00:00Hi Dad, Adrian. Sorry about yesterday, I had a really hard day.
00:07Why do you think you like fishing so much?
00:10I'm an artist of the deep surprise of the ocean.
00:17First there is a father, and he has a son.
00:21Then it starts all over.
00:23I am now the father, and I have a son.
00:26But something goes awry. Something goes off script.
00:31And then suddenly, you're gone.
00:40A Hollywood producer is interested in trying to remake my documentary,
00:45Sherman's March, as a fiction film.
00:47It always just stuck with me.
00:48I'd be elated, I just don't quite know how it can be done.
00:51Can a movie bomb twice?
00:52Turn it off.
00:54This is not art, this is life!
00:56The story I thought I was telling with my filmmaking,
00:59the story of lives lived over decades,
01:02is now disjointed.
01:04Let's go.
01:05The reels were all out of order.
01:07Don't film me right now.
01:12Was it filming?
01:14Yes.
01:14Bruggalo, Bruggalo.
01:18Do you ever think about reversing the role sometimes a bit more?
01:22Ooh.
01:22Well, we'll drop it.
01:23Why don't we turn it off for now?
01:25Sure.
01:26People don't want to see a film about me,
01:27they want to see a film about what I see.
01:30Memory is partly about connecting the past to the present.
01:37That's how you remember something, you care about it.
01:39One, two, three.
01:42Yes, you're gone.
01:44Except you're not gone.
01:46Because I still have all these moments with you,
01:48captured on film.
01:50Is that going to come on the film?
01:52It depends on whether I edit it out.
01:54I want you to keep it on.
01:55Of.
01:58InPPP.
02:00Oh, me no.
02:00Of.
02:01Oh, me no.
02:01So一直 andzwischen,
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