- 2 days ago
Category
🎥
Short filmTranscript
00:00What's going on? Long trip.
00:02Are you going to get your wife?
00:03No, I'm going to tell you.
00:05I'm going to tell you about Harris's house.
00:08I'm going to get a divorce file.
00:11Okay?
00:12Such an obsession.
00:14He's a psycho.
00:16He's in danger.
00:18Okay, that's it.
00:19I'm going to read a different level script.
00:23I'm going to get a block.
00:26I'm going to get a block.
00:28Why did you get that?
00:29You can get a budget for $50.
00:33Are you okay?
00:36I'm okay.
00:37I'm okay.
00:39If you want to go to the house,
00:41I'll do this.
00:44I'll do this.
00:45I won't do this anymore.
00:47I'll tell you.
00:50I'll tell you.
00:53I will tell you.
00:55I'll tell you.
00:58One man can't believe this.
00:59This is why David was a novelist.
01:02He died at the end of this industry.
01:05He died in such a long time.
01:07He died.
01:15He could kill the reputation.
01:18He could have been killed in the forest.
01:23I have no idea what to do.
01:23Devil's Island is the last copy of him.
01:26It's so convenient.
01:28Published for 16 years,
01:30it's the original thought of someone in the mind.
01:33Now, it's not my mind.
01:36It's not my fault.
01:38It's not my fault.
01:40It's not my fault.
01:47It's not my fault.
01:49It's not my fault.
01:53It's not my fault.
01:54It's not my fault.
01:55Screenplay and direction.
01:57Vineeth Madhavan.
01:58Story by K.T.Peter.
02:02The greatest horror script ever written in our cinema.
02:06It's not my fault.
02:08It's not my fault.
02:18I got a script completed.
02:20I'll shoot you.
02:22I'm sure I got the movie.
02:25I'm sure I got the movie.
02:25I'll join my assistant director.
02:35You have to ask me a question?
02:38It's not my fault.
02:40I'm ready to delete this.
02:40I'll show you the original idea.
02:42If you come here, you will release the cinema and you will not be able to release it.
02:47You will not be able to release it.
02:49You will not be able to release it.
02:57The script is done.
02:59Who will be able to release it?
03:00Done.
03:01No.
03:02We will be able to print it.
03:05I can't believe it.
03:07Who will be able to release it?
03:08We will be able to release it.
03:08We will be able to release it and we will be able to release it.
03:12The producer will be able to release it.
03:17No problem.
03:19I will not be able to read the script without a video.
03:22All I need to know is one thing and one thing only.
03:26Is it scary?
03:28Yes, sir.
03:30I am afraid of any other people.
03:32It is a problem.
03:33If you just share it with a
03:35You will be able to release it.
03:37How do you manage the climax of this game?
03:40When you have to release a climax of the game?
03:44When you are able to reach out to us,
03:46you will be able to release it,
03:53But,
03:55You will be able to do a short stop situation.
04:00I need to sign this game.
04:02Balls and brains.
04:08Shit.
04:18She is my sister.
04:20And that's my word.
04:22Hana, that's your last chips.
04:25Vinith, baby, look at me.
04:26Huh.
04:28Now, let's make a scary,
04:31Uncomparable movie.
04:36Hmm.
04:42Hmm.
04:43But,
04:43I come up with my first car.
04:45I'm done too with my first film.
04:45It's like the best.
04:50He plays based on the first cinema and the first cinema.
04:56He plays as much as well as the second cinema.
04:58He plays a strong character in the second film.
05:00She can tell the story about the next movie.
05:01I know that this will be a part of it.
05:03But, if you say that,
05:05Vinita's got a short film from Vinita's house with a short film,
05:08I'll see his video on this video.
05:14Arjun came up with a man named Arjun.
05:17He came up with a new review on this one.
05:19He came up with a new video.
05:22He is coming from the house.
05:24He will destroy me everything else.
05:32That's the first thing we've seen before.
05:36Perfection.
05:37What can we use to do with this thing?
05:39Thank you, Anand Suthakaran.
05:41We're all in the same way, Roman Andri.
05:42There's a shot in the shooting.
05:44We'll have to shoot that shot.
05:50Scene 1, short 1, take 22.
05:53Clap out.
05:55Action.
06:03Breathe.
06:04Breathe.
06:05Cut.
06:06Retake.
06:07That's good.
06:08Did we do this in VFX?
06:10It's good.
06:12What did you do?
06:14This is a long time, 22.
06:16I've had to shoot this shot.
06:18I've had to shoot this shot.
06:19This is the first shot.
06:21It's a long time to take a hand side workout.
06:24It's about 15 seconds.
06:26That's right.
06:26Light out.
06:28Scene 1, short 1, take 33.
06:29Action.
06:32Scene 1, short 1, take 53.
06:34Scene 1, short 1, take 57.
06:36Action.
06:36Scene 1, short 1, take 65.
06:37Action.
06:37Scene 1, short 1, take 69.
06:39Cut.
06:39Retake.
06:41Scene 1, short 1, take 72.
06:43Action.
06:45Cut, cut, cut.
06:46What?
06:47What?
06:47What did you do?
06:50That's the phone.
06:54What's the problem?
06:55What's the problem?
06:56What is the problem?
06:56Uh huh.
07:01What's the problem?
07:05What's the problem?
07:06Ten days break.
07:07Matha shoot.
07:07I'll get back to him.
07:08Truck up.
07:09Enough.
07:09I'm not.
07:43Arjun would fix your marriage, you could have an excuse for your marriage.
07:46You could have told someone else.
07:48You could shoot me now. Sorry.
07:50You don't have to worry about marriage.
07:51You don't have to worry about me.
07:53You have nothing to lose, Vinith.
07:55My image, my career.
07:58That's why you don't have to tell me.
08:00No one likes you.
08:01I'm not going to die now.
08:04I'm going to take my date to Sachin.
08:07I'm going to take my date to Sachin.
08:10Hi, Vinith.
08:11Nice to meet you, right?
08:12Sachin, I've learned a lot about Sachin.
08:15Brilliant.
08:16I'm going to take my body to Sachin.
08:18So, I'm going to take my date to Sachin.
08:23Madam, I'm going to take my date to Sachin.
08:25Thank you, manager.
08:26You know, Mel Jo.
08:27Mel Jo is a person.
08:29Mel Jo is a person.
08:35Sachin is pregnant.
08:37Sachin is a person from Hannah Chiajian.
08:39Writing.
08:40From the anticauses.
08:41Flaming Mel Jo.
08:43Def이다, Mel Jo.
08:46This award is a кар
08:46You know he Win
08:48you're part of the house incessground.
08:52John don't feel free.
08:54You are a victim.
08:58When Brandon's part of Sachin,
08:59I'll have to help you.
09:02Go this step auf.
09:04It's okay. This project is not too bad.
09:14FAYAS, I'm going to make funding for FAYAS.
09:18I'm going to ask you to come back to me.
09:21Vinit!
09:27Sorry man, I was looking for a character.
09:29If you go to the caravan, you can control my curiosity.
09:33There's no chance.
09:34There's no chance.
09:36If you look at it, you'll see it.
09:38I'm sure you'll see it.
09:39If you look at it, you'll see it in your life.
09:42We'll see it again.
09:45Who's going to study this script?
09:47He's the main one to Arjun.
09:48He's the main one to know the content.
09:50He's the main one to see it.
09:51This is the main one to see it.
09:56Arjun is the main one to see it.
09:57Of course.
09:58He's the main one to see it.
10:01He's the main one.
10:02Arjun is the main one.
10:03He's the main one to see it now.
10:05He has a date.
10:06He has a date.
10:08He gets the date.
10:10If he takes the date, I've never go to shoot it.
10:12I will go to shoot it now and we're going to see it.
10:15Then I can go to Maragher's date.
10:18I'll show you the one to see it.
10:19He still does not know the edits.
10:21That's fine.
10:23I know what that is.
10:24I can't see it with all the data.
10:26I know what I did. I know how to do it.
10:28But I'll see the cinema in the theater.
10:33Arjun, I'm going to destroy you completely.
10:37What's the fire?
10:39What's the fire?
10:42What's the fire?
10:42What's the fire?
10:43What's the fire?
10:44The script is safe.
10:50What's the fire?
10:53The script is not.
10:54What's the fire?
10:56This is lunch time.
10:57I'm going to go to the doctor's office.
11:02I don't have any questions.
11:04I don't have any questions.
11:05I don't have any questions.
11:08How are you?
11:11What's the script?
11:12What's the script?
11:15What's the problem?
11:17What's the problem?
11:18What's the problem?
11:19What's the problem?
11:22What's the problem?
11:24What's the problem?
11:27I'm not a friend.
11:29Sir, I'm going to talk to you.
11:32Come on, sir.
11:36I'm not a friend.
11:38Come on.
11:38Say it.
11:39Say it.
11:40You have to do funding.
11:41One of the things you have to do with the depression.
11:44You have to do the depression and the depression.
11:46What's the problem?
11:46She's the Veneth.
11:48She's the Veneth.
11:50She's the Veneth.
11:50Hi.
11:50You'll see.
11:51We'll talk a little bit.
11:53Sir?
11:54Sir, could you take a photo?
11:55I'll be here, Ma.
11:56Oh, I'll be here.
12:04Shandash Ma.
12:08Paathiyah,
12:09I want to go to my house for a long time.
12:12I know that I'm going to be here for a long time.
12:18Let's go to work and get my friends,
12:21and try to get my friends in this room,
13:24Vinithu, you are very good.
13:27You are very good.
13:29You are very good.
13:33Let's go.
13:35There is a script.
13:38That's why I don't like it.
13:40I don't like it.
13:44Do you understand?
13:53I don't like it.
14:01Sir, you've got the similarity in the after-party.
14:04I've got it.
14:06Why are you talking about it?
14:08In part-1, you've got your signature style.
14:12But you know the content.
14:15Which crosses the line.
14:17So, I've got it.
14:18You're a bit too.
14:19but this is your time to support me.
14:23Still destroyed.
14:24It's a lot of selfishness,
14:26but you're going to protect me.
14:31You're a bit too smart.
14:34There's nothing to do with it.
14:35This is a selfishness.
14:38The animation-8,
14:39a different effort.
14:41There's no possibility.
14:48We joined the assistant directors for 3 years.
14:52They had art, costume and makeup.
14:56The cameraman joined the camera was 14 years.
15:01The editor, sound, VFX worked for 3 years.
15:06The music director worked for 2 years.
15:10They worked very sincerely.
15:12They worked very carefully.
15:15He had the same idea who worked.
15:16The one who made me a month ago?
15:21It's the only one who left me in the back.
15:21He was a hero.
15:24And he was a hero.
15:26He was a hero.
15:28He was a hero.
15:30He was a hero.
15:32He was a hero.
15:33He was a hero.
15:34He was a hero.
15:39He was a hero.
15:41He was a hero.
15:41To create my own work, there is a satisfaction for me.
15:50That's what I'm afraid of.
15:56My self is very important, sir.
16:02But everything is very important.
16:04Unfortunately, I'm not afraid of selfless.
16:06I'm not afraid of selfless.
16:10But I'm afraid of selfless.
16:14I'm afraid of selfless.
16:17I'm afraid of selfless.
16:24Idealism is very easy.
16:28If you've been to a cinema, you've been to a movie.
16:31I'm afraid of selfless.
16:34I'm afraid of selfless.
16:35Okay, I'll complete my own work.
16:37No one's for me.
16:40No one's for me.
16:41No one's for me.
16:42I'll miss my own script.
16:42I'll miss my own work.
16:43And, I'll tell you, I'll be using my own work.
16:46I'll make it to see my own work.
16:48There's no more.
16:50There's a Mr. Finan.
16:52I'm afraid of selfless.
16:54You're usually through your own way.
16:57I'm afraid of selfless.
17:07And David, I am privileged to try to imitate the underdog.
17:15That's a good job.
17:17You can never imitate an underdog.
17:20You must become one.
17:23That's zero.
17:25That's the same thing.
17:27Sajun said, I'm going to do something.
17:29But I'm going to do something.
17:33Vineeth, I'll tell you.
17:35I'm going to do something.
17:35I'm going to do something.
17:39According to my terms and conditions.
17:58VFX can be done in the VFX.
18:01You will have to do something but it will be a risk.
18:06That's the risk of an artist.
18:07Okay.
18:09Come and buy some chips.
18:13Where are you?
18:19Who is an artist?
18:20Who is the artist? Who is the artist?
18:23Suji!
18:25Machi, he is a great place.
18:27You can find him, he is an artist.
18:30You can tell him, he is a great place.
18:31You will find him, my dad will go to college.
18:33You will find him.
18:35It's a great place.
18:37It's a great place.
18:38He's an amazing place.
18:39What the hell?
18:51So gross.
18:53I don't know what you're doing, sir.
18:57But if you're going to shoot further,
19:00there's no option for me.
19:03I'll talk.
19:13Hello.
19:59Maudrey.
20:07How do you do it now?
20:09Go to the next level.
20:11Arjun Vishetha, I did it.
20:14I've been able to produce a perfect art to kill Sinai specimen.
20:20I've been able to commit a lot.
20:23Now he's powerless.
20:25And I think that he's going to get control over this failure.
20:30I've been able to get control over him.
20:33Hana is blinded by love.
20:34So she will realize it soon and divorce him.
20:38I'll wait for that.
20:43But your movie cannot wait for you.
20:44What did she say?
20:46If she took her to kill you, you can't tell her.
20:49Bloody Rasko.
20:52If you tell another heroine to produce a massive success.
20:56That's the same thing that Arjun has been given to you.
21:00Cast in your heroine.
21:01Let's bloody roll.
21:07Scene one, shot one, take two.
21:10Action.
21:20Cut it.
21:21Take okay.
21:23Break.
21:30Good morning, Vinay.
21:31There's a good news.
21:33I'm going to announce the Yuddham.
21:36Directed by Sujith Raj V.
21:38You know your best friend.
21:41But I'm going to finish a good associate director.
21:45I'm going to finish it.
21:46I'm going to finish it.
21:47I'm going to release it.
21:49Okay?
21:51Day.
21:52Day.
21:57Day.
21:58Day.
21:58Day.
21:58Day.
21:58Day.
22:00Day.
22:01Day.
22:03Day.
22:03Day.
22:12Day.
22:13I am going to get to the end of the day.
22:17So, I am going to get to the end of the day,
22:18and I'll be able to create a new script for me.
22:23That's why I got to get out of the day.
22:25I'm not ready for the first time.
22:27But I should work at this point.
22:30I am going to get my help.
22:32I'm going to shoot immediately.
22:34Did you work a script?
22:45I don't know how much I am.
22:49I'm so sorry.
22:50I have to enter the house with a house.
22:51I have to enter the house with a house.
22:53I'm sorry.
22:56I'm sorry.
22:58I'm sorry.
22:59I'm sorry.
23:09Vineet Madhavan,
23:10The audience will see you in the audience.
23:13One reason.
23:14This is the greatest horror film.
23:18Are they confident?
23:19Of course, I am.
23:21Are you afraid of me?
23:23I'm afraid of you.
23:24I'm afraid of you.
23:26I'm afraid of you.
23:28No comments.
23:32No comments.
23:35Are you afraid of me?
23:39I'm afraid of you.
23:40I'm afraid of you.
23:42I'm afraid of you.
23:42You're afraid of me.
23:44You're afraid of me.
23:44Why are you afraid of me?
24:05Hello, did you hear me?
24:06You have to go to the poster above all the time.
24:12You're afraid of me.
24:14And you're afraid of me.
24:15You're afraid of me.
24:30You're afraid of me.
24:32I'm afraid of you.
24:37You're going to be careful.
24:38You're going to be careful.
24:41I am going to be careful.
24:43I am going to be careful with the article.
24:49I'll send you an interview today.
24:52I'll never forget.
24:54The next question is the Farah Arjun.
25:18What's your intention?
25:19What's your plan?
25:21How did you open it?
25:23Here you go.
25:24Then, you can use something on your own.
25:27I have to get a thinker.
25:27In the near future, who can help me?
25:31I'll go down.
25:31How do you go?
25:33I'm going to student an interpreter, the writing room.
25:33In a way, I work with my own teacher.
25:34To his own teacher.
25:36I'm going to take a look at the price of the price of the price of the price of the
25:43price of the price.
25:44I don't know if I'm going to get a hit or a flop, but I'm going to get a hit
25:50or a flop.
25:50But I'm going to get a hit.
25:54Arish Bashir said,
25:55He said,
25:56He said,
25:57He said,
25:58He said,
25:58He said,
26:06He said,
26:11He said,
26:12He said,
26:16He said,
26:19He said,
26:20He said,
26:21We will pay for $35,000.
26:24We will pay for that promotion.
26:26We will pay for $35,000.
26:30We will pay for $35,000.
26:32We will pay for the tax.
26:41There is no publicity.
26:44There is no good news.
26:45There is no good news.
26:47We will pay for $35,000.
26:50We will pay for $35,000.
26:52We will pay for $35,000.
26:55We will pay for $35,000.
26:58Sorry, Vinny.
27:00Actually, I don't have any plans.
27:02Honestly, I was trying to help Hannah.
27:04That's what I'm trying to do.
27:05If you tell me,
27:07I will pay for $35,000.
27:09But you know, I am a good businessman.
27:11I am a good businessman.
27:15If you did not have a good marketing,
27:17I was trying to help you to help you.
27:19I am a good guy.
27:21That's why I am a good guy.
27:22I am so confident.
27:23This is what I am saying.
27:24You don't have to say anything about it.
27:27If you want to talk about everything, I'll be very happy.
27:34I've been waiting for a long time.
27:37Normally, my director doesn't make any sense.
27:41But I don't have any tension.
27:44But I don't have any control.
27:48I don't have any control in the industry.
27:50There are no one of the best horror films in the industry.
27:53The best horror films.
27:57I don't think so.
27:59Welcome.
28:00Come.
28:02Come.
28:17I thought you're gonna ask all the best.
28:20I don't know if you don't know.
28:23I'll come to Arjun.
28:26I'll go to the second life of my father.
28:28I can't find my wife.
28:31I'll give you the first time I didn't know.
28:32I'll give you the second life of my wife.
28:39I'll give you my wife.
28:41I'll give you the second life.
28:43I'll give you the second time.
28:44I was told that my father would be a good one.
28:58I was told that I was a good one.
29:04I was very upset with you.
29:08I was told that you were a good one.
29:17We will meet again in Loser's paradise.
29:22I am a failure in my life.
29:34I accept myself.
29:38That I am a failure.
29:41I am a failure.
29:46You are a failure in my life.
29:47I am a failure in my life.
29:50You are the one who will come to my life.
29:54You will come to my life.
30:05Are you going to come with my mother?
30:07I'm Harris Bashir.
30:09Producer.
30:10Oh!
30:10I'm not.
30:11We're here to help.
30:12We're here to help.
30:15Producer.
30:18I'm sure he's here to confirm.
30:21Now he's happy.
30:37I'm sure he's here to find.
30:51I'm here to help.
30:54I'm here to help.
30:58I'm here to help.
31:00I'm here to help.
31:02It's an easy answer.
31:17I have no doubt.
31:17Day, you're good.
31:20I'm going to go to the 5th.
31:23Is it good?
31:24Super.
31:25I'm going to go to the 5th.
31:26I'm going to go to the 5th.
31:28You're not going to go to the 5th.
31:29You're not going to go to the 5th.
31:33I'm going to go to the 5th.
31:37I'm going to go to the 5th.
31:38I'm going to go to the 5th.
31:39I'm going to go to the 5th.
31:39Thambi, I'm going to go to the 5th.
31:43Thambi?
31:44Harris?
31:45Sir?
31:47Producer Thambi?
31:48Sir, you're going to go to the 5th.
31:51Oh, why?
31:54This is Harris Bashir.
31:56He's also going to be physically fit.
31:58I'm going to go to the 5th.
32:01I'm going to go to the 5th.
32:05I'm going to die.
32:06The first producer, Harris Bashir Group,
32:08Harris Bashir,
32:10has been in the heart attack.
32:11In a shocking tone of events, not a business.
32:13Famous businessman and Harris Bashir Group.
32:16Harris Bashir Group Mr. Harris Bashir
32:17passed away following a cardiac arrest.
32:23The viewers calling Nithi,
32:26one of the scariest film ever made,
32:28Balathetar's ambulance service.
32:30I'm going to go to the 5th.
32:31My brother,
32:35I'm going to go to the 5th.
32:36I'm going to go to the 5th.
32:42I'm going to go to the 4th.
32:43He's coming to the 5th.
32:45But, this is not a good boy.
32:47I will not leave you, Vinith Mother.
32:49Come on, I'll come back and haunt you.
32:54I've got a high-class horror film.
32:57Best of the best in DTS.
33:00You're all afraid.
33:01You're all afraid.
33:05I've seen another filmmaker who is the best in this field.
33:11That's why I'm afraid.
33:13That's why I'm afraid.
33:13That's why I'm afraid.
33:20I love what you did.
33:42Trailer has even fallen off.
33:44Trailer is not a killer.
33:45pasture.
33:58Devil's Silent.
34:02I'm not going to do anything.
34:04Huh?
34:18I am so proud of you.
34:21There is no one else.
34:22Hello, one.
34:24But,
34:25I am so proud of you in this world.
34:34Cheers!
34:59Hello?
35:00Hey, do you think I'm going to review my school magazine?
35:19Who is going to say to them?
35:20Who is going to say to them?
35:22Who is going to say to them?
35:22Who is going to say to them?
35:23Who is going to say to them?
35:24Who is going to say to them?
35:27And how do you deal with this?
35:31It's to be a success of no use.
35:46A reputation?
35:49Now, you are here, you are here.
35:52The devil's island is a copy of the novel that has been written in the novel.
36:00I'm not sure what the novel is.
36:03I'm not sure what the novel is.
36:04I'm not sure what the novel is.
36:05I'm not sure what the novel is.
36:09But I'm not sure what the novel is.
36:38Let's get started.
36:55Life imitates art. Art imitates life.
37:00It's easy to do.
37:02It's hard to do.
37:04I can't do it.
37:19It's hard to do.
37:22I'm an adult.
37:23I'm a adult.
37:26I'm an adult.
37:27I've been doing it.
37:29I've been doing it.
37:30But I'm not able to do it.
37:31I'm a blind guy.
37:33I'm not going to die.
37:34No, I am not talking about a line.
37:49Hello.
37:49I'm a man.
37:51I'm a man.
37:52I'm a man.
37:54I'm a man.
37:54But I'm not a man.
37:57I'm a man.
37:58Sujith Raj is a struggling background.
38:01Oh.
38:02He gave me support for the event, I gave him
38:05Aha
38:06But I'll give you an award, Best Debutant Director
38:10Okay
38:10Come here
38:23Thank you Govan
38:25Who is the Kanavu Kananone?
38:27Who is the Kanavu Kananone?
38:29Who is the Kanavu Kananone?
38:30Who is the Kanavu Kananone?
38:38The winner is the Star Finance presents
38:4212th Chakrabhumi Film Awards
38:44The best director award goes to
38:50Sujit Raj B for Yutam
39:04Patia, Mediocrity is the New Greatness
39:09When I first met this
39:13Then when you started, the Fan is the King
39:17Who is the King
39:18Who is the King
39:19Who is the King
39:20Who is the King
39:21Who is the King
39:24The King
39:30The King
39:32The new director of what goes to Vinit Madhavan.
39:37Pin drop silence.
39:39Audience gets into the audience.
39:40Clap it up.
39:42It's not even a lie.
39:43I'm still alive.
39:56In our industry,
39:57I'm still alive.
39:59I'm still alive.
40:01I'm still alive.
40:01I'm still alive.
40:03Do you understand?
40:07Vinit.
40:08Okay.
40:09One, two.
40:11Greatest of all time.
40:13Coming for the throne now.
40:16Defining mollywood.
40:18Better than the stalwarts.
40:21In the throat and throat till you're in the flow.
40:24All my hope and scope will fire flow.
40:27You will be alive.
40:30I'm still alive.
40:32I'm still alive.
40:33I'm still alive.
40:33I'm a producer.
40:34Unfortunately,
40:36I've had an attack attack.
40:39I've had an attack attack.
40:40Money Laundry is the most famous producer.
40:45Harris Bashir.
40:47I am fully alive.
40:50I come to his own movie.
40:50I'm doubting the top.
40:52I'm still alive.
40:56I'm still alive.
41:17After Party
41:18I'm here to do a project
41:20After Party 2
41:22Director Arjun Haridas
41:26All of you said
41:27I'm here to talk about
41:29I'm here to talk about
41:32But I'm here to talk about
41:34I'm here to talk about
41:35I'm here to talk about
41:35You can tell
41:38You can tell
41:39You can tell
41:41You can tell
41:41It's likeability
41:45Unfortunately
41:47To compare my likability
41:49Queer for me
41:51Is too smaller
41:52I am here to tell
41:53And you can tell
41:55You can tell
41:58What is your thoughts
41:59That is the best
42:03Finally
42:05Last time
42:06We don't know
42:10But I told him that he's not going to be the same way.
42:17But I'm not going to be the same way.
42:20I'm not going to be the same way.
42:22I'm going to be the same way.
42:49I'm not going to be the same way.
43:01I'm not going to be the same way.
43:13I'm the greatest of all time.
43:20?
43:20?
43:20?
43:20?
43:21?
43:50I'm so grateful to be a part of his film. Thank God.
44:16All that was saved in the CCTV footage,
44:17there was one working on all the media,
44:20but he had a accident.
44:24If the news came back,
44:25the movie came back to the cinema.
44:27He had a conformer towards his workies.
44:29He was such a person,
44:30K.T. Peter
44:32How's it going?
44:39It's more of a novel for a scientific genius.
44:42Never mind.
44:42Why are you doing this?
44:44No, Vandam.
44:45In the 60s, there were novels in the movie.
44:48There was no script in the shooting spot.
44:51There was no script in the movie.
44:53But the script was written in the movie.
44:57The K.T.P.T.R.O.D.
44:58The K.T.P.T.R.O.D.
44:59The K.T.P.T.R.O.D.
45:00The K.T.P.T.R.O.D.
45:05The K.T.P.T.R.O.D.
45:13The K.T.P.T.R.O.D.
45:24The K.T.P.T.P.T.K.
45:38It seems sad to be a fact for us with a son.
45:42See you next time.
46:13Let's go.
46:47Let's go.
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