00:00Hello guys, it's Gonzalo from Hipertextual in Spain.
00:02First of all, how are you guys?
00:03We're good, how are you?
00:04Fine, thank you very much. Honour to be here.
00:06I would like to start with you, Rebecca, because I would like to ask you...
00:10Juliette has gone through a lot of things along these seasons, these three seasons.
00:15Now she has amnesia.
00:18Is Silo more demanding for you as an actress, physically or mentally?
00:24I think because I've gone through so many seasons,
00:28certain aspects have been very demanding physically.
00:32Like all of these sort of underwater sequences were knackering,
00:38but it was also really fun and new for me to do.
00:42But I think overall, emotionally in so many ways,
00:46and I especially feel it now leaving,
00:48it's still difficult to part from a character that I've had for so long.
00:54I mean, it's the longest run I've ever done of...
00:58I mean, the mission was over 10 years, but this was like something very different.
01:03But I think emotionally as well,
01:06because it's also about finding new ways around with Juliette.
01:09You know, you read a script and there's a story and a narrative,
01:11but you kind of have to feed in emotionally where she's at.
01:15And what's the difference? Where is she at?
01:16Is she, you know, locked in and emotionally disconnected?
01:19Or is she now curious? Like, where is she?
01:22And those things are challenging and demanding.
01:24Yeah, I think what you make us feel, it's so intense.
01:28It's incredible what you do.
01:30I would like to ask you also,
01:32because you have done a lot of science fiction through your career.
01:37So I would like to know what's so appealing for you about this genre?
01:40What's so special about it that you like those projects?
01:43Nothing. I don't love science fiction.
01:47I'm not drawn to science fiction.
01:50I don't seek it out.
01:52I mean, they all have their own independent story.
01:55I was supposed to do something else.
01:56And then someone called and said,
01:57Denis Villeneuve wants you to maybe be in June.
02:00And I didn't even have to read it.
02:03Like, I just wanted to work with him.
02:05So for me, I look at it now as a grand umbrella.
02:08And I go, oh, yeah, there's been a lot of sci-fi.
02:11But I think for writers and all of us,
02:13we kind of want to do something different all the time.
02:15So I think that's the path I'm on now.
02:18Yeah.
02:19Yeah.
02:19Yeah.
02:20Yeah.
02:21No, that's great.
02:23Graham, this one is for you,
02:24because in this season you have these two timelines,
02:27which are, I think,
02:28one of the things that fans were expecting the most.
02:32How do you balance those two timelines
02:34in order to stay true to the tone of the show
02:36and also to maintain the interest in both timelines?
02:41It was really something that we just figured out
02:44in the writer's room.
02:45And then as scripts came in,
02:47it was sort of, oh, we need a little bit more of that story,
02:49you know, that we maybe cut too much out of that story.
02:54Let's put some stuff back in
02:55and we can take it from this one.
02:56But it was a balancing act.
02:58But we knew that we had two very different stories.
03:02But everything was marching because,
03:05and we've discussed this,
03:06it's a mystery show.
03:07Ultimately, Silo is a mystery.
03:09Why are people living underground?
03:11What happened?
03:12And this season we find out a big chunk of what happened.
03:16But we also get to a point
03:20that something happens over the course of this season
03:22in our beloved Silo 18
03:24with Juliet and her friends
03:27that has a profound effect
03:29on where the story can go for the final season.
03:31So there were two big quests for both stories.
03:35And so that gave us something
03:37to really dig into and tell.
03:40He has a lot of post-it notes.
03:42He just, his whole home is just covered with post-it notes.
03:46I love to see it.
03:48Me too.
03:49It looks like the home of a serial killer.
03:52There's a lot of red twine connecting things.
03:54That's solving.
03:55Oh, that's sorry.
03:56I'm sorry.
03:57That's right.
03:58They don't plan their murders with red twine.
04:02I'm sorry to waste your time going off on that.
04:04No, don't worry, guys.
04:06It's so funny.
04:07If you have to demonstrate something in season one
04:10and then consolidate it in season two,
04:12what's the big challenge for season three?
04:14Oh, do you know what?
04:18I had this metaphor,
04:19which is probably really stupid,
04:21but I thought of it as a puzzle.
04:22Are you with me?
04:23I'm with you.
04:23I'm not a writer.
04:24Don't judge me.
04:25I'm judging you.
04:26I know you are.
04:27You see an episode, season one,
04:30it's like you can see the puzzle.
04:33It's there.
04:33You have the bits.
04:35You just don't know how they sit together.
04:36Season two is about grander picture,
04:39putting them together.
04:40And then season three is finding the bits
04:43that link them all together
04:44and having the picture.
04:46And season four is now what?
04:49Hmm.
04:50Amazing.
04:50That's really good.
04:51Yeah, it's really good.
04:52Let's use that.
04:52Do you like it?
04:53Yeah, it's good.
04:53Did it work?
04:54Yeah, it works.
04:55Because it is a mystery show.
04:56It's a puzzle show.
04:58What the hell is going on?
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