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Transcript
00:00:19This world is the best place
00:00:25My heart is the only one
00:00:28Oh, the world is the best of the world
00:00:33I am alone in my heart
00:00:38What is this?
00:00:45What is this?
00:00:47Is this a ghost?
00:00:49Is this a ghost?
00:00:51What do you mean?
00:00:53Go out and see the girls are dying
00:00:58Look, I know you from childhood
00:01:00The rest of your first time will die
00:01:02Why are you coming here?
00:01:07You put on the set
00:01:08You put on your head
00:01:09Why are you doing this?
00:01:14Because of all these things
00:01:15I have given you a Saturday Sunday
00:01:17If not, they were thinking about the Saturday Sunday
00:01:19Oh
00:01:21And because of all these things
00:01:23You are thinking about the Saturday Sunday
00:01:29That's why the C.I.D. person
00:01:31He said that we took off the main
00:01:34Hey, listen to me
00:01:37Never do anything
00:01:38Never do anything
00:01:39Never do anything
00:01:42Just tell me
00:01:44I don't feel like Bobby Teol
00:01:45Tell me about it
00:01:47Bobby Teol
00:01:49Bobby Teol
00:01:50Bobby
00:01:55No
00:01:57No
00:01:58I don't feel like
00:01:59Bobby Teol's sweater
00:02:00You feel like Bobby Teol
00:02:02That's the one who turned into the smell of the new Dior
00:02:08This is what you are making
00:02:09And what do you think about us?
00:02:11What is the song about us?
00:02:15We are making the song about you
00:02:15How are you making the song about us?
00:02:16What do you think about us?
00:02:16Let me tell you something about you
00:02:17My question is
00:02:17Here is the Dior family
00:02:19Here is the Dior family
00:02:19So I came to give them tribute
00:02:20I have come to give a tribute.
00:02:21Oh!
00:02:22That's why I prepared so much.
00:02:23If you tell me what is a tribute,
00:02:25then I'll give you two crores.
00:02:33The tribute is very good.
00:02:35It can be given to big people.
00:02:36Okay.
00:02:37Okay, it can be given.
00:02:38How do you make it?
00:02:42It's good to make it.
00:02:45No, no.
00:02:46Listen to me.
00:02:47Listen to me.
00:02:47Listen to me.
00:02:50Don't make it.
00:02:51I don't have to do this.
00:02:54Oh, I don't have to make it.
00:02:58My name is Amara.
00:03:00I'm a man.
00:03:05I'm a man.
00:03:08I'm a man.
00:03:11I am a man.
00:03:13I'm a man.
00:03:14I am a man.
00:03:14I am a man.
00:03:15I am a man.
00:03:15I am a man.
00:03:18He will come.
00:03:22That's it!
00:03:24That's just me, Kasha.
00:03:26And I'm just yours.
00:03:28If he will come to this song,
00:03:30then he will take his hand
00:03:32who will sit on his chair.
00:03:37Nice! Very nice.
00:03:39Listen to me.
00:03:39Are you ready?
00:03:40No.
00:03:41There's an exit there.
00:03:42There's one person who will make a knuckle.
00:03:44He will beat you.
00:03:44Let's go.
00:03:45Oh!
00:03:47Get out of your mouth.
00:03:55Tell me, where did you go from?
00:03:57Are you showing?
00:03:58I'm not showing.
00:03:59You won't show too much.
00:04:03Oh!
00:04:04Will you do my hand?
00:04:06No!
00:04:07I'm doing my hand.
00:04:08I'll do my hand with you.
00:04:10I'll take you on the ground.
00:04:11I'll take you on the ground.
00:04:13I'll take you on the ground.
00:04:17I'll take you on the ground.
00:04:18Did you put them in the mixer grinder?
00:04:21What happened to you?
00:04:23Where did you come from?
00:04:24What happened to you?
00:04:25Oh, man.
00:04:26I'll become Bobby Duel.
00:04:34Hey, man.
00:04:36You've been telling this story to Kappu Sharma.
00:04:39I'm telling you.
00:04:39I'm telling you.
00:04:40Then you'll have to give all the money.
00:04:42We didn't get the opportunity.
00:04:45Good.
00:04:46Kappu Sharma.
00:04:47Yes.
00:04:47I'll do the same as I can.
00:04:49No.
00:04:52Come here.
00:05:03Come here.
00:05:04You've been telling me to become a heroine and why do you become a heroine?
00:05:07You're not being a heroine, you're not being a heroine.
00:05:11Archana, I mean I'm getting a ghost.
00:05:16Baby, tell me something.
00:05:18This is a dress.
00:05:19How do you pull it?
00:05:21How do you pull it?
00:05:22This isn't a big problem for us.
00:05:24After playing, we're giving her a card.
00:05:27Who will pull it?
00:05:28No.
00:05:29No, you're a card.
00:05:30I don't even pull it.
00:05:31I don't do it.
00:05:32You...
00:05:33...pherdhata hai.
00:05:35Ooh!
00:05:37Deverji, I have to talk to you very much.
00:05:40What?
00:05:40I have to talk to you, Sunny Doolji.
00:05:42I have to talk to you only two minutes with them.
00:05:45I have to talk to them.
00:05:47What are you talking about?
00:05:48I have to talk to them.
00:05:49I have to talk to them.
00:05:49I have to talk to them.
00:05:50What are you talking about?
00:06:02Dede.
00:06:02I am ready.
00:06:03Hey!
00:06:04The show doesn't even start.
00:06:05Who is going to be a girl?
00:06:07A girl?
00:06:08Kappu, remember.
00:06:09You have one original girl in our society.
00:06:12And that is me.
00:06:13Original?
00:06:14If you are an original,
00:06:16then we should not make a girl.
00:06:20It came.
00:06:21And my roomal,
00:06:23who I was looking for before,
00:06:25made a saree and wore it.
00:06:27No.
00:06:27Look at this.
00:06:28Kappu Sharma is here.
00:06:29I have to talk to you.
00:06:30This is my roomalai.
00:06:31I have to talk to you.
00:06:32It is.
00:06:33Oof!
00:06:34I am Hema Malini.
00:06:35How do you feel?
00:06:36I am eating this.
00:06:39What did you do?
00:06:40Hema Malini.
00:06:43It is a good one.
00:06:44Come on.
00:06:46How do I feel?
00:06:47How do I feel?
00:06:48Tell me how do I feel?
00:06:49Have you eaten this?
00:06:50Have you eaten this?
00:06:52You have to throw out your hands in the house.
00:06:55You are also disgusting.
00:06:59The truth is.
00:07:01I have heard this.
00:07:02I have heard this.
00:07:02My heart is not.
00:07:08My heart is not.
00:07:09Why do you ask me?
00:07:10Why?
00:07:10Because I have eaten from my mouth.
00:07:14And why is this Chumgadar?
00:07:17Chumgadar?
00:07:18Chumgadar is a child.
00:07:19That's why I am here.
00:07:20Because she has seen the shipkali
00:07:21who has been wearing pink shoes.
00:07:22She is wearing pink shoes.
00:07:25Oh, oh, oh, oh.
00:07:26Kappu.
00:07:27Where do I feel from your friend?
00:07:29Chumgadar is not.
00:07:29But you look at her face,
00:07:31she is wearing pink shoes.
00:07:35Listen to me.
00:07:37Don't do this fancy dress.
00:07:38And all of them.
00:07:39Get out of here.
00:07:40What?
00:07:40You're like,
00:07:41You're like,
00:07:42You're like,
00:07:44No.
00:08:10You can take a normal entry?
00:08:12You can take a normal entry?
00:08:13No, we don't have enough time to eat at home.
00:08:17This is the number of people who do this first.
00:08:21If you do this, people keep money.
00:08:25Are you watching how you talk about it?
00:08:27Tell her too.
00:08:28Hi.
00:08:30Don't say hi.
00:08:31Don't say hi.
00:08:32Don't say hi.
00:08:32Don't say hi.
00:08:33Don't say hi.
00:08:33Don't say hi.
00:08:34Don't say hi.
00:08:40Do you have a frog?
00:08:42Yes, it's a frog.
00:08:43Yes.
00:08:45The doctor told you to wear a dress for two days.
00:08:48Yes.
00:08:52Don't say hi.
00:08:53I'll never run with someone else.
00:08:55My family is here.
00:08:59Yes, my family is here.
00:08:59One minute, tell me.
00:09:00Why did you get me here?
00:09:02Oh, my heart is so strong.
00:09:04You will see me and see me.
00:09:05What will I become?
00:09:07Shakti Maan.
00:09:09No.
00:09:09It's crazy.
00:09:10They will give everyone tribute to me.
00:09:12It will be fun.
00:09:12Look, I have to give tribute to them.
00:09:14And the most people will like me.
00:09:16Why?
00:09:16Why?
00:09:17Best Bobby Dale of the Year.
00:09:18Oh!
00:09:21Listen to me.
00:09:22You all give me a photo.
00:09:25Yes.
00:09:25I will show Dharam Ji.
00:09:26If they gave approval, that's okay.
00:09:29Otherwise, you have to be a suicide.
00:09:30Let's get started.
00:09:36So, my performance will be different.
00:09:39All of them will be different.
00:09:40Why?
00:09:41Come on, come on.
00:09:42Your performance will be different.
00:09:43Come on.
00:09:44Come on.
00:09:46Come on.
00:09:47Come on.
00:09:48Come on.
00:09:48Come on.
00:09:49Come on.
00:09:51Where are you going?
00:09:53Come on.
00:09:54Come on.
00:09:56Come on.
00:09:57Come on.
00:09:58Come on.
00:10:00Come on.
00:10:04Come on.
00:10:04Arshana Ji.
00:10:05Finally, today's show,
00:10:07there's a guest who was waiting for us for a long time.
00:10:10And these are the greatest superstars of India,
00:10:13who have worked in the truth of life.
00:10:15They give their voices to their voices.
00:10:19And when they do this,
00:10:20we also believe that they can do it.
00:10:22Because their personality is like this.
00:10:24And not only this,
00:10:25people love them so much,
00:10:26that when they are standing in the room,
00:10:28they are standing in the room.
00:10:29So, millions of people have sent them to the parliament.
00:10:32So, welcome.
00:10:36Actor, director, producer,
00:10:37and in the moment,
00:10:39the member of the parliament of Gurdaspur,
00:10:57man.
00:10:59Oh, my God
00:11:01,
00:11:01I'm here.
00:11:07Oh, my God.
00:11:13Oh, my God.
00:11:22I'm here.
00:11:23Oh, my God.
00:11:25Oh, my God.
00:11:25Oh, my God.
00:11:27Oh, my God.
00:11:27I'm talking to you in your name.
00:11:29But first, I'll tell you very much.
00:11:31You've become a member of the parliament.
00:11:32Did you know that?
00:11:36Paji, you've been so powerful from before.
00:11:39You've also come in power.
00:11:41How do you feel this new role?
00:11:44In fact, it's a very new role.
00:11:46Yes.
00:11:47It's good.
00:11:48I'm getting a chance to get to the people.
00:11:53I'll give them a chance to help them.
00:11:55I'll do something else.
00:11:55I'll give them a chance to help them.
00:11:57People are very excited, Paji.
00:11:58Very, very, very excited.
00:11:59When Punjab came to the same people...
00:12:06Every person, whether they become a mother,
00:12:10or whether they become a child,
00:12:12they all love you.
00:12:13Absolutely.
00:12:18You all know that the film Pulpal Dil,
00:12:22Karan Deol is going to be debut.
00:12:24And the film was directed by Sani Paji.
00:12:26Woo!
00:12:29And...
00:12:30When we say the title of Pulpal Dil,
00:12:34obviously, the film comes back to the film.
00:12:37Blackmail.
00:12:38This is the song.
00:12:38Paji, how do you think this title?
00:12:41Blackmail was a very favourite film.
00:12:43It was a very romantic film.
00:12:44And this song is a very romantic song.
00:12:46But when I was young, I used to enact this song.
00:12:50Oh, yes.
00:12:51Wow.
00:12:52But it was just that I was launching my son.
00:12:56So I was thinking that I'll join Papa with him.
00:12:59And it's a love story.
00:13:01So I thought that I'll give it a better title.
00:13:04It's a very beautiful film.
00:13:10Okay, production is a house.
00:13:12Director is a house.
00:13:14Actor is a house.
00:13:16But is this a scheme of money to save money?
00:13:19Or is this scheme of money to save money?
00:13:22No, it's a scheme of money to save money.
00:13:24But I'm the director right now, this time.
00:13:26Anita Baitap's first film was set.
00:13:30Then I launched it.
00:13:31Then Bobby, then Abhay, then Abhay.
00:13:36I'm very excited, Paji, this film.
00:13:40So, the series of the series of the songs of Sunni Paji
00:13:42will always call them,
00:13:45who are all looking for watching.
00:13:48So please welcome to the film of Pulpal Dil
00:13:49who has debut in Bollywood in Bollywood.
00:13:51Young and promising newcomers,
00:13:53Karan Dil and Sahar Bamba.
00:14:09Welcome, welcome, welcome, welcome.
00:14:12Welcome, Sahar Bamba.
00:14:19Welcome, welcome, welcome, welcome.
00:14:25Karan, Sahar, you are very, very happy.
00:14:28Now your film is not released.
00:14:29Before that, you are so sure that people love you so much.
00:14:33How do you feel about it?
00:14:35It was very good.
00:14:36I have no words for it, honestly.
00:14:39From inside,
00:14:41the love that I got to my father,
00:14:44that I got to my dad,
00:14:45and the love that I got to my dad.
00:14:46But I thank you guys so much for it.
00:14:48Like, there are no words to describe it, honestly.
00:14:56Karan, you know,
00:14:57in the industry, this buzz was
00:14:59that Sunni Paji's son
00:15:00will debut in action films.
00:15:02But your film is romantic.
00:15:04So what do we think about it?
00:15:05That Papa had to romance you before the action,
00:15:07or did he take it somewhere?
00:15:08No, no.
00:15:10Why did he think that I will launch them in a romantic film?
00:15:13They wanted that the innocence of that age
00:15:16came out.
00:15:17So they wanted to make it romantic.
00:15:19The action was always in the picture.
00:15:21It was a surprise for everyone.
00:15:24They were very loved.
00:15:25I would have asked him like that.
00:15:26Like, Papa is in front of me.
00:15:31If you are a other director,
00:15:33then the man is open.
00:15:37Like Papa was.
00:15:38Yes, like Papa was.
00:15:39So they were in front of me.
00:15:40They were all those
00:15:41who were...
00:15:43You were in front of me, Papa was in front of me.
00:15:46It was in front of me.
00:15:47But what do we do now in this industry?
00:15:49So whatever we do, whatever we do.
00:15:53So we were talking about some of our
00:15:55college.
00:15:58Paji, come on.
00:15:59We will talk a little bit.
00:16:00Come on, Karan.
00:16:01Please, Sahar.
00:16:06We will talk a little bit.
00:16:07Okay, you all know.
00:16:08Dharam Paji, when he came to the industry,
00:16:09his first film was
00:16:10The Love, You, You, You.
00:16:12It was a romantic film.
00:16:12Sunny Paji started
00:16:14The Baitaab.
00:16:14It was a romantic film.
00:16:16And now Karan is going to debut
00:16:17from a romantic film.
00:16:18Paji is out of the spot.
00:16:20He is big and big.
00:16:20Everyone knows.
00:16:21He tells you about it.
00:16:22He tells you that his style is
00:16:23his food style.
00:16:24Before he talks about love,
00:16:26he comes to his hands.
00:16:26He comes to his hands.
00:16:30So Karan, do we expect it from you
00:16:32that you will also do action films?
00:16:33Yes, of course.
00:16:34Absolutely.
00:16:35I want to do action films a lot.
00:16:40I will tell you about Sahar.
00:16:41Sahar, when you auditioned,
00:16:42how did you select for the film?
00:16:44I had a call that you would like to audition
00:16:47after I won a pageant.
00:16:50After that, there were a lot of rounds.
00:16:52And after that,
00:16:53the final round that was my
00:16:54was Sunny Sir directed.
00:16:56And after that,
00:16:58I got a call after a week
00:16:59that I am going to be selected.
00:17:00Very good.
00:17:01Congratulations.
00:17:05In the first film,
00:17:07you are doing Sunny Dior direct.
00:17:08You are opposite of Karan.
00:17:10And it is a great deal.
00:17:11It is so interesting that
00:17:12you have come to our show before release.
00:17:16Actually, to be very honest,
00:17:18when my friends knew
00:17:20that I got this film,
00:17:21their first question was
00:17:23that are you going on the show
00:17:23in the promotion of Kapil Sharma?
00:17:24Are you going on the show?
00:17:25They were so excited.
00:17:28Oh, yeah.
00:17:30It didn't come to my friends.
00:17:31I didn't come to my mom.
00:17:32No, my mom and my sister are here today.
00:17:34Okay.
00:17:34Hello, thank you.
00:17:36You are your mother?
00:17:36Yes, yes.
00:17:37You are my mother.
00:17:38You are my mother.
00:17:40You are my mother.
00:17:42We have heard that
00:17:43when your selection was for the film,
00:17:45there was about 400 girls
00:17:46in the audition.
00:17:47Yes.
00:17:48These are the first girls in 400.
00:17:49Today, there was only one time
00:17:51that happened, right?
00:17:52With Archana.
00:17:54These were also the first.
00:17:55These were the 400.
00:17:56These were the first girls in the film.
00:17:58Let's go,
00:17:59it was the first in the film.
00:18:00They were the first in the film.
00:18:01They were the first in the film.
00:18:03And the other one
00:18:04was the first in the film.
00:18:09Okay, Karan,
00:18:09in this film,
00:18:10the director is Papa.
00:18:11The producer is Dada Ji.
00:18:13So, the payment was only for Aashirwadi.
00:18:17There was a lot of payment,
00:18:18but there was nothing like that.
00:18:20Pocket money.
00:18:20Pocket money.
00:18:21So, how much fun did you do?
00:18:22You have been shooting in the mountains.
00:18:25It was also fun,
00:18:26but it was also very difficult.
00:18:27because our call time was 4-5 hours.
00:18:32And we were tracking and shooting in 40-45 minutes.
00:18:35And we were shooting in a lot of zero conditions.
00:18:38Sometimes, there is an artist sitting
00:18:39and the shot is ready.
00:18:40Yes.
00:18:41So, you have time to do this.
00:18:42Yes.
00:18:43Or you have a phone at home.
00:18:44Sometimes, there is an artist
00:18:45who is the producer or director.
00:18:47He would do a chugly.
00:18:49In your case, this was not possible.
00:18:51The director and the producer also at home.
00:18:53Who would do chugly then?
00:18:57No, I had no phone at home when something happened.
00:18:59I mean, I didn't do chugly.
00:19:06In the film, they are saying that
00:19:07there is no girlfriend.
00:19:08And you have to listen to yourself.
00:19:09There is no boyfriend.
00:19:09No, no.
00:19:10So, you had to decide this before.
00:19:12I would like to take an experience in the film.
00:19:14My boyfriend.
00:19:16Now, you are going to get a lot of phones.
00:19:18You are going to get a phone of your mother.
00:19:21I think that her mother was so nice
00:19:23that she will not be able to get rid of her.
00:19:30That must be half a pound.
00:19:33Karan, where the
00:19:342 kilos of grandpa and dad would get 4av到.
00:19:36No, sir.
00:19:38I hope everyone felt like this.
00:19:40Screw you.
00:19:44Tell me what happened!
00:19:48As for Deja and Juala after the show,
00:19:50in ghostbility I spent the film.
00:19:51Gotta look forward to some of Sunny opponent's films.
00:19:53It is tough.
00:19:54Do I have to hear real or sell your cooking?
00:19:55I don't hear it in front of you, but I don't remember.
00:19:57No, listen in front of Sani.
00:19:59One more time.
00:19:59It's my favourite dialogue.
00:20:00Paji says,
00:20:01I want you to be a dog here.
00:20:05What do you mean?
00:20:07What do you mean?
00:20:08What do you mean?
00:20:09What do you mean, Katia?
00:20:11Paji, I'm sorry for you.
00:20:14But you're doing great.
00:20:15Very nice.
00:20:17But seriously, when you were talking about dialogue,
00:20:19you'd be angry, Paji.
00:20:21Paji, we've seen it in those theaters,
00:20:22but we didn't have such technology.
00:20:24So, it was under our seat.
00:20:28As the dialogue of Sani Paji is playing,
00:20:29we were playing together.
00:20:31So, it's so loud.
00:20:35As long as we sit here,
00:20:36I'm going to go with you.
00:20:37There are so many people in Sani Paji.
00:20:38There are no dialogue.
00:20:40Take it, Paji.
00:20:41Let's see how many girls are.
00:20:44Yes, you can do it.
00:20:46Give them a mic.
00:20:47My Sujata Kafli, Shai.
00:20:49I'm from Nepal.
00:20:50I'm from Nepal, sir.
00:20:51Oh, you're from Nepal?
00:20:51Yes.
00:20:52Very beautiful.
00:20:53Thank you, sir.
00:20:54Yes, sir.
00:20:55We are representing Ms. Worldwide,
00:20:56Ms. Worldwide,
00:20:57and Ms. Teen Worldwide.
00:21:00Oh, wow.
00:21:00Yes.
00:21:01Our ma'am, Neelam,
00:21:02Sir.
00:21:03Thank you, ma'am.
00:21:03How are you?
00:21:05Okay.
00:21:06So, we are sitting here with Ms. India.
00:21:07Yes.
00:21:08Thank you, sir.
00:21:08So, when is this going to happen?
00:21:14When is this going to happen?
00:21:14There is a competition.
00:21:15It's the seventh final.
00:21:16Okay.
00:21:17Please, please, please come, sir.
00:21:19Math.
00:21:20We are going to call the names.
00:21:21Anyway.
00:21:23Yes.
00:21:23So, would you like to speak to Sani Paji's dialogue?
00:21:25Yes, sir.
00:21:25Yes.
00:21:25Yes.
00:21:26This is half a kilo of hands.
00:21:27When it comes to someone,
00:21:29then you don't rise up.
00:21:30It will rise up.
00:21:32Wow.
00:21:39I have so many great fans in Nepal, sir.
00:21:41I have never missed your show.
00:21:43So sweet of you.
00:21:49Sir, I have brought this from Nepal, sir.
00:21:52Oh, wow.
00:21:53So sweet.
00:21:54Thank you, sir.
00:21:55Thank you so much.
00:21:57So sweet of you.
00:22:01Nepali topi and mufflers.
00:22:03Yes, sir.
00:22:04So sweet of you.
00:22:05Thank you, ma'am.
00:22:05Thank you, sir.
00:22:06My pleasure, sir.
00:22:07I am so glad.
00:22:10And some of our friends,
00:22:12who is Sani Paji's dialogue?
00:22:13Yes, sir.
00:22:14Basically, we are Devil's Club.
00:22:16And we have come here from 15 states.
00:22:19Thank you very much.
00:22:22You are a great fan.
00:22:23I am so glad.
00:22:24For inspiration.
00:22:25For inspiration.
00:22:26For inspiration.
00:22:26Yes.
00:22:27So the dialogue is from Fim Ghatak.
00:22:29My favourite dialogue.
00:22:31If you have one's father, then stop.
00:22:33Or not the anger of Ganga Maya,
00:22:35I will kill you at home.
00:22:36I will kill you at home.
00:22:37I will kill you at home.
00:22:38I will kill you at home.
00:22:41Nice.
00:22:42Very nice.
00:22:48And some of our friends,
00:22:49who is Sani Paji's dialogue.
00:22:50Yes, ma'am.
00:22:51Hi, Kapil.
00:22:52Hi.
00:22:52Hi, sir.
00:22:53Hello.
00:22:53Hi, Karan.
00:22:54Hi.
00:22:55Hi, ma'am.
00:22:56Hi.
00:22:56It's a big, big, big, big,
00:22:58I can't tell you how to express it.
00:23:00A big chance to be here.
00:23:03And we all females are here.
00:23:05We are all here.
00:23:06We are representing all countries.
00:23:08I am representing Canada.
00:23:09Oh, wow.
00:23:11Where is Canada?
00:23:12Surrey, Vancouver.
00:23:14Surrey, Vancouver.
00:23:14Surrey, Vancouver?
00:23:15I want to speak Punjabi.
00:23:16Okay.
00:23:18And which countries are there?
00:23:19I can't tell you.
00:23:20We are representing different countries.
00:23:22Okay.
00:23:23And Miss,
00:23:24who is about 18,
00:23:26they are also different countries.
00:23:28Who is standing up?
00:23:30Wow.
00:23:32This is beautiful in bulk today.
00:23:34Wow.
00:23:34Wow.
00:23:35I will try to speak dialogue.
00:23:35I will try to speak dialogue.
00:23:37In the past,
00:23:38in the past,
00:23:39in the past,
00:23:39in the past,
00:23:40in the past,
00:23:40in the past.
00:23:41If you don't get it,
00:23:43then just Tariq.
00:23:46Wow.
00:23:48My name is Tarana Kaur.
00:23:50I forgot to tell you.
00:23:51Thank you, ma'am.
00:23:52Thank you, Shukriya.
00:23:53And some of our friends
00:23:54who want to show your talent,
00:23:56sir.
00:23:56Hello, Kapil Paji.
00:23:57What's up, sir?
00:23:58Namaskar Ji.
00:23:58Namaste.
00:23:59Namaste, Sunny Paji.
00:24:00Taran Ji.
00:24:01Arishuna, ma'am.
00:24:02I want to listen to the dialogue of Indian film.
00:24:06Yes.
00:24:07Now,
00:24:07we know our hands.
00:24:09We also take our hands.
00:24:11We also take our hands.
00:24:11Oh, hey.
00:24:14We also ask Gandhiji.
00:24:16Chandra Shekhar.
00:24:17We also ask him.
00:24:18We also ask him.
00:24:19Now, I will tell you with love.
00:24:20Then,
00:24:21with love.
00:24:22Who wants to understand?
00:24:23Oh, hey.
00:24:24Let's do it.
00:24:27Nice.
00:24:28Very nice.
00:24:29Alright, I will touch.
00:24:31What's the matter?
00:24:32What's your name, brother?
00:24:33Sir, my name is Manoj Malviya.
00:24:35Where's your hand?
00:24:35I have my house and food.
00:24:37I'm from Madhya Pradesh.
00:24:38I'm from Madhya Pradesh.
00:24:39Okay.
00:24:39You said very nice.
00:24:40Okay.
00:24:41And it seems that you have
00:24:42followed the films of Sunny Paji.
00:24:44Sir, I'm a fan from his childhood
00:24:45and that's my inspiration.
00:24:47Wow.
00:24:48Okay.
00:24:48And when he had a hand in his hand,
00:24:51he had a smile on his face.
00:25:00With my friends.
00:25:02That's nothing else.
00:25:03Whismany is not such a man.
00:25:04I can say it loudly.
00:25:05I will tell you loudly,
00:25:07Yes.
00:25:08I will tell you loudly.
00:25:09I will tell you loudly.
00:25:12Well.
00:25:21I will pull and throw it.
00:25:22I'm going to say something.
00:25:25I'm not saying that.
00:25:26What's wrong?
00:25:30Let's give a goal.
00:25:32I love you.
00:25:43It's a dream, it's a dream, it's a dream!
00:25:47But I didn't get enough!
00:25:50It's a dream!
00:25:51It's a dream!
00:25:58I love you, brother!
00:26:00What a matter!
00:26:07And now it's time to invite that personality here,
00:26:11which is not only about Sani Paji and Karan,
00:26:13but also about the whole Hinduism and the world.
00:26:16It's a dream, it's a dream.
00:26:20It's a dream, it's a dream.
00:26:20It's a dream, it's a dream.
00:26:23So please welcome,
00:26:24Bollywood's most handsome evergreen superstar,
00:26:28the great Dharmendra Paji!
00:26:29Whoa!
00:26:31Whoa!
00:26:47Whoa!
00:26:49Whoa!
00:26:51Whoa!
00:26:55Whoa!
00:27:01Whoa!
00:27:04What?
00:27:05What?
00:27:06Whoa!
00:27:09The powerful
00:27:10Thank you, sir.
00:27:24Please come here.
00:27:24Come here, sir.
00:27:25Come here, sir.
00:27:26Come here, sir.
00:27:29He's very nice.
00:27:30He's very nice.
00:27:31He's very nice.
00:27:32He is nice.
00:27:33G.M. G.M. G.M. G.M. G.M. G.M.
00:27:38Come here, Pazi.
00:27:39Love you!
00:27:40G.M. G.M. G.M. G.M.
00:27:41Come here, Pazi.
00:27:48Thank you girls for the beautiful welcome.
00:27:50Okay, how do you send your gifts to the gifts of the fish?
00:27:57Pazi, I...
00:27:58First of all, you had me called me, Pazi, you should come.
00:28:00Yes.
00:28:00Pazi, I thought, my daughter, my love, don't come here.
00:28:04I'll go.
00:28:05Yes.
00:28:05They are the most powerful.
00:28:10Thank you so much, girls.
00:28:11Come here.
00:28:18As you all know,
00:28:20when this was our show,
00:28:23the first guest was the dharam pazi.
00:28:27And today, Karan is going to be debut.
00:28:29And today, the deval family is here.
00:28:33And there will be a lot of applause.
00:28:35Thanks a lot.
00:28:37We need it.
00:28:45As you all know, God, you will listen to the people.
00:28:48That will be your voice.
00:28:49Wow.
00:28:55Wow.
00:28:55Wow.
00:28:55Wow.
00:28:55Wow.
00:28:56Wow.
00:28:56In Bollywood, you are going to be the debut of Karan in Bollywood. How excited is your family?
00:29:02We are quite excited, but...
00:29:05There was no matter what happened.
00:29:07I used to be a big papa and I was going to shoot.
00:29:11Sunny was also going out.
00:29:13I knew something about my share and my cup.
00:29:19What?
00:29:22So, I'm always looking at my dad.
00:29:24My dad is always looking at my dad.
00:29:27My dad loves my dad.
00:29:29So, in the last few days, I was watching his interview.
00:29:34Oh, yes.
00:29:35He's a good teacher.
00:29:37We were all very excited about that.
00:29:41Yes, yes, yes, yes, yes, yes.
00:29:44We were all very excited.
00:29:47He's so fluent. He's prompt.
00:29:49He's intelligent.
00:29:50He is humble.
00:29:55So, he will keep the law of Deval Khan.
00:29:59Yes, sir.
00:30:01You love him very much.
00:30:01He's a good teacher.
00:30:02He will keep the law of Deval Khan.
00:30:06He will keep the law of Deval Khan.
00:30:11Thank you, sir.
00:30:15I said that children, first of all,
00:30:19when I slacked the film for talent contest,
00:30:21out of hundreds of boys and girls by Bhimala and Gurudath.
00:30:25Yes.
00:30:26Before the shot, I said,
00:30:27Dhanmander is now or never.
00:30:30And I know how to react.
00:30:32I say that acting is a reaction.
00:30:34We have to react. Now you are reacting to me.
00:30:36I am reacting to them.
00:30:38They want to know me. They want to hear me.
00:30:40So I am reacting to their feelings.
00:30:42I am telling you, right?
00:30:43I am not acting.
00:30:46I am talking about your heart.
00:30:49I always say that when I see Dhanmander,
00:30:51I see my father in them.
00:30:54I was also reacting to them.
00:30:57I would react very quickly.
00:30:59But I don't want to say that I don't want to react on Twitter.
00:31:06Sani Paji, tell me once.
00:31:08When you were launching in your time,
00:31:11you were more nervous
00:31:12that you were more nervous in the launch of Karn.
00:31:13and you were more nervous in the launch of Karn.
00:31:14At that point, I was not nervous.
00:31:16Okay.
00:31:17I don't know what nervous is.
00:31:19Papa, do you remember when Mahbub Studios was a great show?
00:31:23Be Taapda?
00:31:24Yes, it was a great show.
00:31:44Dharam Paji, like in front of you,
00:31:45Sani Paji is a little bit of a respect for the father's relationship.
00:31:49They are a little bit of a shame.
00:31:50The other people who are in front of Sani Paji are a little bit of a shame.
00:31:53But you, Paji, do you have to do it?
00:31:55They are a little bit of a shame.
00:32:02I was ashamed of my father,
00:32:04but I wanted to do it.
00:32:05I am ashamed of my mind.
00:32:09I am ashamed of it.
00:32:10But they keep the courage and the courage.
00:32:13But they do what they do in their heart.
00:32:16I am ashamed of the things I am ashamed of.
00:32:21I am ashamed of the things I am ashamed of.
00:32:24I am ashamed of the things I am ashamed of.
00:32:26I am ashamed of the things I am ashamed of.
00:32:27Wow!
00:32:32Paji, has ever happened to you that
00:32:33you have been ashamed of a heroine?
00:32:37I was ashamed of the first time.
00:32:40I was ashamed of my plus points.
00:32:49Okay, yes.
00:32:50It is also today.
00:32:51Yes.
00:32:51So, Shirmila is a good man.
00:32:59People say that any of the stars
00:33:00always say that I am a fan of your own.
00:33:02But honestly, as much as I am a fan of your own,
00:33:06it is not possible to be the same.
00:33:07I told Parmeer.
00:33:09I said that I am going to marry.
00:33:10But I am telling you that
00:33:13if I get a chance, I will run away with Dharam Ji.
00:33:21I am such a, such a, such a huge fan of yours.
00:33:28Karan, you are with Deval family.
00:33:30But of course because of the professor,
00:33:31who isn't the opportunity for this problem?
00:33:34Why was the help of the teacher
00:33:35that she was doing so much,
00:33:37she was never able to ignore you?
00:33:38Otherwise, my son will be son.
00:33:39We are not saying anything.
00:33:56He wrote in a tweet that he was with me.
00:33:59Okay.
00:34:00So these four of these young men,
00:34:03who put him down in the first turner,
00:34:07he said,
00:34:07''Sani's son, you're your son?''
00:34:09''No, he didn't raise his son.'
00:34:11You know, they are a torture star son.
00:34:15I said,
00:34:15I would call him.
00:34:16I was at home.
00:34:17I would call him.
00:34:17I would call him.
00:34:19I would call him two or four.
00:34:21I would call him two or four.
00:34:22I would call him two or four.
00:34:27I would call him two or four.
00:34:28Why didn't he tell me that?
00:34:29Where is he?
00:34:30I would call him.
00:34:32Oh my God!
00:34:44Hello, sir.
00:34:46How are you?
00:34:47Good girl.
00:34:48Hello, sir.
00:34:49Hi, Karan.
00:34:49Hi, Sahel.
00:34:50How are you?
00:34:51They are very beautiful and very popular.
00:34:54Please, go.
00:34:55How are you?
00:34:56You are not able to see two minutes.
00:34:58No matter what,
00:34:59I will listen to a story.
00:35:00Listen to a story.
00:35:01Listen to a story?
00:35:01You would call people to cry.
00:35:04When you see the stories,
00:35:05grievement,
00:35:06grievement,
00:35:07needless.
00:35:08Do you have to talk today?
00:35:09Listen to a story.
00:35:11One time,
00:35:12a king.
00:35:13And this king gave him a horse.
00:35:15What?
00:35:16Listen to a story.
00:35:18There were four of the king's words.
00:35:20I would call him four of you.
00:35:20I would call him four of you.
00:35:23Sonny, sir.
00:35:23You are watching.
00:35:24It's been seven months,
00:35:25but this man didn't tell me anything.
00:35:27In the last season,
00:35:28he gave him five minutes.
00:35:29He said something like that
00:35:31we're all sitting at home.
00:35:32He said something like that.
00:35:36I didn't say that.
00:35:37Don't leave.
00:35:38Don't leave.
00:35:39Don't leave.
00:35:41Don't leave.
00:35:41Don't leave.
00:35:42it's fine for you.
00:35:44There are guests coming.
00:35:45Tea, coffee, coffee.
00:35:46What?
00:35:46How many days have they come?
00:35:48How many days have they come?
00:35:49How many days have they come?
00:35:49Paji,
00:35:50go with me.
00:35:51You all go.
00:35:53I'll eat hot, hot, hot.
00:35:55Paji,
00:35:55all the family is going to eat
00:35:57two days.
00:35:58And you?
00:35:59Don't send me my guests.
00:36:04What's the problem?
00:36:05We can't fill your hands.
00:36:07Right?
00:36:08Keep your work from your work.
00:36:09Sonny, sir.
00:36:10I'm a very big fan.
00:36:12That's right, brother.
00:36:14Like your hand is half a kilo.
00:36:15It's about three kilos.
00:36:22You won't believe,
00:36:23you'll make the soup.
00:36:24I'll make the soup.
00:36:26Stop.
00:36:28My love,
00:36:29I'll keep on with you.
00:36:31If you're good,
00:36:32there's no doubt.
00:36:34But my hands were good,
00:36:36are good,
00:36:37and will be good.
00:36:41What the matter?
00:36:42If you're angry with all these things,
00:36:45Paji had a hand pump.
00:36:49But if you're a little,
00:36:51I'll put it in the air.
00:36:53Look,
00:36:54just like your thoughts,
00:36:55everyone's thoughts are not.
00:36:56And also,
00:36:58I know that we were friends,
00:36:59we were learning acting together.
00:37:01When will that come to you?
00:37:03We were learning acting.
00:37:05He's acting with his heart,
00:37:07and he's with his signal,
00:37:08and he's with his mandir.
00:37:12He's with his hand.
00:37:12Yes, it's okay.
00:37:13My hand is my,
00:37:14the government's signal
00:37:15that what you have to do with people?
00:37:18Nothing, right?
00:37:19Then mind your own business.
00:37:21Sonny,
00:37:21I've heard that
00:37:22you've done the shooting of your film
00:37:23in Barfili Wadi.
00:37:25I really like that.
00:37:28I've said something.
00:37:32No, no.
00:37:33They asked Sonny.
00:37:34They know,
00:37:35what do they want?
00:37:36I like that.
00:37:38I like that.
00:37:38I like that.
00:37:39I like that.
00:37:39Now,
00:37:40I like that.
00:37:40I like that.
00:37:42Then I like that.
00:37:43Then I like that.
00:37:43I like that.
00:37:44Now,
00:37:45what do they want me to do?
00:37:48I like that.
00:37:49I like that.
00:37:51You're doing this.
00:37:54Sonny,
00:37:55I think
00:37:56we should be doing
00:37:57in Barfili Wadi.
00:37:59What is our film?
00:38:01If it's our film,
00:38:02we don't know the definition of it.
00:38:03They're in Deol.
00:38:04Deol,
00:38:04It's a
00:38:04black man's black man.
00:38:05Black man's black man?
00:38:09Black man, okay.
00:38:11I'm a black man.
00:38:12But don't forget, people are under the black man's black man.
00:38:17And that's the black man's black man.
00:38:23That's what your brother had 11 children.
00:38:28My brother,
00:38:30No, no, no.
00:38:32It's his sister.
00:38:34He's 11 children.
00:38:35Look, there's no country to get out of it.
00:38:37Do you want to say anything else?
00:38:38One more.
00:38:39Dharam Paji, this is a show of children's children.
00:38:42Who is the croodopathy?
00:38:43He's standing outside and asking people to ask 10-10 per cent.
00:38:45He's saying, he's coming.
00:38:46No, no.
00:38:48This is a joke.
00:38:49Why are you joking?
00:38:50No, no.
00:38:51There's a round, a fast-ass finger round.
00:38:53There's a quick answer and they're selected.
00:38:55One person tells you,
00:38:57how fast you're your fingers.
00:38:58Why don't you cut for me?
00:39:00What's that?
00:39:03Karan, please ignore him.
00:39:05Just ignore him.
00:39:06He's doing it from the beginning.
00:39:13Karan, let's go for coffee.
00:39:15We'll discuss our story there.
00:39:17He's listening to coffee.
00:39:19He doesn't know what he knows.
00:39:21Why do I know?
00:39:22Of course, I know.
00:39:23When a girl is sitting alone and drinking tea,
00:39:25they call him coffee.
00:39:26Yes.
00:39:31Darshko, I'm proud of you.
00:39:33That...
00:39:34I don't want to close the TV.
00:39:37If I'm sorry,
00:39:38then what's happened?
00:39:39The rest of me,
00:39:40I'm sorry.
00:39:43I'm sorry.
00:39:45I'm sorry.
00:39:45I'm sorry.
00:39:46I don't come to the office of film.
00:39:48I don't feel so convincing today
00:39:50that I'm going to sign it.
00:39:51I don't want to sign it.
00:39:56Kappu, please.
00:39:57I'm talking about my career.
00:39:59When are you serious?
00:40:00If I'm serious,
00:40:01then my career will get worse.
00:40:02I'm not going to sign it.
00:40:05Come, Opie.
00:40:07When the bad things are happening,
00:40:08then you don't come to the beach.
00:40:09How do you do that?
00:40:10Look,
00:40:11Dior family,
00:40:11three generations,
00:40:12one of these,
00:40:13never again.
00:40:14One selfie will be made, Kappu.
00:40:16No, selfie will be made,
00:40:17and as much as he has worked,
00:40:18then you will kill them.
00:40:19One time,
00:40:20you will kill them on their car.
00:40:26Paj,
00:40:27I'll kill.
00:40:28I'll kill.
00:40:29But the car is nothing else.
00:40:30And that's also on your car's face.
00:40:34I'm not going to cry.
00:40:36I'm not going to do one thing, Archanan.
00:40:37Dior.
00:40:39we always do jokes.
00:40:41What do you like to do?
00:40:42What do you like to do?
00:40:42But one thing,
00:40:44I'm going to say with my heart.
00:40:45Today,
00:40:45when you've come,
00:40:46I'll kill you once again.
00:40:48Yes.
00:40:49Thank you, Kappu.
00:40:52Normally,
00:40:52you would do ten minutes,
00:40:53but now,
00:40:53you've lost 12 minutes.
00:40:55You're looking at these minutes,
00:41:02people who are also prepared for my life.
00:41:05Yes.
00:41:06So,
00:41:06I'll tell you,
00:41:07be happy,
00:41:08keep safe,
00:41:10and keep enjoying.
00:41:11From the Kappu Sharma show.
00:41:14Bye!
00:41:24I've seen this last line,
00:41:26all the kids are sitting in the school.
00:41:27Hello, kids?
00:41:29Where are you from?
00:41:31Who will say?
00:41:32Who will say?
00:41:34Give me a microphone.
00:41:35Oh, son.
00:41:36Oh, little.
00:41:38Hello.
00:41:38Hello, Kapil, sir.
00:41:39Where are you from?
00:41:40Varsava Welfare School.
00:41:42Oh, you're not going to school.
00:41:43What are you doing here?
00:41:43What are you doing here?
00:41:44Sir, today,
00:41:44we had a program to come here.
00:41:46Oh,
00:41:47it was pre-planned.
00:41:48So, how are you feeling?
00:41:49It's very good.
00:41:50Have you ever met such a tradition?
00:41:51Have you ever met such a tradition?
00:41:52No, sir.
00:41:53Today,
00:41:53it's the first time,
00:41:54so,
00:41:55Hello, sir.
00:41:55Hello.
00:41:56Congratulations for your upcoming projects.
00:42:01And, sir,
00:42:02we've written a rap for you.
00:42:04Wow!
00:42:04Can you hear it, please?
00:42:05Yes, sir.
00:42:06Come on, son.
00:42:08Come on, come on.
00:42:26No, man.
00:42:28There's no way.
00:42:29And my husband won't be a man.
00:42:32You're even a man.
00:42:33A man's business.
00:42:34You're not a man.
00:42:35You're a man.
00:42:38He's a man.
00:42:39It's a man.
00:42:39You're a man.
00:42:39He's been a man.
00:42:40Good, good, good.
00:42:43I've had a man.
00:42:44And experienced a woman.
00:42:47I've had a man.
00:42:48I've never met a man.
00:42:50I've had a man.
00:42:51I've had a man.
00:42:52In my mind my son.
00:42:54I knew him.
00:42:54I knew him.
00:42:54Oh, my God.
00:42:55You are not friends.
00:42:57They don't come to us and the excitement of the night goes out for you.
00:43:00You're one number.
00:43:01You're got from all of them.
00:43:03You'll never remember this.
00:43:04But all of them remember that.
00:43:06How did you do this?
00:43:07You're one number.
00:43:08You liked us all.
00:43:10You played out with me.
00:43:10You had, with me all.
00:43:12You didn't bite out with me.
00:43:14You laughed in your heart.
00:43:15Wow!
00:43:23So, as both of these kids wrote a great rap and a great song, thank you so much.
00:43:28Karan is a hidden talent.
00:43:30They do rap, but they write themselves.
00:43:33And Roby is also in English.
00:43:35But I would like that 2-4 people will be in Hindi, after that in English.
00:43:38After that, it's okay.
00:43:39Please.
00:43:40My Karan, yes.
00:43:42This is a big buzzer.
00:43:44This is a big buzzer.
00:43:44And in the 7th, I want to remix the song.
00:43:47It's my own purpose.
00:43:49Your own show.
00:43:53No doubt, no doubt, there is a voice.
00:43:57No doubt, no doubt, there is no doubt.
00:43:59Or in the 7th, there is no doubt, there is no doubt.
00:44:00And listen to the people.
00:44:02Oh!
00:44:02Oh!
00:44:02Oh!
00:44:03Oh
00:44:08I'm a little girl
00:44:17Oh
00:44:18Oh
00:44:18Oh
00:44:19Oh
00:44:19Oh
00:44:20Oh
00:44:20Oh
00:44:22Oh
00:44:24Oh
00:44:24Oh
00:44:26Oh
00:44:27Oh
00:44:32Oh
00:44:32Oh
00:44:38When things don't go your way, you start hoping for better days
00:44:41Looking for the right words to say life is just like a play
00:44:44There's a start beginning and end to me
00:44:45There's no need to pretend I am why I'm what I am
00:44:47Don't need to follow friends
00:44:48Don't forget where I came from
00:44:49Always stay the same
00:44:50Everyone's busy around living that past life
00:44:52I'll sit back his pause for a second I'd call the plate about life
00:44:55With all these thoughts going through my mind
00:44:57Trying to vent lifting them weights
00:44:58Giving me that natural high
00:44:59While my trainer asks me what I'm smiling for
00:45:01I say nothing's like before
00:45:03While he says it's been over you two years ain't it
00:45:05I said all I can do is be patient
00:45:06I just hope I'm destined for greatness
00:45:08I've dedicated my life to this
00:45:10While these voices keep echoing in my head
00:45:11Saying are you sure?
00:45:13Shut it all out and prove to the world that sir
00:45:14There's a lot to come away from my way
00:45:16Woo!
00:45:18Woo!
00:45:19Chalkai ja
00:45:23Aaayye
00:45:24Aab ki aanghoon ke naang
00:45:30Otoon ke naang
00:45:33Karan!
00:45:35Superb!
00:45:39Thank you very much.
00:45:43Thank you very much.
00:45:45Thank you very much.
00:45:45Thank you very much.
00:45:50I want to show you a photo.
00:45:52Two or three days ago,
00:45:53I didn't share it on social media.
00:45:55I'll show you a photo of Sunny Paji.
00:45:57Please show you a photo of Sunny Paji.
00:46:00This is what you all want to do.
00:46:03This is what you all want to do in Sunny Dhiol Townel.
00:46:08I saw it on Twitter.
00:46:10I saw that Sunny Paji didn't want to throw this photo.
00:46:13You can see how much pressure on the child's face.
00:46:17I heard you want to take this photo in the toilet.
00:46:20Without trouble.
00:46:22Without trouble.
00:46:23He said no.
00:46:25It's a very cute photo, Sunny.
00:46:27Thank you very much.
00:46:31We have some good old pictures.
00:46:33We want you to share the photographs with us.
00:46:38Please.
00:46:39Look at this photo, Sunny.
00:46:41What are you looking for?
00:46:42So handsome, Dharam Ji.
00:46:48This is the set of Sattekam.
00:46:50Rishida and David Sahib.
00:46:53Oh, Sattekam.
00:46:53It was a good scene.
00:46:55What a film and what a performance.
00:46:57He was a fine director.
00:46:59My God. What a performance and what a film.
00:47:01Good part.
00:47:02Thank you very much.
00:47:04Next, I caught one.
00:47:06Indira Gandhi Ji and Dharam Paji.
00:47:08Where is this picture?
00:47:10This is one of the times.
00:47:11We had functioned in Delhi.
00:47:13I got it.
00:47:16Wow.
00:47:17There are also some pictures we have.
00:47:20Rajesh Khanna Sahib's love.
00:47:21Where is this photo?
00:47:22You put Rajesh Khanna Sahib in Harvard.
00:47:25I just love everybody, man.
00:47:27Whether I get it or not.
00:47:29I was born to love.
00:47:31What a story, Paji.
00:47:36There are also others.
00:47:39Paji, Sunny Paji and Bobby Paji.
00:47:41This is my little girl.
00:47:43Okay.
00:47:44I was standing behind Sunny.
00:47:46Yeah, that's me.
00:47:48We were doing Darjeeling machine.
00:47:50Okay.
00:47:50From outside.
00:47:51Okay.
00:47:52So I said,
00:47:55Oh, Pagash Ji.
00:47:56When I saw a short one,
00:47:57I said,
00:47:57Oh, you're a big baby.
00:47:59I said,
00:48:00Oh, you're a big baby.
00:48:06You're a big baby.
00:48:06Oh, you're a big baby.
00:48:06Lally very big.
00:48:08Next.
00:48:10Oh!
00:48:11The leap sour, Dharm Paji.
00:48:13I love him always.
00:48:15He is my darling.
00:48:20Great human being, great actor.
00:48:21No doubt.
00:48:24No doubt.
00:48:25Paji, this is the only photo.
00:48:27You are Vinod Khanna.
00:48:29Vinod Khanna.
00:48:29We were going to do the item in the burning chain.
00:48:32We were going to throw the clothes off.
00:48:37We were going to throw the clothes off.
00:48:38We were going to throw the clothes off.
00:48:41We were going to throw the clothes off.
00:48:45We were going to throw the clothes off.
00:48:47We were going to throw the clothes off.
00:48:48But what was Cary Grant?
00:48:50Robert Redford?
00:48:51Harrison Ford?
00:48:52Sir.
00:48:53All of the Hollywood heroes.
00:48:54All of the Hollywood heroes.
00:48:56All of you.
00:48:59Really.
00:49:01Really.
00:49:05Really.
00:49:43I love you.
00:49:43Oh, that's a couple. Look at it.
00:49:51I'm back.
00:49:52Yes, brother.
00:49:53You look beautiful, you look beautiful.
00:49:57You've been drinking it and drinking it, right?
00:50:00You look beautiful, brother.
00:50:02No, leave me. Why don't you bring me here?
00:50:06You need to come here.
00:50:08You don't bring me here.
00:50:09I've seen some people start playing.
00:50:12Yes.
00:50:13They're playing with me.
00:50:15That's my number.
00:50:17Did you come here?
00:50:19Yes, yes, yes.
00:50:21No, no.
00:50:23No, no.
00:50:23No, no, no.
00:50:26No, no, no, no.
00:50:29But now they're saying they'll come together.
00:50:32Yeah, I know. Congratulations.
00:50:35Very good.
00:50:35Thank you, brother.
00:50:36Thank you, brother.
00:50:37I'm a nice person.
00:50:39He's a very good child.
00:50:40Thank you, brother.
00:50:41Thank you, brother.
00:50:41Thank you, brother.
00:50:42Thank you, brother.
00:50:46Very good.
00:50:47Sonny, brother.
00:50:48Those film stars, those popular personalities,
00:50:51those who have been involved,
00:50:51there's no doubt about it.
00:50:53There's no doubt about it.
00:50:54There's no doubt about it.
00:50:57I want to confirm it.
00:50:58I want to know.
00:50:59Sharma, brother,
00:51:00this is a fact that
00:51:02in Yamla Pagla Diwana 2
00:51:03you wanted to do the role of Sunny Deol
00:51:05because you liked her heroine more than the role.
00:51:12Is this a fact?
00:51:13Is this a fact true or true?
00:51:14Hey, man.
00:51:15It's a fact that
00:51:16whoever feels happy to you,
00:51:18he'll do it.
00:51:20This is the answer right.
00:51:22Oh.
00:51:24It's a fact that, Sunny, brother,
00:51:25that after a member of the parliament,
00:51:27there's also a seat on Arsuna Ji's seat.
00:51:32Sunny, you can't do this with me.
00:51:34Right, Sunny?
00:51:35Never.
00:51:35No.
00:51:37You're not with me.
00:51:37You're with me.
00:51:38Because my dollar is not much less, Sunny.
00:51:43For the film,
00:51:45you played the role of the professor
00:51:48because you wanted to be a teacher in real life.
00:51:51Is this true, brother?
00:51:52Yes, brother.
00:51:53My brother was a school teacher.
00:51:54He said that he had to be a professor,
00:51:57and he knew he was going to be where he was going,
00:51:58and what he was going to go.
00:51:59What are the films?
00:52:00I don't want to go there.
00:52:01So I said to my brother,
00:52:05I'm going to be a professor.
00:52:07I'm going to be a professor.
00:52:07He said,
00:52:08I'm going to be a professor.
00:52:09I'm going to be a professor.
00:52:11He said,
00:52:11I'm going to be a professor.
00:52:12Your father,
00:52:13you played the role of the driver.
00:52:15Is this true,
00:52:16that you didn't know the story?
00:52:17You were going to go to the director.
00:52:20The story,
00:52:21what is Rishida?
00:52:23They were listening to Outland.
00:52:25Yes.
00:52:26And we know what happened in this.
00:52:28Yes.
00:52:29But they heard me,
00:52:31Yes.
00:52:32They were going to the plane,
00:52:33and they were going to the plane.
00:52:34They were going to the plane.
00:52:35They were going to the plane.
00:52:36They were going to the plane.
00:52:38we started.
00:52:40Yes.
00:52:41With the lord.
00:52:42Yes.
00:52:42I thought I would like to take a seat.
00:52:49I didn't sleep all the night.
00:52:53Yes.
00:52:54I thought,
00:52:55I was going to be a role as someone.
00:53:00It was a story I had heard.
00:53:04It was a story.
00:53:06Then he closed the phone.
00:53:10Don't think, please. Why would I give my picture?
00:53:15It's time for the night.
00:53:19Sahar, this is about you.
00:53:20You are from Shimla.
00:53:21So, after the shooting of the pack-up, you would like to share the whole crew as a guide.
00:53:27Is this true?
00:53:29No, because we didn't shoot in the town.
00:53:33We were very high on the mountains.
00:53:35So, I didn't get the chance to go to the town.
00:53:38So, no.
00:53:39Why are all the people who are so beautiful, Sahar?
00:53:42What do you eat?
00:53:44We eat everything.
00:53:46You have to eat it, you have to eat it.
00:53:49You have to eat it.
00:53:50You have to eat it.
00:53:51Then we get out of our pimples.
00:53:54Let's go.
00:53:55Okay.
00:53:56Are all the questions clear?
00:53:57Milord?
00:53:57Yes.
00:54:05Hi.
00:54:10Today, I'm telling you,
00:54:11our first time real hero.
00:54:13Legendary hero.
00:54:14I love you.
00:54:18I love you.
00:54:20I love you.
00:54:22I love you.
00:54:23I love you.
00:54:24I love you.
00:54:25I'm fine.
00:54:26Hello, sir.
00:54:27Hello, sir.
00:54:28Sir, there's a problem with Skype.
00:54:30Sir is there.
00:54:31Hello, sir.
00:54:32How are you?
00:54:32How are you?
00:54:34Hi.
00:54:35Hi.
00:54:36How are you?
00:54:37You've got a promo with your heart.
00:54:40I'll tell you,
00:54:41the whole Hinduism will come to a million dollars.
00:54:44Let's see.
00:54:45Let's see.
00:54:48You've done great.
00:54:50You've done great.
00:54:50Yes.
00:54:51We've seen Bombay Seher.
00:54:53Yes.
00:54:54These are the first people who have seen Seher Bombay.
00:54:56Yes.
00:54:58In truth, you're very good.
00:55:01Today, I know that people come from the villages.
00:55:04Because the Seher is so beautiful.
00:55:05Yes.
00:55:06Yes.
00:55:08Hi, Kapu.
00:55:09Hi.
00:55:09Hi.
00:55:10I wanted to tell you one thing.
00:55:11What?
00:55:11We love Dharam Ji.
00:55:13Yes.
00:55:13If Dharam Ji doesn't say anything for any work,
00:55:15he doesn't say anything.
00:55:17Why?
00:55:17I don't do it.
00:55:18But why?
00:55:19Because you get to the work of Dharam.
00:55:24Dharam Ji, go to that place.
00:55:25You know, you live in the zoo, right?
00:55:28Nala Sopara.
00:55:30Oh.
00:55:31Oh.
00:55:31I love Nala Sopara.
00:55:33You love Nala Sopara.
00:55:34We love you so much,
00:55:35that in the food,
00:55:36we put Dharam masala in the food.
00:55:39Yes.
00:55:39That's true.
00:55:41Yes.
00:55:41I tell you,
00:55:42that for a time,
00:55:43if you don't get a chole,
00:55:44then you'll go.
00:55:45But if you don't get a chole in Bollywood,
00:55:47then Bollywood is incomplete.
00:55:49No.
00:55:50I tell you.
00:55:53I saw a chole.
00:55:54I just want you to ask a question, sir.
00:55:56Yes, yes.
00:55:57So cute.
00:55:57In English,
00:56:00you and Amit Ji,
00:56:02you and Amit Ji
00:56:02have a toss in the whole picture.
00:56:05He has a toss so much,
00:56:06he won't play a match.
00:56:09If I play a match,
00:56:10then he tosses.
00:56:14What a shame.
00:56:16Okay, I've worked with Sunny Sir.
00:56:19Sir.
00:56:21Sir,
00:56:21if you have your hands,
00:56:23it will be in two days
00:56:24for a knife.
00:56:27Yes.
00:56:28Because there is a work of bridge there.
00:56:31Yes.
00:56:31So,
00:56:31I'm going to turn it off and turn it off.
00:56:41Sir,
00:56:41you have a great job.
00:56:42You have a great job.
00:56:44You have a great job.
00:56:46You have a great job.
00:56:49Where is the film?
00:56:50So,
00:56:50Ashraf Ali's role,
00:56:51they did not do it.
00:56:52What?
00:56:55No.
00:56:57No.
00:56:57No.
00:56:57it was in the house.
00:56:59It was not in the house.
00:57:02It was in the house.
00:57:03It was not in the house.
00:57:03It was in the house.
00:57:05It was in the house.
00:57:05It was not in the house.
00:57:06Then, where is it?
00:57:06You say,
00:57:07it's in Bollywood.
00:57:07What was it?
00:57:16I come here and dance.
00:57:18I perform here.
00:57:19I just wanted to ask you a question,
00:57:21Archanne Ji.
00:57:22What do you do for a living?
00:57:28I don't know myself.
00:57:29I have a great job.
00:57:30You have a great job.
00:57:31You have a great job on Sony TV.
00:57:32So, our judge was the only one?
00:57:34Yes.
00:57:35He did not want to go inside or outside.
00:57:37Why is it?
00:57:38Yes.
00:57:38He did one job.
00:57:39He did one man.
00:57:41He did one man.
00:57:41He did not do this.
00:57:42I don't want to do this.
00:57:44I do not want to do this.
00:57:45Sonny,
00:57:46you are also in politics.
00:57:49One of our people who went into politics.
00:57:52Actually, he did not go into politics.
00:57:54He went into politics.
00:57:55He went into politics.
00:57:55He went into politics.
00:57:57That's why he went into politics.
00:57:59What is your problem with him?
00:58:00What is your problem with him?
00:58:01You know what?
00:58:03He was a coach in the outside.
00:58:04He was telling me.
00:58:07Which one of the telling you?
00:58:08He was telling me.
00:58:11He was telling me.
00:58:13He was telling me.
00:58:14I will kill you.
00:58:16He was telling me.
00:58:19He was telling me.
00:58:21He was telling me.
00:58:22What did you say to him?
00:58:24What did you say to him?
00:58:24I will run with Paramit Ji.
00:58:25I will run with Paramit Ji.
00:58:27Any day?
00:58:28Yes.
00:58:28He was telling me.
00:58:29He was telling me.
00:58:33He was telling me.
00:58:34He was telling me.
00:58:35I will kill you.
00:58:36Karan Ji.
00:58:38I will run with Paramit Ji.
00:58:40He was telling me.
00:58:41I will run with Paramit Ji.
00:58:42I will tell you.
00:58:45Karan, very good.
00:58:46You are looking very cute.
00:58:47I saw the promo.
00:58:48I am very excited.
00:58:49I want to give you some tips.
00:58:51I will become a picture of your super hit.
00:58:53You will become a superstar.
00:58:54You will become a superstar.
00:58:56You will not need to go to work.
00:58:57You will learn comedy.
00:58:58You will learn tragedy.
00:59:01You will learn tragedy.
00:59:01You will learn tragedy.
00:59:02You will learn dialogue delivery.
00:59:04You will learn action.
00:59:06You will learn dance.
00:59:07You will learn dance.
00:59:09Bobby Chacha.
00:59:10Bobby Chacha.
00:59:11Bobby Chacha.
00:59:12Bobby Chacha.
00:59:12I will meet you with Govinda Ji.
00:59:18You have said it right, Sapna.
00:59:19You have said it right.
00:59:21What is it?
00:59:22Yes, sir.
00:59:23We are not in the dance.
00:59:24We are not in the dance.
00:59:25We are in the dance.
00:59:28If we are not in the dance,
00:59:30we will kill the dance.
00:59:31We will kill the dance.
00:59:32We will kill you.
00:59:37I told you, Sapna,
00:59:39that Dharam Pa Ji,
00:59:39there is no matter what you are talking about.
00:59:41Yes.
00:59:41Okay, sorry.
00:59:42If something is wrong,
00:59:44I am sorry for you.
00:59:46I am sorry for you.
00:59:47Where are five?
00:59:48Four.
00:59:49What are you talking about?
00:59:50Five, right?
00:59:50How?
00:59:51Like, Dharam Ji's son,
00:59:53Saini Ji.
00:59:54Saini Ji's son, Karan Ji.
00:59:55They are two sons.
00:59:56Then Karan's son, Saini Ji.
00:59:58Saini Ji's son, Dharam Ji.
00:59:59Two sons, two sons.
01:00:00Plus one hero in five.
01:00:01What do you know?
01:00:03What do you know?
01:00:05What do you know?
01:00:05Who is it?
01:00:06Who is it or not?
01:00:06Okay, let's go.
01:00:07Five people here.
01:00:08Give me one crore.
01:00:09Sir, give me one crore.
01:00:12Hey, I am asking for money.
01:00:14Let's go.
01:00:15Let's go.
01:00:16On the road, on the road, on the road, on the road.
01:00:19On the road, on the road, on the road, on the road.
01:00:21But today, I did not get one crore for me.
01:00:27I will throw it out and throw it out.
01:00:36My foot.
01:00:39My foot.
01:00:42My foot.
01:00:44This is the only thing that I have seen in the poor people.
01:00:50I have seen the rope on this chadda.
01:00:55I can hold my hands with my hands.
01:00:58I can't hold my hands.
01:01:03You forgot your girl?
01:01:06Sir, how did my performance feel?
01:01:10That's why we have a lot of things with comedy in the menu.
01:01:14So, if you want to become a director, I can come here.
01:01:18So, sir, sir, I run a parlor here.
01:01:22So, we have a different type of massage.
01:01:25So, sir, what is it for you, sir?
01:01:28What is it for?
01:01:30Sir, we go to the country.
01:01:33The customer puts on the clothes and puts on the table.
01:01:36And until they massage,
01:01:38until they don't say that Hindustan was alive.
01:01:41They are alive and they will remain alive.
01:01:53Then, sir, another massage.
01:01:55Yamla Pagla Diwana massage.
01:01:57What is it for?
01:01:58In this, Yamla Pagla is a table.
01:02:00And Yamla Pagla is a table.
01:02:02And Diwana?
01:02:03The man is on the side.
01:02:05In this, it is for enjoyment.
01:02:12Sir, now we have our main massage.
01:02:15They are their own.
01:02:17What is it for?
01:02:18In this, sir,
01:02:19they put the customer on the clothes and put the clothes on.
01:02:22And they put it on the cart.
01:02:24Then Kapil comes from there.
01:02:26He puts it to the Sidduji.
01:02:28He says, they are their own.
01:02:29They are their own.
01:02:33This was not a massage, sir.
01:02:36It was to think that he can do anything.
01:02:38Do it!
01:02:40Okay, sir.
01:02:41I will never massage you.
01:02:42Tell me.
01:02:43I am all the best.
01:02:44That's why I will massage him.
01:02:48I am all the best.
01:02:50I am all the best.
01:02:50I am all the best.
01:02:52I will not go with you.
01:02:52I will go, sir.
01:02:53Sir, now I am all the best.
01:02:55Sir Allah.
01:02:56Love you, sir.
01:02:57Bye.
01:02:58Wooo!
01:03:04Once again, it's been a big deal for Dehol family.
01:03:08Dharam, Paji, you've got a lot of time on our show.
01:03:10We've got a lot of time to talk to you.
01:03:14Senni, Paji, too. But once again, this is the first time,
01:03:16that Karan, you too, and Senni, Paji, too.
01:03:19And our Kala Karan has prepared a small tribute for you,
01:03:23which we'll see in front of you, Paji.
01:03:25Come on.
01:10:49Good job.
01:10:51Good job.
01:10:53Good job.
01:10:54Good job.
01:10:55Good job, Madhya.
01:10:56Good job, Buddha.
01:10:58I love you.
01:11:01Stamina, stamina.
01:11:03I love you.
01:11:03God bless you.
01:11:09Once again, you will be able to give a great tribute to all of our members.
01:11:16Thank you Krishna, thank you Kicks, thank you Bharti, Chandan, thank you so much, Shumona, thank you Sudlin.
01:11:22God, God, God, God.
01:11:29Now, take a great picture of everyone.
01:11:37God bless you.
01:11:39God bless you!
01:11:44God bless you!
01:11:45Dharam Bharti, this episode you have made Ammar again.
01:11:49Thank you Bharti, love you Bharti.
01:11:51Love you Bharti.
01:11:52Love you Bharti.
01:11:53Love you, always.
01:11:54Great.
01:11:55I feel like you've come to the family.
01:11:57Absolutely Bharti, absolutely.
01:11:58My family, I love you.
01:11:59Thank you Bharti, thank you.
01:12:00Thank you Sunny Bharti.
01:12:01That's enough.
01:12:05Seher and Karan, all the best.
01:12:09God bless you and thank you so much for coming.
01:12:11And all of you, all of you are laughing and regretting yourself.
01:12:14Keep making a good job.
01:12:16And keep watching Shada Kapil Sharma Show.
01:12:18Good night.
01:12:19Shabba care.
01:12:21You're welcome.
01:12:21Pas well, no Mrs. Kendall.
01:12:21No, no, no, no!
01:12:21comunque
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