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LA REYNA DEL FLOW 3 | CAPÍTULO 14
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00:22I wander in a world lost in a dream
00:26I always listen to my heart.
00:31And even though I don't have a penny in my pockets
00:37You chose this dreamer
00:40I can be a star, a singer
00:45The most important thing is that I am the only one for you
00:51Although there are no treasures to be won today
00:56The most important thing is that you are the light for me
01:02You changed my life, it's become interesting
01:06That was the missing piece, that was the important one
01:08The inspiration for a work of art
01:11I can't stop looking at you
01:14I'm a crazy person who never stops dreaming
01:16And what does the world want? To get you to travel
01:19Lady, I want to love you
01:23I don't want to jump
01:25He doesn't move to live.
01:28You and I both know exactly what to do.
01:31She's already asleep, I was falling asleep
01:34We are meant for each other and I knew it
01:37I knew it
01:40I love how you compose
01:43I love how you sing
01:46I love how strong you are
01:51I want to feel that I am for you
01:54And that you are to me
01:56It is my destiny to love you always
01:59And that you are always present
02:01It is my destiny that your kisses
02:04Always live in my body
02:07It's my destiny, even though I don't love you.
02:09Because that has been our luck.
02:12It's my destiny, you drive me crazy
02:14You subdue me from my dreams.
02:17I've met a lot of people here already.
02:20So many stories, so insane
02:23Decent people, supposedly
02:25Manquero, rich and even destitute
02:28But I'll be on my way soon.
02:30Because I know she had the big beak
02:34Child
02:36Oh, how I need that, blondie!
02:38What's wrong, dog?
02:39What is the attitude?
02:40Oh, it's not easy, son, it's not easy
02:43Jamie's absence
02:44The attacks
02:45It's like a stab wound.
02:46After another, yes, egg
02:48Son, I mean
02:49I know for a fact that it's not easy, kid.
02:51What you are experiencing
02:52Yes or what?
02:53But, but, then what?
02:54Don't we die?
02:55Huh?
02:56Dad, you have to take advantage
02:57All that he's feeling
02:58All that pain
02:59To get into the studio here
03:00And lock oneself away
03:01Make yourself new halves
03:03Are you just a machine or not?
03:04Huh?
03:06Go ahead, dog, give it to him
03:08You know what, yeah?
03:09You know what, yeah?
03:10I'm going to get all that pain out.
03:11And all that frustration
03:12Let's do it, then.
03:12Put on a bit
03:14Okay, let's forgive a few issues.
03:15That
03:15Put a bit on top
03:16Are you still studying with Axel?
03:18Nice to meet you
03:19Amaranth, Soria
03:20Okay, Miss Irma
03:21Thank you, Nayulinda
03:22No, it's just that I haven't realized it yet.
03:24I think I'm here with you
03:25You're at home, get comfortable
03:28Hey, could you give me your autograph?
03:30Ah, of course.
03:31Do you have what it takes?
03:33Yeah
03:33Yes, yes, yes, look
03:36Amaranth, Soria
03:38Amaranth
03:44This is the guy you're trying to get me to sleep with
03:47Investigate it
03:54I hope I didn't scare you.
03:57No
03:58No, what happens is that there are always some really crazy people.
04:03But you look normal, right?
04:05And then, if you get cornered by something, you can call security on me, if you want.
04:11No, baldy, I'm not going to call security on you.
04:14But tell me one thing honestly
04:16Of course, with my heart on my sleeve.
04:18How did you get my number?
04:22That's it, that was with one of your fan clubs
04:25Those people are from a resource, right, Mom?
04:28No, yes
04:29Anyway, please excuse me if you think it's an abuse.
04:30No, no, no, cool
04:32Well, they're taking advantage of the situation by sharing it, aren't they?
04:34Yes, yes
04:35But oh well, it doesn't make him feel cool.
04:39Okay, tell me about yourself then.
04:41About me?
04:42Uh-huh
04:44Well...
04:46I'm also an artist
04:47Well
04:48Yeah
04:49Singer or what?
04:50No, no, no
04:51Composer
04:54Well, I don't know if it's the best of all.
04:57I have no voice, but I do have feelings.
05:00And of course, the idea of someone listening to what you're doing is complicated, isn't it?
05:05But I don't give up
05:08And in that, you are my inspiration.
05:09Oh, so cute, buddy
05:11Thank you so much, really
05:13You?
05:14That's awesome, that's awesome, really.
05:16I hope you dedicate yourself to art and create something cool with that inspiration.
05:19That's true, definitely.
05:20Yes, that's what I'm working on.
05:22Well, I'm polishing a song I composed
05:25It would be an honor for me.
05:27If someone like you can listen to it and give me their opinion
05:34Yeah?
05:34No, buddy, well, we'll see you there when you finish it, we'll see you there
05:38That's it, that's going to happen
05:40That's awesome!
05:42No, Irma, the man has no criminal record.
05:45No criminal record of any kind
05:47It seems he's just an admirer of yours.
05:49No, yes, yes, Angel
05:50I got exactly the same impression.
05:52Okay, let me know if anything comes up.
05:55Bye
05:56There she is, Maiko, again
06:05And what does he want now?
06:07Let's activate that for Eric.
06:12From one
06:17Let's mortify them a little
06:20So that Charlie and his clowns don't fall asleep
06:31Ready
06:44Son, I am alive
06:45But I can't go back yet.
06:47Your dad's plan backfired.
06:52Malparios
06:57Many children of their mother
07:00And what was more expensive?
07:02I want to play with my head
07:04Catch yourself on that
07:08Oh, son
07:12Son, I am alive
07:13But I can't go back yet.
07:15Your dad's plan backfired.
07:19Oh, Nia
07:21The worst part is that there are pairs of your mom.
07:24Well, obviously, she's not your mom
07:27But...
07:27What a hothead, man
07:29Come, accompany me
07:30Come
07:31Andeo, asome
07:33Shoot like your dad
07:35Wait
07:38They are her eyes
07:40His charisma
07:41It's her skin and her smile
07:43They're inviting me
07:45That excite me
07:47That's me, the princess.
07:49That's it
07:49That's it
07:50What monster?
07:51Who are you talking to?
07:52I thought you were working with Sky
07:54No, nothing, kid
07:55Here composing
07:56Throwing out lyrics, you know
07:58What happened?
07:59All good
08:00All good
08:00Nothing, I'm just organizing my schedule so I can look at gigs and artists.
08:04That
08:04And while we're at it
08:06Recharging caffeine and you
08:07Do you want me to bring you one or what?
08:09No, everything's fine, son.
08:10I'm exhausted.
08:11I'm leaving a
08:12Oh, oh, oh
08:13In a good way, then
08:14Judicious
08:15Yeah
08:15Give him a hug
08:17Oh, oh, oh
08:18Ah, come here
08:19What about the car key?
08:20Ah, Ramiro left them with Ayu.
08:21With Ayu?
08:22With Ayu, daddy
08:23Okay, then
08:23The good one
08:24Am I being taken care of?
08:25Same here, kid
08:27What drug
08:32Oh, Nani
08:33That didn't sound very rude.
08:35That was the idea
08:36I don't want any more misunderstandings.
08:50What's the silly little guy saying?
08:52Is everything alright?
08:52So
08:54Do you have a minute?
08:55Yes all ok
08:56Leaving Solán
08:57You're going
08:58What happened?
08:58Tell me
08:59Tell me
09:01Huh?
09:04Rea!
09:05That's it, my friend!
09:07That!
09:10That's it, well, from here!
09:11Let's go, let's go!
09:12Let's go!
09:13Charlie!
09:14Let's go!
09:15Let's go!
09:15Charlie, is everything alright?
09:16Let's get started!
09:17Let's get started!
09:21Charly, is everything alright?
09:26Charly
09:27Charly
09:46Charly
09:48No, no, no
09:48Do me a favor
09:49I stepped out for a moment
09:50And look, if Charly is around
09:51I was just talking to him
09:53And at another moment I heard
09:54Talk to someone else.
09:55And then nothing.
09:55What do you mean, nothing?
09:57What do you mean, nothing?
09:58Well, I'm going to talk to myself.
09:59I don't know, I have a really bad feeling
10:01Did I go out?
10:01Yeah?
10:02No, but don't worry.
10:03Suddenly the call dropped.
10:05But it's also why I'm reviewing it today.
10:07All good
10:20Let's go, Rhea!
10:21Hey, let's move out of here!
10:22Let's go, let's go!
10:23Let's go, Cucho!
10:24Hey!
10:25Let's open up, let's open up straight ahead!
10:26Pass it to me quickly!
10:27I don't mind!
10:27Pass it to me!
10:28Vue, hue, hue, hue!
10:28Hey, Cucho!
10:29Go to the posh girl, man!
10:30Call the police
10:31No, no, no
10:32Call the police
10:33No, which police officer, my love?
10:34No, no, no
10:35Yoyalmán left
10:37Yeah
10:40What does that plague want with us?
10:43We already know that Jamie is gone
10:47Torment us
10:48To screw up our lives
10:48That's what those people want.
10:49That's all
10:51But I can control myself
10:52I can be okay
10:54Handling the situation that worries me
10:55He's my dad
10:56Oh, yes.
10:57He can't find out.
10:58He can't find out
10:59Please, Axel
11:01He's been trying to get well
11:03By Alma
11:04By Vanessa
11:04For you
11:05And this would honestly be a huge reversal
11:07Axel, commit yourself
11:09I'm surprised, Mrs. Alija
11:10When I've been a gossip
11:11Many times
11:12But at that moment
11:13He's not going to talk to you about that.
11:15Yes, that's what needs to be done
11:18Quickly, please!
11:19Quick, quick!
11:20Quick, quick!
11:22But nothing
11:23I'm not going to see anything
11:36You're not going to see anything
11:43Okay, so, here it is...
11:45Hey, Fajder, cheers!
11:47That's because I got rid of the little plaque from Giraldo's hands.
11:51We're ok.
11:52Oh, Rubén.
11:53I'm bored with everything now.
11:54Don't pretend you didn't see me, okay?
11:56Oh, look, what a coincidence.
11:59Look what he brought back from the river.
12:02So.
12:03Go ahead, give them to him.
12:05We're already full.
12:06How long have we been here?
12:08No, no, not much.
12:09Oh, not much?
12:10In other words, we started somewhere else.
12:12Or what?
12:13Am I really missed? Has the hounds set me up or what?
12:16I kept dreaming.
12:17Then you must ask questions that you are no longer anything.
12:20Ah, yes, after that.
12:22Okay, it turns out I'm not resentful and he wants to order a beer
12:25And hang out here with us, all relaxed,
12:27Letting things flow, they're good friends.
12:33What's he going to do to you?
12:34That?
12:34Oh, how many times have I told you?
12:36That?
12:37That?
12:38Imagine if Charly brings an emergency, man, to the hospital, pal.
12:42But it's okay.
12:43What happened to him?
12:44Ah, what do you think, man?
12:45He was stabbed.
12:47But he handled it, didn't he?
12:49So, then.
12:51Well, I'm not going.
12:53I'm going there or not.
12:54That's already a lot.
12:57But I said to him, "Where did you go?"
12:59Where was he stabbed?
13:00Yes, guys, look.
13:00Dr. Chury is coming.
13:01She was the one who greeted me, Charly.
13:04Doctor, Mr. Cruz arrived with internal bleeding
13:07produced by trauma from a bladed weapon.
13:10Surgery is coming.
13:11Once we're finished, I'll let you know.
13:15Oh, I can't believe it.
13:17The girl cannot be left without a father and a mother.
13:19Oh no, no, no, no, no, no.
13:21No, no, no, no, no, no, no, no, no, no, no, no.
13:21Look at me, look at me, look at me.
13:23That's not going to happen.
13:24Everything will be alright.
13:25Everything will be alright.
13:26Let's ask God.
13:27What are you doing?
13:28Do you want us to pray?
13:29Together for a little while.
13:30You can see that Charly is very strong.
13:32There it is.
13:33He didn't have to come with me either.
13:35Oh, what do you mean no, honey?
13:36I have the right to visit my man.
13:38Soranga.
13:39And those faces?
13:40Oh no, they killed him.
13:42No, they killed him.
13:44What are you doing?
13:45What are you doing?
13:46Shh.
13:47As?
13:47Too bad.
13:49Have you heard anything about Charly?
13:51Parcerita, well, not much, to be honest.
13:53He is currently in surgery.
13:54We're waiting to see what happens.
13:56And how did you realize he was here?
13:58Dude, he's talking to Charly on the phone.
14:02If she doesn't warn me, the man won't even count her.
14:05No, and we still don't know if the account.
14:07My son is going to live because he has many reasons to do so.
14:10Yes of course.
14:11Oh no, come on, I'm just too Christian.
14:14Then I would like...
14:15Doña Ligia knows how to pray the rosary suddenly.
14:18No, well...
14:18Okay, let me know if anything comes up.
14:20Okay, I'm on it.
14:21Hello good.
14:22That?
14:22How are you doing?
14:23What you're doing is making me Charly's friend,
14:25Yes, and I work with...
14:27Yes, yes, yes, I know who you are.
14:28Riquemme told me that you warned him about what was happening.
14:31Yes, yes, because...
14:33How did you find out?
14:33Mor!
14:34Mor!
14:34No, just a second.
14:36What happened?
14:37They already told you something.
14:38No, we're looking at the cameras in the area.
14:40But it's a...
14:41No, nobody saw anything, nobody knows anything.
14:43At this time there are no witnesses to anything.
14:45No, no, you know what?
14:46It's a good crime to start talking to the bargains.
14:47that we have in the commune
14:48So that they can help us find those piros, yes or no?
14:50Yeah, dude.
14:51I just don't understand what kind of animal it is.
14:53unfortunate Montepiltrufio
14:55is capable of doing something like that.
14:57You know what?
14:57That's in those fires that don't have it red hot, dude.
15:02Look, Angel, when I found that person,
15:05Bring it to us and tell us to our faces.
15:07Why does he hate my son so much?
15:09But what do we teach him?
15:10Are we on it?
15:11Hey, let's get out of here, let's go, let's go, let's go.
15:14Let's stop, you bastard!
15:16Let's stop, you bastard!
15:16Yes, yes, yes!
15:18So what do you have?
15:23Nothing?
15:27Rustel?
15:31Yes, I think it was his voice.
15:34No, but stay a moment.
15:36Do you believe it or are you sure?
15:39Because if you point it out,
15:41And that's not true, it's very serious, Yara.
15:43I know, ma, I'm not sure.
15:45That's why I wasn't able to say anything to the commissioner.
15:47Because Doña Lilla was there, along with her whole family.
15:50They are furious.
15:51And with good reason.
15:53Furthermore, if something happens to Charly, don't say that.
15:56Don't say that, don't say that.
15:57We agreed that we're going to stay positive.
15:59You told me that Charly is a very strong person
16:01And he also has a daughter.
16:04I know, ma.
16:05And she has a lot of work to do for it.
16:06No, but if Roswell happened, all those people hate me.
16:10But why?
16:12Because I am guilty.
16:13Don't say that.
16:15Why not, Mom?
16:16Who brought Roswell into Charly's life?
16:18Well, me.
16:19No, but you can't blame others for your own mistakes.
16:22No, ma'am.
16:23Let's just let the police do what they have to do?
16:26No.
16:28But not.
16:30If Roswell was the Germans' fault, what we need is proof.
16:33But bandier, then.
16:36Mother!
16:37Nana!
16:38You're not going to tell him anything.
16:40You're not going to express it, but also, well.
16:42So, Nana, we're here.
16:44Oh, what's up?
16:45Hey, no.
16:46Why did you leave me there with those people?
16:49My love, I didn't see you.
16:50Me neither.
16:51I was in the bathroom.
16:52But what about it?
16:53Have they said anything about Charly or what?
16:55Oh no, nothing.
16:57There's the lady, the little coin, the mother-in-law.
16:59That's more like saying he's dying.
17:03Well, I think we're doing this too.
17:04Yes, why don't we just go home and have Riquelby tell us what's going on here?
17:09TRUE?
17:10Yes, yes, yes, let's go.
17:11Tired, let's go, now.
17:12Oh, it's been a tough day.
17:16The attack on Charly Flow has generated great concern among the public.
17:22More precisely, among his fans who have approached the entrance of the El Peñol hospital,
17:28where the singer is being treated.
17:30While prayers, chants, and good wishes are expressed here,
17:36The whole world is wondering who is leading this war against the kings of Flow.
17:44Whoever ordered Charly to be stabbed must be filled with rage.
17:51But yours is bigger, isn't it, sir?
17:56A lot, Madrone.
17:59Because I just don't want to see him dead.
18:04I want to see him suffer many years before.
18:12Like such a vain person.
18:17Watching her leave, saying goodbye to her hair.
18:22How she sees wrinkles appearing on her face.
18:26How she is losing her voice.
18:29How he's getting fatter.
18:31How his tongue is rotting away.
18:34And that in the meantime, he still has the conscience to see how I take away his loved ones.
18:41and I'm making a mess of the product because of what it has.
18:44Until one day at the end,
18:47beg him to throw it off a cliff
18:51or have him locked up in a psychiatric hospital.
18:55For the poor.
18:57Because I swear to you, I'm going to make sure he doesn't have a single damn cent left of all the
19:02money he has now.
19:05And I know you know how to do that kind of work.
19:09I can do it, sir.
19:10You know what?
19:11It doesn't matter what it costs.
19:13Very good.
19:15What do you want me to do now, sir?
19:18Now?
19:21Now?
19:22Now,
19:23The best way to thank this stranger for his gift is...
19:31taking advantage of it.
19:36So...
19:37What's up, my girl? Everything alright?
19:38What did they say?
19:39No, well, my friends are still in intensive care.
19:43We stayed with Doña Ligia all night.
19:45He refused to listen to her.
19:46Look at how she is.
19:47No, of course not.
19:48Isn't it that they don't let him see it?
19:50Well, I know Charly will get through this.
19:52Yeah.
19:53He is very strong and...
19:55And she has everything to live for.
19:56So...
19:57Everything is going to be alright.
19:58Or did you see?
19:59Amen, amen, my friend.
20:01That's how it's going to be.
20:01That's how it's going to be.
20:02Mrs. Ligia.
20:04I came here.
20:04Ligia.
20:05Doña Ligia.
20:07That?
20:07Bye.
20:08Oh, that's great.
20:09I'm going to go see your son.
20:11Oh.
20:11Is he out of danger now?
20:13The critical hours after the procedure have passed.
20:15The bleeding is under control,
20:16but since it sounds abdominal,
20:18I prefer to wait and see how it develops.
20:21And we can go and see it.
20:22Can I go in with her?
20:23Yeah.
20:24It would only be a moment.
20:25Something quick.
20:26Please, it's his son.
20:28Because when he opens his eyes, we'll both be there.
20:31Please.
20:31OK.
20:31Thank you, thank you.
20:33Have?
20:34Have?
20:35Have?
20:38Well, what a guy.
20:39Thank God.
20:40Yes or what?
20:41That's great.
20:43Oh my God.
20:44Thank you, Paz.
20:45Hey, but while the monster is out there fighting for its life,
20:49that?
20:49The cops do nothing.
20:50They're not going to do anything about the pyro leathers or what, huh?
20:53The cops in this city are overwhelmed, Paz.
20:56That's great.
20:57I saw it.
21:00Oh, my love.
21:14Hi, dad.
21:17I'm Erick, your son.
21:23I'm here with Mom Ligia.
21:27And outside it's all sombadas.
21:30Your second family.
21:32We are all praying, asking God for you to come back soon.
21:37We're going to find those who did this to you.
21:40But you, focus on recovering because you have the strength, because you have the fire inside you.
21:51I love you.
22:01I'm coming, I'm coming, love.
22:02Already.
22:12Oh my God.
22:15Oh my God, please give it back to me in good condition.
22:19That boy has been through so much, really.
22:23But you've also paid for all the bad things he's done.
22:27Do me a favor and let me have it for a little while longer.
22:32My love, my love, my life.
22:36My love, here I am.
22:38Here I am, my love.
22:41And I'm going to stay here until you recover.
22:47I know that suddenly, Jujo, you're missing Jamie a lot.
22:52But you can't leave yet.
22:55Look, you have to see Alma grow up.
23:00Take care of her, protect her.
23:02To see in the woman she is going to become.
23:05And believe it or not, look, Erick and Vanessa are tough guys, but they still need you a lot.
23:15Oh, my love.
23:16And me, please don't leave me.
23:21I need you.
23:24I can't live without you, Charlie.
23:28You are the heart of this family.
23:32Sir, what talent do you have for snoring, right?
23:34You're going to swallow it, we'll see!
23:35This!
23:37What happened now, man?
23:38They don't leave you alone.
23:41Mother hip, little one.
23:43What do you want?
23:44So, what's he going to do?
23:45We have to give the jartina to the other one.
23:47Walk on, let's see.
23:48Okay.
23:49Good!
23:53Good, my lord!
23:54Good!
23:55The veterinary clinic is not open yet.
23:57No, no, don't worry.
23:58That's not what I came here for.
23:59I'm looking for a woman.
24:00Haven't you seen her yet?
24:03Look, it's her.
24:06No, I don't know who that is.
24:08Oh, and you two live in this very big house.
24:12No, son, we don't live here.
24:14There are just the two of us, but we don't live here.
24:16Oh, my friend, and are you Cisclo?
24:18To Cisclo?
24:19Were you telling me about Cisclo?
24:20No, nothing, that gentleman is not here.
24:22Ah, well, calm down.
24:23I'm asking you if you've suddenly seen a woman.
24:27No, nothing, I haven't seen anyone.
24:29Wait, let me show it to you.
24:30Look.
24:31It's her.
24:32Hey.
24:34No, no, nothing, friend.
24:36Well, we asked for permission because we have quite a bit of work to do.
24:40Oh well, good luck to him.
24:42No, nothing, no.
24:57Let's see if that doesn't happen.
24:58That.
25:09That.
25:09Maria.
25:13I'm exaggerating, this woman looks like she's dead.
25:15It looks like a dead cow.
25:16Nothing that wakes up.
25:18And on top of everything, the other one was asking her.
25:21On.
25:22Who is that toad?
25:24Besides, he looks like us, a real go-getter.
25:27God.
25:28It must be the one they sent to look for her, mine.
25:30But it's clear, don't you see that's what he said?
25:32What will happen if we hand over the queen as she is?
25:35He probably won't give us a single penny.
25:37Mine, mine, calm down, calm down, mine, because of what's happening to her...
25:41Oh man, look how he reacted.
25:43This isn't going to solve anything.
25:46Arm yourself.
25:47And what we have to do first is give that lady her medicine.
25:51so that it can be encouraged, then it can stop on its own.
25:54and we can take her to a relative.
25:56to collect the reward and the little bit of money.
25:58I don't know, sir, no, it's just that...
26:02Sir, that man gave me a bad feeling.
26:10And do you know what will happen if our little rhina dies?
26:12Do you know what's going to happen?
26:15They're not going to accuse us of kidnapping her,
26:18but they're going to accuse us of killing her.
26:21That's it.
26:22What is the fourth if you are a detainee?
26:24Why are we like this?
26:25But what fault is it of mine, or anything like that.
26:27Carmese, mine.
26:29Man, if we throw something up there, that's it.
26:33Let's go for it.
26:34And that toad who came to see what we're going to do with her.
26:36Ah, if it's not going to taste bad, man, calm down.
26:39You say that I definitely don't know if he's very innocent or if he's just stupid.
26:42Boyfriend?
26:43If that evil that came looking for here, they will return to this area.
26:48But that's true.
26:50The fire queen isn't going to die on us these days.
26:53And I'm not going to be left without my money either.
26:55We can't stay here for long.
26:57No, otherwise we won't have anything left.
26:59Instead, we're waiting for the cycle to come with the horse medicine to cure this old woman.
27:02He doesn't even come with me to see if I've eaten anything.
27:05Come on.
27:10I understand as if I had already spent a whole life in that disgusting jungle.
27:15But I'm not going back unless it's to fill the cockroach queen's holes.
27:18That's why she's so cute, squirrel.
27:43Goodbye, now.
28:02Dulio.
28:08What's up, buddy?
28:10I hope for good news.
28:13Yes, confirmed.
28:15I'm here at the vet.
28:17The woman you are looking for is there.
28:19Yes, yes, yes, yes.
28:23We didn't succeed, we didn't succeed, we didn't succeed.
28:27And is it with you already?
28:29No, not yet.
28:30Well, a couple of tricksters have it, but I don't care, do I?
28:33Well, what are you waiting for, you idiot?
28:35Grab it and take it with you.
28:36So what's the decision?
28:37Do whatever you have to do to keep us happy.
28:39Or he dies.
28:40Oh no, no, boss, don't say that.
28:42I even have a place to hide it.
28:44I'm just waiting for nightfall to go in there.
28:46Because it's safer to travel with her in the city.
28:49Dulito, don't screw it up.
28:52We'll leave it pending then.
28:54He keeps us informed.
28:55Okay, ma'am.
28:57That evil will not be able to.
28:59It's going to be our turn to go.
29:01Let's hope the beast turns out to be sensible.
29:05Evil.
29:08Sit down.
29:09Sit down.
29:15Head.
29:17Have they arrived yet?
29:18Yes, yes, I'm done.
29:20Very good.
29:20And what did they do to divert the police's attention?
29:23Because that guy is dangerously and rapidly connecting the dots.
29:27Swear to me that he can't find out about them.
29:30I assure you, Cabeza.
29:31I already checked that and there's nothing there.
29:33Remember that the network is where the Kraken moves undetected.
29:36Furthermore, we planted some false clues for them to create a connection there, but it's impossible for them to detect us.
29:42Yes, yes, yes.
29:42I've been told that many times, but it still worries me, Chacón.
29:47What do we do?
29:47Head.
29:48Pila, sardicha.
29:50Imagine we're playing with him like a cat and mouse.
29:54When the police think they are close, we divert them by creating networks of anonymity.
30:00And furthermore, we encrypt our identity with Onion Routing.
30:04It's impossible for them to detect us.
30:06Which means that just when they think they've reached their goal, another path opens up.
30:12And that leads her in another direction and another...
30:15And well, it becomes practically an endless path.
30:18Stop, stop, stop.
30:19Because the idea is not to make me dizzy.
30:21The idea is that this shit works, you know what I mean?
30:24Don't worry, it's going to work.
30:25Very good, very good.
30:27Okay, I hope so.
30:28I will give you new information shortly for you to develop.
30:31Ready.
30:32We'll be in touch, Cabeza.
30:39Don't interrupt me again.
30:43Squirrel!
30:44Squirrel!
30:49This couple is so crazy and they make such a mess in the 3D world
30:54If it weren't for the fact that I have no idea about digital technology, I would have already opened them up about this.
30:58Oh, Lord!
31:00You're right about that.
31:02But those guys are really good at that.
31:05What can be done?
31:06They're geniuses when it comes to technology.
31:07Holy shit!
31:12Call Maria Nilla.
31:13Yes sir.
31:18Say, guard, guard.
31:41Call Maria Nilla.
31:42Halo?
31:43One moment.
31:44You are online.
31:46What is that, dear?
31:47Is everything alright, sir?
31:48Yeah.
31:50Look, I have a new task for you, but you have to be more of a troublemaker than ever.
31:54More troublemaker?
31:56Excuse me, sir.
31:58Excuse me, but...
31:59I think I'm really making myself look bad with this attack on Charlie and his people.
32:03Tell me one thing.
32:04What the hell do I care?
32:05No, well, I know you don't care, but I do.
32:08Because I am the one who is putting myself at risk.
32:10And too much.
32:11And well, I don't want people to turn against me, right?
32:13Let's see, what people?
32:15Tell me.
32:15Well, what kind of people are they going to be?
32:16Charlie's fans, the queen's fans.
32:19Those people are kind of extreme and a little crazy.
32:21And it can even be dangerous.
32:22So I suggest we let things calm down and that's it, if I stop losing followers.
32:27Because that hasn't stopped happening over and over again.
32:30I'm the only one screwed in this war.
32:32Wait a little bit.
32:33Don't you understand that I'm giving orders?
32:36Am I not asking you for favors?
32:37No, no, no, sir.
32:38I'm not saying that.
32:39Did you know?
32:40I pay you a fortune compared to the crap you earn with your job.
32:44All you do is spew venom.
32:47And that's what you do best.
32:49Rosa, let's do one thing.
32:51Save me time, because I have nothing to lose.
32:53Tell me, do you want to keep making easy money or should I find another maid who likes to talk shit about
32:59Charlie and all those lice-ridden kids in that gang?
33:02No, don't worry, sir.
33:04I'll take care of it.
33:07What's wrong with me for being a jerk?
33:10She must be over there with my sister, doing what I have to do.
33:14Who doesn't tell me to do this nonsense?
33:37It's no secret that on this channel, Charlie Flow is always making headlines.
33:44But not for good reasons, kid.
33:46No.
33:47What happened has sparked several theories.
33:52What do you think?
33:54Do you think that Charlie could have staged the attack himself to pose as a victim?
34:00Oh, oh, oh!
34:00He's done worse things.
34:02That's not even that serious.
34:04What he's doing is pure theater.
34:06And what about this other version?
34:08Where does it say that the attack on Charlie was carried out by a fan in love with the queen?
34:15Because she wants to take revenge on this man who was involved in her disappearance.
34:19Huh?
34:19Huh?
34:19People just aren't buying it anymore.
34:21People no longer believe the police when they say the singer is innocent.
34:38Oh, love, that opinion came out really heavy.
34:42She's hot, isn't she?
34:45I'm going to generate likes simultaneously with fake news and link them to bots so they replicate them on
34:51treats.
34:52Ready.
34:53I'm going to continue with the automation of the program to simulate human interaction.
35:03Did you know?
35:04Do you know what I want?
35:04When they find the person who did that to Charlie, they should bring them to us and tell us to our faces.
35:09Why does he hate it so much?
35:17Her ex-boyfriend?
35:18Yes sir.
35:19Are you sure that's the voice you heard last night?
35:22Well, 100% sure, right?
35:25Because he hadn't told me before.
35:27Well, I'm afraid I might be wrong.
35:29I mean, I don't know if it was Roosevelt or not.
35:31But just thinking about it, don't hit them all night.
35:35That's why I came.
35:38Look at him, sir.
35:40Come with me.
35:43Install security cameras for me.
35:44Those are the most, do me a favor, Aris.
35:46Yes sir.
35:53Those are the security cameras from the site where Charlie Stabbed fell.
35:57There.
35:59That's the crooked one.
36:01What?
36:03Fader's motorcycle, Roosevelt's friend.
36:05That's it.
36:06Well, how do you know?
36:07A motorcycle like that and a thousand others in Medellín?
36:08Oh no, well, I messed with that motorcycle.
36:10I changed the suspension.
36:11And that tank, I know it like the back of my hand.
36:14Hey, put it right back there.
36:15Yeah.
36:20There.
36:21Do you see how that motorcycle shakes when it arrives?
36:22That's because I didn't change the cribs.
36:25They messed up the payment and I left it like that.
36:27And that's why I put the crooked one on it.
36:28That's it.
36:30No, but that doesn't mean I can get an arrest warrant either.
36:35Okay, then let me help you.
36:38I know those guys like the back of my hand.
36:40I know how to corner them.
36:41So, how could you possibly think I would put you at risk?
36:43At risk of what?
36:44On the contrary.
36:46I know them so well that I know which button to push to make them mess things up.
36:50Let me help, okay?
36:53Well, then they're going further than the operation.
36:55I'm going to talk to my senior.
36:56Please put a bag on me and do me this favor.
36:58Ah, there's one very important thing.
36:59I need to record everything I talked about with them.
37:02Ready?
37:02Shall we do it?
37:03Okay.
37:04Wait for me here.
37:04That's fine.
37:10Charlie, murderer!
37:11The fanatic gave you what you deserved!
37:15Charlie, you're sold out!
37:17We are not with you!
37:20Charlie, murderer!
37:22The fanatic gave you what you deserved!
37:23Listen, listen, listen, listen.
37:24That's not true.
37:24Listen, my family, my children, my dragons.
37:26Please listen.
37:28What the fanatic is saying is not true.
37:30The police have not made it official.
37:31None of my mom's fans attacked my dad.
37:33Please stop the harassment.
37:36Stop, please, I'm begging you.
37:38Please, thank you for your support, but it's not like that.
37:40Please stop.
37:42Really.
37:42Hey, no, please!
37:46Not unemployed.
37:48Everything that is happening today is Marinilla's fault.
37:52That guy crossed the line.
37:53It goes about 15 kilometers.
37:55Honey, my dad didn't want us to do anything against that guy.
37:58But no more.
37:59I am in front of the company.
38:01And I'm going to call my mapabón so we can put a jenanda on him.
38:04That's the spirit, monkey.
38:05Very good.
38:07No more.
38:20No more.
38:26Mr. Marinilla calls himself a seeker of truth.
38:31But it's quite the opposite.
38:32He is a spreader of lies and discord.
38:34And it's time to stop it.
38:36Because we're not going to allow him to keep attacking my dad.
38:41This man not only spreads misinformation, but also encourages his followers to commit violent acts.
38:48like the one my dad was a victim of.
38:50Unfortunately, we don't know who attacked him.
38:53But what we are clear about is that this man has to stop the harassment against him now.
38:59And for this reason I sued him on behalf of my dad.
39:03For insult and slander.
39:05And I hope this forces him to appear before the public media and clarify all the outrageous things I've said.
39:10said on behalf of my dad.
39:11No, no, no.
39:48What are you doing here?
39:53Don't worry.
39:54Yeah.
39:56Severe!
39:56Severe, come here!
40:00Come on, get moving!
40:01Get moving!
40:03Hold it tight, come on!
40:05Keep it up!
40:08Hold it tight, come on!
40:10Careful!
40:11Hold on tight, Severo, or he'll get away!
40:20Severe!
40:21He killed him!
40:22He killed Severo, damn it!
40:24No, no, my daughter, if I...
40:26What are we going to do?
40:28My daughter, yes...
40:30Oh, what are you doing here?
40:32Goes?
40:32What are you doing here?
40:35Well, Samu, I imagine you already have chicken ready because you're getting hungry.
40:41Oh, I know, Tito.
40:44What's going on here?
40:47Thank God, what happened?
40:48My brother, my brother, it was an accident.
40:49What is the accident?
40:50Something broke on you.
40:51That man stuck it in here with a machete.
40:53Imagine that...
40:54What is the accident?
40:54He is dead.
40:55So what are we going to do now?
40:56What do you mean, what are we going to do?
40:57Nothing, you have to leave.
40:58Please do me a favor, otherwise I'll call the police.
41:00Myself!
41:01They're leaving!
41:01They're taking that old woman away!
41:03They're taking that guy away!
41:04They're leaving!
41:05We'll go, yes.
41:08Come on, come on, come on.
41:14There's no way, Fader.
41:16There's no way they'll find out what we did.
41:18Shh, shut up, you idiot.
41:20It's ridiculous, those cameras can't see a damn thing, man, because every area is so dark.
41:24But I told you that the area had to be studied beforehand in order to make the return trip.
41:28So that he can learn from the sensei.
41:30A venio, parcejo, sí.
41:31You know, they are.
41:33So.
41:34What are we celebrating?
41:35No, Fader, I definitely think that old woman really needs me, that's for sure.
41:39What a persecutor, such a son of a bitch.
41:41I know very well what you did.
41:43Pair of rats.
41:45Because we didn't do anything.
41:47Do you have to?
41:48We sucked up to Cindy, to Mayerly, better, huh, yes or no?
41:51Yeah.
41:52Just as good as stabbing Charlie outside the company.
41:54That good.
41:57Stab?
41:58Who said that?
41:58Stab what?
42:00That?
42:01And they're going to get into serious trouble, because they were caught on camera multiple times.
42:04Not in one, not in two, but in many.
42:07And how do I know?
42:08Because I just heard Charlie's mom talking to the police.
42:11Don't speculate, you.
42:13He's talking shit.
42:15She's crazy.
42:16Crazy.
42:18Fader, dude.
42:20How did you let yourself be convinced to do such a stupid thing?
42:23Or are you aware that you ruined your life because of this idiot?
42:27But hey, you still have time.
42:29If you confess and tell what happened, I know you can negotiate something better for yourself.
42:33Think about it.
42:34No, no, I, I didn't want to, no.
42:36Hey, shut up, man, you don't know anything anymore!
42:38Shut up, I know what I'm talking about!
42:41They identified your motorcycle and know perfectly well that it's you.
42:44And you know what the worst part of this is?
42:46That you're going to pay more than him.
42:48No.
42:48Don't look at him, look at me.
42:50Look at me!
42:52Speak up, okay?
42:53Don't leave your mom grieving because of this stupid thing you did.
42:56You're not like that.
42:57No, no, that wasn't the idea.
42:59Hey, the worst one's falling!
43:01Hey, the worst one's falling!
43:01Hey, the worst one's falling!
43:01Hey, the worst one's falling!
43:03Hey, the worst one's falling!
43:04Hey, the worst one's falling!
43:05Hey, the worst one's falling!
43:06He deserved it more for being a snitch!
43:08You and I were fine until that whore showed up.
43:10Get things into your head!
43:11You were going to achieve success, fame, right?
43:14And you started to change with me.
43:16You started to see me as insignificant.
43:17You don't know what that feels like.
43:20Are you that wrong, dude?
43:22Wrong, you.
43:23Who do you think you are?
43:24A lot of things.
43:25You're nothing, home.
43:27But you got inflated.
43:28You inflated yourself with a little ball.
43:30Oh, you stupid girl.
43:31Stupid?
43:32Pal, home, you're not going to amount to anything.
43:34Did you know?
43:35That?
43:35I'm not going to let anyone mess with you.
43:37Because you are mine.
43:39You just don't understand.
43:40And if you're not with me, then you're not with anyone.
43:43Don't touch me, Jarechín!
43:44Oh!
43:45There you are, rat.
43:46She earned it.
43:47Stay still, stay still!
43:48National Police!
43:49Get down!
43:49Get down!
43:50I haven't done anything, sweetheart.
43:52Hey, Yara, what happened here!
43:56Did you sell me out?
43:57Oops, you sold me out, bitch!
43:58Take it away, take it away!
43:59That's not going to stay like this, Yara.
44:01Did you warn me?
44:02Hey, seriously!
44:03Yara, come on, don't wait!
44:04Yara, my love!
44:05Come on!
44:06I love her very much, I adore her, my daughter.
44:09Don't do that to me!
44:10Did they record everything?
44:11I recorded everything.
44:12What is it?
44:13For the job.
44:17There they are taking him.
44:17Pilar, all units outside.
44:19Wait for us outside.
44:48Thank you!
45:18Thanks for watching the video.
45:40Thanks for watching the video.
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