- 2 days ago
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00:02:17It's okay.
00:02:18It's okay.
00:02:20It's okay.
00:03:21I'm looking for the concert.
00:03:22And then you drive right by it.
00:03:24There it is.
00:03:28Very funny.
00:03:29Signora, tua signora, pure lei americana, e San Bautista, buon nervoso.
00:03:38I think it's gonna be good.
00:03:40Nice baby.
00:03:40It's just a fantastic traffic.
00:03:43It's the traffic of Napoli.
00:03:47It's the traffic.
00:03:50This is called the first place.
00:03:58Shit.
00:03:59What?
00:04:01I can't find my wallet.
00:04:06Are you in your suitcase?
00:04:07No.
00:04:10Somewhere.
00:04:12It is in the car.
00:04:28She's lost her purse, her purse.
00:04:29No, no.
00:04:31She didn't catch her.
00:04:33There's nothing.
00:04:35There's nothing.
00:04:35Just give her a minute.
00:04:36You know she wasn't here.
00:04:37One moment.
00:04:38One moment.
00:04:38One moment.
00:04:39I don't know anything.
00:04:40I don't know anything.
00:04:41I don't know anything.
00:04:42Oh, my God.
00:04:48Where did you have it, Loz?
00:04:50Oh, my God.
00:04:52The train station I think?
00:04:53The exchange booth.
00:04:57Oh, Dana, I'm sorry.
00:05:02That bastard at the train station started when you dropped all your stuff.
00:05:08this is 170 not 70. where do we need to go? we need 70. here we go
00:05:35is this it? thank you sir
00:05:57it's nice yes i have a credit card numbers on my computer
00:06:04yes i have them here okay five five three three seven six four five eight seven eight seven nine one
00:06:17five
00:06:17seven five seven yeah expires 12 15. no she'll definitely need another card sent out immediately
00:06:29we're here for two weeks no i'm working here yes i'll hold
00:06:39you love how they ask as if i have a choice do you know what i'm gonna try to do
00:06:44while i'm here
00:06:46besides learn italian i don't know why you think that's so ridiculous
00:06:50i don't at all i admire you i just think it's too late for me that's not true
00:06:57you can't teach an old dog new tricks
00:07:01besides what's the point the whole bloody world speaks english
00:07:12yes all right okay well if you can see it through to the end i think that's wonderful
00:07:22what does that mean nothing
00:07:28i think it's a fantastic idea jen i always have you know that
00:07:36she doesn't sound very supportive
00:07:40you have my support i'm sorry if that came out wrong
00:07:46i just know how emotional listening to them can be has been for you
00:07:51i think enough time has passed well that's great
00:08:18why do you think he killed himself
00:08:25i don't know
00:08:26david foster wallace
00:08:29i don't know
00:08:32you can't get a sense by his writing
00:08:35you have to read it when i'm done though
00:08:43do you think he recognized a blank infinity just stretching out
00:08:50he got to this point maybe where it was just day after day after day
00:08:54i really don't know
00:08:56just so tedious
00:08:59and then of course he felt guilty
00:09:01most people think life is too short and there he was all the talent in the world and it wasn't
00:09:05i mean can i can i can we not talk about this just just just a bit morbid
00:09:25i love you
00:09:30love you too
00:09:50do you feel all right you feel okay
00:09:53yeah
00:09:56you sure
00:10:01uh-huh
00:10:20you
00:10:21you
00:10:31you
00:10:32you
00:10:36you
00:10:46I don't know.
00:11:07I don't know.
00:11:31Are you sure you won't come with?
00:11:32I do.
00:11:33You'll be so busy.
00:11:37I get boring all alone.
00:11:39I think someone should be here in case the card is delivered.
00:11:43True.
00:11:48Then I think I might go out and see what the world has to offer.
00:11:52If you do, leave me a message, okay?
00:11:57It's hard to worry about you.
00:11:59Okay.
00:12:05I've left you some money here.
00:12:09I'll see you later.
00:12:10Have a good day.
00:12:35I'll see you later.
00:12:38Okay.
00:12:40Do you have any stories for my book?
00:12:42Okay.
00:12:43What kind of stories?
00:12:45Stories that you've prepared.
00:12:47Before I can ask them a list of stories that Dad told me about.
00:12:50Go ahead and ask from your father's list.
00:12:52God rest his soul.
00:12:53Let's start with the war.
00:12:55We went into an air raid shelter.
00:12:57My mother, your great grandmother, she was shaking.
00:13:01Sirens wailed and then there was the sound of a bomb and the man next to us, he said,
00:13:08I was in a shelter last night with my wife and my little boy and half of it got blown
00:13:13away.
00:13:15There was blood in his hair.
00:13:17He was all alone.
00:13:19That nearly finished my mother, you know.
00:13:23Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:13:31And this man, he had blood in his hair.
00:13:39One night, Cappuccino.
00:13:42Okay?
00:13:42Yeah, that's good.
00:14:12We were riding our bikes to school when the Germans started firing at us.
00:14:17We jumped into a hedge.
00:14:19We were terrified, but afterwards we couldn't stop laughing.
00:14:25It feels now as if I'm the only one who remembers that.
00:14:28It's as vivid to me as if it happened yesterday.
00:14:33Oh, hi, Leonard.
00:14:35It's Jane.
00:14:37I decided to take an impromptu trip to Ischia.
00:14:39Or, um, Ischia, as they pronounce it.
00:14:43See, I'm learning a little bit.
00:14:45Um, anyway, I'll be home later.
00:14:49I hope you have a good day. Bye.
00:14:52Those friends are all dead now.
00:14:54There's no one left.
00:14:56That's one of my regrets, you know.
00:15:00Sometimes I think I should have had more children, not just your father.
00:15:06You're all alone now that your parents are gone.
00:15:08No brothers, no sisters.
00:15:14I'm upsetting you.
00:15:17Let's talk about something else.
00:15:19You want to ask me more boring questions about the war?
00:15:23All right, then.
00:15:25Excuse me.
00:15:27Excuse me.
00:15:28Excuse me.
00:15:28Um, the castle?
00:15:30Castle?
00:15:31Uh...
00:15:32Parlato anglese?
00:15:33No, no, no.
00:15:34No?
00:15:36Um...
00:15:37Castello Aureganese?
00:15:39Ah, andare.
00:15:40Andare?
00:15:41Andare?
00:15:41Andare?
00:15:42Ah, grazie.
00:15:44Yeah.
00:15:45They'd been shot through the neck.
00:15:47The bullet went in one side and came out the other.
00:15:51And there were all these bomb holes filled with water and he couldn't tell which was the
00:15:55German side and which was the Allied side.
00:15:58But when he came home after something like that, you couldn't really complain to him about
00:16:04anything, now could you?
00:16:06I'm actually going there now.
00:16:07To the castle.
00:16:08You speak English now?
00:16:09Yeah?
00:16:10Why, do you think I was Italian?
00:16:11Yeah.
00:16:12Yes!
00:16:13That's great.
00:16:13That's cool.
00:16:14Hey, hey, hey.
00:16:16Where are you from?
00:16:18London?
00:16:19No, in America.
00:16:20Come on.
00:16:21Maine.
00:16:21No, shit.
00:16:22I'm from Massachusetts.
00:16:23That's crazy.
00:16:24That's weird.
00:16:25Right?
00:16:26Yeah.
00:16:27Vacation?
00:16:28Oh.
00:16:29Are you?
00:16:30What?
00:16:30Are you here on vacation?
00:16:31Oh.
00:16:35Sorry.
00:16:36I thought you were saying you were on vacation.
00:16:38Me?
00:16:38No.
00:16:40So come on.
00:16:43My husband is working in Naples.
00:16:45What does he do?
00:16:47He is playing in a concert at the end of the month.
00:16:50Cool.
00:16:51What does he play?
00:16:53Viola.
00:16:54Mm-mm-mm.
00:16:55The viola.
00:16:58Any good?
00:16:59Yes.
00:17:00Very.
00:17:04How do you keep your violin from getting stolen?
00:17:08You put it in a viola case.
00:17:11Right?
00:17:12Yeah.
00:17:13That's not funny.
00:17:14What's the difference between a viola and a coffin?
00:17:17A coffin has a dead person on the inside.
00:17:20Because viola players are dead?
00:17:22No?
00:17:23Why is a viola solo like premature ejaculation?
00:17:28Because even though you know it's coming, there's nothing you can do about it.
00:17:34I can't help it.
00:17:35I've got this weird autistic mind for jokes and I went to this music slash nerd summer camp when I
00:17:39was like ten and I play the triangle.
00:17:41Right.
00:17:41And I'm an only child so, you know, understand.
00:17:46You look too young to be married, are you newlywed?
00:17:50No.
00:17:51No.
00:17:55No.
00:17:55No.
00:17:56No.
00:17:59No.
00:18:00No.
00:18:01No.
00:18:01No.
00:18:02That's it.
00:18:02You're making me feel like a stalker.
00:18:04Fuck!
00:18:04One, tens, please.
00:18:06One, tens, please.
00:18:13One.
00:18:14Oh.
00:18:15All right.
00:18:17Oh, hey, have you got 50 cents?
00:18:21If you can catch it.
00:18:25Grazie.
00:18:26Grazie.
00:18:49What brought you out of here today?
00:18:51Fairy.
00:18:52Ha!
00:18:53Fairy.
00:18:54I like it.
00:18:56They have this device down in the basement.
00:18:58It's like a torture cage.
00:19:00They lock you in there until you turn to bones.
00:19:04But can you imagine dying by just sitting there?
00:19:06That would suck.
00:19:13In like the 1300s, thousands of families lived in this castle.
00:19:18It smells pretty bad.
00:19:20All those people crammed onto this rock.
00:19:25Wow.
00:19:27I know.
00:19:28I've been coming here every day and it still gets me.
00:19:32If only we could kill off all the tourists.
00:19:35You're a tourist.
00:19:37No, I'm not.
00:19:39I came out here a few months ago with this volunteer organization
00:19:44dedicated to studying the relic populations of dolphins and whales
00:19:48in the Gulf of Naples.
00:19:50I can't tell if you're joking.
00:19:52I'm dead fucking serious.
00:19:55I just didn't want to go to college and they paid for me to come over.
00:19:58Four connecting flights, a 72 hour plane ride.
00:20:01But you know, it was worth it.
00:20:02My first time out of the US.
00:20:04How old are you?
00:20:05I'm 19.
00:20:05It's my birthday today.
00:20:07Is it really?
00:20:08Uh-huh.
00:20:09Happy birthday.
00:20:10Thank you very much.
00:20:11Yeah, so I left the program after like a month.
00:20:14Fuck the relic dolphins!
00:20:17I just stayed on the island because I have this awesome living situation.
00:20:21I'll tell you the short version.
00:20:22Basically, I used to have ancestors in Ischia, so when I come over I Facebook the second cousin
00:20:26twice removed.
00:20:27The second cousin twice removed, in case you didn't know, is when one person's great-grandparent
00:20:31is another person's great-great-great-grandparent.
00:20:33I'd love to hear the long version.
00:20:35I'd love to hear the long version.
00:20:36Anyway, so this relative gave me the name of this great uncle who lives on the island,
00:20:40so I show up, he answers the door and he's like the oldest fucker I've ever seen, easily
00:20:46pushing a hundred.
00:20:47A hundred?
00:20:48Yeah, if not older, he's like deaf and blind and about four feet tall, and he mumbles
00:20:53a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine
00:20:57and leads me to this basement apartment, and uh, yeah, I never left.
00:21:19I'm still alive now, I have to wear one, I'm still alive.
00:21:32I don't know what's going on in a row there isn't enough for you, I don't know what's going on
00:21:38but I'm still alive.
00:21:39I don't know what's going on, I don't know what's going on so much.
00:21:47But look, I don't know what's going on.
00:21:53Love teaches me to feed on flames and tears,
00:21:58to turn withered hope green through desire,
00:22:04to re-enslave my heart each time love frees his noble face
00:22:08from that heavy disdain.
00:22:12Who is that?
00:22:14Victoria Colonna.
00:22:17Ah, the woman who lived here.
00:22:20You read that in your guidebook this morning, didn't you, Jane?
00:22:24Sneaky.
00:22:26Yeah, I've decided to learn Italian by committing to memory
00:22:28all the sonnet she wrote to Michelangelo in English and Italian.
00:22:33I thought Michelangelo was gay.
00:22:35Ah, according to history and the muscular thighs of his sculptures, yes.
00:22:40But that didn't stop her from loving him.
00:22:44Let's hear it then.
00:22:46In Italian.
00:22:48Let's hear the poem.
00:22:50Come on.
00:22:51Okay.
00:22:52De lacrime a de faco nutria l'alma.
00:22:59Con secca speme rinvedia la voglia.
00:23:05Lega di nuovo il cor quando di scioglia.
00:23:10Segna maggiore la vista tierra ed alma.
00:23:20I'm impressed.
00:23:23You hungry?
00:23:26Why, you gonna take me out?
00:23:28Yeah.
00:23:33All right, then.
00:23:35Okay.
00:23:39Two pastas with the house sauce, please?
00:23:43Red.
00:23:44Red.
00:23:45Uh-huh.
00:23:46Grazie.
00:23:47Yeah.
00:23:48So you're really not gonna tell me what you do?
00:23:55I write freelance articles about parties and fashion trends in town and country UK.
00:24:01There's something else.
00:24:09I'm writing a book about my grandmother's experiences in rural England living through two world wars.
00:24:16I recorded her for hours and hours.
00:24:19But now, I don't know.
00:24:24Well, don't you know?
00:24:27You wanna listen?
00:24:29A little?
00:24:30Yeah.
00:24:31Yeah?
00:24:32Yeah, no.
00:24:33I love to listen.
00:24:49All tangled up.
00:24:51Oh, God.
00:24:51Okay.
00:24:57Awful as it was, it made you stronger.
00:25:01These days, people whine about all sorts of things.
00:25:04And I'm not one of those old people who think my time had the only joy and the only problems.
00:25:09We all have our own private wars, every era, but it was nothing like...
00:25:15It really brought people together, the war.
00:25:17We helped each other during that time.
00:25:20We had to laugh.
00:25:22We had to smile.
00:25:23We had to smile.
00:25:23Well, if not for ourselves, then for the people we'd lost.
00:25:27I'll shut that thing off.
00:25:29Would you get it out of my face?
00:25:33And it's like...
00:25:35It's like a window in time.
00:25:38The sort of thing you wish you always did before someone died, you know?
00:25:42My husband thinks I'm never going to finish it.
00:25:45I shouldn't care what anyone thinks.
00:25:48We met while I was recording her.
00:25:51Bonding over granny, huh?
00:25:53Make it sound perverse.
00:25:55That's what it was, right?
00:25:58Buongiorno.
00:25:59Buongiorno.
00:26:00Senori.
00:26:08I got pregnant, so we got married.
00:26:16I lost the baby.
00:26:20I'm sorry.
00:26:44I didn't go back after that to the States.
00:26:52Did you ever hear that story about the red strain?
00:26:58I think I might have.
00:27:00Tell me.
00:27:04It's like this Asian proverb says that anyone you're destined to meet, like your soulmate
00:27:12or your family or, you know, someone you bump into on the street,
00:27:18we're all connected by this red string.
00:27:23It can be tangled or stretched, but it can never be broken.
00:27:32There's this moment in the tape.
00:27:36I'm sitting, waiting in the airport bar for my flight.
00:27:41And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure
00:27:48and how I'm going to show World War II from a totally different perspective.
00:27:54But...
00:28:01I don't know if it's that interesting.
00:28:05That's the whole point, isn't it?
00:28:08Keeping it interesting for yourself.
00:28:12Maybe.
00:28:15Maybe I just want to write about nothing.
00:28:18Everything is nothing.
00:28:20All the best.
00:28:22Un compleanno.
00:28:24Grazie.
00:28:24That's it.
00:28:28Make a wish.
00:28:31Make it great.
00:28:36Okay.
00:28:40Bravo.
00:28:42Bravo.
00:28:42Oh, hey.
00:28:52What do you mean I'm ready?
00:28:53What?
00:28:54Grab my hand.
00:28:55Go, go, go.
00:28:56Oh, my God.
00:28:57Oh, no.
00:29:00What?
00:29:01What do you mean?
00:29:06Stronzo!
00:29:08Hey.
00:29:09Hey.
00:29:10Hey.
00:29:10Hey.
00:29:11It's the carabinieri.
00:29:12What?
00:29:12The police.
00:29:13No.
00:29:13Hey.
00:29:14Yeah.
00:29:15Yeah.
00:29:15Yeah.
00:29:18Hey.
00:29:20We can't go back.
00:29:21We can't go back.
00:29:21We can't go back.
00:29:22We can't go back.
00:29:25I can't go back.
00:29:26Oh, my God.
00:29:29Oh, my God.
00:29:30Hey.
00:29:30Hey.
00:29:31Hey.
00:29:31Oh, my God.
00:29:39Hey.
00:29:40Hey.
00:29:41Hey.
00:29:42Hey, y'all.
00:29:42Did it make you feel better if I said I said no one day off?
00:29:46Yes.
00:29:46It's true.
00:29:48Is it true?
00:29:50I made the check when I went to the bathroom.
00:29:55You're horrible.
00:29:57You're horrible.
00:30:00Come on, let's go.
00:30:01Come on.
00:30:03Quick.
00:30:04Let's go.
00:30:07Why are we still running?
00:30:08I don't know.
00:30:08Why are we still running?
00:30:22Oh, my gosh.
00:30:29It went up my nose.
00:30:36We come back?
00:30:38Maybe.
00:30:41Okay, maybe is not a no.
00:30:44And since I don't have a phone,
00:30:46you're going to have to give me your number
00:30:49for cheap thrills and future crimes committed.
00:30:52No.
00:30:56Fair enough.
00:31:05I've got to go catch a fairy.
00:31:13Hey.
00:31:18Why do violists
00:31:21keep their viola cases
00:31:23on their dashboards?
00:31:33Why?
00:31:37So they can park
00:31:39in handicapped spots.
00:31:44Oh.
00:31:47Happy birthday.
00:32:05Oh, my gosh.
00:33:05You're awake.
00:33:07Yeah, I've got so much of this stuff to get through.
00:33:11Got through.
00:33:13Nice.
00:33:36Nellie was this little collie who wouldn't go on a leash, so she had to sit on a bicycle seat.
00:33:43They stay with me too.
00:33:54Jane?
00:33:56Jane?
00:33:59Got some pastries.
00:34:05You're still asleep?
00:34:08Jane.
00:34:34My friends had lots of American boyfriends, and they used to bring us nylon stockings and chocolates and all sorts
00:34:41of things. And we used to go to London, and we saw Glenn Miller one time. We used to go
00:34:49all over the place. They were wonderful times. I never had an American boyfriend. I liked some of them. They
00:34:59were nice boys, but...
00:35:03I didn't want to leave my mum and dad. I wish I had sometimes.
00:35:09You know when you were 19 and the world just felt so open and carefree and full of possibility? You
00:35:17reminded me of that. At that time.
00:35:21You were 19 when we met? Yeah. I wouldn't have described you as carefree back then. Not at all.
00:35:27Well, I felt nostalgia. Or something. For youth.
00:35:31You're not old, Jane.
00:35:33We ran out on the bill.
00:35:36You just ran out? What do you mean you ran out on the bill?
00:35:39Perhaps I'm not explaining it well. It was... It was fun. It was just fun.
00:35:56How's work?
00:35:58We're conductors. Actually a descendant of Walter Legg, which is fascinating. The three of us should plan a dinner before
00:36:05we leave.
00:36:05I'd like that. Jane?
00:36:14Oh my god. This is Caleb.
00:36:18Hi. No, no. We were just talking about you. We were? That's so weird. Sit. Please. Sit down. Join us.
00:36:25What? Ugh.
00:36:28You don't have a chance that we're back. I know, right?
00:36:34I'm obviously going to get back pretty soon.
00:36:37That's okay. I already ate so I'll just grab a coffee or something.
00:36:49Can I have the check, please?
00:36:52Can I have a coffee?
00:36:58Oh, no thank you.
00:36:59Jane?
00:37:03Jane?
00:37:04You don't smoke?
00:37:06Yes, I do.
00:37:09Sometimes. At parties.
00:37:11You know that.
00:37:13Well, I don't do it a lot.
00:37:17Okay.
00:37:18Grazie.
00:37:20Grazie.
00:37:24Italian food's so overrated.
00:37:26I love it.
00:37:28There's no variety.
00:37:29English food, on the other hand.
00:37:32Say what you like about it.
00:37:33There's nothing like a good steak and kidney pie.
00:37:36I went to this party the other day in this villa owned by this old drunk ex-pat. They had
00:37:43like a private chef and everything. And they were serving this like loaf of meat covered in sauce with all
00:37:50these other loaves. And this girl came over to me and said it was cat.
00:37:53No.
00:37:54No joke like a roasted mommy cat and her kittens.
00:37:59That is disgusting.
00:38:01True story.
00:38:06worden
00:38:07Why don't you tell Leonard?
00:38:09Yeah.
00:38:09of your viola jokes.
00:38:13Go on.
00:38:15It's on my head.
00:38:17Come on, let's hear one.
00:38:23Um...
00:38:24I have one.
00:38:27What is the definition
00:38:29of perfect pitch?
00:38:32What?
00:38:36When you throw a viola
00:38:37into the dumpster without hitting
00:38:39the rim.
00:38:41You didn't just make that up.
00:38:43I did. It's too good. I did.
00:38:44Well, I'm impressed and I'm stealing it.
00:38:48You can pretty much
00:38:48make that joke about any instrument.
00:38:54Do you play anything, Caleb?
00:38:56This and that, you know.
00:38:59Shall we?
00:39:02What time to go?
00:39:03Already?
00:39:04Yeah, I've got to get back to work.
00:39:15So what's next in your agenda, Caleb?
00:39:18Um, I'm thinking
00:39:20Tibet.
00:39:21Oh, Tibet, really?
00:39:23Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:39:25Yeah, I've heard about that.
00:39:26Yeah, that's where the Buddhist monks
00:39:28unroll all the tapestries on the hill, right?
00:39:31The monks, the monks, the monks.
00:39:33It's so pretty.
00:39:35How do you support yourself?
00:39:37You know, a bit of this, a bit of that.
00:39:44All right, then.
00:39:46I'll walk you.
00:39:47Does anybody have a pen? You got a pen?
00:39:49Yeah, I have a pen.
00:39:57Okay.
00:40:04I have a piece of paper.
00:40:06You guys should definitely come over to the island.
00:40:08I'll take you somewhere fun, you know.
00:40:09Don't knock on the front door.
00:40:11Come around the side.
00:40:12Don't need Regina.
00:40:15Iskia.
00:40:17There we go.
00:40:21And thanks again for yesterday.
00:40:23Oh, no problem.
00:40:26Okay.
00:40:28Ciao.
00:40:36How stoned are you?
00:40:38Come on, man.
00:40:39We're just going to pop.
00:40:40It's not a big deal.
00:40:43So you're saying you smoke back at her?
00:40:46Occasionally.
00:40:47Can we do something fun tonight?
00:40:50Sure.
00:40:54I'm fine from here.
00:40:56Okay.
00:40:56See you after the work.
00:40:58Yep.
00:40:58I'll be waiting.
00:41:30Hey.
00:41:30God, you scared me.
00:41:32Are you following me?
00:41:34Maybe?
00:41:35Is that weird?
00:41:37Yeah.
00:41:47I couldn't sleep last night.
00:41:52They told me you were staying near the port so I got the first ferry this morning.
00:41:56I came looking for you and I can't believe I found you.
00:42:43What are we doing?
00:42:45I think we're making it out.
00:42:48It's so sexy and beautiful.
00:42:52Hello, my friend.
00:42:54Yeah.
00:43:09No, and there's a box.
00:43:19Yeah, dude.
00:43:21I'm careful.
00:43:23I can't do this.
00:43:24What? What?
00:43:25I can't do this.
00:43:26Why?
00:43:38Do you do this a lot?
00:43:39What?
00:43:40Do you do this a lot?
00:43:42What?
00:43:42Do you seduce women? Is this what you do?
00:43:46You need to be less serious.
00:43:54Don't follow me.
00:44:34I'm sorry.
00:44:36I'm sorry.
00:44:37I'm sorry.
00:44:47I am sorry.
00:45:00there was one boy from Belgium he was lovely he had a moustache my mother hated moustaches
00:45:11but he was shipped off I never saw him again
00:45:19anyways I met your grandfather not long after and we got married love at first sight stop that thing
00:45:31I know you're home early
00:45:42I do deserve that
00:45:44can I just move for a husband
00:45:51Jane I'm sorry just give me a minute
00:45:53the hell of a rest of my dad
00:45:55I've got so much stuff to me
00:46:00sorry darling
00:46:02hey do you still want to do something fun tonight
00:46:04yeah absolutely lots of dinner I thought we'd just stay in here
00:46:08the two of us
00:46:10I've just got to work this thing out before tomorrow
00:46:12okay
00:46:13okay
00:46:14I'm sorry
00:46:27okay
00:46:35okay
00:46:37okay
00:46:38okay
00:47:06I don't know.
00:47:10Leonard, can we talk?
00:47:43Say cheese.
00:47:48You should kind of be in the middle.
00:47:53Hold on a second.
00:48:06That's what our living room is missing.
00:48:24What did you do?
00:48:25Put my hand over my mouth.
00:48:26You did?
00:48:27What did you do?
00:48:28Just wave.
00:49:02What did you do?
00:49:03What did you do?
00:49:04What did you do?
00:49:05What did you do?
00:49:09What did you do?
00:49:13What did you do?
00:49:16What did you do?
00:49:18What did you do?
00:49:20What did you do?
00:49:21What did you do?
00:50:02Oh, my God.
00:50:11Do you have any fantasies?
00:50:14I won't.
00:50:18What?
00:50:21Is there anything I want?
00:50:27Just as you are, Jane.
00:50:29Just as you are.
00:50:31You're all I need.
00:50:40You're all I need.
00:51:09You're all I need.
00:51:39You're all I need.
00:51:54You're all I need.
00:51:58Oh, hi.
00:52:02Did I wake you?
00:52:04No.
00:52:07I think I need to be less serious.
00:52:12Yeah.
00:52:14Will you put my pants on?
00:52:17Okay.
00:52:35Okay.
00:55:49Leonard thought you were lying about those cats.
00:55:52You said that?
00:55:57Were you?
00:55:59They were delicious.
00:56:18You made me feel nervous.
00:56:24You make me feel calm.
00:56:49You want a drink?
00:57:11Is that him?
00:57:12Yeah, I just shuffled around all night.
00:57:18Must be lonely.
00:57:19I'm sorry.
00:57:20I'm sorry.
00:57:31I'm sorry.
00:57:46I'm sorry.
00:59:47That's all last night.
00:59:48Where have you been?
00:59:50Just walking.
00:59:53All night.
00:59:55I've been thinking.
00:59:56You left your phone here.
00:59:58I had to plug it in.
01:00:01We need to talk, Leonard.
01:00:02I have to go to work.
01:00:07Can you be late?
01:00:08No.
01:00:09I can't be late.
01:00:12I know.
01:00:13Jay, whatever you have to say to me, I want to hear it.
01:00:17I've committed myself.
01:00:20People are depending on me.
01:00:21I have to go to work.
01:00:25Okay.
01:00:30Okay.
01:00:32I'll see you later.
01:00:32I know.
01:00:37I know.
01:00:37I know.
01:00:59If it wasn't the war, it would have been something else.
01:01:05There's always something else, isn't there?
01:01:08Well, that's the thing. That's the thing about struggle.
01:01:22I'm going to make some tea. Do you want some?
01:01:26I'm all right.
01:01:33If you go out like that again, just tell me.
01:01:36I wore it.
01:01:39Okay.
01:01:42I can't seem to figure out what's going on in your head.
01:01:59Do you think everything we've been through actually does us any good in the long run?
01:02:08Or do we just make our struggle to be something meaningful because that's all most of us have?
01:02:26I'll tell you, next time we come to Italy, to get a proper kitchen.
01:02:39I don't know what you want me to say, Jane.
01:02:54I don't know what you want me to say, Jane.
01:03:02If one little thing had changed in my grandmother's life, I might not be here.
01:03:13Sometimes I worry I'm not honoring her.
01:03:18With the book?
01:03:22No, with my life.
01:03:29This is it, you know.
01:03:31It ends with me.
01:03:38In the harvest time we all went to the field where they were cutting the corn.
01:03:45Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:04:01The horses back then they were kept beautifully.
01:04:05Dad used to dress them all up.
01:04:07Brass things and little horseshoes.
01:04:11He put braids on them.
01:04:14They used to be gorgeous.
01:04:15What are your plans for tomorrow?
01:04:19There was one.
01:04:21Duke.
01:04:23He was a Clydesdale I used to ride down to the marshes.
01:04:27Every night when he finished working.
01:04:33They were lovely days really.
01:04:42They're gone.
01:04:43For me.
01:04:44Jane.
01:04:46But not for you.
01:04:48Jane.
01:04:50You know it's different for you.
01:04:52In some ways it's easier.
01:04:54You haven't got the war.
01:04:55People don't die as much as they did back then.
01:04:58But in some ways it's more disjointed.
01:05:04You've got to make your own life.
01:05:07One that you love and you can't be afraid of the time.
01:05:14Time is shiftable.
01:05:15Time is shiftable.
01:05:24There are moments in my life that I would trade 60 years to have back again.
01:05:29That's the truth.
01:05:32You know the truth when you find it.
01:05:34It'll come to you like something you've known before rather than something you're learning for the first time.
01:05:45What is it?
01:05:48What is it?
01:05:49What is it?
01:05:50What is it?
01:05:57Yeah.
01:05:58It's on my toe.
01:05:59Oh.
01:06:00It's bleeding.
01:06:01Oh.
01:06:02It's fine.
01:06:03It's fine.
01:06:04It's fine.
01:06:05It's fine.
01:06:05It's fine.
01:06:07Are you finishing that?
01:06:09Yes.
01:06:09Oh.
01:06:10Fuck.
01:06:21I met these backpackers last night, Frank and Elsa.
01:06:24She's French.
01:06:24He's German.
01:06:26They're going to Tibet.
01:06:29And I'm going with them.
01:06:32I want you to come with me.
01:06:42I want.
01:06:42I can figure it out.
01:07:11Well, what?
01:07:38Hi.
01:07:39Hi.
01:07:41How are you?
01:07:43I'm a naked.
01:07:45Long day?
01:07:47God, why am I not?
01:07:51I don't think I'm chomped at doing another stint like this.
01:07:57How's the writing going?
01:08:01I'm feeling inspired.
01:08:06It's fantastic.
01:08:08I think I've figured out the key to finishing the project.
01:08:15Are you listening?
01:08:19You found the key to finishing this project?
01:08:30Well, the water here tastes so funny.
01:08:36Have you ever cheated on me?
01:08:38Oh, Jane.
01:08:40Have you?
01:08:40Can we not?
01:08:42Have you?
01:08:49Absolutely not.
01:08:50Why did you take such a long time to answer that?
01:08:53Because I'm sick.
01:08:56Of what, Leonard?
01:08:57Of it being so hard?
01:09:00Yes.
01:09:01Tedious?
01:09:07I hate talking about sex with you.
01:09:11Is that what we're talking about?
01:09:12Normal people talk about sex, Leonard.
01:09:15And we don't?
01:09:17There's just huge, vacant lots that we don't discuss.
01:09:23Like what?
01:09:24Is there anything you want to ask me?
01:09:26Why?
01:09:27Is there anything you want to tell me?
01:09:28I just want to connect.
01:09:33So you don't feel that we're connected?
01:09:35Do you?
01:09:38I love you.
01:09:47I get it, Leonard.
01:09:49I get it.
01:09:51It's always been this big, serious, grave thing for us.
01:09:54Sex has consequences.
01:09:55Life and death.
01:09:56Mostly death.
01:09:57Jane, please.
01:09:58Let me guess.
01:09:59You don't want to talk about it?
01:10:00No, that's not what I'm saying.
01:10:01You're just...
01:10:02Do you want to have children, Leonard?
01:10:03Of course I did.
01:10:05Not did.
01:10:06Do you want to have children?
01:10:09So did you.
01:10:12But...
01:10:14Say it.
01:10:18I can't have children, Leonard.
01:10:22I never will.
01:10:24And if we keep trying, they keep dying.
01:10:27Again.
01:10:27Please, Jane.
01:10:28And again.
01:10:28And again.
01:10:30Please.
01:10:32How does that make you feel?
01:10:38It's not your fault.
01:10:39How does it make you feel, Leonard?
01:10:41How does it make you feel?
01:10:43You will never be a father.
01:10:47We can adopt.
01:10:48That's not what you want.
01:10:50Is it?
01:10:52Is that what you want?
01:10:54Hmm?
01:10:56Because I think about it all the time.
01:11:00That the one thing you always wanted, I will never be able to give you.
01:11:15What are you trying to do, Jane?
01:11:16I just want to know that there's a reason for it all.
01:11:30You're not curious about me, Leonard.
01:11:33Not really.
01:11:35What do you want me to know?
01:11:36You shouldn't have to ask.
01:11:37I feel as if you want me to be someone I'm not.
01:11:42Someone that I've never been.
01:11:48I'm leaving you.
01:11:50I've been seeing someone else.
01:11:58See?
01:12:00Caleb.
01:12:02That kid?
01:12:02Yes.
01:12:04That kid?
01:12:05That child?
01:12:06That kid you've known for two days?
01:12:07It's been longer than that.
01:12:08Please tell me you're joking.
01:12:11Time is shiftable.
01:12:13I don't get it.
01:12:13Leonard.
01:12:15I don't get it.
01:12:16He's asked me to travel with him.
01:12:18Are you sleeping with him?
01:12:21What do you think?
01:12:29I kept waiting for you to see it, to smell it, to sense it.
01:12:33So what? I failed your test?
01:12:35You don't see me!
01:12:57I'm sorry.
01:12:58For what?
01:13:01I'm sorry.
01:13:01For what?
01:13:02I shouldn't have done that.
01:13:03No.
01:13:04Losing my temper.
01:13:05I shouldn't have done that.
01:13:05You had every right to lose your temper!
01:13:08If you think that this is what's going to make you feel better, then you should go.
01:13:12You should go with him.
01:13:14You've been through a terrible, terrible thing, Jane.
01:13:18That is not what this is about.
01:13:19Of course it is.
01:13:20You don't love me anymore, Leonard.
01:13:22You don't love me!
01:13:24That's rubbish.
01:13:26This is your ticket.
01:13:28The day after my performance, meet me at the train station.
01:13:34Our train is at 4.30.
01:13:37We'll go home together.
01:13:40I want you to do what you need to do.
01:13:47And then come back to me.
01:13:50No questions asked.
01:13:52No guilt.
01:13:54No questions asked.
01:13:56This is good.
01:14:11I know.
01:14:26That's good.
01:14:27That's good.
01:15:18Hi.
01:15:21Hi.
01:15:33You want some?
01:15:36Oh, thanks.
01:19:46Yes.
01:20:06I wouldn't want to live to be one hundred.
01:20:09Why not?
01:20:10I'm not telling you why not.
01:20:12Did you ever go clear?
01:20:16Now shut that thing off.
01:20:18Ah, the last time we saw ya, you look so much older.
01:20:24Your famous blue raincoat was torn at the shoulder.
01:20:30You'd been to the station to meet every train, but she never turned up.
01:20:39I mean Lily Marlin.
01:20:42So you treated some woman to a flake of your life.
01:20:56And when she got home, she was nobody's wife.
01:21:06Well, I see you there with arrows in your teeth.
01:21:17One more thin gypsy thief.
01:21:23Well, I see James away.
01:21:34She sends her regards.
01:21:39And what can I tell you?
01:21:43Oh, what can I tell you?
01:21:46What can I possibly say?
01:21:52I guess that I miss you.
01:21:56I guess I forgive you.
01:21:58I'm glad that you stood in my way.
01:22:06And if you ever come by here, be it for James or for me, I want you to know your
01:22:19enemy is sleeping.
01:22:21I want you to know your woman is free.
01:22:29Yes.
01:22:30And thanks for the trouble you took from her eyes.
01:22:40I thought it was there for good.
01:22:47So I never really tried.
01:22:54And James came back with a lock on your head.
01:23:02She said that you gave it to her that night when you planned to go clear.
01:23:21Sincerely, a friend.
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