Main Manto Nahi Hoon is a bold, compelling drama, starring Humayun Saeed, Sajal Aly, Sanam Saeed, and Azaan Sami Khan & Others.
It follows a man inspired by Manto, writing his own truth — and a woman who commands without raising her voice.
Humayun Saeed as Manto
Manto, only son of Waqar Manto, is a quiet yet intense professor who questions norms and writes with fearless honesty. Inspired by truth, he forges his own path, carrying the legacy but not the rules.
Sajal Aly as Mehmal
Mehmal is Siraj’s only daughter and the most cherished member of the family. She is a student of Manto. She doesn’t raise her voice to be heard and stands firmly between old traditions and a new way of thinking.
Cast:
Humayun Saeed as Manto,
Sajal Aly as Mehmal,
Azan Sami Khan as Farhad,
Sanam Saeed as Maria,
Asif Raza Mir as Siraj,
Saba Hamid as Zulekha,
Saba Faisal as Naseeba,
Saima Noor as Suraiya,
Babar Ali as Bin Yameen
Usman Peerzada,
Musadiq Malik & others.
Writer: Khalil ur Rehman Qamar
Directed by: Nadeem Baig
MAIN MANTO NAHI HOON Every Fri-Sat at 8:00 PM, only on ARY Digital.
"Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡ https://bit.ly/arydigitalyt.
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
#mainmantonahihoon #humayunsaeed #sajalaly #arydigital #azansamikhan #sanamsaeed
#drama #pakistanidrama
It follows a man inspired by Manto, writing his own truth — and a woman who commands without raising her voice.
Humayun Saeed as Manto
Manto, only son of Waqar Manto, is a quiet yet intense professor who questions norms and writes with fearless honesty. Inspired by truth, he forges his own path, carrying the legacy but not the rules.
Sajal Aly as Mehmal
Mehmal is Siraj’s only daughter and the most cherished member of the family. She is a student of Manto. She doesn’t raise her voice to be heard and stands firmly between old traditions and a new way of thinking.
Cast:
Humayun Saeed as Manto,
Sajal Aly as Mehmal,
Azan Sami Khan as Farhad,
Sanam Saeed as Maria,
Asif Raza Mir as Siraj,
Saba Hamid as Zulekha,
Saba Faisal as Naseeba,
Saima Noor as Suraiya,
Babar Ali as Bin Yameen
Usman Peerzada,
Musadiq Malik & others.
Writer: Khalil ur Rehman Qamar
Directed by: Nadeem Baig
MAIN MANTO NAHI HOON Every Fri-Sat at 8:00 PM, only on ARY Digital.
"Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡ https://bit.ly/arydigitalyt.
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
#mainmantonahihoon #humayunsaeed #sajalaly #arydigital #azansamikhan #sanamsaeed
#drama #pakistanidrama
Category
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Short filmTranscript
00:03Transcription by CastingWords
00:04Yes, I am not the one that you understood me.
00:19Play something, brother. It's a shame.
00:23If you first met him, you understand that he's a shame.
00:26He's dead. Where is our hero? Our hero?
00:29There's no doubt about it.
00:30I've got to meet him. He's ready.
00:33And he's going to be in his house.
00:36As you know, both will come.
00:38You go to my room. I'll eat the food here.
00:43Nice. Thank you.
01:02Sit here, please.
01:10How are you?
01:12I'm very sad.
01:12I'm very sad.
01:14If you don't get a phone call, you don't reply to the message,
01:16so I feel like I'm nobody for you.
01:19Come on, brother. You're a man.
01:22You'll be wrong.
01:22You'll be wrong in anger, in frustration.
01:26I'm sorry to say.
01:32Say it.
01:33No.
01:34No, no. It's okay.
01:37So, you mean, you're not sad, right?
01:39No.
01:41So, tell me.
01:43We'll be going like this.
01:46What do you mean?
01:48I mean, I'm wearing a new dress like this.
01:50I'm not going to sit in front of you.
01:54So, who said the truth?
01:56I didn't say it.
01:58But you're feeling good.
01:59You're feeling good.
02:00You're coming to the point.
02:02This is just like any ordinary man.
02:05From our house.
02:07From our house.
02:091924.
02:11Get ready.
02:12Get dressed.
02:13What's that?
02:16Who can they stop?
02:18You can stop, right?
02:20This is the way to counter them.
02:23If they don't stop, we'll stop.
02:25How?
02:27It's very simple.
02:29You don't need to stay in front of me like this.
02:33You don't need to stay in front of me like this.
02:34It's just two days.
02:35And you've done so much makeup.
02:37You've done so many times.
02:38What's that?
02:39Why, brother?
02:41So, I don't want to go back again?
02:43Who said it?
02:44Oh, sir.
02:46We'll decide both of you.
02:48You'll call me.
02:50I'll come.
02:52I'll come.
02:52And I'll come.
02:53I'll come.
02:54Okay.
02:54Okay.
02:55So, I'll come.
02:56I'll come.
02:59I'll come.
03:04I'll come.
03:13I'll come.
03:14I'll come.
03:15I'll come.
03:20I'll come.
03:21I'll come.
03:22I'll come.
03:51I'll come.
03:53So, I'll come.
04:02So...
04:08But...
04:11...we'll have had a chance to do.
04:12You've neither here.
04:12What was it, Juna?
04:14The one who was wearing the mask,
04:16was removed from the next day,
04:18and then it was fake.
04:27Please call the same day.
04:29I will come back to the same day.
04:34You can't go.
04:36Why?
04:37I will tear my mouth.
04:39I will request that I will go to the same time.
04:42I was holding my hand.
04:44Yes, I'm holding my hand, right?
04:47Please.
04:49Please.
04:52Look, the tea has also come.
04:54Take it quickly.
04:56Let's drink tea.
04:58Please.
05:01Yes, sit down.
05:02Sit down.
05:05Sit down.
05:07Let's see.
05:08Help me.
05:09Go inside.
05:20How much?
05:24As much as you put.
05:36You will eat cake.
05:55You will need to lay a place.
05:56Add to it.
05:59I'm going to eat cake.
06:01I love it.
06:03I love it.
06:08I know.
06:08I know.
06:09I love it.
06:19Jee Mantra sahab.
06:22Oof.
06:25Oof, what does it mean?
06:28This is a very bold word.
06:31Muscle?
06:33Muscle.
06:34Muscle.
06:36It's a bad thing.
06:39Isn't it weird?
06:41People are bad here,
06:44but if someone doesn't give a hand to their heads,
06:46they don't give a hand.
06:49He's not bold, Mantra sahab.
06:52He's a behadr.
06:54And he understands that
06:57the behadr is not in power of the body,
07:00but in power of the body.
07:02He's so powerful.
07:04He's so powerful
07:05that the body of the body
07:05took his hand to his head
07:08to the body of the body.
07:11But you're afraid, Mantra.
07:13You're just a man's name.
07:15You're not a man's name.
07:17You're not a man's name.
07:20Yes.
07:21I'm a man's name.
07:22You're not a man's name.
07:38I'm a man's name.
07:41I'm a man's name.
07:42I'm a man.
07:45I'm a man.
07:46Yes.
07:46Yes.
07:48So what do you think about it?
07:50I think I'm going to give up a lot.
07:54Absolutely not.
07:57I know that I'm going to ask you here and you're going to come here,
08:01you'll have to ask me a question and answer my answer.
08:07But if I'm not coming back to you, I'm going to leave.
08:11Open the door or open the door.
08:16Before you say the whole thing, just tell me so much.
08:19Who is a big deal in our house?
08:23Is it a relative or a sin?
08:30Before you answer your answer, I'll say one thing.
08:38Yes, of course, Niyaj.
08:39If someone's son is dead, everyone seems to be scared.
08:46It's a fear, dear.
08:57I'm sorry.
09:28I'm thinking about it.
09:29I'll go to the door.
09:31I'll say God.
09:34I'll leave it to the eyes.
09:37I'll leave it to the eyes.
09:44What's that?
09:45Yes, Niyaj.
09:48I'll leave it to your house.
09:51I'll leave it to you.
09:59I'll leave it to your home.
10:01I'll leave it to your friends.
15:37Did you forgive me?
15:38I forgive you.
15:45God give you patience, Surayya.
15:55If you listen, you won't be confident.
15:58And what I'm going to tell you,
16:00if you listen, you won't be confident.
16:03Say it.
16:04Suraj, we've been hearing from Suraj.
16:07I've heard about it.
16:08I've heard about it.
16:09I'm going to come to the factory today.
16:10It's the first time in my life.
16:12Hello, sir.
16:13Can you hear me?
16:15Tell me.
16:16There's a reason to keep in mind.
16:18What will the other women always give up?
16:22Why do you give up?
16:24I'm going to give up with their children.
16:27Shut up, Farhad.
16:29Why shut up?
16:30I'm going to give up with people.
16:34I'm going to study, Mohaida.
16:36If I have written in it,
16:37then I'll do it for you.
16:39I'll do it for you.
16:41Please, Farhad.
16:44You've read it, Mohaida.
16:46I'm not going to give up with that.
16:52Why do you stop me, Farhad?
16:53Let's go.
17:03Let's go.
17:04Let's go.
17:18Let's go.
17:20Let's go.
17:24Let's go.
17:30Let's go.
17:33Let's go.
17:36Let's go.
17:37I'm not.
17:45Let's go.
17:47Let's go.
17:49Let's go.
17:52I will forgive my sins.
17:59I have never written that God has also forgive me.
18:22Oh, oh, oh, oh.
19:21Oh, oh, oh.
19:44Oh, oh, oh.
20:02Oh, oh, oh.
20:49Oh, oh, oh.
20:58Oh, oh, oh.
21:01Oh, oh, oh.
21:31Oh, oh, oh.
21:32Oh, oh, oh.
21:33Oh, oh, oh.
21:33Oh, oh, oh.
21:34Oh, oh, oh.
21:34Oh, oh, oh.
22:06Oh, oh, oh.
22:24Oh, oh, oh, oh.
22:32Oh, oh, oh.
23:01Oh, oh, oh, oh, oh, oh.
23:14Oh, oh, oh.
23:34Oh, oh, oh, oh.
23:36Oh, oh, oh, oh, oh, oh, oh, oh.
24:06Oh, oh.
24:07Oh, oh, oh, oh, oh, oh.
24:14Oh, oh, oh, oh, oh.
24:44Oh, oh, oh, oh, oh.
24:50Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
24:55oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
24:57oh, oh.
24:58If you haven't come to Australia, you will also get married to you.
25:05Mother?
25:07You're scared, right?
25:10Okay, let's go here and talk about it.
25:14For God's sake, Mother.
25:15Come to Pakistan.
25:16Tomorrow, you will have to go to Australia tomorrow.
25:19Then you will have to run away from any other country.
25:22No, I'll come here.
25:23But it's also my commitment to Nehru.
25:28Okay, you'll reach here tomorrow.
25:31Then I'll talk about it.
25:32If you have a commitment to living in Lahore,
25:36then I'll tell you that you'll be my daughter.
25:38Otherwise, I didn't have to give my daughter to Australia.
25:43Okay, okay.
25:44You're packing your own.
25:46Good luck.
25:47Is that right, Mother?
25:49It's done.
25:50And you're saying that it's my commitment to Nehru.
25:53I've also said that it's my commitment.
25:56It's my commitment, right?
25:58It's my commitment, right?
25:58And it's my love.
26:00Do you want to see her and come here?
26:02Have you ever seen the water?
26:05It seems that it will go out and go out and go out.
26:10You just stop from the bottom.
26:13Look at how it gets wet.
26:16It's just like this love.
26:21Don't do it, Mother.
26:22Look at your father.
26:25Suriya, they were like water.
26:28They sent a letter.
26:30They heard the letter.
26:34Then they answered their little brother.
26:39No.
26:41This is not a letter.
26:44You heard it.
26:46You have to cry first.
26:48You're not trying to cry soon.
26:51Then he cried on the other side.
26:53Why did you cry?
26:54Then they answered Suriya's two daughters' love.
26:56I've been asked for a long time.
27:00These are your children's children.
27:06And this is the most important thing.
27:17Tell me your husband to be happy with me.
27:20And there are two treats to me.
27:22I'm going to ask myself who is going to ask.
27:24So, tell me, one is Mangani, the other is Sula.
27:28I said, done.
27:29Tell me, I'm free.
27:31He's scared.
27:32He said, no, not mehmel.
27:34I was just joking.
27:36I said, I'm not joking.
27:39Mangani's treat will be met.
27:42Why is Mangani's?
27:44Why is Sula?
27:49Did you trust her?
27:51When are you going?
27:55I'm going to trust her, but I'm not aware of it.
27:58So, call me.
28:00When are you free?
28:03Today's day is good.
28:05Today's job is done.
28:07If it's a good job,
28:08it will be good.
28:11Really?
28:13I'll call you?
28:15Yes.
28:44Hello.
28:45Good evening, sir.
28:47So, what are you doing, Sula?
28:50What?
28:50I'm going to read a book.
28:52I'm going to read a book.
28:53So, you mean free are you?
28:56Yes.
28:57So, you can call me the phone?
28:59You?
29:01The talk is still happening.
29:03Okay, there's a balance of balance.
29:05I'll keep it.
29:07No, no.
29:08It's not a balance of balance.
29:09No, no, no.
29:10You said that if you're free,
29:11then tell me.
29:12And now you're free.
29:13So?
29:15So, what?
29:16Treatment?
29:18No.
29:19Get ready.
29:19I'm going to send you.
29:34I'm going to send you.
29:41What happened, Papa?
29:43Nothing happened.
29:45I'm looking at your lips.
29:46I'm looking at your lips.
29:51So, what?
29:54I mean,
29:55it's not all right, right?
29:57Who said it's not right?
29:59It's not right.
30:01It's not right.
30:01It's not right.
30:01It's not right.
30:02It's not right.
30:02It's not right for anyone.
30:04It's not right for anyone.
30:05It's not right for mangani.
30:08When am I going to break?
30:09What are you talking about?
30:11Okay, let's go.
30:13He's making a lawyer.
30:14He's making a lawyer.
30:15He's making a lawyer.
30:22Yeah, he's making a lawyer.
30:34He's making a lawyer.
30:44He's making a lawyer.
30:47He's making a lawyer.
30:49Didn't you Paralap Tam.
30:53Oh, that's right.
30:56He's making a lawyer.
31:00Okay.
31:00My heart, my heart, my heart, my heart, my heart, my heart, my heart, my heart, my heart, my heart,
31:17my heart.
31:17But I am very happy.
31:19This kind of love can be made of my life.
31:23I can't get married all my life.
31:33Let's go. Tell him about it and get ready.
31:39Please, Phupo, there's nothing like you're thinking.
31:42Where are you thinking?
31:45I'm seeing you for four months.
31:50Now, I can't say my mother's name.
31:56Let me prove.
31:57Have you seen me?
32:00So I can't believe too.
32:02Your father was just like that.
32:14Let's see.
32:44Where are you?
32:44What are you talking about?
32:45Are you talking about me?
32:46Are you talking about any other people?
32:49Come on.
32:52Hello.
32:53Hello.
32:55Hello.
32:55I'm in a car and I'm going home.
32:57Don't go.
32:58Why?
33:01You're here.
33:01I'm going home.
33:02I'm going home with my mother.
33:03I'm going to eat and eat.
33:06Oh, wow.
33:08Come on.
33:09Come on.
33:10Come on.
33:10Come on.
33:11Come on.
33:11If you get permission, you'll be able to message me.
33:15I'll be ready.
33:16Sure.
33:17Do you know who I am?
33:19I know.
33:20But I'm not sure.
33:21You can see.
33:23I'll give you confidence today.
33:26Okay.
33:26Listen.
33:27You won't get permission.
33:28That's how it comes.
33:29You'll get permission.
33:31It's going to be 2024.
33:32You can't go with your friends.
33:35I'll keep my phone.
33:44I know.
33:45I'm the one who is a love.
33:47You can see him again.
33:49I'll see you again.
33:50I'll go ahead and die.
34:13I don't know what I'm saying.
36:41Come on.
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