I think it's best we leave it in the past
00:44:08where it belongs.
00:44:11Speaking of the past, I've decided I'm moving back to London.
00:44:14You're what?
00:44:15I'm moving back to London.
00:44:17My therapist thinks it will help me get my memory back.
00:44:20She says I'm...
00:44:20Did you not hear a word Paul said?
00:44:22She's a lesbian.
00:44:23You should be disgusted at the idea of being in that sort of environment.
00:44:28That's not the way we raised you.
00:44:29But I don't remember how you raised me, do I?
00:44:32All I know is what I believe now.
00:44:34And Rebecca being a lesbian doesn't put me off at all.
00:44:37Live and let live, right?
00:44:42You don't need to worry about me.
00:44:44I have my own mind.
00:44:45It's not going to be warped by anyone.
00:44:47Tell her, Paul.
00:44:47Tell her she's making a big mistake.
00:44:49My decision has nothing to do with Paul.
00:44:54Mum.
00:44:54Dad.
00:44:56I'll be careful.
00:44:57I promise.
00:44:58But don't fight me on this.
00:45:01Support me.
00:45:17Please don't worry about my mum.
00:45:19I just want you to be happy.
00:45:25I know.
00:45:28The more we try to prevent her from seeing Rebecca, the more she's going to fight against us.
00:45:35Rebecca.
00:45:37Let's just hope she doesn't remember anything once she gets back there.
00:45:41I know.
00:45:59I know.
00:46:19I didn't expect you so early.
00:46:21No, I was awake, so I didn't see the point in hanging around.
00:46:23Is that what you brought with you?
00:46:25The rest of my stuff's arriving later.
00:46:27Okay, well, let me show you around so you can familiarise yourself with everything.
00:46:35So, this is your bedroom.
00:46:38And this is the kitchen, obviously.
00:46:42I'm guessing that's mainly your domain, so here I'm not much of a cook.
00:46:45You could say that.
00:46:47Do I have a workspace?
00:46:49Yeah, follow me.
00:47:05Well, I'll leave you to get settled in.
00:47:08If you need anything, give me a yell, okay?
00:47:10I will.
00:47:11Thanks, Rebecca.
00:47:35Rebecca?
00:47:37Rebecca?
00:47:39Rebecca?
00:47:40Are you all right?
00:47:42I thought I heard a noise.
00:47:43I was probably next door dragging their garden furniture.
00:47:46Oh.
00:47:48How about I make us some breakfast?
00:47:50Have you eaten?
00:47:52I'll be why you're looking so pale.
00:47:55You never could go on an empty stomach.
00:47:58Come on.
00:48:08I'm going to get dressed, okay?
00:48:10I'll be back in a sec.
00:48:13I'll be back in a sec.
00:48:18I'll be back in a sec.
00:48:20Bye.
00:48:29Bye.
00:48:51It's delicious, must have been my favourite.
00:48:55Actually it was.
00:48:57You know, you could say that about anything you whip up and I wouldn't know if you were messing with
00:49:00me or not.
00:49:00You're actually very fond of my haggis.
00:49:02God, please tell me you're joking.
00:49:06I'm sorry if I freaked you out earlier.
00:49:08I guess I'm still a bit anxious about being back in London.
00:49:10That's perfectly understandable.
00:49:12But I promise you, you're safe here.
00:49:19So, are you going back to work?
00:49:21Paul thinks it's for the best.
00:49:23He thinks I'll lose my creative ability if I don't use it.
00:49:29I couldn't help but notice your reaction when I mentioned Paul.
00:49:32Oh, I just...
00:49:34It's fine. I understand.
00:49:36You do?
00:49:38About the animosity between you two.
00:49:41He's agreed to bury the hatchet and I'd be really grateful if you'd do the same.
00:49:45Don't want any bad feelings when he comes round.
00:49:48Yeah, of course.
00:49:51That'll be him now.
00:49:53Paul?
00:49:54Yeah, I'm going to go and see an art expression.
00:50:02I told you I'm squeamish.
00:50:05That was ridiculous.
00:50:07I know, I know.
00:50:08You better.engo
00:50:08back to that room called different inside. Okay,
00:50:18you better I know. You better
00:50:36wait. Okay?
00:50:36Alright.
00:50:36You better
00:50:41Even she can't hear
00:50:49Till you break your weary sweat
00:50:53Love at me
00:50:58Life at me
00:51:15Life at me
00:51:18Mmm, very nice
00:51:20Can't take any credit I'm afraid
00:51:22I picked them up from the supermarket
00:51:34What?
00:51:35You hate tuna
00:51:36Do I?
00:51:38Yeah
00:51:45So what have you been up to today?
00:51:48Nothing special
00:51:48I went to a little French place on Shaftesbury Avenue with Paul
00:51:56Do you know it?
00:51:58That was our favourite haunt
00:52:01We went there most Sundays
00:52:03That's probably why it felt like I recognised the place
00:52:07That's encouraging
00:52:08Yeah, it was more of a feeling than anything else
00:52:11Like a deja vu moment
00:52:13What were you two talking about when it happened?
00:52:16You
00:52:18Oh
00:52:23Don't worry, it was nothing bad
00:52:26I've just realised I hardly know anything about you
00:52:30What do you want to know?
00:52:31I don't know
00:52:32When did you grow up?
00:52:34Hampstead
00:52:36How long have you been an art critic?
00:52:37Seven years
00:52:40Must be tough
00:52:42Being in a position where you have the power to ruin an artist's career
00:52:46I would never do that to someone
00:52:49I have the utmost respect for artists
00:52:52Even if their work was mediocre
00:52:54I'd still write a balanced review
00:53:04So do you have a partner?
00:53:06I mean, I can make myself scarce when you need to be alone
00:53:11I'd better see who that is
00:53:26Paul's here to see you
00:53:27He's just getting something out of his car
00:53:29I only saw him a few hours ago
00:53:33Thanks for the sushi
00:53:33But I think I'm gonna get on with some work
00:53:47Guess who's just sold a shitload of paintings for top dollar?
00:53:58Glasses please
00:54:10Glasses please
00:54:10Yay! Celebration!
00:54:13Okay
00:54:17Here my darling
00:54:19And one for me
00:54:21Okay
00:54:23Here's to the future
00:54:25Couldn't be happier for you
00:54:27For us, you mean
00:54:34You know, there's only one thing that could happen tonight
00:54:37that would make me happier than I already am.
00:55:04I love you.
00:55:40No, I want to see you.
00:55:45No, I want to see you.
00:56:06It's you.
00:56:07You look different.
00:56:09I can't do this.
00:56:10What the fuck is wrong with you?
00:56:19I want you to leave now.
00:56:22Rebecca will be home soon.
00:56:23I don't care if she's coming back.
00:56:24I'm not going to let you do this to me again.
00:56:26Do you hear me?
00:56:35I don't care if she's coming back.
00:56:37I don't care if she's coming back.
00:56:38I don't know what to do.
00:56:38I don't care if she's coming back.
00:57:00I don't know.
00:57:36One, two, three, one, four, three, one, two, three, I love you.
00:58:04What the fuck?
00:58:06I don't know.
00:58:14Fuck, I don't know.
00:58:27Fuck.
00:58:34Rebecca?
00:58:38What's going on?
00:58:39Are you okay?
00:58:42Where's Paul?
00:58:43Have you two had an argument?
00:58:44Are you serious?
00:58:45Do you expect me to believe you actually give a fuck about what happens to me?
00:58:48I don't understand what you mean.
00:58:50You leave your girlfriend with a man who's trying to fuck her while you run off in the middle of
00:58:54the night?
00:58:56That's right, Becca.
00:58:57I remember.
00:59:00How could you not tell me?
00:59:03How could you let me go back with my parents, let me think Paul was my boyfriend?
00:59:08How could you do that to me?
00:59:10They threatened me and told me not to contact you.
00:59:13I couldn't exactly turn around and say, oh, by the way, I'm your lesbian lover.
00:59:16You wouldn't have believed me and then I might never have seen you again.
00:59:18You should have taken the fucking risk.
00:59:20I didn't want to hurt you.
00:59:21I love you.
00:59:22Bullshit!
00:59:23So you'd have let me sleep with Paul last night because that's how much you love me.
00:59:27You'd have let me roll around with him, kiss his neck the way you like it because that's all I
00:59:31can remember to do.
00:59:33That's how much you love me.
00:59:35You have to understand.
00:59:36The only thing I understand is the people who are meant to care about me don't give a shit.
00:59:41I was attacked.
00:59:42I lost everything.
00:59:44I didn't know who I was.
00:59:47And you all just started lying to me.
00:59:49You let them use my suffering to manipulate me.
00:59:52Do you realise how fucking sick that is?
00:59:54Jeannie, I'm so sorry.
00:59:55It's way too late for that.
00:59:57Jeannie, I'm sorry!
01:00:04God!
01:00:17Today's the day I'm leaving.
01:00:20I want nothing you can have at all.
01:00:24Leaving with the last bit of my sanity.
01:00:28You took the rest.
01:00:31Like a drip drip tip you fed me.
01:00:35Nothing but insults and lies.
01:00:38I want to leave with the remainder of my sanity.
01:00:42I want to leave with the remainder of my sanity.
01:00:43So bye-bye.
01:00:45I'll find better than you.
01:00:52I'll find better than you.
01:00:56Even though I'm broken down.
01:00:59Oh, I want nothing from you.
01:01:03You can have it all.
01:01:06I'll find better than you.
01:01:11Oh, I want nothing from you.
01:01:19You can have it all.
01:01:21So, where do we go from here?
01:01:23All we can do is stay the course.
01:01:25Things are short if we...
01:01:28Listen up!
01:01:29Fuck you!
01:01:29Now, see here...
01:01:30And fuck you two!
01:01:32Is anyone going to tell me why you've all been lying to me?
01:01:34Lying to you about what exactly?
01:01:36Well, where shall we start?
01:01:38My sexuality?
01:01:39Rebecca?
01:01:40Him?
01:01:41I don't know what you're talking about.
01:01:43I see.
01:01:44More lies.
01:01:45I know the truth, Dad.
01:01:47And what do you know, Genevieve?
01:01:48That he is not my partner and hasn't been for years!
01:01:51And you know this how?
01:01:52Did she tell you?
01:01:54Does it matter?
01:01:57You don't even feel ashamed of yourselves, do you?
01:02:00Well?
01:02:02Everything's about you, isn't it?
01:02:04You couldn't care less about the consequences your actions have on other people.
01:02:08As long as you get what you want,
01:02:12you've brought nothing but shame on your family.
01:02:14Not to mention making me the laughing stock of the art world.
01:02:18While you walk around with that thing.
01:02:20So is that it then?
01:02:22You're just humiliated because I left you for a woman.
01:02:24What?
01:02:25Paul!
01:02:27What were you all going to do when I got my memory back?
01:02:29Did you even want me to?
01:02:31Of course we did!
01:02:32What is so wrong with me, Mum, that you had to lie?
01:02:34You're our daughter.
01:02:36And we love you.
01:02:37Even though you are a...
01:02:38That you've made mistakes.
01:02:40Mistakes?
01:02:41Did you say mistakes?
01:02:43She's a filthy lesbian.
01:02:45The Lord does not forgive that ever!
01:02:47I don't need forgiveness for who I am!
01:02:50And after what you've done, you bring up God.
01:02:53You're the ones who need forgiveness.
01:02:54What kind of people are you?
01:02:58You come into your parents' house and have the audacity to ask them what kind of people they are.
01:03:03Well, we know what kind of person you are.
01:03:06Someone so self-obsessed that you actually thought I'd pick you over Rebecca.
01:03:10That thing you're with.
01:03:13She turned you.
01:03:14She took you away from us and we were only taking you back for your own good.
01:03:17Well, it didn't work.
01:03:19Now I'm going to check on Mum and then I am done with you.
01:03:38Charlie Hanschen, come on in Hawaii.
01:03:38No, he's too old.
01:03:39Please stop this KRIS promin.
01:03:40He got off EM켜pants when he's coming back.
01:03:40He's not awwww perch was never known as he was on the ice.
01:03:43So we're going to be fine.
01:03:44Probably be fine today,
01:03:45Steve.
01:03:45He's too old that he didn't balance his eyes.
01:03:46It's a nice music for him.
01:03:48It's so求� aşkif míns.
01:04:13Jeannie?
01:04:31What the fuck are you doing here?
01:04:33To put an end to all this.
01:04:35If I were to ask you to leave Genevieve alone, would you?
01:04:38It doesn't matter what I do.
01:04:40She's with Paul now, she doesn't want to be in a relationship with me anymore.
01:04:43Nice try, but I know you told her the truth.
01:05:13Becca?
01:05:15Becca?
01:05:16Oh my God.
01:05:17Becca!
01:05:19Oh my God, talk to me, Becca!
01:05:20Becca, talk to me!
01:05:22Come on, Becca!
01:05:23Fuck!
01:05:24Fuck!
01:05:30You all need an ambulance.
01:05:31Now!
01:05:33Fuck!
01:05:40Fuck!
01:05:43Please!
01:05:44Please!
01:05:45She's going to be fine.
01:05:46She's going to be okay.
01:05:48Thanks.
01:06:18What the hell?
01:06:19What happened?
01:06:21I don't know. I found Becca in our flat unconscious.
01:06:25Any sign of a break-in?
01:06:26No, because he had my keys.
01:06:33I think the person who attacked Rebecca is the same person who attacked me.
01:06:49What is it? Is it Genevieve? Has she been hurt again?
01:06:51No, she's fine. May we come in?
01:07:00Is your husband here?
01:07:02Yes, but why?
01:07:16Mr. Simmons, you are under arrest for the grievous bodily harm of Genevieve Simmons and Rebecca Sheldon.
01:07:24So she's alive, is she?
01:07:27Stand up.
01:07:33Do you know what it's like to try and prevent your only daughter from being condemned to eternal suffering in
01:07:38hell?
01:07:38I don't.
01:07:40But I promise you, you won't be seeing her there any time after your life.
01:07:44What did you do, Eddie? What did you do?
01:07:46No, shut up, you stupid bitch.
01:07:48Do you think I don't know about your past?
01:07:52I don't care what you think of me anymore. You're a monster!
01:07:55And I've been so weak and so guilty. For what?
01:07:58Our daughter's a lesbian. So fucking what?
01:08:01This is all your fault. Must be in your genes. Mother like daughter.
01:08:07I'll take him to the car.
01:08:09You don't have to say anything, but you may harm your defense.
01:08:11Yes.
01:08:31It was my dad, wasn't it?
01:08:40I'm so sorry.
01:08:43I love you so much.
01:08:47You said you loved me.
01:08:59He just goes into the nose, love it.
01:09:01We're not.
01:09:03Are we actually getting out of bed today?
01:09:06No.
01:09:07We're not.
01:09:11I just heard about your father.
01:09:15I can't believe that's what he got up, what he did to you.
01:09:22All of us.
01:09:29And I...
01:09:34I know it's worth nothing, but...
01:09:38I really did love you.
01:09:56Hello?
01:09:58Hello.
01:09:59Yes.
01:10:01Nancy.
01:10:04It's Elsie.
01:10:05It's Elsie.
01:10:08I knew you would call one day.
01:10:09It was only a matter of time.
01:10:38I knew you would call one day.
01:10:39I knew you would call one day.
01:10:40I knew you would call one day.
01:10:44What the hell was that was that way?
01:10:46I knew you'd call one day.
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