- 10 minutes ago
Lost Glow HD
Category
🎥
Short filmTranscript
00:04that one you see it the really bright one next the weird zigzag shape that's not a zigzag that's
00:12Cassie popia it's shaped like a W looks like a zigzag to me that's because you don't pay
00:17attention in class why would I I've got you to tell me everything after here I made this
00:22in arts and craft Nora Bennett said it was the worst one in the class but I told her it's
00:26not
00:26about being pretty it's about being strong I triple-knotted it so it'll never come off
00:37never never ever
00:38okay
00:39I'm
00:41I'm
00:53I'm
00:54I'm
00:56I'm
00:57I'm
00:58I'm
01:02I'm
01:03I'm
01:06I'm
01:07I'm
01:18Whoa, dude, you look totally not like you.
01:22Who are you and what did you do with Lila?
01:28Come on, bro.
01:29Dance floor is calling.
01:43You didn't have to go through all this trouble, Lila.
01:45We're not fancy people.
01:53I want to show you something.
01:54Yeah, cool sunset.
01:57Lila, sweetheart, how long are you going to keep doing this to yourself?
02:01Doing what?
02:02You know exactly what.
02:04When are you going to tell that boy how you feel?
02:06You've been saying that since middle school.
02:08The right time doesn't come to you.
02:10You go to it.
02:10I will when the time is right.
02:13Okay, okay, okay.
02:13I have news.
02:14Huge news.
02:15Life-changing news.
02:16What?
02:16I got it.
02:17The job in New York.
02:18Apex Athletic, their marketing training program.
02:20I start in three weeks.
02:21Elliot, oh my God.
02:22Yeah.
02:23Hey, babe.
02:24Yeah, it's official.
02:25I got it.
02:25I know, right?
02:26Tonight?
02:27Absolutely.
02:28Can't wait.
02:28Yeah, me too.
02:29Okay, see you soon.
02:30Bye.
02:34Okay.
02:35I can't hold it in anymore.
02:38You've been twidging since we sat down.
02:40Just tell me.
02:45I'm going to ask Serena to marry me.
02:50Wow.
02:51Elliot, that's a big step.
02:53I know, right?
02:54I've been thinking about it for months.
02:55She's the one.
02:56Lila, I can feel it.
02:57I mean, she's smart.
02:58She's driven.
02:59She's, you know.
03:01Yeah, I know.
03:03So, what do you think?
03:06Honestly, you're the person whose opinion matters most to me.
03:09You always have been.
03:12She'll love it.
03:12I'm throwing an engagement party.
03:14I'm throwing an engagement party.
03:15The rooftop at the Meridian.
03:17You have to be there.
03:18Promise me.
03:20I promise.
03:29Lila?
03:30It's 2 a.m.
03:30The engagement party.
03:32Saturday.
03:32I'm going to tell him the truth.
03:33I've been not sure for 15 years.
03:35And look where that got me.
03:36If I don't say it now, I'll spend the rest of my life wondering, are you sure?
03:39And if he doesn't feel the same way, then at least I'll know.
03:41And I can finally stop waiting.
03:44Never ever, right?
03:55You've practiced this.
03:57You know the words.
03:58Just say the words.
04:19Oh my god, love your dress.
04:21Who is it?
04:22Um, I made it.
04:23Shut up.
04:24You have to give me your card.
04:27Excuse me.
04:27I need to...
04:36Lila!
04:37You made it!
04:43Elliot.
04:45I need to talk to you.
04:46Alone.
04:47Can we...
04:48Yeah, of course.
04:50Is everything okay?
04:56So what's up?
04:57You sounded serious.
05:01Elliot.
05:02I need to tell you something.
05:04And I need you to let me finish before you say anything.
05:08Can you do that?
05:09Yeah.
05:09Yeah, of course.
05:10I have been in love with you since I was 12 years old.
05:15Not the friend kind of love.
05:16Not that you're like a brother to me kind.
05:18I mean, I have spent 15 years of my life waking up every single morning and the first thing
05:23I think about is you.
05:24Designed my first dress to impress you.
05:26Moved to New York to be near you.
05:28I have helped you pick out gifts and plan dates and I have sat through every phone call
05:33about every girl and I have smiled through every single one because having you in my
05:37life as a friend was better than not having you at all.
05:39But I can't do this anymore.
05:40I can't watch you marry someone else and pretend I'm happy about it.
05:43I can't stand next to you at that altar and not scream.
05:45So I'm telling you now.
05:46I love you, Elliot.
05:48I have always loved you.
05:57Lila, I, God, I don't, I don't know what to say.
05:59Say what you feel.
06:00You're my best friend.
06:01You're the most important person in my life outside of my family.
06:04You know that.
06:04But I, Lila, I've never thought of you that way.
06:07I don't, I love you, but not, not like that.
06:09And, and I'm engaged.
06:10I'm about to start a life with Serena.
06:12I can't.
06:12I know.
06:12I know all of that.
06:14I'm not asking you to leave her.
06:15I'm just asking you to know.
06:16I needed you to know.
06:17We're friends, Lila.
06:18The best kind of friends.
06:19Please, let's not ruin this.
06:21We can just pretend this didn't happen and go back to how things were.
06:24Can we do that, please?
06:25There you two are.
06:26Everyone's looking for the groom to be.
06:27What are we hiding out here for?
06:29Elliot's little childhood friend just gets so emotional at parties.
06:32Isn't that sweet?
06:52Elliot, I should go check on her.
06:58She just confessed her love to you at our engagement party.
07:02If you chase her right now in front of all these people, what message does that send?
07:24I'm here.
07:25I'm right here.
07:26He said to pretend it didn't happen.
07:28Fifteen years, Zoe.
07:30He wants to pretend it didn't happen.
07:46Fashion design assistant positions, Paris, France.
08:03I'm leaving New York.
08:04Don't look for me.
08:05I wish you nothing but happiness, Elliot.
08:19You know you don't have to do this.
08:21You could stay.
08:22You could...
08:22I can't stay, Zoe.
08:23Everything in this city smells like him.
08:25I'll go crazy.
08:27Paris is far.
08:28That's the point.
08:30You call me every week.
08:32I don't care what time it is there.
08:34Every week.
08:52The number you have dialed is no longer in service.
08:56The number you have dialed is no longer in service.
09:10The Henderson Gala is Friday.
09:12We should coordinate outfits.
09:14Can't.
09:14I have a shoot in L'Lama until Saturday.
09:16Since when?
09:17That wasn't on the calendar.
09:23It came up last minute.
09:24You know how this industry works.
09:27You've had four last minute shoots this month.
09:29And you've had four late nights at the office.
09:31We're both busy people, Elliot.
09:33That's why this works.
09:56Oh, good.
09:57You found it.
09:58I've been looking everywhere.
09:59You got an email from the Ryland Group.
10:02Hmm?
10:03Oh, probably some PR outreach.
10:05They've been trying to get me your campaign.
10:07You know how these brands are.
10:08They email everyone.
10:32How long?
10:33How long have you been doing this?
10:41I need to bring something to the board's attention.
10:43I have evidence that Serena Hall has been...
10:51You already know.
10:52Sit down, Elliot.
10:53They're the same family.
10:54Serena and Damon, they've been...
10:55I said sit down.
10:57The board has been made aware of certain irregularities in your department's dealings with external partners.
11:02Documents bearing your signature have been flagged.
11:05We are initiating a formal investigation.
11:07Those signatures are forged.
11:09I never authorized any of those agreements.
11:10Serena...
11:11Your personal relationships are not the board's concern.
11:13The documents exist.
11:14Your name is on them.
11:16Until the investigation concludes, you are suspended from all duties, effective immediately.
11:38I'm sorry, man.
11:39I just can't be associated with...
11:41You understand?
11:42You understand?
11:56No graceful way to say this, so I won't try.
11:58You were useful while you lasted.
12:00The ring doesn't fit my new life.
12:01Don't contact me.
12:13The number you have dialed is no longer in service.
12:16I'm sorry, Layla.
12:35No, no.
12:35I said the Silk Organa in Midnight, not Navy.
12:38They're completely different.
12:39Pull the Midnight from the Lila warehouse and get it to me by Thursday or I'll go to Tesseti.
12:43Yes.
12:44Merci.
12:44Lila, Vogue Paris wants to confirm the feature shoot for next week.
12:48Also, the buyer from Galerie Lofa called three times.
12:50Tell Vogue yes.
12:51Morning slot only.
12:52I need the afternoon light for the collection.
12:53And tell Galerie Lazard I'll call them back when the collection is ready, not before.
12:59Better?
13:07Lila.
13:08Lila.
13:09Lila.
13:10The New York Fashion Week organizing committee.
13:12They sent a formal invitation.
13:13They want you.
13:14A solo showcase.
13:15The Skylight Pavilion.
13:16Three years.
13:17Three years of learning how to live without you and all it takes is two words on a piece
13:21of paper to make my hands shake.
13:23Are you okay?
13:24Tell the committee yes.
13:26We're going to New York.
13:32Lila.
13:33Lila.
13:33Lila over here.
13:34How does it feel to be back in New York?
13:36It feels like coming home.
13:38And no, you'll have to wait for the show like everyone else.
13:44Two interview requests already.
13:46LUS and WWD.
13:47And the hotel confirmed the penthouse suite.
13:49Take the WWD interview.
13:50L can wait.
13:51No personal engagements outside of work while we're here.
13:54No old friends.
13:54No reunions.
13:55No distractions.
13:56We're here for the show.
13:57That's it.
13:57And in fashion news, internationally acclaimed designer Lila Shin, founder of the Wildfire
14:02label, has arrived in New York.
14:03Lila, is there anyone in New York you're most looking forward to seeing?
14:07And it's a way to see very yack snow.
14:09No one in particular.
14:35The lighting needs to shift from cold blue to warm gold at the midpoint.
14:39I'll talk to the LD.
14:41What about the seating?
14:42Keep it intimate.
14:43I'd rather have 200 people who can't breathe than 1,000 who feel nothing.
14:58Lila.
15:00Elliot.
15:01Lila, I...
15:02Sophie, could you please have security escort this gentleman out of the backstage area?
15:07He doesn't have the correct credentials.
15:13I know I don't deserve a minute of your time.
15:16But Lila, you look incredible.
15:45I know you don't want to see me.
15:46I know I have no right to be here.
15:48Then why are you here?
15:49Because I owed you something for three years, and I'm not going to send it in a text.
15:52I'm sorry.
15:53Not for what I said on that balcony, though God knows I'm sorry for that too.
15:56I'm sorry for every day before it.
15:57Every time you looked at me and I didn't see you.
15:59Every time you showed me who you were and I was too stupid, too comfortable, too blind to notice.
16:03I'm not here to ask for anything.
16:04I just need you to know that I see it now.
16:06Everything I missed, and I'm sorry.
16:09Thank you for the apology.
16:10You can go now.
16:11I know you built all this without me, and I know that's exactly how it should be.
16:13I'm not here to take credit for who you became.
16:15I'm here because the person you became deserves the apology the person I was should have given years ago.
16:42What do you mean, held at customs?
16:44Those fabrics were cleared two weeks ago.
16:46There's been a flag on the shipment.
16:48It could take up to three weeks to resolve.
16:50I don't have three weeks.
16:51I have ten days.
16:52It gets worse.
16:53Morelli Textiles just pulled out.
16:55Their legal team says the customs flag creates unacceptable liability exposure.
16:58They're terminating the supply contract.
16:59Morelli is providing 70% of our core fabrics.
17:01I know.
17:02So you're telling me that in ten days I'm supposed to produce a full collection for the most important show
17:05of my career with 30% of my materials?
17:07I'm telling you, we need a miracle.
17:09Or we need to pull the show.
17:10We are not pulling the show.
17:12Get me a list of every alternative supplier on the East Coast.
17:15Every single one.
17:16I don't care if they're in a basement in New Jersey.
17:18I'll sew the damn fabric myself if I have to.
17:24Hans?
17:25Elliot Reynolds.
17:25Yeah, I know it's late.
17:26I know what you've heard.
17:27Listen, I need a favor.
17:28Not for me.
17:29It's a designer.
17:30Lila Chen.
17:31Wildfire label.
17:31She's got a customs nightmare and she needs premium silk organom by the end of the week.
17:34The midnight series from your Zurich stock.
17:35I know it's short notice.
17:36I know what I'm asking.
17:36Consider it the last favor I'll ever call in.
17:38Thank you, Hans.
17:42Hello?
17:43Miss Chen's Eric Lindelman, Asia Pacific Director for Lindstrom Textiles.
17:46I'm calling to inform you that a complete alternative fabric package has been arranged for your collection.
17:49Silker gaunt, duchess satin, and woolcrete, all premium grade.
17:51Shipment is already en route.
17:52You should have it within 48 hours.
17:54Who arranged this?
17:56A gentleman by the name of Elliot Rolls.
17:59He contacted our entire supply network overnight.
18:06The Lindstrom Fabrics arrived tonight.
18:08James says we can resume cutting by tomorrow morning.
18:10Also, there was a man at the front desk this morning.
18:12He left this.
18:13Tell Restoration that if Carter Reynolds contacts any member of my team or attempts to access any of our venues,
18:17he has to be politely.
18:18He did just solve our supply crisis overnight.
18:19I didn't ask him to, and I'm not going to be the woman who falls apart because a man decided
18:22to play hero after he spent a decade ignoring her.
18:24Crystal clear.
18:24Are you clear?
18:36Not happening.
18:38Richard, I know we go back.
18:39I'm not asking for a freebie.
18:40I'm asking you to honor the original space allocation for the Wildfire Show.
18:43She earned that slot.
18:43Elliot, the sponsor backed out.
18:45I'll cover the difference.
18:46You?
18:46With what?
18:46I still have some consulting income, and I have relationships in the sense I've got, Richard.
18:49That should tell you something.
18:50You're going to go broke doing this.
18:51Probably.
18:51She must be something.
18:52She always was.
18:53I just didn't see it.
18:53This doesn't make sense.
18:54The budget didn't change.
18:55How did we get bumped up?
18:57Stop it.
18:57He's doing what he always does.
18:59Showing up when it's convenient, when it makes him feel like the good guy.
19:03It doesn't mean anything.
19:04It can't.
19:17The storage site is flooding.
19:18The walls are failing.
19:19Everything is in there.
19:20All 28 looks.
19:21The runway set pieces.
19:22The lighting rigs.
19:22If we don't move it all to the main venue basement in the next two hours, we lose everything.
19:26Where's the crew?
19:27Scattered across the city.
19:28I've called everyone.
19:29Earliest anyone can get here is 45 minutes minimum.
19:31I'm on my way.
19:42Why?
19:43Why do you keep doing this?
19:44You had your chance to care and you threw it away.
19:46You don't get to show up now and be this person.
19:49But you're here.
19:50In the rain.
19:50And nobody asked you to be.
20:00Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
20:04no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
20:09no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
20:09no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
20:09no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
20:10no, no, no, no, no, no, no, no, no, no, no
20:23Oh, Elit, you can't be serious.
20:26You were supposed to stay down.
20:27You were supposed to disappear quietly and let the story end the way I wrote it.
20:30But instead, you're crawling back to the one person who could help you rewrite it.
20:33That's not something I can allow.
20:35Darling, it's me.
20:35I need a favor.
20:36I need everything you can get me on Elliot, recent contacts, texts, emails, anything.
20:39Yes, I know that costs extra.
20:41Since when has that been a problem?
20:42Good.
20:42And I need it by tomorrow.
20:43This is time sensitive.
20:48I have something huge.
20:49Elit Hayes and the wildfire designer.
20:51But you didn't get it from me.
20:59You know what the best lies are, Elliot?
21:02The ones that sound exactly like something you'd do.
21:17The RSPs are through the roof.
21:18Anna's office confirmed.
21:20Three major buyers from Asia.
21:21And the Times wants to do a backstage feature.
21:24Good.
21:25Let's make sure we give them something worth writing about.
21:32Lila, you should see this.
21:33There's more.
21:34It's on three different platforms already.
21:36Fashion Twitter is...
21:36Stop!
21:37How thorough.
21:37Lila, we don't know if this is real.
21:38It looks real.
21:39The message patterns, the way he writes,
21:41the Time Stanks match when he started showing up.
21:43It all fits.
21:45Just steps in a plan.
21:46I'm done.
22:12Serena.
22:16Serena.
22:20Emile, this is Elliot Reynolds.
22:21We spoke before.
22:24I need your help again.
22:25The same people who tried to use your name to attack Leela Chen are escalating.
22:28Yes, it's the same source.
22:30I can prove it, but I need you to go on record.
22:32I know it's a risk, because she doesn't deserve this.
22:34No one does, but especially not her.
22:36Tell me what you need.
22:42Leela, the story's collapsing.
22:43A journalist from Business of Flight just published a full debunk.
22:46The screenshots were faked.
22:47The accounts that posted them are connected to Ryland Group.
22:50There's a statement from the designer confirming no plagiarism.
22:53Everything about the smear.
22:54It was manufactured.
22:55All of it.
22:55The Fashion Week committee just called.
22:57They're issuing a statement of support for wildfire.
22:58They're calling the attack an unextenable attempt to undermine creative integrity.
23:01This might be better for us than if the attack never happened.
23:04The sympathy wave is massive.
23:05Leela, the debunk article mentions that the counter evidence came from anonymous sources with deep knowledge of the Ryland Group's
23:09operational methods.
23:10Every time I build a wall, you find a way through it without even knocking.
23:14You don't ask to be let in.
23:15You just stand outside and make it impossible to forget you're there.
23:19And the worst part, the absolute worst part, is that I still don't know if it's because you love me
23:22or because you can't stand being the villain of someone else's story.
23:31I'm not going to thank you for the supply chain.
23:34Or the venue.
23:35Or the storm.
23:36Or the article.
23:40I didn't come here looking for a thank you.
23:42Good.
23:43Because you already got your three words.
23:45Yeah, I did.
23:45Best text I ever received.
23:46Why did you do all of it?
23:48And don't say because I owed you or because it was the right thing to do.
23:50I want the real answer.
23:52Because when I saw you on that TV screen in a convenience store in Queens standing in an airport looking
23:55like you'd conquered the whole damn world.
23:56The first thing I felt wasn't pride and it wasn't jealousy.
23:58It was grief.
23:59I grieved the fact that I had the most extraordinary person alive standing right next to me for 15 years
24:02and I treated her like furniture.
24:04You were always there, so I never looked.
24:05And by the time I wanted to look, you were gone.
24:07I didn't help you to win you back.
24:09I helped you because you needed help and I was able to give it.
24:10And because spending 15 years as your friend and not noticing you is something I will regret every day for
24:13the rest of my life.
24:15I can't undo that, but I can make sure that the next time you need someone, I'm the first person
24:19through the door, even if you never let me pass the hallway.
24:22Tell me about Queens.
24:23What happened with the job?
24:24Serena happened.
24:25She and her brother Damon Hale were running a long game.
24:27Used my position, my access, my name.
24:29By the time I figured it out, the board already had a stack of forged documents with my signature.
24:32I was out in a day.
24:33Nobody would touch me after.
24:34And now?
24:34Now I do freelance consulting.
24:35Small companies, mostly.
24:36Startups that can't afford anyone better.
24:38I've got a studio apartment and a coffee maker that works about 60% of the time.
24:40The coffee maker is honestly the hardest part.
24:41You always did make terrible coffee.
24:42Excuse me, my coffee was legendary.
24:43Your coffee was a war crime.
24:44I read the letter you left with Sophie, the short one, from last week.
24:48Just being near you is enough.
24:49It isn't enough.
24:51Not for me.
24:52Not anymore.
24:53But I don't know what is, and I need you to give me time to figure that out.
24:56Can you do that?
24:56I can do that.
24:57Don't disappear on me again, Elliot.
24:59Not now.
25:10Is it just me?
25:11Or do those two act exactly like my parents before they admitted they were back together?
25:16Focus on your hemlines, please.
25:30The full package.
25:31Send it to Lila Chen's production manager directly, I'll text you the contact.
25:34And push it to Lux Confidential, Fashion Underground, and the Cut's Tips line simultaneously.
25:39I want it everywhere before she can respond.
25:41No.
25:41Not the plagiarism angle.
25:42That's burned.
25:43Use the new material.
25:44Yes, the relationship angle.
25:46Make it personal.
25:46Make it hurt.
25:47Lila.
25:48We need to talk.
25:49Now.
25:50In private.
25:54It's on three platforms already.
25:56And this time it's not just screenshots.
25:57There's a document trail.
25:59It lie looks...
25:59It looks comprehensive.
26:01He told me to give him time.
26:03I gave him time.
26:04He told me to trust him.
26:05I was starting to...
26:06Where is he?
26:06Loading dock.
26:07Moving the last of the lighting rigs.
26:15Hey.
26:17I think we're almost...
26:18Explain this.
26:22This is fake.
26:23Lila, every word of this is fabricated.
26:25This is Serena.
26:26This is exactly what she did to me at Apex.
26:28She forges documents.
26:29She creates narratives.
26:31I never wrote any of these messages.
26:32I never signed this agreement.
26:33You have to believe me.
26:35I have to believe you?
26:37Because it's the truth!
26:38The time stacks on these messages correspond exactly to the days you showed up at my venue.
26:42The consulting agreement is dated the week you solved my supply chain crisis.
26:46The language in these chats matches the way you actually talk, your observations, your sentence patterns.
26:50Everything lines up, Elliot.
26:52Everything.
26:52Because she knows how I talk.
26:54She lived with me for three years.
26:55She forged my signature so well that a corporate board couldn't tell the difference.
26:58This is what she does, Lila.
26:59She builds traps that look like truth.
27:00Please, let me prove it.
27:02Give me 48 hours and I can...
27:03You don't get it.
27:04It doesn't matter if this is real or fake.
27:06Do you understand that?
27:07It doesn't matter.
27:07Of course it matters.
27:09No.
27:09It doesn't.
27:10Because the fact that I can't tell, the fact that I look at this evidence and I genuinely
27:13cannot determine whether the man standing in front of me is real or performing, that
27:17tells me everything I need to know.
27:18About us.
27:20About what we are.
27:21About what we've always been.
27:22Three years ago, you stood on a balcony and told me to pretend my feelings didn't exist.
27:28And I flew across an ocean to survive it.
27:31I rebuilt myself from nothing.
27:34I made something beautiful out of the worst night of my life.
27:37And then you walk back into it and I let you.
27:40Inch by inch, I let you back in.
27:43Because some stupid, stubborn part of me still believed that underneath everything,
27:47you were the boy on the bench who gave me a bracelet and said,
27:50Never, ever.
27:52You will always do this, Lila.
27:53You will always only know what you had after you've lost it.
27:56And you will always show up just in time to make me believe things could be different.
27:58But they're not.
27:59They never were.
27:59And I am so, so tired of being the person who waits for you to see what's right in front
28:02of you.
28:03Don't come to the show.
28:04Don't call.
28:04Don't help.
28:05Just let me go.
28:06For real this time.
28:33End.
28:34Good night.
28:39We chill down.
28:43Thanks man.
28:58I'm an 이야기를.
28:58One of the time.
28:59Whatever is.
28:59The bible searches can be found in the Holy Steers.
29:19Hey, it's Elliot.
29:20I need to book a flight to Paris, one way, tonight if possible.
29:23Yeah, I know it's expensive.
29:24Put it on the business account.
29:25No, I'm not sure when I'll be back.
29:27Whatever it takes.
29:58No, I'm not sure when I'll be back.
29:59No, I'm not sure when I'll be back.
30:29to a private security firm under contract with Ryland Group.
30:32The show is in two weeks.
30:34Lila, we can't, there's no way we can rebuild all of this.
30:41The chamber is asking for a formal decision by end of day.
30:43If we're withdrawing, they need to reallocate the slot.
30:45They're sympathetic, but they have other designers
30:47waiting for exactly this kind of opening.
30:51How much of the collection is salvageable?
30:53Maybe six pieces out of 28.
30:55How long to rebuild from scratch?
30:57With our current resources, eight weeks minimum.
30:59We have 12 days.
31:00Lila, no one would blame you for pulling out.
31:01You can regroup.
31:02Show next season.
31:02If I pull out, they win.
31:05Whoever did this, Ryland, Serena, all of them, they win.
31:07And the next designer they don't like,
31:09they'll do the same thing because they'll know it works.
31:10I'm not pulling out.
31:12Then we need a miracle.
31:13We need materials.
31:14We need additional seamstress.
31:15We need a production pipeline that doesn't exist.
31:16Then we build one.
31:17Payments, fizz, and tarfonsorist.
31:18I don't do ink to myself from Braxel.
31:19Then we build one.
31:25I can't do this alone.
31:27There's someone here.
31:27He says he has a delivery, but he won't give it to anyone except you.
31:31Premium silk ergonda, wool crepe duchess sat,
31:32and structural netting enough for a full collection.
31:34Three industrial sewing machines,
31:36a contact list of freelance couture seamstress based in Paris,
31:38all confirmed available.
31:39Start eight looks in 11 mornings.
31:40And a complete rush delivery on state's embellishments
31:41from two suppliers in Milan.
31:42They'll be here in 48 hours.
31:43The logistics company handling transport of the venue
31:45has been briefed and is on standby.
31:47How did you pay for all of this?
31:48It doesn't matter.
31:49It doesn't matter, Lila.
31:50What matters is that you have 11 days
31:51and you have everything you need.
31:53I'm going to go now.
31:54The seamstrips will report here at 7 a.m.
31:55Sophie has their contact information.
31:57This is for you.
31:58Read it whenever.
31:59Or don't.
32:01Wake the team.
32:02We start tonight.
32:29Day seven.
32:30Day nine.
32:46He gave me everything.
32:48Not to win me back.
32:49Not to prove a point.
32:51He gave me everything because I needed it
32:53and because he had it to give
32:54and because that's who he is
32:56when he's not pretending to be someone else.
32:58He emptied his life to fill mine
33:00and he didn't even stay to watch.
33:02I spent three years becoming someone
33:04who didn't need Elliot Reynolds
33:06and I did it.
33:07I don't need him.
33:08I've never needed him.
33:10But tonight, sitting in this room
33:12that he helped save,
33:13surrounded by work that only exists
33:15because he threw himself into the fire for me,
33:17I finally understand the difference
33:19between needing someone and choosing them.
33:22I didn't do this so you'd love me.
33:24I did this because you taught me
33:25what it means to love someone
33:27even if they never love you back.
33:29Go set the world on fire, Lila.
33:31That's what you were always meant to do.
33:33See.
33:45Five minutes to doors.
33:47House is packed.
33:48Standing room only.
33:48Lila, everyone is here.
33:50Then let's give them something
33:52they'll never forget.
34:03Extraordinary.
34:05Extraordinary.
34:23I spent the first half of my life with you right beside me and I never once looked.
34:27I was so busy de-chasing things that shined that I missed the person who was the light.
34:31You don't need me to tell you you're extraordinary, the whole world already knows.
34:34You built an empire out of heartbreak and turned everything I destroyed into something
34:38beautiful.
34:40I'm standing here because I spent half my life not seeing what was right in front of
34:43me and I want to spend the other half making sure you never doubt not for one second that
34:46you are the most seen, most known, most loved person in any room you walk into.
34:49I was your best friend and I failed at it.
34:51Let me try again.
34:52Not as your buddy.
35:00Three weeks later, the court is now in session.
35:02Serena, you are charged with commercial fraud and sabotage.
35:08The evidence is overwhelming.
35:12Miss Chan, following the unprecedented success of your show and the revelations about the
35:16sabotage campaign, can you comment on the future of Wildfire?
35:20Wildfire will continue to do what it's always done, create beauty out of adversity and I'm
35:24pleased to announce that we'll be expanding our operations with a new strategic partner.
35:28Wildfire has entered into a long-term marketing and brand strategy partnership with Restart
35:31Sports Marketing.
35:32Their founder has demonstrated a level of integrity, resourcefulness and commitment that
35:35aligns perfectly with our value.
35:36The founder of Restart, that's Elliot Ronalds, correct?
35:38There were allegations.
35:39Elliot Reynolds was the victim of the same fraud operation that targeted my brand.
35:43Those allegations have been thoroughly abuffed and the perpetrators are facing criminal charges.
35:48Any further questions about Mr. Reynolds' character can be directed to his work, which speaks
35:52for itself.
35:57Remember when you told me that tree was ugly?
36:00I was seven.
36:01I didn't know anything.
36:02And now?
36:03Now I think it's the most beautiful tree I've ever seen, because it's still here, after
36:07everything.
36:08Still growing crooked.
36:10Did you seriously?
36:11Nora Bennett still would have given me an F. Never, ever.
36:14You know, when you said that the first time, I believed you.
36:16I was seven, and I believed you completely.
36:18And now?
36:19Now I'm 27.
36:21And I still believe you.
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