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04:21you. Everyone here is extremely tall. I'm considered to be pretty tall in Japan, but
04:31not so here. I am not going to let this get to me. Uh, no, I'm in a hurry. So
04:42anyway,
04:42he was such a boy. Excuse me. Uh, uh, excuse me. Sorry, my mistake. I, I cannot seem to find
05:02it. What on earth shall I do? No, no, wait, come on, stop right there. Stop. Stop. Stop.
05:12Stop. I should know better. That was the one piece of paper I really needed. What do
05:31I do now? Well, at least I remember the name of the place where I'm staying, so I know
05:37where I'm going to. But I really have no idea where I am now. Why does this kind of thing
05:42always keep on happening to me? Oh. So fast.
06:07What is it?
06:09Sorry to bother you. I didn't mean to creep up on you like that. Well, I did, but can
06:14you help? I've just arrived and I'm lost. I am looking for a carriage that can take me
06:18to St. Thomas' Art Academy. Um, can you... Hello? I'm talking to you. Oh. Do you want some?
06:36What? Are you kidding me? You rubbed out your sketch with that.
06:40No! Wait. Suit yourself. You are not as hungry as you sound, I suppose.
06:48Sorry for bothering you! Hmph! Who would do such a thing? Offering someone bread covered
06:56in charcoal? How rude has one person been?
06:59Two streets down. Turn left. Huh?
07:00Keep going down the street until you get to Alex and Son. It's right there.
07:06Oh. Thank you very much. At last. This is Alex and Son. I say, Miss. Huh? Are you Miss Lily
07:32Ishijoin?
07:33Oh, yes. Thank goodness. Welcome to our great capital.
07:40I was getting a bit worried that you may have got lost. I'm so sorry for being late.
07:45Ha ha! Don't you worry, Miss.
07:49Goodness! That building over there is beautiful! Oh, and I can see a giant clock tower as well!
07:56So is this your first time in London? Yes. Everything here is completely new to me.
08:01You like it then, Miss? Oh, yes.
08:04Ha ha ha! It's a lovely day, and we've got time. Do you fancy some sightseeing, Miss?
08:10Oh, yes, please.
08:31Ha ha ha! Wait for me!
08:34Ha ha ha! Wait for me!
08:48I'm here. Really here.
08:53Father. Mother. I managed to arrive safely.
09:00At last. I'm in London!
09:51Welcome to St. Thomas' Art Academy, Lily Ishijo-in.
09:58You, Lily, are most fortunate to be here.
10:03Charles Brandt is my name.
10:05N-nice to meet you.
10:08You will address me as Sir.
10:11Yes, Sir.
10:13As you may know, this prestigious and revered art school has been attended throughout history by royalty and aristocrats.
10:23Here we not only teach technical skills, but we refine each student's ability to express themselves, aiming to produce artists
10:32who will succeed worldwide.
10:36Whilst you are a student here, you are representing Japan, so devote yourself fully to your work.
10:43Yes, I will do my best, sir.
10:45Thank you for your thorough explanation, Professor Brandt.
10:50Now, Mr. Hayashi has been in touch with me, Lily.
10:54He requested that we take care of you.
10:56You're very talented.
10:57So he tells me.
11:00He spoke very highly of you.
11:03He said that you are worth investing in, even at the expense of national funds.
11:08Rest assured, Lily, we will provide you with the utmost support to ensure that your talents flourish.
11:16Thank you very much, sir.
11:18But!
11:20Headmaster!
11:21This academy of ours is not a very easy place to survive in.
11:25Your talent means nothing.
11:27What truly matters here, girl, is whether or not your art has the power and vision to change the world.
11:33Oh, yes.
11:34Excuse me!
11:36Hello!
11:37I thought the new student might need a guided tour.
11:39Oh, not now, sir.
11:41Not again.
11:42Hmm?
11:42You there, Brown.
11:44I am still talking, girl.
11:45Professor Brandt, we've got important things to do.
11:48Let's get going!
11:49Come on!
11:50Ah!
11:51The labour we delight in.
11:53Hey, Brown!
11:54Wait there, Brown!
11:56Always in a hurry, that girl.
11:58We were just talking about the Scottish play.
12:01There's a very profound quote in there that is extremely apt.
12:06The labour we delight in, physics, pain.
12:09It's about the importance of effort.
12:16Phew!
12:17That was a close shave.
12:19Brandt can go on for hours once he starts whittering on about Shakespeare.
12:23Um, are you sure that was all right?
12:24We left while the professor was still talking.
12:26Oh, don't worry about it.
12:27If we stuck around, we'd be there all day.
12:30Oh!
12:31I haven't introduced myself yet.
12:33My name is Dorothea Brown, and I'm from the Cotswolds.
12:37But Dorothy will be just fine.
12:40Lily Ishi-Join.
12:41Nice to meet you, Dorothy.
12:44Ah!
12:44I have never met anyone from Japan before.
12:47Listen, if you don't understand, please just ask me.
12:51Thank you, Dorothy.
12:52Come on!
12:53There is simply so much to show you!
13:05This floor is where the sculpture department is.
13:08And up on the second floor, you'll find the stained glass department.
13:13It's enormous, like a castle.
13:15Yes, but it's more special than a castle.
13:19This academy is simply unique, you know, Lily.
13:22Rich and poor, men and women, everyone studies all together here.
13:26That's pretty unusual, you know.
13:30Wonderful.
13:32Our founder had a bold vision.
13:35That the art world should be equal and accessible for everyone.
13:38And that art's a universal language.
13:41You see?
13:42Very admirable, isn't it?
13:44And that's great for us women.
13:46We can step forward in this brave new era.
13:49I gather you're an oil painter, Lily.
13:53Yes.
13:53I still can't believe I get to study here.
13:56I will not waste my chance at the academy.
13:59That's the spirit, my girl.
14:01And the real challenge for us starts right now.
14:06There's so much to do, from drawing exercises and foundation classes, to joint lessons with other departments.
14:13But the hardest part are the critique sessions.
14:19I absolutely hate critique.
14:22I'm beginning to feel really nervous.
14:24You'll be just fine.
14:26Let's keep going.
14:29All right, ready.
14:35This is the gallery.
14:37It houses our most valuable works.
14:39Not only from England, but masterpieces from around the world.
14:43So many paintings.
14:45I've never seen so many.
14:47Incredible, isn't it?
14:49It's just us here today, because it's closed to the public.
14:52But usually it's packed with crowds of people admiring the artwork.
14:56What are these ones?
14:57Ah, now these are the best pieces from the critique sessions.
15:01The finest works that we students produce are displayed here.
15:04And these ones, Lily, are the top three.
15:09The top three?
15:18Kit Church.
15:26Incredible.
15:28Kit's a true genius.
15:30There's a rumor that he already has a number of patrons supporting him.
15:33He's almost always first.
15:35He's the number one student in our year.
15:39The number one student.
15:44Never you mind, Kit Church.
15:47Can you have to tell me I've been dying to know since I heard you were coming here from Japan?
15:51You do have one, I know you do.
15:53A shuriken?
15:54Tell me now.
15:56You're a samurai, aren't you?
15:58Huh?
15:59I know all about it.
16:01That every Japanese person is a samurai.
16:04Your shuriken is hidden in your kimono, isn't it?
16:07Ah, that's so exotic.
16:10Wait a second, Dorothy.
16:11I think there's been a misunderstanding.
16:13First of all, I am not a samurai.
16:16Listen, Lily.
16:17I swear that I won't tell anyone.
16:19I know very well that you're supposed to commit harakiri when you're found out.
16:24Harakiri?
16:25Come on, show me the blade.
16:27Oh, Dorothy.
16:29There you are.
16:31I have a quick question about Tamora's assignment.
16:34Do you have a moment?
16:35Oh, sure.
16:36I'll be right there.
16:39All right, Lily.
16:40We'll talk more later.
16:42Huh?
16:42Lily?
16:50That was exhausting.
16:52Do people really think of Japanese people like that?
17:22Listen, Lily.
17:24Pay attention.
17:26What is the highest mountain in Japan?
17:30Mount Fuji, Mother.
17:32And the second highest?
17:34Tell me.
17:36I don't know.
17:37Sorry.
17:38Now, what is the longest river in Japan?
17:41I know.
17:42It's the Shinano River.
17:44And the second longest?
17:46The second?
17:49I don't know, Mother.
17:52Being number one means being the best.
17:55It means you will be remembered.
17:57And throughout history, you'll be etched into people's minds.
18:01Being second doesn't count.
18:03It's nothing.
18:04No one remembers who came second.
18:08So, I will reluctantly let you go to England, since you insist.
18:13But there is one condition.
18:16You have six months to prove yourself.
18:19If, at the end of six months, you are not the number one student at St. Thomas' Art Academy, you
18:28will return home, marry, and take over the Ishijo-in Kimono Boutique.
18:34And you will never mention your art again.
18:37Come on now, be reasonable.
18:38It is her life, after all, my dear.
18:40Will you be quiet?
18:41So sorry.
18:42So sorry.
18:44So, Lily, my daughter.
18:47Do you understand the condition I've set?
18:50What?
18:51Six months?
18:52Six months only.
18:54To prove yourself and to become the number one student at the Academy.
18:59If you can do that, I'll let you stay on.
19:01Anything less, and you will come home to work here in the Boutique.
19:06Agreed?
19:08He's almost always first.
19:10He's the number one student in our year.
19:15Six months.
19:25Huh?
19:31Huh?
19:33Huh?
19:42What?
19:43Huh?
19:44My luggage!
19:46I!
19:47What are you doing?
19:49Hey!
19:50This case is mine, all right!
19:53Huh?
19:56What is this fabric?
19:59What on earth is it for?
20:00How dare you!
20:01That is none of your business!
20:06Hey!
20:06What's all the commotion?
20:08What on earth is going on?
20:09I had a crazy scream.
20:12This boy was going through my underwear!
20:14Is this true, Kit?
20:16You need to stop this bad habit of going through people's stuff!
20:19Huh?
20:24K-Kid?
20:36Lily, let me introduce you to the number one student at the academy, Kit Church.
20:42What the blazes, Kit?
20:44That is simply no way to treat a lady!
20:46I called her name twice, but even so, I couldn't wake her up.
20:50That's still no excuse to go through her luggage!
20:53And where the hell were you during class?
20:55The docks.
20:57Wait, the docks?
21:01The docks!
21:03The boy at the docks who was eating black bread!
21:08Not again.
21:10Kit, that stuff's so bad for you, you must stop eating it.
21:13There's no harm in eating it.
21:15Oh, Kit!
21:19The docks again.
21:20You look even filthier than usual today.
21:23He tried to jump into the Thames last time he was there.
21:27What the blazes were you thinking?
21:29The seagull took the bread he was using as an eraser, so he tried to chase after it.
21:34He's a stranger.
21:36Listen, Lily.
21:37You have six months to prove yourself and to become the number one student.
21:42If you're number one, I'll let you stay.
21:47A boy like this...
21:52Is number one!
21:55There's no way!
21:57I'll let him win!
22:20I'll let him win!
22:44Be sure!
22:45So, in the next video, I'll let him win!
22:49Yeah, you're my friend!
22:50I'll let him win!
22:53I'll let him win!
22:54I'll let him win!
22:56I'll let him win!
22:57I'll let you out!
22:58You are the guy!
23:01You are the person who can't find me!
23:04I'll let him play the line.
23:09You're the one!
23:11You're the one!
23:11You have a line, you have a line
23:16You have a line, you have a line
23:22You have a line
23:23I see me flat down your head
23:26You don't make no more fail
23:29I think I'm going to die
23:32I'm going to die
23:32I'm going to die
23:35I'm going to die
23:56I'm going to die
24:21I'm going to die
24:21I'm going to die
24:21I'm going to die
24:21I'm going to die
24:22I'm going to die
24:23I'm going to die
24:23I'm going to die
24:25I'm going to die
24:33You
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