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(2026) - FULL ENGSUB | Reelshort Hot HD
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Short filmTranscript
00:00Watch The Vampire Lestat After Dark on AMC Plus or wherever you get your podcasts.
00:30Is it true you were a stutterer as a child?
00:32His name's Raglan James.
00:34Mr. Malloy would like to stay alive, Rashid.
00:37Got me wondering what it'd be like.
00:38Ride with others, huntin' a pack.
00:41The Tooth Team LaFang Gang.
00:45I assume a privileged individual such as yourself enjoys a little dirt in their sandwich.
00:50So I serve it to you now.
00:52You're for real?
00:53How it felt then.
00:55Fledgling.
00:56Lover.
00:57Mother.
01:01You are listening to The Failures.
01:04Album 8, Side A.
01:07If you're still listening after the...
01:11Eid Epiphany of the last hour, welcome back.
01:14I've been fondling my thoughts since the last album,
01:18and I believe there might be value added in illuminating the why and how I became me in their light
01:24of said Eid Epiphany.
01:26You've weathered the Freudian storms, and yes, that boat is a penis, and yes, that ocean is my mother's vagina.
01:35Kiss, grope, aftercare, onward.
01:40Picture Auvergne, France, 1772.
01:44Picture the dingy seat of the Liencourt family at the fag end of a thousand years of aristocratic decline.
01:51Picture my five dead siblings.
01:54Aristide, Marie, Jules, unbaptized.
01:57And Fustin, garden gnomes guarding the undulating domestic bliss of our great hall.
02:03The boy possesses an ability to envision the unseen, the holy, and he would be well-suited to the monastic
02:09house at Haute-Loire.
02:10And what will you get for this favor?
02:13A silk line casac?
02:15Nothing, Monseigneur.
02:17I see goodness in your son.
02:19Are you a good boy, Lestat?
02:24Aren't you a brother, Lestat?
02:28I...
02:32Don't...
02:34Don't...
02:34Don't...
02:38Don't...
02:38No, no, he doesn't, no?
02:40My son, the Icarbur, the next Pope.
02:43We can mend his affliction.
02:45Pope?
02:45Let's be fetish like an station.
02:47Titles?
02:49One on the blood-soaked fields of France.
02:51N'y'altro ni anovinti, tu n'anai vinto propria, mhm.
02:58Si je compiègne, Barlow cootera!
03:01In time, he would learn to find consolation in philosophy.
03:05What is the course of studies at Haute-Loire?
03:08Aristotle, Erasmus.
03:09I asked the question.
03:15Aristotle, Erasmus, Aquinas.
03:20Cicero, Alberti, Bruno.
03:29The innkeeper tells me he brought these actors back to the inn.
03:35Buys them a sum of wine, beyond obligation.
03:39Half the village there, waiting for me to pay.
03:43Tenants asking me this to-
03:45The escape was not an option for Gabriela Vecci.
03:49The Marquis had promised her preservation and delivered her ruin.
03:53On stage, with alls and all masters, he wants a taste of the theatre.
03:59You tell him to bed one of them.
04:01You don't open the wagon and join up!
04:04I was, um... impressed in just... service.
04:10She sacrificed her youth, squandered her intellect,
04:13and paid a midwife to nick her in the womb so he couldn't humiliate her anymore.
04:17How many hell does that in the square like a beggar?
04:20Like an actor!
04:21Better a gong farmer than an actor!
04:23Better an actor than a cabbage.
04:25Look up from your book when you speak to our father, huh?
04:29Cabbage. Cabbage. Cabbage.
04:32He was our little joke, the cabbages.
04:34The cabbage heads with cabbage brains and cabbage wives all speaking cabbage.
04:39Well, at least there would have been some honor in it!
04:42The Lyoncourt name, covered in his shit again.
04:45Love nothing, do nothing, change nothing!
04:48Sit and supper!
04:49Am I suffering?
04:50Mr. Grey Groove?
04:51A question for the philosophers.
04:54Can a cabbage suffer?
05:03One hour on stage.
05:05An hour of not displace.
05:09It's dampness and dimness and your Pokemark the wife and Gregoire jamming his cock into servant girls like he's saucing
05:19poor!
05:20Cabbage!
05:20And the start speaks!
05:22Cabbage!
05:23A verse with players in a wagon!
05:26Cabbage!
05:27Say, Cabbage, one more goddamn time.
05:36Cabbage!
05:37Cabbage!
05:38Cabbage!
05:39Cabbage!
05:41Cabbage!
05:41Cabbage!
05:42You will hunt the land as we do!
05:44You will marry your world!
05:46And have children who will shame you!
05:48The way you have shamed me!
06:01She had a cold beauty, like snow behind a thick, distorting wall of glass.
06:07And I grew hard by example.
06:12But now the wolves, they are taking out sheep, so bold now they have lost their fear.
06:16Another one stole it today, a puddle of guts where sheep used to be.
06:21They will snatch a babe soon.
06:23There have been wolves in the hills since I was a boy.
06:27Magnificent.
06:27The wolves are causing trouble, brother.
06:30It's a famine now, seigneur, from here to Versailles.
06:34What does he want us to do about it, huh?
06:35Nothing.
06:36Sit there on your titles while you fumble to find your pricks from under the awning of your stomach.
06:48Piss off!
06:51Keep coughing, huh?
06:52Seeding the nothings you had, bearing more nothings will inherit nothing!
07:00Not funny, brother!
07:02Put the gun down, Lestat!
07:04She's with, child!
07:06Put the gun down, Lestat!
07:08The wolves will move on!
07:12We ask your protection as our seigneur.
07:16We would like you to share some of your bounty on your table.
07:20Hey!
07:21Go on!
07:23There's nothing more we can do here!
07:25But be men!
07:34She meant to kill me with the challenge.
07:38Better a quick end than watch me surrender another decade.
07:42Watch me join the cabbages.
07:57And what was this life?
08:02The good in me lost at the monastery.
08:05Wait.
08:05My sense of wonder abandoned in a traveling player's wagon.
08:10Go.
08:11Flush them out.
08:24I wanted the wolves to come.
08:32Until I didn't.
08:57You killed the five wolves.
09:02By your self.
09:06Eight.
09:09Not five.
09:14To robot my horse.
09:20My dog.
09:28Eight.
09:33Do the wolves look worse?
09:40There's a mob came yesterday.
09:43Again tonight.
09:44They wish to worship you.
09:48Your father and your brother's bent.
09:51With shame.
09:53Come down.
09:55You'll enjoy it.
09:57From room to room.
10:01Slaughtering the three of them.
10:05That's what I dreamt when I killed the wolves, mother.
10:13You know what I dreamt when I'm drinking wine.
10:23I'm drinking wine.
10:24So drunk.
10:25I dream of my clothes and baked in the mountain.
10:36I go into the village, into the inn, and I take into bed any man that's come.
10:55Crude men, big men, old men, boys, taking them one after another, and feeling some magnificent release in it.
11:13No doubt of your father or your brothers in that world.
11:27I belong to no one.
11:34Except for me.
11:49I'm dying.
11:54I want to survive the winter.
11:57Mother?
11:59Mother?
12:00Mother?
12:01Mother?
12:02Mother?
12:04Mother?
12:14Mother?
12:27No honor, sweet lady.
12:32Anyway.
12:32How do I build my power of my
12:32Well done.
12:46I saw them too.
12:48Oh, and the drug mule contributes a complete sentence.
12:52Social media coordinator.
12:53I'll check your contract.
12:54It says cocaine whore bucket.
12:56I know, but I saw a lawyer.
12:58I saw a guy kill another guy right in front of me.
13:02There, what the killjoy second guitarist may or may not have witnessed was one vampire acting in self-defense.
13:09But he signed a unilateral, which is a one-way street that I control.
13:13Suitcase bomb.
13:15Where are we?
13:17Buckeye State.
13:18Do you have the fire gift?
13:21Oh, my God.
13:26How did I get you?
13:28Sophia.
13:29Sophia.
13:30Forgotten my name already.
13:33Oh, hello.
13:34Sophia.
13:37I'm sorry.
13:38Are we just, like, not going to talk about last night?
13:40Are we not going to talk about, like, the year and a half of weird bullshit that you've put on
13:44through for the past, like, year and a half?
13:46And you didn't feel like that was at all important to tell us?
13:48It was on fire.
13:49We got, like, a shit-ton list of questions, man.
13:52What else can you do?
13:54Yeah, like, where do you put the body?
13:55Don't answer that!
13:56And when was the last time you talked to our mom?
13:59I could have hung it up there, too, I guess.
14:01But we sounded really good in Detroit.
14:03And there were another thousand beautifully unwell to serve in Ohio.
14:06And she had come a great distance to comfort me.
14:11And, um, you are being very patient regarding the vampire incest factor.
14:17And I do appreciate it.
14:18Do you guys play baseball?
14:20Like Twilight?
14:20What do you do with the body?
14:22One at a time!
14:23One at a time!
14:24Please!
14:26One at a time.
14:35I'm a little killer.
14:37I'm a lonely one.
14:40I'm a trigger of an upper spine, telling you to run.
14:43I'm a little shadow.
14:45I'm a last line.
14:47I'm a past and the future, the last of the soldiers.
14:50It's a cool dive.
14:51Where the rock and roll is.
14:53Where the guitar.
14:55Where the hopper mid-lubber, the fish in the mud.
14:58Where the stupid rim.
15:01Bang, bang.
15:03Bang, bang.
15:04Bang, bang.
15:06I'll fall down.
15:10Burn the ground.
15:14I'll fall down.
15:17Burn the ground.
15:31Fabulous.
15:32Moving on.
15:36Do you kill people?
15:38I sleep, I think, I sing, I contribute to local economies.
15:43Do you kill people?
15:44I drain people.
15:45What is the difference?
15:46I don't have to kill when I drain. I do it on stage every night.
15:49The small cup.
15:50How many people do you kill at night?
15:52How many people? This is what I have Fareed for.
15:56Oh, yeah, that's also why you have a body.
15:58You tell them.
15:59He gets most of his blood from the farm.
16:02Most? The farm?
16:03It's like a blood bank. People donate and they're handsomely compensated.
16:07It's all highly ethical.
16:08They tap college burnouts and attic-run bingo games.
16:12Cash only, no questions.
16:14Whoa, whoa, so you're a vampire too?
16:16Three of us, nine of you.
16:19Out and proud.
16:20Three? Three? Three?
16:22Hi, name's Daniel.
16:24I'm a Taurus on the cusp of Aries.
16:26I prefer A, B, negative. Who is your maker?
16:29Have you tried our age? No.
16:31Only 45 people on the planet possess it.
16:35Only nine active donors.
16:38Tell me all about it, babe.
16:40Hey, hey, look, hey, this isn't a goddamn joke.
16:43BAND ONLY MEETING!
16:48I understand the panic.
16:50You saw something that you didn't want to acknowledge.
16:54But willful ignorance is sleep in a giant's hand.
16:57Willful ignorance?
16:58Oh, come on. Have you ever seen me in the light of day?
17:00Armand is a day walker.
17:01Did you help me hose off my Mustang at a self-service car wash in Spokane?
17:06You said that was a deer walker.
17:07As D-E-A-R as any KFC night manager has a right to be.
17:10Okay, so you do kill people.
17:12Vampires have been among you your entire lives.
17:15We've been a part of the ecological landscape.
17:17How do we know you're not going to kill us?
17:18For years you've been in my band for over a year and a half.
17:20It's not your band. It's our fucking band.
17:22Jesus Christ, you're such an asshole.
17:23In fact, you've all been protected numerous times without being made aware of it.
17:27What?
17:28What we're doing, the confessional nature of the songs,
17:31performing for mortals, the insights into vampiric desires,
17:33it's all...
17:35It's all sacrilegious to vampires.
17:38What?
17:38It's not a worry.
17:39I have the blood of Akasha in me.
17:41Sorry, what the fuck is Akasha?
17:42What is important and what we should be celebrating
17:44is what we did on stage last night.
17:46Are all your songs about this guy, Louis?
17:48Last night, we were raw and nasty, transcendent.
17:51Excuse me?
17:52And I lost you.
17:54You know.
17:56It's Louis, not Louis.
17:57And you, you were referring to,
17:59could be one of two dozen paramours at Pompois.
18:02Who's that villain sneaking up from behind
18:03with the knife in his hand and a mouthful of life?
18:05We were beyond epic last night.
18:07I pulled the knife from my cane
18:07and I held it up to a stop's throat.
18:09And that is what we are all scared about.
18:10I want to stay in bed.
18:11Eating black licorice.
18:12Is that about sucking Louis' dick?
18:14Black licorice is about the first kill I made
18:17after Louis and I reconciled.
18:19I'd say, I'll call the cops.
18:21I lived 54,554 days before I met Louis de Pointe du Lac.
18:25You kill people.
18:26I'm people.
18:27We're people.
18:28And so was I.
18:32No vampire was born a vampire.
18:37F this.
18:38F you.
18:39We quit.
18:42Come on.
18:43Come on.
18:47Larry.
18:48They don't want to speak.
18:50But, um, being a vampire,
18:52I can tell you what they're thinking.
18:54Would you like to know what they're thinking?
18:58Fifteen hundred when we started.
19:00Twenty thousand followers now.
19:02He killed the sound technician in Denver
19:04that muddied my solos on purpose.
19:06And he is glad that I killed him.
19:09Except I didn't kill him.
19:10I merely fired him, Larry.
19:13Fate's entourage, the brooms, the tits,
19:15the dime store darlings,
19:17Bukkake ice helmet,
19:18and four others that are not as good
19:20but just as successful.
19:22If I don't hit it now,
19:25I'm going to marry the bum and have a baby.
19:29Film Lizzie sucks.
19:31We'd sound better with one guitar.
19:33I don't think that.
19:35Yeah, she does.
19:36Salamander.
19:37Another one of Alex's
19:40vegan, straight-edge, bullshit mood swings.
19:43You'll find a meeting and be back tomorrow.
19:46Dude.
19:48And I make it a rule
19:49never to sleep with my bandmates.
19:56TC was talking about Larry, not you.
20:00You are the best pure musician we have,
20:04other than me.
20:05So take your time, Alex.
20:08Process it, as they say.
20:10But think thrice before running to the police
20:13or sharing in one of your anonymous groups.
20:16Not if you value your life.
20:19Or your brother's.
20:23You are listening to The Failures.
20:26Album 12, Side B.
20:31There's a dearth of privacy on a vampire rock tour.
20:34The bus, shared hotel floors, roadies transporting coffins, etc.
20:39And as front man, you're encircled by those who invariably want something from you.
20:44Now my mother, Gabriela Vecci, rest her soul, was a complicated hand.
20:49But my fledgling, the vampress Gabriela, was anything but.
20:54And with the bandit Soundcheck and Yerda playing billiards on the other side of town,
20:58she and a less pharmaceutical challenged me, found an evening to catch up and kill time.
21:04And there was simply no one in the garden more effortless in killing time than her.
21:08Why were you in Chicago?
21:10I wasn't.
21:12I was glamping in Vucevic.
21:15You lied.
21:16My maker called for his mama, and I came, and came, and came.
21:24Yeah, about that.
21:25I know, we really shouldn't.
21:29We need to make a pact if you're going to stay.
21:31Up to you.
21:33I want you to stay.
21:34A pact then.
21:37Companionship without the calm.
21:40We needn't you lie.
21:42Weave a basket and fill it with bullshit.
21:47I missed you.
21:51We met in Italy, of course.
21:54Hmm.
21:55The Ambrosian Carnival, of course.
21:57Of course.
21:58And we wore the same costume, of course.
22:01And raced across the Piazza del Duomo to see who would slap each other first.
22:08And then you unmasked me, and, well, this face.
22:15I recognized myself, Yuri.
22:21Oh, see, it comes back around again.
22:24Hmm.
22:27How long are you going to stay?
22:30Ah.
22:32I saw you two times last century.
22:35It's not an unreasonable question.
22:37For long enough?
22:39Huh.
22:40Long enough for what?
22:43Long enough to see you sing?
22:46For you to show me munchie.
22:50Wilmington.
22:52Food courts.
22:54We excuse me.
22:55I want to play cornhole.
22:59We excuse me.
22:59The rest on the rust belt.
23:01All the speed on the floor.
23:02All the moist cavities.
23:04We excuse me.
23:05I want to know this Paisa Grasso.
23:07How it hypnotizes my son for a century.
23:11We excuse me.
23:14Can I take you to dinner, Sophia?
23:17I would love that.
23:20We thank you.
23:23In a glass corner of a glass building, a group of building glass salesmen were closing a sale of a
23:30substantial amount of glass sold to a company in yet-to-be-tariffed Germany.
23:34There was to be ritualized Saturnalia in both countries that night, and we invited ourselves to the one closest to.
23:42A study commissioned by the Centers for Disease Control on rates of depression in mid-sized American cities ranked Toledo
23:49number two on their list.
23:51Heads are down in Toledo, which makes it a fine city to travel via the cloud gift, which was Gabriela's
23:57preferred mode of murder transport.
24:00Why take so many cars?
24:03Triumph is a dark road, Sophia, and each man must find his own exit.
24:08The worst reveal themselves through time in the Grone.
24:12Nine at the indoor golfing range.
24:14Seven eating seafood towers at the chop house.
24:18Five crapped out at the casino.
24:20And then there were three.
24:23All tippling by the time we plummeted back down the backside of Chubbs, a bar contetta blocks off the Mome
24:30River.
24:31Our hunger propelled us inside, and we watched as the remaining items on the menu marinated themselves in the pole
24:39-ravaged sweat of sex-positive, sex-cynical, sex-stipulated dancing.
24:45They had closed their deal, and we would close ours.
24:49We watched them, watched them.
24:52And only sometime later would I understand we were being watched as well, by those who were always there.
24:59A curious tangle of hunters and hunted that warm spring night.
25:07And then it happened again.
25:12Are you a good boy, Lestat?
25:16An unamusing muse.
25:18Was this the first soldier over the wall the Oracle Jenks forewarned me about?
25:23Or the last fumes of Detroit?
25:25Oh, if you're ever homesick, there's a classy Italian place on Adam Street.
25:31Do they have spaghetti?
25:32Yeah, do you work here?
25:35Oh, go on.
25:36Tell me more.
25:40Lover, where are you?
25:42I'm with Sophia.
25:43I don't want to know.
25:44You have to do a sit-down with Thomas Pitt and lawyer tomorrow.
25:46That's your job, lover.
25:48I'm doing my job, motherfucker.
25:50No more.
25:50We have a pact now.
25:52What?
25:54Who's Thomas Pitt?
25:55The owner of the hotel you defiled in Detroit.
25:58His lawyer says he's a fan and would appreciate an exclusive fan experience.
26:02Do I have to fuck you?
26:03Yes.
26:04Call an Uber, go to Coffin.
26:07Fine.
26:10Thank you, Carol.
26:11Do you work here?
26:13Wait, did I ever ask that?
26:18You really have to understand, the vampire Gabriella, when she wasn't free-soloing a mountain or stirring a singing bowl
26:27in some dreary village, she was good company.
26:32Even as you're being out-monstered, out-bantered, it feels good.
26:37Like watching blood down a staircase feels good, or finding a party invitation in your victim's pocket.
26:45Well, I mean, that doesn't happen anymore to empty invites, but being with Gabriella is like...
26:54Like...
26:56Like...
26:59Oh, predatory spirit, a good candidate for the great conversion.
27:08Well, Randy, last man standing, loves glass.
27:16Also knows somewhere inside that he does not love glass.
27:25I'm starving.
27:29Shall we take them both now, one each?
27:33I want to share mine with you.
27:36So we wait.
27:38We wait.
27:42Do you have a lot of sex?
27:48I'm a rock star now.
27:51Of course.
27:53Do you like it?
27:56Like you do the blood.
28:00It's never like the blood.
28:07We couldn't help ourselves.
28:12We rode the edges of our pact.
28:19Hi.
28:19Hey, just leaving the shop house.
28:21You okay to drive?
28:22Yeah, yeah, of course.
28:24Daddy!
28:24Hey, kiddo.
28:25What are you doing up?
28:26I can't sleep.
28:28Back to bed.
28:29Listen to your mom.
28:30I'll give you a kiss when I get home.
28:32Okay.
28:33I love you.
28:34Okay, bye.
28:38You are listening to The Failures.
28:40Album 15, Side B.
28:43Estimates on the structural damage are still being calculated,
28:46so the figure we've put forth was based on comps
28:49the engaged architectural firm provided.
28:51Comps. For a hotel hallway massacre.
28:53Comparable damages to comparable spaces.
28:55I'd like to add a line for cascading glass.
28:57The parking structure below had a fleet of vehicles lacerated.
29:00These cleanup numbers are made up.
29:02The cleanup numbers in this case are mostly going towards silencing witnesses.
29:05This is not my first clown rodeo, Grace Jones and Goethe.
29:07And Saul received his compliment.
29:08Anyone who won't take a couple thousand in an envelope,
29:10you guys do the mind-wipey thing,
29:12so you can take that line item and hold it over your vampire bidet.
29:15We could have done the shit over the phone.
29:16According to Mr. Pitt here, your client's the one who called this meeting.
29:19He did no such thing.
29:20You stole my personal physician.
29:23You hired my biographer.
29:25You trashed my hotel.
29:26I didn't know it.
29:27The Detroit Coven trashed your hotel.
29:28I've heard the song.
29:29The songs are not about you.
29:31It feels like a cry for help,
29:34so I flew in because I care.
29:37Oh, it just says you cared in your book.
29:39We've been through all this.
29:40The fact that you insulted me page after page after page.
29:45Who wrote it, or the Tala Mosca, who published it.
29:48Why are you employing Sam Barkley after Paris?
29:51He's paying down his debts.
29:52Oh, bottom line, Louis.
29:54All sins negotiated.
29:55Sam didn't get on a boat.
29:56We're here to litigate.
29:57Sam didn't memorize it.
29:59He did not direct a play and then come home canoodling with one of its victims, did he?
30:03Who did that, I wonder?
30:04Repeat the name.
30:05That would be Armand.
30:06Armand.
30:09San Diego, I could understand.
30:11At least he had a presence, but I don't know.
30:12I'm happy to discuss Armand.
30:14If you think that would help you understand...
30:16Is it true that you had a second home in Sausalito with him?
30:19We did.
30:19Did you take turns driving across the Golden Gate Bridge who held the wheel harder?
30:23Yeah, writing numbers on each other's backs and pretending to guess them wrong.
30:27I bet.
30:29I bet!
30:30Come on, let's...
30:30Very specific detail to pluck out of thin air!
30:33What is it, Vult?
30:35Are we taking minutes of this?
30:37I think we can wrap this up dispassionately.
30:39Yes, let's try and circle back to the particulars.
30:42Are you two fucking?
30:44Yes.
30:47Companion enough for yourself or you're over?
30:50He's not my companion.
30:51He's a great lay and emotionally unavailable.
30:55You doing her?
30:56Yes.
30:58Petite, surprising, and can perform what most metropolitan training systems can only dream of.
31:04Okay.
31:06Are you enjoying this exclusive fan experience?
31:09I have.
31:11Christine, could you please provide two tickets to Mr. Pitt here and his Esquire for tomorrow night's show?
31:16One will do.
31:18Lemuel doesn't enjoy your music.
31:19I do like your merchandise, though.
31:21Healthy margins considering the size of your tour.
31:23That's why I own 40% of it.
31:25Of my merch.
31:2745%.
31:2845%, my bad.
31:30I'll look into it.
31:32I was afraid, I was afraid, I was afraid.
31:35I was afraid, I was afraid.
31:56Sounding a little thin without Alex.
31:59Larry likes it.
32:00Everyone else is freaked.
32:04The Stott and his hostage squad.
32:06Get me a shot of his latest friend-o there.
32:10Copy that. Where?
32:12The Cougar Milanese in the crowd.
32:15Got her.
32:16No, no, no, not her.
32:17The one standing in judgment of the Buckeye God.
32:21The one from the bus?
32:22Yeah.
32:24Okay, now go up from her to the balcony
32:26and get me a frame of pretty green eyes again.
32:30Okay, got him.
32:31Who is this guy?
32:32He is the story.
32:41Mr. Dulac, what brings you to Toledo?
32:45You're looking younger, Daniel.
32:48A lot of sights in Manjaro.
32:51I'm still pissed.
32:54Want to brawl it out in the alley after the show?
32:59All right.
33:00All right.
33:13Let's do it, Roy.
33:15What the fuck are you doing here?
33:16Oh.
33:41Oh, I, I tried to ride you.
33:46The prettiest song in the world, but I got distracted.
33:57All I did is, oh.
34:12All I did is, oh.
34:22The pain is too much you do
34:51Old friends, talking around the small betrayal that kept them apart
34:55And I know what you're thinking, he wasn't there
34:58But this is my hour, and when tertiary figures appear in it, I will be speaking for them
35:04Daniel, Mr. Dulac, anyone I feel is important towards understanding how I woke the Queen and unleashed her wrath upon
35:12the world
35:12I am everywhere, and rest assured, it comes with less whining than their attempt
35:18Did it happen in a bar with a view? I say it did
35:22How are you taken to the gift? You adoring?
35:26I'm alright
35:28Vampire loneliness, I get it now
35:31I'm picking up bowling
35:33And I have this weird thing that happens where suddenly everyone around me disappears
35:40Like the raptures come
35:42And I, you know
35:48I feel him
35:51Armand
35:53Yeah
35:54That happened with you and Lestat?
35:57No
35:59Oh
36:02Sounds weird
36:03Look, I'm sorry, okay?
36:06I should have asked you before I published
36:08I'm sorry
36:10I would have said no
36:14I can't fly
36:15I can't start fires
36:17All I got is the low-hanging balls gift
36:19I wanted something out of it
36:22I'm glad the book worked out for you
36:24Didn't do too much damage to you
36:26Or whoever you are
36:27Thomas, Pitt
36:29Hotels, bars, mall, retail
36:32I saw money on the table
36:35You read it?
36:37You liked it?
36:39I didn't like me in it
36:42Passive
36:44Selfish
36:45A liar
36:46And not the lying to myself kind of fucking liar
36:52The writing's good
36:53Hard read
36:56He didn't like the part about Claudia and him on the train
37:01Yeah, we were finding our way back again when the book dropped
37:04It hurt him
37:10I called one of my daughters the first month dead
37:14Called her again during the book tour
37:17Hung up, hung up
37:20Probably the right move
37:24I saw Claudia
37:26In New York
37:28Coming up the subway
37:29Claudia?
37:31Someone who looked like her
37:33But in her twenties
37:34If she'd have made it to her twenties
37:38Saw her come up
37:40I watched her turn the corner
37:42Happened to be going in the same direction
37:44Kinda, sorta
37:47I saw her walk into a diner
37:50And I couldn't help myself
37:54I go inside
37:56I grab a booth
37:59It's not her
38:00She's not there
38:03Chase the ghost, I guess
38:07So I order a donut
38:08And coffee
38:09You know, just to pass
38:12Then she comes out the back
38:14In her uniform
38:17It's not her
38:20This one's got a different walk
38:25Accent
38:28I'm not in this section
38:31I walked out
38:35Don't eat me for this, Louis
38:39My producers want to meet you
38:46Rashid?
38:47Rashid, Daniel, Molloy, Raglan, James, Louis, DuPont, Dulac
38:51We all worked together in Dubai
38:53Burj Al Arab
38:56Now Haven Med Senior Care Headquarters
38:59Said I'd introduce you
39:01They got me on retainer
39:05Not cool, Daniel
39:09We all agreed about this coming
39:29What does he know about me?
39:32What did you tell him?
39:34That you died in 1794 of consumption
39:37Mercy saved you from the peasants' revenge on our family
39:41I only ever saw the aftermath
39:44Your slit throat slow to heal
39:48Your rotting roof and pathrobes stuck to skin
39:53An aloof poetry behind the eyes
39:58Uncanny beauty
40:03Unelusiveness
40:04Come, go
40:06Yes, no
40:07I see why you gave him a daughter
40:10I see why you took her back
40:16And we were having such a good night, Sophia
40:19And now we're not
40:22Forget her, Sally
40:34Your father's tongue
40:36My tongue
40:37In Italy never made a boat leer
40:43Ainsi qu'une fontaine au rythmique sans dos
40:48Je l'entends bien qui coule avec un homme au mur
40:53Mais je me t'ai en vain pour trouver la blessure
41:15A través de la cité
41:19Quand on dans en chancleau
41:21Ils enventent distant, man les bavés en élan
41:25Dessentere la soif de chaque riaitur
41:28Et partout que le monde en rouge la nature
41:34We shall head home to the tower
41:39The night is young
41:40We travel so fast we could be there in an hour
41:45I am on there
41:54I am on there
41:56I am on there
41:58I am on there
41:59I am on there
42:05I am on there
42:05I am on there
42:05I admire for a day
42:06The terrain that I have put
42:08The wind, the blue light
42:11And the red blue fig
42:18I am so glad that I have put
42:20The wind in my heart
42:22I am on there
42:23I am on there
42:32I am on there
42:35I am on there
42:35I am on there
42:39But love is for me
42:41Like a head of the sky
43:27There were eight people on the Ark.
43:29Noah, his wife, his three sons, and their three wives.
43:34Eight people.
43:36And now, somehow, eight billion.
43:41At some point in your privileged family tree is the thing we are discussing now.
43:47And familiar relations were not a standalone crime in the 18th century.
43:53And she was dying when she came to see me.
43:57Fuck it.
43:58It's different for vampires. That's it.
44:01Distribution of fentanyl for half of Michigan.
44:04Operation of an unsanctioned and unsanitary farm from their home.
44:08And in a surprising labor of ambition, managed to take down the miso power grid the other night.
44:15Not the pneumatic tube the upper floor wants to receive.
44:18So real Rashid is really Rashid? That's his actual name?
44:21Ah.
44:22Um, I emphasize the first syllable, Rashid.
44:27Rashid.
44:27Do you have a preference?
44:29No.
44:31I have a plane waiting for me.
44:33This coven in Detroit.
44:35They were the ones responsible for the damage to your property.
44:38I'm insured.
44:39And, uh, I knew that already.
44:40They tried to decapitate your love.
44:43What's the ask, Mr. James?
44:45Ah.
44:47We would like you to take care of our problem in Detroit, Mr. Dulac.
44:54No.
44:54One, we're understaffed and overworked.
44:57The exponential growth in your numbers not helping matters.
45:01Two, the shop's protocols of engagement limit our roles in these kinds of operations.
45:07We clean up.
45:08We don't make the mess.
45:10And three, you're extremely skilled at dispatchment, Mr. Dulac.
45:16Paris, Dubai.
45:18How many in Dubai, Rashid?
45:2031.
45:2031?
45:2132, if you count Agent Talbot.
45:24No great loss.
45:25None of us like too much.
45:26I only kill those who come for me first.
45:28The coven leader's name is Killer.
45:30Tell Vampire Sam I'm gonna need him in Vegas and Reno next month.
45:34Been tracking him since 1925.
45:36A coffin offloaded from a boat out of Copenhagen.
45:41I don't care.
45:43Went by a different name then.
45:44His name was Bruce.
45:50Bruce.
45:52Hmm.
45:53I believe your Claudia spent a few nights with him once.
45:58Hmm?
46:05Listen to tracks from the Vampire Lestat wherever you stream music.
46:12Evening then, happy to be here.
46:18Nicolas Doranfond.
46:20What's he doing in Paris?
46:22Give me a million more screens.
46:28Your mother?
46:33I want you to lie enough to give it to me.
46:42How did I get here?
46:44Sophia.
46:44Sophia.
46:46Forgotten my name already?
46:48Hello, Sophia.
46:51Sophia.
46:54Within this context of the failures, the first big failure was the failure of his family unit.
47:00Are you a good boy, Lestat?
47:05Answer your brother, Lestat.
47:07As a kid, his mother was the only person in this very hostile environment who sort of showed him any
47:14sort of affection.
47:15When they first knew each other as humans, and Gabriela was Lestat's mother 300 years ago, they lived in a
47:22situation where neither of them had any agency or power.
47:27She had a horrible relationship with her husband and was deeply unhappy and lonely.
47:34There's a lot that you learn about who Lestat is when Gabriela, his mother, shows up.
47:41Now the wolves, they are taking our sheep.
47:43They will snatch a babe soon.
47:45Go on!
47:47There's nothing more we can do here.
47:49But be men!
47:51She knows that if anybody's going to get up at that table and try to solve this problem with the
47:56wolves, it's going to be Lestat.
47:59The killing of the wolves is connected intrinsically to Gabriela.
48:04Gabriela is saying, go out and be something.
48:08This is Lestat's moment to be like, I'm going to do something.
48:11I'm going to make something of my life and I'm going to go out and kill them, even if I
48:15die.
48:23When Lestat kills the wolves, he's 30 years old and in Gabriela's mind, he's been at home longer than he
48:32should have.
48:32From room to room, slaughtering the three of them.
48:36That's what I dreamt when I killed the wolves' mother.
48:39That is a shared desire between the two of them.
48:43And then that's given him enough impetus to get out and go and do something.
48:46He goes to Paris, turns into a vampire, his mom dying, turns his mom into a vampire.
48:57Once Gabriela is turned into a vampire, they both want to go back and kill them and now they can.
49:09She can now live the life she's always wanted to live, and vampirism liberates her.
49:15I was absolutely drawn to Gabriela's absolute love of being a vampire.
49:24For her, it is almost like a finding of herself, I think, or certainly the only time in her life
49:31that she has had autonomy and power.
49:35Do you have a lot of sex?
49:37Of course.
49:39Do you like it like you do the blood?
49:42It's never like the blood.
49:43They love each other.
49:44I mean, they're mother and son and they're lovers.
49:47I mean, and they're fledgling and maker.
49:48I mean, they're a super complicated relationship.
49:50But they're the only people still alive that both knew each other when they were human.
49:54I think that's really important.
49:56It's like that you know me, who I really am.
49:58You know where I came from.
49:59You know what my fundamental drive is.
50:01And you remember me as a human being before I was this other thing.
50:06So they're deeply connected.
50:08It's toxic, but you know, everything's toxic in the vampire world.
50:25You stole my personal physician.
50:28You trashed my hotel.
50:29I didn't know it.
50:31I've heard the song.
50:32The songs are not about you.
50:34It feels like a cry for help.
50:38So I flew in because I care.
50:40I think Louie's being a complete troll in that scene.
50:43He gets off on making this that angry, I think, to some extent.
50:47Did you take turns driving across the Golden Gate Bridge?
50:50You held the wheel harder.
50:51Writing numbers on each other's backs and pretending to guess I'm wrong.
50:55I bet.
50:56I bet!
50:57It's a really fun scene.
50:59It's a real attack.
51:00And he knows he's going to rile him up.
51:02It was quite strange to go from being this, like, very strong, scented vampire to being
51:10just sort of petty.
51:12Christine, could you please provide two tickets to Mr. Pitt here and his Esquire for tomorrow
51:17night's show?
51:18One will do.
51:19Lemuel doesn't enjoy your music.
51:22As petty as he's been, I think Louie is looking forward to seeing Lestat's show.
51:37I think he's also impressed.
51:39This is what he should have always been doing.
51:46A lot of his songs, you don't really know who they're about.
51:49It could be about Louie, it could be about Nicky, it could be about Gabriela.
51:52It's very on-brand for Louie to think every song is about him.
51:56And then on another level, I think there's probably, like, a gossipy side of Louie that's
51:59like, who's this about?
52:01When did this happen?
52:02Who is that?
52:02Who is he?
52:03Who is she?
52:04It could be about just the fact that why does he have to feel in general?
52:07Because he is a very emotive character and he kind of gets totally riled up in his
52:11own emotions and he'll ride them.
52:12So, I think that can be a frustrating thing.
52:15I mean, he's obviously doing a very intensely power-thrusting version of the song and intentionally
52:21ignoring Louie until he can't anymore.
52:42Oh, I tried to write you the prettiest song in the world.
52:57When he gets the book and he sees that it's all scribbled and scrawled, and I think it's
53:03when the guilt really starts to creep in.
53:05This is the first time they've had a little private moment about it.
53:08Louie has that kind of effect on the start that he, you know, will get so angry that it
53:13will freeze time and fly up to him and sing in his face.
53:15Yeah.
53:16Oh, why, why, why, why do I have to feel?
53:24The pain is too much to feel.
53:44And I think it's true.
53:47I think it's the best for you.
54:01So, I think it's the best for you.
54:01You
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