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LA REYNA DEL FLOW 3 | CAPÍTULO 12
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00:22I wander in a world lost in a dream
00:26I always listen to my heart
00:31And even though I don't have a penny in my pockets
00:37You chose this dreamer
00:40I can be a star, a singer
00:45The most important thing
00:48That I am only for you
00:51Although today there are no treasures to give
00:55The most important thing
00:58You are the light for me
01:02You changed my life
01:04It's gotten interesting now.
01:06That was the missing piece, that was the important time
01:08The inspiration for a work of art
01:11I can't stop looking at you
01:14I'm a crazy person who never stops dreaming
01:16And what does the world want? To get you to travel
01:19Lady, I want to love you
01:21I know everyone's feeling down because of all the videos
01:26Memes that are on social media, on the internet, etc., etc.
01:31So, what do I show? What are we going to do? Are we going to waste all that networking stuff or what?
01:34Nothing can be done, and frankly, I'm not interested.
01:38But, Dad, what do you mean no?
01:40I don't want that to be the last image people have of my mom
01:43Me neither, son
01:45But it's something we can't control.
01:47What we can control
01:49It's that each one of you
01:51Don't let all that crap get to you.
01:54What's outside
01:55Now, do you know the story of the flies and the bees?
01:59That?
01:59No, don't you know?
02:01No, that's not it.
02:02Nobody, don't mess around
02:03Do you?
02:04Yes, I think so
02:05How is?
02:06Don't bees not waste time explaining things to flies?
02:09Why is honey better than shit?
02:11Yes, yes
02:11Isn't that it?
02:12Yes, yes
02:12Exactly
02:13And do you know why?
02:14He was the one who knew you, liar.
02:15And do you know why?
02:16Because flies won't understand.
02:17They're used to eating shit
02:19Ah
02:19Basically
02:20That's why I want us to be bees.
02:23Let's buzz
02:26With all of Sol and Bass
02:28Full of talent, of discipline
02:30This isn't about proving what I did or didn't do to Jamie.
02:34No, that's perfectly clear.
02:36It's about getting Sol and Bass off the ground
02:40Let's focus on the flowers
02:41It's not shit
02:43No, yes, Dad
02:44That's very mature of you, Charlie.
02:47Yes or no?
02:48But with a Thursday spirit
02:49Yes, yes
02:50And that's why the first thing we're going to do is
02:53It's the hit single from...
02:56Hurricane Irma.
02:58That shit!
03:00Which has been working independently
03:03because he earned it, because he deserves it,
03:06for his career, for his wisdom.
03:08Thank you so much for all your trust, Charlie, seriously.
03:11Everything's fine, you deserve it.
03:12And on the other hand we have the music video for...
03:16Beetle!
03:17It's going to be a resounding success, guaranteed.
03:20Still.
03:20And, and, and, most importantly...
03:23No, to work hard.
03:24So everyone needs to get to work, that's it, let's get to it.
03:26The thing is...
03:27Make us old.
03:30We'll get all dolled up if you do...
03:32Everything is expensive!
03:33All!
03:34Hey!
03:34All in all, right?
03:37It turns out we're going to give it a face and a name
03:41to the hurricane admirer.
03:44Very good.
03:47But we need to find a decent person, sir.
03:51We can't put just any random person in there because the bald woman will get scared.
03:56No, no, no, no.
03:56I thought it was perfect.
03:57It can't be any of the filth here, excluding you, right?
04:01No, that, that's easy too.
04:03Uh, I know a drama school.
04:05There, you can go and look for it there.
04:06Don't worry, sir, I've got your file.
04:11Does he have to be a good actor?
04:13Yes, that boy does theater.
04:16But it seems he's never had any luck and is feeling more empty.
04:20He's a distant relative of mine, and I'm very good friends with his dad.
04:24And that family is in great need of money.
04:27Your relative?
04:28Because he has to look really good.
04:30She has it.
04:32Furthermore, and most importantly, sir, he listens.
04:36And that's what we need.
04:41That seems perfect to me because if he listens,
04:44I don't want it even with eyeliner on my eyes.
04:48Not with earrings, not with glasses, not with anything.
04:52Looks good, but is just average.
04:54Yes sir.
04:59What you see at the beginning will hook you.
05:03But don't play with me, I might leave you invited.
05:05But envy and ill-willed love are unforgivable.
05:11And it hurts more if they are the ones you love and they want to silence you.
05:17That one knows that it runs through my veins, it heals me and makes me dream.
05:23I can feel the whisper inside me, knowing that I can find you.
05:28Because this one knows it's in my head, it's the fire and it's my song.
05:34I'm moving forward with all my dreams and nobody can stop me.
05:42From Bethlehem to the world.
05:45Sky?
05:48Sky?
05:48Sky?
05:53Oh!
05:54Oh, Aume!
05:56What did you think of her?
05:56That shot turned out really, really cool, dude.
06:00Are we getting her hooked right away or what?
06:02Are we getting her hooked right away?
06:03Okay, go ahead.
06:04Do it right away!
06:05Uncle!
06:06But it is awesome.
06:08It's awesome, it's super awesome.
06:10Very good, congratulations.
06:13And what about you?
06:15What about?
06:17Well, you're all hairy.
06:21No, well, I was...
06:25Thinking about Jamie.
06:28That's how we worked.
06:30Here, together.
06:33We really went all out with the music.
06:37She helped me with the lyrics, to make them powerful, because that's for sure, undoubtedly,
06:48It's the best.
06:49The queen, princess, oh my God.
06:54And I swear to you that every day I wake up and say that I'm going to be okay for my family,
07:00For my son, for me, but the day goes by and I get kind of down.
07:04Which is normal.
07:06Sadness must be experienced, and overcome, but everyone does it in their own time.
07:12Well yes.
07:14And this helps me to sing, to compose, to be here with you.
07:21And it's turning out great.
07:22Yes or what?
07:23Yes, this collaboration is very good.
07:24Well, I say, I say.
07:28No, if you want, we can leave it like this, and if you want, I'll appear in the video; if not, no, it won't happen.
07:34nothing, then.
07:34Ah, yes, I want to.
07:35Yes, if you want.
07:37Let's see.
07:40Of course I want to, of course I want to.
07:43Look, this is an honor for me, man.
07:45Also, this song will be way cooler with you.
07:48No.
07:48I know, I know it's true.
07:49I know it's true.
07:50Oh no, well.
07:52Again or what?
07:52No, yes, if you want, if you want.
07:54Of course I want to.
07:56Marino, put it back on then.
07:58I'm sorry to bother you, Maranto, to have to come like this, so suddenly, but we have to make the most of the day.
08:03Visit, right?
08:04Nothing, Mr. Hielber, you have always been of quality to my family.
08:09Rather, tell me, what is the purpose of this? I didn't quite understand, sir.
08:13It's very simple, man.
08:16It's like an artistic exercise, isn't it?
08:19We give you a script, you learn it.
08:22You play the role of the gallant and that's it, everyone's happy.
08:30But this isn't an illegal act that I have to do, is it?
08:32What are you saying, Maranto?
08:35No, man.
08:36Are you not an actor?
08:37Your parents say you are the best actor in the world.
08:39If it doesn't work for you, then I'll find someone else.
08:40No, no, yes, it's me, of course.
08:43And how much are they paying for that?
08:44Five million pesos each time he meets with the contact.
08:47She's so beautiful.
08:48All for the love of art, right?
08:51We're starting to understand each other, aren't we?
08:58This is the contact photo.
09:00The hurricane.
09:02Do you know her?
09:03Who doesn't?
09:05Well, I really like urban music.
09:10Excellent.
09:17I think the part where you come into the song is awesome.
09:21The perfect costumes, the perfect makeup, dancers, obviously, since Coloso will take care of that...
09:29Oh, what?
09:30No?
09:30Suitor or what?
09:31Oh, this guy's meat.
09:33So you believe me, or what?
09:34Besides, after Roosevelt I think I'm going to become a nun.
09:37Oh really?
09:38Yes of course.
09:39How are things with you?
09:39Well, for a while, until after I'm canonized.
09:42Oh, really?
09:43Ah, no, that sounds good to me, that sounds good, very good.
09:45It was my mom asking why I hadn't arrived yet.
09:48In that way?
09:49What time is it?
09:51No way, that's the time.
09:53No, no, no, wait, I'm so sorry about your mom, man.
09:55No more, Dad, let's go.
09:56No.
09:57Do it.
09:57Well, I mean, I have no problem staying longer.
10:01I mean, I'm really excited here, because I think we're inspired.
10:04Well, no, look, I have no problem staying.
10:06But if you want...
10:08No, no, me neither.
10:09I'm used to staying up late.
10:11Jamie and I were always hanging out here, making music.
10:14And I've always thought that when work isn't an obligation, but a passion, it's different.
10:18Pure passion, then.
10:20Well, they were absolutely right.
10:22They achieved everything they did for a reason, didn't they?
10:25That's right, that's right.
10:27Okay, shall we continue?
10:29Yes of course.
10:29Look, I have some good ideas.
10:31Please, let's continue then.
10:33The thing is urban, right?
10:35But with cumbia.
10:36So I think that even if it's just a small step, it should go with cumbia music...
10:39Okay.
10:40Well, let's see, Colombia, our land, so much, a tri...
10:43Oh, that's mine, that's mine.
10:45Wait, what a shame.
10:46She's my mom.
10:47He's with me.
10:47Wait, yes, wait.
10:49Wait.
10:50Well, we'll wait.
10:51Oh, I'm so sorry to bother you, love.
10:53I know you're busy, but look, the gentlemen here have already finished.
10:57Everything turned out beautifully.
10:58Exactly the same, exactly the same as they were.
11:00Beautiful, yes.
11:02Yes, the problem now is the little girl; she doesn't want to eat, she doesn't want to sleep, she spends all her time screaming.
11:09He wants to see his mom, he wants to see you.
11:11I don't know what to do anymore.
11:13I even kicked myself.
11:14No, don't worry, I'm on my way, don't be anxious. Relax, I love you.
11:19Okay, see you later, love.
11:23No, it was my turn.
11:24No, of course not, no, no.
11:25There's nothing to do.
11:26Go ahead, take care of her, I'll clean everything up and we'll see each other tomorrow, okay?
11:29Yes, I know, man, how messy.
11:30Everything's fine, everything's fine.
11:31We are inspired.
11:32No, everything's fine, everything's fine.
11:32No, but you know what? Just wait.
11:34And if we continue at home, I already have everything, I'll put Almita to sleep and we'll keep going.
11:41Well, it's your house, isn't it? If you don't mind, let's go.
11:44No, no, let's do it.
11:45Yes, yes, definitely.
11:46We'll continue there, then.
11:47Well yes.
11:48So as not to kill the magic, right?
11:49Oh, what a sin, Almita.
11:50I don't know, my little princess.
11:52But it's all good, come on, leave that here.
11:56Did you hear?
11:57Chimba a casa.
11:58At your service.
12:01Is this where the explosion happened?
12:02Right here.
12:04This turned into Wednesday, the door too, but oh well, it's all ready as new now.
12:11No, that's what I see, like a little cup.
12:13Come on, follow me.
12:14Stop by.
12:17Oh.
12:19Look.
12:20Now then, welcome.
12:22My house is your house.
12:23I continued.
12:24Leave things there.
12:25Yes, yes.
12:26Get comfortable.
12:27Not a bit of a pain.
12:28Ah, a little bit.
12:29I'll be right back.
12:30Acel is in your house.
12:31All good?
12:32Everything's fine, everything's fine.
12:33You eat the chicken.
12:34Let's see.
12:34I don't want to.
12:35You eat it.
12:37Alma, do me a favor.
12:38What is this strange story you're making up?
12:41Okay, okay, okay, what's going on?
12:41So what's going on?
12:43Look, this thing doesn't want to eat.
12:44So what's going on?
12:45What do you mean, man?
12:46Come and eat, then, come and eat.
12:47The little airplane, the little airplane, look.
12:49Oh, not the little airplane, let it eat.
12:52The little airplane.
12:55My love, princess, what else is it?
12:58She talks, talks, talks, that's what she lacks as a child.
12:59A pizza, a hamburger.
13:01Hello good.
13:02Hey, look, aren't you ashamed of the bike?
13:03Oh, how are you?
13:04Look.
13:04Very good.
13:05Do you remember?
13:05From Sky.
13:06Hello, Almita.
13:08Princess.
13:10And what is that wonderful thing your dad is giving you?
13:13Reply.
13:13Eat, you're going to get sick, please.
13:16Soul.
13:19Well, I have another idea.
13:22Should I eat it?
13:24Yes, of course, because I'm so terribly hungry.
13:29Yes, and that looks very good.
13:31Oh, he's going to eat it.
13:33I am therefore able to leave that plate sparkling.
13:37This or me?
13:38What do you mean? What do you mean? Didn't you say you didn't want to?
13:40Well, if I want to.
13:44Let's do business.
13:46You eat all this, because it's yours, right?
13:49And I'll prepare something for myself afterwards.
13:51Seem to you?
13:55And can I eat this green stuff?
13:59Ah, no.
14:01Yours?
14:03Oh, I'm going to get some juice to try this.
14:05Me?
14:06Shall we both eat?
14:07Go ahead, but then you'll eat one too.
14:11That's it, Choquiz.
14:13That's great.
14:18Look, a little chocolate bar and everything.
14:25Well, the little princess ate everything, she behaved very well.
14:30Now it's time to rest and dream of the little angels, then.
14:34But with my mom too?
14:35And with Mom too, of course.
14:39Do you want me to sing you a song?
14:41Yeah?
14:42No?
14:43What do you mean, no?
14:44Do you know how many people pay to listen to Dad?
14:47OK that's fine.
14:48Do you want me to stay here with you, sleeping, the two of us, snuggled up here?
14:54No.
14:55What do you mean, no?
14:56In that way?
14:57And then?
14:59Oh, calm down, love.
15:01Go to work, I'll stay with the girl, right, my love?
15:04No.
15:05Neither?
15:06Grandma, so what?
15:08I'm going to stay with Sky, because I like her a lot, I love her.
15:13Ah, Juanma.
15:14She did, I didn't.
15:15Ah, well, everything's fine, well then.
15:17I don't have a problem with that, do I?
15:20Well, I don't know.
15:21Well, me neither.
15:22No, well, too bad, they replaced me.
15:24Okay, do it.
15:24I kept going, everything was fine.
15:26I'm leaving, I'm leaving sad, I'm leaving sad.
15:29They've been ousted, but there are still good hands left.
15:34Okay, see you later, kid.
15:36See you later.
15:36Come on, blessing.
15:37Goodbye, Grandma.
15:42All good?
15:43All good?
15:43Are you sure?
15:44Yes, I won't be long at all.
15:46Princess, rest, then.
15:47I love you.
15:49The blessing.
15:52Yeah, man.
15:53Okay, I'm leaving, man.
15:54They don't like me, man.
15:57So, Almita.
16:01Tell me, what do you want me to sing?
16:03Yes, because I have a new song, but I need someone as expert as you to listen to it.
16:08Do you want to listen to it and tell me what you think?
16:10Yeah.
16:11Okay, but let's do one thing.
16:14We're going to snuggle up, we're going to look for some sleep.
16:19Don't you have a little stuffed animal...?
16:20Hey, look.
16:22What's the name of this big-headed guy?
16:23Well, stubborn one.
16:25Ah, of course.
16:27That makes perfect sense, right?
16:28Okay then, let's sleep with the big head.
16:31Come here and I'll cuddle it for you.
16:33Okay, fine.
16:34There you are.
16:35Are you there?
16:37Okay, fine.
16:38Here it goes.
16:39You tell me later.
16:44How crazy, I always wanted to meet you.
16:50I heard you sing and I started to dance
16:55With that flow to the rhythm of that demon
16:59You, the princess, and I almost died of love.
17:03You were my idol, my first love
17:09You were my inspiration
17:14Now it's different, you're in my heart
17:19That's as far as I've gotten.
17:21What did you think?
17:22You like me?
17:23Yeah.
17:24What else do you want me to sing?
17:26Well, son, I'm leaving now.
17:28Mom, thank you so much for taking care of Almita.
17:32I'm the best.
17:32I love you.
17:34Well, not really, because I couldn't even get him to eat or sleep.
17:39And then this young girl arrived and...
17:42Are you jealous, Mrs. Ligia?
17:44Huh?
17:44No, no, not at all.
17:47I am sure that Almita knows very well who her grandmother is and how much I love her and everything.
17:50But anyway, why did you bring this girl here at this hour?
17:54Because when you called we were in a creative process and we didn't want to interrupt it.
17:59That's why.
18:00Why? What's wrong?
18:01No, I think it's time to go to sleep, isn't it?
18:05Lie down?
18:06It's super early.
18:07What are you taking about?
18:09Yes, but the girl gets up early and we have to take care of her and everything.
18:12Do you know?
18:14What are you thinking, Mom?
18:16Tell me.
18:20God bless you, son.
18:22Amen.
18:23Tell Ramiro to take you.
18:24Don't take a taxi or anything like that.
18:27I love you, I love you.
18:29I love you.
18:32Oh, oh, oh.
18:51Incredible.
19:27Don't take a taxi or anything like that.
20:01Don't take a taxi or anything like that.
20:05Doña Brenda must have the creed in her mouth.
20:11Hello, Mom?
20:12Yara, where are you?
20:14Mom, forgive me, yes, forgive me.
20:16I didn't answer his calls or messages, but...
20:18Did you stay in Solambás?
20:20No, no, no, ma'am.
20:22I didn't stay in Solambás.
20:25I stayed at Charly's house.
20:27Someone like that?
20:28Hoarse?
20:30Yeah?
20:31Somewhat less.
20:32How did he do it?
20:35My God.
20:36So you didn't sleep well, princess.
20:39And did you dream?
20:41Yeah.
20:41Yeah?
20:41With what?
20:42With the pink plush toy.
20:44Oh, how beautiful.
20:46Charly, I'm sorry about you, it's true.
20:48I don't know what happened.
20:50I slept more than a depressed koala.
20:52It's like your bed has sleeping pills in it, Anita.
20:55Well, I'm not blaming her or anything, it's just that I barely woke up.
20:58I even stood up and hit myself with a little stick.
21:00Hey, everything's good, everything's good.
21:02Calm down.
21:03Breathe.
21:03Good morning.
21:05I continued.
21:06We're having breakfast.
21:07Join us.
21:08Oh, good morning, my love.
21:09Look, here you have pancakes, fruit, tamales, arepas, chorizo, bread, whatever you want.
21:17Go ahead, keep going.
21:18Everything looks great, but I'm leaving now.
21:21Yeah.
21:22I already slept here, I'm not going to eat either.
21:24No, no, no, forget it.
21:25You made me, I am grateful for the favor.
21:27The least I can do is help you.
21:29I continued.
21:29Please sit down.
21:31Yes, sit next to me.
21:33Oh, no, well, now yes.
21:35How can I say no, huh?
21:36I continued.
21:38What do you want?
21:39Pan de bono, waffles, frutica, tamala, arepita, whatever you want.
21:43Well...
21:44You look skinny, but I know you're into it.
21:46Yes of course.
21:47I'm a good spoon, son.
21:49What do you think?
21:49I love it, I love it, it's great.
21:53And you come here.
21:56What did you think of the video?
21:58Why did you throw the bomb there, and don't tell me you ran away or what?
22:02Listen to my aunt.
22:03Well, that's all I'm saying.
22:04I am a man of my word.
22:05Yeah.
22:06That's going to happen, no matter what.
22:07So you got in the video?
22:10One hundred percent, it's a fact.
22:13Absolutely confirmed.
22:14Absolutely confirmed, that's for sure.
22:16I love it.
22:17Oh, because they're hitting the table like that.
22:20What happened?
22:20Mother.
22:21What a friend.
22:22I can.
22:22How are things with you?
22:23Okay, and you?
22:25Okay, here I am having breakfast.
22:28Doña Eligia, how are you?
22:29Young man.
22:29Hey, honey, how are you?
22:30Are you still here?
22:32Imagine.
22:33Don't bother her, she fell asleep last night while Almita was sleeping.
22:38Oh, yes.
22:39Oh, well, thank you.
22:40Look what it brings you.
22:41Oh, what's that, Mercado?
22:42Well yes.
22:42Mom, don't worry.
22:43It's like having a lettuce that's rotting.
22:46No, I have something better.
22:48Home.
22:49And it's very good.
22:50Thank you, Mom.
22:50Yeah.
22:51Sit down, join us.
22:52It's good.
22:53No, no, I already had breakfast, thank you.
22:55I'm going to eat this.
22:56Are you sure?
22:56Does he die?
22:57Come, join us and Mom for a little while.
22:59Come.
23:00What, what?
23:01What do you mean, Mom?
23:03How come he stayed where she was?
23:04And why are you telling me that so calmly, aren't you?
23:07What's wrong with that slippery thing? How can it get stuck over there?
23:10Okay, Soraya, first of all, do me a favor and don't give your sister the slippery look
23:13what's that.
23:14And you calm down.
23:16She stayed there because she had a job.
23:19Or what are you imagining?
23:21It's as if you didn't know her.
23:23No, Mom, it's because I know her that I'm saying it.
23:25And that's because I work.
23:26Oh, if only they called it work now.
23:28No, no, no, no, no.
23:29Okay, no, then tell me, tell me what you were doing so I wouldn't
23:33think badly.
23:33Well, I just told you, my love, that she stayed there because they're working, they agreed to...
23:37spend the whole night straight.
23:39And Almita, Charly's daughter, asked him to put her to sleep, and Yalta got stuck to her.
23:44the blankets and she remained normal.
23:46Oh, Mariela, yes, no, totally normal.
23:48How helpful she is!
23:50No, that's just being shameless, brazen, and a freeloader.
23:54How are you?
23:55How are you going to go and have a snack over there, Mom?
23:57But what's wrong with that?
23:59If she had previously helped him with the girl.
24:01What a twisted mind you have, really?
24:04Was she writhing, Mom?
24:04No, ma'am, it's just that I'm not you.
24:06Do you think I haven't noticed?
24:08Yara is dragging Charly along.
24:11That?
24:11No, shut your mouth, that's not true.
24:13Oh, no, that's not true, no, of course not.
24:16Because, as you see it, Mrs. Yara, she is the perfect daughter,
24:20I'm always the worst, right?
24:22But you know what, Mom?
24:23At some point, the blinders on your partners will fall off.
24:26And you'll realize who your daughter really is.
24:28Where are you going?
24:29Oh, yes, yes.
24:30Would you do me a favor?
24:31Soraya, don't leave me, you've been served.
24:34Soraya.
24:37How is every inch of skin I have?
24:39But luckily for you, miss, we've arrived.
24:50And where did he find the camera?
24:53Look here, boss.
25:11This is the same framing.
25:13Yes, look, that's exactly where you can see the woman going to find herself.
25:20And what else is there over there?
25:22Apart from the mountains and the bugs.
25:24Well, more jungle, my lady.
25:26And one or two small hamlets.
25:28And some secluded estate.
25:30But well, it's quite slow.
25:33We must follow the established course.
25:36Angele, then.
25:46Hey, imagine that the boss made me super attentive to Sabia's clue.
25:53Right, Marinito?
25:54Hey, what's that for, like?
25:56Oh, tell me.
25:57Charlie is going to be featured in Sky's song and video.
26:02Is that a bitch or what?
26:04Oh, no, yes, obviously.
26:05Very cool.
26:06No, it's just that everyone knows that with Charlie.
26:08That's going to be a tote.
26:10But why so surprised?
26:11Well, the one you knew about.
26:12Didn't you see your sister?
26:13Oh, no, yes.
26:14Yes, but she probably forgot because she's so busy.
26:18So now that you've told me, I'm going to do my duty and get to work looking for the
26:23changing rooms based on them.
26:25So I'll leave it at that, Marinito, be sensible.
26:27Hey, he's laughing.
26:28Okay, it's time.
26:51How are you?
26:52What's everything like?
26:52Everything's good, buddy.
26:53So, are we ready?
26:54Let's do it.
26:55Well, I was reviewing what they sent me about the video.
26:58It's cool, but listen, I need, I'm feeling like this needs more skin, more heat.
27:08Fever, what?
27:09Oh no, why bother, I don't agree, it's not necessary either.
27:12We can play a really cool seduction game.
27:15We do it elegantly, calmly.
27:18That sells more than anything, you know that.
27:20Come on, come on, buddy.
27:22I think I speak for Sky here when I say that you prefer what we sent yesterday, right?
27:26Yeah.
27:27Like you on your side, I come and go, okay?
27:29More relaxed.
27:30No, no, no, no.
27:31Didn't you like the idea or what?
27:32No, please, old Charlie, get serious.
27:36I need you to understand me.
27:38I need to tell a story.
27:40This is a great opportunity to do something decisive.
27:44Did you know?
27:45I'll buy it from you.
27:46Zapatero is a shoe.
27:48And you're the best at making music videos.
27:49Yes or what?
27:50Let's do it.
27:51That's the spirit, old Charlie.
27:52This is going to be one of your best artists.
27:54And look what I'm telling you.
27:56Never put limits on creativity.
27:59Okay, more for that one.
28:01That.
28:01No, come, come, wait, wait.
28:03That?
28:04Are you sure?
28:05Won't you feel uncomfortable?
28:06Yes, yes, I'm sure.
28:07What are we talking about?
28:08What? A music video?
28:09Nothing, we'll do it.
28:11Come here, help me stick on that little eyelash that came out crooked.
28:14Yeah.
28:14Oh, you scratched yourself.
28:15What gray hair is this?
28:16Oh, you scratched yourself.
28:17No, no, no.
28:18Restless.
28:19If I want to live, nobody lives for me.
28:25I will not stop or cease dreaming for a single moment.
28:31I grew up in this neighborhood, everyone here is my friend.
28:36Like a small bird that jumps out of the nest without knowing how to fly.
28:41But envy and ill-willed love are unforgivable.
28:48And it hurts even more if they are the ones you love and they want to silence you.
28:54She knows that she runs my sorrows, heals me, and makes me dream.
28:59I can feel the whisper inside me, knowing that I can find you.
29:05Because she knows she's in my head, she's the fire and she's my song.
29:13Cut, cut, cut.
29:15Yes, yes, yes, yes, come, come.
29:16I'm kind of, no, I'm kind of distracted, but everything's fine.
29:19Tell me, what needs to be done?
29:20I'm creating something perfect.
29:21Yeah?
29:21I'm creating perfectly, everything is going very well.
29:23Ah, thank you very much.
29:24Chimba, chimba.
29:25But, right at this point, when we're about to enter the outro, you know?
29:28After the battery line that's there.
29:29Crystal clear.
29:30That's precisely the part, Charly, where I need you to start getting closer to Sky.
29:34But slowly.
29:35Okay.
29:36Slowly.
29:37Okay, okay, okay, everything's fine.
29:38Come.
29:38So what would it be like?
29:39Look, you're here, right?
29:41You were dancing here.
29:42Yes, yes, yes.
29:42Right from the beginning of the outro.
29:43Yeah.
29:43Let's dance, let's give it a try.
29:44Exact.
29:45Flying like a rag doll.
29:46Okay, okay.
29:46Exact.
29:46Like here, okay.
29:47You start to get closer to her, but not too close.
29:50Okay.
29:50Not so much.
29:51Yes, bring it a little closer.
29:53Okay.
29:53Like here or what?
29:54That's it, there, there.
29:56You can put your hand here.
29:58That's perfect.
29:59Keep dancing, keep dancing.
30:00With your other hand, look at this idea; with your other hand, clear his neck.
30:05With your other hand, clear his neck.
30:07Keep dancing.
30:07Okay, okay, okay.
30:08Wait.
30:09Clear here, there's the neck.
30:11Come on, relax, loosen up, we need a gesture for the video.
30:14Okay, sorry, sorry, sorry.
30:15At that moment when their neck is clear, you're going to kiss their neck.
30:20Okay.
30:22Okay, okay, a kiss here.
30:23Just a little kiss like that, okay.
30:24Yeah.
30:25That.
30:25But you have to be on top of the plan.
30:27No, don't wait, don't wait.
30:28It has to be on this plane because of the lighting, Charly.
30:30Yes, yes, I know, but wait.
30:31I believe, I believe, and I'm speaking again on Sky.
30:34I don't think that shot is necessary.
30:36Well, one kiss is a bit much, isn't it?
30:38Well, anyway, let's see, he wants a quickie, yeah.
30:41You die from a bad habit and then we decide what to do with it.
30:45Thank you.
30:46There it is.
30:46But listen, Charly, Sky, listen to me carefully.
30:49This is a game of seduction.
30:51We have to get closer, move away, look at each other, but still almost without touching, okay?
30:59Okay?
31:00Until the moment of the kiss on the neck.
31:03Okay, fine.
31:04Yes, let's record it, shall we?
31:05Ready?
31:05Do you agree?
31:06Let's do it then.
31:07One more time here, please.
31:07Here I am again, coming out.
31:08Yes, okay.
31:09Please, yes.
31:10Is Talmina the whole?
31:11Uh-huh.
31:12Okay.
31:12Jump me.
31:13Perfect.
31:13I'm just messing around here, you know?
31:14That.
31:15What do you think, Charly?
31:16Good, right?
31:17This.
31:18That.
31:19That's where you start to get involved.
31:21That.
31:22Remember your neck.
31:23Perfect.
31:24You keep dancing.
31:25Okay, I'll remove hair here.
31:25Just a second, wait, wait.
31:27Quito pelo aquí, pin, y ahí.
31:29That's it, you give her the kiss right there.
31:32That.
31:32After that moment, you'll turn around here.
31:36Okay.
31:36Here.
31:37And they stand face to face.
31:39But be careful not to touch your lips.
31:41Without touching their lips.
31:44Wow.
31:45What a great plan we have.
31:47Let's get to the positions, please.
31:49All good?
31:51Yeah.
31:51Are you sure?
31:52Yes, yes, yes.
31:53Yes all ok.
31:55Let's do it, then.
31:56Yeah.
31:56With everything.
32:02I have the key to being happy.
32:05I can give to you, I can share with you.
32:08Because everything is inside me.
32:11There are colors in the shadows, scars on my hands.
32:14In the laughter of the moon I leave my madness.
32:17What I lack I don't seek, it sustains me.
32:19And so that no one believes in me, let them know.
32:22Let them know that you love me, I'm straightforward, I'm mindless.
32:25I'll take you to the club and steal a little kiss.
32:29I can't help it, I want more and more.
32:32If you're going to test me, this isn't going to end.
32:35The way I move, the way I vibrate on the dance floor.
32:37And I know what you want, I'll come and you won't be able to resist.
32:40What you see, you'll only get addicted at the beginning.
32:43But don't play with me, I can leave you inside me.
32:46I'm going to be like new again, like I feel on the dance floor.
32:49And I know what you want, I'll come and you won't be able to resist.
32:51What you see, you'll only get addicted at the beginning.
32:54But don't play with me, I can leave you inside me.
32:57I want envy and bad love.
33:00It's something that cannot be forgiven.
33:03And it hurts more if they're the ones you love.
33:06And they want to silence you.
33:08That sap that runs through my veins heals me and makes me dream.
33:14I can feel the whisper inside me, knowing that I can find you.
33:20Because this wisdom that's in my head, is fire and is my song.
33:25I'm going forward with all my dreams and nobody can stop me.
33:33From Bethlehem to the world.
33:37Skai?
33:44Skai!
33:49Court!
33:50Damn, I only gave him one thing.
33:52What did you think of it?
33:53What a cool video!
33:56What gossip!
33:58Oh, how beautiful!
34:00What an artist, my God!
34:02To my brother, thank you for your trust.
34:05To you, my love.
34:05Well, everyone, thank you very much, team.
34:07We're off the air.
34:11Thank you very much, my man.
34:13Thank you very much, then.
34:15Thank you so much.
34:15Thanks for everything.
34:16Gossip.
34:18Come on, nana.
34:19Don't take too long.
34:21Yes, hurry up, I have to remove all that makeup, those clothes, and wash your hair.
34:25Yes, yes, yes.
34:25Yes, yes.
34:25I'm coming, stubborn one, I'm coming.
34:26Don't delay.
34:27Well, don't tell me.
34:29Everything's fine, Soraya.
34:30In good times.
34:31Thank you.
34:34So what then?
34:35Congratulations, then.
34:37Did you like it or not?
34:38Yeah.
34:40It energizes me!
34:41Look.
34:42Charlie, thank you very much for offering me a ride, but I don't think it's necessary.
34:46Yeah.
34:47Because I'm with my sister, so, well, it's kind of a no.
34:50No, well, everything's fine.
34:51We also took her to Soraya's, it's fine.
34:53Uh, no, it's just that I think she's taking her time, yes.
34:56It takes a while because of the makeup.
34:58What's the rush?
34:59We're waiting for her.
35:00It's okay, everything's fine.
35:02No, no, there's no rush, it's just that we're going to a friend's house.
35:06I have a friend who lives, well, very far away, way up on the hill, way up there.
35:10Ah, okay.
35:10In the commune?
35:11Yeah.
35:11Manrique, Belén.
35:13I know the whole commune.
35:14No problem.
35:15So what's going on?
35:16Speak clearly to me.
35:16What's happening?
35:17Hey, look, it's just that I feel sorry for you.
35:21Yes, because you have that car, you know, all flashy and they recognize you there, they steal a mirror,
35:27something.
35:27A production van?
35:28Does that sound good to you?
35:30Yeah?
35:31Yeah.
35:32Okay, a production van then.
35:34Oh, God.
35:36Production, do me a favor, get me a little something to take Esca and Soraya home, please.
35:42Thank you so much for everything, guys.
35:44Good job, man.
35:46Ready.
35:47Happy.
35:48Yeah?
35:49Thank you.
35:51Oh, wait for me there.
35:54Chacón, talk to me.
35:56Would it be possible for you to come to my office today, Mr. Cruz?
35:58I need to give a new report to the investigation.
36:01What happened?
36:02Tell me something.
36:05I personally prefer it.
36:06We don't know if your phone is being tapped.
36:09Okay, then.
36:10I'm on my way there now.
36:11All good.
36:12Princesses, thank you for everything.
36:14Thank you.
36:14See you tomorrow, then.
36:15Thank you very much.
36:17Everything turned out spectacular.
36:18You're the best, aren't you?
36:19Thank you.
36:23And then?
36:25So what?
36:26Well yes.
36:27She won't be able to tell me how it went, how she felt.
36:31Ah, yes.
36:33Well, to be honest, a little strange.
36:35Oh, you weirdo, Bea.
36:37Yes, a little strange, because...
36:38Well, Colosso had a very different concept.
36:41Yes, about what we had talked about.
36:43That?
36:44That?
36:45Are you going to keep looking at me like that, all weird, or what?
36:46Oh no, but I look at her like that because you...
36:48Oh no, it's just that I felt weird, very weird.
36:50Well, I didn't find it so strange when Charles was already rhyming everything, when he started, oh, with the little kiss for
36:54Here, a little kiss over here.
36:55This one, well, I did feel strange, I felt strange because you know that "Sabia" is a song that talks about
37:00My life and I thought that's what we were going to do here, but no, that was all just skin deep.
37:04Pure sensuality, just like everyone else does.
37:07Furthermore, I...
37:08Besides, what?
37:11Nothing, come on, I think the band should be out.
37:14Oh no, but don't get like that either, nana.
37:16No, no, no, my dear, please do me a favor and thank God, because that glass turned out very
37:21pretty.
37:27Zori.
37:28Look, boss, there are two friends over there, maybe they can tell us where the nearest hamlet is.
37:32Let me speak.
37:33Yes sir.
37:35Hey friends, how's it going?
37:38Uh, look, sorry, just a quick question.
37:42We are looking for someone, and maybe you saw them around here by the river.
37:48Well, very few people pass through here, or at least not that I can remember.
37:53We're paying very well for the information.
37:55Yes, how much are you paying?
38:02No, no, no, no.
38:27What if you didn't see the faces of nuns or what?
38:39Still.
38:40And now, my friend.
38:43Is he going to loosen his tongue or not?
38:45Where did he see the woman?
38:47Tell me.
38:49I appealed to life a few days ago in a fisherman's canoe; I was sick.
38:55Where?
38:56Near the Entre Ríos basin.
38:58And he saw that it wasn't so difficult.
39:00Do you know where it is?
39:02Thank you very much, and I'm sorry, but that's life.
39:07Then.
39:14Requiselo knows it's useless and we'll route it.
39:16Boss, but why did he do that if he collaborated with him?
39:20Why can't witnesses be left?
39:23And that's the last time you question me, okay?
39:28It's just a mess, that's what it is.
39:31Oh no, I felt super uncomfortable making that video with Charles.
39:36Uncomfortable?
39:36No, how awkward would it be to give that hot daddy a little kiss, right?
39:40A little kiss here, another little kiss there.
39:43No, that's very uncomfortable.
39:45Candle?
39:46I respect that you are speaking on behalf of my future husband.
39:48No, look, Maidola, that guy is mine, he's mine and mine alone.
39:52And so I have to do him a favor, a certain thing, that man is going to be mine.
39:55Well, honey, you know I support you, but I'm going to tell you one thing.
39:59I don't think it's a good idea for you to get into a fight with Skaya right now.
40:02You see, this is the moment when I have to start handling what they call the bass
40:07profile.
40:08Well, I have to be super cool with her to know what she thinks, what she's like.
40:12that she feels.
40:13Sure, that's like saying it's easy.
40:17I have to keep a close eye on her.
40:20Watching to make sure she doesn't get too close to my husband.
40:23To her husband? Baldy, I see her very convinced.
40:27Charlie, what if he throws something at you?
40:28Oh, obviously.
40:29Obviously, if that guy is dying for me.
40:31Oh really?
40:32What, what?
40:32You should see him, the thing is, lately, poor thing, he's been very sad.
40:38Also understandable, then, because of his ex-wife.
40:41Oh yes, that's why.
40:42No, it's my turn to be there, Bea, be alert.
40:45Be careful, because as soon as the papaya fell, he failed to console him.
40:49I'm not letting go of it again, I hope never.
41:18Look, patron, this whole area is between rivers.
41:21And further on is where it's called Bajío.
41:26Pass me mine.
41:41Hey, are you staying there?
41:44Yes, ma'am.
41:58Say it now.
42:13Love.
42:16Wait.
42:18Wait, wait, wait.
42:25Is it clean?
42:28Is it clean?
42:52Soul.
42:54Is it clean?
42:55The queen of life.
42:56Marvel.
43:02Does it go through a battery for that?
43:07But you poor old bastard.
43:10She's still alive!
43:11She's still alive!
43:13They are treating her.
43:15These bastards are curing her.
43:18Very good!
43:26The cockroach.
43:28Four days ago.
43:31They need to be close.
43:35No, no, no, no, no, no, no, no, no, no, no.
43:39We have to find her wherever she is.
43:41We're hot on their heels.
43:46Bitch!
43:49And how far is that little elbow path?
43:52To find the veterinarian.
43:53Boss, I think around a day.
43:57One that turns into two or ten, right?
43:59But boss, you understand that today it's our turn to stay here.
44:02because if night catches us outside
44:04And well, tomorrow depends on how the weather treats us.
44:08Well, so be it.
44:10You're supposed to be the one who knows, right?
44:13You know what, boss?
44:14I'm going to get firewood for tonight.
44:17Edulio, get the rest ready because we're leaving early tomorrow.
44:21Yes sir.
44:24Squirrel, stay calm.
44:25Look, if the cockroach is sick, like that little fisherman said,
44:30It can't be very far away.
44:32And he doesn't know that death is breathing down his neck.
44:35You know I need her, she's dead.
44:37Dead! Dead!
44:39And I, very embarrassed.
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