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Transcript
00:00Don't miss Straight Until He Kissed Me, only on Good Short.
00:08Hello and welcome to Good Chat. My name is Anthony Lian. I'll be your host. Today
00:13I'm joined by Evan Gambadella and Greg Duffy, who play Miles and Hunter in Straight Until He Kissed Me.
00:22So thank you guys. Thank you for being here sharing your thoughts on this film.
00:26Would you please introduce yourself and talk about the film, the character you play?
00:31Yeah, my name is Greg Duffy. I play the character of Hunter and we have been so
00:38excited by the response even just since it's been out for like a week, a week and a half.
00:44And a little bit about Hunter, if you don't know, Hunter is a straight-laced CEO who escapes being
00:49drugged by his latest female assistant, only to come face to face with his new assistant.
00:54The man who randomly kissed him in the coffee shop. Despite a rocky beginning, we'll call
01:03it, Hunter and Miles grow closer and discover that they actually work well together. Maybe
01:08as more than just co-workers. Oh my goodness. And maybe they aren't as straight as they both
01:14thought.
01:15Hey, I'm Evan and I play Miles. Miles is a medical intern who has everything going for him.
01:23He's got a hot girlfriend. Great hair. Whoever wrote that, by the way, thank you very much.
01:29And an amazing internship opportunity. But that all comes crashing down when he finds out his
01:35girlfriend is cheating on him. Awful. And then he accidentally kisses his new boss to make her jealous.
01:44What follows is a wild and wacky journey about self-love, self-acceptance, and the importance
01:51of good HR policies. Very important. Yeah. Thank you, Fiona. Don't fire me, please.
01:55You drugged the CEO and you still want to stay at his company? Dream on.
02:04And after this filming, you know, this, this show has been really successful on the internet.
02:09It's like basically went wild on TikTok, on Instagram. People are talking about this.
02:14What's, what's up with you guys? What's the life after filming this project?
02:21It's been crazy. I'm shocked. I'm shocked. Thank you to everybody who's been supporting us,
02:27this project, watching this. Um, I think I can speak for both of us when I say we did not
02:32expect
02:33this. Uh, we both fell in love with the story and we both fell in love with these characters,
02:38but we had no idea the response that was going to be received. I keep seeing comments that are like,
02:42oh my gosh, you guys aren't AI. Because people thought that we were made by AI. And the crazy,
02:47yeah, the crazy part is all the comments that I'm seeing and the people following us,
02:52are you guys AI? Because like, is this real? Is this actually happening? It's mind blowing.
02:56And I'm filled with so much gratitude. Thank you. Yeah. We had conversations while we were filming,
03:03like, I wonder how this will do in terms of resonating with people. And we basically concluded,
03:10like, let's just, we'll do the very best that we can make a really great story and it will just
03:15do
03:15what it does. You know, we'll just see if you tell a good story, hopefully it will resonate and find
03:18its people. And the past week has been the most insane feedback. I mean, it's been probably the
03:26craziest week of my entire life. The scale, like the messages we're receiving and how much it means
03:32to people. Um, and people who are like, even I've received messages like discovering who they are
03:38and that this is like a safe space for them, uh, because these characters are discovering who they
03:43are in this film. So the response has been so much bigger. I just feel so lucky that we've found
03:51this
03:51community that it really resonated with. And we're so excited to just be a part of it. I think we
03:56just
03:56feel like we're just members of this community that have come together around this story. And we're as
04:01lucky as anybody else to just be here and participate in it and love it as much as everybody else
04:05has.
04:09And how would you describe your character in three words?
04:16I'm not gay. Right. But are you not?
04:22Question mark. You say it enough in the story. I say it probably, I want somebody to count it.
04:27Not gay. I said I'm not gay. First of all, I'm not gay. I'm not gay. Breathe. You're not gay.
04:40You're not gay. I'm not gay. I'm not gay. Okay? Kate, I'm not gay. Okay? I'm not gay.
04:47And I'm not into dudes. Miles, remember, you're not gay.
04:53I'm not gay. Why does everybody think I'm gay? But I think, uh, Miles probably is bi.
05:01Because there's nothing in the script that says that he couldn't get it up with his ex-girlfriend.
05:05But with him, not the same with Hunter, unfortunately. It is a key plot point that Hunter
05:11does struggle with intimacy with women. We say that over and over again in the script. And then when he
05:19meets Miles, that changes. I converted him. Yeah. I would say for Hunter, he's big.
05:27He's a big, well, right. He's a big presence. I mean, all right. Let's not get full of ourselves here.
05:33He's a big presence. Uh, he is brooding. I mean, I think the thing about,
05:39about Hunter is that he doesn't show a lot of emotion, uh, for a lot of the story. And then
05:46he's like
05:46an iceberg that Miles melts over time. And we start to see more of the soft side of him. Um,
05:54and he's the boss. He's the big CEO. So I would say the big brooding boss is how I would
05:59describe Hunter.
06:05And then what would your character bring to a desert island? What I would bring to a desert island?
06:11I would, I mean, the right answer, I feel like, which is like, eh, whatever, kind of boring is my
06:15medical kit. But I think what I'd actually bring are cupcakes, not squished ones. I would eat them
06:24and they would not be put in my tits. Right. Well, if I was there, maybe. The woman was too
06:32stunned to speak. Well, the desert island is about to get really frisky. Let me tell you,
06:39I'm getting hot in here. I think Hunter would bring, uh, I think he's a workaholic. So Hunter would
06:46bring a laptop, but there's probably no wifi on the island. So we'd have to readdress that. And I
06:52think Hunter has good fashion choices. So I think Hunter, you know what, if this is where it all
06:56ends for him on this random desert island, he'd bring like a fire outfit. Yeah. Yeah. He actually
07:02was given these pants that were super sparkly. It was the coolest costume piece, I think for anybody.
07:09Yeah. And they were cut. They were cut. Well, because I was supposed to wear them on the first day
07:13and, uh, the director died. So I don't know if he would wear these yet. Yeah. He's not so like
07:18comfortable. He's not out yet. Yeah. And how would you describe this show in three emojis?
07:28Again, I feel like the right answer, the obvious answer is the student emoji, the kiss emoji,
07:35and then the CEO emoji. Right. But more, I want to get a little bit more creative here. I feel
07:42like it
07:42would be the, uh, cupcake emoji. Okay. The rainbow emoji, because you know. Yeah. Yeah. Yeah.
07:51Yeah. And then finally the, uh, banana emoji, because anybody who remembers.
07:58Hunter has erectile dysfunction. He can't even get it up.
08:05I would say for me, three emojis to describe the film would be, uh, the salad emoji.
08:13If you know, you know. Yeah. If you know, you know. Some salad and some salad dressing.
08:18Uh, I would say, I like the biting lip emoji. Like the, because there's a little tension in the
08:25office and that's like a little sexy tension on the biting of the lip. Um, and then I would,
08:30do the splash emoji. I just think it, that's the vibe of, you know, where we go with that.
08:35Yeah. With all those memes of my face now covered in salad dressing. Yes. Except in the script,
08:40I will say, it doesn't say salad dressing. It says a white sauce.
08:45What was that made out of by the way in the end? I think it was flour and water.
08:48Flour and water. It was just flour and water. We've been getting a lot of questions about what
08:50the white sauce is made of. Yeah. Oh, I'm sure they're asking. You can make your own at home.
08:57Uh, this is from chicken parm. How hard was it to keep a straight face? And then someone commented
09:04below, we need to know, especially the recreation of the really right in front of my salad scene,
09:09right in front of my salad. So what do you have to say about that? It was hard to keep
09:15a straight
09:15face, especially with the salad. Well, it, I think I had the privilege of being the one to like,
09:25make others laugh. So for me, it was like, I was trying my hardest to break everyone on set as
09:31much
09:31as I possibly could, which sometimes, you know, there were moments. We got close, but everyone's
09:37professional. Yeah. Yeah. I mostly laughed when we had scenes together and Evan, for those who don't
09:44know, is very good at improv. And so Evan would try new things every take and I would break every
09:51time. We would like, we'd have to redo it because it was like, so surprising. So a lot of the
09:56reactions
09:57of mine are actually really organic reactions that I had as an actor that worked enough for the story
10:03that they just kept it in. Like that last scene, especially that, I mean, so many, so much of this
10:08is improvised. Don't get me wrong. But that last scene, I was really trying to make Greg laugh.
10:12Like hard. Yeah. Yeah. Yeah. Yeah. Especially with that voice. Oh yeah.
10:17Want to do that voice right now? This voice? The what? Oh, hey there, Mr. Ski, I'll understand.
10:23You have several important business meetings coming up.
10:32Why did the movie say the building has seven stories, but the elevator only has three?
10:37LOL. It actually was 17 stories in the script. Yes. Yes. You want to talk about that?
10:42Um, because the building we were filming in only had three floors. And we realized that on the day.
10:48On the day. Looks like there's an important scene where I come up next to Miles and I'm,
10:52it seems like I'm kissing, but I'm going for the button. And so we had to do a closeup on
10:55the button.
10:55It was part of that plot point. And the internet was like, there's only three floors in this building.
11:00And HR's on the 17th. We're like, sorry. Also, the scene was filmed on the same floor.
11:06Like we didn't go up the elevator. Yeah. Yeah. We couldn't go up the elevator.
11:08So like when the elevator doors open, we have not moved.
11:13I'm trying to get that.
11:17All right.
11:21This is from Cryptalk 33 P3R. Got it.
11:26Hey, who is it that makes these series and funds it?
11:32Well, it's good short.
11:39Okay. So these are thirst comments for Evan or Miles.
11:44First is need the bratty one biblically. Sad face emoji. Like that cry. Like needs biblically.
11:54Well, so does Hunter.
12:01Maybe you need Jesus.
12:04They sound biblically.
12:06I'm listening.
12:09Blondie needs to spill his dressing on me.
12:12Wow.
12:14They don't hold back.
12:15They don't hold back.
12:17You know, I do like salad.
12:28Wow.
12:29Okay.
12:29Okay.
12:29This one says, ah, my boyfriend and his boyfriend.
12:36They're looking to, you know, be in a throuple probably.
12:38A throuple.
12:39Wait, so I'm his boyfriend and you're my boyfriend.
12:43Wouldn't that make him your boyfriend?
12:46Or no, it's just that we're-
12:47I think it would be an all together type of thing maybe.
12:49Or maybe not.
12:50Maybe it would be I already dating both of you.
12:53But you wouldn't be dating him.
12:54Could be.
12:55We'd have to ask.
12:57We'll get back to you in the end.
12:58Inquiring Evans and Greggs want to know.
13:01Okay. This one says, y'all looking for a third? Just checking.
13:05It's kind of like the last one.
13:06Yeah.
13:07I mean, you know what?
13:08They're just discovering who they are.
13:10But maybe down the line.
13:12Yeah.
13:12Maybe down the line.
13:13I don't know.
13:14Maybe the sequel.
13:15Maybe the sequel.
13:18Um, oh dear.
13:20You, this is-
13:22What else can Gregg do with that belt?
13:25Mommy needs to be tamed.
13:28Oh, mommy.
13:29Mommy.
13:30It's your mommy.
13:31It's your mommy.
13:31Mamacita.
13:33Woo.
13:34Brrr.
13:35Brrr.
13:35Oh my god.
13:36Brrr.
13:37Brrr.
13:38Brrr.
13:38Brrr.
13:38Brrr.
13:39I'm a teen up.
13:41This one says, why is Evan so handsome?
13:45I don't care why or how.
13:48Just glad you are.
13:49That was nice.
13:50Now that's really nice.
13:51That was a nice one.
13:53I agree.
13:53I agree.
13:56Um, does Gregg do weddings as the groom?
14:02Yeah.
14:03I mean, maybe season two.
14:04Who knows?
14:05Yeah.
14:05Or three.
14:06Or three.
14:07Or four.
14:07Or five.
14:07Love story.
14:17What is your favorite queer or queer coded media?
14:24Well, Sex Education is a really good reference point on Netflix for what we were trying to do.
14:28Yep.
14:29Uh, Red White and Royal Blue is a favorite.
14:30Yep.
14:31Book and movie.
14:32I would say Royals for me.
14:35Oh yeah.
14:35It's really great.
14:36I love that show.
14:37And what is your dream filming destination?
14:40Oh wow.
14:43I would love to shoot something in Spain.
14:45Oh man.
14:47I mean, I want to go everywhere.
14:48But I mean, that's impossible.
14:51I want to film everywhere.
14:52Pick one.
14:53One place?
14:54Yes.
14:55I would say South Africa because that's a very special place in my heart.
14:59Which do you find more challenging to film?
15:00Stunts or intimacy scene?
15:03Intimacy.
15:05I mean, stunts are kind of fun and playful.
15:08Intimacy, you have to really get into the space to make it safe for everyone.
15:13Which I think you did so well.
15:16But yeah, there's a lot of complexity to navigate with someone.
15:21Most ridiculous line in a vertical?
15:23My friend Joey had one that was something along the lines of,
15:26Ah, fish bait.
15:28I think in this one, Hunter says,
15:30Did I come on too strong?
15:31After he like screams in your face and threatens to fire you.
15:34That's pretty crazy.
15:35Okay.
15:35Twink-a-link.
15:36Twink-a-link.
15:37Twink-a-link.
15:38Twink-a-link.
15:38Which I take 50% credit for.
15:39What are your thoughts on bullying people in the workplace?
15:44Oh, bullying people in the workplace?
15:46What's our opinion on it?
15:47What's your thoughts?
15:48It's wrong, stop.
15:50If it's funny, I mean, maybe.
15:51No!
15:53Get his HR manager!
15:59Who was your celebrity crush as a kid?
16:06Uh, I mean, I would say as kind of growing up and now, uh, Jonathan Bailey.
16:12That's a good one.
16:13Yeah.
16:15Who's the actor who plays Superman in Smallville?
16:19Oh, I forget.
16:20Me too.
16:21What's his name?
16:24Are your parents proud of your work?
16:26Wow!
16:29Wow.
16:31Um, yes.
16:33Yes.
16:34Yes.
16:34Yes.
16:34I would say, especially for this one, uh, sometimes in verticals, I've had to play very
16:40aggressive characters, mean characters, and they don't particularly like watching those.
16:45Yeah.
16:46Um, and this one, of course, is very lighthearted and funny and campy, and they prefer watching that,
16:51for sure.
16:52I have a bunch of siblings, and we have just been laughing our asses off at these scenes.
16:57So, yeah.
16:59What is your credit limit?
17:01Credit limit?
17:04Well, I would say Hunter's is probably 500 million or so.
17:09I mean, he's a billionaire.
17:11Mine's the lowest.
17:13You're in debt.
17:14Yeah, I'm, I'm...
17:15You're drowning in student loans.
17:17What is mine?
17:18Like, like, 400?
17:19Yeah, yeah, yeah.
17:20Is it going down that low?
17:21It's like debit cards that you, yeah, you can't, you don't have credit.
17:24Okay.
17:24Do you think maybe it would just be better to go back to being a sea creature?
17:30Like, devolve into before we came out of the water?
17:33No.
17:34No.
17:35I don't...
17:35That's no fun.
17:36No, I think.
17:36No.
17:37I'm having fun.
17:38Where are we on?
17:38What is your favorite kind of melon?
17:42What are these questions?
17:43My favorite kind of melon?
17:45Probably watermelon.
17:46We had a conversation on set that somebody said a strawberry is a melon.
17:49Remember what?
17:50Yes, crazy.
17:51Apparently it's true.
17:52I don't know if that's true or not, but I'm going to say it's strawberry.
17:59It tastes like chicken because it is.
18:02It's chicken.
18:02No, I knew it.
18:04I forgot what it was about.
18:05I improvised that line.
18:06I say that and that is in the scene where I'm proving that I poison Hunter's food.
18:13Yes.
18:14Who told you you could enter?
18:18That's when...
18:21That's when I think Miles is tied to the lamp and Kate walks in
18:25because she thinks that Hunter should be drunk.
18:28So she's and she sees them on top of each other on the couch.
18:31Correct.
18:32Yeah, that's right.
18:33Correct.
18:33All right, next one.
18:34Anyway, if you like somebody, their gender shouldn't matter, right?
18:39There's two scenes of that.
18:40Nice.
18:41Trick question.
18:42Yes.
18:42I see you.
18:43I see you.
18:44First time is when I'm on the desk.
18:46Okay.
18:46And the second time is when Hunter's talking to me at his desk, right?
18:50Is that the...
18:51No, I'm like the lounge chair.
18:53Yeah.
18:53And you're coming to me like, I forget what, you're quitting or something.
18:57Yeah.
18:58We'll split that 50-50.
18:59We'll get you to get a point for that.
19:01I'll be generous.
19:02Okay.
19:03And next one.
19:03Just this one.
19:04I don't need a lap dance.
19:08When I'm in the back room of that club and then there's, yeah.
19:14And she comes to give me a lap dance.
19:16And I'm like, no.
19:17And then she accuses me of f***ing her.
19:19Yeah.
19:19Crazy.
19:22Get your hands off my men.
19:25That is my line.
19:27And it's when Miles is being mugged with cupcakes.
19:32And then I shave his ass.
19:34Yeah.
19:35That's what they think.
19:35Oh, man.
19:41Next one.
19:42They're really delicious.
19:43I'm not even gay.
19:43Why am I overthinking this?
19:47That's when Miles leaves my office after we share this mo...
19:53I think you have the assistant manual.
19:54That's what it is.
19:55And you leave after you're thinking about to kiss you.
19:58It's after getting tied up.
20:00And you're outside.
20:01And you're feeling feelings from home.
20:03I'm so good at this.
20:05You know what?
20:06You're right.
20:07I'm a homo scumbag.
20:09You know that one.
20:11Yeah.
20:11That's in the coffee shop.
20:13Yes.
20:13I say that.
20:14Correct.
20:14You.
20:15Come back here.
20:17Hunter says that to Miles in the elevator when he tries to escape.
20:22Wow.
20:23I thought this one would be tricky because...
20:26All right.
20:27Next one.
20:28Your previous assistant said you had erectile dysfunction.
20:33When I'm tied to the lamp.
20:35All right.
20:36And then I cover up your mouth.
20:37Yep.
20:37You're still talking about it.
20:38Mm-hmm.
20:39I'm not interested in men at all.
20:42I'm not gay.
20:43I'm not gay.
20:44That's definitely you.
20:45Yeah.
20:46That's me.
20:46But I'm trying to think of when that is.
20:47I'm not interested in men.
20:49I'm not...
20:49Yeah.
20:49It's like, when do I say that so much?
20:51Do you say that?
20:5125 times.
20:53I'm not interested in men.
20:54I'm not gay.
20:54Wait, say the whole thing again.
20:55I just double went up.
20:56I'm not gay.
20:56I'm not gay.
20:58Um, I'm not gay.
20:59I'm not...
21:00Oh, uh, uh...
21:01That's why does everybody think I'm gay?
21:03Oh my gosh.
21:04I'm going to say it twice in a row.
21:06Okay.
21:06You say, I'm not interested in men at all.
21:09Oh, I'm not gay.
21:10I'm not gay.
21:11It's when he's coming to have me in the elevator.
21:13Yes.
21:13Right?
21:13Okay.
21:14All right.
21:15And I'm not gay.
21:15I'm pressing the floor button number two instead of...
21:18Yeah.
21:19Yes.
21:19Yeah.
21:24So the first photo.
21:25I'll let you take this one.
21:27So this is outside the coffee shop.
21:31We've just kissed for the first time.
21:33And then we have this confrontation with Miles' ex
21:37and her new man who is richer than you, taller than you,
21:42and something else more than you.
21:43Yeah.
21:44Yeah.
21:44And this is Hunter for the first time coming to Miles' defense.
21:50And he starts to have a little soft spot for him because, uh,
21:53his ex's new boyfriend tries to throw a punch.
21:55So you can see us.
21:57There's some lines here.
21:58We're practicing and we're trying to get it right.
22:00We're probably just chatting between.
22:02Okay.
22:02Yeah.
22:03Whoa.
22:06Look at this.
22:08All right.
22:09Oh, wow.
22:12Tell us about that one.
22:14Okay.
22:15Well, this is...
22:18This was probably the hardest scene to film
22:21because it was the most action and the longest.
22:25And we had to really do...
22:26We had to do, I think, the most pages at once.
22:29Yeah, yeah, yeah.
22:29So we were...
22:31We started out here.
22:33This is the very beginning.
22:34This is the very beginning.
22:36And probably both of us are, like, thinking about,
22:38oh my god, we have so much action to remember and to do.
22:42And I can't think about.
22:43And we're like, ah!
22:44And the lines.
22:45So, yeah, and there was a lot of lines, uh, and...
22:48But this particular moment was actually what I auditioned with for this.
22:53So this scene I felt the most comfortable with
22:55because I'd already done it multiple times for my self-tape.
22:58Also, I think they just kind of killed the lighting in this.
23:01I think it's very, like, sexy lighting.
23:03Yeah.
23:09Oh, yeah.
23:11That's PG-13.
23:13PG-13 for sure.
23:15Tell us about it.
23:17So this is when, uh, Miles is sick the night before
23:23and Hunter lets him stay in his bed.
23:25And they wake up the next day and Miles realizes what's happened.
23:29And he realizes he's in his boss's house.
23:32And he's...
23:33I'm working out and he comes upon me.
23:36I'm sweating.
23:37They had to spray me with water to really look like sweat.
23:39And gave me dumbbells that weighed like a half of a pound.
23:42But I had to, like, pretend like, oh, I'm flexing.
23:45And then, um, and then I had this confrontation,
23:48which, uh,
23:50I tell Miles he needs to keep his personal and his professional lives separate.
23:54And if he doesn't, I will not hesitate to fire him.
23:57But we realize, uh, in my last line of the scene,
24:01where I think I came on too strong,
24:02that apparently I was trying to flirt.
24:05And I was trying maybe to even start seducing Miles
24:08because I started to have feelings for him.
24:09But I'm not very good at it.
24:11Also, the food here was absolutely incredible.
24:14And I ate all of it afterwards.
24:17You got all of it?
24:17Yeah.
24:18Well, you had the bread.
24:19He was eating the bread.
24:21How do you eat bread during the scene?
24:22It was freshly baked bread.
24:23The food was incredible.
24:25I'll probably have to share a picture of it.
24:26It was fun.
24:27No, it's in the scene.
24:28You can see it.
24:29But like, I'd like a, I want a full, like,
24:30it deserves its own slide.
24:33It is.
24:33Oh my God.
24:34It was a thank you to the production team who made that.
24:38Jessica's.
24:38I'm hungry right now.
24:39I'm thinking about that.
24:39Yeah, I know.
24:39I want it.
24:45What's going on here?
24:47What's going on?
24:48Yeah.
24:48Oh, yeah.
24:49This was day two,
24:50our first time doing any intimacy scenes.
24:53Yeah.
24:53But this particular moment was right before Miles' mental breakdown when he's having a panic attack
24:59because he's claustrophobic.
25:01So this was our director Di, lovely director Di, the amazing director Di, walking us through
25:08what is about to happen.
25:10And I remember being like, I was starting to get into the world of what that panic attack
25:17was going to be in my body and knew like, it was going to be hard.
25:21We were filming it for a couple of hours and did it again.
25:24And you'd had a panic attack like 20 times.
25:27Yeah.
25:28Keep filming from different angles, from different shots.
25:30Yeah.
25:31And usually in the vertical world, you only have one take, sometimes two, if you're lucky.
25:36This scene, we had to get multiple, um, multiple coverage on just,
25:41I think because it was, it was a really big moment.
25:43It was a really big moment in the story.
25:45Yeah.
25:53Okay, we can copy it.
25:54Is this a love confession?
25:56Okay, cut.
25:57You're all good.
25:58Food.
26:03It's not poison.
26:11My finger.
26:15Fine.
26:24Tell me, why are you following me?
26:29Which company sent you?
26:31And what did you put in the food?
26:34Tell me, why are you following me?
26:38And what did you put in the food?
26:42I think there's been a misunderstanding here.
26:44Won't talk?
26:46Then you can sit and wait for my lawyers.
26:49And I'll discuss it together.
26:51Get out.
26:54Boss, it's, it's been a misunderstanding.
26:58Won't talk?
26:59Then you can sit and wait for my lawyers.
27:02They'll discuss it with you.
27:04Uh, no, wait, look, I'll prove it to you.
27:07I'll see you.
27:09What?
27:10It's not poison.
27:12It's delicious.
27:19See?
27:20They're not poison.
27:23What?
27:24I don't want to.
27:29My decision still stands.
27:34You're fired.
27:37I gotta go all out.
27:38My decision hasn't changed.
27:41You're fired.
27:43I gotta go all out on this one.
27:52Boss, the reason why I'm doing all this is because I like you.
28:11Wait, you like me, but you said you're not gay.
28:22And I meant that.
28:24I'm not gay.
28:25And I'm not into dudes.
28:28What?
28:28You like me?
28:31But you said you're not gay.
28:33Well, I'm not.
28:35Um, I don't like men.
28:39At least I wasn't until I met you.
28:43And I just couldn't believe that there could be such a
28:50perfect person could exist in this big wide world.
29:01Well, no, I thought I didn't like men, but then I met you.
29:06And I have never met such a perfect person in this big wide world.
29:22What would Miles bring to work?
29:26Cute.
29:27Obvious.
29:28On the nose.
29:29Makes sense.
29:29On the nose.
29:30Also, I think it would help to recreate that very hot moment with that good
29:36lighting.
29:36As long as we have the good lighting, then we can do it again.
29:38Oh, yeah.
29:38Yeah, with the...
29:39Hear my heartbeat?
29:41Yeah.
29:41Is that working?
29:43I think it works because stethoscopes are kind of like analog.
29:46That's cool.
29:47Next one.
29:51Balloons.
29:52Bunch of balloons.
29:53This is where Miles and Evan cross over.
29:56Miles is also a balloon artist.
29:58He does birthday parties.
30:00Yes.
30:02I know they're not.
30:04They're not the kind you can make animals with, but...
30:08Thanks.
30:10Oh, this is cute.
30:11This is, yeah, just so I'm not hungry.
30:15That's not really what I was going for.
30:16What were you going for?
30:17I think Miles is a goody two shoes.
30:19So like, I think this, you know, you bring the apple on the first day of school,
30:22the teacher's desk.
30:23Well, Miles brings the food to Hunter's desk initially to try to like drug poison him,
30:28maybe at the blackmail of Kate.
30:29But I think you're like the type of guy who's like, you're a doctor and you're ready for your first
30:33day.
30:33Wait, so you gave this to me to give to you?
30:35That's crazy.
30:36That's Hunter.
30:39Oh, hell yeah.
30:40That's what's up.
30:42That's sugar daddy right there.
30:45There's a plot point where you have a million dollar loan that you have to give to Kate as blackmail.
30:49So like you might be carrying a bunch of cash around.
30:51I think I'm going to need a few more stacks of these then.
30:53Yeah, you might.
30:54Let's pop through that.
30:55I got it.
30:56I got it.
30:56By the way, my Venmo, we can put it below, put my Venmo below.
31:00Catch me on Instagram, TikTok, and Venmo.
31:02I want to film in Tahiti.
31:03Cayman Islands.
31:03That's what I want.
31:04I want to film in Tahiti.
31:05Great.
31:05There's no mosquitoes there.
31:06Season two budget.
31:07Is that true?
31:08Can we go to Tahiti?
31:09Actually, that might not be true.
31:09I take that back.
31:10No.
31:13And medical gloves.
31:14Oh my god, wait.
31:15I have to show you this.
31:16This is a really funny balloon trick, ready?
31:21Dun-dun-dun-dun-dun-dun-dun-dun-dun-dun!
31:24It's a shark.
31:25Ah, that's sick!
31:29Are you like hitting different pockets?
31:30I wanted it to be a little bit separate.
31:31I wanted this to be the last thing.
31:35It's a banana.
31:37You know, first of all, this is not a real banana.
31:40This is very hard.
31:42Interesting.
31:44But actually, I think this belongs to you.
31:46What?
31:47That's my moment.
31:48That's your big moment.
31:49It's a big moment.
31:50That's your Hollywood moment.
31:52That's my Hollywood moment.
31:53That's your big break.
31:54You want to know what's going on?
31:56Go watch it.
31:57That's my favorite scene.
31:58That's right.
31:59They crack me up.
32:05So I just want to say I'm nervous.
32:08I gave him much harder items to go with.
32:11Oh, I was so good.
32:13I was naughty.
32:14Some taste for...
32:22I could get creative.
32:24I was actually intending you to make a wallet.
32:26Okay.
32:27Yeah.
32:28This is a Dodger dog.
32:31Okay.
32:33You know, I like the Dodgers.
32:35I don't really know much about them, but I like them.
32:39I love a hot dog.
32:43Oh, wow.
32:44How did you know?
32:45Oh, thank you so much.
32:50This is one, two, three, four, five, six, seven, eight, nine, 10, 11, 12, 13, 14, I think.
32:55That's enough for one day of work.
32:56This is the 14 pack?
32:57To be on the side.
32:58Oh my God.
32:58Wow.
33:00Safety is important, everybody.
33:02Don't forget.
33:04This is mace?
33:06Yep.
33:07Well, yeah, because the way that you climbed on that desk and came on to me, I might need some.
33:14This is to protect me.
33:16People come for me in this, okay?
33:18They do.
33:18I go through hell and back.
33:20You get bullied a lot.
33:21This is for my protection.
33:22And mugged.
33:23Yes.
33:23Well, that's for you then.
33:27This is a pregnancy test.
33:31I don't think, I don't think that's how that works.
33:33So I think, I think we don't need it.
33:37Unless.
33:39Oh, wow.
33:40Look at this.
33:41It's a beautiful pair of a little hat, maybe.
33:49Right.
33:49It's a hat.
33:50It's a hat.
33:51It's beautiful lace, like bonnet almost.
33:53Little hat, little, thank you so much.
33:56I love it.
33:58It's a checkbook to the Universal Bank of Abundance, which I would love to cash a couple of checks
34:04from this.
34:05I feel like there's no credit limit on this bad boy.
34:07No.
34:08He's got it all.
34:09We're going to Tahiti.
34:11Or the Maldives.
34:12The Maldives, sure.
34:14Both.
34:14We can do both.
34:15Find out with this checkbook.
34:17On your private check.
34:18We're not working again.
34:19And that's it.
34:21That's it.
34:33I got started in verticals this year.
34:37This is my first year doing it.
34:39I think it's actually both of our first years doing it.
34:41Yeah.
34:42So my first was in February.
34:43I was in His Nerd.
34:45And that was sort of my break into the vertical world.
34:49Work started picking up and I did three with Good Short back to back.
34:52I had a corporate job that I decided to quit.
34:55I just missed doing artistic expression type of work.
34:59And so this was just a few months ago.
35:01And I got into my first vertical playing a supporting role.
35:06And then from there, yeah, I just got a few more.
35:08I mean, I think this role was like my third or fourth.
35:10So it wasn't like I'd had a bunch before that.
35:13And it was my first lead.
35:14And I was talking to people on sets of the prior verticals like,
35:17Hey, I want to be in a boy love vertical.
35:19I want to be in an LGBT story.
35:21And so once I started seeing that people like producers from other,
35:25you know, that I had worked with, they're like,
35:26Oh, I know this guy who wants to do this.
35:27So they were reaching out to me and DMing me like,
35:29Hey, there's this character.
35:30Would you do it?
35:31And that is how a lot of the roles have come about.
35:33People know that I wanted to do it.
35:35And that's how I ended up auditioning for this role too.
35:46We're actors.
35:47So I think that's the first thing, you know,
35:49this is a film and the medium is in vertical,
35:52but it's, it's a film, you know,
35:54and it's consumed episodically, right?
35:56There's definitely certain unique aspects to vertical films.
35:58Yeah.
35:58I think, um, the question I get asked all the time is,
36:02what is a vertical?
36:03What is this thing?
36:05And the way I explain it to people is a vertical is essentially
36:09a movie broken up into tick tock format
36:12where you're swiping up or swiping left to right.
36:14Sometimes depends on what you're watching on, uh,
36:18in minute, minute and a half episodes,
36:20rather than watching it nonstop for 90 minutes.
36:23Uh, it's typically very camp.
36:27It's very soapy and it is outrageous.
36:30Totally outrageous.
36:31The plots go in all different directions.
36:41They, they had a hard time watching me in roles there,
36:44that I was the bad guy in.
36:46Um, and, uh, this one was a gift to them,
36:50especially to my grandma who was like,
36:52I don't, I don't like watching you beat up people
36:54and being mean and a bully and stuff.
36:56Like this one, they actually enjoy watching.
36:58And it's cause it's so fun and it's a romantic comedy.
37:02And there's, uh, I, I, I love seeing romantic comedy in the vertical world.
37:06Cause I don't think there's as many of them as, um,
37:10as I think there should be.
37:11I think there should be more.
37:12I come from a really big family.
37:14So I, all of my siblings and I are like laughing about like the storylines
37:18and the plots and the everything that's happening.
37:21And then, you know, all of my friends have been so awesome
37:25about supporting this work too.
37:27And like I've hosted movie nights where we watch
37:30the vertical on screen on the TV,
37:33or like, you know, watching it on the big screen at home.
37:35And, uh, so it's been like an amazing outpouring of support from friends, especially.
37:50I think there's a lot of reasons.
37:52I think the biggest one for me is that growing up,
37:55I did not see content where, uh, being gay was even an option.
38:00Right. I, I, I didn't even know that the feelings that I was feeling were real.
38:05I didn't even know to call it love or a crush or anything like that until I was much older.
38:09So I think it's really important to have characters exploring their sexuality,
38:14um, coming out about their sexuality,
38:16and then also exploring what it's like to be out of the closet.
38:20And especially in those first few years, which is, um, probably the hardest after coming out,
38:24of figuring out how to be a queer person in the world and being true to yourself.
38:29Because coming out isn't just one thing.
38:31It happens over and over and over again.
38:33And, uh, the more that Good Short and other, um, companies do BL or queer or LGBTQ plus content,
38:42I think the world's going to be better for it.
38:53I'm getting emotional.
38:56I, you said it so well.
38:58Um, I think what's really nice in this story in particular is that it's like a fun rom-com and
39:04there's so much history to the queer community that's really important.
39:08And so a lot of times the stories are telling these really challenge, these challenges,
39:12complex challenges that queer people have faced throughout history.
39:14And we continue to face what was nice about this.
39:17And so many comments I've said, this is like,
39:19this is kind of lighthearted and this is fun.
39:21And this, you know, it's making me laugh and it's making me cry in a good way,
39:27but it's, it's a rom-com.
39:28And I just think to have a romantic comedy through a queer lens is something we haven't had
39:34that much to your point.
39:36And so I'm so excited to see these lighthearted, funny,
39:40campy stories come to life with a queer lens,
39:42because I think it's really just the, the front, the frontier of that moment.
39:46Yeah.
39:46Especially if we can transform coming out,
39:48which is something that for so many of us,
39:50I think for most people is a really scary thing to do.
39:54And to transform into something really funny and campy and quirky,
39:57and give a safe space to people to laugh and enjoy it.
40:01We have to be able to laugh at ourselves with this.
40:11I think for me, I am growing so much as a person and in my skill to act.
40:17I mean, I think like you start out and we always,
40:20I think that the myth of talent is like you're born with it or you're not.
40:23And I think actually it's very little of that.
40:26I think it's really like, how do you show up and practice and work
40:29and be willing to mess up and be willing to take a risk.
40:32And I think you did that so well, you take these improvisational risks
40:36and you make these choices with your voice.
40:38And so I think the biggest change in me is like being more of a risk taker,
40:43being willing to look silly for the sake of making something really exciting and true.
40:49Yeah, I love that answer. Thanks for the compliment. It's really sweet.
40:52Um, I'd say with, first of all, totally agree with Greg in that a great acting teacher of mine
41:00from high school, Ingrid Schaefer said that it's not the most talented person who gets ahead.
41:05It is the hardest working and that is, um, yeah, it is absolutely essential.
41:11Tortoise in the hair.
41:11Yeah, exactly.
41:13Um, I think what's changed in me since I've started, I mean, I've been acting a long time,
41:18but I've taken breaks and the, uh, the breaks that I've taken, I think, have sort of taught me
41:26how much I need this work and crave it. It feels almost like, um, an essential way for me to
41:32discover
41:33new parts of myself because every new character I play, I have to stretch myself in a different
41:37direction. Not to say that I have to, um, uh, learn traits from other characters that I can take on
41:45in
41:45real life. Sometimes that's the case, especially if they're good, but it's actually just an exercise
41:49in empathy.
41:58Wow. Um, every experience shapes who I am. I think, uh, I think, I think what I'm, uh, what I'll
42:07say,
42:08what I'm most grateful for specifically with this project has been the team that made it happen.
42:14Um, having Greg as a scene partner is probably the luckiest roll of the dice I could have asked
42:19for. I was so, I was so scared coming into this, uh, because also my first lead, uh, and my
42:26first,
42:26uh, time doing intimate scenes on camera, I was so scared he was going to be an asshole.
42:31Uh, sorry. He's not, he's far from it. He's so wonderful. And I, I, I couldn't have asked for
42:37somebody to make me feel more safe, more, um, grounded and, uh, able to be my silly, quirky,
42:45crazy self.
42:46I would say the trust that people gave to me to do this, uh, changed the way I thought about
42:54myself.
42:55Like, I don't think I would have thought I could have accomplished this and carried this story
43:01even six months ago, but you need other people in your life to be like, you got to go for
43:05this,
43:05or you need people to believe in you on the team that's casting and directing and say,
43:08we believe that you're the person to tell this story.
43:11And so that vote of confidence and affirmation made me really rethink like,
43:16yeah, I am the person that's going to be able to accomplish this. And that actually brought
43:20to the table the skills that I needed to get it done. So I think that the belief,
43:23the self-belief that came from the belief from everyone around me really changed me.
43:27All right, we've come to the end of the show. A big thanks to Greg and Evan,
43:33share their experience on Straight Until He Kissed Me. And also for your amazing audience.
43:39Thank you for your support. Because of your support, this LGBTQ story like this will come alive.
43:45And so please don't, please don't forget and share to someone who might interest it.
43:52And we'll see you next time. Bye for now.
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