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FATED TO MY CRUEL CEO FULL

Watch the full short drama with English subtitles. CEO, billionaire, revenge, betrayal — complete story in one video.

#shortdrama #ceodrama #drama #revenge #fullmovie #englishsub #reelshort #dramabox #miniseries #love #betrayal #drama2026
Transcript
00:00:22hey how much should take you to my place baby doll sorry I don't do private dances she'll
00:00:28strip her money but you won't fuck a guy I'm not a hooker show some respect you fucking bitch I'll
00:00:36show
00:00:36you respect mr. Morgan I am so sorry she's new here I've got a trainer better just have a seat
00:00:44we'll be with you shortly sorry about that you ungrateful bitch you remember who saved your
00:00:55ass when you were knee-deep in debt me how are we doing with the search not good boss still
00:01:06going
00:01:08find her I don't care what it takes
00:01:15I found the perfect one for you it's about time you settle down get married her name is Carla
00:01:20she's a daughter of a friend of mine dad we've been over this I don't need you to find me
00:01:26the
00:01:26perfect woman of course I do you're an Arduin I have to make sure my son marries the perfect woman
00:01:31so
00:01:31now all of a sudden you give a shit about me you never care when you drove mom away or
00:01:36when you
00:01:37sent me to that orphanage all by myself silence how dare you it's for the Arduin family business
00:01:43you're marrying Carla Jennings end of discussion dad I paid your 500 grand debt and I gave you a job
00:01:57now if you want to quit so bad pay me back get the fuck out of my club please you
00:02:03know I don't have
00:02:04$500,000 just give me another chance then get the fuck back in there apologize to that nice gentleman
00:02:10and do whatever the fuck he tells you to do now if I get any more complaints from our clients
00:02:16you
00:02:17will be sorry got it is there a problem here no sir everything's fine she looks just like her
00:02:37will you marry me
00:02:44will you marry me
00:02:49no let's tell my father I've chosen a wife for myself
00:02:51are you sure boss she's a stripper
00:02:55how about we make a deal name any price you want
00:02:58then we get married
00:03:00I owe my boss $500,000 he's not gonna let me go until I pay it
00:03:09anything else
00:03:18this is your house
00:03:21it's our house now
00:03:22welcome
00:03:31all right sign this agreement and we'll be contractually married for a year
00:03:36after that you can file for divorce
00:03:39until then
00:03:41you're part of the richest family in the country
00:03:55my heart belongs to somebody else though
00:03:57I don't want you to know that I'm not attracted to you
00:04:00we're just gonna be married on paper
00:04:04is that so
00:04:06well don't worry
00:04:08I'm not attracted to you either
00:04:10I just wanted the money
00:04:24hey where am I staying by the way
00:04:27in the guest room
00:04:35total jerk this is an ad
00:04:45it's been over 10 years
00:04:47I miss you so much
00:04:51I miss you so much
00:05:23nice I need you to find out everything you can about the woman I just married
00:05:27see if she grew up in the same orphanage
00:05:46sorry I didn't mean to
00:05:47this is my bathroom
00:05:49what do you think you're doing
00:05:52nice try
00:05:53trying to use your little tricks to get my attention
00:05:55it's not gonna work though
00:05:56sorry
00:05:59I wasn't trying to get your attention
00:06:07you mind turning that off
00:06:11I just thought the carpet needed some cleaning
00:06:13you're here to be my wife
00:06:16not a maid
00:06:19who are you
00:06:23wait
00:06:24you're that stripper
00:06:26what are you doing in Edward's house
00:06:28I am
00:06:30who are you
00:06:31I am Edward's fiance
00:06:37Edward you're marrying a stripper
00:06:40I thought I was your fiance
00:06:42my father arranged for us to get married
00:06:45only for the sake of our families
00:06:46we wouldn't be happy even if we did get married
00:06:49but I would be happy
00:06:50Edward
00:06:51Carla
00:06:52you know I have someone that I love
00:06:55she's the one I'm waiting for
00:06:59I don't know who the fuck you are
00:07:01but if you think you have a chance against me
00:07:03you're done with it
00:07:05than I thought
00:07:06miss
00:07:07get it straight
00:07:08I'm not competing with you
00:07:12stop it
00:07:14Edward
00:07:15are you defending her now
00:07:19you're not dumb bitch
00:07:21you're sweet
00:07:23wow
00:07:24you got a lot of admirers huh
00:07:26need more that I need to watch out for
00:07:28look
00:07:29if you see me in the living room
00:07:31don't show your face
00:07:33same will go for me
00:07:34your house
00:07:35your rules
00:07:36big deal
00:07:44hi
00:07:44I'm Velma
00:07:48I've
00:07:49worked a lot of odd jobs
00:07:51in the city
00:07:54waitressing
00:07:55and
00:07:56working in nightclubs
00:07:59all for a chance
00:08:01to act
00:08:08I'm also looking for someone
00:08:13and
00:08:15I hope
00:08:17that one day
00:08:19he sees me on screen
00:08:23that way he knows that
00:08:25I'm still here
00:08:41look her
00:08:44I hope you see me
00:09:00that's okay Sarah
00:09:02Thelma doesn't need to dine with me
00:09:05bring my food to my room
00:09:06and I'll eat there
00:09:07yes
00:09:09it's fine
00:09:10I usually don't eat with people anyway
00:09:13by the way
00:09:14I'm going out for a bit today
00:09:17where you go is none of my concern
00:09:21fine
00:09:25is he always this big of a jerk
00:09:28excuse him ma'am
00:09:29he's just used to living alone
00:09:32I'm sorry Sarah
00:09:33it must be difficult
00:09:34dealing with him everyday
00:09:35it's okay
00:09:43yeah
00:09:44I'll be right there
00:09:58okay
00:09:59sit
00:10:00so
00:10:01I heard a funny little rumor
00:10:04that you married
00:10:05the famous billionaire
00:10:06Edward Arduin
00:10:07is it true?
00:10:08I didn't know that he was a billionaire
00:10:10until after we were married
00:10:12you're joking
00:10:13how did you manage that?
00:10:15shh
00:10:15I just
00:10:17signed a contract
00:10:18it's fake
00:10:19what?
00:10:20well who cares
00:10:21what are you waiting for?
00:10:22seal the deal
00:10:22I know that I can't think about
00:10:25anyone but Algar
00:10:27gee it's been
00:10:28ten years since you two
00:10:30escaped the orphanage
00:10:31I mean Algar could be anywhere
00:10:33he could be dead
00:10:33he's not dead
00:10:35he's not dead
00:10:35okay
00:10:36um
00:10:37it's okay
00:10:38I'm sorry
00:10:39so
00:10:40what's your plan?
00:10:42keep things
00:10:44the way they are I guess
00:10:45except
00:10:46now I can focus more on acting
00:10:48and
00:10:49not dancing in strip clubs
00:10:51hey
00:10:51that's exciting right?
00:10:53that's something you've always wanted to do
00:10:55since you were a kid
00:10:56is that audition today?
00:10:58yeah
00:11:06hi
00:11:06I'm here for the audition
00:11:10you think you could just show up like that
00:11:12you slut
00:11:18you slut
00:11:18are you stalking me?
00:11:21oh don't flatter yourself
00:11:22I'm the lead of this production
00:11:25she's not auditioning
00:11:27sorry
00:11:28you can't do this
00:11:30I've worked so hard for this opportunity
00:11:32oh like stripping for men
00:11:34and fucking them in strip clubs?
00:11:36got it
00:11:37I was dancing
00:11:38that's it
00:11:39what's the fucking difference?
00:11:42I eat girls like you
00:11:43for breakfast
00:11:46let's go Derek
00:11:49no
00:11:50please
00:11:52wait
00:11:59be quiet
00:12:39boss
00:12:41get the details
00:12:43Thelma
00:12:44she went to high school
00:12:46not far from here
00:12:47drugged up
00:12:48the husband auditioned for films
00:12:50she worked at nightclubs
00:12:52to make a living
00:12:53bad relationship with her parents
00:13:04but not an orphan
00:13:06no name changes
00:13:07and definitely
00:13:09never been to an orphanage
00:13:20I wanted it to be her so bad
00:13:23of course it can't be Helen
00:13:25you've been looking for this girl
00:13:26for ten years
00:13:28who is she?
00:13:30someone more important to me
00:13:32than life itself
00:13:46it is her
00:13:52find me the location where this photo was sent
00:13:54got it
00:13:55the photo's been sent
00:13:57good
00:13:58good
00:13:58where is she?
00:13:59oh
00:14:02out like a lame
00:14:04I guess marrying Edward
00:14:05won't solve everything
00:14:07I'll be about it
00:14:08do whatever you want with her
00:14:10and clean up after you're done
00:14:31I've been searching for you for so long
00:14:33and you were right here
00:14:56boss
00:14:57he's gone
00:14:58find him
00:14:59and keep this between us
00:15:00got it
00:15:04come on
00:15:05I got you
00:15:19Elgar
00:15:21I'm sorry
00:15:24I can't tell you who I am
00:15:27not yet
00:15:45we'll need your names
00:15:46once we're out of here
00:15:47right?
00:15:49yeah
00:15:50we're starting a new life
00:15:52I'll be
00:15:53Thelma
00:15:54what about you?
00:15:56Elgar
00:15:58Helen
00:15:59where are you?
00:16:01you have to run quick
00:16:03trying to escape again?
00:16:05I warned you
00:16:06it's not gonna work
00:16:07looks like I gotta give you
00:16:09some real punishment
00:16:11you go first
00:16:12at least one of us
00:16:13needs to escape
00:16:14no
00:16:15you go
00:16:15she's gonna kill you
00:16:17I won't let her catch me
00:16:19just go
00:16:20I'll find you
00:16:21let's meet the
00:16:22amusement park
00:16:27I'll wait for you
00:16:28Elgar
00:16:34oh you're not going anywhere
00:16:36I'll bring her back
00:16:37rest assured
00:16:39after I'm done with you
00:16:48I'll wait for you
00:16:58Elgar
00:16:59what happened?
00:17:01nothing to worry about
00:17:02just some issues
00:17:03with the film crew
00:17:05why are you being so nice
00:17:07to me?
00:17:08no reason
00:17:10here
00:17:10take this card
00:17:12it's unlimited
00:17:14spend it however you want
00:17:15why are you doing this?
00:17:17I don't want your money
00:17:20well if you need money
00:17:22just let me know
00:17:23and you can stop looking for
00:17:24odd jobs
00:17:30odd jobs?
00:17:32acting is my dream
00:17:35I danced in strip clubs
00:17:36for a living
00:17:37but
00:17:39people like you
00:17:40born from a silver spoon
00:17:42wouldn't understand that
00:17:43then stop doing it
00:17:45we're in a contract marriage
00:17:47right?
00:17:48I won't interfere
00:17:50with your life
00:17:50and you can't meddle in mine
00:17:53acting is something
00:17:54that I've always wanted
00:17:57and besides
00:17:59I'm not going to take
00:18:00your money
00:18:00besides the number
00:18:01that we agreed on
00:18:05you need to rest now
00:18:10do you mind?
00:18:12I'm not going to
00:18:31look at this mess
00:18:34clean it up
00:18:35if you even think
00:18:35about going to bed
00:18:52eat up
00:18:53you must be starving
00:18:57yeah
00:18:57you probably work hard
00:18:59for this
00:18:59come on
00:19:01take it
00:19:06I can't believe
00:19:07she locked you out
00:19:08for three days
00:19:09and made you do all this
00:19:11did she even feed you
00:19:12at all?
00:19:13you made it easier
00:19:14for me
00:19:15no
00:19:15get back
00:19:16before she sees you here
00:19:37excuse me
00:19:38I'm calling to ask
00:19:40about my audition
00:19:42I'm sorry
00:19:42your name
00:19:43has been blacklisted
00:19:44from reproduction
00:19:46what?
00:19:52this is the dude
00:19:53who talked to him
00:19:53I'll send you those pictures
00:20:04how about a drink
00:20:06there are two glasses
00:20:07of scotch there
00:20:09pick one
00:20:11I'm sorry
00:20:12Mr. Edward
00:20:12please
00:20:14just a friendly gesture
00:20:15from the boss
00:20:18one more thing
00:20:20only one of those glasses
00:20:21is poison free
00:20:24you should have known better
00:20:25that would happen
00:20:27when you could have them
00:20:28here
00:20:30I'll do it for you
00:20:31hold it
00:20:36go
00:20:39go
00:20:47take him away
00:20:55this
00:20:56is what I've become
00:20:57Thelma
00:20:59I hope you never
00:21:00see me like this
00:21:02ruthless
00:21:04merciless
00:21:06both glasses
00:21:08would have silenced
00:21:09the pen
00:21:11I simply can't
00:21:12forgive him
00:21:13for what he did
00:21:27what the fuck happened to you
00:21:29how did he find you
00:21:30what happened
00:21:32oh you can't even talk now
00:21:36god you fucking useless
00:21:40inform every production
00:21:42you can reach
00:21:43Thelma will never
00:21:44be an actress
00:21:47make sure of it
00:21:50go
00:22:03are you okay
00:22:07I've been blacklisted by
00:22:09every production company
00:22:10even the actors guild
00:22:12what am I gonna do
00:22:14hey don't lose heart
00:22:15okay
00:22:15I happen to know
00:22:16of an audition
00:22:17going on today
00:22:18if you're interested
00:22:20good friend of mine
00:22:21tipped me off
00:22:22now come on
00:22:22let's go
00:22:23all right
00:22:24it's better than
00:22:24moping around here
00:22:25come on
00:22:29here it is
00:22:31so I can just
00:22:32go in there
00:22:33just like this
00:22:34yes I got
00:22:35everything set up
00:22:36okay
00:22:36just go ahead
00:22:37go in
00:22:38and do your thing
00:22:39you got this
00:22:41break a leg
00:22:55what a shame to do
00:23:02who is she
00:23:04nobody
00:23:05she's not here
00:23:07for the audition
00:23:07too is she
00:23:09well in that case
00:23:11we're in for a truth
00:23:15Carly Ginny
00:23:17you're up next
00:23:23watch
00:23:37I can't believe it
00:23:39it was you
00:23:40all along
00:23:43that's right
00:23:44I never thought
00:23:46you'd find me
00:23:46but it must come
00:23:48to an end
00:23:51oh no
00:24:05cut
00:24:09I'm sorry
00:24:10were you shot
00:24:11or did someone
00:24:12just step on your toe
00:24:14can't you just try again
00:24:15I was just a bit nervous
00:24:18miss Jennings
00:24:19we are making a thriller
00:24:21with a tragic ending
00:24:22what you just did
00:24:24was borderline comedy
00:24:26excuse me
00:24:27do you know
00:24:28how close I am
00:24:29with your
00:24:30investor
00:24:32sir
00:24:32she was indeed
00:24:34recommended for the role
00:24:36maybe we give her
00:24:37maybe we give her another chance
00:24:41maybe we give her another chance
00:24:44no
00:24:46no
00:24:46no no no no
00:24:47we are creating art
00:24:49that appeals to our audience
00:24:50and she is clearly
00:24:52not right for the role
00:24:53next
00:24:55I'm sorry miss Jennings
00:24:57that was great
00:24:58maybe another project
00:25:00or another
00:25:03what are you still doing here
00:25:05I thought you were blacklisted
00:25:06so it was you
00:25:08you know if that's the best you got
00:25:10then I'm not that worried
00:25:12you think you could do better than me
00:25:15then you're nothing
00:25:19yeah
00:25:19show us what you got
00:25:23Selma
00:25:39so it was you
00:25:41all this time
00:25:43that's right
00:25:44I never thought you would find me
00:25:50but now it must come to an end
00:25:53no
00:25:54this can't be it for us
00:26:04cut
00:26:07well that was
00:26:10amazing
00:26:11you fully captured that role
00:26:14congratulations
00:26:16you got the part
00:26:17what
00:26:24what about me
00:26:25you promised me
00:26:26oh come on
00:26:27you have to admit
00:26:28she was exceptional
00:26:30she is perfect for the part
00:26:32girl
00:26:32you killed it
00:26:35you were great
00:26:36I'm Alex
00:26:38looks like we're gonna be
00:26:39team partners
00:26:40Selma
00:26:40hey do you want to go
00:26:42somewhere more private
00:26:42we can talk about the script
00:26:44yeah sure
00:27:00what the fuck
00:27:02hitting on the wrong girl buddy
00:27:03Edward what are you doing
00:27:06I need to go talk to Selma
00:27:08how about you shoot another day
00:27:14what are you doing
00:27:16gonna explain yourself
00:27:17I don't owe you any explanations
00:27:21so you're seeing new guys
00:27:25what no
00:27:26we were just acting out a scene
00:27:28a scene where you two get real close
00:27:30like a couple
00:27:31I was just doing my job
00:27:33there's nothing wrong with it
00:27:34and besides even if I was seeing someone
00:27:37it would be none of your business
00:27:47I heard you got the lead role
00:27:50that's amazing
00:27:51I knew you'd kill it
00:27:53what is Edward doing here
00:27:55who?
00:27:56come on you know who I'm talking about
00:27:59oh
00:27:59um
00:28:00gosh you still don't know do you
00:28:02you know what
00:28:06well he's actually the investor
00:28:08of this movie
00:28:09this is his project
00:28:17why did you bring me here then?
00:28:20well it was actually his idea
00:28:26hello
00:28:28hi is this Jean?
00:28:30who is this?
00:28:31this is Edward Ardoin
00:28:33I recently invested in a film project
00:28:35and I want you to take your friend Thelma
00:28:37I think she'll be great
00:28:39for a lead role
00:28:40oh wait wait
00:28:41you're Edward Ardoin?
00:28:43I wired the payment to your account
00:28:45thank you
00:28:46oh wait wait wait
00:28:51I still can't believe
00:28:53I spoke to the legendary
00:28:54Edward Ardoin
00:28:56I can't believe you knew all this time
00:28:58and you didn't tell me
00:28:59oh well
00:29:00don't look at me
00:29:01I'm just the middle man
00:29:03doing somebody else a favor
00:29:04okay
00:29:04and you still got the lead
00:29:06it's amazing
00:29:09but
00:29:09you know
00:29:10a lot of people say
00:29:12that Edward's not very nice
00:29:13he's like a stone-cold man
00:29:15so why is he being so good to you?
00:29:19yeah I don't get it either
00:29:20I mean
00:29:21women must be throwing themselves at him
00:29:24why would he help?
00:29:34maybe he's fallen for you
00:29:37come on
00:29:38that's impossible
00:29:39he said some pretty harsh stuff earlier
00:29:41so
00:29:42no
00:29:43is that why you look all gloomy?
00:29:45what happened?
00:29:46did you guys fight?
00:29:47he saw me doing a scene
00:29:49with another actor
00:29:50and
00:29:53that's
00:29:54whatever
00:29:58why do you care what he thinks though?
00:30:02come on girl
00:30:03this does not sound like you
00:30:05are you sure
00:30:06you haven't fallen for him too?
00:30:08no it's just
00:30:11there's something about him
00:30:12that's
00:30:14familiar like
00:30:16like
00:30:18I've seen him before
00:30:20hmm
00:30:41thank goodness you here Helen
00:30:42this place is depressing
00:30:45I don't know if I can make it without you
00:30:49you're the one protecting me
00:30:51I can't stand watching you getting hurt
00:30:53you're sweet as a sugar pea
00:30:56can I call you sugar pea?
00:30:57sure
00:30:58as long as I can call you my little rock
00:31:01my little rock
00:31:02cause you make me feel safe
00:31:04like a rock that'll never break
00:31:08deal
00:31:08you
00:31:10I can't
00:31:20I can't
00:31:27use my temper
00:31:28I can't
00:31:38I don't
00:31:38Oh, good. Just in time.
00:31:49Damn.
00:31:52Why are you being so nice to me?
00:31:58Look, I'm sorry about today.
00:32:01It was stupid of me to react that way.
00:32:06No, I mean, why did you help me get the role for your film?
00:32:16Well, you won't take my money.
00:32:20And I can't allow the wife of Edward Ardoin to just work a regular job.
00:32:27Oh, okay. So that's why.
00:32:30We're all rich people, this one.
00:32:32What was that?
00:32:34Nothing.
00:32:35This is great.
00:32:41You know, you can be real sweet sometimes.
00:32:44This is delicious.
00:32:47I'm glad you like it.
00:32:50Sweet pea.
00:32:55Good morning, ma'am.
00:32:57Edward has left already.
00:33:00Oh, I saw you were cooking last night.
00:33:03I watched your utensils.
00:33:05Uh, yeah, it was Edward.
00:33:10He was the cook.
00:33:11Edward.
00:33:13Gotta go.
00:33:14We're cooking.
00:33:16Okay.
00:33:21What is going on?
00:33:24What are we waiting for?
00:33:25Let's get started.
00:33:26One of our lead roles is not here yet.
00:33:29Oh, my God.
00:33:31The one thing I ask everyone here is to be professional.
00:33:36Oh, sorry, guys.
00:33:39Traffic was nightmare.
00:33:42All right.
00:33:42I'm ready to start.
00:33:44Wait.
00:33:44I thought that she didn't get the part.
00:33:47Well, how about that?
00:33:48Looks like I'm going to be playing your fisty.
00:33:53After this, nobody's even going to remember you.
00:33:56We'll see about that.
00:34:0142 Delta take two.
00:34:05Ready and act.
00:34:07You have to leave now.
00:34:09Not without the love of my life.
00:34:11I'll wait for him no matter what.
00:34:19Cut.
00:34:20Cut.
00:34:21Cut.
00:34:21What do you think you're doing?
00:34:23Just playing my role.
00:34:25No, obviously.
00:34:26Maybe I'll just go.
00:34:28Carla.
00:34:29What the hell was that?
00:34:31That wasn't even in the script.
00:34:32I was just adding some extra touch to it.
00:34:35You know?
00:34:36For the sake of art.
00:34:37Art?
00:34:38A slap doesn't make any sense.
00:34:41And who gave you the authority to change my script?
00:34:45It's fine.
00:34:47She can hit me.
00:34:48Oh.
00:34:50Thelma, are you sure about this?
00:34:52It's all good if it's all for the sake of the effect.
00:34:56Wow.
00:34:57I knew I was right.
00:34:59I'm choosing you as my lead.
00:35:02Okay.
00:35:02Uh, back to the ones, please.
00:35:05Yes, thank you.
00:35:06Can you pick up my script?
00:35:08And action.
00:35:10You have to leave now.
00:35:12Not without the love of my life.
00:35:14I'll wait for him no matter what.
00:35:19Edward.
00:35:24Good to see you here.
00:35:26Are you watching me?
00:35:29Me and Thelma make a perfect team, don't we?
00:35:32Jay, have these two switch roles.
00:35:34I want Thelma to do the slapping.
00:35:38Since it's all for the sake of art.
00:35:47But Thelma's the lead.
00:35:49Yeah, that wouldn't make any sense.
00:35:52We can't make more changes to the script.
00:35:54Ed, we're already behind.
00:35:55Better get right to it then.
00:35:58You don't have to do this for me.
00:36:00I'm not doing it for you.
00:36:02I'm doing it for my own investment.
00:36:09All right.
00:36:10Uh, we have added a line to the script.
00:36:14So now, Thelma, uh, Carla's new line will be your cue for the slap.
00:36:21Got it?
00:36:23All right, and, uh, action.
00:36:28You have to leave now.
00:36:30Not without the love of my life.
00:36:32I'll wait for him no matter what.
00:36:34But what if he's dead?
00:36:35What if he finds somebody else?
00:36:37You're just gonna spend the rest of your life waiting for someone who will never come?
00:36:47Then I'll be sure to leave no room for regret.
00:36:56Oh, bravo, that was perfect, Thelma.
00:37:00You handled that perfectly.
00:37:03Thelma, were you not supposed to love Carla after that line?
00:37:06Uh, no need for that.
00:37:09I think that my character is above that kind of pettiness.
00:37:21I'm going to expose you, Thelma, sooner or later.
00:37:36Where are you, my little rock?
00:37:40I'm doing fine.
00:37:42Don't you worry.
00:37:46You know it's bad to waste food.
00:37:49Do you think you deserve to be punished?
00:37:51Yes, headmistress, I, I do.
00:37:54Ma'am, Helen's sick.
00:37:56That's, that's why she couldn't finish.
00:37:58Isn't that sweet?
00:38:00Too bad.
00:38:01She's getting more punishment because of you.
00:38:03Isn't that sweet?
00:38:06Well, if you so insist, you can take it for her.
00:38:09Oh, get off.
00:38:12You're alright.
00:38:26Found the worker who leaked info to our computer.
00:38:29A manager who's worked with us for 20 years.
00:38:33What do we do with him?
00:38:36Uh, fire him.
00:38:38So, um, if we need to.
00:38:41Can't have disloyalty in the company.
00:38:43And why ruin him and his family?
00:38:46So be it.
00:38:48Fine.
00:39:34Alker.
00:39:40Alker.
00:40:09Where's my...
00:40:22Oh, no, no, no.
00:40:39Morning.
00:40:41What are you doing?
00:40:43Uh, nothing.
00:40:48Uh, I carried you to your bed last night and that was it.
00:41:04No, seriously, what are you doing?
00:41:07Nothing, sweet pea.
00:41:09What did you just call me?
00:41:11Uh, sweet pea.
00:41:15You sat in your sleep last night.
00:41:21You see, well, don't ever do that again.
00:41:24Sure.
00:41:39Hi.
00:41:41Could you maybe explain this scene a little bit?
00:41:44I'm not sure if I get it.
00:41:45I mean, it is pretty straightforward to just do what it says without improvising.
00:41:52Thelma, you were so great yesterday.
00:41:56I want to go over this one part.
00:41:59Now, when you say this line, I'm about.
00:42:03We'll see who wins.
00:42:06Nos, what am I doing this afternoon?
00:42:09Well, it's kind of a very important meeting.
00:42:13Did you forget?
00:42:15Canceled.
00:42:16Send them my apologies.
00:42:18What?
00:42:20So, what do you normally do when you're not working?
00:42:23Uh, I do striptease.
00:42:26Oh.
00:42:28I was thinking more along the lines of going to the movies.
00:42:33There's actually a good one out right now.
00:42:35I mean, maybe if you're interested, we could try to catch it together.
00:42:39Sorry, but I really need to focus on this job right now.
00:42:42Oh, yeah.
00:42:43Sure, sure.
00:42:45You're a really interesting person to talk to.
00:42:48You know that?
00:42:51Edward.
00:42:52Are you here to see me?
00:42:55Oh, you're a little bad.
00:42:57Oh.
00:42:59Edward?
00:43:01It's not for you.
00:43:02I'm sorry.
00:43:03Why is she still talking?
00:43:06Go put the snacks in the lounge.
00:43:08Got it, boss.
00:43:15Edward?
00:43:17What's your name again?
00:43:19Actually, it doesn't matter.
00:43:21What were you talking to my wife about?
00:43:32Oh.
00:43:34Thelma, I had no idea that you were married.
00:43:39Oh, don't worry about it, man.
00:43:40We were just talking about stuff in the script.
00:43:43Is that right?
00:43:43Yeah.
00:43:44Hey, so you must be Edward Ardoin.
00:43:47I've heard a lot about you.
00:43:49I'm Alex.
00:43:49Cool.
00:43:51Bye, Alex.
00:43:53Great.
00:43:53Yeah, um, I'll see you later.
00:43:56Thelma.
00:43:56No, you won't.
00:43:58Good.
00:43:58You guys are all here.
00:44:00Edward brought snacks.
00:44:02They're in the lounge if anyone wants them.
00:44:03Yes, I'll come.
00:44:07Snacks.
00:44:12Edward doesn't usually come to set this often.
00:44:15He's quite the busy man.
00:44:16I think he's here to see you.
00:44:18He's here to see Carla, not me.
00:44:20Oh, please.
00:44:21Can you not see the way he looks at you?
00:44:24Whatever.
00:44:25Oh.
00:44:26Speak of the devil.
00:44:29I will give you two some privacy.
00:44:30Wait.
00:44:31No, don't.
00:44:32Excuse me.
00:44:40You're getting out of hand.
00:44:41Don't forget, I'm the one who hired you.
00:44:44Excuse me?
00:44:45Stay away from Alex.
00:44:47Got it?
00:44:48What are you talking about?
00:44:49There's nothing going on between us.
00:44:51Besides, you came here to see Carla.
00:44:57So you're jealous.
00:44:59What are you talking about?
00:45:00I'm not jealous.
00:45:11What are you doing?
00:45:13Carla and I are together.
00:45:15I'm here for you.
00:45:16You really expect me to believe that?
00:45:19Carla.
00:45:25Yeah, girl?
00:45:29What?
00:45:37Jean, are you absolutely sure?
00:45:40Yes.
00:45:41Positive.
00:45:41I used to know this guy from the streets, and he and Algar drifted around for months.
00:45:46So where is he?
00:45:48Well, they later got separated, so he has no idea after that.
00:45:52But that's got to mean that Algar's still alive, right?
00:45:56Oh, my goodness.
00:45:58Thank you so much.
00:45:59You have no idea how much this means to me.
00:46:01It's been ten years.
00:46:05Don't forget, you are married, too.
00:46:07What are you going to do?
00:46:09I'll divorce him once our contract is up.
00:46:12I needed the money.
00:46:15Algar will understand.
00:46:17I don't know.
00:46:18Edward seemed really into you.
00:46:22Actually, Jean, I think I should keep my distance from him.
00:46:37You okay?
00:46:39Yeah.
00:46:43Want to tell me what happened?
00:46:46I just want to be alone for a bit, okay?
00:46:50Is this about Carla?
00:46:52I told you I went to see you, not her.
00:46:56Edward, I don't care who you're seeing.
00:46:58We're only married on paper, right?
00:47:03Is this because we're moving too fast?
00:47:25I just think that we should keep our distance.
00:47:35Please.
00:47:43Thought she was playing hard to get, huh?
00:47:46Maybe she doesn't want to seem too eager.
00:47:49I mean, why would anyone reject you?
00:47:52It's impossible.
00:47:54Come on.
00:47:55Let's get to the set.
00:48:01Hey, Thelma, you'll be wearing this dress for the next scene.
00:48:04Is that okay?
00:48:04That's fine.
00:48:08So you think you could just take whatever you want?
00:48:16I thought this was my personal changing room, like it's always been.
00:48:20Carla, this room is for the lead role.
00:48:23Yours is outside.
00:48:26Well, actually, I'm all done here.
00:48:29Carla loves taking things that aren't hers.
00:48:31Be my guest.
00:48:32Use it.
00:48:34Oh.
00:48:35Well, aren't you quite generous then, hmm?
00:48:39Edward's not here, so you can drop the act.
00:48:41We actually need to get back to work, if there's nothing else.
00:48:46Actually, I can finish my makeup myself.
00:48:52Go on.
00:48:53What do you want to talk about?
00:48:55Let's make a deal.
00:48:57A deal?
00:49:01Who the fuck do you think you are?
00:49:04Well, as far as I know, I'm Edward's wife.
00:49:11Gunner deal.
00:49:13Stop picking fights with me.
00:49:14Stop giving me a hard time on set, and I won't take anything away from you.
00:49:19I'll actually help you with whatever you and Edward have going on.
00:49:25All right, deal.
00:49:28I'm done with this room, by the way.
00:49:30It's yours if you still want it.
00:49:32I don't need your pity.
00:49:34I don't need your pity.
00:49:48Don't you have, like, business to run?
00:49:50What are you doing here all day?
00:49:58Hey, um, actually, about what happened.
00:50:02I think that we should talk.
00:50:04Why don't you meet me in the lounge after we wrap up?
00:50:08Why can't we talk now?
00:50:10Wanted to be a surprise.
00:50:12See you later.
00:50:23What does she want to talk about?
00:50:26Does she not want to see me?
00:50:29Hi, Edward.
00:50:32Carla?
00:50:34Why are you here?
00:50:36Where's Stella?
00:50:37Who should I know?
00:50:40Maybe another script?
00:50:43What are you doing?
00:50:44Are you trying to set those two up?
00:50:46Yeah, and if they're together, then they'll have nothing to do with me.
00:50:51Sounds like a terrible idea.
00:50:54Well, if you have a better idea, then let's hear it.
00:51:05If they're together, then they'll have nothing to do with me.
00:51:09Well, as long as you're okay with this.
00:51:13Of course I am.
00:51:14Why wouldn't I be?
00:51:16I mean, now I can just focus on what really matters, and I can try to find Algar.
00:51:24Edward!
00:51:26What the fuck are you doing?
00:51:35Whatever games you're playing, you need to stop.
00:51:38What are you talking about?
00:51:40You came here to see Carlos, right?
00:51:42Thelma, come on.
00:51:44Edward, we're going to be divorced really soon.
00:51:48So?
00:51:48So if you're attracted to somebody, then go for it.
00:51:51I want you to be happy.
00:51:53The only person I love is you.
00:51:59Edward, how could you?
00:52:04Everything I do for you, Carla, I do for your father.
00:52:08He looked out for me, so this is me hanging back.
00:52:20I'm already in love with somebody else.
00:52:23It's never going to be you.
00:52:26But if that man didn't exist, would you consider me?
00:52:28Stop it, Edward, it's never going to happen.
00:52:37What do I do, Algar?
00:52:40I know you're out there.
00:52:42What do I do?
00:52:46I know you're out there.
00:53:08What do I do?
00:53:08Do you know what I did to return to the Ardoin family?
00:53:23About Algar.
00:53:26About Algar.
00:53:26Algar.
00:53:26Are you telling me that Mr. Ardoin knows his illegitimate son is Algar?
00:53:32yes and now the old man wants him back mmm another brat to share their
00:53:39inheritance if I could only get rid of his mother getting rid of him shouldn't
00:53:46be a problem madam it's our fault please don't withdraw your donation to the
00:53:53orphanage
00:53:53if we work together on this I could even help you get rid of Algar for good
00:54:08take care of it but make sure we lose it
00:54:16shall we go to the old rose garden yes please have to see it's true I've heard
00:54:26I got rid of the woman who killed my mother and sent me to an orphanage I
00:54:33eliminated everyone associated with her over the years
00:54:44I did whatever it took to gain my father's approval to secure my
00:54:51inheritance my methods were ruthless my conscience callous you did what you had
00:55:01to do and now I'm a different man a monster she doesn't even recognize if
00:55:10she finds out this is the man she's been looking for all these years it'll drive
00:55:13her away
00:55:17I can't lose her again
00:55:21so it was true
00:55:30Argon and I
00:55:33we roamed the city for a winter and
00:55:37a lot of people say he made some enemies
00:55:41one night under the bridge where we slept he got stabbed and he died
00:55:50no you're mistaken he always had a ring with them it was a nice ring I think it
00:55:58had the letters A and H on it I told him he could pawn it for a few bucks but
00:56:06he just kept it with him
00:56:09no he can't just be gone he can't just be gone
00:56:14it's okay it's okay
00:56:36it's okay
00:56:37good for you
00:56:42it's okay
00:56:46this is my fault
00:56:49she's burning up
00:56:51the doctor said it was from emotional distress and not eating
00:56:57go make her something light
00:56:59I'll stay with her
00:57:01yes
00:57:09you need to get some rest and let me handle this
00:57:12no it's okay leave it to me
00:57:16look I know you care
00:57:18I've never seen you do this for anyone
00:57:20and if the old lady were here she'd be heartbroken
00:57:25to see you this exhausted
00:57:27don't worry about me Sarah
00:57:29you can go now
00:57:41I'm hungry
00:57:46please eat and get better
00:57:48I'm hungry
00:57:51I'm hungry
00:58:18Thelma, oh my god, are you okay?
00:58:21I've been trying to call you for 10 times.
00:58:24You haven't done something stupid, have you?
00:58:26I can't find a reason to go.
00:58:30Stop saying that, okay?
00:58:32Don't listen to what that guy said.
00:58:34He doesn't know what he's talking about.
00:58:37They never found Algar's body.
00:58:38Maybe he's still alive.
00:58:42You've waited 10 years, okay?
00:58:45You sure you're going to give up now?
00:58:47Don't you want to find out the truth for yourself?
00:58:51Yeah, you're right.
00:58:54I should keep going.
00:58:56Good.
00:58:57Now go get some sleep and get back to set, girl, okay?
00:59:00That is something that you've always wanted,
00:59:02and you're not going to screw it up, all right?
00:59:06Yeah.
00:59:07I understand.
00:59:10I'll keep going for Algar.
00:59:15I want that bitch, Ted.
00:59:18You got that thing ready?
00:59:21Sure, I would do the job.
00:59:28Great.
00:59:30Don't mess this up.
00:59:31Ready for the first day?
00:59:33Coming!
00:59:45Uh, you wanted to see me?
00:59:48Yes.
00:59:49It is about the scene where you're stabbed.
00:59:51We will be using this as a prop.
00:59:54So once the, uh, safety is clipped off,
00:59:57the blade will go back inside itself upon impact,
01:00:00so don't worry.
01:00:01It's not going to hurt you.
01:00:02See?
01:00:03Nice.
01:00:06Exactly.
01:00:12Uh, Thelma, Carla, all set.
01:00:17All departments ready?
01:00:22And action.
01:00:29Wait!
01:00:30Cut!
01:00:31Cut!
01:00:31Edward?
01:00:32Are you okay?
01:00:33Oh, God, how did this happen?
01:00:37Edward, don't die on me.
01:00:40Please.
01:00:41I know that my past is complicated,
01:00:43and I'm not worthy of your time or your love.
01:00:48What makes me so special?
01:00:54Okay, I admit.
01:00:55I think somewhere along the way I became attracted to you,
01:00:59and I know that you keep this stone-cold face,
01:01:03but I know that that's not the real you.
01:01:09Please.
01:01:11Show me the real you.
01:01:12Let me in.
01:01:18Edward!
01:01:25What are you doing?
01:01:26That's not funny.
01:01:27I was worried sick.
01:01:28What's the matter with you?
01:01:30How else could I get such a lovely monologue?
01:01:33Okay, you know what?
01:01:34I'm going to go get a doctor.
01:01:35No, no, no.
01:01:36No.
01:01:37I'm fine.
01:01:38No.
01:01:39Look, not even a scratch.
01:01:41Just need a minute.
01:01:43Are you sure?
01:01:44It seemed pretty serious.
01:01:46Yeah, the knife didn't even get to me.
01:01:49Something blocked it.
01:01:51Really?
01:01:52Where is it?
01:01:54Nothing.
01:01:56I'll find out what happened today.
01:01:58Meanwhile, be more careful on set.
01:02:01Yeah?
01:02:02No, don't worry about it.
01:02:04You're the patient.
01:02:05Just rest up now.
01:02:08I heard everything you were saying, by the way.
01:02:11Okay.
01:02:12You know what?
01:02:12I'm really getting you a doctor now.
01:02:14Just shut up.
01:02:27You saved my life.
01:02:33How are you doing, boss?
01:02:35I'm not too shabby.
01:02:50I'm not sure what we're going to do after your little incident.
01:02:55I'm sorry.
01:02:56I wasn't thinking.
01:02:58It won't happen again.
01:02:59I promise.
01:03:00Jay, get a replacement for her role.
01:03:02She's done.
01:03:08Edward, what are you saying?
01:03:10I told you to stop pulling these tricks behind my back.
01:03:13I didn't do anything.
01:03:15Don't listen to her.
01:03:16She's making it all up.
01:03:17Carla had someone on the prop team switch the fake knife with a real one.
01:03:21She almost killed Thelma.
01:03:23And myself.
01:03:25Edward, I'm sorry.
01:03:27I messed up.
01:03:28Please, please give me another chance.
01:03:30I've given you plenty of chances.
01:03:34Really, Edward?
01:03:36After all these years?
01:03:39Please stop burying yourself.
01:03:43Hey, mate.
01:03:45Doing all of this for a man, I hope it's worth it.
01:03:50Edward, you know everything I did is because I love you.
01:03:55If you try hurting her again, you will be sorry.
01:04:05Hand her over to the place.
01:04:11Well, now that that's over, we should talk about what you said to me earlier.
01:04:16Which is what?
01:04:19That you were attracted to me.
01:04:24No, we're not going to talk about that.
01:04:26That's not fair.
01:04:27You tricked me.
01:04:30Got it.
01:04:47What if the person you're looking for is me?
01:04:53Don't be ridiculous.
01:04:57Besides, you come from a rich and powerful family.
01:05:00And he's an orphan like me.
01:05:05And he's incredibly kind.
01:05:08He wouldn't even step on an ant.
01:05:12I can't say the same thing about you.
01:05:17People can change.
01:05:19I will never stop searching for him.
01:05:22I'm afraid that you can't stop me.
01:05:31Am I even worthy of love?
01:05:39Am I even worthy of love?
01:05:42You're a billionaire.
01:05:44I'm sure that there's plenty of women fighting over you.
01:05:48Plus, I stand by what I said.
01:05:55I don't think that this Edward is the real you.
01:06:00Do you remember when we first met?
01:06:03You saved me.
01:06:05You're a good person.
01:06:08You're kind to Nos.
01:06:10To Sarah.
01:06:14You'll find the love that you deserve.
01:06:23He's gone.
01:06:28I waited ten years and he's just gone.
01:06:35Do you like the man I am now?
01:06:38Doesn't matter.
01:06:39We're getting divorced in a year.
01:06:46If I give you all my properties and assets,
01:06:49can we not get a divorce?
01:06:51No.
01:07:19My head.
01:07:21Do you remember what happened?
01:07:30You said something about money and assets
01:07:36and then after that,
01:07:39not a thing.
01:07:46All right.
01:07:47Okay.
01:07:48Back to work.
01:07:48Come on.
01:07:53Can we talk?
01:07:59I heard you've been looking for someone.
01:08:01Yes.
01:08:06I believe this could be helpful.
01:08:10This place is reopening soon.
01:08:14I'd like for you to come.
01:08:16What does this have to do with the man that I'm looking for?
01:08:20You'll see.
01:08:24Okay, I'll go.
01:08:26Good.
01:08:27I don't want to support you, please.
01:08:30What does this have to do with Edward?
01:08:32You'll see.
01:08:37Look at that.
01:08:38See?
01:08:39Oh, my God.
01:08:40Yes, I trusted you.
01:08:41Guys, we're blowing up.
01:08:42What do you mean?
01:08:44After we posted the behind the scenes,
01:08:46we went viral.
01:08:48Thelma became a sensation.
01:08:50She's now trending number one.
01:08:52Big star.
01:08:54Trending?
01:08:54Does this mean more money?
01:08:56Oh, of course it does.
01:08:57And that is just the easy part.
01:08:59I was, uh, thinking about my next movie,
01:09:02and I want you to be in it.
01:09:05Wow.
01:09:06This is a dream come true.
01:09:08And we're having a wrap party
01:09:10at the hottest bar tonight.
01:09:13All right.
01:09:14You'll wonder who's so generous.
01:09:25Boss, I bought this new contract.
01:09:27Do you think Thelma will be surprised
01:09:28by the party I'm throwing for him?
01:09:30Oh, definitely.
01:09:32So should I pick her up,
01:09:34or do I just show up at the party?
01:09:37You don't do this often, do you?
01:09:58Great party, Edward.
01:10:01It'll only be fitting, right?
01:10:03Not entirely bad.
01:10:05So, thank you.
01:10:09How would you like to thank me?
01:10:11Uh, sorry, everybody.
01:10:12Attention, attention.
01:10:14Thank you, thank you.
01:10:15First off, this has been
01:10:17an amazing three months.
01:10:21I'd like to thank everybody in here.
01:10:24And, uh, well, here is two.
01:10:27It's huge success.
01:10:30Cheers.
01:10:30Cheers.
01:10:31Cheers.
01:10:32Mm-hmm.
01:10:33And now, a few words from Edward,
01:10:37the man, the big boss.
01:10:39Without him, none of this would be possible.
01:10:42Thank you all so much.
01:10:43I just want to say how grateful I am
01:10:46for the opportunity.
01:10:49Jay is an exceptional director.
01:10:51His casting, remarkable.
01:10:55Thelma's performance in particular,
01:10:57out of this world.
01:10:58And I'd like to take this moment
01:11:00to tell her that I'll always
01:11:02be there to support her.
01:11:05Cheers.
01:11:10Thelma!
01:11:11The superstar!
01:11:13Stop it.
01:11:15Uh, by the way,
01:11:16do you think Algor will watch my new show?
01:11:19Do you think he'll recognize me?
01:11:21No.
01:11:22Thelma,
01:11:23I know this is really hard to hear,
01:11:25but you gotta let him go.
01:11:28Algor's gone.
01:11:31I'm not giving up until I know for sure.
01:11:44Hey!
01:11:46Let me out!
01:11:53Thelma!
01:11:55Are you quitting?
01:11:56What are you talking about?
01:11:58Production told me you turned down
01:11:59Jay's new project,
01:12:00and you didn't show up
01:12:02for any of the promo events.
01:12:03What new project is this about?
01:12:06Who told you this?
01:12:07Oh.
01:12:08Oh, no.
01:12:10It couldn't be Edward.
01:12:13Could it?
01:12:15Edward?
01:12:18So,
01:12:19he turned it down
01:12:20and he told everybody that I quit?
01:12:23Maybe he thought it was for your own good?
01:12:26Interfering with my career
01:12:27without telling me?
01:12:28How is that for my own good?
01:12:36Mr. Erdogan is in a meeting right now.
01:12:38It's me!
01:12:38Help my way!
01:12:40Apologies, gentlemen.
01:12:41Let's, uh, take a break.
01:12:43We'll continue this afternoon.
01:12:48Did you turn down the offer
01:12:50for my new film?
01:12:57Can I explain?
01:12:58This will terminate our contract marriage.
01:13:01The deal is over.
01:13:03What do you mean?
01:13:05I'll pay the penalty
01:13:06for breaching our contract.
01:13:08Once it's settled,
01:13:09I don't want you meddling
01:13:10in my life anymore.
01:13:11You almost got hurt on set.
01:13:13I was trying to protect you.
01:13:15God, I don't need your protection, okay?
01:13:17I can look out for myself.
01:13:19This is my life!
01:13:21You're making a big mistake here.
01:13:24Just stay out of my work
01:13:26and my personal life, Edward.
01:13:28We're done.
01:13:36Hey, it's Thelma.
01:13:38Can I see you real quick?
01:13:42Thelma,
01:13:43you're very talented.
01:13:46It was such a shame
01:13:47just seeing you give up.
01:13:50But I knew you had it in you
01:13:52from the start.
01:13:53I saw it in you
01:13:54all the way.
01:13:56Hmm.
01:13:59Now I strictly get to make decisions
01:14:01for myself.
01:14:04Now, let's see this next project.
01:14:06Hmm.
01:14:06Next project, next project.
01:14:10Here it is.
01:14:12What do you think?
01:14:16Oh.
01:14:17Let's just say that it's
01:14:19a pleasure doing business with you, Jay.
01:14:26Congratulations.
01:14:41Come on.
01:14:42Please move.
01:14:43I needed it.
01:14:43You need to calm down.
01:14:44What are you doing?
01:14:45Excuse me.
01:14:45I'm perfectly calm.
01:14:47How about we both compromise?
01:14:49You continue with your acting
01:14:51as long as it's through
01:14:52Ardoin Investments.
01:14:54You still don't get it, do you?
01:14:56I'm not your accessory.
01:14:57I'm not a part of the Ardoin family.
01:15:00Plus, the only person
01:15:01that can make decisions for me
01:15:03is myself.
01:15:04Can't we talk about it
01:15:05for the sake of our relationship?
01:15:09Look.
01:15:10I'm thankful for everything
01:15:12you've done for me.
01:15:14You've crossed the line.
01:15:17Bye, Edward.
01:15:22Oh, Thelma.
01:15:23Look, I have rarely seen
01:15:26Edward smile
01:15:27since his father passed away.
01:15:29And he's like a new man
01:15:31now that you're here.
01:15:32I'm sorry, but
01:15:34I can't stay here.
01:15:38It's okay, Sarah.
01:15:40Let her go.
01:16:00Since when did we become stalkers?
01:16:04Where is she?
01:16:05I know she has a bunch of crazy fans
01:16:07trying to get her attention,
01:16:08but if those assholes think
01:16:09they have a shot with my woman.
01:16:10You've not seen the news?
01:16:13Thelma has announced
01:16:14she's single again.
01:16:16What?
01:16:17Yeah, even a bunch of haters
01:16:19have turned into fans now.
01:16:21Especially after watching her show.
01:16:28I'm so confused.
01:16:30I'm so confused.
01:16:31Damn it.
01:16:32Knew that guy was up to no good.
01:16:42Thelma, Thelma, Thelma.
01:16:43Thelma, Thelma.
01:16:44Are you still working
01:16:45with Ardawan Investment Family?
01:16:47The Ardawan family's never
01:16:49officially announced your divorce.
01:16:50Is there something
01:16:51that they're hiding?
01:16:52Was your marriage
01:16:53to Edward Eldridge
01:16:54strictly business
01:16:55like the tabloids say?
01:17:02Uh, why don't you
01:17:04ask the man himself?
01:17:14Hey, Mr. Ardawan,
01:17:15you got a seven?
01:17:16I don't.
01:17:18It's exciting.
01:17:22So, Mr. Ardawan,
01:17:24what brings you here?
01:17:25Thinking of joining
01:17:26the entertainment industry?
01:17:28You know why I'm here.
01:17:30Sorry, I can't help you
01:17:32with that.
01:17:33Uh, so this new film
01:17:35is a romantic drama
01:17:37with some comedy.
01:17:38When you're just in
01:17:39with me, too, yeah.
01:17:41I was like,
01:17:43let's go.
01:17:44No.
01:17:45Not yet.
01:17:46Ladies, I would love
01:17:47to thank our amazing
01:17:49director, Jay,
01:17:50for all of his
01:17:51amazing visions
01:17:52and everyone else
01:17:53who's helped me
01:17:54on this incredible journey.
01:17:56What?
01:17:57Hello, specifically?
01:18:00And I'm so excited
01:18:01to get started
01:18:02because I know
01:18:03that this is gonna be
01:18:04another hit.
01:18:05All right.
01:18:06Ready to check out
01:18:06the set for the new movie?
01:18:08I'll walk in.
01:18:09Uh, actually,
01:18:10do you want to
01:18:11check it out together?
01:18:12Sure.
01:18:15Velma.
01:18:16Velma, Velma.
01:18:20How do you
01:18:20win back a little bit?
01:18:22Um, flowers,
01:18:24romance,
01:18:25gifts are always
01:18:26a good move.
01:18:28How original?
01:18:29Let's get back
01:18:30to the office.
01:18:30All right.
01:18:40I, uh,
01:18:42got these for you.
01:18:45Will you just
01:18:45leave them there?
01:18:52Velma,
01:18:53I'm sorry.
01:18:55I was wrong.
01:18:57I was wrong.
01:18:57I was wrong.
01:19:00I was wrong.
01:19:01Please,
01:19:02give me another chance.
01:19:05I promise
01:19:06I won't be overbearing.
01:19:08I'll respect
01:19:09all your opinions,
01:19:11and I'll never
01:19:11interfere with
01:19:12your career again.
01:19:18The flowers
01:19:19look good.
01:19:27I'll take the news
01:19:28and we can talk
01:19:30about the rest
01:19:30later.
01:19:39Go!
01:19:40I don't want
01:19:40to see you again!
01:19:43Cuts!
01:19:45Well done,
01:19:46everybody.
01:19:46That is a wrap.
01:19:48You were great.
01:19:49Here,
01:19:50I got you
01:19:51a cup of coffee.
01:19:52Thanks, Alex.
01:19:53Oh, shoot!
01:20:19I need to know
01:20:20where she is
01:20:21now.
01:20:25I think I might
01:20:26know where she is.
01:20:27Why the hell
01:20:28would you know?
01:20:28Do you have
01:20:29something to do
01:20:29with it?
01:20:29No, man,
01:20:30look,
01:20:30Carla was talking
01:20:31to some sketchy
01:20:32dude about
01:20:33Carla's basement.
01:20:34I think
01:20:34Thelma might be
01:20:35there.
01:20:36Trust me,
01:20:36man,
01:20:37I don't want
01:20:37anything bad
01:20:37to happen to her
01:20:38either.
01:20:39Believe me.
01:20:46Thelma?
01:20:49Where are you?
01:21:01Let's not do
01:21:02anything stupid.
01:21:03Whatever you want,
01:21:05just name it.
01:21:08Edward,
01:21:09Edward,
01:21:10Edward.
01:21:13How did you
01:21:14find this place?
01:21:21You again?
01:21:23You didn't seriously
01:21:24believe I would
01:21:25just walk away,
01:21:26did you?
01:21:27You're a coward.
01:21:31Killer.
01:21:33And Edward,
01:21:33I want you to
01:21:34watch.
01:21:35If you touch her,
01:21:36I will skin you
01:21:37alive.
01:21:40I got it.
01:21:48Thelma,
01:21:48run!
01:22:16It's okay.
01:22:17It's over.
01:22:22It's all over.
01:22:47It's today.
01:22:48I promised Nas I would go.
01:23:00Wait, this is the amusement park I agreed to meet Little Rock at.
01:23:05I thought it closed down years ago.
01:23:09Alma?
01:23:11Edward?
01:23:12What are you doing here?
01:23:14Nas told me to come.
01:23:16What are you doing here?
01:23:19Well, now that you're here, I need to tell you a little secret.
01:23:23Be right back.
01:23:25Edward?
01:23:39Don't be scared, sweetheart.
01:23:41What did you just call me?
01:23:50I told you I'd meet you here, Alep.
01:23:59I told you I'd meet you here, Alep.
01:24:03Alcar, but how? Why didn't you tell me after all this time?
01:24:10After I escaped the orphanage, the headmistress sent people after me.
01:24:16So I had to fake my own death.
01:24:19I survived.
01:24:21But the price was becoming a different man.
01:24:25Cold.
01:24:27Ruthless.
01:24:28Even cruel.
01:24:32And I was so scared.
01:24:34And I was so scared that if you found out this was the man I'd become, you wouldn't love me
01:24:38anymore.
01:24:39Besides, the Arduin family erased every trace of my past.
01:24:45If they find out you're the one I'm looking for, they'll use you against me.
01:24:50And I can't risk that.
01:24:52Alcar, you know that I love you.
01:24:58You do?
01:25:03Yeah, with you by my side I'm not afraid of anything.
01:25:08They don't want us to ever be apart again.
01:25:22Yes.
01:25:23And that's right.
01:25:26Bye.
01:25:28Bye.
01:25:33Bye.
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