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#mollywood
#tamil
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#comedy
Category
🎥
Short filmTranscript
00:00Where are you? Long Krap?
00:02Where is your wife?
00:03Yes, that's right.
00:05I'm going to leave you alone.
00:06I'm going to leave you alone.
00:08I'm going to leave you alone.
00:11Okay, isn't it?
00:13He's in danger.
00:15He's in danger.
00:18That's right.
00:20I'm going to write a script.
00:24I'm going to block him.
00:26That's right.
00:27You did it.
00:28I did it.
00:29I'm taking a picture,
00:30I'm going to leave you alone.
00:34I'm not gonna leave you alone.
00:36I'm okay now, I'm okay now.
00:39If you come here,
00:41I will leave you alone.
00:41Where are you?
00:45I'm not my father.
00:47My father is very dominant.
00:50I've been running the way.
00:52I've been beating them all.
00:53That's why I am so proud of you.
00:55I am so proud of you.
00:58Vaikam David,
01:00I am a man named Mahanai Sahithi.
01:05I am a man named Mahanai Sahithi.
01:07That's the name I am.
01:09The reputation of the Amaijanda,
01:18However, there is no one that seems to us.
01:23That I have taken down by the devil's island.
01:26That's pretty convenient.
01:28I've published 10 years,
01:30but I've finished six months ago with my original thought.
01:33The right thing now is,
01:35my mother...
01:36In this case, you are making a sense of something like it.
01:40My head is like a dream of that and the dream of that
01:41the War of Wikem David is a country.
01:45That is how I get to go.
01:47I'm afraid of the devil's island in my mind.
01:51That's why I'm in cinema.
01:54Nidhi, Screenplay and Direction, Vinit Madhavid.
01:58Story, K.T. Peter.
02:01The greatest horror script ever written in Malayalam.
02:06In Davidhi, I'm going to die.
02:18The script is completed. I'm going to shoot it.
02:22If you want to see the cinema,
02:25he will join me as assistant director.
02:35If you want to see the cinema,
02:38it will be deleted.
02:41You will be able to release the cinema.
02:44If you want to see the cinema,
02:46it will be deleted.
02:47It's not my fault.
02:49It's not my fault.
02:55It's not my fault.
02:58What is the cinema script?
02:59Do you have to edit it?
03:00Done.
03:01Let's go.
03:02Let's go to a printer.
03:04What is the shop?
03:06I don't want to tell you.
03:07Who is the script?
03:08Do you have to edit it?
03:09Do you have to edit it?
03:11We are ready.
03:12I am not ready.
03:13is going to be my fault.
03:17No problem.
03:19If I'm not ready,
03:20I need to teach the recording script.
03:22I can only read it.
03:22All I need to know is one thing
03:23and one thing only.
03:26Is it scary?
03:28Yes, sir.
03:30I'm not gonna die.
03:31There is no one of these people's...
03:32There is nobody.
03:33I don't know.
03:34I can't tell you.
03:37The answer is no problem.
03:40I
03:40I have been Art of Vijay Chaviraya.
03:42I have been a young man.
03:46I have been a young man now.
03:48I have been a young man.
03:49I have been a young man.
03:52I have been a young man.
03:54But at the same time,
03:56I have been a young man.
03:58I have had a huge surprise.
04:02Balls and brains.
04:06Guys...
04:07You've got to wait for me.
04:08Shit.
04:10He doesn't have a character to fight and survive.
04:15He doesn't have a compromise.
04:17That's what I'm talking about. She's my sister.
04:20And that's my word.
04:22Hanna, that's your last chips.
04:25Vineeth, baby, look at me.
04:28Now let's make a scare him in a movie.
04:42The two of us in the movie are in the movie.
04:48Godfather 2, Terminator 2 and all the movies are in the movie.
04:54The movie is called Arjun Haridas.
04:59After Party 2, we have seen a movie in the movie.
05:02I've seen this movie in the movie.
05:03I've seen this movie in the movie.
05:14I can't believe it.
05:15It's not that I'm the one who is the only one.
05:17We have to go with an insectary.
05:22That's my son.
05:24He's the only one who is the one who is the one who is the one who is the one.
05:25You can't.
05:32That's what I'm saying.
05:33I'm not sure if you leave the house.
05:35I'm not sure if I am the one who is the one who is the one who's the one.
05:39Thank you, Annum, Sudhagar.
05:41You're not going to shoot.
05:42You're not going to shoot.
05:44You're going to shoot.
05:50Scene 1, short 1, take 22.
05:53Clap on.
05:55Action.
06:03Cut.
06:06Cut. Retake.
06:07That's the ring.
06:09You're going to shoot VFX?
06:11I'm going.
06:12That's close.
06:14This is the last one.
06:15You're going to shoot.
06:17You're going to shoot.
06:19You're going to shoot.
06:19You're going to shoot.
06:20You're going to shoot.
06:23I'm going to shoot.
06:27Scene 1, short 1, take 33.
06:29Action.
06:31Cut. Retake.
06:33Scene 1, short 1, take 43.
06:34Scene 1, short 1, take 57.
06:36Action.
06:38Cut. Retake.
06:41Scene 1, short 1, take 72.
06:43Action.
06:45Cut, cut, cut.
06:46What?
06:47What?
06:50What?
06:50What?
06:54What?
06:56What?
06:57What?
07:0610 days break.
07:07I'm not shooting.
07:08Back up.
07:09Hannah?
07:10Hannah?
07:43Arjun's marriage is not an excuse to fix Arjun's marriage, right?
07:47I don't have to say anything about you.
07:48I don't have to say anything about you. Sorry.
07:50I don't give to a f*** about it.
07:53You have nothing to lose, Vinit.
07:55My image, my career.
07:59No one likes you.
08:01I don't have to say anything about you in the cinema.
08:04I don't have to say anything about you.
08:06I don't have to say anything about you.
08:07Satchi.
08:10Hi, are you not sure?
08:12Satchi made a script for the cinema.
08:15Brilliant.
08:16I'm shooting Satchi.
08:18So, what do you think about me?
08:21I'll give you Satchi.
08:23I'll give you a draft.
08:25Thanks, Meljo.
08:26No, Meljo is a writer.
08:29Meljo is a father.
08:30Meljo is a father.
08:35Satchi's cinema starring Hanash Ajaan.
08:39Written by Devathin writer Meljo.
08:43Devam, Meljo.
08:45Bad news.
08:46And I'll tell this story to Flores.
08:48I'll tell you what I'm afraid of.
08:51I'll tell you some of my mom.
08:52But I'll tell you what I'm afraid of.
08:54I'll tell you what the plot is?
08:55That's no coincidence.
08:57All the plot is out there.
08:58When he entered into a business,
09:00he's being gone.
09:02I'll tell you what I told you.
09:04I'll tell you.
09:06Not yet.
09:07It's impossible for me.
09:15Fahyas, if you do a good job,
09:18go for me and take care of me.
09:21Go away!
09:27Sorry, man.
09:28We haven't bought any care noot.
09:29We have to go.
09:31We cannot be concerned with anyone.
09:33Go, man.
09:34Take care, man.
09:57Of course, that's not true.
10:06=== A massa stinky joke in 2008.
10:08.
10:08.
10:08.
10:08.
10:08.
10:08.
10:09.
10:10I am the same thing, Mr. Kahn.
10:12I am the same thing, Mr. Kahn.
10:15I am the same thing to watch for a movie.
10:17Because we can see the movie and the movie and the movie.
10:21No one has to be here.
10:24To be here, Mr. Kahn, he is the same thing.
10:26He is the same thing to do.
10:27I am the same thing.
10:28But in the name of the movie, he is the same thing.
10:33I am the plan for that.
10:37Brother, I'm afraid he's still there.
10:39He's a producer.
10:41You understand what you're doing to us.
10:43You're going to tell us what?
10:45Script and i'll save.
10:50Brother,
10:53I have no script.
10:55Shit.
11:09Oh my god.
11:11Hey, you're supposed to give this script.
11:12You don't have to say anything.
11:15Why is this?
11:17Who is this?
11:21Who is this?
11:21Hey, what's it?
11:24Don't you?
11:25No, no.
11:27You're my friend.
11:29You're a girl, please.
11:31So, you're a girl.
11:32Come.
11:37What do you think about this?
11:39I'm a producer.
11:41I'm a producer.
11:41What do you think about depression?
11:46Vinyth is Sraya.
11:48This is Vinyth.
11:50How are you doing?
11:53Chetta.
11:54Chetta is a photo.
11:56Oh, I'll give you a photo.
12:07You're a guest.
12:08I've just got a reward for this year.
12:12I have been ready to be a person,
12:13and I'll be ready to be.
12:18I'm all ready.
12:19I'm all ready.
12:20I'm all ready for that friend.
12:22I'm all ready for that.
12:26I'm all ready for this.
12:31I'm all ready for the new friend.
12:33I don't have any stress, I don't have any stress.
12:37Your obsession. That's my question.
12:41So let me give you a chance to be successful.
12:46I don't know what I'm doing.
12:50I don't know if you can do anything.
12:52But you're exposed to me.
12:54I know what I'm doing and what I'm doing.
12:57I love you all.
12:58Is it a place to be fit?
13:00I love you.
13:02I love you.
13:04I love you all.
13:06Anyway,
13:11I love you.
13:11I love you.
13:13I love you.
13:15I love you.
13:16I love you.
13:17If I want to show you, it is not your face.
13:23Now, it is not your face.
13:27I am not a face of the face of the face.
13:33This is the face of the Kryptons.
13:38It is not your face.
13:40I am a person who is facing my fate.
14:01Sir, you can see the similarity between the after-party and the after-party and the after-party and the
14:04after-party.
14:05Tony?
14:06I'm sorry.
14:08Part-1, I'm sorry.
14:12But here, I'm sorry.
14:14I have never finished the line.
14:15Which crosses the line.
14:16So, you are a part of it.
14:19I don't support you in this film,
14:22but you are not a man.
14:24It is a part of me.
14:24This is a part of the film.
14:26There are no other ones.
14:31That is not a talent.
14:32You can't be a part of the film.
14:35This is not a part of the film.
14:38This is not a part of the film.
14:38No one is a part of the film.
14:40No one comes to the film.
14:48After shooting for three years, the assistant directors joined.
14:52One year, the art director, the costume, and makeup.
14:56The cameraman joined.
14:58The shooting, the sound, and the VFX worked for three years.
15:06The music director, two years.
15:09Now, everyone came to the cinema.
15:14However, this is not the case for me.
15:19It's not the case for me.
15:20It's not the case for me.
15:20It's not the case for me.
15:21I was trained mentally and emotionally in the cinema.
15:34It's not the case.
15:35It's not the case for me.
15:37But in the past, all my life was created.
15:42I wanted to create the endeavor for you.
15:45It was not the case for you to be satisfied.
15:50It's not the case for me.
15:56It's the case for me.
15:58It's not my fault.
16:03Unfortunately, selfless I bavichal maathro
16:07angi kaareng gittu nuri lokathath namu lupo jivikindu.
16:10But shangana bavichan, inekke saugheru illa.
16:14I'm selfish, but
16:17venoongi maathroam angi ehrichamadhi.
16:24Idealism parayana keđlupa anu viniidhu.
16:28Ennengil ni yuvudhu cinema kambilita kya,
16:30baaakki jnana aappa keđlkam.
16:34Shereya,
16:35Siniama kambilita kakano.
16:37Yalakku vengdiyela.
16:38Enikki vengdiyela.
16:39Enikki vengdiyela.
16:40Enikki vengdiyela.
16:40Enikki uuttuun samayi vila.
16:42Skriptu boys tithi ki,
16:43adhi vera aringulio ehtu theyni kittu pani yunye
16:45ehtra yembetta anna shooattu urthu ppadov rakakano.
16:48Adhi nuhutu otta vajiyyuvu.
16:50Satchin da cinema eđapinil, Arjun anan nana hanayayu uudhu paraya.
16:53Adhoada satchin.
16:57Ennengu appa mba ikkam, David.
16:59Eee Arjun Haridasuna pole.
17:01Volehre thaa گkidoedijindu uudhu paraya nana,
17:03Oru parashastanayanga uudhu.
17:05Acornati,
17:06Satchin vaikkam, David indha nhad,
17:08J novo yunye anna aymn,
17:10Anakram.
17:11Anderdoge anna imiteati enna nana nana.
17:17You can never imitate an underdog. You must become one.
17:23That's why I have no idea.
17:27Arjun, I have no idea what to do with such an answer to your plans.
17:33Vineeth, I have made a plan.
17:36You have to choose your own option.
17:38You can choose what to choose according to my terms and conditions.
17:58I have no idea what to do with VFX.
18:01If you couldn't do K Castle, you could make a mistake.
18:06If you didn't like your coming in VFX, you'd be able to do that right away.
18:07If you were to walk in VFX, you would be fine.
18:07Use your own Source.
18:07I am not a single person.
18:08I want you to get ready.
18:13Where are you?
18:14We are at work.
18:19Who is that artist?
18:21Who is that artist?
18:22Who is that artist?
18:25Who is that artist?
18:30I am very surprised.
18:31I am very surprised by...
18:32I am very surprised by...
18:33I am very surprised by...
18:34I have a question.
18:34Is that this?
18:34What the hell?
18:37What the hell?
18:37Why are you asking me?
18:38Why are you asking me?
18:39No honey.
18:42What the hell?
18:51So gross.
18:53I'm talking about honey and I'm a producer.
18:57But if you want to shoot me, you'll be a good person.
19:03I'm talking about honey and I'm talking about honey.
19:13Hello?
19:32Actually,
19:34I've never been in New York for any of my life.
19:40My brain is a good thing.
19:43So start doing this.
19:43So now you're looking at Vinita Madhav.
19:48Definitely not.
19:49But he would also look at Vinita Madhav.
19:51He would be sick of Vinita Madhav when he was raising his stomach.
19:55He would even say he would get a better guy for him.
19:59He could either get the fat phobic.
20:00You don't have to worry about fat phobic.
20:02Do you want to go to the race to marriage?
20:05Okay. Thank you.
20:07What do you think of me here?
20:09Puchato!
20:11Arjun has been killed by Arjun.
20:14I don't know if he's a producer.
20:16He's a perfect art man.
20:20He's got four people in the committee.
20:23Now he's got the power.
20:25And I think he's got the character to gain control over her.
20:36She will realize it soon and divorce him.
20:39I'll wait for that.
20:42But your movie cannot wait for Vinita.
20:45What do you think of me?
20:46He's going to find you.
20:49Bloody Raskar.
20:52I'm a huge success.
20:56I'm a huge success.
20:56I'm a huge success.
20:57I'm a huge success.
20:57I'm a huge success.
20:58I'm a huge success.
20:58I'm a huge success.
20:59Dilla.
21:00Cast a new heroine.
21:02Let's bloody roll.
21:08Scene one, short one, take two.
21:10Action.
21:20Cut it.
21:21Take off.
21:22Break.
21:24Break.
21:30Good morning Vinita.
21:31Good news.
21:33Good news.
21:34My announcement is directed by Sujith Raji V.
21:38You're not the best friend of your best friend.
21:40You have to do it.
21:41You're not the best friend of mine.
21:42You're not the best friend of mine.
21:44I'll finish the lead.
21:46Then you will have the new release.
21:49Cut.
21:50Cut.
21:55Cut.
21:56Cut.
21:56I'll come in and I'll leave you.
22:00I'll leave now, I'll leave you alone.
22:03I'll leave you alone.
22:04I won't be alone.
22:09I'll leave you alone.
22:10After that, I'll find the current one.
22:12You know, if Harjun's Harajan Borey will do whatever I want to,
22:16Huldner will be the director of the start.
22:16From it, Harajan will be the director of the script.
22:22I'll find you for that.
22:24That's what I've been doing.
22:27But the truth is,
22:28I'm not going to show you.
22:31I'll shoot you immediately.
22:34You're a script.
22:46I don't think I've ever seen this one.
22:51I've never seen this one.
22:53I don't have any time for you.
23:09Vineet Madhavan,
23:10we have a reason for your film.
23:15It's called the greatest horror film.
23:17My film?
23:18Are you confident?
23:19Confident.
23:20Are you worried about your film?
23:22I have a problem with the film.
23:24I don't know if you're worried about your film.
23:26I don't know if you're worried about the film.
23:29If you're not watching that,
23:31you'll know what to do with the other films.
23:32No comments.
23:34If you're not watching that movie.
23:39I'm talking about my movie.
23:41I'm not sure.
23:42So, I'm not sure if you're watching that movie.
24:05Do you want to hear me?
24:06I bet you've heard him see his hearing.
24:09I bet you've heard him see a statement of the same way.
24:13He's in a lot of matters.
24:15I know this.
24:18I haven't been to you all for the first time.
24:18Adam is still in the world.
24:19I've seen him see him see him see him.
24:20He's been visioned out of the world.
24:21I've seen him see him see him see him see him.
24:22I'll see you.
24:30There are many people in the industry who came to the cinema post-room trailer.
24:36I'm going to go to the complete time.
24:41I'm going to read the articles.
24:43My uncle's.
25:18Why?
25:19What?
25:20What's your opinion?
25:21Viniath is there.
25:23You can't come to your theater.
25:26No one means to your company.
25:27I can't come to my own approval.
25:28No one can come in.
25:30Okay, you are right.
25:32You are right?
25:34Yeah.
25:36Viniath,
25:38I've been a year-old
25:39I've been in control for 10 years.
25:40But I am very proud of that in my business.
25:44At the time I was able to do the work I had to do.
25:47The work I had to do, is to keep my task.
25:50And the work I had to do was to keep my job.
25:53In the case of the year, I was able to do my job.
25:58I was able to do my job.
26:01I was able to do my job.
26:03I was able to do my job.
26:04Tax Matra Adukkenam
26:06Harris Besher Group
26:08Blockbuster Images
26:10Tax Vair Adukkenam
26:12This is the same as the Cinemade Financial
26:14A script that has made one of the VFX
26:17A script that has made a very simple VFX
26:20A script that has made
26:20The image of the 10-gode
26:21The image of the big budget
26:23I could use the image to take a photo
26:28I could use the full budget
26:29I could use 35-gode
26:30I could use the full budget
26:58I'm sorry Vinita, I was trying to help her.
27:04That's what I'm talking about.
27:05I'm not sure what you're talking about.
27:09But you know, I'm a good businessman.
27:15Wrongly marketeer, you're not sure-short flop.
27:19That's what I'm feeling.
27:21You're so confident that you're looking at me like this.
27:26If you don't go anywhere,
27:28you'll find a great deal.
27:34That's why I'm releasing my cinema.
27:36Normally,
27:38there's no tension in my mind.
27:41But I don't have any tension.
27:44Because I don't have any control in my mind.
27:48My cinema,
27:49I don't have any horror cinema in Malayalam.
27:53I don't have any horror cinema in my mind.
27:55I don't have any horror cinema in my mind.
27:57This is my mind.
27:59I'm afraid.
28:01I'm afraid.
28:16I don't have any horror cinema in my mind.
28:26I know my second life is my second life.
28:32I have no options for you.
28:35I have no choice for my wife.
28:38I have no choice for you.
28:43I have no choice for you.
28:45I have no choice.
28:58I have no choice for your wife.
29:01I have no choice for my wife.
29:07I have no choice for her.
29:11I have no choice for her to live.
29:14My voice is so good.
29:16Remember, we will meet again in loser's paradise.
29:30In my life, in my life, I can't accept it.
29:38That I am a failure.
29:44That's a good thing.
29:47That's not my fault.
29:47That's not my fault.
30:05Why are you talking about me?
30:07That's it.
30:08I am a producer.
30:10Oh!
30:11There's a show.
30:14I am a producer.
30:15Me.
30:18I am a person who has a body of it.
30:20No.
30:25No.
30:26No.
30:28No.
30:34No.
32:41Ashwin, go.
32:44I'll go.
32:45But this is not a good bye.
32:47I will not leave you Vinit Mathavan.
32:49I'll come back and haunt you.
33:45This is a blockbuster.
34:28Enjoy some.
34:34Cheers.
34:59Hello.
35:00In the school magazine, we have a review from Malayana.
35:19Not yet.
35:21Do soon look back like that.
35:22The reputation had the nowjackess.
35:24It is only 3 times of time.
35:27I think I'd rank it now.
35:30Jud correr longer than life.
35:31Not if it was the same.
35:32Ciara's success,无כing.
35:33Reputation.
36:03Reputation.
36:06Reputation.
36:07Reputation.
36:07Reputation.
36:09Reputation.
36:09Reputation.
36:10Reputation.
36:11Reputation.
36:11Reputation.
36:11Reputation.
36:12Reputation.
36:12Reputation.
36:13Reputation.
36:13Reputation.
36:14Reputation.
36:18Reputation.
36:21Reputation.
36:24Reputation.
36:26Reputation.
36:27Reputation.
36:27Reputation.
36:28Reputation.
36:28Reputation.
36:28Reputation.
36:29Reputation.
36:30Reputation.
36:31Reputation.
36:38Do you have a script for Mel Joda?
36:40That's it. I don't want to see you. You are the producer.
36:44Life imitates art. Art imitates life.
36:45If you don't want to cut it, you don't want to cut it.
36:49If you don't want to cut it, you don't want to cut it.
36:52Life imitates art. Art imitates life.
36:59You don't want to cut it. I'm going to cut it.
37:04That's why I'm going to cut it.
37:12I'm not a man. I'm not a man.
37:22I'm not a man. I'm not a man.
37:23I'm not a man.
37:23I'm not a man.
37:26I'm not a man.
37:28I'm not a man.
37:29I'm not a man.
37:29Petit to me with his blank.
37:33One is a man.
37:35One is a man.
37:36One is a man.
37:37One is a man.
37:48Hello?
38:01Oh.
38:02Oh.
38:02I'll give you my support.
38:05I'll give you my support.
38:06Aha.
38:07I'll give you my support.
38:08Best debutant and die.
38:10Okay.
38:11I'll give you my support.
38:24Thank you, Govin.
38:25I'll give you my support.
38:27I won't give you my support.
38:28I'll give you my support.
38:36I'll give you my support.
38:38I'll give you my support.
38:39In the Star Finance presents...
38:42Twelfth Chakrabhoomi Film Award.
38:44Powered by Nila Rice & Grains.
38:47The best director award goes to...
38:50Sujantraj V for Youtham.
39:05Kando, mediocrity is the new greatness.
39:09In my career, I've never been able to live in my career.
39:14That's why I live in my career.
39:16That's why I live in my career.
39:19I've never been able to live in my career.
39:25I've never been able to live in my career.
39:27I've never been able to live in my career.
39:30The best debut director award goes to...
39:34Vinit Madhavan.
39:37Pintrop silence.
39:40I've never been able to live in my career.
39:43I've never been able to live in my career.
39:57I've never been able to live in my career.
40:00I've never been able to live in my career.
40:02I've never been able to live in my career.
40:03I understand.
40:23Vinit Madhavan.
40:25I hope you have a great time.
40:27I will have a good,
40:27so I will not be able to see.
40:32Bahmaninaya, my producer.
40:35In the past,
40:36I have got the heart attack for my film.
40:39I have won many people playing as a game
40:41and I have got the film
40:44from the film in the film.
40:45Harris Bashir.
40:47I have my interest in this industry.
40:50In the past,
40:51I have got the same
40:53He killed the Mahanujaya Sahithyakar,
40:56Vaikem David's brother.
40:58Sachin Vaikem David.
41:00Swaroop fans have his own family.
41:04He killed my Zoroop.
41:05Sri Faya Samad.
41:12In my short films,
41:14I would like to show my identity.
41:16It is a blockbuster of after party.
41:19I will show you the time when I first burst after party.
41:21the first thing I am saying is Arjun Haridas.
41:26Everyone is my name.
41:29I am saying that I am a good one.
41:31But if I am saying that I am a good one,
41:34I am not a good one.
41:36Because I am a good one.
41:40I am a good one.
41:41I am a good one.
41:42I am a good one.
41:44Likeability.
41:45Unfortunately,
41:46my likability is like what I am.
41:50I am seeing that I am a good one.
41:52I know that you are not sure about it,
41:54but I am a good one.
41:57That's not enough.
42:01That's the truth.
42:03Finally,
42:05this is what you are doing.
42:07You are not a good one.
42:09You are not a good one.
42:10But this is what you are saying.
42:13They are not a good one.
42:14but
42:16I wouldn't die
42:18I wouldn't be for a while
42:21I will not die
42:22I can't stand for the rest of the land
42:24I'm guilty
42:25like a hunger
42:25I'm going to die
42:26I'm going to die
42:27I'm going to die
42:28I'm going to die
42:30I'm going to die
42:35I'm going to die
42:43Is the name of Nagan?
42:48The name of Nagan?
42:48I am a man of Nagan
42:52The name in the name of Nagan
42:57The name of Nagan?
43:03His name is Nagan
43:05The name of Nagan?
43:05The name of Nagan?
43:06Why does Nagan?
43:07According to Nagan?
43:10The name Nagan fields
43:14You just look like this.
43:15That's the greatest of all time.
43:16You're just like taking over the money.
43:20You're all right.
43:21It's the only time I'm free.
43:23It's the only time I'm free.
43:24It's the only time I've lost my life.
43:28I've been here to work with the Sambi Thakir.
43:30They are a visionary filmmaker.
43:33He's a filmmaker.
43:34He's got a career to work with the Sambi Thakir.
43:36And then he's working with the Sambi Thakir.
43:40And he's working with them.
43:49I'm so grateful to be a part of his film. Thank God.
43:54Karma is for real.
43:56We need one thing to do.
43:58This world doesn't matter.
44:01It doesn't matter.
44:02It doesn't matter.
44:05This world is very random.
44:09For example,
44:10You are right.
44:14You are right,
44:15Birthday is the main guy that you are watching with Cctv.
44:22That's not the only thing.
44:26That's the main guy who is sitting in the house.
44:30Katie Peter,
44:32The author of Satchal Devil's Island.
44:37Kitty, what kind of...
44:39...scientific genius that I've ever seen in the novel?
44:42I'm going to start.
44:44I'm going to start.
44:45I'm going to start a movie.
44:46In the film of the film,
44:47there was no script in the shooting set.
44:52There was no script in the movie.
44:53But I thought,
44:55I'm going to play a movie with Katie Peter.
44:58I'm going to play a movie.
45:05If you have something I'd ask for my question,
45:06one is the one living for each other,
45:08one is the one living for us.
45:11Everything is random.
45:12Luck is not a big guy.
45:14Luck is not a good guy.
45:19Under your own character,
45:21underdog,
45:23underdog,
45:25underdog or talent.
45:26He has become talented.
45:30He has become a sad reality.
45:56He has become talented.
45:57He has become talented.
46:30He has become talented.
46:56He has become talented.
46:57He has become talented.
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