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The Blackmailed Bride: Falling in Love With a Criminal Boss - Full
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00:00:00I once read that the most dangerous thing a woman can do is save a man's life.
00:00:04I didn't believe it.
00:00:06I was 22, idealistic, and three semesters short of a nursing degree.
00:00:11When I found a man bleeding out in an alley behind a fast food restaurant,
00:00:14I didn't think about danger.
00:00:16I just pressed my hands to the wound.
00:00:18I didn't know his name.
00:00:19I didn't know that the blood soaking through my uniform
00:00:22belonged to the most feared cartel boss on the East Coast.
00:00:25I didn't know that behind those dark half-conscious eyes
00:00:28was a man who would remember everything I did.
00:00:30Every word, every touch, every desperate instruction I gave him in the dark.
00:00:34I didn't know he would come back for me.
00:00:37Three months later, a man named Emilio Reyes walked into my life
00:00:40and told me I had inherited a fortune from my late aunt on one condition.
00:00:44Marriage. To him. Immediately.
00:00:47No. I said no.
00:00:49He smiled like I hadn't spoken at all.
00:00:52This is the story of how I married a criminal.
00:00:55How I hated him, feared him,
00:00:57and somewhere in the middle of all the lies he built our life on
00:01:00fell desperately, irreversibly in love with him.
00:01:03I want to tell you I fought it.
00:01:05I want to tell you I was smarter than this.
00:01:07But the truth is,
00:01:08the moment I pressed my hands to his chest in that alley,
00:01:12I was already his.
00:01:13I just didn't know it yet.
00:01:15The alley behind the shop smells like grease and rain.
00:01:19I take the trash out at midnight
00:01:22because Miguel never does
00:01:24and I'm too tired to fight about it.
00:01:30That's when I hear it.
00:01:31A shuffle.
00:01:33A grunt.
00:01:34The unmistakable sound of someone about to do something terrible.
00:01:38I peek my head out.
00:01:40First mistake of the night.
00:01:44Hello?
00:01:48Two men immediately pin me against the wall.
00:01:51I open my mouth to scream.
00:01:52Someone beats me to it.
00:01:54He steps out of the dark like he owns it.
00:01:56Tall, jaw tight.
00:01:58One hand pressed to his ribs.
00:02:00He's bleeding.
00:02:01I can see it soaking through his shirt
00:02:03in a dark, spreading stain.
00:02:06He shouldn't be standing.
00:02:07Standing anyway.
00:02:08Let her go.
00:02:11The men charge.
00:02:13He moves.
00:02:14Fast.
00:02:15Precise.
00:02:16Brutal.
00:02:17And it's over in seconds.
00:02:19One man clutches his arm, screaming.
00:02:22The other is already gone.
00:02:26And then the stranger folds like paper.
00:02:29Thing the wet pavement before I can catch him.
00:02:33I drag him inside.
00:02:35I don't know why.
00:02:40I'm a nursing school dropout.
00:02:42With shaking hands.
00:02:44And no business saving anyone.
00:02:46But I press gauze to his chest.
00:02:49And count his breaths.
00:02:51And tell him to stay with me.
00:02:53And somewhere between one breath and the next,
00:02:56I start to believe he might actually listen.
00:02:58He opens his eyes.
00:02:59Grabs my wrist hard enough to bruise.
00:03:02No one has ever seen me like this.
00:03:06You're dead.
00:03:07Stop moving or you'll bleed more.
00:03:09He lets go.
00:03:12He passes out.
00:03:14I keep working.
00:03:15By the time I come back with antibiotics,
00:03:18he's gone.
00:03:19The room is empty except for the bloody gones.
00:03:23And the faint smell of something expensive,
00:03:25cologne, maybe, or power.
00:03:31I stand in the doorway and feel something I can't name
00:03:34settle into my chest.
00:03:39Hope you make it, stranger.
00:03:45The days pass.
00:03:47My life goes on.
00:03:50The midnight shifts blur into each other.
00:03:52And I almost convinced myself the whole thing
00:03:55was a fever dream.
00:03:57The blood.
00:03:58The alley.
00:04:00The man who threatened to kill me while I was saving his life.
00:04:04Almost.
00:04:06It isn't until three months later
00:04:09that I understand the mistake I made that night.
00:04:12It wasn't peeking my head out into that alley.
00:04:15It was pulling the stranger back from the edge.
00:04:18I'm wiping down the counter
00:04:20when his face fills the TV screen above the register.
00:04:25Emilio Reyes.
00:04:26East Coast Cartel King.
00:04:29Dangerous.
00:04:30Untouchable.
00:04:32The customers are whispering.
00:04:34The word monster drifts past my ear like smoke.
00:04:38I stare at the screen
00:04:40and the memory hits me like a cold wave.
00:04:43His hand locked around my wrist.
00:04:45Even through the blood loss.
00:04:49No one has ever seen me like this.
00:04:53You're dead.
00:04:56Shit.
00:04:57I set down the tray.
00:04:59I turn for the door.
00:05:01A black bag drops over my head.
00:05:03The last thing I hear before the world goes dark.
00:05:06You're coming with us.
00:05:14They take the bag off in a room
00:05:15that costs more than my entire life.
00:05:18He's standing by the window with his back to me
00:05:20and even from behind I can feel the weight of him.
00:05:23The absolute, unharried certainty
00:05:26of a man who has never once been told no.
00:05:29He turns around slowly
00:05:30like he has all the time in the world.
00:05:34Like I'm not hyperventilating
00:05:36in the middle of his Persian rug.
00:05:37He looks at me the way you look
00:05:39at something you already own.
00:05:41Hello, wife.
00:05:42Wife?
00:05:43He pulls out a file
00:05:45and slides it across the desk.
00:05:48Leticia Verito,
00:05:49my aunt,
00:05:50who I barely knew,
00:05:51who apparently knew him very well.
00:05:53She raised him.
00:05:54He called her family.
00:05:55And when she died,
00:05:57she left everything to me.
00:05:59One million dollars.
00:06:02I stare at the number
00:06:03until the zeros blur.
00:06:06You're handing out
00:06:07one million dollars to me?
00:06:08Just like this?
00:06:10Of course not.
00:06:12Your inheritance
00:06:13comes with a condition.
00:06:14Marry me for one year.
00:06:16Part of me wants to laugh.
00:06:17The part that's been eating ramen
00:06:19for six months.
00:06:20Drowning in debt.
00:06:22Too proud to ask for help.
00:06:23One million dollars.
00:06:25I could breathe again.
00:06:26I could actually breathe.
00:06:28But then,
00:06:29the other part of me
00:06:30keeps up.
00:06:31The part that recognizes
00:06:32his face
00:06:33from every news broadcast.
00:06:35Every whispered warning.
00:06:36Every story
00:06:37that ends badly.
00:06:39Marry a mafia king
00:06:40with a promise
00:06:41of one million dollars?
00:06:42Is this Wap Mac novel
00:06:43really happening to me?
00:06:44Me?
00:06:45I set down the file.
00:06:47What do you get out of this?
00:06:50I...
00:06:50I'm a nobody.
00:06:51He steps closer.
00:06:53Close enough
00:06:53that I have to tilt my head back
00:06:55to hold his gaze.
00:06:56And I hate that I do it.
00:06:59You're not a nobody.
00:07:02Don't ever say that again.
00:07:06He says it quietly.
00:07:08Too quietly.
00:07:09Too gently.
00:07:10Like he means it.
00:07:12Like he's been thinking about it
00:07:14when the words land
00:07:15somewhere soft
00:07:16and unprotected
00:07:17before I can get my guard back up.
00:07:21I don't know what to do with them.
00:07:23So I look away
00:07:24down at the floor
00:07:25and that's when I see it.
00:07:27A dark stain in the carpet.
00:07:29Old and brown at the edges.
00:07:31Blood.
00:07:32Someone's blood.
00:07:33Soaked into the fibers
00:07:34and never fully cleaned away.
00:07:36The word yes
00:07:36dies in my throat.
00:07:38No.
00:07:41Then you just made
00:07:42your first mistake
00:07:42as my future wife.
00:07:48His hand moves
00:07:49toward his hip.
00:07:50My survival instincts
00:07:52shoot up.
00:07:54Wait.
00:07:55I...
00:07:56I didn't mean no.
00:07:57I just...
00:07:58I need time.
00:07:59To think.
00:08:01I'm allowed to think, right?
00:08:03A beat.
00:08:04His hand stills.
00:08:05Of course.
00:08:07I try the door.
00:08:10Locked.
00:08:11Of course it's locked.
00:08:14My heart hammers
00:08:15against my ribs
00:08:16as his footsteps
00:08:16cross the room behind me.
00:08:18Quiet.
00:08:19Unhurried.
00:08:20Inevitable.
00:08:21His hand covers mine
00:08:23on the knob.
00:08:24His mouth is close enough
00:08:25to my ear
00:08:25that I feel the warmth
00:08:26of his breath.
00:08:27And every rational thought
00:08:28I have dissolves.
00:08:30I'm a king, Mia.
00:08:32Don't even think about running.
00:08:36I'll see you at the altar.
00:08:38He twists the knob.
00:08:39The door swings open.
00:08:40I don't walk out.
00:08:41I flee.
00:08:43I nearly collide
00:08:44with a man in the hallway.
00:08:46Younger than Emilio.
00:08:47Easier to read.
00:08:48With a smile
00:08:49that doesn't reach his eyes.
00:08:50He watches me scramble past
00:08:52and says nothing.
00:08:53Behind me,
00:08:54I hear him say something
00:08:55to Emilio
00:08:56in a low voice.
00:08:57I don't stop to listen.
00:08:58Back in my apartment,
00:09:00Serena screams at me
00:09:01through the phone
00:09:01for ten solid minutes.
00:09:03I hold it away from my ear
00:09:04and stare at the ceiling.
00:09:05You should have left him
00:09:07bleeding in that alley!
00:09:08I know.
00:09:09He's a monster!
00:09:11My food's here.
00:09:11Talk later.
00:09:15I open the door
00:09:16expecting delivery.
00:09:18A gun barrel,
00:09:19cold metal,
00:09:21pointed at my face.
00:09:22Behind it,
00:09:23a man I've never seen before,
00:09:26silver-haired
00:09:26and soft-voiced,
00:09:28with the calm of someone
00:09:29who has done terrible things
00:09:30for a very long time.
00:09:32and at his feet,
00:09:33crumbled,
00:09:34bleeding,
00:09:35reaching for my ankle,
00:09:36a boy I've never met,
00:09:38but somehow,
00:09:39recognizing the shape
00:09:40of his jaw,
00:09:41the curve of his nose,
00:09:43the stranger smiles.
00:09:46Mia Espinosa,
00:09:49we need to talk.
00:09:53His name is Franco Palacio.
00:09:55I am Franco.
00:09:56He says it like a title,
00:09:58like something I should
00:09:59already know and fear.
00:10:00He says it while
00:10:01one of his men
00:10:02pins my arms behind me,
00:10:04and another kicks the boy
00:10:05hard enough to crack ribs.
00:10:08Tomas,
00:10:09your cousin,
00:10:11Leticia's only son.
00:10:12I didn't even know
00:10:13I had a cousin.
00:10:16I'm Emilio Reyes'
00:10:18worst nightmare.
00:10:19I don't know, Emilio.
00:10:22That's a lie.
00:10:23Of course I lied.
00:10:24I would say
00:10:25anything to get out of this.
00:10:29This gangster war
00:10:30I've somehow wandered into,
00:10:32dragging a cousin
00:10:33I've never met
00:10:33along with me.
00:10:35Maybe I really shouldn't
00:10:36have saved Emilio
00:10:37that night.
00:10:42He ignores me
00:10:43and crouches beside Tomas,
00:10:45dragging a knife
00:10:45down his cheek
00:10:46so slowly,
00:10:47so precisely,
00:10:49that the line of red
00:10:50it draws
00:10:51looks almost surgical.
00:10:53Tomas makes a sound
00:10:54I'll hear in my sleep
00:10:55for years.
00:10:56You're gonna marry
00:10:56Emilio Reyes.
00:10:58You're gonna give him
00:10:59an heir.
00:11:03And that child
00:11:04will be born
00:11:05under my command.
00:11:08What?
00:11:09A wife.
00:11:10A baby.
00:11:12That's all it takes
00:11:13to ruin a man like him.
00:11:16You're gonna be
00:11:17my weapon, sweetheart.
00:11:19He stands,
00:11:20moves back to Tomas,
00:11:22and presses the flat
00:11:23of the blade
00:11:23against his eyelid.
00:11:25One month.
00:11:26Get pregnant.
00:11:31Or your cousin
00:11:32loses more than an eye.
00:11:34I can't breathe.
00:11:36I can't think.
00:11:37The room has shrunk
00:11:38to the size of that knife.
00:11:39That eye.
00:11:40That terrible,
00:11:41soft sound Tomas
00:11:42makes when the blade
00:11:43presses harder.
00:11:45Stop.
00:11:46Left eye?
00:11:48Or right?
00:11:50Stop!
00:11:51I'll do it!
00:11:52The blade lifts.
00:11:53Franco smiles
00:11:54like I've given him
00:11:55a gift.
00:11:56Then the front door
00:11:57sweeney splinters
00:11:58off its hinges.
00:12:02Emilio doesn't come in
00:12:03like a rescue.
00:12:04He comes in like weather.
00:12:06Sudden, total,
00:12:07impossible to argue with.
00:12:09His men fan out
00:12:10behind him.
00:12:12Franco's men scatter.
00:12:14And then it's just
00:12:15the two of us.
00:12:16And Tomas is gone.
00:12:17Dragged out in the chaos.
00:12:19And I'm on the floor
00:12:21and I'm on the floor
00:12:22with my knees
00:12:23pulled to my chest
00:12:25and my whole body
00:12:26shaking so hard
00:12:27my teeth click together.
00:12:29I don't hear him
00:12:29cross the room.
00:12:30I just feel the air change.
00:12:33Mia.
00:12:33His voice is different.
00:12:35Softer than I've heard it.
00:12:36I look up
00:12:37and something in his face
00:12:39does thing I don't expect.
00:12:41It cracks.
00:12:42Just at the edges.
00:12:44Just for a second.
00:12:45I don't decide to move.
00:12:47I just do it.
00:12:48I throw myself at him.
00:12:52And his arms close around me
00:12:54before I can second guess it.
00:12:56And I press my face
00:12:58into his chest
00:12:59and cry in a way
00:13:00I haven't cried
00:13:01since I was a little girl.
00:13:04Ugly and desperate
00:13:05and completely undignified.
00:13:08He holds me like he means it.
00:13:11He doesn't speak.
00:13:13Doesn't ask questions.
00:13:15Just keeps one hand
00:13:17on the back of my head
00:13:18and breathes slowly
00:13:19steadily
00:13:20like he's trying
00:13:22to teach me how
00:13:23and gradually
00:13:24my shaking slows.
00:13:25When I finally pull back
00:13:26his expression
00:13:27has closed again.
00:13:29But his eyes haven't.
00:13:31You're my woman, Mia.
00:13:34Your tears belong to me.
00:13:36I should have a response to that.
00:13:38I don't.
00:13:39I just look at him
00:13:40and feel the words settle
00:13:42somewhere deep
00:13:43and permanent
00:13:45like a key
00:13:46turning in a lock
00:13:47I didn't know I had.
00:13:48He wipes my face
00:13:50with his thumb
00:13:51gentle, careful
00:13:52like I'm something
00:13:53worth being careful with.
00:13:56I'm not your woman.
00:13:58I haven't agreed
00:13:59to anything yet.
00:14:01I know.
00:14:03We should talk.
00:14:04He says it quietly.
00:14:06He doesn't push.
00:14:07He just looks at me
00:14:08like he's already decided
00:14:09and he's willing to wait.
00:14:11That might be the most
00:14:12frightening thing he's done yet.
00:14:15The next morning
00:14:16we sit on opposite sides
00:14:18of a conference table
00:14:19with a contract between us
00:14:21sick enough to stop a bullet.
00:14:23Our marriage contract.
00:14:26Read it.
00:14:29Terms and conditions.
00:14:32We'll discuss today.
00:14:38I keep my spine straight
00:14:39as I flip through the pages.
00:14:41I try very hard
00:14:43to absorb what I'm about
00:14:44to sign my life onto.
00:14:46But not a single word
00:14:48makes it to my brain.
00:14:52Instead,
00:14:53Franco's voice echoes
00:14:54like a curse on a loop.
00:14:56Marry Emilio.
00:14:58Baby.
00:14:59One month.
00:15:03My weapon.
00:15:05To save a cousin
00:15:06I barely know
00:15:07in a gangster war
00:15:08I never asked to be part of?
00:15:09I'm going to lie
00:15:10to a cartel king
00:15:11sitting right across from me
00:15:13expecting a real marriage.
00:15:16Of course I'll sign
00:15:17this contract.
00:15:18But it's not my choice.
00:15:20It was never my choice.
00:15:22I am completely,
00:15:23utterly out of control
00:15:25of this situation
00:15:25and I have to pretend
00:15:27otherwise.
00:15:28Perfectly.
00:15:29Or Tomas pays for it.
00:15:31Everything okay?
00:15:34I startle.
00:15:36He's watching me.
00:15:38Of course he's watching me.
00:15:40Men like him
00:15:41watch everything.
00:15:45I need to smooth this over.
00:15:47For my cousin.
00:15:49The contract doesn't mention
00:15:51sleeping arrangements.
00:15:53He goes very still.
00:15:56Sleeping arrangements.
00:16:00We'd be married.
00:16:04It would be natural
00:16:06that we...
00:16:07The chair scrapes back.
00:16:09He's in front of me
00:16:10in two steps.
00:16:11Leaning over the table
00:16:13with both hands
00:16:14planted on either side
00:16:16of the contract.
00:16:17Close enough
00:16:17that I can smell his cologne
00:16:18and feel the warmth
00:16:19and feel the warmth
00:16:20radiating off his skin.
00:16:22It's natural we fuck.
00:16:25My breath stops.
00:16:30Do you want me to fuck you?
00:16:34There is no good answer
00:16:35to that question.
00:16:41There is only the truth.
00:16:43Yes.
00:16:43Yes.
00:16:44Obviously.
00:16:45Embarrassingly.
00:16:47Inconveniently yes.
00:16:48And the reason behind it
00:16:50which I can never tell him.
00:16:55That's what husbands
00:16:56and wives do.
00:16:58We're not real
00:16:59husband and wife.
00:17:00This is a contract.
00:17:05You're attractive
00:17:06and rich.
00:17:08Any woman would want you.
00:17:13He tilts his head.
00:17:15Something dangerous
00:17:16flickering in his eyes.
00:17:18You think I'm attractive?
00:17:22Yes.
00:17:24Are you lying to me?
00:17:29No.
00:17:30I'm not lying.
00:17:32That's the problem.
00:17:34I'm not lying at all
00:17:36and he can see it
00:17:37and the slow curve
00:17:39of his mouth
00:17:39tells me he's been able
00:17:40to see it this whole time.
00:17:43He lifts me
00:17:44onto the table
00:17:45in one motion.
00:17:46I gasp.
00:17:48Not in fear
00:17:49which would make sense
00:17:51in something that runs
00:17:52hotter than fear.
00:17:53He nudges my knees apart.
00:17:55Not roughly
00:17:56just firmly
00:17:58with the uncurried confidence
00:17:59of a man
00:18:00who already knows the answer.
00:18:05You can lie with words
00:18:07not with your body.
00:18:09His hand slides up
00:18:10my inner thigh.
00:18:15Tell me you want me.
00:18:17Tell me it's not just
00:18:18the contract.
00:18:19And God help me,
00:18:20I do.
00:18:27She's sitting on my conference table
00:18:29with her knees apart
00:18:31and her eyes blown wide
00:18:33and I have never wanted
00:18:35to ruin someone
00:18:36so completely in my life.
00:18:40I pull my hand back slowly
00:18:42letting her watch her own wetness
00:18:44dripping on my fingers.
00:18:47Her breath stutters.
00:18:50Is this for me?
00:18:55Do I get you this wet
00:18:56just by talking to you?
00:19:02Yes.
00:19:03Her voice comes out
00:19:03wrecked
00:19:04and small
00:19:05and honest
00:19:07and it pulls me back
00:19:08from the edge
00:19:09of something
00:19:09I can't afford.
00:19:12That voice.
00:19:13That lying,
00:19:15beautiful voice.
00:19:16I know something happened
00:19:18between her
00:19:18and Franco.
00:19:19I've known since the moment
00:19:20I walked into her apartment
00:19:22and found her on the floor
00:19:23because I wasn't there
00:19:24to rescue her.
00:19:25I was there to make her talk.
00:19:29Franco's men
00:19:30were already scattering
00:19:31when I kicked the door in.
00:19:32I had my gun up,
00:19:34finger on the trigger,
00:19:36Franco in my sights
00:19:37and then I saw her.
00:19:40I curled on the floor
00:19:41and I was shaking.
00:19:43Small in a way
00:19:44that hit me somewhere
00:19:45I don't let things hit me.
00:19:46I lowered the gun.
00:19:48I crossed the room
00:19:51and the second
00:19:52she threw herself
00:19:53against my chest
00:19:55I let out a breath
00:19:57I hadn't known
00:19:57I was holding.
00:20:01The will I showed her
00:20:03I fabricated it.
00:20:05My nanny, Letricia
00:20:06was a kind woman
00:20:08not a wealthy one.
00:20:11She didn't leave
00:20:12a million dollars.
00:20:13I forged every page.
00:20:16I needed a reason
00:20:17to keep Mia close.
00:20:20Somewhere I could watch her
00:20:23pull the truth
00:20:24out of her slowly.
00:20:25But that day
00:20:26with her crying
00:20:28in my arms
00:20:29I stopped caring
00:20:30about the plan.
00:20:32I decided I had
00:20:33to have her.
00:20:35One way or another
00:20:36I never expected
00:20:37the other way
00:20:38to involve this many lies.
00:20:40I hate lies.
00:20:45Mia
00:20:47You have no idea
00:20:48I'm going to torture
00:20:49the truth out of you.
00:20:51I shove my hand
00:20:52back between her legs
00:20:54fingers flying
00:20:55to my shoulders.
00:20:59Tell me to stop
00:21:00if you don't want this.
00:21:05She doesn't stop me.
00:21:07Good.
00:21:08I push her panties aside
00:21:09and press one finger
00:21:11inside her.
00:21:11She moans
00:21:12hips rolling forward
00:21:13instinctively.
00:21:17Hands gripping my shoulders
00:21:18like she needs
00:21:19something to hold on to.
00:21:23Emilio?
00:21:24God.
00:21:25My name in her mouth
00:21:27like that.
00:21:30I add a second finger
00:21:31and move faster
00:21:32watching her come undone
00:21:35and I am aching
00:21:36with how much
00:21:37I want her.
00:21:39But I have a mission.
00:21:40I need her confession.
00:21:42If I handed you
00:21:44the inheritance right now
00:21:45no strings
00:21:46no cracks
00:21:47would you still want me?
00:21:48No.
00:21:49Answer me!
00:21:52Yes!
00:21:53More lies.
00:21:55Oh you little liar.
00:21:56You have no idea
00:21:58what you just walked into.
00:22:02He stops.
00:22:03The absence of his touch
00:22:04is so sudden
00:22:05it punches the air
00:22:05out of me.
00:22:06I look at him
00:22:07chest heaving
00:22:08completely undone
00:22:09and his face
00:22:10has already closed
00:22:11composed
00:22:11cool
00:22:12like none of it happened.
00:22:17You're hiding
00:22:17something from me.
00:22:19Bad girls
00:22:19don't get to come.
00:22:21Sign the contract.
00:22:22Diego will help you
00:22:23move in tomorrow.
00:22:24I sit on the edge
00:22:25of the conference table
00:22:25with his handkerchief
00:22:26in my hands
00:22:27and the ghost
00:22:28of his touch
00:22:28still burning
00:22:29under my skin
00:22:31and I stare
00:22:31at the closed door
00:22:32and try to remember
00:22:34who I am
00:22:34and why I'm here.
00:22:36Stay focused Mia.
00:22:37Toas.
00:22:38One month.
00:22:39That's all that matters.
00:22:41His mansion
00:22:41is the size
00:22:42of my entire neighborhood.
00:22:43I drag my suitcase
00:22:44through the front door
00:22:45and try not to look
00:22:45like I've never seen
00:22:46marble floors before.
00:22:47The staff lines up
00:22:48to greet me.
00:22:49I shake everyone's hand
00:22:49and smile
00:22:50until my face hurts
00:22:51and somewhere
00:22:51in the middle of it
00:22:52Emilio appears
00:22:53from the hallway
00:22:53and I make the mistake
00:22:54of asking if I'll be
00:22:55staying in his room.
00:22:56We don't sleep
00:22:56in the same room.
00:23:00He gives me a guest room
00:23:01with a bed too big
00:23:02for one person
00:23:03and curtains
00:23:03the color of champagne.
00:23:04He drops a ring box
00:23:05into my palm
00:23:06without ceremony
00:23:07or eye contact.
00:23:07Wear it in public.
00:23:09It fits perfectly.
00:23:11I don't know why
00:23:11that makes my chest ache.
00:23:13Why are you so cold today?
00:23:14I thought we...
00:23:14Do you know what I do
00:23:15to people who betray me?
00:23:16No.
00:23:17I kill them.
00:23:17Every single one.
00:23:19Betrayal doesn't exist
00:23:20in my world.
00:23:22Are you keeping something
00:23:23from me, Mia?
00:23:23Tell him.
00:23:24Just tell him.
00:23:25The words crowd my throat.
00:23:26Franco Tomas,
00:23:27the knife,
00:23:27the deadline.
00:23:29When I look up,
00:23:30Emilio is gone.
00:23:31I need to get pregnant.
00:23:33I need to do something.
00:23:39This will have to do.
00:23:43I carry a plate of cookies
00:23:44down the hall
00:23:44like an offering,
00:23:45which honestly
00:23:46is exactly what it is.
00:23:47This is the plan.
00:23:48This is the whole plan.
00:23:49I push open the study door.
00:23:51Fifteen men look up
00:23:52at me simultaneously.
00:23:53Leave.
00:23:54Not you.
00:23:59I stand there
00:24:00tugging the hem
00:24:00of my shorts down
00:24:01and trying to look like
00:24:02I haven't just made
00:24:03a catastrophic mistake.
00:24:04You didn't just bring me
00:24:05cookies dressed like this.
00:24:06I didn't know
00:24:06you were in a meeting.
00:24:07I'm half-mined to shoot
00:24:08every man who was just
00:24:08in this room.
00:24:09Please don't.
00:24:11What do I do to a bad girl
00:24:12who interrupts my meeting?
00:24:13Do I bend you over this desk
00:24:14and spank your pretty little ass?
00:24:15I shiver.
00:24:16I should not shiver.
00:24:17I shiver anyway.
00:24:17Or do I force you down
00:24:18on your knees
00:24:18and make you take my cock?
00:24:19Or you could
00:24:21take me.
00:24:22I can give you an heir.
00:24:27No.
00:24:28No condoms.
00:24:29You're not on birth control.
00:24:31I know.
00:24:32Something shifts
00:24:32in his expression.
00:24:33The heat drains out of it
00:24:34replaced by something
00:24:35colder and more careful.
00:24:36You want my baby.
00:24:37Why?
00:24:38Because your biggest enemy
00:24:39has my cousin
00:24:40and gave me a deadline
00:24:41and I have no other options
00:24:42and I'm terrified
00:24:43and I'm sorry.
00:24:44Because you're handsome
00:24:45and I'd really love to...
00:24:47Get out.
00:24:48What?
00:24:49Get out.
00:24:51I slide to the floor
00:24:52and stand there
00:24:52for one horrible second
00:24:53completely exposed.
00:24:54The cookies,
00:24:55the shorts,
00:24:56the desperate transparent
00:24:57wanting of all of it
00:24:58and then I turn
00:24:58and walk out
00:24:59with whatever dignity
00:25:00I have left
00:25:00which is not much.
00:25:02I need a new plan.
00:25:05Serena,
00:25:06can you meet me?
00:25:06I need to tell you everything.
00:25:08Outside my window,
00:25:09the city hums and glitters
00:25:10like it doesn't know
00:25:11anything is wrong.
00:25:12Like the world
00:25:12is perfectly ordinary
00:25:13and I haven't spent
00:25:14the last week tangled up
00:25:15in a cartel king
00:25:16who sees straight
00:25:17through every lie I tell
00:25:18except the one
00:25:19that might get us both killed.
00:25:20What did I get myself into?
00:25:26Thank God.
00:25:27Are you okay?
00:25:28He didn't chain you up somewhere?
00:25:29He's not.
00:25:30No.
00:25:31No dungeons.
00:25:32I'm fine.
00:25:33You don't look fine.
00:25:34She's right.
00:25:35I don't feel fine.
00:25:36I feel like I'm playing
00:25:37three different chess games
00:25:38at once and losing all of them.
00:25:39I start to tell her
00:25:40about Franco,
00:25:41about Tomas,
00:25:41about the deadline
00:25:42but before I can get past
00:25:43the first sentence...
00:25:44Are you okay?
00:25:45You seem terrified of him.
00:25:46Of course I'm terrified.
00:25:47His men run the entire East Coast.
00:25:49He could be listening
00:25:49to us right now, Mia.
00:25:50Serena, you're not making sense.
00:25:52Why do you even know
00:25:52so much about him?
00:25:53Who's your dad?
00:25:54Something shifts
00:25:55in her expression.
00:25:56Something serious
00:25:56and old and tired
00:25:57like she's been waiting
00:25:58for this question
00:25:59and dreading it
00:26:00at the same time.
00:26:01Mia, it's time
00:26:01you know who I am.
00:26:02The door exploding open.
00:26:03A masked man
00:26:04with a gun raised
00:26:05screaming at everyone
00:26:06to get on the floor.
00:26:07The cafe erupts
00:26:08into chaos.
00:26:08I freeze.
00:26:10I stand in the middle
00:26:11of it all
00:26:11and my body
00:26:12simply refuses to move
00:26:13like it's deciding
00:26:13whether any of this is real.
00:26:15Mia, get down.
00:26:16I can't move.
00:26:18You deaf?
00:26:19I said down.
00:26:20The robber spots me.
00:26:21Move.
00:26:22Why can't I move?
00:26:30For one second,
00:26:31I think it's over.
00:26:32Marco, put it down.
00:26:34Please.
00:26:40I stand there
00:26:41with a stranger's arm
00:26:41around neck
00:26:42and think absurdly
00:26:43about the alley
00:26:43three months ago.
00:26:44About how I peeked
00:26:45my head out
00:26:46and said hello
00:26:46like an idiot.
00:26:47About how that one
00:26:47bad decision
00:26:48led to every bad decision
00:26:49after it.
00:26:50A chain of dominoes
00:26:51I set off
00:26:51the moment I dragged
00:26:52a bleeding cartel king
00:26:53off the pavement.
00:26:54I really shouldn't
00:26:54have saved him.
00:26:55Then the door opens again.
00:26:56Emilio walks in
00:26:57like he has nowhere else to be.
00:26:58Like this is a meeting
00:26:59he scheduled.
00:27:00Gun raised,
00:27:00jaw set,
00:27:01eyes finding me
00:27:02in under a second.
00:27:03Oh yeah?
00:27:03Who's she?
00:27:04The president's wife?
00:27:05Emilio shoots him
00:27:06in the arm.
00:27:06The arm around my throat
00:27:07goes slack.
00:27:08I drop.
00:27:09Serena catches me.
00:27:11No, you're fucking not.
00:27:12I don't see what happens next.
00:27:13The world tilts,
00:27:15goes soft at the edges
00:27:15and I stop being able
00:27:16to hold myself up.
00:27:18The last thing I feel
00:27:19before I feign
00:27:19is someone lifting me.
00:27:21His arms,
00:27:22his cologne,
00:27:22that particular steadiness
00:27:23that shouldn't feel
00:27:24like safety but does.
00:27:27I wake up in a bed
00:27:29that isn't mine.
00:27:29It's too big,
00:27:30too soft,
00:27:30smells too expensive.
00:27:32The ceiling is high
00:27:32and unfamiliar
00:27:33and for a disoriented moment
00:27:34I have no idea
00:27:35where I am
00:27:36or what year it is.
00:27:37Then I remember the gun,
00:27:38the arm around my throat,
00:27:39the sound of a shot.
00:27:40I sit up too fast.
00:27:41My head swims.
00:27:42Are you okay?
00:27:43He's still in his suit.
00:27:44He's looking at me
00:27:45with an intensity
00:27:46that doesn't belong
00:27:47on a face
00:27:47pretending not to care.
00:27:48I think so.
00:27:49Where am I?
00:27:50My bedroom.
00:27:52Your bedroom?
00:27:53I thought we had
00:27:54separate rooms.
00:27:54You also walked
00:27:55into my meeting
00:27:56in a pair of shorts
00:27:57and asked me
00:27:57to get you pregnant.
00:27:58Rules are flexible.
00:28:00Does that mean
00:28:01I can stay in your room now?
00:28:03Do you want to sleep
00:28:04with me that badly?
00:28:05Yes,
00:28:05says every nerve in my body.
00:28:07Yes,
00:28:07but not for the reason
00:28:08you think,
00:28:08says the part of me
00:28:09that remembers Tomas
00:28:10and Franco
00:28:11and the deadline
00:28:11that is still ticking.
00:28:13What if I say yes?
00:28:14His eyes darken.
00:28:15For one suspended second,
00:28:16I think he's going
00:28:17to close the distance
00:28:18between us
00:28:18and my heart rate
00:28:19does something embarrassing.
00:28:21He stands instead.
00:28:22Adjusts his jacket.
00:28:23Rest.
00:28:23Tomorrow's a big day.
00:28:25What's tomorrow?
00:28:25The engagement party
00:28:26where I tell the world
00:28:27you're mine.
00:28:28Am I falling for him?
00:28:29No.
00:28:29Focus.
00:28:30Tomas,
00:28:31one month.
00:28:33The next morning,
00:28:35a small army arrives
00:28:35at my door.
00:28:36They work on me
00:28:37for two hours.
00:28:38I sit in the chair
00:28:39and let them
00:28:39and feel like a doll
00:28:40being dressed for a party
00:28:41I didn't ask to attend,
00:28:43which is,
00:28:43technically,
00:28:44exactly what's happening.
00:28:45I slip out
00:28:46when they're arguing
00:28:46about earrings.
00:28:47Down the hall,
00:28:48through the tall
00:28:49living room windows,
00:28:49I spot Emilio
00:28:50outside with Diego.
00:28:51He's in a sharp suit
00:28:52and he's furious,
00:28:54jaw tight,
00:28:54gesturing hard,
00:28:55words muffled
00:28:55through the glass
00:28:56but unmistakably sharp.
00:28:57He's beautiful
00:28:58when he's angry.
00:28:58I noticed this
00:28:59and immediately
00:29:00wish I hadn't.
00:29:04You're gonna tell me
00:29:04why you want my baby
00:29:05and what it have to do
00:29:06with Palacio?
00:29:07Who?
00:29:08The man at your apartment.
00:29:09He knows.
00:29:10He's known.
00:29:11The realization lands slowly
00:29:12and then all at once
00:29:13and I think about
00:29:14every moment
00:29:14since he showed up
00:29:15at my door,
00:29:16the conference table,
00:29:16the handkerchief,
00:29:17the drawer full of condoms
00:29:18and understand that
00:29:19he has been pulling
00:29:20at this thread
00:29:20the entire time.
00:29:21I don't know
00:29:22what you're talking about.
00:29:23Do you know what happened
00:29:24to the last person
00:29:25who lied to me?
00:29:27I cut out their tongue
00:29:28and made them eat it.
00:29:29I hate them.
00:29:30I blink hard.
00:29:31He's a monster,
00:29:32I tell myself.
00:29:33Remember that.
00:29:33This isn't over.
00:29:35I know.
00:29:35It's never over.
00:29:36That's the problem.
00:29:39I walk in on Emilio's arm
00:29:41in a dress that cost
00:29:42more than three months
00:29:43of my old salary.
00:29:44Diamonds at my throat
00:29:45and I feel like
00:29:46a very convincing fake.
00:29:48Emilio greets people
00:29:49with a smile
00:29:49that doesn't touch his eyes
00:29:50and steers me through the room
00:29:51with a hand at the small
00:29:52of my back
00:29:53that feels like
00:29:53both a claim
00:29:54and a warning.
00:29:55Stay close.
00:29:56Don't talk to anyone.
00:29:58I'm not allowed
00:29:58to talk to people?
00:29:59You've caused enough trouble
00:30:00on your own.
00:30:01That wasn't in the contract.
00:30:02I'm a cartel boss,
00:30:03Mia.
00:30:04A contract won't stop me
00:30:05from doing whatever I want.
00:30:07I don't see Franco
00:30:09until his hand closes
00:30:10around my arm
00:30:10and yanks me
00:30:11into the shadows.
00:30:12Hello, little Mia.
00:30:13You didn't forget our deal?
00:30:15What are you doing here?
00:30:16Emilio invited.
00:30:17We go way back.
00:30:18Emilio invited him.
00:30:19The information sits
00:30:20in my chest like a stone.
00:30:21I think about the look
00:30:21on Emilio's face
00:30:22through the window.
00:30:23Furious.
00:30:24Deliberate.
00:30:24I think about this isn't over.
00:30:25You've been living with him
00:30:26for three weeks, little Mia.
00:30:28Why aren't you pregnant yet?
00:30:37What did you do to her?
00:30:38Nothing.
00:30:38We were just talking.
00:30:40Why don't you ask her?
00:30:41This is his land
00:30:42between us like a grenade.
00:30:44I watch Emilio's grip loosen,
00:30:45just slightly,
00:30:46just for a moment
00:30:47and see it on his face,
00:30:48the recalculation,
00:30:49the betrayal
00:30:49trying to find its shape.
00:30:51Our eyes meet
00:30:51and I have never felt
00:30:52so exposed in my life.
00:30:54Then DeLeon is there,
00:30:55murmuring something
00:30:56about engagement photos
00:30:57and Emilio exhale
00:30:58through his teeth
00:30:59and goes.
00:31:00I watch him walk away
00:31:01with his shoulders set
00:31:02and his jaw tight
00:31:02and something aching
00:31:03and hollow opens up
00:31:04in the middle of my chest.
00:31:06You know something's wrong.
00:31:07Tell him yourself
00:31:08before this ends badly.
00:31:09I can't.
00:31:11Under the bright lights
00:31:12of the photo area,
00:31:13Emilio and I stand
00:31:14six inches apart
00:31:15like strangers.
00:31:16The photographer keeps asking us
00:31:18to move closer.
00:31:18We comply in small,
00:31:20miserable increments.
00:31:20Is it that unborable
00:31:21standing next to me?
00:31:22Only when you're mad at me.
00:31:23I'm mad because
00:31:24you're hiding something.
00:31:25I can't.
00:31:25Perfect.
00:31:26Now give each other
00:31:27a little kiss.
00:31:28The silence that follows
00:31:29is approximately
00:31:30a thousand years long.
00:31:31Then Emilio grabs my chin
00:31:32and kisses me.
00:31:33It's not gentle.
00:31:34It's a question with teeth.
00:31:35Demanding and frustrated
00:31:36and searingly humiliatingly
00:31:38effective.
00:31:38The camera flashes
00:31:39go off like a small storm.
00:31:41That was my first kiss.
00:31:42That was my first kiss
00:31:43and he used it
00:31:44like perpuntuation.
00:31:47His mouth was just there.
00:31:49Angry and warm
00:31:50and nothing like I'd imagined
00:31:51and I have absolutely
00:31:52been imagining it
00:31:53and that is a problem
00:31:54I don't have time for
00:31:55right now.
00:31:56He was furious
00:31:57and I still got turned on.
00:31:59What is wrong with me?
00:32:02Did you sleep with him?
00:32:03What?
00:32:03Who?
00:32:04Franco Palazzo.
00:32:04Is that what you're hiding?
00:32:05Is that why you wouldn't kiss me?
00:32:06No, I didn't sleep with him.
00:32:07You shoved me away
00:32:08like I was contagious.
00:32:08Because I couldn't breathe.
00:32:09I've never, I haven't.
00:32:10The fury in his expression shifts
00:32:12slowly
00:32:12like a tide going out.
00:32:14It gives way to something
00:32:14quiet and more careful.
00:32:16Breathe through your nose.
00:32:16He presses his lips to mine
00:32:18and this time
00:32:18it's nothing like before.
00:32:20Soft, slow
00:32:20like he's asking
00:32:21instead of taking.
00:32:22Like he has all the time
00:32:23in the world
00:32:24and intends to use it.
00:32:25One more.
00:32:26I don't say no.
00:32:27I don't say anything.
00:32:28He kisses me again
00:32:29deeper
00:32:29one hand sliding
00:32:30to the back of my neck
00:32:31and I stop being able
00:32:32to think in anything
00:32:33but sensation.
00:32:34Warmth and the smell
00:32:35of his cologne
00:32:35and the ridiculous
00:32:36inconvenient certainty
00:32:37that I am in
00:32:37very serious trouble.
00:32:39Say yes, ma'am.
00:32:40Yes.
00:32:43Then he stops.
00:32:45Not all at once.
00:32:45He trails his lips
00:32:46down my throat
00:32:47unhurried
00:32:47while I'm still trying
00:32:48to remember
00:32:48what air is for.
00:32:49His hands are at my waist
00:32:50mine are in his hair.
00:32:51The whole world
00:32:51has narrowed down
00:32:52to this locked bathroom
00:32:53this basin
00:32:53his mouth.
00:32:54But I don't think
00:32:54you deserve it yet.
00:32:55What?
00:32:56You're still hiding
00:32:57something from me.
00:32:57You and my worst enemy.
00:32:59I can't tell you.
00:33:00I'm sorry.
00:33:00He drops to his knees
00:33:01in front of me
00:33:02parting my legs
00:33:03and I barely have time
00:33:04to process what's happening
00:33:05before his mouth is on me
00:33:07and my head snaps back
00:33:08and I forget every coherent
00:33:09thought I've ever had.
00:33:10You'll tell me eventually
00:33:11before it's too late.
00:33:13He's using this against me.
00:33:14I know he's using this against me.
00:33:15I can't make myself care.
00:33:17A security guard
00:33:18threatening to break it down.
00:33:20Promise me you'll tell me
00:33:21the truth
00:33:21or that guard walks in
00:33:23and finds you like this.
00:33:23That's...
00:33:24You can't.
00:33:24That's blackmail.
00:33:25Yes, I promise.
00:33:26I'll tell you everything.
00:33:28Turns back to me,
00:33:29eyes dark.
00:33:31Remember your promise.
00:33:33He leaves.
00:33:34I sit on the basin
00:33:35in the sudden quiet,
00:33:36chest heaving,
00:33:37ring glittering on my finger
00:33:38and press my hands
00:33:39to my face.
00:33:40He used pleasure
00:33:41as a weapon
00:33:42and the worst part,
00:33:43the part I can't stop
00:33:44thinking about
00:33:44as I swipe off the basin
00:33:45and fix my lipstick
00:33:46and walk back out
00:33:47into the party
00:33:47is that I would let him
00:33:48do it again.
00:33:52Sleep well?
00:33:54Hmm.
00:33:54You don't look like
00:33:55you slept well.
00:33:56I can arrange
00:33:57a sleep therapist.
00:33:58You used sex
00:33:59to blackrail me?
00:34:00No, I don't need
00:34:01a therapist.
00:34:01I need a cop.
00:34:02You think a cop would help?
00:34:03No, because you're
00:34:04the cartel king
00:34:05and you do whatever you want.
00:34:06Not everything I want.
00:34:08Not when it comes to you.
00:34:10I don't know
00:34:10what to do with that.
00:34:11I look at my hands.
00:34:12I don't like being lied to, Mia.
00:34:14I grew up in this world.
00:34:15Betrayal is the worst
00:34:16sin there is.
00:34:17But I'll wait.
00:34:17Tell me when you're ready.
00:34:18Something in my chest
00:34:20loosens just slightly.
00:34:21The first millimeter
00:34:22of relief in weeks.
00:34:23I'll tell you.
00:34:24At the right time.
00:34:25I need to think it through.
00:34:27That's all I need.
00:34:29I have money.
00:34:30You have peanuts.
00:34:30Buy whatever you want.
00:34:31I'll see you tonight, fiancé.
00:34:33I look up from five credit cards
00:34:35and the ring on my finger
00:34:35and the ghost of his mouth
00:34:37on mine
00:34:37and I think about Tobos
00:34:38and Franco's deadline
00:34:39and the promise I made
00:34:40in a locked bathroom.
00:34:41I'll tell him.
00:34:42At the right time.
00:34:43My phone buzzes.
00:34:44It's a message
00:34:45from an unknown number.
00:34:46A photo.
00:34:47Toas.
00:34:47Beaten.
00:34:48Barely consciousness.
00:34:49A map pin.
00:34:50One line of text.
00:34:51Come alone.
00:34:52I'm running some errands today.
00:34:53You can come along.
00:34:54Let's see how long you last.
00:34:58I know that's what it was.
00:35:00A list of errands Emilio
00:35:01had quietly arranged.
00:35:02A list of things
00:35:03I was supposed to need.
00:35:04A list of reasons
00:35:05to stay close to the house.
00:35:07I ditched them
00:35:07at the corner of 5th and Carator,
00:35:09slipped into a doorway
00:35:10while they ran past
00:35:10in the wrong direction
00:35:11and stood there
00:35:12for three whole seconds
00:35:13feeling like I'd actually
00:35:15won something.
00:35:16The address was a neighborhood
00:35:17that had given up on itself.
00:35:19Cracked pavement,
00:35:20bored windows,
00:35:20a smell like rust
00:35:21and old rain.
00:35:22The building at the end
00:35:23of the block
00:35:24looked like it was held
00:35:25together by habit.
00:35:26I pushed the door open anyway.
00:35:28He needs me,
00:35:28I told myself.
00:35:29He can't hurt me yet.
00:35:31There's no baby.
00:35:32The whole scene arranged
00:35:33like something
00:35:34from a bad movie.
00:35:36Little Mia.
00:35:37Took you long enough.
00:35:38I had to get rid
00:35:39of Emilio's people.
00:35:40I'm not talking about that.
00:35:41I'm talking about
00:35:41why you're not pregnant yet.
00:35:42He looked up
00:35:42when he heard me.
00:35:43My stomach turned.
00:35:44He started pulling
00:35:45one of the women closer,
00:35:46making a show of it,
00:35:47watching my face.
00:35:51When something slammed
00:35:52into the building
00:35:52from the back,
00:35:53a sound like
00:35:54the world rearranging itself.
00:36:01Franco got one hand
00:36:02on my arm
00:36:03before a gunshot
00:36:04punched through the air
00:36:05and he dropped.
00:36:10Emilio stood in the doorway,
00:36:12guns still raised,
00:36:13still smoking.
00:36:14He looked at Franco
00:36:16on the floor
00:36:16for exactly one second.
00:36:19Then he looked at me.
00:36:21You okay?
00:36:22Did he hurt you?
00:36:22I couldn't make words happen.
00:36:24I just shook my head
00:36:25against his chest
00:36:26and kept shaking.
00:36:28Take care of the rest.
00:36:29We're leaving.
00:36:30Then he lifted me.
00:36:31Literally lifted me.
00:36:32And carried me out
00:36:33of that building
00:36:34like I weighed nothing.
00:36:35Like it was the most
00:36:36natural thing in the world.
00:36:37Like he'd been doing it
00:36:38his whole life.
00:36:39Outside,
00:36:39the afternoon light
00:36:40was so ordinary
00:36:41it almost hurt.
00:36:44I kept waiting for him
00:36:46to put me down
00:36:46to say something cold
00:36:47to remind me
00:36:48that this was a contract
00:36:49and feelings weren't included.
00:36:51He didn't.
00:36:52He just held me
00:36:53against his chest
00:36:53in the back seat
00:36:54while Diego drove
00:36:55and the city slipped
00:36:55past the windows
00:36:56like a film
00:36:56I wasn't part of.
00:36:57He set me on the living room sofa
00:36:59carefully,
00:37:00gently
00:37:00and told the staff
00:37:01to leave with a single look.
00:37:03The room emptied in seconds.
00:37:04It was just us
00:37:05and the afternoon quiet
00:37:07and the weight of everything
00:37:08that had happened
00:37:08in that filthy room.
00:37:09He threatened my cousin.
00:37:11He wanted me
00:37:12to have your baby
00:37:12so he could use the child
00:37:13as leverage against you.
00:37:15Why didn't you come to me?
00:37:16He said he'd kill Tomas
00:37:17if I did.
00:37:18Your cousin was working
00:37:19with Galadio.
00:37:20He owed him money.
00:37:21They built this trap together
00:37:23for you.
00:37:24The word together
00:37:24landed like a stone.
00:37:28What?
00:37:29He gambled himself
00:37:30into a grave.
00:37:31Galatio owned him.
00:37:32I stared at my friends.
00:37:34The whole architecture
00:37:35of the pastures
00:37:35rearranged itself
00:37:36in my head.
00:37:37Toa sweeping on my floor
00:37:38the threats.
00:37:39All of it planned.
00:37:39All of it aimed at me.
00:37:41Sorry isn't gonna cut it.
00:37:45I thought he was going
00:37:46to be cold about it.
00:37:47That's what I braced for.
00:37:49The cartel king voice.
00:37:50The gun on the table voice
00:37:51that I told you so
00:37:53wrapped in ice.
00:37:54Instead he said
00:37:55something I didn't expect
00:37:56at all.
00:37:57You own me.
00:37:58I dropped meetings
00:37:59to pull you out
00:38:00of that coffee shop.
00:38:01I kissed you
00:38:01at our engagement party
00:38:02when I should have
00:38:03been shaking hands.
00:38:03I couldn't kill you
00:38:04when you lied to my face
00:38:05three times
00:38:06and I tried.
00:38:07I sat there
00:38:07and I tried
00:38:08and I couldn't do it.
00:38:09Don't quote that stupid
00:38:10contract to me
00:38:10when you own me
00:38:11Mia Espinosa.
00:38:12Body and soul.
00:38:13As much as I own you.
00:38:16Kiss me like you own me.
00:38:18His jaw worked.
00:38:19He said something about
00:38:20not being able to stop
00:38:21once he started.
00:38:22I didn't let him finish.
00:38:23I grabbed his collar
00:38:24and pulled him down to me
00:38:25and for one second
00:38:26he went still
00:38:27with pure shock.
00:38:28And then he took over
00:38:29kissing me like
00:38:29he'd been keeping it
00:38:30locked up for months
00:38:31which I think he had.
00:38:32Yes.
00:38:34Do whatever you want to me.
00:38:36Punish me.
00:38:37Fuck me like you own me.
00:38:38He looked at me
00:38:39for a long moment.
00:38:40Something fierce
00:38:41and half undone
00:38:42in his face.
00:38:44Don't say I didn't
00:38:45warn you Mia.
00:38:50There's a mirror
00:38:51above the dresser
00:38:52in his bedroom.
00:38:53I didn't notice it
00:38:53until he bent me
00:38:54over the drawers
00:38:55and his mouth
00:38:55found my neck.
00:38:56And I looked up
00:38:57and saw us.
00:38:58His hands in my hair,
00:38:59my face flushed,
00:39:00his eyes burning
00:39:01into mine
00:39:01through the glass.
00:39:02Look in the mirror.
00:39:04Look how slutty
00:39:05you get for me.
00:39:06I couldn't look away.
00:39:07I'm the only one
00:39:08who gets to see you
00:39:09like this.
00:39:09Do you understand?
00:39:11Yes.
00:39:11Lift your dress.
00:39:13Watch when I take you.
00:39:15What followed
00:39:16I will not describe
00:39:17in detail
00:39:17because there are
00:39:18no adequate words
00:39:19for it.
00:39:19I'll say that
00:39:20every time my eyes
00:39:20dropped,
00:39:21he cupped my chin
00:39:22and brought my gaze
00:39:23back to the mirror.
00:39:24Mine.
00:39:24Every time he said mine,
00:39:26I believed him
00:39:26more completely
00:39:27than I've believed
00:39:27anything in my life.
00:39:29Mine.
00:39:31Mine.
00:39:34Mine.
00:39:35Afterward,
00:39:35we lay in the dark,
00:39:36his arm across my waist,
00:39:38his breath slow and even.
00:39:39I stared at the ceiling
00:39:40and felt the particular silence
00:39:42of someone
00:39:42who has crossed a line
00:39:44they can't cross back over.
00:39:45You own me,
00:39:46Mia Espinoza.
00:39:47I pressed my face
00:39:48into his shoulder
00:39:48and tried not to feel
00:39:49how much I wanted
00:39:50that to be true.
00:39:51Don't fall,
00:39:52I told myself.
00:39:53I was already falling.
00:39:56One week later,
00:39:58I came home to flowers.
00:39:59That's not quite accurate.
00:40:00I came home to an abundance
00:40:01of flowers,
00:40:02a proliferation,
00:40:03a situation that had
00:40:04clearly escalated
00:40:05well beyond what any
00:40:06reasonable person
00:40:07would call a floral
00:40:07arrangement.
00:40:08Every surface in the
00:40:09living room held
00:40:10a different vase.
00:40:11The whole space
00:40:11smelled like a greenhouse
00:40:12had moved in
00:40:13while I was out.
00:40:14Standing in the middle
00:40:14of it introducing herself
00:40:15with a warm professional
00:40:16smile was a woman
00:40:18named Ollie.
00:40:19She was in her 30s,
00:40:20polished,
00:40:20very pretty,
00:40:21and she was looking
00:40:22at the door behind me
00:40:23in a way that told me
00:40:23exactly who she was
00:40:24waiting for.
00:40:25Emilio came in
00:40:2630 seconds later.
00:40:27He stopped,
00:40:28swept his eyes
00:40:28across the flowers,
00:40:29then across me,
00:40:30and something in his face
00:40:31went immediately soft
00:40:32and that way it only does
00:40:32when it's just us.
00:40:33Hello, wife.
00:40:34I missed you.
00:40:36He dropped kisses
00:40:37on my forehead.
00:40:38I held his forearms
00:40:39and forgot for a moment
00:40:41that there was
00:40:41a third person
00:40:42in the room.
00:40:43You must be Mr. Reyes?
00:40:45I'm Ollie.
00:40:45I'm helping Mrs. Reyes
00:40:46with the wedding florets.
00:40:48Emilio looked at
00:40:48all the flowers again.
00:40:50How many flowers
00:40:50does a wedding need?
00:40:52As many as I like.
00:40:53You told me I could
00:40:54have whatever I wanted.
00:40:55He leaned in close,
00:40:57eyes warming.
00:40:58I was thinking
00:40:59of something else
00:41:00entirely when I said that.
00:41:01I shoved his chest.
00:41:03He laughed
00:41:04and pulled me
00:41:04into his side.
00:41:06I didn't notice
00:41:07Ollie's expression yet.
00:41:09I would.
00:41:11The roses were imported
00:41:13from Bulgaria,
00:41:14apparently.
00:41:15Perfect for expressing passion.
00:41:18A good fit
00:41:19for your character, sir.
00:41:20I looked at Emilio.
00:41:22He was looking at me.
00:41:23What do you think?
00:41:24They look pretty.
00:41:25Ollie pivoted to Lily's
00:41:27before I finished
00:41:28the sentence.
00:41:29They open with
00:41:29just a little attention.
00:41:31And her eyes
00:41:32lingered on Emilio
00:41:33the way eyes linger
00:41:34when they're not really
00:41:35looking at flowers.
00:41:37They look cheap.
00:41:38Then orchids.
00:41:40High main taint in it.
00:41:41But a man like you
00:41:42can definitely
00:41:43afford to spoil someone.
00:41:45Stop.
00:41:46Both of them
00:41:46looked at me.
00:41:48I know what
00:41:48you're doing
00:41:50and I don't like it.
00:41:52Ollie gave me
00:41:52a polished,
00:41:53innocent smile.
00:41:55Mrs. Reyes,
00:41:56I assure you...
00:41:57It's Mrs. Reyes.
00:41:58You're flirting
00:41:59with my man
00:42:00in my house.
00:42:01I don't like that.
00:42:03Emilio made a sound
00:42:04that was almost a laugh.
00:42:05He lowered his mouth
00:42:06to my ear.
00:42:07You're about to become
00:42:08a mob queen.
00:42:09Show her your claws.
00:42:11I turned back to Ollie.
00:42:12You're fired.
00:42:13You heard my wife.
00:42:14Security came.
00:42:15She went.
00:42:17The door closed.
00:42:18Emilio was grinning.
00:42:20You called me your man.
00:42:21Because you are.
00:42:24I told him
00:42:25he was sleeping
00:42:25on the couch.
00:42:27In respect,
00:42:27this was optimistic of me.
00:42:29For what sin exactly?
00:42:31You didn't shut her down.
00:42:32You just stood there.
00:42:34I was looking at you
00:42:35the whole time.
00:42:35I didn't hear a word
00:42:36she said.
00:42:37That's not the point.
00:42:39Couch.
00:42:39I turned to walk away.
00:42:41He caught my wrist.
00:42:42I had about one second
00:42:43of thinking I'd won
00:42:44before he lifted me
00:42:45over his shoulder
00:42:46like I was a bag
00:42:47he was rearranging.
00:42:50I squealed.
00:42:51I couldn't help it.
00:42:52Put me down!
00:42:54You'll be down
00:42:55when I decide you're down.
00:42:56He carried me out
00:42:57of the room
00:42:58while I laughed
00:42:59and hit his back
00:42:59and told him
00:43:00he was ridiculous.
00:43:01He ignored all of it
00:43:02with complete serenity.
00:43:03On the other side
00:43:04of the city,
00:43:05in the abandoned house
00:43:06where Franco had died,
00:43:07Damien moved through
00:43:08the filthy rooms alone.
00:43:09He stopped at the body,
00:43:11crouched down,
00:43:12studied what was left
00:43:13of the man
00:43:13who had been his instrument.
00:43:14He stood up slowly.
00:43:17Coward.
00:43:18He looked around
00:43:19at the decay,
00:43:20the silence,
00:43:21the ruined plan.
00:43:24Then he pulled out
00:43:25his phone.
00:43:26Guess I'm on my own now.
00:43:30The letter appeared
00:43:31with breakfast.
00:43:33Morning, wife.
00:43:34You got a letter.
00:43:37I read the first line
00:43:38and went completely still.
00:43:39It was an admission letter.
00:43:41Nursing school.
00:43:41I never applied for this.
00:43:43I did.
00:43:44He said it casually
00:43:45like it was obvious,
00:43:46like the most natural
00:43:47thing in the world
00:43:47was for a cartel boff
00:43:49to submit nursing school
00:43:49applications on behalf
00:43:50of a woman he'd coerced
00:43:52into a contract marriage.
00:43:53How did you even know
00:43:54I wanted to go back?
00:43:55He stopped moving,
00:43:57turned to look at me
00:43:58with an expression
00:43:58I'd never seen on him before.
00:44:00Completely serious,
00:44:02completely open.
00:44:03The night you saved me,
00:44:05you said you were
00:44:06a nursing school dropout.
00:44:07The storage room.
00:44:08The blood.
00:44:10His voice fading in and out
00:44:12as I pressed gauze
00:44:13to his chest,
00:44:14trying to keep him here.
00:44:16I'm a nursing school dropout.
00:44:18You'll survive.
00:44:20He'd been carrying that
00:44:21for months.
00:44:22I listen to everything
00:44:23you say.
00:44:24He took my hand
00:44:25and kissed the back of it.
00:44:25Told me the semester
00:44:26started on the 18th.
00:44:27Two weeks.
00:44:28He'd arranged bodyguards.
00:44:29I started to object.
00:44:30He said two,
00:44:30not a convoy.
00:44:31And I let it go.
00:44:32Then I sat very still,
00:44:34looking at the letter.
00:44:35The 18th.
00:44:36My period was late.
00:44:37More than late.
00:44:38I thought about the soreness
00:44:40I'd been ignoring for a week
00:44:41and a cold plerry
00:44:42moved through me,
00:44:43fast and certain.
00:44:45Bathroom.
00:44:47I was already gone.
00:44:52I sat on the bathroom floor
00:44:54for a long time.
00:44:55The test was in my hand.
00:44:58Two lines,
00:44:59unmistakable,
00:45:00sitting there in the morning
00:45:01light like the simplest
00:45:02and most complicated
00:45:03fact in the world.
00:45:06Pregnant.
00:45:06I pressed my palm
00:45:07flat against my stomach.
00:45:09Nothing felt different yet.
00:45:11The same body,
00:45:12the same skin.
00:45:12But somewhere in there
00:45:13something had started.
00:45:15Something that was
00:45:16half me and half the man
00:45:17in the kitchen
00:45:17who had kissed
00:45:18the back of my hand
00:45:19and said I listened
00:45:19to everything you say.
00:45:20The man who had carried me
00:45:22out of that building.
00:45:23Who said you own me
00:45:24and meant it
00:45:25with his whole body.
00:45:26The man I needed to tell.
00:45:28I thought about
00:45:28what it meant
00:45:29to be pregnant
00:45:29with the cartel king's child.
00:45:31The leverage of it,
00:45:32the danger of it,
00:45:33the way a baby
00:45:34becomes a weapon
00:45:35in this world
00:45:35whether you want it to or not.
00:45:37I thought about Tomos.
00:45:39About all the traps
00:45:40I'd walked into already.
00:45:42And then I stopped
00:45:43thinking about danger
00:45:44and just felt it.
00:45:46I'm going to be a mother.
00:45:47Emilio is going
00:45:48to be a father.
00:45:49I wiped my face.
00:45:51Stood up,
00:45:52opened the door.
00:45:53Diego was in the hall.
00:45:55Where's Emilio?
00:45:57Meeting, miss.
00:45:58With Damian.
00:45:59Take me to him.
00:46:01Please.
00:46:02It's important.
00:46:04The boss doesn't like
00:46:05to be disturbed.
00:46:06But something in my face
00:46:08must have convinced him.
00:46:09He nodded.
00:46:11I followed him out,
00:46:13the test folded in my palm,
00:46:14my heart running
00:46:15ahead of my feet.
00:46:19Diego walked me
00:46:20to the study door
00:46:21and left.
00:46:22I could hear voices inside.
00:46:24Emilio and Damrian,
00:46:25low and urgent.
00:46:26I raised my hand
00:46:27to knock and stopped.
00:46:28The test was still
00:46:29in my palm.
00:46:30Two lines.
00:46:31The most important thing
00:46:32I'd ever held.
00:46:34Then Imadio's voice
00:46:35cut through the door.
00:46:36Mia's cousin?
00:46:37He's a fucking clown.
00:46:39My hand dropped.
00:46:40I stood very still.
00:46:42I knew I should walk away.
00:46:43I knew that eavesdropping
00:46:45on the Cartel King's
00:46:46private meetings
00:46:46was the kind of thing
00:46:47that ended badly
00:46:48in this world.
00:46:49I pressed my ear
00:46:50to the door anyway.
00:46:51He could have been useful.
00:46:53He's Mia's only blood relative.
00:46:56Tied to Palosio's mob.
00:46:58It was leverage.
00:47:01What the hell
00:47:02is going on with you?
00:47:03I'm just saying,
00:47:04as the East Coast Cartel King,
00:47:06you could play more strategically.
00:47:08Like, not shooting
00:47:09your cousin-in-law
00:47:10in the head.
00:47:11My blood went cold.
00:47:16I couldn't move.
00:47:17What I have with Mia
00:47:18is none of your fucking business.
00:47:20Damien said something else.
00:47:22Something about
00:47:23fixing things with her.
00:47:24Keeping Tomas alive
00:47:25as a peace offering.
00:47:27But the words were coming
00:47:28through water now,
00:47:29muffled and distant.
00:47:30Shooting your cousin-in-law
00:47:32in the head.
00:47:34Tomas was dead.
00:47:36Emilio had killed him.
00:47:38My cousin,
00:47:39the only blood family
00:47:40I'd left the person
00:47:41whose life I'd accepted
00:47:42a mob marriage to save
00:47:43and Emilio had shot him.
00:47:45While Tomas was under his roof.
00:47:47While I was sleeping down the hall,
00:47:49thinking I'd kept him safe.
00:47:51Damien said something
00:47:52about the forged will next.
00:47:54Lying about her inheritance
00:47:55just to marry her.
00:47:57A sound at the door.
00:47:58Emilio's voice sharpened.
00:48:00Who's there?
00:48:05I turned and ran.
00:48:09I was packing
00:48:10before I fully decided to pack.
00:48:12The suitcase was open on the bed
00:48:13and my hands were moving
00:48:15and the test was still in my fist.
00:48:17I don't know why I kept holding it.
00:48:19And Emilio came through the door
00:48:2120 seconds later,
00:48:22face pale.
00:48:23Wait.
00:48:24What are you doing?
00:48:25What does it look like?
00:48:27Mia, let's talk.
00:48:28I don't negotiate with the devil.
00:48:30I tried to pass him.
00:48:31He grabbed my arm.
00:48:33Stop.
00:48:34Let's talk.
00:48:35I jerked free.
00:48:36You lied.
00:48:37You killed my cousin.
00:48:39Then you lied again.
00:48:40There's nothing left to say.
00:48:42He exhaled,
00:48:43sharp and frustrated.
00:48:44Is killing your scumbag cousin
00:48:45really that big of a deal?
00:48:46I stared at him.
00:48:47I waited for a moment
00:48:48to feel shocked,
00:48:49but there was none left.
00:48:50Of course he said that.
00:48:51Of course.
00:48:51He was a criminal boss
00:48:52who ran an empire
00:48:53built on violence
00:48:54and I had somehow convinced myself
00:48:55that the version of him
00:48:56who kissed my forehead
00:48:57and listened to everything I said
00:48:58was the real one.
00:48:59Does a human life
00:49:00mean anything to you?
00:49:02I'm a criminal boss.
00:49:04You knew that
00:49:05when you signed the contract.
00:49:08Which you forged.
00:49:10My aunt never wanted me
00:49:12to marry you, did she?
00:49:15A long silence.
00:49:16He didn't deny it.
00:49:18You added the marriage clause
00:49:20to trap me.
00:49:21So what?
00:49:22I run a mob.
00:49:23Be grateful I didn't take you
00:49:25by force.
00:49:26The words landed like a slap.
00:49:27Grateful.
00:49:28He wanted me to be grateful.
00:49:29So grateful.
00:49:31Grateful you dragged me
00:49:32into this hell,
00:49:33got my cousin killed,
00:49:34and got me...
00:49:35The test was still in my hand.
00:49:37I looked down at it.
00:49:38The two lines looked back.
00:49:40You'll never know,
00:49:41I thought.
00:49:41You don't deserve to.
00:49:43I zipped the suitcase shut.
00:49:48Just let me go, Emilio.
00:49:49You know I can't.
00:49:50In one motion,
00:49:52I reached across him
00:49:53and grabbed the gun from his hip.
00:49:54I had it pressed against myself
00:49:56before I'd thought about
00:49:57what I was doing.
00:49:57The barrel cold against my ribs.
00:49:59My hand shaking,
00:50:00tears running down my face.
00:50:02Mia.
00:50:03His voice had changed completely.
00:50:06All the cold stripped out of it.
00:50:08Either you let me walk out,
00:50:10or I pull this trigger.
00:50:14He went very still.
00:50:15Then he extended his hand.
00:50:17Palm up.
00:50:18The way you'd extend a hand
00:50:19to a frightened animal.
00:50:21Give me the gun,
00:50:22and I'll let you leave.
00:50:24Just like that?
00:50:26Yes.
00:50:27You know I can't say no to you.
00:50:30Just give me the gun.
00:50:31Please.
00:50:33The please undid something in my chest.
00:50:36I hated that it did.
00:50:38After a long moment,
00:50:39I laid the gun in his palm.
00:50:41He tucked it away
00:50:42without breaking eye contact.
00:50:44We can fix this.
00:50:45We can pretend none of this happened.
00:50:47I can't pretend.
00:50:50Everything between us
00:50:51was built on lies.
00:50:52He stepped closer.
00:50:53His voice dropped,
00:50:54thick with something
00:50:55he was fighting to contain.
00:50:57My feelings for you aren't lies.
00:50:59A tear ran down my face.
00:51:01I looked at his face.
00:51:02Really looked at it.
00:51:03This man who had saved me
00:51:05and lied to me
00:51:06and killed my cousin
00:51:07and kissed my forehead
00:51:08in the morning.
00:51:08All of it true at the same time.
00:51:11None of it simple.
00:51:12I took his hand.
00:51:13I placed the ring in his palm.
00:51:15Goodbye, Emilio.
00:51:16He stood frozen,
00:51:17fist closing around the ring
00:51:18as I walked out the door.
00:51:23I went to Serena's.
00:51:25She opened the door
00:51:26before I finished knocking,
00:51:27took one look at my face,
00:51:29and pulled me inside
00:51:30without asking any questions.
00:51:31She made tea.
00:51:33She handed me tissues.
00:51:34She sat with me on the sofa
00:51:36and let me cry
00:51:36until there was nothing left.
00:51:38Then she waited.
00:51:39He killed my cousin.
00:51:43He lied about the inheritance.
00:51:47Everything from the beginning
00:51:48was fabricated
00:51:49to get me into that house.
00:51:51Serena was very quiet.
00:51:53She handed me another tissue.
00:51:58Too quiet.
00:52:00I looked at her.
00:52:03Serena.
00:52:04He killed my cousin.
00:52:06Why aren't you shocked?
00:52:08She couldn't meet my eyes.
00:52:10Serena.
00:52:12Why do you look like
00:52:13you already knew?
00:52:14A long silence.
00:52:16The kind that means
00:52:17the answer is going
00:52:17to change things.
00:52:19I brought Thomas to him.
00:52:20The room tilted.
00:52:22What?
00:52:26My dad is a Mafia Don.
00:52:30I heard the words.
00:52:31I process them
00:52:32in a very distant,
00:52:33clinical way.
00:52:35The way you process
00:52:37information that is
00:52:38too large to fit
00:52:39into the ordinary world.
00:52:41You lied to me.
00:52:44For five years.
00:52:46I hid it to protect you
00:52:48so you'd never get dragged
00:52:50into this mob world.
00:52:52But then Emilio showed up
00:52:54and did you know
00:52:54he killed my cousin?
00:52:56The silence that followed
00:52:57was the worst silence
00:52:59of my life.
00:53:00Yes.
00:53:02Emilio shot your cousin
00:53:03in front of me.
00:53:04I pulled away from her.
00:53:05She reached for my arm.
00:53:08Mia, please.
00:53:09My family doesn't change
00:53:11who I am,
00:53:12what you mean to me.
00:53:15You sound just like him.
00:53:17I lied to protect you.
00:53:20You watched him die
00:53:22and you didn't tell me?
00:53:24I stood up.
00:53:25She scrambled after me,
00:53:26saying my name,
00:53:27reaching for my arm.
00:53:29I got to the door.
00:53:31Mia, wait.
00:53:32We're done, Serena.
00:53:33I ran.
00:53:36The street was cold.
00:53:39Serena chased me
00:53:40for half a block
00:53:41before her phone rang
00:53:42and she stopped.
00:53:43I didn't look back.
00:53:44I just walked.
00:53:44Arms wrapped around myself.
00:53:46No destination,
00:53:47no plan.
00:53:47Just moving because
00:53:48stopping felt like drowning.
00:53:50I thought about my mother
00:53:51who had died
00:53:51and left me in a world
00:53:52I didn't understand.
00:53:53I thought about Toas
00:53:54who had sold me
00:53:55to a monster
00:53:55for gambling debts.
00:53:56I thought about the ring
00:53:57I'd left in Emilio's hand
00:53:59and the test still folded
00:54:00in my pocket
00:54:00and the fact that I was pregnant
00:54:01and alone in the dark
00:54:02with nowhere to go.
00:54:03The city moved around me,
00:54:05indifferent.
00:54:06A car slowed alongside me.
00:54:08I squinted.
00:54:10Emilio?
00:54:11The door opened.
00:54:12Not Emilio.
00:54:13Damien.
00:54:18Relax.
00:54:19I'm not dragging you anywhere.
00:54:21Then what do you want?
00:54:23I have orders to stay with you.
00:54:25But
00:54:26I can take you to a safe house.
00:54:28Emmanuel won't know.
00:54:29He watched my face.
00:54:31Patient.
00:54:32Almost gentle.
00:54:33I can even get you
00:54:34out of the country.
00:54:37I stared at him.
00:54:38Damien was smiling
00:54:39that easy smile.
00:54:41Hands in his pockets.
00:54:42Like he was offering him
00:54:43a ride to the airport.
00:54:44Nothing in his face
00:54:45looked wrong.
00:54:45Why would you help me?
00:54:47You're his brother.
00:54:48I'd like to balance out
00:54:49some of the bad I've done.
00:54:50I'll handle your phone.
00:54:52He put a tracker on it.
00:54:53Even works when it's off.
00:54:55I looked down at my phone.
00:54:57Then at him.
00:54:58Then at the dark street
00:55:00stretching in both directions
00:55:01with nowhere to go.
00:55:02I handed him the phone.
00:55:04He took it
00:55:04and I climbed into the back seat.
00:55:06I was so tired.
00:55:08I was so tired of being afraid.
00:55:10Of running.
00:55:10Of trying to stay
00:55:11one step ahead of men
00:55:12with more power
00:55:13than I would ever have.
00:55:14The leather seat was warm.
00:55:16Damien got into the front
00:55:17without speaking.
00:55:18There's water in the back
00:55:18if you need it.
00:55:21I reached for the bottle.
00:55:23Opened it.
00:55:24Took a long drink.
00:55:25Thank you Damien.
00:55:26You're a good man.
00:55:28He watched me
00:55:28in the rear view mirror
00:55:29and something moved
00:55:30across his face
00:55:31that I didn't have time to read.
00:55:35The water tasted like water.
00:55:38That was the last thing
00:55:39I registered clearly.
00:55:41Then the edges of the window
00:55:42started to blur.
00:55:43The streetlights smeared
00:55:44into long yellow streaks.
00:55:46My hand felt very heavy.
00:55:48I looked down at the bottle
00:55:49in my lap
00:55:50and thought distantly
00:55:51that something was wrong.
00:55:53What?
00:55:56The thought didn't finish.
00:55:58I slumped sideways
00:55:59and the world went out
00:56:01like a light.
00:56:02In the front seat
00:56:03Damien watched me
00:56:05through the mirror.
00:56:06His easy smile
00:56:07had changed
00:56:08into something else entirely.
00:56:10Something that had been
00:56:11waiting behind it
00:56:12all along.
00:56:13Sweet little Mia
00:56:14you have no idea
00:56:16what's coming.
00:56:17For you
00:56:17or for my arrogant
00:56:18half-brother.
00:56:23We're on our way.
00:56:24Have the island ready.
00:56:25Outside
00:56:26the city light
00:56:27slid past
00:56:27and fell behind us
00:56:28and Emilio's mansion
00:56:29disappeared into the dark.
00:56:31And I was gone
00:56:32before I knew
00:56:32I'd been taken.
00:56:35I woke up
00:56:36to the sound of ocean.
00:56:38That was wrong.
00:56:39I lived in the city.
00:56:40The city didn't
00:56:41sound like that.
00:56:42Steady and vast
00:56:44and indifferent
00:56:44like breathing
00:56:45from a long way away.
00:56:46I lay still
00:56:47for a moment
00:56:48with my eyes closed
00:56:49waiting for the world
00:56:50to reassemble itself
00:56:51into something familiar.
00:56:53It didn't.
00:56:54I opened my eyes.
00:56:55An unfamiliar room.
00:56:57Whitewashed walls.
00:56:58Wooden shutters.
00:56:59Light coming in sideways
00:57:00in gold.
00:57:01Not a hotel.
00:57:02Not anywhere I'd ever been.
00:57:03I got up
00:57:04and went to the window.
00:57:06Trees.
00:57:07Ocean.
00:57:08Nothing else
00:57:09in any direction.
00:57:10The door opened
00:57:10behind me.
00:57:11Good.
00:57:12You're awake.
00:57:14I turned around.
00:57:17He was standing
00:57:18in the frame
00:57:18hands in his pockets
00:57:20looking pleased
00:57:21with himself
00:57:21in that particular way
00:57:22that meant something
00:57:23had gone exactly
00:57:24according to plan.
00:57:25Where am I?
00:57:27Somewhere no one
00:57:27can find you.
00:57:29Not even my brother.
00:57:30The memory came back
00:57:32all at once.
00:57:33The car.
00:57:35The water.
00:57:35The bottle in my hand.
00:57:37The edges of the window
00:57:38blurring.
00:57:39You kidnapped me.
00:57:41Smart girl.
00:57:42I see why Emilio
00:57:43kept you around.
00:57:45But not smart enough.
00:57:48He moved into the room
00:57:49and I stepped back
00:57:50until the wall found me.
00:57:56He told me about Palacio.
00:57:58Not the way I'd understood it.
00:57:59Franco is Emilio's enemy
00:58:00using me as a pawn.
00:58:02Damian had been behind
00:58:03Franco the whole time.
00:58:04He'd found my cousin
00:58:05the moment he ran
00:58:05my background check.
00:58:06He'd built the trap,
00:58:07handed Tomas to Franco
00:58:08and watched the whole thing
00:58:09play out from inside
00:58:10Emilio's house.
00:58:11Franco Palano
00:58:12was a fucking idiot.
00:58:13But he was a useful one
00:58:15until your cartel king
00:58:16shot him in the head.
00:58:19My cousin died
00:58:20because of you.
00:58:21His expression
00:58:22didn't change.
00:58:23I slapped him.
00:58:24His head snapped sideways.
00:58:26A beat of absolute silence.
00:58:28Then he turned back
00:58:29and the easy smile
00:58:30was gone.
00:58:31Replaced by something
00:58:32that had always
00:58:33been underneath it.
00:58:35He grabbed my throat
00:58:36and slammed me
00:58:37into the wall.
00:58:39You're lucky I need you.
00:58:41Or I'd choke the life
00:58:43out of you right now.
00:58:44His eyes moved over me
00:58:45in a way that made
00:58:46my skin crawl.
00:58:47If my cold-hearted brother
00:58:48is obsessed with you,
00:58:50there must be something
00:58:51worth exploring.
00:58:52He leaned in.
00:58:55I bit him.
00:58:56Hard.
00:59:00He pulled back
00:59:00with a snarl
00:59:01and I saw his arm
00:59:02draw back.
00:59:03Don't.
00:59:03Please.
00:59:04I'm pregnant.
00:59:05His fist stopped.
00:59:06The room went very quiet.
00:59:08Damian stared at me,
00:59:09the fury draining
00:59:10out of his face
00:59:11and being replaced
00:59:12by something more
00:59:13dangerous.
00:59:13Calculation.
00:59:14You're pregnant.
00:59:16With Emilio's baby?
00:59:18I nodded.
00:59:19My throat ached
00:59:19where his hand had been.
00:59:21He stepped back.
00:59:22Then he started laughing.
00:59:23Really laughing.
00:59:24The kind that fills a room.
00:59:25And I stood against the wall
00:59:27and watched him
00:59:27and felt a cold,
00:59:28creeping dread.
00:59:29Oh, this is gold.
00:59:30Palami actually pulled it off.
00:59:32I thought his plan
00:59:32to knock you up
00:59:33was ridiculous.
00:59:34Emilio would never.
00:59:35Never what?
00:59:36There's a rumor
00:59:36he's infertile.
00:59:37Maybe it's real.
00:59:38Maybe he spread it
00:59:39so women wouldn't chase him.
00:59:40Either way,
00:59:41you and that baby
00:59:42just changed everything.
00:59:43He headed for the door,
00:59:44still grinning.
00:59:45What are you going to do to me?
00:59:47He turned,
00:59:48one hand on the frame.
00:59:49Relax.
00:59:51I was going to let my men
00:59:53have some fun with you.
00:59:54But now,
00:59:56I need that baby unharmed.
01:00:00He told me about the island.
01:00:15If Emilio tries anything,
01:00:17boom.
01:00:18Then he left me there.
01:00:20I slid down the wall
01:00:21and sat on the floor
01:00:22and tried to think.
01:00:24The ocean kept making
01:00:25its vast,
01:00:26in a myrient sound
01:00:27outside the shuttered window.
01:00:29You're on a private
01:00:30Pacific island,
01:00:31surrounded by a full army
01:00:33with bombs underneath you.
01:00:36I pressed both hands
01:00:37flat against my stomach.
01:00:38I'm going to get us
01:00:39out of here.
01:00:40I didn't know
01:00:41if that was true.
01:00:42I said it anyway
01:00:43because someone had to.
01:00:45I thought about the note
01:00:46Emilio had tucked
01:00:47into a nursing school envelope.
01:00:49I listened to
01:00:50everything you say.
01:00:52I thought about the way
01:00:53he'd lifted me
01:00:53out of Franco's building
01:00:54like I was something
01:00:55worth carrying.
01:00:56I thought about his fist
01:00:58closing along my ring.
01:00:59Find me,
01:01:00I thought.
01:01:00Please find me.
01:01:03The door stayed closed.
01:01:05The ocean kept breathing.
01:01:07I stayed on the floor
01:01:08and I waited.
01:01:11On the third night,
01:01:12a hand touched my shoulder.
01:01:14I jolted awake,
01:01:15already pulling back,
01:01:16already opening my mouth
01:01:17to scream
01:01:17and a hand covered it.
01:01:18A familiar weight,
01:01:19a familiar smell.
01:01:21Mia,
01:01:21it's me.
01:01:22A voice in my ear,
01:01:24barely a breath.
01:01:25I collapsed into him.
01:01:26He held me
01:01:27for exactly three seconds.
01:01:28His arms around me,
01:01:30his chin on my head,
01:01:31the realness of him
01:01:32solid and overwhelming,
01:01:33and then he pulled back
01:01:34and cupped my face
01:01:36and checked me
01:01:36the way he'd checked me
01:01:37in the warehouse
01:01:38all those months ago,
01:01:39systematic and frantic
01:01:40at the same time.
01:01:41Are you hurt?
01:01:42No.
01:01:43How did you-
01:01:43Serena,
01:01:44and your mafia princess friend
01:01:45has a helicopter.
01:01:46He pressed his lips
01:01:47to my forehead,
01:01:48quick and fierce.
01:01:49Follow my lead,
01:01:50we're heading to the chopper.
01:01:50Stay close,
01:01:51stay quiet.
01:01:51He had a gun in his hand.
01:01:53He opened the door,
01:01:54checked the corridor,
01:01:55and guided me out
01:01:56into the dark.
01:01:58We made it 30 feet.
01:02:00Damien's voice
01:02:01came from ahead of us,
01:02:02easy and amused,
01:02:04like he'd been waiting.
01:02:05Since when does
01:02:06the cartel king
01:02:07use knockout drugs
01:02:08to sneak in?
01:02:09Emilio stopped,
01:02:11gun raised.
01:02:12Since when do you
01:02:13skip dinner?
01:02:16Damien stepped out
01:02:17of the shadows.
01:02:18In his hand,
01:02:20raised between two fingers
01:02:21like a cigarette,
01:02:22was the Dectinator.
01:02:24Since the day
01:02:26Dad handed you
01:02:26the cartel.
01:02:28His thumb hovered
01:02:29over the button.
01:02:30Emilio moved in front of me
01:02:32without thinking about it,
01:02:33blocking me with his body.
01:02:34Drop the gun, brother.
01:02:40Emilio dropped it.
01:02:42You want the cartel?
01:02:43Fine.
01:02:44I'll give it to you.
01:02:45I don't want
01:02:46the stupid mob!
01:02:47It's you!
01:02:48It's always been you!
01:02:49His voice had broken open,
01:02:51and underneath the ease
01:02:52and the planning
01:02:53and the long patient game
01:02:54was something rawer.
01:02:55Something that had been
01:02:56sitting in that house
01:02:57for years,
01:02:58growing in the dark.
01:02:58Then take me.
01:03:00Do whatever you want.
01:03:01But let Mia go.
01:03:03Don't drag her into this.
01:03:06It happened in less
01:03:07than a second.
01:03:08Emilio crossing the corridor
01:03:09in two strides,
01:03:10shoulder dropping,
01:03:11crashing into his brother.
01:03:12The Dectinator
01:03:12flew from Damien's hand.
01:03:14But Damien's smile
01:03:15came back.
01:03:16Colder than before.
01:03:17No.
01:03:19Your offspring
01:03:20isn't getting out
01:03:20today, either.
01:03:22He turned to me,
01:03:23slowly,
01:03:24and in that moment
01:03:25nothing in his face
01:03:26was the cartel king.
01:03:27Nothing was the man
01:03:28who made rooms go silent
01:03:29and had people removed.
01:03:31He just looked at me
01:03:32like I was the only thing
01:03:33in the room that mattered.
01:03:34You're pregnant.
01:03:36I nodded,
01:03:37his jaw set.
01:03:39He turned back
01:03:39to Damien.
01:03:42Not happening.
01:03:46Then we all die.
01:03:48His thumb moved.
01:03:49Emilio lunged.
01:03:50He of them
01:03:51hit the window
01:03:52behind them
01:03:52and went through it
01:03:53in a shower of glass
01:03:54and frame
01:03:55and night air.
01:03:59Emilio!
01:04:02Silence.
01:04:03Then the night outside
01:04:04was just the ocean
01:04:05and the dark
01:04:06and the sound
01:04:07of my own breathing,
01:04:08ragged and desperate.
01:04:10I ran for the door.
01:04:14They were both
01:04:14on the ground outside.
01:04:17Unconscious.
01:04:18Not moving.
01:04:19Damien face down
01:04:20in the dirt.
01:04:21Emilio on his back
01:04:22with his eyes closed
01:04:23and one arm thrown wide
01:04:25and glass in his hair.
01:04:26I heard voices.
01:04:28Serena.
01:04:28Marco.
01:04:29Running toward me.
01:04:30I dropped to my knees
01:04:31beside Emilio.
01:04:35Emilio!
01:04:36Emilio!
01:04:37Wake up!
01:04:38We have to go!
01:04:39Mia!
01:04:41Marco was already
01:04:42beside me,
01:04:43hands on Emilio's chest,
01:04:45pressing and counting.
01:04:46I sat there
01:04:47and held Emilio's hand
01:04:48and watched Marco's face
01:04:50and couldn't breathe.
01:04:52Come back.
01:04:53Come back.
01:04:54Come back.
01:04:59Emilio coughed.
01:05:01His chest heaved.
01:05:02His eyes opened.
01:05:04Everyone let out a breath
01:05:06at the same time.
01:05:08I'm okay.
01:05:10We need to move.
01:05:11He started to get up.
01:05:13I helped him,
01:05:13my hands shaking.
01:05:14Chopper's ready!
01:05:15This way!
01:05:17Emilio stood,
01:05:18unsteady,
01:05:19and looked at Damien's
01:05:20limp body.
01:05:23You go ahead.
01:05:25I need to finish him.
01:05:29I'm not leaving you.
01:05:30You want to watch me
01:05:32shoot my own brother?
01:05:34I don't care!
01:05:36You're pregnant,
01:05:37Mia.
01:05:38Go.
01:05:39His voice was gentle
01:05:40but final.
01:05:41The voice that meant
01:05:42he'd already decided.
01:05:44Promise you'll come.
01:05:45I promise.
01:05:47Serena took my arm.
01:05:48I let her pull me away,
01:05:49looking back over my shoulder
01:05:51at Emilio standing
01:05:51over his brother
01:05:52in the dark.
01:05:53He didn't look back at me.
01:05:54He was already somewhere else,
01:05:55somewhere cold and necessary.
01:05:57He's going to be fine.
01:05:58He's Emilio Reyes.
01:05:59We were 20 yards
01:06:00from the house,
01:06:01then 30.
01:06:02The helicopter
01:06:03was somewhere ahead,
01:06:04its blades beginning to turn.
01:06:06I kept walking.
01:06:07He promised.
01:06:08He promised.
01:06:09He promised.
01:06:12The world turned white.
01:06:14The sound hit me
01:06:15a full second
01:06:16after the light.
01:06:17A wall of pressure
01:06:18and noise
01:06:18that knocked me sideways.
01:06:20Serena's grip
01:06:21tearing loose.
01:06:22I turned around.
01:06:23The house was on fire.
01:06:25Not catching fire.
01:06:27Already fire.
01:06:28Instant and total.
01:06:29A column of flame
01:06:30reaching up
01:06:30into the dark sky.
01:06:32The windows gone.
01:06:33The roof already folding.
01:06:34The air tasted like smoke.
01:06:38I couldn't move.
01:06:39Serena was saying something.
01:06:41Marco was saying something.
01:06:42The helicopter blades
01:06:43were louder now.
01:06:44Someone was pulling at my arm
01:06:45and I couldn't move
01:06:46because Emilio
01:06:47was in that house
01:06:48and he had promised
01:06:49and he was in that house.
01:06:50No!
01:06:51The word came out of me
01:06:53like something being torn out.
01:06:54No!
01:06:55Emilio!
01:06:55Serena had both arms
01:06:56around me from behind
01:06:57holding me back.
01:06:58I fought her.
01:06:59I don't remember
01:07:00deciding to fight her.
01:07:01My body just refused
01:07:02to go anywhere without him.
01:07:04Mia!
01:07:04Let me sit there!
01:07:05He's Mia!
01:07:06Stop!
01:07:07Marco was already
01:07:08running back toward
01:07:09the burning house
01:07:10calling into his radio.
01:07:12I stopped fighting.
01:07:13I just stood there
01:07:14in Serena's arms
01:07:15and watched the fire
01:07:16eat the house
01:07:17and felt the heat
01:07:18on my face
01:07:19and thought about
01:07:19a man in a study saying
01:07:20I listen to everything
01:07:22you say
01:07:22and a man in a corridor
01:07:23with his shoulder
01:07:24dropping and his body
01:07:25going through glass.
01:07:26going through glass
01:07:27to keep a detonator
01:07:28out of his brother's hand
01:07:29going through glass
01:07:30for me.
01:07:31The flames climbed higher.
01:07:33The night was orange
01:07:34and black.
01:07:35I pressed both hands
01:07:36over the small life
01:07:37inside me
01:07:38and I waited
01:07:39and I waited
01:07:40and I waited
01:07:41and no one came.
01:07:45Five months later
01:07:46that's what the subtitle
01:07:47would say
01:07:48if my life were a movie.
01:07:49Five months later
01:07:51a neat jump cut
01:07:53all the grief
01:07:54and the waiting
01:07:55and the nights
01:07:56I lay awake
01:07:56with one hand
01:07:57on my stomach
01:07:58and the other
01:07:58pressed to my mouth
01:07:59to keep quiet
01:08:00compressed into three words
01:08:01and a hard cut
01:08:02to a woman
01:08:03on a street corner
01:08:04in white gloves.
01:08:05Me.
01:08:06I'm eight months pregnant
01:08:07and I'm wearing white gloves
01:08:09and I'm standing
01:08:09on a sidewalk
01:08:10watching a homeless man run.
01:08:12He thinks he's running
01:08:13from the two cars
01:08:14that boxed him in.
01:08:17He's not.
01:08:18He's running from me.
01:08:20The car door opens.
01:08:22I step out.
01:08:24Damien stops.
01:08:25He looks older.
01:08:27Thinner.
01:08:28Five months on the street
01:08:29will do that.
01:08:30Five months knowing
01:08:30that the woman
01:08:31whose house you burnt out
01:08:32is carrying the air
01:08:33to the Reyes cartel
01:08:34and is looking for you.
01:08:35That will do it too.
01:08:37I pull off one gloves
01:08:38finger by finger.
01:08:41Hello brother-in-law.
01:08:44My men take him
01:08:46before he can speak.
01:08:48Wait!
01:08:49Mia!
01:08:51We should talk!
01:08:52Yes.
01:08:53We should.
01:08:57The basement
01:08:57of the Reyes mansion
01:08:58is very quiet.
01:09:00I had Diaz repaint it.
01:09:02New lighting.
01:09:02A good chair
01:09:03for me to sit in.
01:09:04Positioned at exactly
01:09:05the right distance.
01:09:07I learned from the best
01:09:08after all.
01:09:08I watched Emilio
01:09:09run this house
01:09:10for months.
01:09:10I know how it's done.
01:09:12I sit with my legs
01:09:13rapes crossed
01:09:14and my hands folded
01:09:15over my stomach
01:09:16and I watch
01:09:17two of my men work.
01:09:18Mia!
01:09:19Damien screams.
01:09:20He begs.
01:09:22He says my name
01:09:23like it's a password
01:09:23that will open a door
01:09:24like some part of him
01:09:25still believes
01:09:26I'm the nursing student
01:09:27from the fast food restaurant
01:09:28who cried on a sofa
01:09:29and couldn't look Emilio
01:09:30in the eye.
01:09:31I'm not her anymore.
01:09:32Make this stop!
01:09:34Please!
01:09:35Mia!
01:09:35I give the men a look
01:09:37they hit harder
01:09:38after a while
01:09:39I raise a hand
01:09:40and they stop
01:09:40the basement goes quiet
01:09:42except for Damien's
01:09:43raggled breathing
01:09:43and the distant sound
01:09:44of the city outside.
01:09:46I stand up
01:09:47and walk over to him.
01:09:51Tell me where he is.
01:09:53Damien looks up at me
01:09:54through blood
01:09:55his smile is still there
01:09:57somehow cracked
01:09:58and terrible.
01:10:00Come closer
01:10:02I'll tell you.
01:10:05I leaned down.
01:10:07His mouth was near my ear
01:10:08and I stayed perfectly still
01:10:10and waited.
01:10:11He's rotting in hell
01:10:13just like you will be
01:10:14you stupid.
01:10:16I straightened up.
01:10:17I pulled the gun
01:10:19from the back of my waistband.
01:10:22The one Diego had started
01:10:23leaving on my night state
01:10:25three months ago
01:10:25after the first two attempts
01:10:27on my life
01:10:27after I'd started running
01:10:28this operation alone.
01:10:30And I shot Damien once.
01:10:32He slumped.
01:10:33I stood there for a moment
01:10:34and looked at him.
01:10:36Emilio's brother.
01:10:36The man who had built
01:10:37every trap I'd walked into.
01:10:39The man who had burned down
01:10:40the house with Emilio
01:10:41inside it.
01:10:42Then I peeled off
01:10:43the other glove
01:10:44folded both of them together
01:10:46and walked out.
01:10:50Diego was waiting
01:10:51in the Rorto
01:10:51with a package.
01:10:52Mail address
01:10:53to your name ma'am.
01:10:54He held it out.
01:10:55The label read
01:10:56Mia Espinoza.
01:10:58I frowned.
01:11:00I thought I changed
01:11:00my last name
01:11:01on everything.
01:11:02Could be from before.
01:11:05I took it.
01:11:09I opened it
01:11:10in the study.
01:11:13A file.
01:11:14Legal documents.
01:11:16A will.
01:11:16Notarized.
01:11:17Witness.
01:11:18Dated three months
01:11:18before Leshia died.
01:11:20I read the first page
01:11:21and had to sit down.
01:11:23One hundred million dollars.
01:11:24Her actual inheritance.
01:11:26Not the fabricated clause
01:11:27Amicio had invented
01:11:28to get me into his house.
01:11:29The real thing.
01:11:30The money she'd spent
01:11:31her life accumulating
01:11:32and had always meant
01:11:33to give to the niece
01:11:34she wrote letters to
01:11:35and called her girl.
01:11:36Where it all started
01:11:37I thought.
01:11:38Diego stood near the door.
01:11:40Mr. Reyes would have found you
01:11:42regardless of the inheritance.
01:11:47Sounds like him.
01:11:48I turned to the last page
01:11:50and a small piece of paper
01:11:51fell out.
01:11:52Folded once.
01:11:53The size of a fortune cookie slip.
01:11:54I picked it up.
01:11:55The handwriting was Emilio's.
01:11:57I'd seen it on a hundred things.
01:11:58Notes.
01:11:59Contracts.
01:11:59The margin of a book
01:12:00he'd left open
01:12:01on the kitchen counter.
01:12:02I'd have known it anywhere.
01:12:03It said
01:12:03love at first sight.
01:12:05I sat there
01:12:06holding that small piece of paper
01:12:07for a long time.
01:12:08Then I pressed it
01:12:09against my chest
01:12:10and closed my eyes.
01:12:11I'll find you
01:12:11Emilio Reyes.
01:12:13Wherever you are.
01:12:16He was in Sicily.
01:12:18I didn't know that yet.
01:12:19I knew it the way
01:12:21you know things
01:12:21when you've been running
01:12:22someone's empire
01:12:23for five months
01:12:23and you've learned
01:12:24to read Diego's face.
01:12:25There was somewhere
01:12:26he wouldn't look.
01:12:27Some piece of information
01:12:28that lived just behind
01:12:30his careful
01:12:30professional expression.
01:12:31But he wouldn't tell me
01:12:33and I understood why.
01:12:35Emilio had told him not to.
01:12:37So I waited.
01:12:38On a balcony
01:12:39overlooking the Mediterranean
01:12:40a man in a wheelchair
01:12:42watched the ocean.
01:12:43He'd been watching it
01:12:45for weeks.
01:12:45The light changed.
01:12:47The water changed.
01:12:48He watched it all
01:12:49with the patience
01:12:50of someone who has decided
01:12:51not to go anywhere
01:12:52until they're ready.
01:12:54Serena flew to Sicily
01:12:55on a Tuesday.
01:12:56She found him
01:12:57on the balcony
01:12:58thinner than she'd left him
01:13:00the ocean wind
01:13:00moving through his hair.
01:13:02She dropped a photograph
01:13:03on his lap
01:13:03without greeting him first.
01:13:05In the photo
01:13:06Damien
01:13:07dead.
01:13:08Emilio picked up the photo
01:13:09looked at it
01:13:10for a long moment.
01:13:11That's my girl.
01:13:15She's gonna be pissed
01:13:16if you're not there
01:13:16when she gives birth.
01:13:19I can't see her like this.
01:13:21You could show up
01:13:22as a worm
01:13:22and she'd still love you.
01:13:24I'm tired of lying
01:13:25to my best friend.
01:13:26Again.
01:13:28She'll forgive you.
01:13:30Serena ground
01:13:31and sat down
01:13:31on the low wall
01:13:32beside his chair.
01:13:33The Mediterranean
01:13:34was the specific blue
01:13:35it gets in the late afternoon.
01:13:37Almost violet
01:13:37at the edges.
01:13:39Come back with me tomorrow.
01:13:40I'm flying out
01:13:41in the morning.
01:13:42No.
01:13:43Emilio.
01:13:44I'll return
01:13:45when I can stand
01:13:45on my own feet.
01:13:47I want her to know
01:13:48I'm still the man
01:13:49who can protect her
01:13:50and our baby.
01:13:52Serena stared at him
01:13:53for a long moment.
01:13:54Toxic masculinity
01:13:55from a cartel king.
01:13:56Who would have thought?
01:13:57A beat.
01:13:58You know
01:13:58you're kinda cute
01:13:59in a wheelchair.
01:14:00Don't let your bodyguard
01:14:02hear that.
01:14:02He helps me
01:14:03to the bathroom.
01:14:04Serena laughed.
01:14:05A real laugh.
01:14:06Surprised out of her.
01:14:07She stood up
01:14:08and kissed the top
01:14:08of his head.
01:14:09Don't take too long.
01:14:11She walked out.
01:14:13Emilio stayed
01:14:14on the balcony
01:14:15until the light
01:14:16was gone.
01:14:19He reached
01:14:19into his pocket.
01:14:21The ring was small
01:14:22and cold
01:14:22and familiar.
01:14:24Mia's engagement ring.
01:14:25The one she'd placed
01:14:26in his palm
01:14:27in the bedroom
01:14:28and walked away from.
01:14:29He'd been carrying it
01:14:30since that night.
01:14:31Through the crash,
01:14:32through the window,
01:14:33through however many surgeries
01:14:34he didn't fully remember.
01:14:35Through the months
01:14:36of physical therapy
01:14:37on this balcony
01:14:38overlooking the sea.
01:14:39He turned it
01:14:40in his fingers.
01:14:41He thought about
01:14:41the night in the alley
01:14:42when he'd looked up
01:14:43from the pavement
01:14:43and seen a woman
01:14:44he'd never met
01:14:45pressing gons to his chest
01:14:46and telling him
01:14:46to stop moving
01:14:47or he'd bleed more.
01:14:48He'd been half dead
01:14:48and delirious
01:14:49and he thought,
01:14:50I know you.
01:14:50I don't know you yet
01:14:51but I know you.
01:14:52Lietia had talked
01:14:53about her for years.
01:14:54Her niece,
01:14:55the nursing student,
01:14:56the girl who sent letters
01:14:57and called every Sunday
01:14:58and had her mother's
01:14:59stubbornness
01:15:00and her own fierce
01:15:01particular kindness.
01:15:02He'd carried the shape
01:15:03of her before
01:15:04he knew her face.
01:15:05He closed his hand
01:15:06around the ring.
01:15:07I'm coming back
01:15:08to you, Mia.
01:15:09The ocean was dark now.
01:15:11The stars were coming out
01:15:12one by one
01:15:13over Sicily.
01:15:15I'm coming back.
01:15:19Two months later,
01:15:20I thought giving birth
01:15:22at home would be easier.
01:15:23I was wrong.
01:15:24It's never easy.
01:15:26I hate you!
01:15:27I hate you,
01:15:28Emilio Reyes!
01:15:29Almost there!
01:15:30One more push!
01:15:31I hate you!
01:15:33I pushed.
01:15:34The world split open
01:15:36and then there was a sound.
01:15:37Small and indignant
01:15:38and completely certain
01:15:39of itself.
01:15:40And the doctor was saying
01:15:42something I couldn't hear
01:15:43and someone was crying
01:15:44and I thought
01:15:45it might be me.
01:15:46Ma'am,
01:15:46you need to stay with us.
01:15:48You haven't seen your baby.
01:15:49But I'm just so tired.
01:15:51I was tired in a way
01:15:52I had never been tired before.
01:15:54Down into the marrow,
01:15:55my body suddenly hollow
01:15:56and enormous
01:15:57at the same time.
01:15:58Stay.
01:15:58Stay.
01:15:59You have to stay.
01:16:00My eyes closed.
01:16:01Someone said my name.
01:16:03I tried to hold on.
01:16:04Then,
01:16:05at the edge of the light,
01:16:06a silhouette appeared
01:16:07in the doorway.
01:16:08Not Diego.
01:16:09Not Serena.
01:16:10Not a doctor.
01:16:12A silhouette that moved
01:16:13the way only one person
01:16:14in my life
01:16:15had ever moved.
01:16:18He was standing
01:16:19on his own feet.
01:16:20That was the first thing
01:16:21I registered.
01:16:22Not that he was there,
01:16:23not even that he was alive,
01:16:23but that he was standing
01:16:24on his own two feet
01:16:26in the doorway
01:16:26of my hospital room.
01:16:28Wearing clothes
01:16:28I didn't recognize,
01:16:29thinner than I remembered,
01:16:30with a look on his face
01:16:31that I had no word for.
01:16:32Mia.
01:16:33My name in his voice.
01:16:34I had been so tired.
01:16:36A moment ago,
01:16:37the darkness had been
01:16:37pulling me down
01:16:38and I had been letting it
01:16:39because I didn't have
01:16:40anything left to fight with.
01:16:41But my eyes opened.
01:16:43Emilio.
01:16:44He crossed the room.
01:16:45He dropped to his knees
01:16:46beside the bed.
01:16:47He took my face in both hands
01:16:48and pressed his forehead to mine.
01:16:49I felt him shaking.
01:16:50This man who never shook,
01:16:51who never showed anything,
01:16:52who had spent 32 years
01:16:53building a wall around himself
01:16:54and had spent six months
01:16:55tearing it down for me.
01:16:56He was shaking.
01:16:57Somewhere behind him,
01:16:58a baby was crying.
01:16:59Our baby.
01:16:59Ours.
01:17:00You came.
01:17:01I told you I was coming back.
01:17:02Outside the hospital window,
01:17:04the city was beginning
01:17:04its ordinary morning,
01:17:05entirely aware
01:17:06that something fundamental
01:17:07had just changed.
01:17:08Inside,
01:17:08I closed my eyes
01:17:09and held onto him
01:17:10and listened to the small,
01:17:11indignant,
01:17:12perfect sound
01:17:12of our daughter
01:17:13announcing herself
01:17:13to the world.
01:17:14We were here,
01:17:15both of us,
01:17:16finally.
01:17:19This is what I know now.
01:17:21I know that love
01:17:22is not the clean,
01:17:23safe thing I thought it would be.
01:17:24When I was 22
01:17:25and working at a fast food counter
01:17:26and keeping a wish list
01:17:27of what my life
01:17:28was supposed to become,
01:17:29I thought love would feel
01:17:30like arriving somewhere.
01:17:31I thought it would be warm
01:17:32and certain
01:17:33and uncomplicated.
01:17:34It is none of those things.
01:17:37It is a man
01:17:38pressing gauze
01:17:39to a wound
01:17:39in a back room.
01:17:41It is a ring
01:17:42in a palm
01:17:42and a door closing
01:17:43and a house
01:17:44going up in flames.
01:17:46It is five months
01:17:48of running an empire
01:17:49I didn't ask for,
01:17:50learning the weight
01:17:51of a gun
01:17:52and the patience
01:17:52required to wait
01:17:53for someone
01:17:54who promised
01:17:54to come back.
01:17:55He is not a good man
01:17:57in the simple sense.
01:17:58I know what he runs
01:17:59and what it costs
01:18:00and I have made my peace
01:18:02with the distance
01:18:02between who he is
01:18:03out there
01:18:04and who he is
01:18:04in this room.
01:18:06Holding our daughter
01:18:07like she is the most
01:18:08fragile and important
01:18:09thing he has ever
01:18:10been handed.
01:18:11He is sitting in the chair
01:18:12beside my bed
01:18:12and she is asleep
01:18:13on his chest
01:18:14and he is not looking
01:18:15at anything in the room
01:18:16except her.
01:18:16She has his dark eyes.
01:18:18She has,
01:18:19already,
01:18:20even at one day old,
01:18:21a particular expression
01:18:22of absolute conviction
01:18:23that I recognize
01:18:23from watching him
01:18:24walk into rooms.
01:18:25I saved a man
01:18:26in an alley once.
01:18:27I was 22
01:18:28and afraid
01:18:29and I had no idea
01:18:30what I was saving him into.
01:18:32Best mistake
01:18:32I ever made.
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