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#watchtv https://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ
Sir Pitt's wealthy sister, Miss Crawley, takes an instant liking to her brother's governess, but is apalled when Becky marries her nephew. Amelia is unaware that while George?s father does not wish for the two to marry, she has another admirer.
Starring:
Natasha Little
Frances Grey
Philip Glenister
Tom Ward
Sir Pitt's wealthy sister, Miss Crawley, takes an instant liking to her brother's governess, but is apalled when Becky marries her nephew. Amelia is unaware that while George?s father does not wish for the two to marry, she has another admirer.
Starring:
Natasha Little
Frances Grey
Philip Glenister
Tom Ward
Category
🎥
Short filmTranscript
00:21The End
00:38My dear Amelia, here we continue in Arcadian simplicity at Queen's Crawley, or humdrum
00:44hall as I call it to myself. My charges give me little trouble being as slow-witted and
00:51as good-natured as their mother, who lies in bed most of the day because she can think
00:56of nothing else to do. I've become a great favourite with Sir Pitt and help him daily
01:02with his accounts. There, sir. £79, 13 shillings and thropence. Well done, Becky Sharp. You're
01:14a clever little horsey. Oh, my God, you are. Come and sit on my knee a minute. No. What
01:24would Lady Crawley say? Never mind, Lady Crawley. Aye, master. Here.
01:34We are all in a great state preparing for the arrival of Sir Pitt's sister, Miss Crawley,
01:39a very great fortune. And the servants have been killing and dressing half the animals
01:43in the county all this last week. She's coming! She's coming! She's coming! She's coming
01:50up the drive!
02:01What dignity it gives an old lady. That balance at the bankers.
02:17How are you, dear brother? All the better for seeing you, dear lady. Drunk, sir. You're
02:26looking very pale and pasty, Betsy. You should take more exercise. Ah, little Pitt. Still at your
02:34pamphlets. On behalf of the... Bute, is that a black eye? Have you been fighting again? I had to teach
02:42a fellow a lesson at Krober races, ma'am.
02:44Looks like he's taught you one.
02:49Mrs. Bute, I've left my toady Briggs behind in London. Perhaps I'll let you be my toady here.
02:56Ha, ha, ha, ha. And who's this? I'm Rebecca Sharp. I'm the new governess. If you please, ma'am. Now,
03:08girls.
03:23Very edifying, I'm sure. Teaching them French, eh? Très bien, ma petite.
03:30Merci, madame. How I wish I could teach them to speak with an accent so good as yours.
03:36Miss Sharp, is it? You look a sharp little minx to me, too. Mind you don't cut yourself.
03:47Where's Rorden? It's not like him to neglect his aunt, scoundrel though he is.
03:52Indeed, we expect him at any moment, ma'am.
04:00Get on, you brutes! There's money in this, you know. Come on!
04:12A thousand apologies, ma'am. Came as quick as I could.
04:15Well, you rascal!
04:18Looking very well, ma'am.
04:19I don't expect to see the year out, Rorden.
04:22Which is why you're all so keen and eager to dance attendance.
04:26Oh!
04:28Come up to the drawing room, ma'am.
04:30Twist your feet.
04:31Very good.
04:33Hey, new blood in the schoolroom, pal.
04:36Thank you, sir. That's the new governess.
04:39Miss Sharp, is it by turn?
04:44Roland Crawley out of service, miss.
04:48I'll have the little governess sitting by me at dinner.
04:51I like her looks.
04:52And Rorden on the other side.
04:54But, ma'am, Miss Sharp takes her dinners in the schoolroom.
04:57Tonight she don't.
04:59I want little Miss Sharp by me.
05:12Miss Sharp at the bottom of the table.
05:15Oh!
05:16I won't hear of it.
05:17I want her sitting by me.
05:19And young Rorden on the other side.
05:22Go and sit with the Wapshots, Lady Huddleston.
05:24Your conversation is not required at present.
05:28We three must stay together.
05:30I think she's done, ma'am.
05:31You come and sit by me, Lady H.
05:33We're the only Christians in the county.
05:37Did you hear that, Bute?
05:40Or would he?
05:42They're cushy brains, the little minx.
05:44Very true.
05:47What is birth after all, my dear?
05:52Look at my brother Pitt there.
05:55No more brains than he was born with.
05:57Look at the Huddlestons.
05:58They've been here since Henry II.
06:01And the Wapshots.
06:04None of them have half the wit, breeding and beauty that you do.
06:09You're worth ten of them, my dear.
06:11You and I and Rorden here.
06:13Is the captain very clever, then, Miss Corners?
06:15Clever?
06:18No.
06:19But he's handsome enough and wicked enough, ain't you, Rorden?
06:23Don't know about that, ma'am.
06:26He fought three jewels, killed his man every time.
06:29No, no, that's not quite true, ma'am.
06:30The second girl's father shot him through the hat only, you know.
06:35He has an eye for the ladies, too, you see, Bishop.
06:38Fonder of you than any of them, though, aren't you?
06:40Oh, Lord!
06:42Hear the villain talk.
06:45But that was the best part of Lord Nelson's character.
06:48He went to the deuce for a woman.
06:52I wish some great man would run away with you, my dear.
06:57Lord knows you're pretty enough.
06:58Oh, yes, indeed.
07:03So what other delights have you to offer?
07:08Ami, dans cette vie, livrons-nous au changement.
07:16Car le go qui nous lie n'est pas vie, c'est l'inconstant.
07:26Prenons de l'amour et du vin, mon ami
07:29Prenons de l'amour et du vin
07:32Prenons de l'amour et du vin, mon ami
07:36C'est le plus doux destin
07:39Give us love, give us love and wine for our cares
07:43Give us love, give us love, give us wine
07:46Give us love, give us love, give us wine for our cares
07:50Our life could be more fine
07:53Give us love, give us love and wine for our cares
07:57Give us love, give us love, give us wine
08:00Give us love, give us love, give us wine for our cares
08:04Our life could be more fine
08:24Oh, they're stars
08:29I feel myself almost a spirit when I gaze upon them
08:33So do I, by God
08:39You, uh, you don't mind the smell of my cigar, do you, Becky?
08:43No
08:45Mmm, I love it
08:46The night air, you know
08:48Beyond anything
08:51I wonder, might I?
08:55What?
08:56You wouldn't tell
08:58What I?
09:00No
09:02Never, damn it
09:05Uh, what?
09:07What?
10:10Vicky's shot.
10:11Look at that.
10:16That girl's that
10:18venetable snake in the grass.
10:52Becky.
10:57Becky.
10:59I can't do without you.
11:02No.
11:04I think you can.
11:06Just.
11:08Becky.
11:09Becky.
11:10Becky.
11:11Becky.
11:18Where's Becky been here?
11:20We've been looking for you all over.
11:23The old girl's been took back and she's been asking and asking for you.
11:27I'm not directly.
11:29Yes, ma'am.
11:30Yes, ma'am.
11:31Are you involved?
11:36Come here, Becky.
11:38They all think I'm on my deathbed, but I'm not, am I?
11:41Tell me truly.
11:43No, ma'am.
11:43I don't think so.
11:45Then what is the matter with me?
11:49To be honest, ma'am, I think it's just a case of too many lobsters.
11:54And a bit too much wine and brandy.
11:57A little rest and you'll be right as rain.
12:01Yes.
12:03Yes.
12:05You understand my constitution.
12:10Well, I won't stay here to be poisoned.
12:13I shall go back to Park Lane.
12:17And you shall come with me, Becky, to be my chief nurse and companion.
12:23That'll put Briggs's nose out of joint.
12:26I'm very flattered, ma'am, but what would Sir Pitt say?
12:29Pitt will do as I tell him!
12:36And, er, will your other favourite be allowed to visit in Park Lane, ma'am?
12:41Rawdon?
12:43You like the captain, do you, eh, Becky?
12:47Well, enough, ma'am, I confess.
12:50He's a little wild.
12:52Well, don't the girls prefer a rake to a milksop, eh, Becky?
12:58But you be careful.
13:00Rawdon has to make his way in the world.
13:03It's not for you.
13:06I hope I'll always know my place, ma'am.
13:11Yes.
13:17Damnin' glass it all to hell.
13:23First off, she has to go and recover.
13:26When we were reliably assured she was a goner.
13:29And now she says she's taking my lovely Becky Sharp away with her to London.
13:36I'll tell you what that is.
13:39It's...
13:40It's enticement.
13:42And it's abduction.
13:44And I'll have the law on to her.
13:47I will.
13:48No, you won't, Sir Pitt.
13:51Not if you want a sniff of her money when she do pop off.
13:57Well, it...
13:59It ain't right.
14:02And it ain't fair.
14:04Oh, Becky.
14:06Becky.
14:08Oh, I shall miss you.
14:11Oh, Becky. Becky.
14:14Captain Crawley.
14:16Oh.
14:17Mrs. Bute.
14:20I...
14:20How shall I put this?
14:24Couldn't help noticing a certain tenderness between you and the bewitching little Miss Sharp.
14:32I don't see as it's any of your business, Mrs. Bute.
14:36But, er...
14:37Yes, I...
14:38I do think she's a damn fine girl.
14:40Oh, poor innocent Captain.
14:44Hmm?
14:45Don't you see?
14:46She's well on the way to becoming your stepmother.
14:51Stepmother?
14:52If anything happened to Lady Crawley, who's not of the most robust constitution,
15:00you may not have noticed, but your papa's grown very fond of Little Miss Sharp.
15:11Good God.
15:13Just tell me, dammit, is there any truth in it?
15:16That he's fond of me.
15:17Do you think I can't defend my own honour?
15:20Do you suppose I have no self-respect, because I'm poor and friendless?
15:26You should know. I'm a Montmorency on my mother's side.
15:30Do you think a Montmorency is not worthy to be seen with a Crawley?
15:33No.
15:35And yet that's not why...
15:36No.
15:37I can endure poverty.
15:40Not shame.
15:42Neglect.
15:43But not insult.
15:45An insult from you.
15:48Who am I?
15:51Becky.
15:55Miss Sharp.
15:57That is not what I meant.
16:02Just tell me how to make amends. I'll do anything!
16:06Damn and blast it, girl. I'm in love with you.
16:14My dearest, dearest Rebecca.
16:16How happy I was to read your letter and learn that you were not entirely miserable at Queen's Crawley.
16:22I note a great many mentions of the captain.
16:26As for me, I've not seen my dearest George for some days.
16:31Regimental duties are so irksome.
16:35But perhaps...
16:37I do believe...
16:42Captain...
16:43Dobbin, miss.
16:45Oh.
16:46Captain Dobbin.
17:04Captain Osborne.
17:05My good friend, George Osborne.
17:08Yes?
17:09He sends his compliments, Miss Sedley.
17:12He had hoped to call this morning.
17:15But he is detained.
17:20Regimental duties?
17:23Yes.
17:26Yes, regimental duties.
17:28As you say.
17:30Again.
17:32Again.
17:35Captain Dobbin?
17:36Yes, Miss Sedley.
17:38You're his friend.
17:40He tells you everything.
17:41That is...
17:42I'm such a silly creature.
17:44It's just that when so many days go by...
17:47He does still...
17:50You would tell me if...
17:56What is it, Miss Sedley?
17:59He does still care for me.
18:04All with all his heart, Miss Sedley.
18:07I am sure of it.
18:09Oh.
18:13How could he not?
18:17Captain Dobbin, you are so good.
18:19Would you be very kind and take a letter to him?
18:23It would be an honour, Miss Sedley.
18:27No, no, no.
18:29Do you slander me, gentlemen?
18:30Then what about that judge's daughter at Demerara?
18:33She was almost mad about him.
18:36Much exaggerated, Stubble.
18:37And what about that beautiful quadroon girl at St Vincent's?
18:40Miss Pie.
18:42Miss Pie? By God, that was her name.
18:44Miss Pie.
18:46Dobbin, come and have breakfast.
18:48What do you have, man? Thanks.
18:49Then have another one.
18:50Best meal of the day.
18:54Damn me if it's not another Billy Doo.
18:57The fellow should be gelded, if you ask me.
19:00Who is it, Osborne?
19:02Is it the judge's daughter?
19:05Another of his little opera girls more likely.
19:08No, no, no.
19:10Why don't you tell them, George?
19:13Tell them what, Dobbin?
19:14Tell them you're engaged.
19:17Engaged?
19:20Yes, engaged.
19:22To the finest girl who ever lived.
19:24Miss Amelia Sedley.
19:28And the man who calls her name is a better not do so in my hearing.
19:43Damn you, Dobbin.
19:44Who the deuce asked you to talk about my affairs?
19:47And what right have you to tell all and sundry that I am engaged?
19:50Why should I not?
19:51Are you ashamed of it?
19:53She's a sweet girl and you're neglecting her.
19:56You don't mean to break it off, do you?
19:57It would be none of your damn business if I did.
20:02You'd break her heart, George.
20:07No, hang it, Dobbin.
20:09I don't mean to break it off.
20:12I'm very fond of Amelia.
20:15I adore her and...
20:17all that sort of thing.
20:20But a man must have a little fling before he settles down.
20:25Everybody understands that.
20:29I have been neglecting her.
20:33I shall go into town and buy her a present.
20:35Damn it, if I don't.
20:37Angie shall come to Russell Square for dinner with my sister
20:40and you shall come to Dobbin to see fair play.
20:42How's that?
20:44Excellent.
20:47As to the present,
20:49I had a damnable run of bad luck with the cards last night, Dobbin,
20:52and...
20:55I find myself...
20:58in short, if...
21:00if you could see your way...
21:06just a few guineas for a little trinket for the sweet girl.
21:10Oh, gladly, George.
21:12I know you'd share your last shilling with me if I needed it.
21:16Yes, I would, by God.
21:19I would indeed.
21:20You're absolutely right.
21:22Problematic music playing in Romans
21:41Look out.
21:43We're good.
21:48You're the only one hour tard.
21:50You're in love with me, man.
21:50You're the only one hour tard.
21:51You're the only one hour tard.
22:09yes sir yes i'm looking for a little trinket don't you know nothing extravagant nothing too
22:16uh showy just a little dress pin say it's for a young lady yes indeed sir a young lady here
22:25we are sir
22:26ah
22:28ah
22:44what are those
22:47why those are shirt pins sir yes
22:56yes
22:59gentleman shirt pin sir
23:04yes
23:09let's leave them then
23:22how strange that we're all sitting here together
23:38captain tommy
23:42miss sedley
23:46george is in town papa but we'll be here for dinner
23:48he will will he
23:50well if he thinks i'll wait for his conveniences
23:53sorry i'm late pa
23:58it's gonna be your tea for me lad
24:00we wouldn't have waited for you you know that don't you
24:03i do indeed sir
24:05hicks dinner
24:06well let's go in
24:09starving old friend
24:10george
24:14amelia
24:17you were so long coming
24:20couldn't be helped emmy
24:23what a beautiful shirt pin is it new
24:28yes
24:29well that is to say
24:35yes it is
24:38i thought i hadn't seen it before
24:41now
24:42captain dobbin
24:45the battle of leipzig
24:47why should i or any other englishman bother his head over the battle of leipzig
24:55two hundred thousand men died there sir
25:01but not two hundred thousand englishmen eh
25:05eh
25:09no that's very true sir
25:12and now peace is declared
25:14boney's in exile
25:16the only snag is there's damn all for us military men to do
25:20well i confess i'm very glad to hear it
25:23i couldn't bear to think of you in mortal danger
25:26or captain dobbin
25:36ladies
26:02now george i want to speak to you on a matter of importance
26:07i want to know how you and that little thing through there are carrying on
26:11heh
26:13well sir
26:14it's not hard to see
26:17it's pretty clear sir
26:18i think
26:20pretty clear sir
26:22what do you mean
26:24oh
26:25hang it father
26:26i'm a modest man
26:28i don't set out to be a lady killer
26:32do i dob
26:34but
26:35she is as devilish fond of me as she can be
26:41what about you you rogue
26:42again
26:43well sir didn't you order me to marry her
26:45and ain't i a good boy
26:47didn't you and mr sedley make the match a hundred years ago
26:51yes well i don't deny it
26:54but people's positions alter sir
26:59now you're an officer
27:02you rub shoulders with lord tarquin
27:04captain rawdon crawley of the guards
27:06well that's set
27:09so why shouldn't you marry higher than a stockbroker's daughter
27:12that's what i should like to know
27:17marry higher sir
27:18why
27:21why not
27:25why do you stay here
27:31i don't deny that sedley gave him my start in business
27:35that i've shown my gratitude
27:36and he's tried it of late
27:38as my checkbook could testify
27:42george he's not the man he was
27:47i'll tell you in confidence
27:49i don't like the look of his affairs
27:57unless i see miss amelia's ten thousand down
27:59you don't marry her
28:00and you can tell her that yourself
28:05i'll have no lame duck's daughter in this family sir
28:10pass the madeira
28:14if you haven't anything better to say for yourselves
28:16you can go and join the young ladies
28:19go on
28:25delicious
28:26also
28:26see him
28:28you can call a
28:29little
28:30if i have no
28:32can make you
28:33слушay
28:39delightful
28:45we saw the lights across the square
28:48Dad. Did you enjoy yourself, my love? Oh, yes.
28:55Did Mr. Osborne mention my name, Emmy, in the way of business?
28:59No, Papa. Not in my hearing.
29:03Well, well, that might be a good thing.
29:07What do you mean?
29:09Oh, where you go, my dear. You young people need your sleep.
29:13Good night, Papa. Good night, love.
29:14Good night, my love.
29:21There. There you are, you see.
29:24He's heard nothing.
29:26Or he thinks little of it.
29:28Well, perhaps...
29:30John, didn't you stake him at first?
29:33He'd be nothing if you hadn't given him his start, and he knows that.
29:39Look.
29:40Go to his office tomorrow morning.
29:44He'll see you right.
29:46There's some folk who can't forgive you for a good deed, Mrs. Sedley.
30:16Come on, come on.
30:23That girl is not what she seems, Bute.
30:26My lovely Lancelot can lick any dog in the country, can't you, eh, my boy?
30:31She's no Montmorency.
30:33I have written to Miss Pinkerton, who informs me that her father was a drunken drawing master
30:39who died of delirium tremors.
30:41Any damn dog in the country, eh, my boy?
30:48Knowledge is power, Bute.
30:50Better pursue her little intrigues.
30:52Yes, when the time is right, all should be over here.
31:16Dear old Park Lane, I feel better already.
31:29I feel so much better, Becky, than I think I could bear a little society.
31:35Miss Briggs, I suppose you mean.
31:37She's been sobbing on the landing these three days.
31:40No, I do not mean Briggs.
31:42I mean pretty, lively young people like yourself and that young rascal, Rawdon.
31:51That pretty little friend you told me of,
31:54and her fiancé, the vain young officer.
31:58I have a whim.
31:59I should like to see them.
32:02Then you shall, Miss Crawley.
32:10Shall I go into her, Miss Sharp?
32:13No, Miss Briggs.
32:14She has no need of you just now.
32:16Or you, Mr. Raggles.
32:18Sorry.
32:19Why?
32:20Why, Matilda?
32:22Have I not tended that dear couch for years?
32:26And now she prefers someone else.
32:29I'll soon be gone back to my little pupils and their mother,
32:32who is a great deal poorlier than our friend in there.
32:35No need for you and I to be enemies.
32:45Your aunt is resting.
32:48It's, uh, it's not my aunt will come to see you.
32:53I...
32:54I...
32:55I...
32:55I...
32:56I...
32:56I...
32:56I...
32:56I...
32:56I...
32:57I...
32:57I...
32:57I...
32:57I...
32:59I...
32:59I...
33:00I...
33:06I...
33:08What a sweet voice.
33:11My dear Sharpie, your young friend is charming.
33:14I'm the young man.
33:17Such a fine figure.
33:20Just as you promised.
33:23His father's one of those city fellas, you know.
33:25Really?
33:27You can hardly tell the difference.
33:28once? Won 200 off him at Billiards once. I wonder if he plays Piquet. Bravo! Do come
33:39over here, my dear. Oh, bravo. That was so enchanting. A sweet voice and finely produced.
33:51Oh, Miss Sharp. How do you like your new place? My place? I'm kind of you to remind me of
33:58it. We're not so wealthy in Hampshire as you city people, but then I am in a gentleman's
34:05family now. I seem to remember you liked the city families rather well a little while ago.
34:11Oh, dear Amelia is a pearl. She would be charming anywhere. Or perhaps you're thinking of Mr
34:18Joss. And what an honour it would have been for me to be sister-in-law to George Osborne,
34:24Esquire. Son of John Osborne Esquire. Son of... What was your grandfather, Mr
34:33Osborne? Oh, don't be angry. You can't help your pedigree, can you?
34:48You know our little Miss Sharp, do you, Osborne? Miss Sharp, indeed. Oh. A very dangerous
34:54young woman, Captain Crawley. Is she? Is she indeed? Well, I'm sure you're right. Hmph. I know women,
35:05you're right and cruelly. And I advise you to be on your guard. Oh, well. Thank you,
35:11my boy. Hmph. You're wide awake, I say.
35:45My dear Becky. Pleased to come back as quick as may be. Because all goes wrong without you
35:53here. Lady C has gone into a decline and has not spoke for a week. The girls have run wild.
36:02All me accounts is in confusion. Black Sow is sick of a fever. We are none of us happy
36:11since you were gone, Becky. Come on. I'll go and fetch her home myself. Begging your pardon,
36:25Sir Pit. Yes, yes. What now? She's dead, Sir Pit. What, my good black sow? No, Sir Pit. Your wife.
36:42She's too ill to see you, Sir. So much the better. I want to see you, Miss Peggy. Now, Miss
36:53Peggy, what it is,
36:55Sir? I want you back at Queen's Crawley. There. Well, I hope to come as soon as Miss Crawley's better,
37:05Sir. And to return to the dear children. And to you, Sir. You've said so these months,
37:13Betty, and still you go hanging on to my sister, who will fling you off like an old shoe when
37:19she's worn you out.
37:20I tell you, I want you. Now, I'm going back to the funeral. Will you come back? Yes or no?
37:31I don't think it would be right, Sir, to be alone with you.
37:41Well, I say again, I want you. I can't get on without you. I didn't see what it was until
37:53you went away.
37:56The house all goes wrong. It's not the same place. All my accounts have gotten muddled again.
38:04You must come back. Get Peggy. Do come.
38:12Come as what, Sir?
38:15Come as... Come as Lady Crawley, if you like.
38:22There. Well, that'll satisfy you.
38:25Come back and be my wife, dammit. You're fit for it.
38:32It's a bit.
38:33I'm an old'un, but a good'un.
38:37I'm good for 20 years. I'll make you happy and see if I don't.
38:41You shall do what you like. Spend what you like. You shall have everything your own way.
38:45I'll do everything right. Look here.
38:56Sir Pitt, I... I can't.
39:02I'm married already.
39:06Married?
39:09I'm so sorry, sir.
39:12Please...
39:13Get up.
39:15Married?
39:17You're joking.
39:19Who'll go to marry you without a shilling to your name?
39:22Sir, please don't think me. I'm grateful for all your goodness to me.
39:25It's only your generosity that has extorted my secret.
39:31Generosity be hanged. Who is it you're married to?
39:35Let me come back to the country with you, sir.
39:39I can't be your wife, sir, but...
39:42Let me...
39:43Oh, dear, Sir Pitt.
39:46Let me be your daughter.
39:52The lady on her knees and not the gentleman.
39:56I was informed it was the other way round.
40:01I was thanking Sir Pitt, ma'am.
40:04For his extreme kindness.
40:08In making me an offer.
40:11And telling him...
40:15Telling him that I could never become Lady Crawley.
40:20You refused him?
40:24Pray, Miss Sharp.
40:26Are you waiting for the Prince-Regent's divorce?
40:29That our family is not good enough for you?
40:31I had to.
40:34Oh, Miss Crawley.
40:36I'm so unhappy.
40:40There.
40:48There.
40:50No.
40:52No.
40:52My poor child.
40:54No.
40:55Let me console you.
40:56Yes, you could.
40:59I understand.
41:01Someone else has taken your heart.
41:03Some schoolmaster or apothecist clerk, the villain.
41:07Never mind, Becky.
41:08I'm your friend.
41:09Whether you marry me or not.
41:11There.
41:18I think I should like to be alone.
41:20Yes, yes.
41:22Go to your room.
41:23Lie down.
41:25I'll send Briggs to you presently with a bowl of beef tea.
41:30Good.
41:47Who is it?
41:47It's me, Becky.
41:57Oh!
41:58Get off, you great bear!
42:00It's all right.
42:00No one saw me come in.
42:01It is not all right.
42:12Married to Rawdon.
42:16Behind my back.
42:20Treacherous little trollop.
42:25This is your doing, Briggs.
42:27No, Mum!
42:28Yes!
42:29You made him marry her, thinking I'd leave you his inheritance!
42:33No, Mum!
42:33No!
42:34Yes!
42:35Get out!
42:36Get out!
42:37Get out!
42:39Get out!
42:42Oh, Mrs. Beauty!
42:43Miss Sharp is married to Captain Crawley.
42:46Indeed.
42:47And Miss Crawley is blaming me.
42:50I'll go to her.
42:55Lust and avarice, Mum.
42:57That girl is capable of anything.
43:00The impudence and guile of it.
43:04Still, I suppose it could have been worse.
43:07She is a Montmorency, after all.
43:09Oh, is that what she's been telling you?
43:12Well, she's no Montmorency.
43:15Her father was a drunken drawing master.
43:19Her mother was an opera girl.
43:24And, uh, she's been on the stage herself.
43:28What?
43:29Oh, worse.
43:31Oh, my God!
43:32Oh, my God!
43:41Fetch the doctor, Rackles.
43:44My lawyer, Mrs. Buter.
43:46I intend to change my will.
43:48Oh.
43:53Oh, my God.
43:58What are you?
43:59Oh.
44:24Oh, my God.
44:30Oh, my God.
44:34Becky.
44:41Becky.
44:45Becky!
44:50Becky!
44:53Becky!
44:54Becky!
44:56Mr. Dawson, good morning.
44:58Morning, Chopper. Is my pa within?
45:00A private meeting, sir.
45:01No.
45:02Er, he, er...
45:04Oh, yes, sir.
45:04It's all arranged.
45:05Mr. Quill will do if necessary.
45:07Banknote, sir?
45:08Er, yes, please, Mr. Quill.
45:24Oh, I see.
45:26Wasn't that a Mr. John Sedley?
45:28Bad business, Mr. George.
45:30Bad business.
45:38Oh, George, what's the matter?
45:41Where are you?
45:47I hear Napoleon's escapes from Elba.
45:50Wellington's certainly mobilising his army.
45:52That's what I hear.
45:52They'll be poor within a month.
45:54He's on his way to Paris.
45:5530 French at 12.
45:5612 guineas.
45:5730 French at 12 guineas.
45:5930 French at 10.
46:0030 French at 10 guineas.
46:0230 French at 10 guineas.
46:0630 French at 10 guineas.
46:0930 French at 10 guineas.
46:1130 French at 12 guineas.
46:16Will you be taking tea, sir?
46:26Ah, John.
46:27John, I've been thinking...
46:29Did you order tea?
46:31Samuel's become so strange and up at the...
46:34These last days...
46:35We must do something about Emily.
46:38She's not happy that George was a little mexican now.
46:59Why don't you speak, John?
47:08John.
47:09What's happened?
47:13Napoleon's landed at Cannes.
47:18Should that affect us?
47:20It was the last straw.
47:24I'd taken a position on futures that depended on peace, then the jeune Amélie went down
47:29to a Frenchman with all hands lost.
47:33I'd underwritten her at Lloyd's, you see, unlimited liability.
47:37Oh, what does it matter?
47:40We're ruined.
47:41But John, we have friends, good friends.
47:48John Osborne.
47:50Oh, you gave him his start.
47:52He'll bail us out, you'll see.
47:54He bailed us out, Osborne.
47:57He's the worst of all my creditors and pressing hardest for settlement.
48:02He hates me for the favors he once had from me, Mary.
48:05Mary, there are men like that.
48:08But where shall we live, John?
48:13Oh, Mary, I'm sorry I brought you to this.
48:18Oh, John, my dear, dear, dear good man.
48:27He's brought it all upon himself.
48:30He's given personal guarantees that he's been unable to meet.
48:33And that is the very worst crime a man of business can commit.
48:38He's shamed all his acquaintance.
48:41And anyone who stands by him will be damned by association.
48:45You'll see no more of that young girl, George.
48:51And I never want to hear that bankrupt name mentioned in this house again.
49:20Oh, three hundred and sixty-nine.
49:23Here we are, ladies and gentlemen, a painting of a gentleman on an elephant.
49:27What shall we say, sir, for the elephant?
49:32Fifty, five to start.
49:34A gentleman without the elephant is worth five pounds.
49:36It's a wonder it ain't come down with him.
49:39Don't be trying to depreciate the value of the cloth, Mr. Moss.
49:43Come, gentlemen, don't keep me here all day.
49:45Five shillings, sir.
49:46Any advance on five, do I hear ten?
49:50Seven and six.
49:51All done at five.
49:53Captain Crawley.
49:58Sentimental keepsake, miss?
50:00What are you doing here?
50:01I'm getting into some claret, miss.
50:04I'm setting up a little public house.
50:06Nice to see you again.
50:08Number three hundred and seventy.
50:11Now here we have something eminently desirable.
50:13A small square rosewood chair of forty in first-class spanking new condition.
50:19Just a hearticle for a young lady's private sitting.
50:22Now who's going to start me at ten, then?
50:25Thank you, sir.
50:26And twelve and fourteen.
50:30Sixteen on my left.
50:32Eighteen.
50:33Thank you, Captain.
50:34Twenty.
50:35Twenty-two.
50:36Twenty-four.
50:37May I say twenty-five.
50:39Twenty-five Guinness against you, sir.
50:42Hold that at twenty-five.
50:43Twenty-five.
50:53Come on, you two.
50:54Come on.
50:56Get down.
51:02Get down.
51:03Get down.
51:10I'm sorry, Dobbin.
51:13He hasn't been to see me once.
51:17I'm sure he still cares for me.
51:23Perhaps his father has forbidden him to visit.
51:25it. I believe he hopes to bring his father around in time. His father and mine are such
51:34enemies now. My own poor father has ordered me to return all George's presents that he
51:40made to me in happier days. I would be grateful, Captain Dobbin, if you would take them for
51:48me. Yes, of course, if you wish it. I think I must release him from his engagement. No,
51:57Emmy, I think you should not. I have written to him saying so. It is a hopeless situation
52:02for him. No situation is utterly hopeless. I'm Captain Dobbin.
52:19You're such a good friend.
52:29It's all over, Dobbin.
52:33She says so, yeah.
52:42My dad says she'll get over me soon enough.
52:45No, she won't.
52:52How did you find her, Dobbin? Was she well? How did she look?
53:06George.
53:20If you please, ma'am. Anna, there's no need to read those old letters any more, for there's
53:25a surprise for you.
53:33George!
53:36My darling, you lovely girl.
53:40Dear little wife.
53:56She's Mastiff.
53:57But the Titans is you love.
54:04Oh, hello, dear.
54:241958
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