#thetroublewithspies #watvhtv #donaldsutherland https://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ
When secret agent George Trent goes missing, spy agency chief Angus George Trent (James Willis), a British spy, has gone incommunicado in Ibiza. Appleton Porter (Donald Sutherland) is sent to find out what happened to Trent. Porter settles into a small hotel with several busybody guests. He probes them for information about Trent, their former neighbor. Meanwhile, the spy survives several attempts on his life as he attempts to solve the mystery.
Starring:
Donald Sutherland
Ned Beatty
Ruth Gordon
Lucy Gutteridge
Michael Hordern
Robert Morley
When secret agent George Trent goes missing, spy agency chief Angus George Trent (James Willis), a British spy, has gone incommunicado in Ibiza. Appleton Porter (Donald Sutherland) is sent to find out what happened to Trent. Porter settles into a small hotel with several busybody guests. He probes them for information about Trent, their former neighbor. Meanwhile, the spy survives several attempts on his life as he attempts to solve the mystery.
Starring:
Donald Sutherland
Ned Beatty
Ruth Gordon
Lucy Gutteridge
Michael Hordern
Robert Morley
Category
🎥
Short filmTranscript
00:00:13Close the curtains, will you?
00:00:25The island of Ibiza,
00:00:27a Spanish province in the Mediterranean
00:00:29about 50 miles south-west of Majorca.
00:00:32Ibiza is not only a mecca for tourists,
00:00:35it's also the centre for hallucinatory drugs.
00:00:39For some time now, narcotics have been finding their way
00:00:43into British army bases, both here and abroad.
00:00:47These drugs are of high quality and remarkably cheap,
00:00:51which seems to rule out an underworld operation.
00:00:54Any other alternative suggest itself?
00:00:56Moscow.
00:00:57Of course, the Russians trying to undermine morale and efficiency.
00:01:04That, however, is not our problem.
00:01:06Our problem is that we have positive proof from an agent in Ibiza
00:01:10that the Russians using unsuspecting hippies as guinea pigs
00:01:15have perfected a new truth drug to use on enemy agents.
00:01:20A drug which, when used, leaves the victim totally unaware that he's been given it
00:01:27or any information he may have divulged while under its influence.
00:01:31We are desperate to get our hands on this drug.
00:01:35So desperate we are prepared to sacrifice a member of the services.
00:01:40A man will be sent to Ibiza on the pretext of locating a missing agent,
00:01:45which is in fact true, and the Russians will be informed.
00:01:48When they're informed, the Russians will do one of two things.
00:01:52Either dispose of him immediately, or they'll take him prisoner,
00:01:56in which case we shall move in and get the drug.
00:02:00If you're looking for a volunteer, sir...
00:02:02Thank you, Wellington.
00:02:03The man I sent to Ibiza must have a romantic view of the world of espionage.
00:02:08Moreover, he must be a man who, when placed under the influence of the drug,
00:02:12will have absolutely no information to impart.
00:02:16In other words, a complete dummy.
00:02:18Appleton-Porter, sir.
00:02:20Appleton-Porter.
00:02:29Hold your fire! Hold your fire!
00:02:34What the bloody hell do you think you're doing, Porter?
00:02:36The targets are down there, not up here!
00:02:39Mud in my eye, sir!
00:02:41Mud in his eye?
00:02:42That'll be all for today, Porter!
00:02:47The old man wants to see you, Porter.
00:02:52Dummy!
00:02:55Come in.
00:02:59You wanted to see me, sir?
00:03:01Yes. Come in, Porter.
00:03:04Yes, sir.
00:03:05You're looking a trifle thinner than when I saw you last.
00:03:08It's a camouflage, sir. It makes you blend into the surroundings.
00:03:11I understand. Sit down.
00:03:17I asked to see you because I've got an assignment for you
00:03:21in the field.
00:03:22The field, sir?
00:03:24Your name, until further notice, is Arnold Barker.
00:03:28I have here your passport and documents relating to your cover.
00:03:32But first, I'd like to paint the picture.
00:03:35You ready to absorb?
00:03:36Yes, sir.
00:03:38You're no doubt aware that for some time the Russians have been trafficking in drugs
00:03:42to our armed forces, both here and abroad.
00:03:45No, sir.
00:03:46Well, they have been.
00:03:47The Kremlin's been at it for some time.
00:03:49The Russians have little or no trouble in obtaining the drug.
00:03:52Their problem is one of channeling it.
00:03:55The obvious solution, therefore, is to channel the drug through some recognized center.
00:03:59One of these centers is the island of Ibiza in the Mediterranean.
00:04:02We traced one drug connection to a British-operated boarding house, the Royal Rose.
00:04:09Here the trail ended.
00:04:10We sent a man to stay as a guest at the Royal Rose.
00:04:14His cover name was George Trent.
00:04:17Two weeks ago, he disappeared.
00:04:19Your job's to find out what happened.
00:04:22And the drug connection?
00:04:23If you have any illusion about scoring a starry-eyed victory by smashing a Soviet drug ring, forget it.
00:04:30Your job is to find George Trent. Nothing more, nothing less.
00:04:33The name of the operation is Cornfield.
00:04:36Be ready to leave for Ibiza in the morning.
00:04:39Yes, sir.
00:04:43May I tell you, sir, how deeply I appreciate the opportunity you are giving me to prove to you what
00:04:48I can do.
00:04:52Porter?
00:04:53Yes, sir.
00:04:55You've forgotten your gun.
00:05:00Do you know what I'm gonna do with this gun, sir?
00:05:03I'm gonna go back onto that firing range, and I am going to qualify.
00:05:07Be careful with that thing.
00:05:09Oh, it's all right, sir. It's not loaded.
00:05:20OH!
00:05:25Be careful with it.
00:05:28And we will.
00:05:31Come.
00:05:34Yes, sir!
00:05:38Sounds good to me.
00:05:44We'll Trust us.
00:07:34You must be Mr. Barker.
00:07:36Yes, I am.
00:07:37How do you do?
00:07:38How do you do?
00:07:40Welcome to Ibiza.
00:07:58In case you haven't already guessed, Mr. Barker, the Royal Rose is within walking distance.
00:08:03Very central, as the guidebooks say.
00:08:06My name's Arnold, by the way.
00:08:08Mona.
00:08:09Mona Smith.
00:08:11How did you come to hear about the Royal Rose?
00:08:14My friend, we stayed here last three.
00:08:18I wasn't here then.
00:08:19I've only owned the Rose for six months now.
00:08:22Oh, you're the owner.
00:08:23Manager, chief cook, and bottle washer.
00:08:25We have seven rooms and a staff of one.
00:08:28It's her day off.
00:08:29That makes me official greeter as well.
00:08:31My husband and I used to operate a tea shop in a Welsh border village.
00:08:35Your husband?
00:08:36He was killed in a train accident two years ago.
00:08:39When the insurance was finally settled, I came out here on holiday.
00:08:42Ended up buying the Royal Rose.
00:08:47Are you married, Arnold?
00:08:49Am I married?
00:08:50No, I'm not married.
00:08:58Are you all right?
00:09:00Yes.
00:09:02He was coming straight at you.
00:09:04It almost looked deliberate.
00:09:06Deliberate?
00:09:07It looked more to run me down.
00:09:08I must say you're pretty calm about it.
00:09:10I'd be shattered.
00:09:12I'm not nearly as calm as I appear to be.
00:09:14That's very honest of you.
00:09:16I like that in a man.
00:09:22Come on.
00:09:23The Royal Rose is just around the corner.
00:09:40I'll take you straight to your room.
00:09:42You can check in later after you've freshened up.
00:09:54I beg your pardon?
00:09:55Don't mind, Perky.
00:09:56He calls everyone dope.
00:09:57Thinks he owns the place.
00:10:18There we are.
00:10:19Now just make yourself at home.
00:10:20Tea will be served in the patio at four.
00:10:23Give you a chance to meet the other guests.
00:10:26And Arnold, if there's anything you need,
00:10:29anything at all, just let me know.
00:10:32You're very kind.
00:10:50There we are.
00:11:02Here we are.
00:11:03I don't know.
00:11:37I don't know.
00:12:08I don't know.
00:12:15I don't know.
00:12:25I don't know.
00:12:26Assuming for a moment that the black seeth actually was trying to run me down, it is possible that Trent
00:12:37was disposed of by the old hit-and-run scenario.
00:12:41However, I find it impossible to believe that the speeding seeth was actually an attempt on my life.
00:12:48I have been in Ibiza less than an hour and have no reason to believe that my cover is broken
00:12:53or that my life is in any danger whatsoever.
00:12:58I don't know.
00:12:59I don't know.
00:13:00I don't know.
00:13:07I don't know.
00:13:08I don't know.
00:13:09I don't know.
00:13:18I don't know.
00:13:19I don't know.
00:13:22I don't know.
00:13:32I don't know.
00:13:35I don't know.
00:13:36I don't know.
00:13:57I don't know.
00:14:17I don't know.
00:14:21I don't know.
00:14:24You've lost your way in this great big mansion of a place, have you?
00:14:27No.
00:14:28No.
00:14:28I wonder if you could tell me, what does one do with a scorpion in one's room?
00:14:33Oh, ask me tomorrow.
00:14:34It's me day off today.
00:14:36Ta-ra.
00:14:54ja.
00:15:10Nadia.
00:15:15What do you mean, two wrong halves?
00:15:18The gun was put together a by an expert from the West.
00:15:21Polish.
00:15:22from Warsaw. The case is real leather.
00:15:28A speeding car that does not hit.
00:15:33A gun with halves that do not fit.
00:15:35A scorpion that forgets to bite.
00:15:38It is your brain that has two wrong halves.
00:15:42I do not have patience to listen to these idiotic excuses.
00:15:46Your orders are clear that man has to go.
00:15:51Hit him over the head, throw him off the mountain,
00:15:53do whatever you want.
00:15:55Your job is to get rid of him, right?
00:15:59So get rid of him. Clear!
00:16:09Hello!
00:16:24Hello!
00:16:26Hello!
00:16:29Who is that woman?
00:16:32That is Mrs. Arkwright.
00:16:34Bit of a tyrant.
00:16:36But she does have some good points.
00:16:38One, she's got pots of money.
00:16:40Of course, she never spends any awful old bag.
00:16:43Stay out of her clutches, she'll bore you into your grave.
00:16:47Arnold Barker, this is Mr. Lewis.
00:16:49He's an American.
00:16:50Arnold, call me Harry.
00:16:51How do you do, Harry?
00:16:53More tea, Harry?
00:16:54You don't mind if I do.
00:16:55Don't mind at all.
00:17:01Who is that gentleman behind the paper?
00:17:04That's Jason Locke.
00:17:06He's a dentist from London.
00:17:08Retired.
00:17:10Did you hear about the guy that couldn't get into the dental college?
00:17:15No.
00:17:16Didn't have any pool.
00:17:22Um, where do you come from, Harry?
00:17:26In the States, I mean.
00:17:27Trenton.
00:17:31Trenton?
00:17:32Ohio?
00:17:35Have you been here long?
00:17:38Six weeks.
00:17:39You must be a little homesick.
00:17:41No.
00:17:42I lived in England for three years during the war.
00:17:45Sergeant Harry Lewis.
00:17:46Tail gunner.
00:17:48Thirty-five missions and not a scratch.
00:17:50I say, would you stop those horrid war stories?
00:17:54Pass me the milk.
00:17:56Oh.
00:17:56Smoke bag.
00:17:59Oh.
00:18:00I, uh, I don't think I caught your name.
00:18:05Barker.
00:18:06Arnold Barker.
00:18:09Alicia Arkwright.
00:18:10You're a good-looking man, Mr. Barker.
00:18:13And you're a good-looking woman, Mrs. Arkwright.
00:18:16Well, I used to be a good-looking woman.
00:18:19A knockout, as a matter of fact.
00:18:22That was a long time ago.
00:18:24Nonsense.
00:18:26Alicia, did I ever tell you I'm from Trenton?
00:18:29Ohio?
00:18:32I have been living at the Royal Rose for twenty years.
00:18:37I've seen no less than fourteen owners come and go.
00:18:41They always fail.
00:18:44Uh, retailing, is that what you do?
00:18:46No, animal husbandry.
00:18:49I'm an overseer at a government-controlled experimental farm.
00:18:53From where, Mr. Barker?
00:18:55I have a cottage in, um, Nether Weald.
00:18:59More mill?
00:18:59Yes.
00:19:02What the hell was that?
00:19:03A flower pot.
00:19:05Fill off the balcony.
00:19:06It's done that before, you know.
00:19:09My God, Arnold.
00:19:10That could've knocked your brains out.
00:19:13Lived here twenty years.
00:19:15Seen that happen five times.
00:19:16Nobody's been actually hit, though.
00:19:19This, I think, is the closest call of all.
00:19:21I'm so sorry, Arnold.
00:19:23Oh, no, nonsense.
00:19:24No, accidents happen all the time.
00:19:27I think...
00:19:28I'll go out for a little stroll.
00:19:44Again.
00:19:45How can you miss a large head like that from a height of two meters?
00:19:52And in full daylight?
00:19:55No, you idiot.
00:19:57He did not get up from the chair too early.
00:20:00You dropped the floor pot too late.
00:20:04Suspicious?
00:20:05Of whom?
00:20:08The American?
00:20:10Oh, or that other one.
00:20:12The Englishman.
00:20:15Good.
00:20:18Very good.
00:20:19Let him be suspicious.
00:20:22Throw him off.
00:20:24Throw them both off.
00:20:25Arrange it so they meet.
00:20:28Somewhere in the village, maybe, no?
00:20:30Let them have a talk.
00:20:34What do I care how you do it?
00:20:36Just do it.
00:20:37It is your job, is it not?
00:20:40Slip a knot under a door.
00:20:41Slip a knot under two doors.
00:20:43Use the good half of your brain.
00:20:55A romantic scene, Mr. Barker?
00:20:58It is indeed, Mr. Locke.
00:21:00I am not surprised you decided to spend your retirement years here.
00:21:03I haven't. Not fully.
00:21:05I shall have to see if the winter is as damp and chilling as the locals claim.
00:21:11When do you pass your days, Mr. Locke?
00:21:13I, um, watch the world around me.
00:21:17I study people.
00:21:20I am, if I may say so, rather perceptive.
00:21:23I try to probe beyond the facade.
00:21:27For instance, I have the feeling that there's more to your presence in the Royal Rose than meets the eye.
00:21:36What perceptions do you have of the other guests at the Royal Rose?
00:21:40Mrs. Arkwright, Mr. Lewis.
00:21:42Mr. Lewis.
00:21:43Ah, our American tail gunner.
00:21:47Or so he says.
00:21:49You think he's not what he claims to be?
00:21:50No.
00:21:53More by perception than hard proof.
00:21:55But, uh, little pointers along the way have convinced me that our friend Harry is in fact a member of
00:22:02the CIA.
00:22:04Well, he has all the qualifications.
00:22:06He doesn't understand a single word of the language.
00:22:08He has absolutely no idea of the political situation in the area.
00:22:12And even if he had, he wouldn't know what side he was supposed to be on.
00:22:17I also have reason to believe that he's involved in some clandestine operation on the islands here.
00:22:25Well, you heard him yourself.
00:22:27He pointedly repeated the name of his hometown.
00:22:31Trenton.
00:22:32Remember?
00:22:34Trenton.
00:22:38Vaguely, yes.
00:22:39I'm not sure I see what you're driving at.
00:22:41Several weeks ago, we had a guest at the Royal Rose.
00:22:44A British, it seemed. A bookseller, he said.
00:22:46A tourist, he claimed.
00:22:49That man and Harry Lewis were very friendly.
00:22:53I'm still not with you.
00:22:55About three weeks ago, that man did a moonlight flit.
00:22:58He was here one minute, gone the next.
00:23:02His name, Mr Barker, was George Trent.
00:23:05Trent.
00:23:08Now do you see?
00:23:09I see the connection between Trent and Trenton, if that's what you mean.
00:23:15I think he was testing you.
00:23:17You know, the sort of thing like spies exchanging secret passwords to identify themselves.
00:23:23Have you ever been involved with espionage, Mr Locke?
00:23:26Oh, no.
00:23:27Not at all.
00:23:28Must be so exciting.
00:23:31Harry Lewis with the CIA.
00:23:35What could he possibly want with me?
00:23:37What could he possibly think I am?
00:23:39I've no idea.
00:23:41As I said, I'm merely an observer.
00:23:48We'll talk again, I hope.
00:23:49I want to hear more about this mysterious George Trenton.
00:23:53Trent.
00:24:00Good night to you, Mr Locke.
00:24:01Good night, Mr Barker.
00:24:04Good night.
00:24:17With the exception of the scorpion, which in all probability was a deliberate attempt on my life,
00:24:23the other incidents, that is the potted plant and the black fiat,
00:24:28could very well have been planned near misses, designed to warn me or frighten me away.
00:24:37As for Jason Locke,
00:24:40at first I thought him to be just a harmless old bachelor.
00:24:44But then, why did he mention George Trent's disappearance?
00:24:51And why was he following me?
00:24:54It would appear our Mr Locke, a bearsome watching.
00:25:23I was going to leave.
00:25:24And I'm going to throw him some food.
00:25:38This is a great day I thought I'd be that close of him and you will be that close of
00:25:38him,
00:25:38It's hard to get at stake.
00:25:42You can't say that he's been drunk.
00:25:43But then, if you were to get scared that he's been drunk.
00:25:46It was just a good morning.
00:25:46I was like, I'm just a half and a half.
00:25:46You are here, too.
00:25:47Oh, my God.
00:26:29I see his autobus.
00:26:31Follow that, buddy.
00:27:10Oh, my God.
00:27:18Oh, my God.
00:27:57Oh, my God.
00:28:18Oh, my God.
00:28:23Oh, my God.
00:28:30Oh, my God.
00:29:00I'm not talking about charming.
00:29:03I'm talking about murder.
00:29:05They've already tried three times to kill him.
00:29:09Three?
00:29:09You don't think that flower pot was an accident, do you?
00:29:14But you said it had happened before.
00:29:16I didn't want him to get suspicious.
00:29:20You think anyone's told him about the sandstone, Corrie?
00:29:24Well, I certainly hope not.
00:29:27No, it's fine.
00:29:27You know, he's gonna go.
00:29:34I know.
00:29:40I'm talking about the sky.
00:29:44I'm talking about the sky.
00:29:46I'm talking about the sky.
00:29:55I'm talking about the sky.
00:29:59Oh, my God.
00:30:35Oh, my God.
00:30:57Oh, my God.
00:30:58Oh, my God.
00:31:02Oh, my God.
00:31:06Let's go!
00:31:40Let's go!
00:32:30Let's go!
00:32:45It's Lipton's.
00:32:46I trust it's all right?
00:32:50Splendid.
00:32:52Where's Mona?
00:32:53Oh, she'll be along. Milk or lemon?
00:33:13Her name's Maria Sola. She checked in last night. She's an entertainer.
00:33:25Ole!
00:33:26Ole!
00:33:27Bravo! Ole!
00:33:31I am Maria Sola.
00:33:34Arnold Barker.
00:33:36You must be North American. You are so very tall.
00:33:41Tall-ish.
00:33:42Maria, I've been looking for you all morning. Why don't you join me in the bar for a spot of
00:33:46brandy?
00:33:46At this hour? How disgusting!
00:33:49All right.
00:33:52See you around, Arnold.
00:33:56Go!
00:33:56Martha!
00:33:58Looks like somebody stole your thunder, Arnold. She's very pretty, isn't she?
00:34:03I hadn't really noticed.
00:34:05Martha said you wanted to see me about something.
00:34:08I did?
00:34:09Try to remember. I'll be right back.
00:34:14Ah, Mr. Locke.
00:34:17Ah.
00:34:18Good morning, Mr. Barker.
00:34:20I wanted to thank you for showing me the way to that wonderful beach yesterday.
00:34:24I have no idea what you're talking about.
00:34:27It doesn't matter.
00:34:28What does matter is that I've been giving you Mr. George Trent a lot of thought.
00:34:32I checked the register to find his whereabouts in Britain.
00:34:36And guess what?
00:34:37I can't possibly.
00:34:39The page that would have had his name has been torn out.
00:34:44Oh, that's most curious.
00:34:47Possibly a mistake on somebody's part.
00:34:49The plot thickens. Wouldn't you agree, Mr. Locke?
00:34:53Perhaps.
00:34:54Perhaps I'm being melodramatic.
00:34:58Would you care for some tea, Mr. Locke?
00:35:01No, thank you, no.
00:35:03I have to be on my way.
00:35:10What's the matter with Mr. Locke?
00:35:12I have no idea.
00:35:14Did you remember what you wanted to see me about?
00:35:16Yes. The sandstone quarry.
00:35:19Is it worth seeing?
00:35:21It's hardly a tourist attraction.
00:35:23Quite an eerie place, actually.
00:35:25I never did see what he found so interesting in it.
00:35:27He?
00:35:28George Trent.
00:35:30He was a guest who stayed here and ran off without paying his bill.
00:35:32He said he went there a lot.
00:35:34Well, then it must be worth looking at.
00:35:36Where is it?
00:35:37It's on the outskirts of town.
00:35:39One day I'll play guide and take you there.
00:35:41Why not today?
00:35:45All right.
00:35:46Come on, please.
00:35:48It's gone, please.
00:35:49Not good?
00:36:05Not good.
00:36:07Oh, I said it was late.
00:36:10Yeah.
00:36:12I said it was late.
00:36:14I said it was late.
00:36:15I said, it was late.
00:36:39They used to use the sandstone for building blocks.
00:36:42The quarry gave out 20 years ago.
00:36:44It's not a very cheerful place.
00:36:46Depends on who you're with.
00:36:48I forgot my camera.
00:36:49I'll be right back.
00:37:17I'm not very good at this.
00:37:21Say cheese.
00:37:22Cheese.
00:37:24Back up a bit.
00:37:27A bit more.
00:37:31More.
00:37:34More.
00:37:36Oh, my God, how much one must have.
00:37:39Help me.
00:37:44It's all right, Mona.
00:37:47It's all right.
00:38:07Don't move.
00:38:09The corner of the car in front of you has gone over the edge.
00:38:14The front wheel on this side is almost there, right on the rim.
00:38:24One force move and over we go.
00:38:37Two hundred foot drop.
00:38:39I'm terrified.
00:38:39What?
00:38:40Just don't move.
00:38:53There.
00:38:56The parking brake on the Citroen Duchevo is one of the strongest in the motoring world.
00:39:00It has to be easy to compensate for the fact that the gears are so light.
00:39:03As a matter of fact, the gears on the Duchevo are so weak that the car cannot be started with
00:39:07motion.
00:39:08That is a toe or a push.
00:39:10Interesting.
00:39:13Okay.
00:39:16Now, you lean forward towards me slowly.
00:39:20I'm going to open the door.
00:39:22We're going to jump.
00:39:25Goodness me.
00:39:26Pinch your nose.
00:39:28All right.
00:39:31Okay.
00:39:34Move this way.
00:39:36And don't let go of your nose.
00:39:40Easy.
00:39:43Easy, does it?
00:39:50Okay.
00:39:51Ow!
00:40:26I don't believe my ears.
00:40:29The car went over a cliff, exploded, and he got back to the hotel on his own two feet.
00:40:35We are witnessing a resurrection here.
00:40:38Another Lazarus.
00:40:41All right.
00:40:42All right.
00:40:43I believe you.
00:40:44Now, listen to me carefully.
00:40:47Because of my very good nature, I'm giving you another 24 hours to dispose of him.
00:40:53Now, this is your last chance.
00:40:55You understand?
00:40:56And if we are about to witness another resurrection, it will be one that you will have to perform
00:41:03on yourself.
00:41:03You know what I mean?
00:41:33Go!
00:41:38a romantic spot isn't it yes it is
00:41:46you um wanted to see me
00:41:50i heard mrs arkwright and jason lock talking they said you were a british agent they did
00:41:58i need an agent you do for my act flamenco flamenco i'm sick of flamenco i'm ready for bigger things
00:42:08i'm i'm sure you are i wish i was an agent but i'm not
00:42:16oh oh well it's still a romantic spot yes
00:42:25is it like the spot mona took you to no no no it was more like a
00:42:34gravel pit
00:42:37but you must have kissed her
00:42:42like this
00:42:54what's wrong i'm not coming a couple in search of solitude
00:43:02you see a couple
00:43:07a couple of hammers
00:43:11so
00:44:16Stop here.
00:44:32Light me.
00:44:44I'll get out here.
00:44:46I would rather walk than ride with a madman.
00:44:52Good night.
00:45:04Operation Cornfield.
00:45:06Drive.
00:45:07Drive.
00:45:16Drive.
00:45:18Drive.
00:45:23Oh, my God.
00:45:55Kill the lights or the chopper.
00:46:18Good evening, Porter.
00:46:19Good evening, sir.
00:46:20Well, get in.
00:46:22Yes, sir.
00:46:28I hope you haven't forgotten how to fly one of these things.
00:46:31Light aircraft operation being part of your basic training.
00:46:35Yes, sir. I can fly it.
00:46:37Good.
00:47:13Yes, sir. I know.
00:47:24There we are.
00:47:25Just takes a while to get the field.
00:47:27Well, now, just circle the field and give me a report of the progress of your mission.
00:47:35Well, there hasn't been any progress. Not yet. I've only been here two days.
00:47:40I'm perfectly aware how long you've been here. What I want to know is if anything's happened.
00:47:46Yes, sir. But nothing leading anywhere. At least not as far as I can see.
00:47:50Well, tell me. Give me all the bits and pieces.
00:47:53Well, there's Jason Locke. He's a retired dentist from London.
00:47:57Well, he seems pretty suspicious. But then again, they all do.
00:48:01Has there been any mention of George Trent?
00:48:04Yes, they talk about him all the time. There are some who think that he skipped off in the night
00:48:08without paying his bill,
00:48:09and the others think that foul play was involved.
00:48:12Foul play?
00:48:13Yes, but something about the sandstone quarry. I nearly fell in myself.
00:48:17Fell in?
00:48:18Yes, just before my car went over the cliff.
00:48:21Am I to understand there have been attempts on your life?
00:48:23Five. Five. Including the flower pot.
00:48:26But in all honesty, I think only the scorpion in my bed and the two Russians trying to run me
00:48:31down tonight
00:48:32were the only definite thrusts in my direction.
00:48:35You better take this.
00:48:36Not exactly a cannon, but it has slight recoil.
00:48:40An 800-pound impact at 20 feet.
00:48:44Thank you, sir. Do I have to sign for it?
00:48:48No.
00:48:49Are there any further instructions?
00:48:52Yes.
00:48:53Stay alive.
00:48:55Good morning.
00:48:56Hello.
00:48:57Not so far it hasn't been.
00:48:59Help.
00:49:00Mornia was out late last night. Decided to sleep in.
00:49:04Leaves all the work to me.
00:49:06Slave driver, that's what she is.
00:49:08One can always quit.
00:49:11You can't.
00:49:12Take a pardon?
00:49:13Look, Arnold, I know it's none of my business what you're up to, and maybe you're not up to anything,
00:49:18but I think I ought to tell you.
00:49:20Tell me what?
00:49:21I know what you really are.
00:49:23Your job.
00:49:25My job?
00:49:26When I was taking clean towels to your room yesterday, I found the sump floor.
00:49:32We must have dropped it.
00:49:34Don't worry.
00:50:03I won't say anything to others.
00:50:04And he left his key.
00:50:06He checked out?
00:50:07Not exactly.
00:50:08But he's a grown man.
00:50:09He can come and go as he likes.
00:50:10He likes Ibiza.
00:50:11He was planning to spend his retirement years here.
00:50:15Apparently, he changed his mind.
00:50:17Or somebody changed it for him.
00:50:19Mr. Locke did not check out of this establishment.
00:50:23His suitcases are up in the attic.
00:50:28I'm Sean'sка.
00:50:29We must have done cherished.
00:50:35What?
00:50:44Not 미away, man.
00:50:47I died, isn't it?
00:50:51Not maybe any time someone missed or anything to edit me in the attic.
00:50:51I want him to try it.
00:50:57They were revisiting for you.
00:50:57I don't know.
00:51:36I don't know.
00:52:05I don't know.
00:52:29I don't know.
00:52:57I don't know.
00:53:32I don't know.
00:54:05I don't know.
00:54:13I don't know.
00:54:19I don't know.
00:54:21I don't know.
00:54:35I don't know.
00:54:38I don't know.
00:55:15I don't know.
00:55:37I don't know.
00:55:49I don't know.
00:55:52I don't know.
00:55:56I don't know.
00:56:40I don't know.
00:56:49I don't know.
00:57:19I don't know.
00:57:58I don't know.
00:58:28I don't know.
00:58:58I don't know.
00:59:28I don't know.
00:59:58I don't know.
01:00:28I don't know.
01:00:58I don't know.
01:01:28I don't know.
01:01:58I don't know.
01:02:28I don't know.
01:02:58I don't know.
01:03:28I don't know.
01:03:58I don't know.
01:04:28I don't know.
01:04:58I don't know.
01:05:28I don't know.
01:05:58I don't know.
01:06:28I don't know.
01:06:58I don't know.
01:07:28I don't know.
01:07:58I don't know.
01:08:28I don't know.
01:08:58I don't know.
01:09:28I don't know.
01:09:58I don't know.
01:10:28I don't know.
01:10:58I don't know.
01:11:28I don't know.
01:11:58I don't know.
01:12:28I don't know.
01:12:58I don't know.
01:13:28I don't know.
01:13:58I don't know.
01:14:28I don't know.
01:14:58I don't know.
01:15:28I don't know.
01:15:58I don't know.
01:16:28I don't know.
01:16:58I don't know.
01:17:28I don't know.
01:17:58I don't know.
01:18:28I don't know.
01:18:58I don't know.
01:19:28I don't know.
01:19:58I don't know.
01:20:28I don't know.
01:20:58I don't know.
01:21:28I don't know.
01:21:58I don't know.
01:22:28I don't know.
01:22:58I don't know.
01:23:28I don't know.
01:23:58I don't know.
01:24:28I don't know.
01:24:58I don't know.
01:25:22I don't know.
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