- 7 hours ago
- #fantasy
High paranormal dark romance tension explodes when an independent innocent partner is claimed under a dark moon by a supreme vampire king. #Fantasy
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Short filmTranscript
00:00Watch The Vampire Lestat After Dark on AMC Plus or wherever you get your podcasts.
00:07Previously on The Vampire Lestat.
00:09What do you think about the great conversion?
00:12Vampires taking over the world.
00:14Fucking stupid.
00:15I saw Claudia in New York.
00:17Someone who looked like her.
00:18Thank you, Regina.
00:19F this. F you. We quit.
00:22I'm guessing you haven't heard from my maker.
00:24I'm sorry you were burdened out of spite.
00:26Where does the bullshit start? Armand, Amadeo.
00:30My name is Arun.
00:31Hello, Arun.
00:32I am an addict.
00:33I love you must die.
00:34It's not room enough in this box.
00:36It's weird desperation.
00:37I have this weird thing that happens.
00:39Suddenly everyone around me disappears and I feel him.
00:44Stop.
00:45Armand.
00:45Gabriela Vecci.
00:46My first floodplain.
00:48She died.
00:49What the hell?
00:50He was crying fucking blood tears.
00:52Did no one see that?
00:53It brought poor Dan to his knees and seeded a hate for me inside him.
00:58How long are you gonna stay?
01:00I saw you two times last century.
01:02It's not an unreasonable question.
01:08All rockers sing about the road.
01:12It's practically preordained.
01:17Seeker turned the page.
01:19Brown loaded out.
01:20John Bond played for keeps because he had too many doubts.
01:23I mean, that's not the lyric, but it should have been.
01:26And Phil X was a better guitarist than Richie Sambora.
01:30There.
01:30I said it so you don't have to.
01:32I'm rambling a bit here.
01:33What am I trying to say?
01:35Cliches about the road can be concussive, but it doesn't make them conclusive.
01:40Let's get the old guy in the front to watch it.
01:42Show me.
01:42It can grind you down or deliver you home.
01:45And which would it be for our marginal mystery tour back in the bosom of the nifty-fifty United States?
01:52Digitally, there was some optimism, as somewhere between the Pete Diddler and Chipotle's new adobo ranch sauce,
01:58the vampire Lestard found itself momentarily trending.
02:02Cell phone footage of yours truly went viral, as both irrefutable proof of the cloud gift and the deepfake antichrist.
02:22I would later find out the hits were predominantly bots paid for out of the Talamasca Discretionary Fund.
02:28Should your privileged purse strings become interested in pursuing the actual truth of our recent apocalyptic adversities,
02:37look no further than that watchful order in the river of discreet money flowing in dark directions.
02:43Nonetheless, I was in my grand brat phase with more gigs in the rear view than the road ahead.
02:52And our bus never stopped for gas.
02:55Once, we ran on bots and abandonment.
03:06Shit, dump that shit.
03:11Be careful, don't get it on the floor.
03:13You're only going to get some of the trucks there.
03:15Don't stop there.
03:16I don't do well with God.
03:18No!
03:18You need this shit.
03:19Can I eat this much?
03:21Okay.
03:21I'm going to stop it out of the car.
03:22I'm going to find a little bit of my nose.
03:24Shit.
03:40Let me guess.
03:4171 and a 65?
03:43You want to tell me what's in that bowl right there?
03:45That's cocaine.
03:46We exercise this is right to remain silent.
03:48You mind repeating that for the body cam?
03:51Oh, the body cam.
03:53Democracy's compact mirror.
03:54Which is funny because that was a joke.
03:56Because this is actually, um, powdered makeup.
04:01Delilah doesn't bark at makeup.
04:04I'm going to have you all step outside now.
04:06You'll need a judge's warrant, so...
04:08Why don't you take a seat?
04:11Come, Delilah.
04:12Take a seat.
04:20Delilah was right.
04:22Delilah was right.
04:23It is cocaine.
04:24We are a rock band.
04:26And we need it to do our job properly.
04:29Just as you need your firearm and your expansive interpretation of the Fourth Amendment to do your job properly.
04:36Yes, sir.
04:36That's her line.
04:37I stole it from her.
04:39She is a very good lawyer.
04:44Now, you do one of the most difficult jobs in our society.
04:52You see humanity at its worst every shift you take.
04:56And I can only imagine how that affects your judgment and your home life.
05:02It does.
05:02If it were up to me, I would not allow anybody who puts on the uniform to work more than
05:0935 hours a week.
05:13This arrest would go poorly.
05:16The, uh, blood tests that you would administer on me would be weird.
05:20Get the body cam.
05:21Yeah.
05:21And your precinct would be put in harm's way.
05:26You look very pretty now.
05:27You go be the rough man standing.
05:31Ready to do violence on our behalf.
05:34Officer Galugali took a week off.
05:37TC thought for the first time maybe she could be a vampire.
05:41Larry wished his brother could have been there.
05:43And on a computer hard drive in a public library somewhere in the eastern seaboard, a manifesto waited patiently.
05:51We were on the devil's road now.
05:55Hurdling towards end times.
06:08I'm a little killer.
06:10I'm a lonely one.
06:13I'm a chick creeping up your spine telling you to run.
06:16I'm a living shadow.
06:18I'm the best of the future.
06:22The last of the suit is a cool and dead.
06:24Where the rock and roll is.
06:26Where the good team.
06:29Where the heart will be loving.
06:30The bitch is a mother.
06:31Where the stupid rain.
06:34Bang, bang.
06:36Bang, bang.
06:37Bang, bang.
06:38Bang, bang.
06:40Bang, bang.
06:40I'll fall down.
06:43Burn the ground.
06:48I'll fall down.
07:01Did you hear that, Armand?
07:04You're listening to The Failures.
07:06Album 33, side B.
07:11Service stations.
07:14Travel plazas.
07:16Off the autobahn, they're called Rasstöter.
07:20On the devil's road, these liminal spaces have no name.
07:24For the occupants are not aware they need rest.
07:27Or service.
07:30What can I get you?
07:31Hi.
07:32What can I get you?
07:32Menu?
07:33Coffee?
07:34Anything to drink.
07:36Louis Dulac, or Thomas Pitt, or he who licenses and franchises the night, was more feared than
07:43wanted now.
07:44And he could do his business wherever he wanted.
07:47And being in the same space with her was satisfying in a way the destruction of the vampire Bruce
07:53was not.
07:56He told himself he was in control.
08:00We all did that year.
08:02Best thing to do with our burger is let it cool till the grease is all soaked.
08:06Bread's all wet.
08:07I'm getting told.
08:09Well, chef gets all aggy when plates come back untouched.
08:23It's better.
08:25I know you know you shouldn't eat here.
08:28Regina!
08:29Bethnal Green?
08:31Hackney?
08:32Hits off!
08:32Hackney!
08:37Hamerton?
08:39What do you know about East?
08:41I got a place in Marlebone.
08:43Oh, exactly.
08:44Posh boy.
08:46Get Hackney off the tube map, did you?
08:48You ever even step foot in zone two?
08:52I think that's mine.
08:53Get mine till I give it to you.
08:58Burn your mouth, you eat it now.
09:00What's she doing in Brooklyn?
09:03You're here three times in five nights.
09:06Marley Bowen with your cashmere sweatsuit.
09:08You a student?
09:09I'm a waitress.
09:11My ass ain't on the menu, but it does cost a tip better.
09:13You can afford it.
09:14Oh, no, no, no, you got me wrong.
09:16I'm, uh, spoken for.
09:18Oh, you're gay.
09:20Gay, gay, gay.
09:21Burn my ass up, you're gay.
09:24You order burgers, you don't like burgers.
09:27You're a riddle, Thomas Pitt.
09:29Or just cheap rich.
09:37You know, it's like, essentially like a middle school cheer with the big crowd claps on the roll and put
09:41the back.
09:42Lyrics?
09:43Yeah, working on some.
09:45No.
09:46That's my boy.
09:47Just show up.
09:48Well, speak of the song.
09:50All right, uh, from the, from the verse?
09:52No, from the chorus.
09:53Go from the...
09:53It's weird.
09:54It's wild, man.
09:55One, two, three.
09:56Big bus!
09:58Drink a little cup.
10:00Big bus!
10:02You better watch out.
10:03Cause he is hungry and his name is last step.
10:07It'll rhyme better.
10:08I mean, it's all like gigs and gas and gear and sharing a shitter with Salamander, but, you know.
10:15Wait, really?
10:16You serious?
10:17Yes.
10:19Dude, yes.
10:20We like, la, la, la, la, la, BBGs and the chorus is literally like the one, seven, three, four, one,
10:25two, four, six, seven.
10:26Seventh is better than you can set it up on the verses with an A, maybe.
10:30Oh, I'll make you look for it, though.
10:30All the verses on an A with a turn around on G like they're flipping their ponytails before I be
10:35live.
10:35Stop it!
10:36Stop it, boss.
10:37We're talking the two of the majors. Why would I tell you that?
10:39Lover.
10:41Sony Warner.
10:43For money.
10:44Who?
10:45Fixed barrel, Relo pie, the Bethany's.
10:46Relo's tight.
10:48I like buffers.
10:49He's not the Bethany's.
10:51Show us your taste!
10:52Slip Slayer.
10:54Fucking hell, it's easy.
10:56Shit's on your dime.
10:57If vampires kill and Jesus saves, what does the vampire messiah owe the world?
11:04Ooh.
11:06Playful handbag and a lie told well.
11:08Where is Sophia?
11:09No idea.
11:10Do you miss her?
11:11I was making a play, but Cechstat jumped the line.
11:14He's been glum ever since you rolled the pony and Christine stuck him in that Chevy Malibu.
11:20Why don't you just use the mind gift?
11:23Telepathy takes energy, as you know.
11:25Dan and I save all nine for Worchester, Massachusetts.
11:29Worcester.
11:31Worcester.
11:32Worcester.
11:34Worcester.
11:35Worcester, Massachusetts.
11:37Ridiculous.
11:38Oh, look!
11:39She's getting her twat lasered by a McWan Bar Harbor.
11:42It's McMaw.
11:44McMack is the whole people.
11:46Oh, thank you for reading.
11:47Are you getting this?
11:49We're good.
11:50We're good.
11:51She's going to meet us in Albany.
11:52Sloppy thirds with the vampire Bourdain.
11:55Let's talk about your mother.
11:59My mother?
12:01Gabriela?
12:02Oh.
12:06Why let the past stay in the past?
12:09I welcome the dead.
12:11Cool.
12:12Let's see what failures we can pin on dear old mom.
12:15Not much left to tell, I'm afraid.
12:17She took like Nikki did.
12:19A great love.
12:21Not your first love.
12:25We left the theater to your maker and stole away by carriage.
12:29She stopped talking almost immediately.
12:31Once we're there, wherever there is, we are fallen French nobles.
12:37A lesser family, an obscure name, Cologne, Corsillon.
12:41Who escaped the guillotine by fleeing to the Dutch Republic.
12:47Which is known for...
12:49Very little.
12:50Well, we can go wherever we want.
12:54We can be whoever we want.
12:58Skittish letter carriers one night and bashing highwaymen the next.
13:03We forgot one thing.
13:06What is?
13:08The roof and the two coffins trapped to it.
13:11Oh, yeah.
13:13People will be curious.
13:16We can say we're undertakers.
13:18And then they will ask questions and we will risk exposure.
13:21We'll have to kill them.
13:26No, no, no, I know.
13:28We will say that is our dear departed Uncle Marius,
13:33who was born to death by our tart nephew, Armand.
13:40And what of the other coffins, madame?
13:43Hmm.
13:44Um.
13:45Then we will have to kill them.
13:48My mortal mother was vibrant.
13:50As a vampire, she was remote.
13:53She could not function.
13:55By function, you mean what?
13:58She would not hunt.
13:59I had to carry her to coffin.
14:02She used the last of her energies to write me a note.
14:05Leave me in a clearing.
14:07Leave me to the day.
14:09Always did what my mother asked.
14:10A mama's boy?
14:18Are you close to your mother, Fareed?
14:20She passed.
14:22Hmm.
14:23Were you there when she died?
14:24I was on a plane.
14:26On the way to see her.
14:28My sister told me when I landed her.
14:34And where were you when your daddy killed you on an airplane, Dan?
14:38On your way to see your daughters?
14:41Your Alice?
14:42Or just your book agent?
14:46Did you leave the best?
14:48Do I leave the best?
15:01Hey, singer, are you going to stop bitching now?
15:05You were missed.
15:06The piece of shit brothers are back.
15:08You are listening to The Failures, album 37, side A.
15:15Rosethor.
15:18Rosethor.
15:21Rosethor.
15:22Farron.
15:24This song is called.
15:26My sister's butchering.
15:28Come on, come on, come on.
15:30Greenwald.
15:33Greenwald.
15:47Hello, Daniel.
15:54It's me.
15:59Hi, dad.
16:03I can only imagine your anger.
16:05Stop!
16:08Turn around, walk in the opposite direction until you're halfway around the world.
16:12Once there, find a radioactive storage facility and as is your way, asshole your way inside
16:18and see if the workers will give you a couple of spent fuel rods to suck on.
16:22Do that for however long it takes until your eyes begin to cave in and your dick falls off.
16:26After that, lose my number.
16:28After that, fuck off.
16:35I have been enduring intense conversation with myself.
16:39And as part of this journey, I wish to read you something I have written from the deepest regions of
16:43my soul.
16:44Dear Daniel, of all things that walk the garden, it is you I have done the most harm to and
16:50it is to you I owe a man.
16:51Wait, wait, wait, wait.
16:52Are you doing the steps?
16:54Oh, my God.
16:56I know this is 52 years later.
16:57Wait a minute.
16:58What group would have you?
17:00I know this.
17:00What, the Pseudologia Pensioner fuckboys for sobriety?
17:03I know when we first met...
17:04Wait, wait, wait, wait, wait, wait.
17:05Stop, stop, stop, stop, stop, stop.
17:07I've done this myself once.
17:09Let me try.
17:10Hey, son.
17:11Dad here.
17:13Sorry about the deadbeat, no child support vibe I've been giving off for the past two years.
17:17Sorry about killing you on a private jet.
17:19I probably could have waited until you crossed the GW.
17:22But no, your vampire birth certificate resides in fucking Newark.
17:26Oh, oh, oh.
17:26Oh, and one more thing.
17:28You're not going to get any of my special vamp skills because my blood sucks.
17:32And, oh, by the way, I'm a friendless bottom twink sociopath.
17:36Sorry about Dubai.
17:38Sorry about San Francisco.
17:39And, hey, a big time sorry about every second in your life in between.
17:44The two divorces, the blackout years at Knight Ritter, the five trips to rehab, the year listening to fish.
17:53Yeah, that's all on me.
17:55But, hey, boy-o, you have to admit that it really does all boomerang around a Castro street and your
18:01weekend at Mengele's, doesn't it?
18:03I'm really sorry about that, Danny.
18:05It was my job to put you out of your misery.
18:08But, hey, when a bucket of Louisiana fried chicken walks into the room and says,
18:12stop, well, what can I say?
18:14I'm just a 500-year-old pussy.
18:18Oops.
18:20Pick up the tab, will you, pops?
18:32Done some Googling.
18:34You're like the 566th richest man in the world, according to Wealth Aggregator.
18:39Am I?
18:41Says Marley Bowen, all pussyfoot humble.
18:44How's your bank account, Zone 2?
18:45Put it like this.
18:47Ceiling tiles fell off the ceiling in my flat and, like, mice fell out.
18:50Lucky as mice, not rats.
18:53And wires fell dangling down in the living room, had to ductate the electronics to the wall.
18:57Had a few mod hopes for New York, but so far it's been, like, six flatmates and one toilet.
19:03And it's like, do I take my tampon out in front of the podcaster?
19:06Been with us since Tuesday.
19:08Meanwhile, man's living at the top of Domino Square and owns, like, naff Dracula hotels with coffin wallpaper.
19:14I got a mixed set of holdings.
19:17And I got a mixed set of punters, but you're the only one watching me like I'm Netflix.
19:24Oh, I mean, if I'm bothering you, I...
19:28Regina!
19:29It's just you, you've been helping me.
19:33Just, just being you.
19:35You caught me at a lonely hour, and, um, I don't want to put this on you.
19:42Sure you do.
19:43Right there.
19:44In your drawer.
19:45What is it?
19:47I remind you of your sis.
19:50We gotta do something about your mice problem.
19:53Let's talk about that.
19:54Or is it your year three teacher hanged herself at school and you found her with her legs all stiff?
19:59In a million guesses, you would not guess.
20:07You're asking?
20:09I'm asking.
20:19Regina!
20:21You know this book?
20:24Seen it, I think.
20:26Horror book.
20:27No.
20:28It's real.
20:33There's a girl in it.
20:37What happened to her?
20:46Sorry.
21:01Will we hear the church bells over their wine-drunk hearts echoing up the walls?
21:05How have you lost your monk's teachings, master?
21:09The bells are silent on Holy Saturday.
21:13Beneficent whipping and no soup served.
21:16The lesson did not hold, it seems.
21:19How many hearts do you hear in the dwelling?
21:28Thirty.
21:29Thirty-two.
21:38Thirty-two hearts and only twenty-seven baddies.
21:43There's a card game upstairs.
21:46Three more.
21:49And two in the cellar.
21:54In flagrant, I deleted.
21:59On Holy Saturday, no less.
22:07Did you come here as a girl?
22:09Never.
22:10Tossed by in my horse-brown cage,
22:13wrapped head to foot in black lace,
22:16veil over my eyes,
22:18Bible in my hands.
22:22Maria Soproces.
22:23Maria Soproces.
22:24Mi scusa, signora.
22:26Mm, sì.
22:27Lei è una fantasma.
22:29Mi ricordo una giovane donna molti anni fa.
22:33Hai il suo viso.
22:35Un tuo amore.
22:37No, no, no, no.
22:38Invece, sulla mia stazione.
22:41L'uotavamo tutti per uno scorcio di sei capelli biondi.
22:46Dov'è lei ora?
22:52Con Dio?
22:55Caminando per i poveri campi della Francia?
23:05Invece.
23:08Invece.
23:09No, no, no, no, no, no, no.
23:15Not a woman.
23:18What then?
23:21And a fever that comes in the night and kills by the morning.
23:31But Christ is thirsty.
23:34So, was he clutching Jesus while you sucked him off?
23:40I believe we left Plaster's savior in the corner facing the wall.
23:43It was Holy Saturday after all.
23:45Great.
23:46I think we decidedly sold on your sexual fluidity.
23:50Dan's still angry about a little trick I played at him the other night, Andrew.
23:54It is Andrew, right?
23:57Andrew Malikin, four body records.
23:59Well, I didn't trash a $50,000 car afterwards.
24:02Maybe you're still angry.
24:04It was a gift, Dan, from one vampire to another.
24:06It was not for our film.
24:09I don't need your gift.
24:12Missing the psycho drama of Dubai?
24:15Do you want me to play dumb like your maker and pretend you're two steps ahead of me?
24:21So what, this guy's like your sponsor?
24:23Not really using that word, you know?
24:26And I talked to him like every other night, and he's, this is going to sound like a can of
24:31corn.
24:31I like corn.
24:32He's like a god.
24:37Gods and record deals popping up like crazy right now.
24:40I don't think mine can float.
24:43All that shit I was carrying was putting onto other people, onto you.
24:49This guy erased it all, brother.
24:53So what's this god's name?
24:54None of that.
24:56That I gotta keep.
25:01The thought never crossed your mind, Dan?
25:05No.
25:05No.
25:08What was his reasoning again?
25:10Love?
25:11Amon could not read your mind because he was sitting two feet from Louie.
25:15You were 5,000 feet from Louie after you dropped him.
25:19That was love, right?
25:23Tell me, Andrew, why does the undead need Andrew?
25:27Cut, cut, cut.
25:28Okay, all right, cool.
25:29No bullshit.
25:30I didn't know you were alive three days ago.
25:33I haven't been alive for 265 years.
25:35I watched the video, did a deep dive on the band, the beautiful and well.
25:39Flew here to Albany playing longface, plastic fiend.
25:43I saw the show.
25:46It's impossible.
25:47I saw fans waiting outside the hotel.
25:49Impossible.
25:50I saw protestors outside the hotel.
26:19The person you are calling is unavailable.
26:22Please leave a message.
26:24Hello?
26:24It's I?
26:26I hope you're in a quiet yurt with a view of the cell phone tower you burned down.
26:31I gather you are not coming to Albany.
26:34It's feeling somewhat soapy and deliberate.
26:44Come on, ragazzo.
26:49Come on.
27:06I could hear you through the walls.
27:11And?
27:14And it annoyed me!
27:19And your annoyance carried you out of your room through the courtyard and into my room.
27:41When I killed the wolves and you tended my wounds,
27:55We were mother and son.
28:02And?
28:18I love you.
28:22I love you.
28:28I love you.
28:51Still the early riser.
28:53I see.
28:53You are listening to The Failures.
28:56Album 40, side B.
29:01How did you get in here?
29:04Where's my band?
29:06The Nomad Armand.
29:09With passport stamps from India, Venice, Paris, San Francisco, Dubai.
29:17He ended our tour in diminutive disguise, faded wallpaper, waiting for lights to dim, so it could peel off and
29:26suffocate you in the dark.
29:28What are you doing here, Armand?
29:29He would do more damage than the Queen ever did.
29:32I have been enduring intense conversation with myself, and as part of this journey, I wish to read you something
29:39I've written from the deepest regions of my soul.
29:41You have no soul.
29:43Can I just read it?
29:47When I first encountered you in Paris, your dynamic personality overwhelmed me.
29:53Naturally.
29:54Knowing your maker's temperament, I should have led with patience and with empathy.
29:58Instead, you used my lover as bait to draw me and my mother into your underground death orgy.
30:04Yes.
30:05I'm going to shower. Continue.
30:07Siri, shower playlist.
30:08When you helped me rebuild the Paris Coven with your visionary conceit of a vampire theater, whilst sharing your body
30:14and blood, I heartlessly assumed companionship, which was, upon reflection, wish-fulfilling delusion, rooted in childhood conflict.
30:27Your exit from Paris and beyond generous endowment you left us with was graceful and sensitive.
30:41Graceful and sensitive, and I shamefully blamed your mother.
30:46When I had the opportunity to speak truth to Louis concerning my involvement in the matinee production of trial-
30:53Not a production, an actual trial with definitive sentences of both.
30:57I retreated to cowardice and was dumbfounded by your silence in the ruined tower of your former maker.
31:04I walked the rest of the century on a carpet of eggshells, knowing at any moment you could reach out
31:09to Louis and make him the wiser.
31:12At first, I felt it was you torturing me.
31:15It was.
31:16Now I know it was richness of character.
31:18No.
31:20It was torture.
31:26I knew it would eat you alive, and tangentially make Louis miserable.
31:31And that is how I chose to spend the latter half of the 20th century.
31:38I'm having me a good time now.
31:40But I see you, and it suggests to me that time is over.
31:44Because you are a fuckcloud, Armand.
31:48It's your nature.
31:49Be who you are, but be it on the other side of the moon.
31:54Or kill yourself.
31:56Three paws.
31:59I'll leave the pages here.
32:03Fine.
32:07Oh, and...
32:08One more thing, let's stop.
32:11You want me to stop playing music?
32:13Yes.
32:14The vampires are listening to my songs.
32:16They believe that they can live as I do.
32:18They're making too many.
32:19The mortals won't allow it.
32:20The planet can't support it.
32:22Yes.
32:23I've got five more shows.
32:25I'm getting bored, as I do.
32:27You should come to one before it's over.
32:30I'm quite sexy.
33:00I'm here.
33:01I'm sorry.
33:02It won't happen anymore.
33:02It'll happen again.
33:03I know.
33:04It happens once a week, Regina.
33:06Stuck on the JMZ.
33:07Come on.
33:08Stop my bank.
33:12The train blows down between stops.
33:14I'll tell you my tips, sorry.
33:20Hi.
33:22You okay?
33:24You missed a couple shifts. I was worried.
33:26You're the one in the book.
33:29I can help you.
33:31I can explain.
33:32Yeah, Claudia. I look like her.
33:35Yeah.
33:38That's mental.
33:40I know.
33:42This is a lot. Like, a lot, a lot.
33:47I gotta switch to breakfast.
33:49I can't stay anyway.
33:51Because it's coming all morning?
33:53Mm-hmm.
33:56That's mental.
33:59I've been here since 1.30.
34:03I've been here since 1.30.
34:05I just wanted to know you were okay.
34:08I'm...
34:10For the service.
34:14Out the door?
34:16Out?
34:18Yeah.
34:19Get out!
34:27What's this, then?
34:29You can have a different life.
34:31I know I can. I don't need you for that.
34:32I looked you up online.
34:35You fool still can't...
34:37Found your OnlyFans.
34:38Criminal record. Credit card scams.
34:41Bouncing around Europe with stolen car in Amsterdam.
34:45I can help you.
34:46Fuck off.
34:46I can clean that for you.
34:47Oh, shh.
34:50I can pay off your debts.
34:51I can get you apart.
34:52But put on a yellow dress and sit in your lap.
34:54No, no. None of that.
34:55Get all of that.
34:56Here's the money.
34:57Get in my Escalade.
34:57Be my dead daughter.
35:06I've got enough shit in my life.
35:08I do not need more.
35:10Are there any readers in the audience to me?
35:15Have you come across this 2023 bodice ripper?
35:20Dubbed an irritating hoax bound for flash-in-the-pants status by Vanity Fair
35:25and a thong-busting, steamy beach reed for the cocklet-sucking fire island set by ALK Magazine?
35:37Well, we are the tribute band spawned by that literary mountain top.
35:52And I am actually the toxic bitch anxiously attached show pony with a personality disorder godless dog.
36:08And a vampire truth is out there.
36:13Stands of IWTV, we have a very special guest in the audience tonight.
36:19Please follow my finger to the French Bengali smoke show.
36:28Can we get a torch?
36:30The maître of Paris.
36:33Look deep into his uwu japan-o-me eyes as he mind cocks you up a cliff.
36:38The shapeshifter.
36:39The sofisticur.
36:41The vampire.
36:43The vampire.
36:43Armand!
36:48Ah, despite what you've been sold, we are friends, he and I.
36:58He did a brave thing for me once.
37:01And I have grown to respect Armand and his staunch defense of the five great laws.
37:09No vampire shall ever reveal the gift of her true nature and let that girl live!
37:15Armand told that to you!
37:19We wrote a song for you.
37:24And it's the first time we are playing it live.
37:32Hey big boss, I'm the Champs Elysees.
37:36Oh no, are you having a bad, bad day?
37:39Hey big boss with the sap-sashé.
37:42Are you mad or do you always look that way?
37:45I know you like this cool to make God's nails.
37:48Either beggar for ghoul, or a ragdoll for sale.
37:52I know that life is cool, but you should get your face dead.
37:55You got a lot of rules for the theater kid.
37:58That's the one.
37:59Only the big boss gets to have fun.
38:02If you're a boo-boo then he doesn't want you.
38:05Oh don't you dare write down his history.
38:08If you know him then you won't know much more.
38:11Only the big boss gets to decide who dies and who stays alive.
38:18Big boss, got a big big head.
38:21Big boss, who's to get you in bed?
38:25Big boss, it's your turn in my life.
38:28This kiss is lonely, can I come alive?
38:31Big boss, in your shadows tonight.
38:34Big boss, who's in love's dreams?
38:36All around the ground.
38:38Big boss, it's your turn in my mind now.
38:40You ask me what's the clear as you come-s-you come-sound.
38:43Oh, oh, oh, oh, oh.
38:47Oh, oh, oh, oh, oh, oh, oh.
39:16stop it
39:19stop it
39:20what
39:21you know what
39:24everyone gone
39:25you're here but you can't see them
39:28yes
39:29stop it
39:30i cannot
39:32it happens to me too
39:33it's happening right now
39:35bullshit get out of my head
39:36i am your maker i cannot get into your head any longer
39:41what is that
39:42what is this
39:45our vampire bond
39:46i think
39:49that's fucked
39:51yes it is
39:54why are you here
39:59you are caught in great danger
40:01with the start
40:03he's just an asshole
40:04there are nearly enough of us now
40:06each a body a night
40:08each turning one a week
40:10more deaths than births
40:12the great conversion
40:16is happening
40:17daniel
40:19and he's going to lead it and get us all killed
40:23was dubai bullshit
40:26what
40:26me breaking you down
40:28you knew everything the whole time
40:30didn't you
40:32it was just theater
40:33it was just theater
40:36no
40:39i swear
40:42it was love
40:44i'm a vamp
40:45i'm a vamp now
40:45loving louis
40:47doesn't shut it off
40:51it wasn't my love for louis
40:53daniel
40:56but it was love
41:03so when she's not here and he's not here
41:07am i third in the queue
41:08did i beat antoinette
41:15she only gave you a finger
41:19hello gabbs
41:20it's me
41:21i just wanted you to hear this
41:23that's the sound of a thousand
41:26loud
41:26moaning
41:28sobbing
41:29nipple hardening
41:30brick popping
41:31white fire
41:33worship
41:34and i left the stage 12 minutes ago
41:38thanks for the poppin
41:40i'll see you next century
41:42actually
41:42fuck you
41:44let's skip it
41:45cabbage cabbage cabbage
41:50dd and joey sang
41:52touring was never boring
41:54perry sean and kane
41:57took the midnight train
41:58the wheels on the start go
42:07me me me
42:08me me me
42:10me me me
42:12me me
42:13the wheels on the start go
42:16me me me
42:18oh
42:20come to me
42:22hey friend
42:28he can't die like this
42:29he's a vampire
42:30wake up people
42:31they're everywhere
42:32they're everywhere
42:33they're all around us
42:34wake up
43:16keep it you should really like that lamp now
43:22Keepers not feeling well thrown back a single decade. We're living mortal lives the cabbage years and then
43:33The devil's road
43:36prowling feeding
43:38Sharing a coffin, but we're in 50 years
43:42We're in 100 some far flung city
43:46everyone traveling by balloon, maybe
43:49It's an endless garden you put are among schools on stage and that was something I guess but it wasn't
43:57evil
43:59What that is
44:02Gun plays hell, but not in the mouths of priests out in the world beeping in the streets
44:11An evil that answers goodness
44:17So do we do it?
44:19Shall we scorch the mortal world?
44:22Decimated
44:25Brothers impaling brothers
44:27Mothers throttling their babes all
44:31Riding on the ground
44:34Till no light remains
44:36No, hope of light and we the devil's rule
44:42Together
44:44As dark monarchs
44:48Into twain
44:50For our turn
45:02Dinner
45:03For our turn
45:06For our turn
45:08Marcy
45:11To the
45:11Horses
45:12To the
45:22To the
46:00Are you in the neighborhood?
46:02No.
46:05Can't stay away?
46:07Yeah.
46:11Chef's pushing chicken bomb.
46:13Okay.
46:18Got loud with you last time.
46:21No, it's my fault.
46:25$1,000.
46:28That's a bus fare for you.
46:29What's not a bus fare?
46:33$100,000.
46:36Five times that.
46:49What now, Daddy Lou?
46:52Vampires do not live symbiotically with humanity.
46:55They do not share in the daily struggle of human life.
46:58Instead, they feed, siphoning away our vitality in order to extend their own unnatural existence.
47:05But if we are their fuel, are we not also their strength?
47:08My older brother tried to teach me with his fears.
47:17I never learned that lesson.
47:22I gave up on confession.
47:25By a candlelight you used to teach me how to kill.
47:34I thought we made it out and I know you had to touch it.
47:42Why won't you let me pull me flowers like I used to cheer you up, like I used to cheer
47:53you up.
47:54Like I used to cheer you up, like I used to cheer you up, like I used to cheer you
48:04up.
48:16I used to cheer you up, like I used to cheer for you, like I used to cheer you up,
48:18I used to cheer you up, like I used to cheer you up, like I used to cheer you up."
48:23That's why he called me.
48:24There's one ...
48:24I don't know.
49:01I don't know.
49:24Heading home to Montreal?
49:26Sink the bus in the St. Lawrence where the whales can make love to it while I take up crafting
49:31or coding or whatever will sail me through the coming robot apocalypse.
49:36Did Armand break down and weep over your biting this track?
49:40Did your assassin misspell your name in his manifesto?
49:44I left my way in Philadelphia. Free my driver, go away.
49:48You quit?
49:49Everyone quit. Mass shootings can be quite persuasive, cabs.
49:55What about your fans?
49:57They have their clips and tattoos and something new and triggering around the corner to serve their unwelsomeness, I'm sure.
50:03I am not talking about them.
50:04It's over!
50:06You abandoned me!
50:08For a week!
50:09For nine days!
50:10And it did not feel like nine days!
50:12Grow up!
50:15Where were you?
50:18And don't say you were dipping a toe in the Rio Pasqua!
50:35I was with the voices.
50:42What voices?
50:47Let's have a listen.
50:49Let's have a listen.
50:59Why do you come back?
51:01Why won't you let me hate you?
51:03Shh.
51:14You've been hearing them.
51:17Yes.
51:20You've been reaching them.
51:22Yes.
51:23And I want not to reach them.
51:25They are lost.
51:26And angry.
51:28And tired of enduring.
51:30Your music speaks to them.
51:32They long for communion.
51:35I sing songs, mother.
51:38Eight wolves.
51:50And you'll get no argument here if you were to interrupt and say, Lestat, an excellent time to end it.
51:58What words did she conjure up to turn me in that bus back around, you ask?
52:05I'll never do them justice.
52:06Instead, let me paraphrase a more eminent vampire caught in a similar situation.
52:11It is difficult to explain how her words disarmed me, how efficiently succinct and impenetrable her argument was.
52:30You had to be there, I guess.
52:33I need a mean, mean mama, need a ravenous queen.
52:36Give me that long dog dance that feed the future machine.
52:52Listen to tracks from the Vampire Lestat wherever you stream music.
52:57One, two, three, four!
52:59Are we ready?
52:59Are we ready?
53:00Are we ready?
53:00Are we ready?
53:01Are we ready?
53:01Oh, lie, lie, your skin's on fire.
53:04How can I love you if you don't understand?
53:08Come.
53:08A monster that you were destroyed.
53:11I missed you, brother.
53:13I missed you too, sis.
53:14Again.
53:15Mom!
53:16It was starting Sophia.
53:18I knew her as Gabriela.
53:20Why did you leave me?
53:22I'm the big bad wolf!
53:47I bit the head of a snake, got a venom heart.
53:50Give me that antidote before it turns me apart.
53:55Yeah!
53:55I knew her as Gabriela.
53:57I knew her as Gabriela.
53:57I knew her as Gabriela.
53:57I knew her as Gabriela.
53:57I knew her as Gabriela.
53:57I knew her as Gabriela.
53:57I knew her as Gabriela.
53:57I knew her as Gabriela.
53:57I knew her as Gabriela.
53:57I knew her as Gabriela.
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