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The Vampire Lestat Season 1 Episode 2 engsub fullepisode🔺 Burning Promise
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00:00Watch The Vampire Lestat After Dark on AMC Plus or wherever you get your podcasts.
00:30Is it true you were a stutterer as a child?
00:32His name's Raglan James.
00:34Mr. Malloy would like to stay alive, Rashid.
00:37Got me wondering what it'd be like.
00:38Ride with others, huntin' a pack.
00:41Mmm.
00:41The Tooth Team LeFang gang.
00:45I assume a privileged individual such as yourself enjoys a little dirt in their sandwich.
00:50So I serve it to you now.
00:52You're for real?
00:53How it felt then.
00:55Fledgling.
00:56Lover.
00:57Mother.
01:01You are listening to The Failures.
01:03Album 8, Side A.
01:07If you're still listening after the Eid Epiphany of the last hour, welcome back.
01:14I've been fondling my thoughts since the last album and I believe there might be value added
01:20in illuminating the why and how I became me in their light of said Eid Epiphany.
01:26You've weathered the Freudian storms, and yes, that boat is a penis, and yes, that ocean
01:32is my mother's vagina.
01:35Kiss.
01:35Grope.
01:36Aftercare.
01:37Onward.
01:39Picture Auvergne, France, 1772.
01:44Picture the dingy seat of the Leancourt family at the fag end of a thousand years of aristocratic
01:50decline.
01:51Picture my five dead siblings.
01:53Aristide, Marie, Jules, unbaptized, and Faustin.
01:58Garden norms guarding the undulating domestic bliss of our great heart.
02:03The boy possesses an ability to envision the unseen, the holy.
02:07He would be well suited to the monastic house at Haute Loire.
02:10And what will you get for this faggot?
02:13The sickle and cassock?
02:15Nothing, monseigneur.
02:17I see goodness in your son.
02:19Are you a good boy, Lestat?
02:24I want to see your brother, Lestat.
02:28I...
02:30I...
02:32Don't...
02:34Don't...
02:35Don't...
02:36Don't...
02:38Don't...
02:39No, he doesn't, no?
02:40My son, the Icabe, the next Pope.
02:43We can mend his affliction.
02:45Pope?
02:45Has been fetches like an station.
02:48Titles, one of the blood-soaked fields of France.
02:51Gli altro ni hanno vinti, tu non hai vinto propria.
02:57Si je compiègne, Barlov cootera!
03:01In time, he would learn to find consolation in philosophy.
03:05What is the course of studies at Haute Loire?
03:07Aristotle, Erasmus.
03:09I asked the question.
03:16Aristotle, Erasmus, Aquinas.
03:19Cicero, Alberti, Bruno.
03:30The innkeeper tells me he brought these actors back to the inn.
03:35Buys them a sum of wine.
03:38Beyond obligation.
03:39Half the village there waiting for me to pay.
03:43Tenants asking me this...
03:45Escape was not an option for Gabriela Vece.
03:49The marquis had promised her preservation and delivered her ruin.
03:53On stage with alls and all masters.
03:56He wants a taste of the theatre.
03:59You tell him to bed one of them.
04:01You don't open the wagon and join up!
04:04I was, um...
04:06Impressed in just...
04:09Service.
04:10She sacrificed her youth, squandered her intellect,
04:13and paid a midwife to nick her in the womb
04:15so he couldn't humiliate her anymore.
04:17The hell does act in the square like a beggar.
04:20Like an actor.
04:21Actor a gong farmer than an actor.
04:23Better an actor than a cabbage.
04:25Look up from your book when you speak to our father, huh?
04:28Cabbage.
04:29Cabbage.
04:31Cabbage.
04:31He was our little joke, the cabbages.
04:34The cabbage heads with cabbage brains and cabbage wives
04:37all speaking cabbage.
04:39At least there would have been some honor in it!
04:42The Lyoncourt name covered in his shit again.
04:45Love nothing, do nothing, change nothing!
04:47Sit and suffer!
04:48Am I suffering?
04:50Mr. Grégoire?
04:51A question for the philosophers.
04:54Can a cabbage suffer?
05:02One hour on stage.
05:05An hour of not displace.
05:09It's dampness and dimness in your Pokémoc the wife
05:13and Grégoire jamming his cock into servant girls
05:17like he's saucing pork.
05:19Cabbage.
05:20And the start speaks.
05:22Cabbage.
05:22A verse with players in a wagon!
05:26Cabbage.
05:28Say cabbage one more goddamn time.
05:36Cabbage!
05:37Break his legs!
05:41You will hunt the land as we do!
05:44You will marry your world and have children who will shame you
05:47the way you have shamed me!
05:49Cabbage.
05:50Cabbage!
05:54Cabbage!
05:59Cabbage!
06:01She had a cold beauty, like snow behind a thick, distorting wall of glass.
06:07And I grew hard by example.
06:12But now the wolves, they are taking out sheep, so bold now they have lost their fear.
06:16Another one stole it today, a puddle of guards where sheep used to be.
06:21They will snatch a babe soon.
06:23There have been wolves in the hills since I was a boy.
06:27Magnificent.
06:27The wolves are causing trouble, brother.
06:30It's a famine now, senor, from here to Versailles.
06:34What does he want us to do about it, huh?
06:35Nothing.
06:36Sit there on your titles while you fumble to find your pricks from under the awning of your stomachs.
06:47Peace!
06:51Keep coughing, huh?
06:52Seeding the nothings you had, bearing more nothings will inherit nothing!
07:00Not funny, brother!
07:02Put the gun down, Lestat!
07:04She's with child!
07:05Hey!
07:06Put the gun down, Lestat!
07:08The wolves will move on!
07:12We ask your protection as our senor.
07:16We would like you to share some of your bounty on your table.
07:20Hey!
07:21Go on!
07:22The wolves!
07:23There's nothing more we can do here!
07:25But be men!
07:34She meant to kill me with the challenge.
07:38Better a quick end than watch me surrender another decade.
07:41Watch me join the cabbages.
07:56And what was this life?
08:02The good in me lost at the monastery.
08:04Where are you?
08:06My sense of wonder abandoned in a traveling player's wagon.
08:10Go!
08:11Flush them out!
08:24I wanted the wolves to come.
08:32Until I didn't.
08:53I refuse this food.
08:55I refuse this care.
08:59You killed the five wolves.
09:02By your self.
09:06Eight.
09:09Not five.
09:14To robot my horse.
09:20My dog.
09:28Eight.
09:33Do the wolves look worse?
09:40There's a mob came yesterday.
09:43Again tonight.
09:44They wish to worship you.
09:47Your father and your brother's bent.
09:51With shame.
09:53Come down.
09:55You'll enjoy it.
09:57From room to room.
09:59From room to room.
10:01Slaughtering the three of them.
10:05That's what I dreamt when I killed the wolves, mother.
10:13You know what I dream?
10:20I'm drinking wine.
10:23I'm drinking wine.
10:24So drunk.
10:25I dream.
10:26Of my clothes and bait in the mountain.
10:29Stream.
10:31My.
10:32I go into the village.
10:38Into the inn.
10:43And I take into bed any man that come.
10:56Crude men, big men, old men, boys.
11:02Taking them one after another and feeling some magnificent release in it.
11:14No thought of your father or your brothers.
11:23In that moment.
11:27I belong to no one.
11:34Except for me.
11:50I'm dying.
11:53I want to survive the winter.
11:57Mother.
12:07Finish it, he has a mob to bless.
12:14Mother!
12:18Mother!
12:22Mother!
12:47Oh, and the drug mule contributes a complete sin.
12:52I'll check your contract.
12:54It says cocaine whore bucket.
12:56I know, but I saw a lawyer.
12:58I saw a guy kill another guy right in front of me.
13:02Vampire! Vampire!
13:02What the Killjoy second guitarist may or may not have witnessed
13:05was one vampire acting in self-defense,
13:08but he signed a unilateral,
13:10which is a one-way street that I control.
13:12Suitcase bomb.
13:15Where are we?
13:17Buckeye State.
13:18Do you have the fire gift?
13:21Oh my God.
13:24Just again?
13:26How did I get you?
13:28Sofia.
13:30Forgotten my name already.
13:32Oh. Hello. Sofia.
13:37I'm sorry, are we just, like, not gonna talk about last night?
13:40Are we not gonna talk about, like, the year and a half of weird bullshit
13:43that you've put us through for the past, like, year and a half?
13:46And you didn't feel like that was at all important to tell us.
13:48We've been up all day and we've got, like, a shit-ton list of questions, man.
13:52But what wells can you do?
13:53Mm-hmm.
13:54Yeah, like, where do you put the body?
13:55Don't answer that!
13:56And when was the last time you talked to our mom?
13:58I could have hung it up there, too, I guess, but we sounded really good in Detroit.
14:03And there were another thousand beautifully unwell to serve in Ohio, and she had come a great distance to comfort
14:10me.
14:11And, um, you are being very patient regarding the vampire incest factor, and I do appreciate it.
14:18Do you guys play baseball?
14:19Yeah!
14:20Like Twilight?
14:21One at a time.
14:21One at a time!
14:23One at a time!
14:24Please!
14:25One at a time.
14:26Number three to next!
14:32Hey!
14:34I am a little killer.
14:37I am the only one.
14:39And the trigger gone up her spine until I do a run.
14:43I am a little shadow.
14:45I'm the last love
14:47I'm the past and the future
14:48The lies of the sutures
14:50The cool and dove
14:50Where the rock and roll is
14:53Where they get tamed
14:55Where the heart of me
14:56Love and the vision of my
14:57Where they're stupid
14:59Rhymes
15:00Bang bang
15:01Bang bang
15:02Bang bang
15:04Bang bang
15:04Bang bang
15:06I'll fall down
15:10About the ground
15:12About the ground
15:14About the ground
15:18Bang now
15:19Bang bang
15:21Bang bang
15:24Bang bang
15:24Bang bang
15:26Bang bang
15:28Bang bang
15:29Bang bang
15:29Bang bang
15:31Fabulous
15:32Moving on
15:35Do you kill people?
15:38I sleep
15:39I think
15:40I sing
15:41I contribute to local accounts
15:43Do you kill people?
15:44I drain people
15:45What is the difference?
15:46I don't have to kill when I drain
15:47I do it on stage every night
15:48The small cub
15:50How many people do you kill at night?
15:52How many people?
15:53This is what I have Farid for
15:55Oh yeah
15:56That's also why you have a body double
15:57You tell them
15:59I guess most of his blood from the farm
16:01Most?
16:02The farm?
16:03It's like a blood bank
16:05People donate and they're handsomely compensated
16:07It's all highly ethical
16:08They tap college burnouts and attic run bingo games
16:12Cash only, no questions
16:13Whoa, whoa, whoa
16:15So you're a vampire too?
16:16Three of us
16:17Nine of you
16:18Out and proud
16:20Three
16:20Three
16:21Three
16:21Three
16:22Hi, name's Daniel
16:23I'm a Taurus on the cusp of Aries
16:26I prefer A, B negative
16:28Who is your maker?
16:29Have you tried our age?
16:31No
16:31Only 45 people on the planet possesses
16:35Only nine active donors
16:37Tell me all about it, babe
16:40Hey, hey, hey
16:41This isn't a goddamn joke
16:42Man only meeting!
16:48I understand the panic
16:50You saw something that you didn't want to acknowledge
16:54But willful ignorance is sleep in a giant's hand
16:57Willful ignorance
16:58Oh, come on
16:58Have you ever seen me in the letter day?
17:00Armand is a day
17:01Did you help me hose off my Mustang
17:03At a self-service car wash in Spokane?
17:06As D-E-A-R
17:08As any KFC night manager has a right to be
17:10Okay, so you do kill people
17:11Oh, come on
17:12Vampires have been among you your entire lives
17:15We've been a part of the ecological landscape
17:17Yeah, how do we know you're not gonna kill us?
17:18For thousands of years
17:18You've been in my band for over a year and a half
17:20It's not your band
17:21It's our fucking band
17:22Jesus Christ, you're such an asshole
17:23In fact, you've all been protected numerous times
17:25Without being made aware of it
17:27What?
17:28What we're doing
17:29The confessional nature of the songs
17:31Performing for mortals
17:32The insights into vampiric desires
17:33It's all
17:35It's all sacrilegious to vampires
17:37What?
17:38It's not a worry
17:39I have the blood of Akasha in me
17:41Sorry, what the fuck is Akasha?
17:42What is important
17:43And what we should be celebrating
17:45Is what we did on stage
17:46Are all your songs about this guy, Lewis?
17:47Last night
17:47We were raw
17:49And nasty
17:50Transcendent
17:51Excuse me?
17:52And I lost you
17:53You know
17:55It's Louie
17:56It's Louie
17:57Not Lewis
17:57And you
17:58You were referring to
17:59Could be one of two dozen paramours
18:01At Pompois
18:02Okay, sure
18:02Who's that villain sneaking up from behind
18:03With the knife in his hand
18:04And a mouthful of life
18:05I pulled the knife from my cane
18:07And I held it up to a stop's throat
18:08Is what we are all scared about
18:10Eating black licorice is not about sucking Lewis's dick
18:13Black licorice is about the first kill I made
18:17After Louie and I reconciled
18:18I'd say
18:19I'll call the cops
18:20Fifty-four thousand five hundred and fifty-four days before I met Louis DuPont Dulac
18:25You kill people
18:26I'm people
18:27We're people
18:28And so was I
18:32No vampire was born a vampire
18:36F this
18:37F you
18:39We quit
18:42Come on
18:46Larry
18:47They don't want to speak
18:50But um
18:50Being a vampire
18:52I can tell you what they're thinking
18:54Would you like to know what they're thinking?
18:57Fifteen hundred when we started
18:59Twenty thousand followers now
19:02He killed the sound technician in Denver
19:04That muddied my solos on purpose
19:06And he is glad that I killed him
19:09Except I didn't kill him
19:10I merely fired him, Larry
19:12Fate's entourage
19:13The brooms
19:14The tits
19:15The dime store darlings
19:17Bukkake ice helmet
19:18And four others that are not as good
19:20But just as successful
19:22If I don't hit it now
19:25I'm gonna marry the bum
19:26And have a baby
19:29Finn Lizzy sucks
19:30We'd sound better with one guitar
19:33I don't think that
19:34Yeah she does
19:36Salamander
19:37Another one of Alex's
19:40Vegan straight edge bullshit mood swings
19:43You'll find a meeting and be back tomorrow
19:45No
19:46Dude
19:48And I make it a rule never to sleep with my bandmates
19:56TC was talking about Larry
19:59Not you
20:00You are the best pure musician we have
20:03Other than me
20:06So take your time Alex
20:07Process it as they say
20:10But think thrice before running to the police
20:12Or sharing in one of your anonymous groups
20:15Not if you value your life
20:18Or your brothers
20:23You are listening to The Failures
20:25You are listening to The Failures
20:26Album 12
20:27Side B
20:31There's a dearth of privacy on a vampire rock tour
20:33The bus
20:34Shared hotel floors
20:36Roadies transporting coffins
20:38Etc
20:38And as front man
20:40You're encircled by those
20:41Who invariably want something from you
20:43Now my mother
20:45Gabriella Vecchi
20:46Rest her soul
20:47Was a complicated hand
20:49But my fledgling
20:51The vampress Gabriella
20:52Was anything but
20:54And with the bandit soundcheck
20:56And Yerda playing billiards on the other side of town
20:58She and a less pharmaceutically challenged me
21:00Found an evening to catch up and kill time
21:04And there was simply no one in the garden
21:05More effortless in killing time
21:07Than her
21:08Why were you in Chicago?
21:10I wasn't
21:11I was glamping in Husavik
21:15You lied
21:16My maker called for his mama
21:19And I came
21:20And came
21:22And came
21:24Yeah, about that
21:25I know
21:26We really shouldn't
21:28We need to make a pact
21:30If you're gonna stay
21:31Up to you
21:32I want you to stay
21:34A pact then
21:37Companionship
21:38Without the calm
21:40We needn't you lie
21:42Weave a basket
21:43And fill it with
21:44Bullshit
21:47I missed you
21:51We met in Italy
21:53Of course
21:54The Ambrosian Carnival
21:56Of course
21:57Of course
21:57Of course
21:58And we wore the same costume, of course
22:00Of course
22:01And raced across the Piazza del Duomo
22:03To see who would slap each other first
22:08And then you unmasked me and, well
22:11This face
22:15I recognized myself here
22:22It comes back around again
22:24Hmm
22:27How long are you gonna stay?
22:32I saw you two times last century
22:34It's not an unreasonable question
22:37Long enough?
22:40Long enough for what?
22:43Long enough to see you sing?
22:46For you to show me munchie?
22:50Wilmingdon
22:52Food courts
22:53Yes
22:54We scuse me
22:55I want to play
22:57Cornhole
22:58We scuse me
22:59Rest on the rust belt
23:00All the speed on the floor
23:02All the moist cavities
23:04We scuse me
23:05I want to know this place
23:06Grasso
23:07How it hypnotizes my son for a century
23:10We scuse me
23:14Can I take you to dinner, Sofia?
23:18I would love that
23:20We thank you
23:23In a glass corner of a glass building
23:26A group of building glass salesmen
23:28Were closing a sale of a substantial amount of glass
23:31Sold to a company in yet to be tariffed Germany
23:34There was to be ritualized Saturnalia in both countries that night
23:38And we invited ourselves to the one closest to
23:42A study commissioned by the Centers for Disease Control
23:46On rates of depression in mid-size American cities
23:48Ranked Toledo number two on their list
23:51Heads are down in Toledo
23:53Which makes it a fine city to travel via the cloud gift
23:56Which was Gabriela's preferred mode of murder transport
24:00Why take so many cars?
24:03Triumph is a dark road, Sofia
24:05And each man must find his own exit
24:08The worst revealed themselves through time in the grone
24:11Nine at the indoor golfing range
24:14Seven eating seafood towers at the chop house
24:17Five crapped out at the casino
24:20And then there were three
24:23All tippling by the time we plummeted back down the backside of Chubbs
24:27A bar contetta blocks off the Mome River
24:30Our hunger propelled us inside
24:33And we watched as the remaining items on the menu
24:36Marinated themselves in the pole-ravaged sweat of sex-positive, sex-cynical, sex-stipulated dancing
24:45They had closed their deal and we would close ours
24:49We watched them, watched them
24:51And only sometime later would I understand we were being watched as well
24:56By those who were always there
24:59A curious tangle of hunters and hunted
25:03That warm spring night
25:07And then it happened again
25:12Are you a good boy, Lestat?
25:15An unamusing muse
25:17Was this the first soldier over the wall the Oracle Jenks forewarned me about?
25:23Or the last fumes of Detroit?
25:25If you're ever homesick, there's a classy Italian place on Adam Street
25:31Do they have spaghetti?
25:32Do you work here?
25:35Go on, I'll be...
25:37Tell me more
25:40Lover
25:40Where are you?
25:42I'm with Sophia
25:42I don't wanna know
25:43You have to do a sit-down with Thomas Pitt and lawyer tomorrow
25:46That's your job, lover
25:47I'm doing my job, motherfucker
25:49No more, we have a pact now
25:52What?
25:53Who's Thomas Pitt?
25:55The owner of the hotel you defiled in Detroit
25:57His lawyer says he's a fan and would appreciate an exclusive fan experience
26:02Do I have to fuck him?
26:03Yes
26:03Call an Uber, go to coffin
26:06Fine
26:10Thank you, Carol
26:11Do you work here?
26:13Did I ever ask that?
26:18You really have to understand
26:20The vampire Gabriella when she wasn't free soloing a mountain
26:24Or stirring a singing bowl in some dreary village
26:28She was... good company
26:32Even as you're being outmonstered, outbantered
26:35It feels... good
26:37Like watching blood down a staircase feels good
26:41Or finding a party invitation in your victim's pocket
26:44Well...
26:46I mean, it doesn't happen anymore to empty invites
26:48But...
26:48Being with Gabriella is like...
26:54Like...
26:55Like...
26:59Ah...
27:00Predatory spirit
27:01A good candidate for the great conversion
27:09Uh...
27:10Randy...
27:10Last man standing...
27:13Loves glass
27:14Also knows somewhere inside that he does not love glass
27:25I'm starving
27:27I know
27:29Shall we take them both now?
27:31One each
27:33I want to share mine with you
27:36So we wait
27:37We wait
27:42Do you have a lot of sex?
27:48I'm a rock star now
27:51Of course
27:52Do you like it?
27:56Like you do the blood
28:00It's never like the blood
28:07We couldn't help ourselves
28:12We rode the edges of our pact
28:15We rode the edges of our pact
28:18Hi
28:19Hey, just leaving the job house
28:21You okay to drive?
28:22Yeah, yeah, of course
28:23Daddy!
28:24Hey, kiddo
28:25What are you doing up?
28:26I kissed, please
28:28Back to bed
28:29Listen to your mom
28:29I'll give you a kiss when I get home
28:31Okay
28:32I love you
28:34Okay, bye
28:37You are listening to The Failures
28:40Album 15, side B
28:43Estimates on the structural damage are still being calculated
28:46So the figure we've put forth was based on comps the engaged architectural firm provided
28:50Comps?
28:51For a hotel hallway massacre?
28:53Comparable damages to comparable spaces
28:54I'd like to add a line for cascading glass
28:57The parking structure below had a fleet of vehicles lacerated
29:00These cleanup numbers are made up
29:01The cleanup numbers in this case are mostly going towards silencing witnesses
29:04This is not my first clown rodeo, Grace Jones and Gucci
29:07And Salt received his compliment
29:08Anyone who won't take a couple thousand in an envelope
29:10You guys do the mind-wipey thing
29:12So you can take that line item and hold it over your vampire bidet
29:14We could've done the shit over the phone
29:16According to Mr. Pitt here, your client's the one who called this meeting
29:19He did no such thing
29:20You stole my personal physician
29:22You hired my biographer
29:24You trashed my hotel
29:26I didn't know it was your tech hotel
29:27The Detroit Coven trashed your hotel
29:28I've heard the song
29:29The songs are not about you
29:30It feels like a cry for help
29:34So I flew in
29:36Because I care
29:37Oh, it just says you cared in your book
29:39We've been through all this
29:40The fact that you insulted me page after page after page
29:44Take it up with Malloy who wrote it
29:46Or the Tala Mosca who published it
29:48And why are you employing Sam Barclay after Paris?
29:51He's paying down his debts
29:52Oh, bottom line, Louie
29:54All sins negotiated
29:55Sam didn't get on a boat
29:56We're here to litigate
29:57Sam didn't memorize the night
29:59He did not direct a play
30:00And then come home canoodling with one of its victims
30:02Did he?
30:02Who did that, I wonder?
30:04Repeat the name
30:05That'll be Armand
30:08Armand
30:09San Diego, I could understand
30:10At least he had a presence, but
30:12I'm happy to discuss Armand
30:14If you think that would help you
30:15Is it true that you had a second home in Sausalito with him?
30:18We did
30:19Did you take turns driving across the Golden Gate Bridge
30:22Yeah
30:22Who held the wheel harder?
30:23Writing numbers on each other's backs
30:25And pretending to guess them wrong
30:26I bet
30:28I bet
30:29Come on
30:30Very specific details are blocked out of thin air
30:33What at the foot?
30:35Are we taking minutes of this?
30:36I think we can wrap this up dispassionately
30:38Yes, let's try and circle back to the particulars
30:42Are you two fucking?
30:44Yes
30:47Companion enough for yourself or you're over?
30:49He's not my companion
30:51He's a great lay
30:52And emotionally unavailable
30:55You doing her?
30:56Yes
30:58Petite, surprising
30:59And can perform what most metropolitan training systems can only dream of
31:04Okay
31:06Are you enjoying this exclusive fan experience?
31:09I have
31:10Christine, could you please provide two tickets to Mr. Pitt here and his Esquire for tomorrow night's show
31:16One will do
31:17Lemuel doesn't enjoy your music
31:19I do like your merchandise though
31:21Healthy margins considering the size of your tour
31:23That's why I own 40% of it
31:26Of my merch?
31:27Forty-five percent
31:28Forty-five?
31:29My bad
31:30I'll look into it
31:31I was afraid
31:33I was afraid
31:34I was afraid
31:38I was afraid
31:39I'm losing you
31:43They lost you
31:56Sounding a little thin without Alex
31:58Larry likes it
31:59Everyone else is freaked
32:03The Stott and his hostage squad
32:06Get me a shot of his latest friendo there
32:09Copy that
32:11Where?
32:12The Cougar Milanese in the crowd
32:15Got her
32:15Got her
32:16No, no, no, no, not her
32:17The one standing in judgment of the Buckeye God
32:20The one from the bus?
32:22Yeah
32:24Okay, now go up from her to the balcony
32:26And get me a frame of pretty green eyes again
32:29Okay, got him
32:31Who is this guy?
32:32He is the story
32:35Who is this guy?
32:38Who is this guy?
32:40Who is this guy?
32:41Mr. Dulac
32:42What brings you to Toledo?
32:45You're looking younger, Daniel
32:47A lot of sights in Manjaro
32:49Bro
32:51I'm still pissed
32:54Wanna brawl it out in the alley after the show?
32:59Alright
33:13I'm still a rock?
33:15The fuck are you going here?
33:16Hold on
33:22I'm still a rock
33:28What the fuck are you going here?
33:29Hold on
33:29Hold on
33:29Hold on
33:29Hold on
33:30Hold on
33:30Hold on
33:31Hold on
33:41Hold on
33:42Oh, I
33:43I tried to write you
33:46The prettiest song in the world
33:50But I got distracted
33:57All I did is
34:01Oh
34:13Why?
34:15Why?
34:16Why?
34:17Why?
34:17Why?
34:18Why?
34:18Why?
34:22Why?
34:26Why?
34:28Why?
34:30Why?
34:31Why?
34:32Why?
34:32Why?
34:33Why?
34:34Why?
34:35Why?
34:41Why?
34:43Why?
34:45Why?
34:46I'm like, Louis won't even talk to me.
34:48He says, not Louis, Lestat, the white guy.
34:51Old friends talking around the small betrayal that kept them apart.
34:55And I know what you're thinking.
34:57He wasn't there.
34:58But this is my hour, and when tertiary figures appear in it, I will be speaking for them.
35:04Daniel, Mr. Dulac, anyone I feel is important towards understanding how I woke the queen
35:10and unleashed her wrath upon the world.
35:12I am everywhere, and rest assured, it comes with less whining than their attempt.
35:19Did it happen in a bar with a view?
35:21I say it did.
35:22How are you taken to the gift?
35:24You adoring?
35:25I'm all right.
35:28Vampire loneliness, I get it now.
35:31I'm picking up bowling, and I have this weird thing that happens where suddenly everyone
35:39around me disappears, like the raptures come.
35:42And I, you know, I feel him.
35:51Armand?
35:53Yeah.
35:55That happened with you and Lestat?
35:57No.
35:59Oh.
36:01Sounds weird.
36:03Look, I'm sorry, okay?
36:05I should have asked you before I published.
36:09I'm sorry.
36:10I would have said no.
36:14I can't fly, I can't start fires.
36:18All I got is the low-hanging balls gift.
36:20I wanted something out of it.
36:22I'm glad the book worked out for you.
36:24Didn't do too much damage to you, or whoever you are.
36:27Thomas Pitt.
36:29Hotels, bars, mall, retail.
36:32I saw money on the table.
36:35You read it?
36:37You liked it?
36:39I didn't like me in it.
36:42Passive.
36:44Selfish.
36:45A liar.
36:47And not the lying to myself kind of fucking liar.
36:51The writing's good.
36:53Hard read.
36:56He didn't like the part about Claudia and him on the train.
37:01Yeah, we were finding our way back again when the book dropped.
37:05It hurt him.
37:09I called one of my daughters the first month dead.
37:14Called her again during the book tour.
37:17Hung up, hung up.
37:20Probably the right move.
37:24I saw Claudia.
37:26In New York.
37:28Coming up the subway.
37:30Claudia?
37:31Someone who looked like her.
37:33But in her 20s, if she'd have made it to her 20s.
37:38Saw her come up.
37:40I watched her turn the corner.
37:42Happened to be going in the same direction, kind of, sort of.
37:47I saw her walk into a diner.
37:50And I couldn't help myself.
37:53I go inside.
37:56I grab a booth.
37:59It's not her.
38:00She's not there.
38:03Chase the ghost, I guess.
38:06If I order a donut and coffee, you know, just to pass.
38:12Then she comes out the back in her uniform.
38:17It's not her.
38:20This one's got a different walk.
38:24Accent.
38:28I'm not in a section.
38:31I walked out.
38:35Don't eat me for this, Louis.
38:38Uh, my producers want to meet you.
38:45Rashid?
38:47Rashid.
38:48Daniel.
38:48Molloy.
38:49Raglan.
38:49James.
38:50Louis.
38:50DuPont.
38:51DuLac.
38:51We all worked together in Dubai.
38:54Virgil Arab.
38:55Now Haven Med Senior Care Headquarters.
38:59Said I'd introduce you.
39:02They got me on retainer.
39:05Not cool, Daniel.
39:09We all agreed about this coming.
39:29What does he know about me?
39:31What did you tell him?
39:33That you died in 1794 of consumption.
39:37Mercy saved you from the peasants' revenge on our family.
39:41I only ever saw the aftermath.
39:44Your slit throat slow to heal.
39:48Your rotting roof and pathrobes stuck to skin.
40:11And we were having such a good night, Sophia.
40:19And now we're known.
40:22Forget her, Saidit.
40:34Your father's tongue.
40:36My tongue.
40:38In Italy never made a boat leer.
40:42I can see them.
40:49I want you to hold my breath.
40:53Mind you?
40:54We falls.
40:56I can see him.
41:08I hear him with some things.
41:10I hear him with my eyes.
41:34We should head home to the tower.
41:39The night is young. We travel so fast, we could be there in an hour.
41:45Where am I?
42:06It's always the terrain that has me. The wind is the most clear and the most beautiful.
42:27The wind is the most clear and the most beautiful.
42:32The wind is the most clear and the most beautiful.
42:38The wind is the most clear and the most beautiful.
42:53The wind is the most clear and the most beautiful.
43:09The wind is the most clear and the most beautiful.
43:33The wind lives eight people and now somehow eight billion.
43:40At some point in your privileged family tree is the thing we are discussing now.
43:46And familiar relations were not a standalone crime in the 18th century.
43:52And she was dying when she came to see me.
43:58It's different for vampires. That's it.
44:01Distribution of fentanyl for half of Michigan.
44:04Operation of an unsanctioned and unsanitary farm from their home
44:08and in a surprising labor of ambition managed to take down the miso power grid the other night.
44:15Not the pneumatic tube the upper floor wants to receive.
44:18So real Rashid is really Rashid? That's his actual name?
44:21Ah. Um, I emphasize the first syllable, Rashid. Rashid. Do you have a preference?
44:29No. I have a plane waiting for me.
44:33This coven in Detroit. They were the ones responsible for the damage to your property.
44:38I'm insured. And, uh, I knew that already.
44:40They tried to decapitate your love.
44:42What's the ask, Mr. James?
44:45Ah.
44:47We would like you to take care of our problem in Detroit, Mr. Dulac.
44:54No.
44:54One, we're understaffed and overworked.
44:57The exponential growth in your numbers not helping matters.
45:00Two, the shop's protocols of engagement limit our roles in these kinds of operations.
45:07We clean up. We don't make the mess.
45:10And three, you're extremely skilled at dispatchment, Mr. Dulac.
45:16Paris, Dubai. How many in Dubai, Rashid?
45:20Thirty-one.
45:20Thirty-one?
45:21Thirty-two if you count Agent Talbot.
45:24No great loss. None of us like too much.
45:26I only kill those who come for me first.
45:28The coven leader's name is Killer.
45:30Tell Vampire Sam I'm gonna need him in Vegas and Reno next month.
45:34Been tracking him since 1925.
45:36A coffin offloaded from a boat out of Copenhagen.
45:40I don't care.
45:42Went by a different name then.
45:44His name was Bruce.
45:50Bruce.
45:52Hmm.
45:53I believe your Claudia spent a few nights with him once.
45:58Hmm?
46:05Listen to tracks from the Vampire List ad wherever you stream music.
46:12Evening then.
46:13Happy to be here.
46:15Give me a million more screams.
46:18Nicolas de l'Enfant.
46:20Restore.
46:21What's he doing in Paris?
46:22Give me a million more screams.
46:28Your mother?
46:33I want you to lie enough to give it to me.
46:42How did I get here?
46:43Sofia.
46:44Sofia.
46:46Forgotten my name already?
46:48Hello.
46:49Sofia.
46:54Within this context of the failures, the first big failure was the failure of his family unit.
47:00Are you a good boy, Lestat?
47:05I want to see your brother, Lestat.
47:07As a kid, his mother was the only person in this very hostile environment who sort of showed him any
47:14sort of affection.
47:15When they first knew each other as humans and Gabriella was Lestat's mother 300 years ago, they lived in a
47:22situation where neither of them had any agency or power.
47:27She had a horrible relationship with her husband and was deeply unhappy and lonely.
47:34There's a lot that you learn about who Lestat is when Gabriella, his mother, shows up.
47:41Now the wolves, they are taking our sheep.
47:43They will snatch a babe soon.
47:45Go on!
47:46There's nothing more we can do here!
47:48But be men!
47:51She knows that if anybody's gonna get up at that table and try to solve this problem with the wolves,
47:57it's going to be Lestat.
47:59The killing of the wolves is connected intrinsically to Gabriella.
48:03Gabriella is saying, go out and be something.
48:08This is Lestat's moment to be like, I'm gonna do something.
48:11I'm gonna make something of my life and I'm gonna go out and kill them, even if I die.
48:23When Lestat kills the wolves, he's 30 years old and in Gabriella's mind, he's been at home longer than he
48:31should have.
48:32From room to room, slaughtering the three of them.
48:36That's what I dreamt when I killed the wolves, mother.
48:39That is a shared desire between the two of them.
48:43And then that's given him enough impetus to get out and go and do something.
48:46He goes to Paris, turns into a vampire, his mom dying, turns his mom into a vampire.
48:57Once Gabriella is turned into a vampire, they both want to go back and kill them and now they can.
49:09She can now live the life she's always wanted to live and vampirism liberates her.
49:15I was absolutely drawn to Gabriella's absolute love of being a vampire.
49:23For her, it is almost like a finding of herself, I think, or certainly the only time in her life
49:31that she has had autonomy and power.
49:35Do you have a lot of sex?
49:37Of course.
49:39Do you like it like you do the blood?
49:42It's never like the blood.
49:43They love each other. I mean, they're mother and son and they're lovers.
49:46I mean, and they're fledgling and maker and, I mean, they're a super complicated relationship.
49:50But they're the only people still alive that both knew each other when they were human.
49:54I think that's really important.
49:56It's like that you know me, who I really am.
49:58You know where I came from.
49:59You know what my fundamental drive is.
50:01And you remember me as a human being before I was this other thing.
50:06So they're deeply connected.
50:08It's toxic, but, you know, everything's toxic in vampire world.
50:25You stole my personal physician.
50:28You trashed my hotel.
50:29I didn't know it.
50:30The Detroit Coven trashed your hotel.
50:32I've heard the songs.
50:32The songs are not about you.
50:34It feels like a cry for help.
50:37So I flew in.
50:39Because I care.
50:40I think Louie's being a complete troll in that scene.
50:43He gets off on making Lister angry, I think, to some extent.
50:46Did you take turns driving across the Golden Gate Bridge?
50:50You held the wheel harder.
50:51Writing numbers on each other's backs and pretending to guess them wrong.
50:55I bet.
50:56I bet!
50:57It's a really fun scene.
50:59It's a real attack.
51:00And he knows he's gonna rile him up.
51:02It was quite strange to go from being this, like, very strong, centered vampire to being just sort of petty.
51:12Christine, could you please provide two tickets to Mr. Pitt here and his Esquire for tomorrow night's show?
51:18One will do.
51:19Lemuel doesn't enjoy your music.
51:22As petty as he's been, I think Louie is looking forward to seeing Lister's show.
51:29I was afraid, I was afraid, I was afraid of Louie.
51:37I think he's also impressed.
51:39This is what he should have always been doing.
51:46A lot of his songs, you don't really know who they're about.
51:49Could be about Louie, could be about Nicki, could be about Gabriela.
51:52It's very on brand for Louie to think every song is about him.
51:55And then on another level, I think there's probably like a gossipy side of Louie that's like,
51:59Who's this about?
52:00When did this happen?
52:02Who is that?
52:02Who is he?
52:03Who is she?
52:04Could be about just the fact that why does he have to feel in general?
52:06Because he's a very emotive character and he kind of gets totally riled up in his own emotions and he'll
52:12ride them.
52:12So I think that can be a frustrating thing.
52:15I mean, he's obviously doing a very intensely power thrusting version of the song and intentionally ignoring Louie until he
52:24can't anymore.
52:42Oh, I tried to write you the prettiest song in the world.
52:53But I got distracted.
52:57When he gets the book and he sees that it's all scribbled and scrawled and I think it's when the
53:03guilt really starts to creep in.
53:05This is the first time they've had a little private moment about it.
53:08Louie has that kind of effect on the start that he, you know, will get so angry that it will
53:12freeze time and fly up to him and sing in his face.
53:15Yeah.
53:15Oh, why, why, why, why do I have to feel the pain?
53:26It's too much to feel.
53:31It's too much to feel.
53:48It's too much to feel.
53:57Why, why, why, why, why, why.
54:00Why, why, why.
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