00:00First of all, welcome to INS.
00:03First of all, you have made a film of VR Family, Hichki, Maharaj
00:07and Emotionally and Social Relief in the film.
00:11So, how do you see the film in your own film?
00:14The film was the first film that I wanted to make.
00:17VR Family, Hichki and Maharaj.
00:20The film was a very important film for me.
00:22Because, wherever I come from, my father, Premna and Beena Rai.
00:26So, I've been watching Hindi films.
00:30It's called a classic Hindi film.
00:31When we go to the audience, we go to the theater and say,
00:34man, the money is coming.
00:36This is the picture.
00:37You know, Sunny Dior, Lakshay Khanna,
00:42both of them, friends, friends, friends.
00:46So, this is the whole mission of Thali.
00:50I always want to make this film.
00:52So, for me, this is a very important film.
00:53That's the important part of the film.
00:54But, when you are trying to say a story by years
00:56that you have to say something.
00:58And finally, it's going to say something.
00:59Then, you will have to say something.
01:00So, it happens to someone who has said something.
01:04that you have to say something.
01:06And then, you have to say something.
01:07You've said that you have to say something.
01:08A challenging film of your career was a challenging film.
01:10What's the difference?
01:12It's the same.
01:14It's the same.
01:23You all know, I don't want to talk more about that in detail, but when I was looking at their
01:32feelings,
01:35the time we had to shoot for the shoot,
01:39I was with him and I was with him, because I was with him,
01:47I was able to say a quote-unquote drama.
01:53I wanted to say that the audience of the audience had a good point,
01:58a good start, a good start, a good start.
02:02My wife also had a producer,
02:06so I wanted to say that all the things I had to say,
02:08and I wanted to say something about it,
02:10It was a challenge for me, because it was more of a challenge, but after making the film, it was
02:20a different game.
02:22According to the Quotun Pramals, the hero and vision are clearly defined.
02:26But in the same way, we talk about grey shades.
02:28In today's films, there's a line in such a short and short line.
02:33I think it's not in today's films, it's not in life.
02:36We, at least my films, who are the hero, are very affected by life.
02:43As a director, I'm an emotional person.
02:45So, until the hero doesn't come into the emotional circle, and the truth is,
02:53because the right thing can be wrong for me.
02:56The right thing can be wrong for me.
02:59And this is a life.
03:01So, in this film, the ones who are doing the right thing,
03:05they are emotionally right, but morally wrong.
03:11The ones who are doing the right thing, they are emotionally right.
03:17But the right thing can be wrong for me.
03:19So, when you get a few shades in the market,
03:23when you get a few shades in the market,
03:26when you get a few shades in the market,
03:26you don't have to be layered,
03:29and you don't have to be boring.
03:31Sir, the Lord said that,
03:33the Lord was also in a legal battle for a base film,
03:35and the one is also in a courtroom backdrop.
03:37So, what do you think,
03:39that you can see more of the legal stories of the society,
03:41and the uncomfortable truth of the society,
03:42and the uncomfortable truth of the society?
03:56And you don't have to be forgotten.
03:57But,
03:59you've also seen it,
04:00and I've also seen it,
04:01that in some years,
04:02there are no many natural stories in theatre.
04:05Why don't they have to be forgotten?
04:06Because the story should be important before the story is a story.
04:21To speak the story is important.
04:25If you think that you will win, I will be with you, when you are fighting, I want you to
04:32win.
04:33If you are going to win, eventually you will win.
04:37Now it will be the law of the law.
04:40The law of the law will be the law of the law.
04:44We will say that whoever the director has told me and told me,
04:50it will be fun.
04:52So just run for the court room and the court room
04:56where the court room is going to come and give the court room to freedom.
04:57So will this be the court room for the Daamani?
05:00No, because I'm not going to be our court room for the law.
05:06But the law Swingers, that they will fight for the law and the right.
05:16So these will not be the fan of the Sani sir.
05:18But there are fans, they will not be nervous, they will get dialogue and dialogue, but they will also get
05:24a sonny deal in the house,
05:26who is a broken person, who is emotionally broken and then goes up.
05:31So, Sunni Sir was a normal lawyer who used to be a common man, here he is a very strong
05:41lawyer,
05:41and he is handling a case, like you will see in the trailer, who doesn't want to do it, but
05:48he is having to do it.
05:49So, when the story is different, the story is different, to compare it with Daamani.
05:56Sunni Sir and Akshay Khanna are looking at three days later.
06:00So, what is the difference between the director and the acting style?
06:06Sunni Sir is a very emotional person.
06:09He is a very emotional person, which everyone knows.
06:12And he has emotions in his dialogue delivery.
06:15Sunni Sir is acting with his eyes.
06:17His eyes are saying a lot when he doesn't say any dialogue.
06:21Yes, he has to go to dialogue delivery, but Sunni Sir will make the dialogue himself.
06:25He will understand the dialogue and then he will sit with you.
06:30He will say, what do you want to say?
06:32Sunni Sir is a very interesting actor.
06:34And he will say, what he wants to say and after this, he will say, what he wants to say.
06:53The directions are very interesting.
06:59After Durandar, Akshay Khanna is the most underrated actor of Bollywood, so what do you want to say about that?
07:09After Durandar, Akshay Khanna is a great actor, I am a fan of Akshay Khanna for years.
07:26I want to get another film, because he is a very good actor.
07:32But Durandar, before and after, I am not sure.
07:37Sir, in your film, there are female characters who are strong and layered.
07:42Like one of the film, Tilutma, Shomdiya, Mirza and Sadidhar Sheikh, how many layered characters are there?
07:49Tilutma is a Prosecution Lawyer, who is fighting against the government.
07:54He is the character of Sonny Sir.
07:56He has read books of Sonny Sir.
07:58He is a mentor of Sonny Sir.
08:04He has never thought about Sonny or Arjun Mehra.
08:08He will fight against her, in her life he gets this opportunity.
08:12Now, who has a people who has known gods, in law,
08:17He will feel like his face and his eyes on it.
08:21And the person who gets back up to the world has a place.
08:23Then, Tilutma is one of those layers and shades ofplankment.
08:28He will, as a person, explain his life.
08:35She is playing a different role in her role in law firm and she also knows the film.
08:46She is playing a different journey.
08:49She is playing a different journey.
08:57She is playing a different role in the film.
09:00She is playing a role in her own family with her son.
09:04with the person who is accused today for the death of a house,
09:09who will react to the death of a woman who will react to the death of a woman,
09:11what will she say in her life, what's she saying in the trailer,
09:17like she was at home, why she's saying,
09:21she wants to save Akshay but he doesn't want to save her,
09:24so she has her own responsibilities.
09:26So, Sanjeev and I have been a very old friend of mine who worked on TV series and worked with
09:33them.
09:34Sir, Rani Mukherjee and Kajol, you have also worked with Kajol and actresses.
09:40Do you think that in the 90s and today's actresses, there is a difference between the 90s and today's actresses?
09:54I feel more personally, I am. I feel great because he is very clear.
10:02They are also working on their own things, they are working on their own and they do not work on
10:11their own,
10:11not on social media, not on the world, not on entourage not on an owners.
10:17They will be asked to answer that and will give their feedback.
10:22So these 90's actors are very clear because they work for the film and that is very important.
10:31You have been tackled to TV and OTT.
10:34So how do you feel about storytelling in today's media?
10:40Creative freedom will be the feeling of being with you.
10:48If you trust the TV, OTT or film,
10:51If you trust the TV and your work is very important,
11:02then they will leave you alone.
11:04Same for OTT, same for film.
11:07You trust your work is very important.
11:12If someone doesn't trust you, then freedom will be removed.
11:16It doesn't mean that you don't collaborate with them.
11:20As a director, maker or producer,
11:23this is a team work of filmmaking.
11:26It is not a single person.
11:29What are you doing?
11:32If you are doing any of those things,
11:33And who is involved in the film,
11:34who is doing a film,
11:36who is doing a film documentary?
11:38If you are talking about that story and your vision is same,
11:42then you will get freedom.
11:44If you say that,
11:46too many cooks and spoil the broth.
11:47If you are making a lot of food,
11:50one dish,
11:51then it will get a good deal.
11:54Sir, one question is that Rani Mukherjee, Kajol, Sunny Diol, and Akshay Khanna have been working with established stars.
12:00Do you have to be able to direct a director for a big stars?
12:04If you have your work and your own film, and what you have to say about that film,
12:13then the actor has no difference between the big actors and the actors.
12:19The advantage of the big actors is that they give you clarity,
12:24and they don't have to do much work in the medium.
12:31But I would boil it down to you, they need to trust you,
12:35and then you can win the game.
12:40So, sir, do you want to give a message to the fans?
12:46I just want to give a message that my whole team has made this film.
12:52Sunny sir, Akshay, Diyan, Thilothmaar, my cameraman Jishnu, my editor Shreta,
12:57all my team have made this film.
13:00And this film is a film that makes us a lot of money.
13:04If you think that your time and you have to have fun,
13:09then please please tell your family and your family to watch this film.
13:16This film is a word of mouth.
13:19This film is a word of mouth.
13:20This film is a word of mouth.
13:22When you feel good and you say good and you say good.
13:24If you feel good and you say good,
13:27then please tell your social media that you feel good.
13:31Sir, last question.
13:33When you analyze the film so many films,
13:36what do you say about it?
13:37Do you think it's a lot of criticism?
13:42It's a lot of criticism.
13:43It's a lot of criticism.
13:43If you have a phone, you are already a critic.
13:46If you have a critic and you have a critic.
13:49And it's a lot of criticism.
13:50I don't think it's a lot of criticism.
13:53I don't think it's a lot of criticism.
13:54You're watching and you're putting your opinion.
13:57So, put it.
14:00But as a maker, it's our own.
14:04Our work is to make a good film.
14:06And give people a good film.
14:07If you feel good,
14:10I feel good,
14:11I feel good.
14:12I can't make you like me.
14:15Or like my film.
14:16I can only try.
14:18Can you like my film?
14:19And hope that you like everybody's work.
14:21Because the film is not one person's work.
14:24Lightboy is also working.
14:26Technician is also working.
14:26There are a lot of people's work.
14:28So, I think,
14:30if you like my film,
14:31people like me.
14:32If you want to play on social media,
14:33what games are playing or not,
14:36it's my understanding.
14:39and I hope that when we have done a good work,
14:44we have done a good work.
14:45So, we have done a good work.
14:46We have done a good work.
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