- 11 hours ago
S.p.i.d.e.r N.0.i.r Ep 5 The Man in the High Hat Ben Reilly’s Reckoning Cine.Universe
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00:07Hi, this is Robbie Robertson calling.
00:09Mr. Robertson, you're never getting your old job back.
00:11I'm on to something truly sensational.
00:13Three POWs from the same camp with super abilities isn't a coincidence.
00:18The only thing Silverman gets off on is power.
00:20If he gave it to me, then he can take it all away.
00:23They did something to you all, didn't they?
00:25All I know is that once it starts, it gets worse fast.
00:28We should talk to Doc Faber.
00:30She can explain what's going on a whole lot better than I can.
00:32One of those super freaks is tearing up the Diamond District.
00:35Spider is there.
00:38Who the hell is this guy?
00:42Me and the Spider have teamed up to save this city!
00:48Every four years, I decide who sits in your chair.
00:52I'm not backing down.
01:00Nice to meet you, Mr. Spider.
01:15You turn the tables on me.
01:34I can't believe that it's true.
01:38Let me get the door.
01:39After you.
01:41I always thought when it broke...
01:45So?
01:48So yourself.
01:49We're about to turn over the pies.
01:51This one's on the house.
01:54What?
01:54More of a blueberry guy?
01:57No, there's just not a lot of free stuff going around these days.
02:01Very kind.
02:06I'm waiting, you know.
02:08You already know how it ends.
02:11Well, then, start from the beginning.
02:18You were sent to liberate a small town in eastern France.
02:23The Germans weren't so keen on giving it up.
02:34The Germans were sent to liberate a small town in the top of the population.
02:37Help!
02:37It's out!
02:38Actual!
02:42S**t!
02:45S**t!
02:45S**t!
02:46S**t!
02:46S**t!
02:47S**t!
02:47S**t!
02:47S**t!
02:49S**t!
02:52S**t!
02:53S**t!
02:54Let's go!
02:56Let's go!
03:12Let's go!
03:35Jones, Jones, Jones, get him out.
03:44If I was the one who had been shot, and I almost was, none of this would have happened to
03:51me.
03:53I think about that a lot.
04:06Private Smith and I pressed deeper into the compound.
04:15Jesus. Let's get him out of here.
04:21Let's get him out of here.
04:50You okay, pal?
04:53Let's get him out of here.
04:59Hey, Jones!
05:03Are you kidding me?
05:06Jones! Jones!
05:21What do we do?
05:22Burn it. Burn it off!
05:24Nice exit.
05:26Don't get it as well.
05:27Let's go.
05:30Ready!
05:35Ready!
05:37One, two, three!
05:54The colors fading from the photograph. I could tell the story, but still you wouldn't know the half. This love
06:02was brought to life from shots of glass. When you kiss me, there's a shifting in the sepia tone.
06:08Can't escape the madness, baby.
06:11Manage yourself.
06:12Run away, but something pulls me back into it. Lately, I've been staring at a broken mirror. Needing someone to
06:20come out.
06:21Hey, lover, I need someone to save me now. For all the pain I suffer. And the hell you wanna
06:34raise me down. Cause now all that he's sweet is better to taste. But you can be my saving grace.
07:12And that was it.
07:13After that you were...
07:20Yes.
07:23It took some time at first just to relearn how to be more human again.
07:30Believe it or not, I went to the movies. I watched the actors. I studied the way they spoke. The
07:37way they moved.
07:41The arachnid genes are still in me. The ticks and the thoughts and impulses. But I managed to suppress them.
07:56Most of the time.
08:00You once told me you were a coward. And to think I almost believed you.
08:10If Flint was there, his powers must have come from the same place.
08:14Hard to think otherwise.
08:16Is that the real reason you took the case?
08:18Yes. In part. But yes. I did it because I wanted to learn something from Flint.
08:24If something gave both of us these powers, maybe something could take him back.
08:29Would you really want that? Lose all your powers? Go back to being just... Ben Reilly?
08:39Since Ruby died, that's all I've thought about. Being just Ben Reilly.
08:49More coffee?
09:01Thank you, Thelma.
09:04You said he's an actor. We can call him Star Man.
09:08Aspiring actor. Still working his day job as a subway driver.
09:11Subway driver? It's almost too good.
09:15The conductor.
09:19It's electricity. He's a conductor.
09:22Oh, no. The issue wasn't one of comprehension.
09:25You got photos?
09:26What do you think?
09:29I'll let the bugle publish my story on one condition.
09:33You'll let?
09:36Okay, calm down.
09:41What's the condition?
09:43You run my piece as is. Or not at all.
09:47No, I need your word, Walters. No changes.
09:50Unless, of course, you'd rather I take this to the Herald.
09:54You got a lot of nerve telling me how to do my job.
09:57What is that?
09:58Fine, sure. Whatever you want.
10:02And I want the bugle to print a retraction about Lonnie Lincoln and Flint Marco.
10:06That's two conditions. Anything else?
10:09Well, now that you mention it.
10:32Good to be back.
10:36He Bye.
10:51What!
10:53I will try.
10:53Then, Joe, take the way back.
10:59Good to be back!
11:14Good to see you, too.
11:21So the prodigal son returned home, huh?
11:24Guess Silverman took you back with open arms.
11:26You can say what you want about him.
11:28That man takes care of his own.
11:29One big happy family.
11:33There's room for one more, brother.
11:35No offense, but I'm done putting my life
11:38in a life of white men.
11:42It won't be like that, Lonnie.
11:44No?
11:46What, Dan?
11:47Silverman want me to do his laundry,
11:49or maybe he wants me to perform,
11:51do little hand bone.
11:52You can't live like this forever, Lonnie.
11:54Buddy, with whatever's happening inside us,
11:55I'm not too worried about living forever.
11:57All the more reason we need to take what we can while we can.
12:00I'm not a criminal.
12:01Why don't you tell that to the mayor or the cops?
12:03Take your pick.
12:04We wanted men, whether we like it or not.
12:06Do you think that's new to me?
12:08That's been my life.
12:10From the day I was born.
12:11Exactly.
12:12You risked your life for this country,
12:13and they still treat you like a second-class citizen.
12:16Look, you said so yourself.
12:18We ain't gonna make it to the retirement home.
12:20So let's take life by the balls
12:22while we still have a little life left in us.
12:26Here's Silverman now.
12:27That's all I'm asking.
12:45You've been busy.
12:46Yeah, someone's got to do the work around here.
12:48Here, take a look at these.
12:50Four veterans, all from the same POW camp,
12:52all with superhuman powers.
12:54Apparently the Germans were doing experiments on them,
12:57some kind of failed super-soldier program.
13:02I'm sorry, are we boring you?
13:04The war ended 15 years ago.
13:06The question isn't what happened to them then.
13:09The question is why are they getting their powers now?
13:13That's why he does.
13:16That's why his name's on the door.
13:18I know.
13:19I didn't do my homework.
13:19Me neither.
13:20Is that supposed to mean you know something?
13:22We do.
13:23Uh, are you gonna share it?
13:25Are you gonna be a dick about it?
13:26Uh, yes, actually.
13:27A private dick, to be exact.
13:29Okay.
13:30They were all seeing the same doctor
13:32at the VA hospital in Queens.
13:33The doctor's been running a study
13:35for the past 10 years on POWs.
13:37According to Lonnie,
13:39it was specifically about what happened to them in France.
13:43Well, I keep telling you
13:44you'd make an ace reporter
13:45if you ever wanna ditch the stiff.
13:47I have submitted a few applications.
13:49So this doctor's our guy?
13:51She is a geneticist.
13:54Alethea Faber.
13:55One of the top in the country.
13:56Degrees from Stanford and Cornell.
13:58I mean, every accolade you could imagine.
14:00All that.
14:01And she chooses
14:02to work at a VA hospital in Queens.
14:04And according to Lonnie,
14:05she sought them out
14:07nine months ago.
14:08Knew all about the camp.
14:10What the hell are we waiting for?
14:14You, asshole.
14:15We were waiting on you.
14:17Well then, let's go, Robbie.
14:18You're welcome.
14:19Don't rush me now.
14:23Lights out, boys.
14:36This place have a cafeteria or something.
14:44Hey.
14:46What is mine?
14:48Cut the shit, lady.
14:50We can go all night if you want to.
14:53Hey, I wonder,
14:54when's the last time
14:54you said that to your wife, huh?
14:56How are you?
14:56Never, I'm guessing.
15:05Do you have any cream of sugar?
15:07Yeah, I got some cream of sugar.
15:14Now I'm going to ask you again.
15:17Where did you
15:18and your freak show friends
15:21come from?
15:26All right.
15:28All right, I'll tell you, okay?
15:29Mm-hmm.
15:30I can't speak for the rest of them.
15:33But me?
15:35I'm from Poughkeepsie.
15:39Oh, he's mad now.
15:42Yeah, I know that look.
15:43Hey, you know,
15:44you remind me a lot of my father.
15:56Do you like this?
15:58I do.
16:03A little too modern for my taste.
16:10Slippery son of a bitch,
16:11that spider.
16:14What's his angle, anyway?
16:16Well, I'm sure he's just trying to get by.
16:19Same as any of us.
16:21Is that what you were doing?
16:24Just trying to get by?
16:26Looks like you're doing a bit better than that.
16:29I wonder why.
16:31You feeling a little unappreciated, Finn?
16:33Well, maybe I am.
16:35Well, I give thanks every day.
16:38Trust me.
16:39You know, I say a little prayer
16:40before bed and everything.
16:42Well, you ought to start saying one
16:44every morning you get to wake up.
16:47Winston isn't so lucky now, is he?
16:52Oh.
16:54There they are.
17:03I wasn't expecting you boys so soon.
17:06Lonnie.
17:07We missed the barn.
17:10It's a pleasure to meet you.
17:15Flint told me a lot about you.
17:19Welcome back.
17:20Wasn't sure what happened to you.
17:22You read the papers, don't you?
17:24He's a whole new man.
17:26You should see him when he gets going.
17:27Unstoppable.
17:29My new right hand.
17:31Don't worry, boss.
17:32Nothing's gonna happen to you on my watch.
17:35Well, then I guess congratulations on your promotion.
17:38I'm sure you'll make a wonderful couple.
17:42Don't mind her.
17:43She's full of piss and vinegar today.
17:45Alas, I have to talk business with the boys.
17:49Well, then I'll make my excuses.
17:52There's some paint upstairs I can watch dry.
17:54Well, if you're so bored, maybe you could find us a new band.
17:59One who knows it at classics.
18:03And while you're at it, look into another singer.
18:10Someone young.
18:17Piss and vinegar.
18:24Hey, ma'am, how's it going?
18:28Must be some book.
18:32Is Dr. Faber in?
18:35You have an appointment?
18:37I do not.
18:39Joe Robertson?
18:41Reporter with the bugle?
18:42I just want to ask her a few questions.
18:48I'll let her office know you're here.
18:50If you would be so kind.
18:55You know, Paul dies in the end.
19:20There's a reporter downstairs from the Daily Bugle.
19:25Robertson.
19:26He's asking me to speak with you.
19:48Mr. Robertson, I'm Alethea Faber.
19:54Pleasure to meet you.
19:55And you are?
19:56What exactly did you want to talk to me about?
19:59Don't suppose you saw my story in the bugle this morning.
20:03It'll just be a couple of minutes of your time.
20:05Maybe spread the word about the work you're doing.
20:08That can't be a bad thing, right?
20:09Let's speak outside.
20:10I don't want to see you.
20:12Oh.
20:26Oh.
20:28Oh.
20:30Oh.
20:34Oh.
20:35Oh.
20:36Oh.
20:36Oh.
20:39what can you tell me about those men unfortunately mr robertson we sent a great many men
20:44off to that war and almost all of them came back with injuries either physical or screwed
20:49it's hard to remember all the patients you've seen over the years well i hope that doesn't
20:53make me sound callous oh no no no of course not it also doesn't make me believe you are
20:59you calling her a liar i'm sorry sir i still haven't caught your name this is my secretary
21:04ogden he has been with me for quite some time and he can be a bit overprotective no i can
21:10respect that
21:11but you're a smart woman did you really expect me to believe you had no idea that four of your
21:18patients turned out to have super powers or why you are obviously a very intelligent man yourself
21:29mr robertson so you know that i'm not at liberty to discuss specific patient information with
21:35anyone but the police well have you done that have you spoken with the police i am sorry i cannot
21:40help
21:40you did you help those men you know i'm hearing their powers only started after they started seeing
21:47you how dare you how dare you to come here knowing nothing and then accuse me of negligence
21:58in my care everything i do i do for a reason everything struck a nerve huh
22:23so
22:32so
22:33so
22:40Oh, my God.
23:05Oh, so what do we do?
23:07Calm down, Cogden.
23:09What do we do?
23:10Shut the door.
23:14He's a Negro. Maybe no one will believe him.
23:17I don't think so.
23:22Hey, Dr. Collins, where the hell have you been? I'm losing my mind back here.
23:27Hey, you're not Collins. What's going on?
23:32No, Dr. Collins is on the second floor.
23:36The second floor?
23:38The second floor? The second floor? The second floor? The second floor?
23:43All right. Ogden, could you please escort this gentleman downstairs to Dr. Collins' office?
23:47The second floor. The second floor.
23:51The second floor.
23:53You don't like me very much.
23:59I know that man.
24:02What are you talking about?
24:03He was there in France.
24:07He was the one who rescued us.
24:11It's him.
24:17Stop him. Go.
24:27Hurry up.
24:28I'm trying.
24:30See, this must be one of them two-man jobs.
24:36If I'm okay.
24:39If I'm okay.
25:10Hey, Fel. Shut it, huh?
25:14Benny bottom, better match at menopause.
25:17Benny bottom, better match at menopause.
25:41Oh, shit.
25:58you good
26:02this was a new suit
26:05shit
26:11hark
26:12what sound doth yum
26:15da bring
26:15what do you think of
26:19sounds like little pea shooters to me
26:21shut up laden
26:22cry epic my friends
26:25and let loose the dogs of war
27:03what are you waiting for
27:04run
27:13please
27:13please
27:14don't hurt me
27:29howdy boys
27:31long time no see
27:32go
27:37oh
28:02Oh, ho, ho.
28:05Thought visiting hours was over.
28:07Mr. Leiden.
28:09That was quite the show you put on last night.
28:11Oh, thank you.
28:13You know, I'd offer you an autograph, but I don't have a pen.
28:17I assume you know who I am.
28:19The man with the mane of silver.
28:23Born from nothing.
28:25Built his empire through gut and guile.
28:29Purveyor of the finest barred potions.
28:33King of the five boroughs.
28:35Mr. Finn Bob burn himself.
28:44I see you like to talk.
28:46I think you could listen for a second.
28:48Oh, I am like a Nebraskan cornfield.
28:53All he is.
28:57I'm listening.
28:59Mayor Morris appears to have forgotten who runs this town.
29:02My men and I are planning to remind him.
29:05I want you to help me.
29:08Oh, well, my only regret is that I have but one life to give you.
29:15But I promise you, I will take plenty.
29:22Get him out of there.
29:32Oh, yes.
29:35Thank you, comrade.
29:44Please.
29:46I was just doing my job.
29:48Oh, and now I'm going to do mine.
29:56Life is but a walking shadow.
29:58Appalled.
30:00Player struts and frets his hour upon the stage and is beautiful.
30:05The tale is told by an idiot full of sound and fury.
30:23End scene.
30:31That was weird.
30:34Prisoners were injected with radiated plants and minerals and the genetic material of spiders, scorpions, snakes.
30:42Eels, too.
30:46The Germans then altered the subjects genes by splicing them with those of other entities.
30:51Over time, the patient's genetic material began to decay.
30:56Many suffered lethal mutations, while others survived in an altered state for months or years.
31:03Faber's been looking for a cure, but all she's managed to do is activate latent mutations and accelerate them.
31:10She's trying to save them, but she's killing them.
31:13The guy that bit you?
31:14Yeah.
31:15He was dying.
31:17But I lived.
31:20Why?
31:28A doctor making monsters in a secret lab in the Bronx.
31:32It's going to make for one hell of a story.
31:35First black Pulitzer?
31:37Well, it's got to happen someday.
31:38Robbie, I have a request.
31:40Anything.
31:41Let me tell Kat before you print it.
31:43If Flint's going to die because of this, I don't want her to read about it in that newspaper.
31:47I said anything, didn't I?
31:55I'll give you a day, but I ain't losing the story.
31:58Deal.
32:02So, how bad is it?
32:04How deep are you in with her?
32:08I suppose you're going to tell me to be careful.
32:10Oh, no, no, no, no, no, no, no.
32:11Careful's for stock tips and hot sauce.
32:15Matters of the heart?
32:17I say, go for broke.
32:19Well, don't bother going at all.
32:21Go for broke, huh?
32:24Wouldn't take much.
32:30Riley.
32:50Mr. Riley, take a seat.
32:55Can I get you anything?
32:57Glass of the good stuff?
32:58The perfect host.
33:04They take it you recognize my new associates?
33:08I read the papers.
33:09Congratulations.
33:10You've assembled an entire outfield of freaks.
33:13You guys see that movie, Freaks?
33:15Directed by Todd Browning?
33:16Still playing.
33:16You three could sign up for the remake.
33:20Calm down.
33:22Mr. Riley is a little wise, but we're all friends here, right?
33:26Yeah, sure.
33:27So, in the spirit of friendship, I want to give you a chance to warn the spider that this
33:34fight is between me and Morris.
33:36And if he gets his nose in my business, he's liable to lose it.
33:39Is that clear?
33:41As a bell.
33:43Is that all?
33:44I don't mean to be rude, but I've got theater tickets.
33:48You ever been on Broadway?
33:49No?
33:50Probably drove a train underneath it, though, right?
33:52Mr. To be or not to be.
33:55Cameras rolling, the lights are on.
33:58The director calls action, the director calls cod.
34:01Mr. Layden.
34:03Dad.
34:05Tell your friend, it's in all our best interest to play nice.
34:12You got it.
34:25Hey.
34:26I hear you make all the ladies faint.
34:29Make me faint.
34:33I know about Winston.
34:35My condolences.
34:36Were you too close?
34:38I know you set him up, Riley.
34:40And I know you did it for her.
34:46Her?
34:48Don't take me for dumb.
34:50I didn't tell the boss, because he would have killed the both of you.
34:53And mad as I am, I don't want Cat dead.
34:58You okay, pal?
35:01You look pretty rough.
35:04I'm fine.
35:06You keep doing Solar Man's dirty work, or maybe you won't be.
35:10You worry about yourself, Riley.
35:13You get one pass, because you say to this is it.
35:22You know, a hot dog at the game is better than roast beef at the Ritz.
35:29Think about it.
35:43You know we've got no secrets.
35:44You're done with the stairs.
35:46I didn't want to be seen.
35:48Flint's back with Silverman.
35:50I know.
35:51I saw him this morning.
35:53Acted like he didn't even know me.
35:55And that bothered you?
36:00He swooped in here to ask me that.
36:02He knows you tried to kill Silverman.
36:03He heard us talking the other night.
36:05And as he told him?
36:06He doesn't want to see you dead.
36:07He's not well, Ben.
36:08I'm worried about him.
36:09You should be.
36:19You can spare me the dramatic pause.
36:21Whatever it is, I can take it.
36:22Flint and some of the other guys in that camp have been seeing a doctor at the VA.
36:26A woman called Faber.
36:27She's been trying to come up with a cure, but she's only made them worse.
36:30What do you mean, worse?
36:30What the Germans did will eventually kill them, but she's speeding it up.
36:35You mean Flint's going to die?
36:43When?
36:44All I know is every time he uses his powers, he gets a little closer.
36:50Thank you for telling me.
36:51Cat.
36:52He says one word and we're both dead.
36:54I'd like to be alone, please.
37:05What's left for us here?
37:08Ruby's gone.
37:09Flint's past helping.
37:11We're chasing ghosts.
37:13But you and I could have something.
37:16What if we left New York, went someplace where nobody knows us?
37:19What was that island with the black sand?
37:22Santorini.
37:22Santorini.
37:23We could go there, wherever you want.
37:24You could open your own club.
37:27What about you?
37:28Well, I'll run it, or bartend, and I'll work for you.
37:31I don't know what this is, but I do know for the first time in years, I'm willing to take
37:36a chance and find out.
37:41Okay.
37:42Okay.
37:46Okay.
37:58I'll have the, uh, the, uh, I'll have the hot dog deluxe.
38:03You know what?
38:03No, no.
38:04I'll just have a scoop of cottage cheese.
38:06Cottage cheese?
38:07You on a diet or something?
38:09There might be a beach in my future.
38:10Oh, and breakfast is on me, so you should have at it.
38:13Okay.
38:14Now I'm really confused.
38:15Uh, scrambled eggs, bacon.
38:16We've got New York cheesecake.
38:18I love cheesecake.
38:19Just bring it all.
38:22I love cheesecake in the morning with you.
38:32Okay.
38:33Well, that's new.
38:33Never heard you sing.
38:35They didn't even know you knew how.
38:36There's a lot you don't know about me.
38:38Is there?
38:39Yeah.
38:40You'd be surprised.
38:42Would I?
38:44You know, your hair looks lovely, by the way.
38:46Did you curl it?
38:47Three weeks ago.
38:48Now spill it.
38:51Oh, boy.
38:53What?
38:55I'm leaving town.
38:58Permanently?
38:59I think so, yeah.
39:00But don't worry.
39:01I promise you'll be taken care of.
39:02What about the office?
39:03Get rid of it or keep it.
39:05You're a better PI than I am anyway, so.
39:10I'll be damned.
39:12It's Kat, isn't it?
39:17Yes, I would say it sounds crazy.
39:20I know.
39:20Crazy, crazy, crazy.
39:22Ben.
39:22Because we've only known each other for a few weeks.
39:24What?
39:25If it took Kat to drag me out of this hole that I've been hiding in, well, then I owe
39:28it to both of us to see it through.
39:29I know, because it's the first time in years that I feel alive.
39:32But, Christy.
39:32I mean, I'm with the matters of the heart.
39:33You've got to go for a brogue.
39:34The lobby says we've just got matters of the heart.
39:36Oh, for Christ's sake, Ben.
39:41I'm really happy for you.
39:44You are?
39:45Yes.
39:45Yes.
39:48Better get yourself some jars to jack.
39:51Lay back and let yourself relax.
39:54Save everything to Mr. Rhythm.
39:58Boatil.
40:03Boatil.
40:09Boatil.
40:11Boatil.
40:12Boatil.
40:14Boatil.
40:15Boatil.
40:25Who is it?
40:27Lonnie Winkerman.
40:28I need to talk to you.
40:30It's about Flint.
40:45I need to talk to you soon.
41:05Don.
41:07Flint.
41:07Please, Flint.
41:09Let me take a look at you.
41:10It's getting worse.
41:11I just want to help.
41:12You've done enough, don't you think?
41:13Silverman will never let us be together.
41:15What I did, I did for us.
41:17Without telling me?
41:19Why? Because I'm stupid?
41:20No.
41:20I'm just a meathead with his brains in his fists?
41:22No, I didn't tell you because I knew you would say no.
41:25And how do you think it makes me feel, Flint,
41:28that you're more loyal to that man than you are to me?
41:31That you'd have me living under his thumb,
41:33unable to breathe without his say-so?
41:36That's funny to you?
41:37No, what's funny is I would have killed him for you.
41:40I would have done anything for you if you'd just asked.
41:42But you never gave me the chance.
41:45But why would you?
41:47I'm nothing but muscle for a gangster.
41:51Or maybe it's time I accepted that.
41:54I leaned into it.
41:59Ain't that right, Lonnie?
42:01You and me, buddy,
42:03about to die in a blaze of goddamn glory.
42:05Flint, please.
42:06Stay away from me.
42:07Please.
42:07Stay away.
42:21Flint.
42:22Let him go.
42:35This Faber woman,
42:37she really couldn't help you?
42:41There's really no hope.
42:45Faber said there's only one thing left to try.
42:47But she couldn't make it happen.
42:52What was it?
42:55Not what?
42:57Who?
43:01The spider.
43:04Why?
43:08Why would he change things?
43:10She thinks his mutation is different.
43:13More stable than ours.
43:15She said he could be the answer to all of this.
43:18Problem is,
43:19she's got no idea who he is
43:22or where to find him.
43:33We need to go.
43:35We have to clear the lab.
43:36Maybe it's not as bad as we think it is.
43:38No, we can't be naive.
43:41I mean,
43:42as soon as that reporter publishes his story,
43:44they're coming for us.
43:46We can't just give up.
43:48You have done everything you could.
43:51But now it's time to go.
44:08All right, watch your step over here.
44:10Dr. Faber,
44:12I just want to know,
44:13if you find the spider,
44:15are you really able to help them?
44:17Clint, Lonnie, all of them.
44:19You know who the spider is, don't you?
44:21If I tell you,
44:23do you promise you won't hurt him?
44:26You have my word.
44:29His name
44:32is Ben Reilly.
44:34Good.
44:35Good night,
44:38good night.
44:38Good night.
44:47Good night.
44:54Good night.
45:01Bye.
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