warlock moon 1973 movie
Watch the full short drama with English subtitles. CEO, billionaire, revenge, betrayal — complete story in one video.
#shortdrama #ceodrama #drama #revenge #fullmovie #englishsub #reelshort #dramabox #miniseries #love #betrayal #drama2026
Watch the full short drama with English subtitles. CEO, billionaire, revenge, betrayal — complete story in one video.
#shortdrama #ceodrama #drama #revenge #fullmovie #englishsub #reelshort #dramabox #miniseries #love #betrayal #drama2026
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Short filmTranscript
00:00:00The End
00:00:11John Yuan!
00:00:14Let's go. You can tune up.
00:00:23You said you wanted me to be scared.
00:00:25You're lying.
00:00:28I was wrong, I admit it.
00:00:32Come on, I love playing in this old building.
00:00:34Let's go.
00:00:35No, not yet.
00:00:38Look, I admit it, I'm scared.
00:00:40What do I have to say?
00:00:42Why don't we go?
00:00:45Well,
00:00:46because I think
00:00:48you're going to be perfect.
00:00:50No, don't do that! Come on, please!
00:01:16Okay.
00:01:18Okay, come on out.
00:01:20Please don't scare me.
00:01:28Where are you?
00:01:44Look, I know you're going to shut down.
00:01:48It won't be a surprise.
00:01:49It won't scare me.
00:01:59It won't scare me.
00:02:02Come on out.
00:02:03Please don't hide.
00:02:04Bye.
00:02:06Bye.
00:02:15Bye.
00:02:18Bye.
00:02:28Bye.
00:02:29Bye.
00:02:52Oh, my God.
00:03:01Oh, my God.
00:03:36In fact, generally, we classify them as relative deviant patterns.
00:03:42Does anybody have the time?
00:03:45Okay, that's enough for today.
00:03:48On Monday, we'll talk about another pattern that might be of interest to all of you, cannibalism.
00:03:52Have a good weekend.
00:03:54All right.
00:03:54Go on.
00:04:00Go on.
00:04:04Go on.
00:04:07Go on.
00:04:10Go on.
00:04:12Go on.
00:04:25Please, madame, keep walking.
00:04:28Act as if nothing is happening.
00:04:30If you value my life, please, madame, make pretend as though we are together.
00:04:35Do not look behind you, whatever you do.
00:04:37Don't look behind, please.
00:04:39Please do not look behind you.
00:04:42Well, now that you have looked behind you, let me ask you a few questions.
00:04:47No.
00:04:47Did you possibly see two men in dark suits getting out of a Citroën with a French poodle?
00:04:53No.
00:04:54No.
00:04:55Okay, then.
00:04:56How about two men in dark suits getting out of a Volkswagen with a German shepherd?
00:05:02Are you sure that?
00:05:03No, huh?
00:05:04No, I'm sorry.
00:05:04No, all right.
00:05:06Then did you possibly see two gentlemen in dark suits getting out of a Rolls-Rise with a bulldog?
00:05:14I don't know.
00:05:15I'm sorry.
00:05:15I can't help.
00:05:16Are you absolutely certain?
00:05:18I'm absolutely certain.
00:05:21Good.
00:05:22Then we are safe.
00:05:24Will you go on a picnic with me?
00:05:26Oh, you're too much.
00:05:27Please.
00:05:28No, I really can't.
00:05:29Please.
00:05:30Look, I've got a jug of wine.
00:05:31I've got a jug of wine, and I've got a loaf of bananas, and I've got a piece of bread,
00:05:35and I need a thou, and you're a thou.
00:05:38Oh, thank you very much.
00:05:40Well, I really can't.
00:05:42I just can't.
00:05:43I have too much to do this afternoon.
00:05:44What could you possibly have to do that's more important than going on a picnic?
00:05:47I have a lot of homework, and I have to finish a painting, and it's almost the end of this.
00:05:51Are you a painter?
00:05:52Oh, yeah, a little, you know.
00:05:53Do you know a painting called Dejernay Celerb?
00:05:57Oh, Dejernay Celerb.
00:06:00Dejernay Celerb.
00:06:01Yeah, I know.
00:06:02And who wrote, who painted that painting?
00:06:05Manet.
00:06:06Manet.
00:06:06And was Manet a great painter?
00:06:07Oh, yeah, he was a great painter.
00:06:09He was a great painter.
00:06:10And what is that painting of?
00:06:12Could it be of a picnic?
00:06:15And what experience gave Manet the great power to portray it on canvas?
00:06:21Well, I would say it's because he suffered.
00:06:23And?
00:06:23And because he worked on his paintings hard, which I have to do, right?
00:06:26And?
00:06:27And?
00:06:27And?
00:06:29And he went on a picnic.
00:06:32You're right.
00:06:33He went on a picnic.
00:06:34But there were two men in that picnic.
00:06:36And there was a nude woman.
00:06:38And we just don't have the requirement.
00:06:40Oh, wait.
00:06:40That's okay.
00:06:41I'll be nude.
00:06:42Hey, wait.
00:06:43Why do these things always happen to me?
00:06:45Well, look, Jenny.
00:06:46You have to admit that picnic was a gourmet delight.
00:06:49Yeah.
00:06:50I'll have to admit bananas and bread is pretty exotic.
00:06:55Hey, I have a question.
00:06:56How did you know my name?
00:06:59Psychic.
00:07:00No way.
00:07:01Good guess.
00:07:02Huh.
00:07:03Well, actually, I asked your professor.
00:07:05Are you in my class?
00:07:07No, I don't go to school.
00:07:08I work in the newspaper.
00:07:10Ace reporter, huh?
00:07:11Well, actually, for the time being, I ran errands.
00:07:14But I'm supposed to start writing in the feature section soon.
00:07:18What will you write about?
00:07:19Travel?
00:07:20You don't even know the way back.
00:07:22Yeah, well, you'll see.
00:07:23We should have turned left back there.
00:07:25No, I'm absolutely positive it was right.
00:07:27We're going the right way.
00:07:28Believe me.
00:07:33Oh, hell.
00:07:36Well, maybe you can write about crime.
00:07:55Let's see your license, boy.
00:08:01Take it out of the wallet.
00:08:06Hey, uh, what seems to be the problem, Sheriff?
00:08:09I didn't think I was speeding.
00:08:10No, you weren't speeding.
00:08:12What are you doing in this valley?
00:08:14Just passing through.
00:08:16You planning on staying long?
00:08:18Not particularly.
00:08:19Hey, what's going on here?
00:08:20Are you going to give me a ticket or what?
00:08:21Calm down, boy.
00:08:23I want to give you a piece of good advice.
00:08:25The people in this valley don't care too much for strangers.
00:08:29Is that all?
00:08:31Yeah, that's all.
00:08:32You two be on your best behavior.
00:08:35Oh, okay.
00:08:36Luther, give him back his license.
00:08:40Certainly, Sheriff.
00:08:51City kids.
00:08:53Yeah.
00:08:55What was that all about?
00:08:57I don't know.
00:08:58They sounded like they got their dialogue out of some third-rate western.
00:09:02We don't cut much to strangers in easier parts.
00:09:21Uh, absolutely positive it was right.
00:09:28Well, it does look at this point like I'm at a sliding.
00:09:32Oh, no.
00:09:33I'm fine.
00:09:35What do you suppose that's for?
00:09:38No.
00:09:39Oh, no, wait, John.
00:09:40Let's see where it goes.
00:09:42Oh, come on.
00:09:43Let's go.
00:09:43What is your spirit of adventure?
00:09:45I lost it in the Greyhound bus, people.
00:09:48Typical.
00:09:50Aren't you curious?
00:09:52You really wanna?
00:09:54Yeah.
00:10:01Okay.
00:10:02Let's walk.
00:10:02Let's drive.
00:10:04Let's walk.
00:10:06Let's drive.
00:10:21Let's walk.
00:10:22Let's walk.
00:10:36Wow.
00:10:39This is incredible.
00:10:42What do you think it was?
00:10:44I don't know.
00:10:45Probably an old resort.
00:10:47There used to be a lot of them in this valley in the 1890s.
00:10:49Yeah.
00:11:13Hey, Jenny.
00:11:15Look, I was right.
00:11:20Shoulder Spring Spa.
00:11:23Hey, you're not so dumb after all.
00:11:25Hey, you're not so dumb after all.
00:11:26Hey, you're not so dumb after all.
00:11:27Hey, you're not so dumb after all.
00:11:31Hey, you're not so dumb after all.
00:11:34Hey, you're not so dumb after all.
00:11:37Hey, you're not so dumb after all.
00:11:42Hey, you're not so dumb after all.
00:11:44Hey, you're not so dumb after all.
00:11:46Hey, you're not so dumb after all.
00:11:46Hey, you're not so dumb after all.
00:11:46Hey, you're not so dumb after all.
00:11:47Hey, you're not so dumb after all.
00:11:48Hey, you're not so dumb after all.
00:11:49Hey, you're not so dumb after all.
00:11:50Hey, you're not so dumb after all.
00:12:56Janie, where are you going?
00:12:58I'm going up here to see what's there.
00:12:59Come on.
00:13:00Come on.
00:13:34Come on.
00:14:00Come on.
00:14:02Come on.
00:14:06Come on.
00:14:33Come on.
00:15:01Come on.
00:15:05Come on.
00:15:12Come on.
00:15:15Come on.
00:15:19Come on.
00:15:46Come on.
00:16:16Come on.
00:16:16Come on.
00:16:18Come on.
00:16:19Come on.
00:16:19Come on.
00:16:20Come on.
00:16:21Come on.
00:16:58Come on.
00:16:58Come on.
00:16:58Come on.
00:17:04Come on.
00:17:07Come on.
00:17:34Come on.
00:17:45Come on.
00:17:48Come on.
00:17:53Come on.
00:17:56Come on.
00:18:09Come on.
00:18:34Come on.
00:18:45Come on.
00:18:48Come on.
00:19:18Come on.
00:19:19Come on.
00:19:19Come on.
00:19:21Come on.
00:19:24Come on.
00:19:37Come on.
00:19:40Come on.
00:19:41Come on.
00:20:07Come on.
00:20:09Come on.
00:20:18Come on.
00:20:20I'm, too.
00:20:22Come on.
00:20:26Come on.
00:20:28Come on.
00:20:29Come on.
00:23:10John?
00:23:11John?
00:23:13John?
00:23:15John?
00:23:15John?
00:23:21John?
00:23:21John?
00:23:22John?
00:23:22John?
00:23:37John?
00:23:38John?
00:23:42John?
00:23:43John?
00:23:48John?
00:23:49John?
00:23:49John?
00:24:24John?
00:24:27John?
00:24:28John?
00:24:43Oh, my God.
00:26:12Hey, what are you doing up there?
00:26:14I'm looking for you.
00:26:16Well, come on down and meet you out in front, okay?
00:26:19Careful, child.
00:26:20That's an old building.
00:26:22Okay.
00:26:29Hi.
00:26:30Hi.
00:26:30Welcome down.
00:26:32You feeling better, child?
00:26:34You're still looking a little pale.
00:26:36Oh, I'm much better, thank you.
00:26:37You missed a great tour.
00:26:38Oh, but there's still the main bank with all.
00:26:41Come along.
00:26:41Come on.
00:26:49Now, this is a great kitchen where they supply food with all the dining halls and the spa.
00:26:57Three dining halls and the restaurants.
00:27:00Oh, dear.
00:27:02It's a hell of a man.
00:27:04It's important to be shy and beautiful.
00:27:10Huh.
00:27:11I'm a bad bee.
00:27:14Hey.
00:27:15Hey.
00:27:16Hey.
00:27:18Oh, thanks so much.
00:27:21Oh, dear.
00:27:24Hey.
00:27:26Hey.
00:27:29When the refrigerator was first put in here, it was the largest thing anybody had ever
00:27:36seen.
00:27:37Oh, it is huge.
00:27:40Yes.
00:27:41Oh, it's huge.
00:27:42It's a shame.
00:27:44Oh.
00:27:48Come on, you two.
00:27:50Let's get out of here.
00:28:05Sit down for me.
00:28:07What's in these rooms?
00:28:09Oh, the doors have been locked there ever since I can never, child.
00:28:14The keys have been rusting rocks for years.
00:28:19Come on, let's get out of the center.
00:28:42Well, thank you very much for the tour. It was really fascinating, but, uh, I guess we better get going
00:28:47if we want to get back before it gets dark, huh?
00:28:49Well, thank you both. I enjoyed your company. I'm sorry I startled you, child.
00:28:54Oh, that's okay. It was my fault, Miller. Nonsense. Now, you take care of yourself. I think you may be
00:29:01coming down with a fever. I will.
00:29:03Thanks again for everything. You're welcome. Come again sometime. Maybe we will. Bye-bye.
00:29:30Bye-bye.
00:29:35Bye-bye.
00:29:37Bye-bye.
00:30:03Oh, hello.
00:30:08Oh, do you make a habit of dropping in on people?
00:30:11Well, it does get their attention.
00:30:13Oh, no kidding.
00:30:16Hey, I was wondering when I was going to see you again.
00:30:18Hey, look, I'm sorry.
00:30:19I've been really busy down at the paper.
00:30:21That's another thing.
00:30:21I called that paper where you work, and the person I talked to didn't know who you were.
00:30:26Oh, well, you probably spoke to the front desk.
00:30:28Well, they don't know me up there.
00:30:32I'm always in the back in the feature section.
00:30:35Well, anyway, I was looking for you today.
00:30:37I've got a surprise for you.
00:30:39Oh, not another Groucho the Spy all-expense-paid picnic, is it?
00:30:44Nope, better than that.
00:30:46A whole day with me ending with dinner on the town.
00:30:49Hmm, sounds promising.
00:30:50When?
00:30:51Saturday.
00:30:52Well, I think I'm free.
00:30:55I know you are.
00:30:57Well, you're right.
00:30:59Where are we going to go?
00:31:01Oh, well, that's the catch.
00:31:03Okay.
00:31:04What are you holding back?
00:31:05Where are you going to take me?
00:31:07Soda Spring Spa.
00:31:10John, no.
00:31:12Oh, John, you know I don't like that place.
00:31:14I know.
00:31:15I know, but listen, this is a great opportunity for me.
00:31:18I told my editor about the place, and he thinks it's a perfect subject for a story in the feature
00:31:23section.
00:31:23Oh, that place gives me the creeps.
00:31:25Oh, come on, please.
00:31:26I mean, this is my first chance to do some actual writing.
00:31:29Oh.
00:31:30Next time, you can pick the place.
00:31:32Really?
00:31:33I promise.
00:31:35And it won't be so bad.
00:31:36I mean, after I get a few pictures and get the facts from the old lady, we can drive our
00:31:40cars back to the city for dinner.
00:31:42Our cars?
00:31:45Yeah.
00:31:46That's the other thing.
00:31:48See, I'll be doing some work north of there, and I thought maybe you could drive your own car up
00:31:54and meet me out in front.
00:31:55John, couldn't I go with you?
00:31:57You can't.
00:31:58It's somebody else's story.
00:31:59I'm just taking photos.
00:32:00I wish you could, but it's impossible.
00:32:04Look, I really want to spend the day with you.
00:32:07It would mean a lot to me.
00:32:10Please.
00:32:14Okay.
00:32:17What time?
00:32:1912 o'clock.
00:32:21You better be there.
00:32:22I'll be there before you, for sure.
00:32:24You better be.
00:32:38That rat.
00:33:08I'll be there before you.
00:33:35I'll be there before you.
00:34:09I'll be there before you.
00:34:19THE END
00:34:40THE END
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00:37:15goes like this but mind you I don't believe a word of it my figures the old
00:37:22people in the valley talking well well okay back in 1930 or so on the 50th
00:37:37anniversary of the opening of the spa they had a huge ball in the banquet to
00:37:44celebrate the owner's daughter had been married that afternoon so they made her
00:37:50the guest of honor well when everything was ready for the banquet and everyone
00:37:57was ready to start the girl was nowhere to be found so they waited and waited and
00:38:08finally they started the banquet without her and then after everybody had finished eating
00:38:16a couple of the guests went out into the kitchen to congratulate the cook on the wonderful dinner
00:38:23and they they found that well yes well they found that the cook had killed the girl
00:38:35and cooked her and it fed her to the guests oh my god it's my sentiments exactly but as the
00:38:45story
00:38:45goes that was the end of the spa it closed that night and never opened again why did the cook
00:38:52kill
00:38:52the girl they never figured that out and they never caught her her is this story true oh of course
00:39:02not
00:39:02I think it's all legend and not fact but the old people in the valley really believe it there's people
00:39:09who swear that they've seen the ghost of that bride out here walking around in a white wedding dress
00:39:15and people have come out here and were never seen again and a lot of other such nonsense but I
00:39:21figured that the spa closed because they well they just ran out of money yeah I like that reason best
00:39:31oh that must be John oh he's a friend of mine I'm supposed to meet him here well thank you
00:39:39for
00:39:39everything and for not shooting me my pleasure bye hey wait uh this is uh this is the quickest way
00:39:47way out to the front oh it's faster going through here now this is the back of the back of
00:39:55the main
00:39:55building and you can cut right through here
00:40:01kind of spooky huh huh I thought you uh didn't believe that story well I don't believe it but uh
00:40:09it's still kind of spooky right down there to the right okay thank you very much for everything
00:40:20don't mention it I hope I see you again I hope I see you too bye-bye bye-bye
00:40:37bye-bye
00:40:40bye-bye
00:40:41BELL RINGS
00:41:33BELL RINGS
00:41:40I'm sorry I was late.
00:41:43Have you been here long?
00:41:44Yes, but, John, listen, everything's gone.
00:41:48Gone?
00:41:49When I got here and you weren't here and nothing else was either,
00:41:52I thought I was going out of my mind.
00:41:59Oh, hello!
00:42:02What a delightful surprise!
00:42:04Hello, Mrs. Abercrombie.
00:42:05Are you feeling better today, child?
00:42:08I was worried about you.
00:42:09Yes, yes, I'm fine.
00:42:13Well, it's so nice to see the two of you again.
00:42:17Come on in.
00:42:18I'm just putting on a pot of tea.
00:42:21I'd love some.
00:42:21Ah!
00:42:25But you believe me, just a few minutes ago there was nothing here.
00:42:29She wasn't here and the room was completely empty.
00:42:31Hey, hey, hey.
00:42:33Hey, hold on.
00:42:35You must have come in the wrong way.
00:42:37You just took an empty guest house for hers.
00:42:39No, I didn't.
00:42:40Well, then how do you explain it?
00:42:42I don't know.
00:42:45I don't know.
00:42:46I just don't like it here, John.
00:42:48Please, let's go.
00:42:49Now you're being silly.
00:42:50Look, relax.
00:42:53Are you feeling okay?
00:42:55Oh, damn it, I'm fine.
00:42:57Okay.
00:42:59Just must have made a mistake.
00:43:01He's ready!
00:43:04Come on in.
00:43:05We'll be in in a second.
00:43:08You okay?
00:43:11Oh, I guess.
00:43:15It's just that I...
00:43:17I'm so sure.
00:43:25I guess it's possible.
00:43:37You got it.
00:43:49You two must think I'm an awful housekeeper.
00:43:53Every time you come here, the place is a mess.
00:43:55Don't be silly.
00:43:56It looks fine.
00:43:57Now, tell me.
00:43:59What brings you two back here so soon?
00:44:02Such an unexpected pleasure.
00:44:04Well, when I got back, I was telling my editor about...
00:44:07Your editor, do you work for a magazine?
00:44:10Newspaper.
00:44:11Oh.
00:44:12I hear you be careful.
00:44:14It's very hot.
00:44:15See, I don't exactly work for them yet.
00:44:17I mean, I don't write.
00:44:18There you go.
00:44:19But I think I've got my chance now.
00:44:22I think I can do it.
00:44:23And I think I'll get it.
00:44:24The editor thinks that the resort is going to be a perfect subject for a picture story in the second
00:44:30section.
00:44:30Why?
00:44:31It's so short.
00:44:32He's willing to make every effort to try and get it in.
00:44:35So if you're interested, I brought my tape recorder and I'd like to take a few pictures and ask a
00:44:42few questions.
00:44:44Yeah.
00:44:49Oh, well, uh, my editor thinks that the resort here would be a perfect subject for a feature story in
00:44:57the Sunday section.
00:44:58So, uh, I brought my camera and my tape recorder and if I can impose on you for a little
00:45:03longer, I'd like to ask you a few questions.
00:45:06Oh, of course.
00:45:07And I find the whole thing so exciting.
00:45:10Good.
00:45:10Say, listen, I have something that might interest me, young man.
00:45:15I have a scrapbook with all pictures of this resort.
00:45:19I'd love to see it.
00:45:20Yeah, there's a picture in the mirror of my father.
00:45:23Here, let's shove this stuff over here.
00:45:27And some of those, in some of those carriages I was telling you about.
00:45:32What's that?
00:45:32Well, let's see.
00:45:33Let me see his father-in-law.
00:45:34Oh, there's his, is that the arcade?
00:45:35Yeah, there.
00:45:36Oh, that's beautiful.
00:45:37Isn't that beautiful?
00:45:38Oh, we shouldn't see him as long as I do like that.
00:45:40Yes, but just, uh, excuse me.
00:45:44Uh, I think I need some hair.
00:45:47Now, you want a right job?
00:45:48You look awful, but I don't.
00:45:50I just feel dizzy again.
00:45:52I'll go outside for a while.
00:45:53Hey, Jenny.
00:45:56Want me to come with you?
00:45:58Oh, no.
00:45:58Look, get your story.
00:46:00I'm sorry.
00:46:01I'll stay outside.
00:46:02I'll be fine in a minute.
00:46:04Okay.
00:46:05Okay.
00:46:40I'll be fine.
00:49:36Jenny!
00:49:39Jenny!
00:49:42Jenny!
00:49:45Jenny!
00:49:46Jenny!
00:49:48Jenny!
00:50:07Jenny!
00:50:20Jenny!
00:50:26Jenny!
00:50:32Jenny!
00:50:39Jenny!
00:50:44Jenny!
00:50:46Jenny!
00:50:46Come on!
00:50:47Come on!
00:50:48You can lie down!
00:50:49You can lie down!
00:50:51Oh, you're burning!
00:50:53Come on, child!
00:50:54I'm never here!
00:50:55Where could I have gone to?
00:50:57Jenny!
00:50:57Jenny!
00:50:58Come on!
00:50:58There's no one here!
00:51:00Come on!
00:51:01Come on!
00:51:01You need to lie down!
00:51:03Come on!
00:51:05Come on!
00:51:09Come on!
00:51:15I'm all right, really!
00:51:16Let's go!
00:51:17You have to go to the kitchen and get the rag next to the sink!
00:51:22It's just a scrum!
00:51:23That's no scratch, child!
00:51:25It should be bandaged properly!
00:51:27And when you get back home, you go see a doctor!
00:51:30Here, I can do it.
00:51:31No!
00:51:32Let me.
00:51:32No.
00:51:35How's that feeling, child?
00:51:38I think you could be coming down with the flow.
00:51:45Sun's about to set.
00:51:47It'll be dark in an hour.
00:51:49We'll have to be going soon.
00:51:50Going?
00:51:52Well, we plan to go back to the city for dinner.
00:51:54Oh, my.
00:51:55I won't stand for that.
00:51:56You stay here and have dinner with me.
00:51:58And spend the night.
00:52:00Hello.
00:52:03Jenny needs the rest.
00:52:06And besides, you don't need any dinner in that foggy city.
00:52:11You'll get pneumonia for sure.
00:52:13That's a very generous offer, but I'm afraid you can't accept.
00:52:16It would be in a position.
00:52:17Oh, no.
00:52:18It would give me the greatest pleasure.
00:52:20But you weren't planning on three for dinner.
00:52:22And besides, there isn't room for us here.
00:52:23Oh, yes, there is.
00:52:25There are two cottages where my relatives used to stay when they visited me.
00:52:31All they need are pillows and some blankets.
00:52:35Of course, I'm afraid it's a little dusty now.
00:52:38Oh, that's very kind to me, Mrs. Abercrombie.
00:52:40But I don't know.
00:52:40No, hush, child.
00:52:43I insist you'll need the rest.
00:52:45It's all decided.
00:52:46I won't hear anything more.
00:52:48I'm going out now to make the bed.
00:53:12John?
00:53:12I'm in here.
00:53:13I'm in here.
00:53:18Hi.
00:53:19Hi.
00:53:20How is it in there?
00:53:22A little dusty.
00:53:24It's not bad.
00:53:25It's no hotel.
00:53:26Hold on a second.
00:53:34No seconds, I'll wear it.
00:53:37Thank you, sir.
00:53:48You still sorry I was staying?
00:53:51Oh, well, I'm just so confused with everything that's been happening to me.
00:53:56Everything you think's been happening to you.
00:53:58Okay, so there's no proof, but it doesn't prove that it didn't happen.
00:54:03And it doesn't change one thing.
00:54:07What's that?
00:54:09That I saw Mrs. Abercrombie coming out of that padlocked room.
00:54:13That she told us she didn't have the key for.
00:54:15Jenny, you gotta believe me.
00:54:17Mrs. Abercrombie was with me the whole time, talking about the resort.
00:54:21She didn't leave until we heard you scream.
00:54:25Well, it doesn't change what I saw.
00:54:29And after what the hunter said.
00:54:31Oh, wait, wait a minute.
00:54:34I thought you just told me that the hunter didn't believe that story himself.
00:54:39Nothing.
00:54:40But nothing.
00:54:43Come on.
00:54:46Now look, Jenny.
00:54:48You've just gotta relax.
00:54:51You've probably got a touch of some bug that's going around and it's playing tricks on you.
00:54:56Maybe so.
00:54:59Anyway, I...
00:55:01I'm glad I'm not here alone.
00:55:06You know, abandoned swimming pools always intrigue me.
00:55:10When I found one when I was little,
00:55:12I used to jump in and pretend I was a Christian being thrown to the lion.
00:55:16No, no, no, no!
00:55:17What?
00:55:18The scene at the end of the monster movie when the heroine is finally trapped by the grotesque beast.
00:55:24In a swimming pool?
00:55:26Sure.
00:55:27Ah!
00:55:31Step by step.
00:55:33Closer and closer.
00:55:35The beast came to our heroine.
00:55:37Poor Miss Betty Lou.
00:55:40Until...
00:55:42At last there was nowhere left to go and she was trapped.
00:55:46Ow!
00:55:47Ow!
00:55:48The final step, the beast licked his lips in anticipation and snorted.
00:55:58Ow!
00:56:00Ow!
00:56:01Ow!
00:56:02The man!
00:56:04He looked down at her.
00:56:07With an emotion he had never felt before.
00:56:10Was it love?
00:56:14Anger?
00:56:15Pity?
00:56:16Greed?
00:56:17Okay.
00:56:18A certain tenderness, shall we say.
00:56:21And with this tenderness, he picked our heroine up.
00:56:25To carry her off.
00:56:27He paid.
00:56:28He knows what grotesque changed.
00:56:31Ow!
00:56:31No!
00:56:32But at that very moment, our hero appears on the scene.
00:56:36Oh!
00:56:37Brave.
00:56:38Young.
00:56:40Intelligent.
00:56:41Trustworthy.
00:56:42Loyal.
00:56:43Helpful.
00:56:44Friendly.
00:56:44Courteous.
00:56:45Kind.
00:56:45Obedient.
00:56:46Cheerful.
00:56:46Thrifty.
00:56:47Brave.
00:56:48Clean.
00:56:48Okay, okay.
00:56:48And reverend.
00:56:51Our hero, Dr. Bradley, who just happens to be the creator of this hideous thing, cognizant
00:56:55of the evil he has wreaked upon an unsuspecting world, and now that his creature threatens the
00:56:59one thing in the world he loves besides science, has come to do battle with the hideous monster.
00:57:06Slowly, he approaches him.
00:57:08The thing rears up.
00:57:10He approaches again.
00:57:12The thing rears up.
00:57:14Come here, you beast, lay hands off of her.
00:57:16You mean me?
00:57:17Yes, you, you hideous creature.
00:57:20And don't be rude.
00:57:22Take that!
00:57:23And that!
00:57:24Take that!
00:57:25Take that!
00:57:26Take that!
00:57:27And the hero gets the upper hand, and with a heroic plunge, dives his knife into the creature's
00:57:33heart.
00:57:34Take that!
00:57:39The hero!
00:57:40Oh, my hero!
00:57:48Oh, oh, oh!
00:57:51Ohh!
00:57:52Oh!
00:57:52And slowly, the hero takes the hero into his arms.
00:57:56for the ultimate kiss and final payout.
00:58:04What can it be?
00:58:23What?
00:58:25Our hero is no hero at all,
00:58:29but Dracula's nephew out for a bite.
00:58:35Oh, you never stop.
00:58:39Oh.
00:58:42Oh, John.
00:58:46What?
00:58:48Come on, John.
00:58:51Okay.
00:58:52What?
00:58:53What?
00:58:54Come on.
00:58:55What?
00:58:56What?
00:58:58What?
00:59:00What?
00:59:00What?
00:59:00Come on.
00:59:01What?
00:59:03What?
00:59:05What?
00:59:06What?
00:59:06What?
00:59:07What?
00:59:08What?
00:59:08What?
00:59:08Please stop.
00:59:09What?
00:59:12Please stop.
00:59:14What?
00:59:15Tom, please.
00:59:16What?
00:59:16What?
00:59:17What?
00:59:18What?
00:59:25One more way to get attention.
00:59:26What?
00:59:37Oh.
00:59:41Oh.
00:59:55What?
00:59:56Is this what happened to the resort in Cradaquan?
00:59:59Oh...
01:00:00I don't know.
01:00:02I've always hoped someone would come along and be interested enough in it to...
01:00:07to fix it up like it used to be.
01:00:10You know, paint it and wallpaper and...
01:00:15and fix up the lovely old gardens and the...
01:00:19and the walks.
01:00:22Oh, but that's...
01:00:23Nobody feels like that toward a place like this anymore.
01:00:28Those days are gone.
01:00:31This meal is superb.
01:00:33You've never had so much trouble.
01:00:34Oh, I'm glad you enjoyed it.
01:00:38Wasn't any trouble, you know?
01:00:40Cooking's really my hobby.
01:00:42Well, it is fantastic.
01:00:44I'm glad you liked it.
01:00:45What kind of meat is this, Mrs. Evercrombie? Is it beef?
01:00:49No.
01:00:49No.
01:00:50Well then, lamb or pork?
01:00:52No.
01:00:53What is it then?
01:00:55An old secret family recipe.
01:00:58Oh.
01:00:59I call it the hunter stew.
01:01:02Mmm.
01:01:03It's far all the fun if I told you how I made it.
01:01:07Mmm.
01:01:07Well, it's delicious.
01:01:09So, before I go, do you promise you'll tell me how to make it?
01:01:12Yeah.
01:01:14I promise to tell you how I make it before you go.
01:01:19Mmm.
01:01:22Mmm.
01:01:23Mmm.
01:01:23Now, anybody for some wine?
01:01:27I love some.
01:01:27Oh.
01:01:28You a child?
01:01:29Oh, thank you very much.
01:01:30Of course.
01:01:31Of course.
01:01:35Mmm.
01:01:59There we are.
01:02:19I propose a toast.
01:02:21To the hospitality of our generous hostess.
01:02:24Yes, indeed.
01:02:35How unfortunate.
01:02:38Please don't make me stay.
01:02:40Let's go tonight.
01:02:41Sure, let's get yourself all excited again.
01:02:42Please.
01:02:45There's gotta be a perfectly logical explanation for...
01:02:49For everything that you think's been happening to you.
01:02:54Oh.
01:02:55You've probably...
01:02:56Got a fever and you're overtired.
01:02:58I don't believe, John.
01:03:00There's nothing wrong.
01:03:03Believe me.
01:03:07I'll take care of you.
01:03:18I'm sorry nothing ever works out the way I planned it.
01:03:22It's the story of my life.
01:03:24Some dinner in the city.
01:03:26Yeah.
01:03:31What you need now is rest.
01:03:34I'll be right next door.
01:03:38I'll be right back.
01:03:38Tonight, you get some sleep.
01:03:40Then tomorrow, we'll try to figure things out.
01:03:44We'll find your hunter, Fred, and...
01:03:47We'll go see what we can find out in town about our Mrs. Abercrombie, okay?
01:03:52I promise you'll help me check it out.
01:03:55It cost my heart.
01:03:58I'll take it out.
01:04:02That's it.
01:04:04I don't know.
01:04:05I don't know.
01:04:05We'll see her.
01:04:07I guess she left it for me to wear.
01:04:10Really?
01:04:11Hey.
01:04:12Come on.
01:04:12Let me see her.
01:04:17Well, that's not exactly Playboy.
01:04:20It is.
01:04:23Good night.
01:04:24Good night.
01:04:25Good night.
01:04:33Good night.
01:04:34I'll be right next door.
01:04:35Good night.
01:04:51Good night.
01:04:53By the time it takes about a 1.
01:06:57Come on, lie down. You feel better than me.
01:06:59You have to believe me.
01:07:01Jenny, please.
01:07:02You don't believe me.
01:07:03Jenny, please.
01:07:04Here, give her this. I put a substitute in it.
01:07:08I won't drink anything. Excuse me.
01:07:10Get out.
01:07:11Please.
01:07:12Get out. Get out, both of you.
01:07:16Let's leave her alone.
01:07:17We're only making a boy.
01:07:19No, we'll come back in the morning.
01:07:21Come on.
01:07:21No.
01:07:25No.
01:07:30No.
01:07:34No.
01:07:44No.
01:07:57No.
01:07:59No.
01:07:59No.
01:08:00No.
01:08:12No.
01:08:15No.
01:08:15No.
01:08:17No.
01:08:18No.
01:08:31No.
01:08:36No.
01:08:45No.
01:08:48No.
01:08:54No.
01:09:01No.
01:09:02No.
01:09:03No.
01:09:04No.
01:09:07No.
01:09:15No.
01:09:16No.
01:09:19No.
01:09:22No.
01:09:22No.
01:09:25No.
01:09:26No.
01:09:38No.
01:09:39No.
01:09:40No.
01:09:40No.
01:09:40I don't know.
01:10:33I don't know.
01:10:41Now, listen.
01:10:42Everything must be exactly the same as I told you.
01:10:48Most important, the circle.
01:10:50Don't worry, it will be.
01:10:52But why do we need all this?
01:10:54We didn't have to with the others.
01:10:56The others were not the same.
01:10:58She must be just like that first bride.
01:11:03Okay.
01:11:03Now, remember, we waited for tonight for a reason.
01:11:09So that it can be just the same.
01:11:12She must die between midnight and six in the morning.
01:11:17The second before we were after.
01:11:22Now, I'm having trouble with our helpers.
01:11:25They're too anxious.
01:11:27They could spoil everything.
01:11:30Now, remember, most important, the circle.
01:11:36Now, she must enter it without us forcing her.
01:11:42Understood?
01:11:45What about Luther and the others?
01:11:48If they're here by midnight, fine.
01:11:51If not, we won't wait a second for them.
01:12:26Oh, my God.
01:15:10Did you find what you're looking for?
01:15:36Jenny, help!
01:15:38Jenny, help!
01:15:39Oh, God.
01:15:40They've got John.
01:15:41I'm...
01:15:41I'm...
01:16:10I'm...
01:16:18I'm...
01:16:26I'm...
01:16:28I'm...
01:16:30I'm...
01:16:31I'm...
01:16:39THE END
01:17:04THE END
01:17:37THE END
01:17:39I'LL CALL YOU
01:17:43PLEASE
01:17:45PLEASE
01:17:48PLEASE
01:17:49Stop!
01:18:32I don't know.
01:18:59Jane!
01:19:00John!
01:19:02I'm going to shoot you away!
01:19:03Everybody, come on, we've got to get out of here.
01:19:16John, look out!
01:19:23Oh, God, not you!
01:19:26I'm sorry, Jane.
01:19:28But you are so perfect.
01:19:37No!
01:19:39No!
01:19:41No!
01:19:45No!
01:19:48No!
01:19:49No!
01:19:52No!
01:19:53No!
01:19:55No!
01:19:57No!
01:19:59No!
01:20:24she's waking
01:20:27ah good
01:20:29it's almost midnight
01:20:31i wanted her to be awake
01:20:34what about luther and the others
01:20:35i told you we weren't going to wait for them
01:20:38then let's start
01:20:40oh we have to wait till midnight
01:20:44that drug may wear off at any time
01:20:46we don't know how much we got in there
01:20:47ah enough did
01:20:50i don't want to hurry and spoil this
01:20:54we worked too long looking for one as perfect as her
01:21:00ah fine child
01:21:02i'm so glad you could join us
01:21:06although it's a shame
01:21:08that john and i worked so long and hard
01:21:12looking for someone like you
01:21:15you're not going to be with us very long
01:21:22it's no use jenny
01:21:25that shot we gave you was a local anesthetic
01:21:28you can see and hear fine
01:21:30but you can't move your body at all
01:21:34frustrating isn't it john
01:21:35but you have no idea how frustrating it's been for john and me
01:21:41waiting all this time for this night
01:21:46this special night
01:21:50ah but it is well worth it
01:21:54oh oh i must thank you for being so generous
01:21:59with that blood for the circle
01:22:06it's almost time
01:22:12fine child
01:22:14in a moment you're going to learn the recipe for my honey sister
01:22:19really nice
01:22:21you can leave
01:22:21oh
01:22:21well
01:22:39uh
01:22:40yeah
01:22:48the
01:22:57THE END
01:23:29THE END
01:23:57THE END
01:24:19THE END
01:24:34THE END
01:24:42THE END
01:24:51THE END
01:24:52THE END
01:24:52THE END
01:24:54THE END
01:24:56THE END
01:24:56THE END
01:24:57THE END
01:24:59THE END
01:25:01THE END
01:25:01THE END
01:25:04THE END
01:25:04THE END
01:25:06THE END
01:25:13THE END
01:25:18THE END
01:25:18THE END
01:25:25THE END
01:25:25THE END
01:25:32THE END
01:25:32THE END
01:25:32THE END
01:25:40THE END
01:25:40THE END
01:25:52THE END
01:25:52THE END
01:25:52THE END
01:25:52THE END
01:25:55THE END
01:25:59THE END
01:25:59THE END
01:25:59THE END
01:26:00THE END
01:26:02THE END
01:26:02THE END
01:26:02THE END
01:26:03THE END
01:26:15THE END
01:26:25THE END
01:26:27THE END
01:26:32THE END
01:26:36THE END
01:26:44THE END
01:26:54THE END
01:26:55THE END
01:26:59THE END
01:27:00THE END
01:27:02THE END
01:27:02THE END
01:27:02THE END
01:27:02THE END
01:27:03THE END
01:27:04THE END
01:27:04THE END
01:27:05THE END
01:27:05It happened!
01:27:07It happened!
01:27:11It happened!
01:27:13It happened!
01:27:20Hey, Sheriff!
01:27:22Sheriff, look what I found!
01:27:23I don't think this little lady's been telling us the whole truth.
01:27:28That's sure enough marijuana.
01:27:32That is all mine!
01:27:33That was your car, ain't it?
01:27:35Yes, it's my car, but those are not mine!
01:27:39I'm afraid you'll have to wait here a while, Sheriff.
01:27:42This little lady doesn't serve no private sale.
01:27:45Put her down here with the other one.
01:27:59Don't worry, Miss, you won't be here long.
01:28:25I wonder how long we'll have to be here.
01:28:32I wonder how long we'll have to be here.
01:28:33She has long enough, my job!
01:28:36I wonder how long we'll have to be here.
01:28:57I wonder how long we'll have to be here.
01:29:03It tend to be there.
01:29:05Seenchant of the Jane
01:29:05She's preventative,Çw combining the house
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